Vinyl Records & Newly Released Vinyl LP Records

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Track Listing:
LP1 - Original LP
1. Imagine
2. Crippled Inside
3. Jealous Guy
4. It's So Hard
5. I Don't Wanna Be A Soldier
6. Gimmie Some Truth
7. Oh My Love
8. How Do You Sleep
9. How?
10. Oh Yoko

LP2- Imagine Sessions 12"
1. How Do You Sleep
2. Jealous Guy
3. Oh My Love
4. Baby Please Don't Go
5. Imagine (take 1)
6. I Don't Wanna Be A Soldier

• 1000 ONLY LIMITED EDITION

• In December, Tom entered the studios of KQRS Minneapolis for his first ever FM broadcast, floated across the airwaves by that very station and syndicated by many others nationwide.

• Now considered the holy grail of Waits broadcasts amongst serious collectors of the great mans work, this performance featuring Tom Waits alone at his piano with just his magnificent voice as accompaniment, the way he should be heard, is nothing short of staggering.

• This CD contains the full KQRS broadcast in perfect FM stereo quality, during which Tom performs a range of songs taken from his first three records Closing Time , The Heart Of Saturday Night and the aforementioned Nighthawks.

• Bonus tracks include a further three exceptional TV broadcasts from the early to mid 1980s, and include Mr. Siegal performed on Don Lang s show in 1981, plus two 1986 Letterman broadcasts in support of his then brand new masterpiece Swordfishtrombones

Track Listing:
SIDE A

1. Emotional Weather Report
2. Eggs & Sausage [Intro.]
3. Eggs & Sausage
4. Better Off Without A Wife

SIDE B

5. Semi Suite
6. Spare Parts
7. The Ghosts Of Saturday / The Heart Of Saturday Night
8. New Coat Of Paint

SIDE C

1. Warm Beer & Cold Women
2. Virginia Avenue (2:48)
3. San Diego Serenade
4. Putnam County
5. Ol 55

SIDE D

6. Mr Siegal [Don Lane Show 1981]*
7. Tango Till Theyre Sore [David Letterman Show 1986]*
8. Time [David Letterman Show 1986]*
*bonus track

This title is not eligible for discount.

Track Listing:
LP1 - Youth & Young Manhood
1. Red Morning Light
2. Happy Alone
3. Wasted Time
4. Joe's Head
5. Trani
6. California Waiting
7. Spiral Staircase
8. Molly's Chambers
9. Genius
10. Dusty
11. Holy Roller Novocaine
12. Talihina Sky

LP2 - Aha Shake Heartbreak
1. Slow Night, So Long
2. King of the Rodeo
3. Taper Jean Girl
4. Pistol of Fire
5. Milk
6. The Bucket
7. Soft
8. Razz
9. Day Old Blues
10. Four Kicks
11. Velvet Snow
12. Rememo
13. Where Nobody Knows

LP3 - Because of the Times
1. Knocked Up
2. Charmer
3. On Call
4. McFearless
5. Black Thumbnail
6. My Party
7. True Love Way
8. Ragoo
9. Fans
10. The Runner
11. Trunk
12. Camaro
13. Arizona

LP4 - Rarely

Side A - Studio
1. California
2. Molly's Hangover
3. Head to Toe
4. Woo Hoo
5. My Third House

Side B - Live
6. Happy Alone
7. Genius
8. Wicker Chair
9. Razz
10. Joe's Head
11. Tani

• RECORDED LIVE AT HAMPTON COURT PALACE ON THE 500TH ANNIVERSARY OF HENRY'S ACCESSION TO THE THRONE

• Limited edition 180 gram double vinyl

• Wakeman performed the album live in its entirety for the first time with his band, the English Rock Ensemble, the English Chamber Choir and the Orchestra Europa, on 1 and 2 May 2009.

• Featured in the setlist was "Defender of the Faith", the track Wakeman wrote about Henry before it was omitted from the album due to time constraints.

• The Six Wives of Henry VIII was the debut studio album from the English keyboardist and composer Rick Wakeman, released in January 1973 on A&M Records.

• It is an instrumental progressive rock album with its concept based on his interpretations of the musical characteristics of the six wives of Henry VIII. • Wakeman decided on the concept in 1972 while he toured the United States with the rock band Yes.

• Musicians from Yes and Strawbs, who he performed with prior to Yes, also play on the album.

1. Tudorture 1485
2. Catherine Of Aragon

SIDE B

3. Kathryn Howard
4. Jane Seymour

SIDE C

5. Defender Of The Faith
6. Katherine Parr

SIDE D

7. Anne Of Cleves
8. Anne Boleyn
9. Tudorock

Here Comes Sunshine: 1973 Set Launches Dawning of New Era, Revamped Lineup

Half-Speed Mastered from the Original Master Tapes: Larger-Scale Arrangements, Brass Accents, Woodwind Passages Emerge Like Never Before—Tremendous Sound

Album Presents the Dead in All Its Incarnations: Country-Rock Merry Makers, Gospel-Sent Balladeers, Folk-Rock Storytellers, Psychedelic Innovators

Part of Mobile Fidelity’s Amazing Grateful Dead Reissue Series: Live/Dead, Skull and Roses, From the Mars Hotel, and In the Dark Also Available on 180g LP

For the Grateful Dead, Wake of the Flood ushered in an exciting new era of change and potential. The band elected to depart Warner Bros. and start its own record label. A new lineup emerged after keyboardist/vocalist Ron “Pigpen” McKernan passed away and the group landed jazz-schooled pianist Keith Godchaux and his wife, Donna, who gave the ensemble a new option in the form of a dedicated backing vocalist. Having road-tested a batch of new originals, the collective eagerly sought to expand its broad musical palette in the form of a large-scale studio LP that involves horn sections, violin, and choral figures. Diverse, unique, and mellow, 1973’s Wake of the Flood overflows with the luminous vision, stellar songwriting, and ensemble reciprocity made possible by its historical circumstances and inspired creators.

Half-speed mastered from the original master tapes and part of the label’s unprecedented Grateful Dead reissue series, Mobile Fidelity’s numbered limited edition 180g LP of Wake of the Flood presents the Dead’s family-styled blend in supreme fidelity. More than any other Dead studio effort, Wake of the Flood utilizes the myriad alternatives offered by the studio setting. Recording to 24-track, the group invited no fewer than six horn players to the fray, with saxophones, trumpets, and trombones synching up with the six-piece band on two songs. In addition, virtuoso violinist Vassar Clements makes a guest appearance and Texas legend Doug Sahm lays down 12-string guitar, contributing to an amalgamation that’s nothing short of epic in ambition—and, in the case of the thematic “Weather Report Suite,” epic in length.

Mobile Fidelity’s engineers recognize how beloved this iconic effort is to so many people. Approaching the mastering process with the same type of focus, perception, and foresight that the Dead bring to the compositions, their painstaking work reveals previously obscured details, timbres, movements, and sounds that greatly add to Wake of the Flood. You can hear and sense it in terms of the LP’s poetic sensibility, arching scope, mythological illusion, and emotional impact, all as natural as the rustic images portrayed on the album’s artwork.

Bass fanatics, take note: During the sessions, Phil Lesh was in the midst of utilizing an Alembic “Quad” bass equipped with four pickups to allow each string to be recorded individually, or, one per track. The oceanfloor-deep bass frequencies on this pressing will loosen anything not properly tethered in your room. Jerry Garcia, too, debuts a new Alembic-produced guitar on the album; his rich tonalities swim in the currents of every song here.

And every tune here is first-rate, good ol’ Grateful Dead. Two separate albeit symbiotically related songwriting teams—Garcia/Hunter and Weir/Barlow—guide excursions into forget-all-your-troubles country-rock (“Mississippi Half-Step Uptown Toodeloo”), spirit-boosting funk-cum-psychedelia (“Eyes of the World”), mournfully bracing blues balladry (“Stella Blue), and reassuring folk-rock (“Here Comes Sunshine”). Akin to the album’s overall mood, the latter track progressively unfolds, each passage blooming with additional optimism, fortitude, and purpose.

Similarly, the lyrical clouds and thunder ultimately pass on Weir’s beautifully complex and terrifically executed three-part “Weather Report Suite,” a team effort that represents one of the rare occasions of the Dead pairing with a horn section. A live favorite for many years, the tune never possessed onstage the atmosphere-filling soundscapes and theme-enhancing instrumental elements that it does here. Is there a better way to conclude a masterpiece that subconsciously reflects dawning of a new era and the indefatigable hope that comes with it? Doubtful.

Bask in the glory that is Wake of the Flood with this incredible 180g LP pressing. Get your collectable copy and lowest-numbered available version by ordering today!

Track Listing:
1. Mississippi Half-Step Uptown Toodeloo
2. Let Me Sing Your Blues Away
3. Row Jimmy
4. Stella Blue
5. Here Comes Sunshine
6. Eyes of the World
7. Weather Report Suite
Prelude
Part I
Part II (Let It Grow)

• 1000 ONLY LIMITED EDITION

• On the morning of April 25 1963, directly after the conclusion of his final Freewheelin Bob Dylan album session, Bob journeyed to Chicago for a live club appearance and a radio interview.

• The gig, on the evening of the same day, was at a newly opened club called The Bear, in which manager Albert Grossman was a partner.

• But the primary reason for the 700-mile excursion west was for Dylan to appear on a radio show the following evening, hosted by the extraordinary Studs Terkel.

• Capturing the entire broadcast, during which Dylan is questioned and discusses with Studs his thoughts and ideas behind both the songs he performs and others he had written by this juncture, this CD contains a legendary event during which a 21 year old Bob Dylan also performs full acoustic versions of 7 self penned numbers.

• Across just over an hour of airtime, Studs and Bob chat like old friends as Dylan is prompted towards playing certain tracks from his then fairly slim body of work, but comes up trumps by pulling songs not just from his imminent second record, but including one from the album after that and showcasing 3 songs that wouldn’t see the light of day on record until the 1990s.

• Serving both as a historic document of a little known event in the career of a true musical icon, but also as a wholly enjoyable listening experience that stands up to numerous repeat listens.

Track Listing:
SIDE A

1. Farewell
2. Conversation pt.1
3. A Hard Rains Gonna Fall

SIDE B

4. Conversation pt.2
5. Bob Dylans Dream
6. Conversation pt.3

SIDE C

7. Boots Of Spanish Leather
8. Conversation pt.4
9. John Brown

SIDE D

10. Conversation pt.5
11. Who Killed Davey Moore
12. Conversation pt.6
13. Blowin In The Wind

Digitally remastered

Stunning artwork

Shipping around 11/8/11

Track Listing:
Record One - Jazz As Played At An Exclusive Side Street Club
1. Mood Indigo
2. Don't Smoke In Bed
3. He Needs Me
4. Little Girl Blue
5. Love Me Or Leave Me
6. My Baby Just Cares For Me
7. Good Bait
8. Plain Gold Ring
9. You'll Never Walk Alone
10. Porgy
11. Central Park Blues

Record Two - The Amazing Nina Simone
1. Cotton Eyed Joe
2. Porgy
3. Forbidden Fruit
4. Gin House Blues
5. Nina's Blues
6. Summertime
7. Other Woman
8. Li'l Liza Jane
9. Work Song
10. You Can Have Him
11. Exactly Like You

Record Three - Nina Simone At Town Hall
1. Black is the Color of My True Love's Hair
2. Exactly Like You
3. The Other Woman
4. Under the Lowest
5. You Can Have Him
6. Summertime (Instrumental)
7. Summertime
8. Cotten Eyed Joe
9. Return Home
10. Wild is the Wind
11. Fine and Mellow

• 1000 ONLY LIMITED EDITION

• Not yet 21 and with his first album still unreleased, a largely unknown Bob Dylan was invited by New Yorks WBAI radio to perform a live broadcast for Cynthia Goodings Folksinger s Choice programme on March 11th 1962.

• This legendary recording, available here for the first time on vinyl, illustrates perfectly the scope and manner of Dylans live repertoire in the months leading up to his debut release.

• In addition to the three originals, all newly minted by Dylan, he covers songs by the likes of Hank Williams, Woody Guthrie and Big Joe Williams, but interestingly does not perform any tracks that would feature on his first record just weeks from release at the time of this broadcast.

• Folksinger's Choice also contains the only known Dylan performances of Smokestack Lightning, Hard Travelin and Roll On, John and features the first known outings of The Death Of Emmett Till and Standing On The Highway

• The 11 songs performed are liberally interspersed with chat between Bob and Cynthia, however, far from spoiling the show, this only go to enhance one of the best early recordings we have of Bob Dylan, making this LP an incredibly important early document.

Track Listing:
SIDE A

1. Lonesome Whistle Blue
2. Conversation pt.1
3. Fixin To Die
4. Conversation pt.2
5. Tell Me Baby

SIDE B

6. Conversation pt.3
7. Hard Travel
8. Conversation pt.4
9. Death Of Emmett Till
10. Conversation pt.5
11. Standing On The Highway

SIDE C

12. Conversation pt.6
13. Long John
14. Conversation pt.7
15. Stealin
16. Conversation pt.8

SIDE D

17. Long Time Man Feel Bad
18. Conversation pt.9
19. Baby Please Dont Go
20. Conversation pt.10
21. Hard Times In New York

Digitally remastered

Stunning artwork

Shipping around 11/8/11

Track Listing:
Record One - What'd I Say
1. What'd I Say
2. Jumpin' In The Morning
3. You Be My Baby
4. Tell Me How Do You Feel
5. What Kind Of Man Are You
6. Rockhouse
7. Roll With My Baby
8. Tell All The World About You
9. My Bonnie
10. That's Enough

Record Two - The Genius of Ray Charles
1. Let The Good Times Roll
2. It Had To Be You
3. Alexander's Ragtime Band
4. Two Years Of Torture
5. When Your Lover Has Gone
6. Deed I Do
7. Just For A Thrill
8. You Won't Let Me Go
9. Tell Me You'll Wait For Me
10. Don't Let The Sun Catch You Crying
11. Am I Blue
12. Come Rain or Come Shine

Record Three - The Genius Hits The Road
1. Alabamy Bound
2. Georgia On My Mind
3. Basin Street Blues
4. Mississippi Mud
5. Moonlight In Vermont
6. New York's My Home
7. California, Here I Come
8. Moon Over Miami
9. Deep In The Heart Of Texas
10. Carry Me Back To Old Virginny
11. Blue Hawaii
12. Chattanooga Choo-Choo

This title is not eligible for discount.

Track Listing:
1. Lonely Boy
2. Run Right Back

This title is not eligible for discount.

Track Listing:
LP1 - Big Brother & The Holding Company - Big Brother & The Holding Company
1. Bye, Bye Baby
2. Easy Rider
3. Intruder
4. Light Is Faster Than Sound
5. Call On Me
6. Coo coo
7. Women Is Losers
8. Blindman
9. Down On Me
10. Caterpillar
11. All Is Loneliness
12. The Last Time

LP2 - Big Brother & The Holding Company - Cheap Thrills
1. Combination of the Two
2. I Need A Man To Love
3. Summertime
4. Piece Of My Heart
5. Turtle Blues
6. Oh, Sweet Mary
7. Ball & Chain

LP3 - Janis Joplin - I Got Dem Ol' Kozmic Blues Again Mama!
1. Try (Just a Little Bit Harder)
2. Maybe
3. One Good Man
4. As Good As You've Been To This World
5. To Love Somebody
6. Kozmic Blues
7. Little Girl Blue
8. Work Me, Lord

LP4 - Janis Joplin - Pearl
1. Move Over
2. Cry Baby
3. A Woman Left Lonely
4. Half Moon
5. Buried Alive In The Blues
6. My Baby
7. Me & Bobby McGee
8. Mercedes Benz
9. Trust Me
10. Get It While You Can

Always an avid audiophile and record collector himself, during the original recording sessions, Johnny believed that all the tracks would sound better if spread out over an extra side, instead of the traditional two sided LP, therefore creating the infamous and probably first three sided rock album in history! He summed it up perfectly “We also really liked everything we’d done and didn’t want to leave any of the songs out. We couldn’t honesty give you more, and we didn’t want to give you less, so here is exactly what we did in Nashville, no more and no less.”

It’s no secret that Friday Music has been championing this acclaimed world class artist for years now with his own authorized and top blues charting Live Bootleg Series projects, as well as classic vinyl re-releases from the Columbia and Capitol Records vaults. It is now with great pleasure they announe the continuing Johnny Winter 180 Gram Audiophile Vinyl Series with his phenomenal earth shaking Second Winter album. Mastered from the original Columbia Records tapes by Joe Reagoso and Kevin Gray at RTI, this incredible limited edition album comes full circle now in its first time audiophile vinyl domain release.

All his greatest hits are here like "Johnny B. Goode," "Miss Ann," "Fast Life Rider" and of course his classic interpretation of Bob Dylan’s scorching "Highway 61 Revisited." A visionary always with each and every one of his releases, Johnny Winter put his all into this album which showed an appreciation to his rock and roll heroes like Chuck Berry and Little Richard, his contemporaries like Bob Dylan, while also being a cultural icon in the psychedelic era solely with his Texan slide and unparalleled blues playing, an unforgettable rock voice, and a fan base that just keeps growing every day.

Fellow legend and brother Edgar Winter and the rest of the band truly excel throughout this entire album as well, on tunes sweltering blues workouts like "Memory Pain," "I Hate Everybody" and the incredible jam "Hustled Down In Texas."

Friday Music has also included the long out of print original gatefold album cover designed by Tony Lane, as well as the fine photography of Richard Avedon.

Track Listing:
LP1
1. Memory Pain
2. I'm Not Sure
3. The Good Love
4. Slippin And Slidin'
5. Miss Ann
6. Johnny B. Goode
7. Highway 61 Revisited

LP2
1. I Love Everybody
2. Hustled Down In Texas
3. I Hate Everybody
4. Fast Life Rider

LP2
1. Who Gon Stop Me
2. Murder To Excellence
3. Made In America (ft. Frank Ocean)
4. Why I Love You (ft. Frank Ocean)
5. Illest Motherfucker Alive
6. H.A.M.
7. Primetime

Double Audiophile 180g Gatefold Vinyl Pressed by Pallas in Germany w/ CD Housed in a Cardboard Sleeve

The Band's Debut Release on their Newly Launched dBpm Records

For Wilco, the release of The Whole Love represents more than just the eighth studio album from this innovative Chicago rock band. It signifies yet another new chapter in the band’s constantly evolving, enduring and storied career. Just as their departure from Warner Bros. for the release of Yankee Hotel Foxtrot created a thrilling story, now The Whole Love, on their newly launched dBpm Records, sets one of contemporary music's most creative and independent-minded bands on a wide open road.

Recorded in their northside Chicago loft, the 12 new songs on The Whole Love capture the balance between the band’s art sensibilities, their fondness for traditional American music and their love of classic guitar-driven pop rock. The Whole Love is a veritable sonic stew, showcasing Wilco’s far-reaching musical prowess (multiple guitars, keyboards, synthesizers and percussion plus Mellotron, strings, loops and more) perfectly accompany Jeff Tweedy’s provocative and insightful lyrics. The album was produced by the band and engineered by Tom Schick (Ryan Adams, Rufus Wainwright).

Coinciding with the album’s release will be the first leg of Wilco’s North American tour, including 2 nights in Toronto's Massey Hall, New York City's Central Park, Nashville's Ryman Auditorium and Atlanta plus shows in Boston, DC, Raleigh, St. Louis and a bunch of other cool stuff east of the Mississippi. Nick Lowe, whose song "I Love My Label" was ceremoniously covered by the band for the b-side of their "I Might" 7" single, supports on all dates.

Track Listing:
1. Art Of Almost
2. I Might
3. Sunloathe
4. Dawned On Me
5. Black Moon
6. Born Alone
7. Open Mind
8. Capitol City
9. Standing O
10. Rising Red Lung
11. Whole Love
12. One Sunday Morning (Song For Jane Smiley's Boyfriend)

Half-speed mastered from the original master tapes and meticulously pressed at RTI, Mobile Fidelity’s 180g LP version of this masterwork allows the record’s expressive punchiness, dynamic extension, treble-driven jangle, and more forceful playing to be experienced as originally intended. Indeed, Life’s Rich Pageant is notable for its production: Board operator Don Gehman lends the group a harder edge and cleaner sound than it had in the past. On this audiophile-grade reissue, the results come to the fore in the form of contemporary-sounding arrangements, cohesive structures, and cleaner tonalities. If anything, this LP helps make the case for the many that Life’s Rich Pageant—not Murmur or Reckoning—stands as the band’s finest hour.

Lyrically, R.E.M. hits upon more concrete themes, and while Stipe’s occasionally mumbled singing still lacks clear enunciation—a trait that adds to the songs’ mystique and surrounding textures—there’s no mistaking the overt political and environmental sentiments in tunes such as the hit “Fall on Me” and gorgeous “Cuyahoga.” Similarly, “Flowers of Guatemala” epitomizes R.E.M.’s hallmark ability to turn allegory into dreamy poetry, the counterpoint melodies, atmospheric guitar fills, and majestic bridges all enchanting devices of a band that manages to get its point across via spiritual performances and indirect suggestiveness.

Such qualities lie at the heart of Life’s Rich Pageant, on which subtle details and concerted purposes unite to make transcendent, lasting art. Bolder, more pronounced, refined, and immediate than that on previous efforts, Mike Mills’ bass lines and Peter Buck’s swelling guitar passages augment the hard-driving beats as well as Stipe’s increasingly upfront vocals. Disposing with the intentional murkiness and subconscious approach of earlier records, R.E.M. goes in attack mode here, with even mellow numbers resonating with an attention-getting kick. It doesn’t hurt that the band covers the field with expertly executed songs that comprise garage rock, jangle pop, rustic country, and more. What a record.

We don’t need to tell you about R.E.M.’s importance to modern music. And this record plays a large role in establishing the group’s reputation.

Track Listing:
Side One – Dinner Side
1. Begin the Begin
2. These Days
3. Fall on Me
4. Cuyahoga
5. Hyena
6. Underneath the Bunker

Side Two – Supper Side
1. The Flowers of Guatemala
2. I Believe
3. What If We Give It Away?
4. Just a Touch
5. Swan Swan H
6. Superman (Mike Bottler and Gary Zekley)

With Night of Hunters, which she wrote and produced, Amos carries on the tradition of variations on a theme to create a bold new work while paying tribute to the mastery of the original compositions. In her own words: "I have used the structure of a classical song cycle to tell an ongoing, modern story. The protagonist is a woman who finds herself in the dying embers of a relationship. In the course of one night she goes through an initiation of sorts that leads her to reinvent herself, allowing the listener to folllow her on a journey to explore complex musical and emotional subject matter. One of the main themes explored on this album is the hunter and the hunted and how both exist within us."

Track Listing:
1. Shattering Sea
2. SnowBlind
3. Battle of Trees
4. Fearlessness
5. Cactus Practice
6. Star Whisperer
7. Job's Coffin
8. Nautical Twilight
9. Your Ghost
10. Edge of the Moon
11. The Chase
12. Night of Hunters
13. Seven Sisters
14. Carry

"What I always wanted to do was to reconnect musicology with nature," Icelandic composer and performer Björk recently told the New York Times. "I always wanted to make bass lines behave like gravity."

Biophilia is the Icelandic singer and composer's most ambitious undertaking in a 20-year career distinguished by continuous innovation and artistic evolution. The album title refers to a love of all living things, and in every aspect of this game-changing multi-media effort, Björk brilliantly connects nature, music and technology.

In addition to the music itself, this project will offer interactive iPad apps, designed by the industry's most creative minds, that feature games, musi, and editorial content-allowing listeners to explore more deeply the concepts and sounds of each of Biophilia's songs.

The artistic and technological reach of Biophilia is nothing short of visionary. As New York Times critic Jon Pareles has put it, "Biophilia is a possible paradigm for the 21st-century album, one that welcomes the interactivity of the Internet and harnesses the power and flexibility of devices that incorporate video, audio and user control far beyond the play button." Media artist and chief Biophilia apps designer Scott Snibbe, enthuses, "To me, it feels like the birth of opera or the birth of cinema."

At the core of this groundbreaking project, of course, are Björk's sonically brilliant and emotionally stirring new songs, akin to the magical, otherworldly, atavistic hymns of her acclaimed 2001 disc, Vespertine. On Vespertine, Björk rhapsodized about a new romance; here, she attempts nothing less than to retell the story of the creation of the universe in her own compellingly idiosyncratic voice.

Track Listing:
1. Moon
2. Thunderbolt
3. Crystalline
4. Cosmogony
5. Dark Matter
6. Hollow
7. Virus
8. Sacrifice
9. Mutual Core
10. Solstice

From the opening horn-fueled chug of “Chicago,” to the closing barroom chorale of “New Year’s Eve,” Bad As Me displays the full career range of Waits’ songwriting, from beautiful ballads like “Last Leaf,” to the avant cinematic soundscape of “Hell Broke Luce,” a battlefront dispatch. On tracks like “Talking at the Same Time,” Waits shows off a supple falsetto, while on blues burners like “Raised Right Men” and the gospel tinged “Satisfied” he spits, stutters and howls.

Like a good boxer, these songs are lean and mean, with strong hooks and tight running times. A pervasive sense of players delighting in each other’s musical company brings a feeling of loose joy even to the album’s saddest songs.

Track Listing:
1. Chicago
2. Raised Right Men
3. Talking At The Same Time
4. Get Lost
5. Face To The Highway
6. Pay Me
7. Back In The Crowd
8. Bad As Me
9. Kiss Me
10. Satisfied
11. Last Leaf
12. Hell Broke Luce
13. New Year's Eve

On Mockingbird Time, their eighth album, and the first with the original lineup since 1995's Tomorrow The Green Grass, they're once again pushing the envelope on songs and performances of rarefied dynamism and grace. The album's shapes and textures range from the string-laden grandeur of "Hide Your Colors" and the widescreen vistas of "Tiny Arrows" to the streamlined 12-string jangle of "She Walks in So Many Ways" and the amphetamine frenzy of "High Water Blues."

Track Listing:
1. Hide Your Colors
2. Closer To Your Side
3. Tiny Arrows
4. She Walks In So Many Ways
5. High Water Blues
6. Mockingbird Time
7. Stand Out In The Rain
8. Cinnamon Love
9. Guilder Annie
10. Black-Eyed Susan
11. The Pouring Rain At Dawn
12. Hey Mr. Man

Features:
• High quality 180g Audiophile Vinyl
• Replication of Original Artwork


Track Listing:
LP1
1. Only The Young
2. Don’t Stop Believin'
3. Wheel In The Sky
4. Faithfully
5. I’ll Be Alright Without You
6. Any Way You Want It
7. Ask The Lonely
8. Who’s Crying Now

LP2
1. Separate Ways (Worlds Apart)
2. Lights
3. Lovin’, Touchin’, Squeezin’
4. Open Arms
5. Girl Can’t Help It
6. Send Her My Love
7. Be Good To Yourself
8. When You Love A Woman

In early 2011, Bach signed a worldwide recording contract with Frontiers Records and headed to the studio to record under the direction of Bob Marlette (Black Sabbath, Shinedown, Atreyu, Filter). The new album presents the debut of the talents of young virtuosic guitarist Nick Sterling and drum pro Bobby Jarzombek (Halford, Riot, Iced Earth), alongside Bach’s inimitable vocals.

The result is a high-energy, hard rock album along the lines of 'Skid Row', 'Slave To The Grind', 'Subhuman Race' and 'Angel Down', but the songs, performances and sound quality are heavy, interesting and completely rock 'n' roll.

Track Listing:
Side A
1. Kicking & Screaming
2. My Own Worst Enemy
3. Tunnelvision
4. Dance On Your Grave
5. Caught In A Dream
6. As Long As I Got The Music
7. I'm Alive

Side B
8. Dirty Power
9. Live The Life
10. Dream
11. Forever
12. One Good Reason
13. Lost In The Light
14. Wishin

Considering the ‘60s psychedelic heavy metal sound which Wolfmother gained fame with in 2006 with their debut album ‘Wolfmother’, they could be called “a band out of time”. Andrew Stockdale, Chris Ross and Myles Heskett formed the band in 2000 and in 2004 they recorded a four-track demo so they could book shows. From then on the band shifted into a higher gear: a jump to the majors, the release of their eponymous self-titled debut album and a Grammy Award for Best Hard Rock Performance in 2007.

Music On Vinyl has given this release the special MOV-treatment resulting in a beautiful gatefold sleeve containing two coloured 180-grams audiophile LP’s. First 1,000 copies will be numbered and limited so be quick! With this mind-blowing rock album your stereo doesn’t need to go to ‘eleven’ to get that extra push.

Track Listing:
LP1
1. Dimension
2. White Unicorn
3. Woman
4. Where Eagles Have Been
5. Apple Tree
6. Joker And The Thief

LP2
1. Colossal
2. Mind's Eye
3. Pyramid
4. Witchcraft
5. Tales From The Forest Of Gnomes
6. Love Train
7. Vagabond

Precedent-Setting 1969 Release One of the Five Best Live Albums Ever Recorded

Half-Speed Mastered from the Original Master Tapes: Invite the Dead Into Your Living Room—You Won’t Believe How Good This Pressing Sounds

Pinnacle First-Era Grateful Dead Record Captures Best of Both Worlds: Band’s Improvisational and R&B-Based Blues Sides on Display

Ranks #244 on Rolling Stone’s List of the 500 Greatest Records of All-Time

Part of Mobile Fidelity’s Amazing Grateful Dead Reissue Series: Skull and Roses, From the Mars Hotel, Wake of the Flood, and In the Dark Also Available on 180g LP

If you want to experience why on any given night the Grateful Dead was the best live band going in 1969, you need to hear Live/Dead. If you want to understand how personal chemistry, symbiotic interplay, and otherworldly energy can lead to a near-extinct onstage combination of soulfulness, surprise, and suspense, you need to hear Live/Dead. Ranked by Rolling Stone on the magazine’s list of the 500 Greatest Records of All Time. Universally acclaimed by both Deadheads and non-devotees alike. The perfect synthesis of the legendary group’s first-era vital characteristics and cosmic faculties. A gorgeously recorded sonic artifact and more, Live/Dead is outright essential.

Half-speed mastered from the original master tapes with the utmost care, and part of Mobile Fidelity’s unprecedented Grateful Dead reissue series, this numbered limited edition 180g 2LP version of Live/Dead raises the iconic album’s lofty prestige even higher. Recorded at three San Francisco concerts in early 1969 with a mobile 16-track studio, the 7-song set has always possessed excellent fidelity in large part because of a mic splitter—specially created for the project—that fed both into the PA system and record inputs, allowing the engineers to capture the shows without any loss in quality.

Seldom have venue dimensions, acoustic properties, spatial characteristics, low-frequency resonances, amplifier tonalities, soundstage balances, and vocal timbres been so faithfully reproduced—or enhanced. Mobile Fidelity’s version elevates Live/Dead into the revered pantheon of the most respected reference audiophile LPs. Close your eyes and you’re dead center, ten rows back in two of the Bay Area’s most beloved halls: Fillmore West and Avalon Ballroom. The degrees of realism are utterly staggering; no, you don’t need any, ahem, chemical assistance to facilitate the transcendent experience.

Renowned for contagious communication between its members, the Dead operates on a interstellar plane throughout Live/Dead. Witnessing the ebb-and-flow manners in which guitarist Jerry Garcia, bassist Phil Lesh, and drummer Billy Kreutzmann respond to one another’s passages and blur the lines between jazz, psychedelia, and rock disciplines. Meandering jamming this is not. Solos burn, rhythms thunder, bass lines roll, melodies twist. “Dark Star” remains the touchstone for what’s possible in epic frameworks, with notes climbing, darting, and skittering amidst a dark canvas seared with mystic vibes and punctuated with blossoming instrumentals. Along with the inseparable pairing of “St. Stephen” and “The Eleven—a sequence that highlights the raw gospel beauty of Garcia, Lesh, and Bob Weir’s harmonies as well as breathtaking tightrope segues—the explorative excursion epitomizes the Dead’s progressive inclination, cohesion, and ability.

Live/Dead isn’t all about the art of the improvisation. R&B-driven electric blues comes courtesy of organist/vocalist Ron “Pigpen” McKernan, still in excellent health, and pianist Tom Constanten, who departed the band shortly after these shows occurred. The latter’s counterpoint playing and spiritual accents shadow the shivering ballad “Death Don’t Have No Mercy” and underscore a rousing, percussive-laden marathon take of “Turn on Your Love Light.” Call-and-response segments, spontaneous exchanges, and joyous merry-making doesn’t come any better. Live/Dead is a landmark in every sense; it remains the first 16-track album released. Its impact is still felt today.

From the illustrative cover art (hint: the word “Dead” subtly spells out “Acid” on the back cover) to the gatefold graphics and the extraordinary sonics, Mobile Fidelity’s 180g 2LP edition ranks among the label’s best releases. Ever. Secure your lowest-numbered edition by ordering now!

Track Listing:
Side 1
1. Dark Star

Side 2
1. St. Stephen
2. The Eleven

Side 3
1. Turn On Your Love Light

Side 4
1. Death Don't Have No Mercy
2. Feedback
3. And We Bid You Goodnight

With rare exception, few new-wave artists enjoyed much of a career outside of a one-hit wonder. Candy-O proves the Cars were anything but. It’s loaded with minimalist atmospherics, pulsing bass lines, catchy refrains, and labyrinthine synthesizers that stick in your mind for days. And while retaining a simplicity that’s a Cars hallmark, the album also takes myriad stylistic detours: the glam-rock accents of “Dangerous Type,” a song whose title references the record’s mysterious and lusty matter; the percolating riffs of the contagious title track; the dizzying garage-rock nature of the upbeat “Got a Lot on My Mind,” complete with a tooting Farfisa organ. Nothing drags or feels out of place.

Through it all, vocalists Benjamin Orr and Ric Ocasek keep their heads about themselves, singing in direct albeit detached tones that convey the tension, excitement, and risky promise inherent in the lyrics. Hook-laced choruses abound. Yet all is not what it seems.

“Hooks are mechanical by nature, but the affectlessness of these deserves special mention; only listeners who consider alienation is the craze a great insight will find much meaning here. On the other hand, only listeners who demand meaning in all things will find this useless. Cold and thin, shiny and hypnotic, it's what [the Cars] do best--rock and roll that is definitely pop without a hint of cuteness.” –Robert Christgau, The Consumer Guide

Half-speed mastered from the original analog tapes, Mobile Fidelity’s numbered limited-edition LP brings the Cars’ distinctive melodies and exotic arrangements to the fore in ways that have never been heard outside of the recording studio. For the first time, Roy Thomas Baker’s vocal production shines, with each member’s contributions rescued from a cold sonic murk that detracted from the music’s impact on both vinyl and the extremely compressed CD. Once you hear the newly uncovered dynamics and rich textures, you’ll be wondering where they were all of these years. Chalk this up as an essential addition to your pop collection.

Track Listing:
1. Let's Go
2. Since I Held You
3. It's All I Can Do
4. Double Life
5. Shoo Be Doo
6. Candy-O
7. Nightspots
8. You Can't Hold On Too Long
9. Lust for Kicks
10. Got A Lot On My Head
11. Dangerous Type

All three projects were recorded at The Haunted Ranch, Hank III's home and studio that lies on the outskirts of Nashville, a fitting place since the town has never really known what to do with this grandson of the American icon. He finally parted ways with Curb Records January 1. "I have musical freedom. I'm able to say 'Here's my record' and I don't have to go through a million different channels just to put out a song," he says. "It's all me now."

Hank III wrote the lion's share of the songs that appear on Ghost to a Ghost/Gutter Town. The players are Andy Gibson on steel guitar and banjo, who also aided in its recording, David McElfresh on fiddle and mandolin, Zach Shedd on standup bass, Daniel Mason on banjo, super-picker Johnny Hiland on guitar, Billy Contreras on fiddle, and Rory Hoffman on accordian. Guest appearances include the mythical Tom Waits on the haunted "Fadin Moon" from Gutter Town and on the Ghost to a Ghost title track, Alan King of Hellstomper, Les Claypool of Primus fame, Dave Sherman, Troy Medlin and Hank III's dog Trooper.

Cuts such as "Gutter Town," "Ridin The Wave" and "The Devil's Movin In" on Ghost to a Ghost and "Goin to Gutter Town," "The Low Line" and "I'll Save My Tears" on Gutter Town highlight both the excellent musicianship on the records, and Hank III's unmistakable, confident vocals. The release of all three projects represents a new birth for Hank III, and he's happy to have the chance. "Megaforce Records has helped me with my vision to do something that never been done before," he says. "They're handling my distribution, and I wanted to flood the market and do everything different. I wanted to come out of the gate strong. I'm opening up the mind a little bit and bringing some different styles together."

Track Listing:
LP1 - Ghost to a Ghost
1. Gutter Town
2. Day By Day
3. Ridin The Wave
4. Don't Ya Wanna
5. Ray Lawrence Jr.
6. The Devils Movin In
7. Time To Die
8. Troopers Hollar
9. Outlaw Convention
10. Cunt of a Bitch
11. Ghost to a Ghost

LP2 - Gutter Town
1. Goin to Gutter Town
2. Gutter Stomp
3. The Dirt Road
4. Musha’s
5. The Dream of Before
6. Dyin Day
7. I Promised
8. Chord of the Organ
9. Move Them Songs
10. The Low Line
11. I’ll Be Gone
12. Troopers Chaos
13. Chaos Queen
14. Thunderpain
15. Fadin Moon
16. The Round
17. I’ll Save My Tears
16. It’s Goin Down
17. With the Ship

The 12 track collection features previously unreleased tracks, alternate versions of existing classics as well as a couple of brand new Amy compositions, and has been compiled by long-time musical partners Salaam Remi and Mark Ronson in close association with Amy’s family, management and record label Island Records. “Lioness : Hidden Treasures” proves a fitting tribute to the artist, the talent and the woman and serves as a reminder of Amy’s extraordinary powers as a songwriter, a singer and an interpreter of classics.

Track Listing:
1. Our Day Will Come (Reggae Version) (recorded 2002)
2. Between the Cheats (recorded 2008)
3. Tears Dry (recorded 2005)
4. Wake Up Alone (Demo) (recorded 2006)
5. Will You Still Love Me Tomorrow?
6. Valerie (Slow Version) (recorded 2006)
7. Like Smoke (featuring Nas) (recorded 2008)
8. The Girl from Ipanema (recorded 2002)
9. Halftime (recorded 2002)
10. Best Friends (recorded 2003)
11. Body and Soul (with Tony Bennett)
12. A Song for You (recorded 2009)

Henry Mancini would not be Mancini if he did not bathe the film location, the skiing resort Cortina d’Ampezzo, in highly varied musical colours and genres. His well-known love for dance music finds itself in the samba ("It Had Better Be Tonight"), the shuffle ("Champagne And Quail"), and the cha-cha ("Something For Sellers").

But also the ballad, sung by a muted trumpet and saxophone ("Royal Blue"), or the simple combination of keyboard and strings ("Piano And Strings") are all woven into the story. One of the most memorable and delightful sounds is that of the accordion, whose melodies evoke an atmosphere that is filled with the Bohème, Paris and the sound of the musette. This music is never gaudy, but subtle, just like a panther padding quietly along.

This title is not eligible for discount.

Track Listing:
1. The Pink Panther Theme
2. It Had Better Be Tonight (Instrumental)
3. Royal Blue
4. Champagne and Quail
5. The Village Inn
6. The Tiber Twist
7. It Had Better Be Tonight
8. Cortina
9. The Lonely Princess
10. Something for Sellers
11. Piano and Strings
12. Shades of Sennett

Sting: The Best Of 25 Years was produced by Rob Mathes and executive produced by Sting's longtime manager, Kathryn Schenker.

Track Listing:
1. If You Love Somebody Set Them Free
2. We'll Be Together
3. Fragile
4. All This Time
5. If I Ever Lose My Faith In You
6. Fields Of Gold
7. Desert Rose
8. Whenever I Say Your Name
9. Never Coming Home
10. Message In A Bottle
11. Demolition Man
12. Heavy Cloud No Rain

All the more rich is the musical carpet that Henry Mancini lays beneath the feet of the exotic, wealthy-husband-seeking socialite. The tender, plaintive worldwide hit "Moon River" apart, Mancini and his Hollywood musicians mix a sugar-sweet sound with enough acrid elements to glaze over the capricious lady’s character. The cool big band sound is spiced with a bold trumpet solo ("The Big Blow Out") and mellow violins with a suspiciously tame male choir ("Breakfast At Tiffany’s").

As is well known, there is a great deal of dancing in the film, including a number with a Latin-American rhythm ("Latin Golightly"), and a grooving mambo ("Loose Caboose"). At the end of the film even the "Moon River" swells to become a bubbling cha-cha, as though to say that a 'happy end' must in no way sound sentimental.

This title is not eligible for discount.

Track Listing:
1. Moon River
2. Something for Cat
3. Sallys Tomato
4. Mr Yunioshi
5. The Big Blow Out
6. Hub Caps and Tail Lights
7. Breakfast at Tiffanys
8. Latin Golightly
9. Holly
10. Loose Caboose
11. The Big Heist
12. Moon River Cha Cha

This fresh approach to stylus cleaning has saved all of us from the fear of hard bristled brushes and over applying dangerous fluids. Clean your stylus simply and effectively with the Zerodust from Japan. This space-age polymer bubble allows you to simply lower your stylus onto its surface, then quickly lift the arm lever and you’re done! Watch as the stylus tip slowly sinks into the baby soft surface, leaving behind an impression with the stylus debris left behind! This unique device will last a lifetime, can be cleaned with tap water, and can extend the life of your cartridge! Comes complete with a magnifier to inspect your stylus! Our highest recommendation!

“After a few seconds, you lift the stylus, and it’s as clean and reside-free as the proverbial whistle…Upside: no potentially dangerous brushing, and no fluids!” - Michael Fremer, Stereophile, Recommended Components Issue

Side B
4. Province
5. Repetition

The Grateful Dead’s first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even Luxembourg. Many members of the Dead family came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Dead’s label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour.

This was a band at the top of its game, still ascending in the wake of three straight hit albums: Workingman’s Dead, American Beauty and the live Grateful Dead (Skull & Roses). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the group’s exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. This would also be Pigpen's final tour with the band.

There was a ton of new, unreleased material that came into the repertoire in the fall of ’71 (after Skull & Roses was out) and during the spring of ’72, including “Tennessee Jed,” “Jack Straw,” “He’s Gone,” “Ramble on Rose,” “One More Saturday Night” and “Mr. Charlie.” All those future classics were interspersed with songs from the aforementioned hit albums such as “Cumberland Blues” and “Sugar Magnolia,” as well as spectacular versions of “Truckin’” and “I Know You Rider.”

Track Listing:
LP1
1. Cumberland Blues (Live in England 1972 Version)
2. He's Gone (Live in Amsterdam 1972 Version)
3. One More Saturday Night (Live in England 1972 Version)
4, Jack Straw (Live in Paris 1972 Version)
5. You Win Again (Live in England 1972 Version)
6. China Cat Sunflower (Live in Paris 1972 Version)
7. I Know You Rider (Live in Paris 1972 Version)

LP2
1. Brown-Eyed Woman (Live in Denmark 1972 Version)
2. Hurts Me Too (Live in London 1972 Version)
3. Ramble On Rose (Live in England 1972 Version)
4. Sugar Magnolia (Live in Paris 1972 Version)
5. Mr. Charlie (Live in England 1972 Version)
6. Tennessee Jed (Live in Paris 1972 Version)

LP3
1. Truckin' (Live in London 1972 Version)
2. Epilogue (Live in England 1972 Version)
3. Prelude (Live in England 1972 Version)
4. Morning Dew (Live in England 1972 Version)

Abbey Road won the 1969 Grammy for Best Engineered (Non-Classical) Recording. Nominated for Album Of The Year and Best Contemporary Vocal Performance, Group.

Track Listing:
Come Together
Something
Maxwell's Silver Hammer
Oh! Darling
Octopus's Garden
I Want You (She's So Heavy)
Here Comes the Sun
Because
You Never Give Me Your Money
Sun King
Mean Mr. Mustard
Polythene Pam
She Came in Through the Bathroom Window
Golden Slumbers
Carry That Weight
End
Her Majesty

Although long associated with the genre, Clapton's blues covers album, From The Cradle was his first solo release which focused entirely on the blues. Critically acclaimed world-wide, the album debuted at #1 on the U.S. on Billboard's Top 200 Albums Chart and its Blues Album Chart. Six years later, he teamed up with blues legend BB King for the Grammy Award winning, Riding With The King which also reached #1 on Billboard's Blues Album Chart. On Me and Mr. Johnson, Clapton tackled 14 of the 29 songs written by Robert Johnson during his lifetime. Like its predecessors, the album hit #1 on Billboard's Blues Album Chart.

Track Listing:
From The Cradle
1. Blues Before Sunrise
2. Third Degree
3. Reconsider Baby
4. Hoochie Coochie Man
5. Five Long Years
6. I'm Tore Down
7. How Long Blues
8. Goin' Away Baby
9. Blues Leave Me Alone
10. Sinner's Prayer
11. Motherless Child
12. It Hurts Me Too
13. Someday After A While
14. Standin' Round Crying
15. Driftin'
16. Groaning The Blues

Riding With The King
1. Riding With The King
2. Ten Long Years
3. Key To The Highway
4. Marry You
5. Three O'Clock Blues
6. Help The Poor
7. I Wanna Be
8. Worried Life Blues
9. Days Of Old
10. When My Heart Beats Like A Hammer
11. Hold On I'm Coming
12. Come Rain Or Come Shine

Me and Mr. Johnson
1. When You Got a Good Friend
2. Little Queen of Spades
3. They're Red Hot
4. Me and the Devil Blues
5. Traveling Riverside Blues
6. Last Fair Deal Gone Down
7. Stop Breakin' Down Blues
8. Milkcow's Calf Blues
9. Kind Hearted Woman Blues
10. Come On In My Kitchen
11. If I Had Possesion Over Judgement Day
12. Love In Vain
13. 32-20 Blues
14. Hell Hound On My Trail

"Recording can be a weightless free float from your day-life, and I like to pick places with certain fertile qualities that can give me a visual hook that I'm there to do something other than what I would otherwise do. And that clean line between land and see, the graphic edge of the continent pointing out toward the east, meaning not the Atlantic next stop Europe feeling, but next stop somewhere you've never been," Feist says. "Plus, you are somewhere that looks completely unfound and yet it's been so perfectly recorded literarily. Steinbeck made 1000 albums there! Henry Miller and Anais Nin probably considered that line between land and sea, too. And on top of it, we truly found the perfect room to build a studio in, perched on the cliffs. A giant empty space."

Metals' songs range from low rumbling and moody ambiences to brutal and intense, as if it sonically maps the fog rolling in and the resulting cracking of thunder. "There's a lot more chaos and movement and noise than I've had before," Feist says. "I allowed for mistakes more than I ever have, which end up not being mistakes when you open things up and make room for them. It was about un-simplifying things and leaning on these masterful minds I have so much respect for. We were sort of testing the air, like a sea captain licks his finger to see which way the wind is coming from. It was less Brill Building and more naturalistic."

Track Listing:
1. The Bad In Each Other
2. Graveyard
3. Caught A Long Wind
4. How Come You Never Go There
5. A Commotion
6. The Circle Married the Line
7. Bittersweet Melodies
8. Anti Pioneer
9. Undiscovered First
10. Cicades and Gulls
11. Comfort Me
12. Get It Wrong, Get It Right

LP2
1. Geek U.S.A.
2. Mayonaise
3. Spaceboy
4. Silverfuck
5. Sweet Sweet
6. Luna

You may or may not know of Tony Joe White, but we all know his two most famous songs - "Polk Salad Annie" and "Rainy Night In Georgia." This record is up to the standards of those great numbers. So soulful, humid, rich and textured. Or as Tony Joe would say, "It's swampy."

The last four songs on side two of this album are going to positively floor you. They are so sparse and bluesy and emotional. And the sound is as good as the music. With this new QRP pressing, the sound is so good it's tape-like. So solid and jet-black is the foundation from which the music just jumps. Ya gotta hear it to understand what we're trying to describe. It's one of those jaw-hit-the-floor, sit-in-stunned-silence, goose-bump-raising, tears-in-your-eyes records. You know, the kind we're all looking for as audiophiles?

Homemade Ice Cream was originally released in 1973 on Warner Bros. and was co-produced by White and legendary Atlantic producer Tom Dowd. It's White's sixth overall record and his third for Warner Bros. This is very much a back porch acoustic affair. The music has the space to breathe, one of the reasons for the life-like sound.

This title is not eligible for discount.

Track Listing:
1. Saturday Night in Oak Grove, Louisiana
2. For Ol' Times Sake
3. I Want Love (Tween You & Me)
4. Homemade Ice Cream
5. Ol' Mother Earth
6. Lazy
7. California On My Mind
8. Backwoods Preacher Man
9. Takin' the Midnight Train
10. No News Is Good News
11. Did Somebody Make A Fool Out of You

About the album, Rossdale says, “When making music, you have a choice to repeat what you’ve done or move on. It would’ve been safe to just rework (1994’s debut album) ‘Sixteen Stone’ over and over, but what kind of life would that be? When you’re driving down the road, you’re focused on what’s in front of you; you don’t really think to keep checking in your rear view mirror. I like the idea of art changing, developing and morphing.”

Track Listing:
1. The Mirror of the Signs
2. The Sound of Winter
3. All My Life
4. The Afterlife
5. All Night Doctors
6. Baby Come Home
7. Red Light
8. She's a Stallion
9. I Believe in You
10. Stand Up
11. The Heart of the Matter
12. Be Still My Love

Gruv-Glide is a dry record treatment that actually enhances the fidelity of the record. Prior to its development, even the highest quality cartridge could not produce the maximum available reproduction from the phono record. Now for the first time, Gruv-Glide will allow you to hear more micro-detail while bringing out the best possible sound.

Gruv-Glide not only increases fidelity, but also reduces surface noise, removes static, and cleans the record. The treated record and cartridge stylus will last longer due to the increased tracking ability and reduced friction. One application lasts for an indefinite period of time. The kit will treat at least 200 records when used as directed, making it a very economical record care system.

Limited Edition Remastered 180g Vinyl Culled from Reel to Reel Tapes & BBC Transcription Discs

Featuring Previously Unreleased BBC Archive Material from Jimi Hendrix, Deep Purple and the Yardbirds Among Others!

Sourced from proficiently recorded reel to reel tapes and BBC transcription discs, Radio Tymes presents very rare and desirable recordings from some of the '60s major players, and indeed some groups who would find wider acclaim during the following decade.

A band still going strong today, Radio Tymes rewinds back to the early days of Deep Purple with the discovery of their first live performance ever broadcast on British radio in mid-1968, as well as an incendiary number from the last session by the original line-up. Superb recordings from The Yardbirds' final BBC session in 1968, including the legendary "Dazed And Confused," finally appear in excellent quality, and unbelievably a document of Jimi Hendrix singing live on Simon Dee’s Dee Time TV program has surfaced which has not been heard anywhere since 1967.

Two great tunes by The Move from the first ever Top Gear provide ample proof as to why they are regarded as one of the most revered groups of the era, and from the very same program psychedelic heroes Tomorrow with Keith West play their underground anthem "My White Bicycle." The live version of "Sabre Dance" that initiated Love Sculpture's top ten single accompanies two other fantastic covers from their colorful repertoire, and Barclay James Harvest add more fuel to the fire with the quite perfect and upbeat "Night."

Radio Tymes is a legitimate collection licensed from the BBC and the relevant record companies, and as per usual the LP comes with a 16 page booklet. All the music has been professionally restored, with the Deep Purple tunes having been worked on at Abbey Road Studios no less, and the results of restoring music from old reel to reel tapes in particular is startling to say the least.

Track Listing:
1. The Painter - Deep Purple (transmitted on BBC radio show ‘Chris Grant’s Tasty Pop Sundae’ on 6th July 1969)
2. Think About It - Yardbirds (transmitted on BBC radio show ‘Top Gear’ on 10th March 1968
3. So You Want To Be A Rock N Roll Star - The Move (transmitted on BBC radio show ‘Top Gear’ on 1st October 1967)
4. My White Bicycle - Tomorrow featuring Keith West (transmitted on BBC radio show ‘Top Gear’ on 1st October 1967)
5. Do I Still Figure In Your Life - Love Sculpture (transmitted on BBC radio show ‘Top Gear’ on 21st April 1968)
6. White Summer - Yardbirds(transmitted on BBC radio show ‘Top Gear’ on 10th March 1968)
7. Cherry Blossom Clinic - The Move (transmitted on BBC radio show ‘Top Gear’ on 1st October 1967)
8. Night - Barclay James Harvest (transmitted on BBC radio show ‘Top Gear’ on 4th August 1968)
9. Burning Of The Midnight Lamp - The Jimi Hendrix Experience (broadcast on BBC TV show ‘Dee Time’ on 24th August 1967)
10. The Inner Light - Love Sculpture (transmitted on BBC radio show ‘Top Gear’ on 9th March 1969)
11. Hush - Deep Purple (transmitted on BBC radio show ‘Top Gear’ on 30th June 1968)
12. Dazed And Confused - Yardbirds (transmitted on BBC radio show ‘Top Gear’ on 10th March 1968)
13. Sabre Dance - Love Sculpture (transmitted on BBC radio show ‘Top Gear’ on 6th October 1968)

De Dijk, heroes of the Dutch music scene, and Solomon met and shared the stage while on tour in 2007, and they came up with the idea to record an album together. King Solomon was true to his word; De Dijk adapted a number of songs from their back catalogue for Solomon to sing, and they dove into the studio for what sadly turned out to be Solomon's last album. De Dijk's bluesy spin on soulful hard rock turned out to be a sweet musical match with Burke's powerful vocals, Hold On Tight is one of the truest rock'n'roll projects he worked on.

As allmusic.com puts it: 'an impressive finale to a genuinely remarkable career.' The first available edition on vinyl!

Track Listing:
1. Hold On Tight
2. My Rose Saved From The Street
3. What A Woman
4. No One
5. More Beauty
6. I Gotta Be With You
7. Seventh Heaven
8. Good For Nothing
9. Text Me
10. Don't Despair
11. The Bend
12. Perfect Song

Rod the Mod's Definitive Album: Timeless Feel-Good Set Contains Eternal Chart-Topper "Maggie May," Introspective "(Find A) Reason to Believe"

Ranked #172 on Rolling Stone's List of The 500 Greatest Albums of All Time

Stewart's Band Includes His Faces Mates: Ron Wood, Ian McLagan Shine

Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (The Best Plant in America): LP Boasts Organic Warmth and Full-Range Extension

Rod Stewart owned the early 1970s. When he wasn't recording great sets with the Faces, he was redefining how folk, country, and soul music could be folded under rock's umbrella. Filled with first-rate originals and terrific interpretations of classics, Every Picture Tells A Story remains Stewart's watershed moment, a brilliant synthesis of organic warmth, earthy tones, raucous romance, and loose performances. Those who only know Stewart from his later evolution into a sappy balladeer will be overwhelmed.

Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in America), MoFi Silver Labels' numbered limited edition LP presents the 1971 smash in the most transparent, warm, and full-range sound the music has ever enjoyed. Stewart's supremely soulful vocals come on with insouciant passion and joyous persuasion, the detail allowing listeners to hear into his lungs and feel every breath he draws. His equally superb band is presented amidst an expanded soundstage that's free of artificial ceilings and harshness introduced by several digital remastering editions. The explosive sound is akin to watching a fledgling group come into its own in a small club.

Kicking up the tempo and slightly increasing the edge from his previous solo effort, Stewart transforms blues, folk, country, and soul into a hard-rocking hybrid that maintains acoustic properties but isn't afraid to step out and report on what it's like to have a night out on the town. Anchored by Mick Waller's free-swinging percussion, every song triumphs, with Stewart's slightly hoarse and eminently emotive vocals communicating each word as if they're literally sewn as hearts on his sleeve. Ron Wood's slide guitar and gritty chords complement the singer's earnest conviction, and Ian McLagan's organ adds bittersweet accents. Nothing here is blue; Every Picture Tells A Story is a celebration.

Stewart combines American and British folk styles on the strolling "Mandolin Wind," the touching song epitomizing the simple, direct approach that underpins the entire album. On the breathless title track, Stewart embraces his inner playboy, the tune's likable crude-and-rude swagger sent up on crackling rhythms and visceral harmonies. The British native handles Bob Dylan's "Tomorrow Is A Long Time" and the evergreen "That's All Right" as if he wrote them. The best aspect of Every Picture Tells A Story relates to how genuine and believable Stewart and his good-natured company sound throughout. If you are a fan of rock, soul, folk, or the blues, you owe it to yourself to have a superb copy of this timeless record that shows off its translucent and organic tones, extraordinary vocal performances, and crack backing band. Mobile Fidelity's Silver Label numbered limited edition LP does just that. And it restores one of the most iconic album covers in history. As for that "Classic Edition" statement that's always hovered at the top of the record? Never truer than now.

Track Listing:
1. Every Picture Tells a Story (Rod Stewart, Ronnie Wood)
2. Seems Like a Long Time (Theodore Anderson)
3. That's All Right (Arthur Crudup)
4. Amazing Grace
5. Tomorrow Is a Long Time (Bob Dylan)
6. O. Henry (Martin Quittenton)
7. Maggie May (Rod Stewart, Martin Quittenton)
8. Mandolin Wind (Rod Stewart)
9. I Know) I'm Losing You (Norman Whitfield, Eddie Holland, Cornelius Grant)
10. Reason to Believe (Tim Hardin)

His vocal qualities lie in a recitative-like, dry declamation, sharp as a knife, as is clearly heard in "Work Song." The pain brought on by life’s adversities can be cried out internally even if you appear to remain unaffected outwardly ("But I Was Cool"). A portion of sarcasm is necessary when the singsong of a slave trader constantly calls for higher bids ("Bid ’Em In") and when a babbling child can pester its daddy with both banal and existential questions ("Dat Dere").

The generously manned band does not often play all together as in the springy "Signifyin’ Monkey." Here we have just a few chords on the piano ("Watermelon Man"), there a gently plucked guitar ("Brown Baby"), or a quiet pulsating rhythm ("Afro Blue"), very often not much more was needed for a sin and soul performance by Oscar Brown, who, by the way, and so typically American, regarded himself as an entertainer.

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Track Listing:
1. Work Song
2. But I Was Cool
3. Bid 'em High
4. Signifyin' Monkey
5. Watermelon Man
6. Somebody By Me A Drink
7. Rags and Old Iron
8. Dat Dere
9. Brown Baby
10. Humdrum Blues
11. Sleepy
12. Afro Blue

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Track Listing:
LP1 - Side A:
1. Overture "The Hebrides" (Fingal's Cave), Op. 26
LP1 - Side B:
Symphony No. 3 in A minor ("The Scotch"), Op. 56
1. Andante con molto

LP2 - Side C:
1. Vivace non troppo
2. Adagio
LP2 - Side D:
1. Allegro vivacissimo - Allegro maestoso assai

I'm With You was written collectively by the four members: founding singer Anthony Kiedis and bassist Flea, drummer Chad Smith (who's been with the band since 1989) and guitarist Josh Klinghoffer (the new guy, though he's been a long-time friend of the band and served as second guitarist on much of the Stadium Arcadium tour). That process, coming after the band took two years off following its 2006-2007 world tour, happened in a full year of sessions starting in a Hollywood basement and continuing in the unlikely idyll of Big Sur, where they used a studio converted from a barn at Beach Boy Al Jardine's spread. Recording was done in Los Angeles and at Malibu's Shangri-La Studios. The result is the most heartfelt, playful and accomplished album in the band's storied career.

Track Listing:
LP1
1. Monarchy Of Roses
2. Factory Of Faith
3. Brendan's Death Song
4. Ethiopia
5. Annie Wants A Baby
6. Look Around
7. The Adventures Of Rain Dance Maggie

LP2
1. Did I Let You Know
2. Goodbye Hooray
3. Happiness Loves Company
4. Police Station
5. Even You Brutus?
6. Meet Me At The Corner
7. Dance, Dance, Dance

During the recording of this album, band leader Duane Allman was tragically killed in a motorcycle accident. Still reeling from their loss, the band nonetheless managed to complete this classic album with Dickey Betts on guitar. In tribute to Duane, however, they chose to bring the album to a close with a 34-minute jam taken from the Fillmore East sessions, which showcased what an amazing guitar player and force to be reckoned with Duane really was. Includes 3 bonus tracks and a replica of the original insert." The 4th Allman Brothers album, originally released in 1972. 180 gram virgin vinyl, deluxe gatefold sleeve.

Track Listing:
1. Ain't Wastin' Time No More
2. Les Brers In A Minor
3. Melissa
4. Mountain Jam
5. One Way Out
6. Trouble No More
7. Stand Back
8. Blue Sky
9. Little Martha

In September Music On Vinyl released 'The Deep End Vol. 1' as a double LP and now we complete the set with Volume 2. Haynes and Abts teamed up with Phil Lesh (The Grateful Dead), Les Claypool (Primus), Jason Newsted (ex-Metallica) and Billy Cox (Band Of Gypsies) resulting in, again, a double LP with genres varying from funk to heavy metal and psychedelic rock to punky weirdness.

Despite these variations of genres the music manages to sound like Gov't Mule and it elevates 'The Deep End Vol. 2' to a coherent record.

Track Listing:
LP1
1. Trying Not To Fall
2. Time To Confess
3. Greasy Granny's Gopher Gravy - Pt 1
4. Greasy Granny's Gopher Gravy - Pt 2
5. What Is Hip?
6. World Of Confusion
7. Hammer And Nails

LP2
1. Slow Happy Boys
2. Sun Dance
3. Lay Of The Sunflower
4. Catfish Blues
5. Which Way Do We Run?
6. Babylon Turnpike

Mobile Fidelity has gone back to the original master tapes to present Joel’s encompassing music the way it was always intended to be experienced: Intimate, detailed, expressive, warm. The record’s widescreen sonics are at last properly cinematic, flush with colors, textures, and atmosphere.

Progressing away from sensitivity, Joel casts his eye towards broader horizons. For him, that meant moving from the West Coast back to his native New York and embracing the city’s doo-wop, Broadway, and R&B heritage. Joel’s diversity comes through in a spectacle of memorable tunes, including the infectious “All You Wanna Do Is Dance,” acerbic “Angry Young Man,” and gorgeous “I’ve Loved These Days.”

Still, no song better illustrates the allure—and breadth—of Turnstiles more than “Say Goodbye to Hollywood,” bathed in the sort of fabulous Phil Spector sound, huge drum echoes, and Brill Building orchestral sweep that Joel grew up on. Similarly, the sprawling ballad “New York State of Mind” clearly states the singer’s vision and mood. On the definitive track, Joel luxuriates in full string accompaniment and soulful saxophone playing that gives the pop standard its foundation. Not for nothing did Joel insist on keeping his touring band for the album, a decision that resulted in the firing of the record’s original producer.

Supported by talents such as arranger Kenny Ascher, guitarist James Herb Smith, and percussionist Mingo Lewis, Joel succeeds in wrapping his head around a rich swath of American pop music, stopping by way of New Orleans, Kansas City, Memphis, Chicago, and other cities on his way from California back to the Garden State. While lacking the fame of the subsequent The Stranger and 52nd Street, Turnstiles is in every way their equal.

Finally, the delicate nuances of Joel’s phrasing, pregnant pauses, and introspective emotion can be experienced in three-dimensional fidelity. In addition, the spectrum of the orchestra’s power and finesse, ravishing poignancy of the lyrics, and bittersweet qualities of the melodies bloom with unforced immediacy. The previous veiled sonic character and stultifying dryness have been corrected, presenting Joel and his crack band with illuminating precision and feeling.

Turnstiles has never sounded better—and it never will.

Track Listing:
1. Say Goodbye to Hollywood
2. Summer, Highland Falls
3. All You Wanna Do Is Dance
4. New York State of Mind
5. James
6. Prelude/Angry Young Man
7. I've Loved These Days
8. Miami 2017 (Seen the Lights Go Out on Broadway)

From the rousing call to arms of the opener “Get Away,” to the hypnotic sturm und drang of “Rubber”, and the grungy serotonin rush of “Operation,” it is clear that this is a band in full control of their powers when it comes to anthemic and offbeat guitar rock. But they also reveal an achingly fragile side too, as with the gorgeous, heartsick croon on “Suck” or on “Sunday” where Blumberg asks, “Did you take the rhythm from me? Yesterday I had it all” over chiming, jangling guitars.

Track Listing:
1. Get Away
2. The Wall
3. Shook Down
4. Holing Out
5. Suicide Policeman
6. Georgia
7. Suck
8. Stutter
9. Operation
10. Sunday
11. Rose Gives A Lilly
12. Rubber

Bonus LP
1. The Base Of A Dream Is Empty
2. Milkshake
3. Coconut Bible
4. Cousin Corona
5. Doctors In My Bed
6. Soothe Me

180g 45RPM double vinyl in 5/c Stoughton paper-wrapped gatefold jacket with bonus track and lyric insert. Also includes insert of standard album cover art to trigger standard augmented reality experience.

Track Listing:
LP1
1. Black Tongue
2. Curl Of The Burl
3. Blasteroid
4. Stargasm
5. Octopus Has No Friends
6. All The Heavy Lifting
7. The Hunter

LP2
1. Dry Bone Valley
2. Thickening
3. Creature Lives
4. Spectrelight
5. Bedazzled Fingernails
6. The Sparrow
7. The Ruiner (Bonus Track)

LP2
1. Angel Band - Sarah, Hannah and Leah Peasall and Robert Hamlett
2. Big Rock Candy Mountain - Norman Blake
3. Little Sadie - Norman Blake
4. In the Highways - The Cox Family
5. Hogfoot - John Hartford
6. The Lord Will Make A Way - Fairfield Four
7. In the Jailhouse Now - Harley Allen

When the Los Angeles quartet came along, they merged alternative and rock like no one before, becoming the first alternative rock band, creating a new sound and attitude. Acclaimed for their swirling sonic symphony and unique studio alchemy, Jane’s Addiction have sold over seven million records in the US alone. They’ve also garnered Grammy nominations and spearheaded the movement of modern American festival culture by launching and headlining Lollapalooza.

Track Listing:
1. Underground
2. End To The Lies
3. Curiosity Kills
4. Irresistible Force (Met The Immovable Object)
5. I’ll Hit You Back
6. Twisted Tales
7. Ultimate Reason
8. Splash A Little Water On It
9. Broken People
10. Words Right Out Of My Mouth

Never before properly remastered, Mobile Fidelity secured the original master tapes to present this 1973 singer-songwriter masterwork in unparalleled fidelity. The cavity of Joel’s piano, tension of the strings, and reach of his voice are astounding on this numbered limited-edition LP pressing. The New York native finally seems as if he’s playing in your room rather than down the hall.

After the commercial failure of his debut, and resulting legal disputes with his label, a determined Joel took up a six month residency as a lounge singer in Los Angeles. The vocalist continued to pen songs, including his signature track, “Piano Man,” a fictional narrative motivated by the real-life stories and actions of the patrons he witnessed during his cocktail club residency. Joel also drew inspiration from a fellow peer with whom he’d ultimately collaborate on a series of highly successful tours that continue to this day: Elton John. The Englishman’s Tumbleweed Connection fueled a creative spurt in Joel, who extends the record’s Western imagery and bluesy themes.

Ignoring introspection in favor of rich character sketches, Joel utilizes his knack for melodic flair, filling out the songs with comprehensive arrangements and a swift sense of purpose. His tales—“The Ballad of Billy the Kid,” “Captain Jack,” “Ain’t No Crime”—are supported with phenomenal harmonies and thematic flavors that arrive courtesy of instrumental accents from first-rate players that include guitarist Larry Carlton, banjoist Fred Heilbrun, and drummer Ron Tutt. Joel supplies the requisite emotions, and Piano Man oozes with life.

Mobile Fidelity’s 180g LP possesses a warmth that, until now, none of Joel’s records possess. Soundstaging, imaging, and immediacy are refined and mannered, and the enthusiasm and completeness of Joel’s craft come into supreme focus.

No fan of 70s rock or pop should be without this stellar pressing!

Track Listing:
1. Travelin' Prayer
2. Piano Man
3. Ain't No Crime
4. You're My Home
5. The Ballad of Billy the Kid
6.Worse Comes to Worst
7. "Stop in Nevada
8. If I Only Had the Words (To Tell You)
9. Somewhere Along the Line
10. Captain Jack

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Track Listing:
1. Party Time
2. Alaska
3. Windy City
4. In A Misty Glade
5. Gone
6. Only A Dream
7. The Birdwatcher
8. Let Me Lie
9. If I Told You
10. Splinters of Hail
11. Can't Come Back
12. Shrine
13. Liquid Time

Anne's debut album, 2009's Blue Mind, is a fantastic audiophile recording featuring a rich and warm midrange, with sultry tones that envelop and embrace, with melodies that soar with a delicate confidence through changes that are a unique blend of jazz and vocal pop. 2011's "Portraits & Perfumes" is an opus of jazz standards featuring expansive, original arrangements and covers, including a brilliant cover of "Us and Them" by Pink Floyd, stunning rendition of "With A Little Help From My Friends" by The Beatles, a calming transcription of "Call Me/You've Got A Friend" by Carole King, alluringly sweet adaptation of "The Nearness Of You" by Hoagy Carmichael, and many, many more!

Bisson is joined again by some of the best jazz musicians in Quebec and by Legendary producer, conductor, and arranger Guy St-Onge. Recorded at St-Onge's Reference Studio in St-Calixte, Quebec, Canada.

Track Listing:
1. Us And Them
2. The Nearness Of You
3. With A Little Help From My Friends
4. In The Wee Small Hours Of The Morning
5. Better Than Anything
6. Call Me/You've Got A Friend
7. What's Wrong With Me?
8. Ripples
9. I Like You Too

Universal Music Group and The Rolling Stones present the remastered version of their groundbreaking 1978 album, Some Girls, which introduced the band to a whole new generation of fans. Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career.

Some Girls is the Rolling Stones' most direct and diverse collection of material from Mick Jagger's irresistible falsetto on the four-on-the-floor filler "Miss You," their eighth U.S. #1, to the country-flavored "Far Away Eyes" via the Chuck Berry meets punk snarl of "Respectable." And let's not forget the sensuous, "Beast of Burden," one of Keith Richards' finest tunes, which reached #8 on the U.S. singles chart, the garage rocker "Shattered," the albums' third U.S. Top 40 entry, and the soulful swagger of the group's version of The Temptations' "Just My Imagination," another timeless offering in their canon of classic Stones Motown covers.

Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group.

Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features the Keith Richards' classic "Before They Make Me Run," a signature song he still performs defiantly to this day. Some Girls documented Mick Jagger's love of 1970's funk reflected in "Miss You," the dance track that wrong footed many people, made the club and black charts, and made it okay for other mainstream acts at the time to 'go disco'.

The 1978 album also courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on "Miss You" and on "Respectable," perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furor around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag, a nod in the direction of the picture on the 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.

Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, with Richards since described as "a sense of renewal." Some Girls marks the only other time since recording "Satisfaction" where Richards used an effects pedal to 'elevate' the sound.

The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including "When the Whip Comes Down" and "Shattered." He also co-wrote the "Shattered" B-side "Everything Is Turning To Gold." Some Girls also marked a move to the Pathe Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman.

Some Girls featured fewer guest musicians than any Rolling Stones album since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica player Sugar Blue (discovered busking on the Paris metro), made "Miss You" in particular sound brighter than ever.

Thirty-three years on from its original release, the re-mastered vinyl edition of Some Girls shows exactly why the 1978 album has often been hailed as the equal of Exile On Main Street. The album stands as both a time capsule and a timeless listen and it features the band at their tightest and toughest, at their most vibrant and vital.

Track Listing:
1. Miss You
2. When the Whip Comes Down
3. Just My Imagination (Running Away With Me)
4. Some Girls
5. Lies
6. Far Away Eyes
7. Respectable
8. Before They Make Me Run
9. Beast of Burden
10. Shattered

The most comprehensive and definitive Ben Folds collection ever assembled, and first-ever domestic overview of Fold's music, The Best Imitation of Myself: A Retrospective is remastered from the original master tapes, bringing together his biggest hits, deep catalog fan favorites, hidden treasures, and collectible rarities while premiering the first newly recorded Ben Folds Five tracks in 11 years.

A perfect point of entry for newcomers as well as a treasure trove for the initiated, the carefully curated 18-track set covers two decades of Ben Folds music, from the break-out hits "Underground" and "Brick" with Ben Folds Five through solo work and unexpected collaborations ranging from "You Don't Know Me" with Regina Spektor to "From Above" (with lyrics by Nick Hornby, author of High Fidelity). The collection closes with "House," one of three new Ben Folds Five songs recorded especially for the retrospective.

Track Listing:
LP1
1. Brick (Radio Mix)
2. Annie Waits (Album version)
3. Philosophy
4. Underground
5. Landed (Strings version)
6. One Angry Dwarf And 200 Solemn Faces (Album version)
7. Don't Change Your Plans (Album version)
8. The Luckiest (Album version)

LP2
1. Smoke
2. Rockin' The Suburbs (Album version)
3. Kate (Album version)
4. Gracie (Album version)
5. Still Fighting It (Previously unreleased)
6. You Don't Know Me (feat. Regina Spektor) (Seeds Album version)
7. There's Always Someone Cooler Than You (Album version)
8. Still (Soundtrack Album version)
9. From Above
10. House (Previously unreleased new recording)

Generally regarded by fans and critics alike as the band's most mature outing, White Pony features the song "Passenger" which includes a guest appearance by vocalist Maynard James Keenan of Tool and A Perfect Circle. The song "Elite" was also awarded a 2001 Grammy for Best Metal Performance.

Track Listing:
LP1
1. Feiticeira
2. Digital Bath
3. Elite
4. Rx Queen
5. Street Carp
6. Teenager

LP2
1. Knife Prty
2. Korea
3. Passenger
4. Change (In The House of Flies)
5. Pink Maggit

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Track Listing:
1. Arms Aloft
2. World Wide Suicide
3. Animal
4. Got Some
5. State of Love And Trust
6. I Am Mine
7. Unthought Known
8. Rearview Mirror
9. The Fixer
10. Nothing As It Seems
11. In Hiding
12. Just Breathe
13. Jeremy
14. Public Image
15. Spin the Black Circle
16. Porch
17. Alive
18. Yellow Ledbetter

Childish Gambino has emerged as one of the most exciting young talents in music. A unique blend of hip-hop with multiple genres, combined with lyrical genius, Gambino has gone from a viral cult following to a mega sensation. He has released two mixtapes, I Am Just A Rapper and I Am Just A Rapper 2 and in 2010 released his first full length of original material entitled Culdesac. In March of 2011, Childish Gambino released an untitled EP that featured the hit "Freaks and Geeks." This, his first mass distributed album, Camp, will be released via Glass Note Records.

Track Listing:
1. Outside
2. Fire Fly
3. Bonfire
4. All The Shine
5. Letter Home
6. Heartbeat
7. Backpackers
8. L.E.S.
9. Hold You Down
10. Kids (Keep Up)
11. You See Me
12. Sunrise
13. That Power

BUDDY GUY, JUNIOR WELLS, MUDDY WATERS, KOKO TAYLOR, etc ...

Track Listing:
LP 1

1. Eyesight To The Blind - Sonny Boy Williamson
2. Walkin' The Blues - Willie Dixon
3. I'm Ready- Muddy Waters
4. Groaning The Blues- Otis Rush
5. Sit And Cry (The Blues)- Buddy Guy And His Band
6. Junior's Wail- Junior Wells
7. It Must've Been The Devil- Otis Spann
8. Moanin' At Midnight- Howlin' Wolf
9. Say Man- Bo Diddley
10. Shake It Baby- Sunnyland Slim
11. Five Long Years- Eddie Boyd
12. Easy Baby- Magic Sam
13. You're So Fine- Little Walter

LP 2

1. (I'm Your) Hoochie Coochie Man- Muddy Waters
2. Keep It To Yourself- Sonny Boy Williamson
3. Smokestack Lightnin'- Howlin' Wolf
4. I Could Cry- Junior Wells
5. All Your Love- Magic Sam
6. Poison Ivy- Willie Mabon
7. Cry For Me Baby- Elmore James
8. I Can't Quit You Baby- Otis Rush
9. Woman Trouble- Sunnyland Slim
10. Juke- Little Walter And His Combo
11. Ain't That Loving You Baby- Jimmy Reed
12. I Asked For Water (She Gave Me Gasoline)- Howlin' Wolf
13. Pretty Thing- Bo Diddley
14. Keep It To Yourself- Sonny Boy Williamson

Winter remains pretty cool when people attempt to identify personal afflictions in his music: "When I play blues, I feel good," he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.

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Track Listing:
1. I'm Yours & I'm Hers
2. Be Careful With a Fool
3. Dallas
4. Mean Mistreater
5. Leland Mississippi Blues
6. Good Morning Little School Girl
7. When You Got A Good Friend
8. I'll Drown In My Tears
9. Back Door Friend

After many successful albums and top charting pop and album rock singles, Warner Bros. honored this legendary act with their first best of collection History: America’s Greatest Hits. Produced by the legendary George Martin (The Beatles), this 1976 platter was filled with a generous helping of their most popular hit singles and album tracks from many smash albums like Homecoming, Hearts and Holiday.

The 12-track masterpiece is loaded with original hit tracks like "A Horse With No Name," "Ventura Highway," "Tin Man," "Sister Golden Hair," "I Need You" and even more classics like "Daisy Jane" and "Lonely People."

Being one of the most popular albums in their career, History: America’s Greatest Hits went on to collect multi-platinum accolades since its 1976 release. The original vinyl version of this masterpiece has not been available for decades, that is until now!

Friday Music presents for the very first time on audiophile vinyl, History: America’s Greatest Hits. Mastered impeccably from the original Warner Bros. tapes by Joe Reagoso (America/Doobie Brothers/Yes), this amazing rock classic truly shines in the audiophile vinyl domain. Original vinyl mixes of their classic hit singles and solid album tracks like "Sandman," "Woman Tonight" and "Only In Your Heart" truly resonate with the listener.

To enhance your limited edition LP, Friday Music has also included a poly bag for the much acclaimed Phil Hartmann (Saturday Night Live) album cover artwork and a poly lined sleeve for the vinyl LP.

Track Listing:
1. A Horse With No Name
2. I Need You
3. Sandman
4. Ventura Highway
5. Don’t Cross The River
6. Only In Your Heart
7. Muskrat Love
8. Tin Man
9. Lonely People
10. Sister Golden Hair
11. Daisy Jane
12. Woman Tonight

In 1969, Colgems Records honored these hugely popular rockers with their first hits album simply titled The Monkees Greatest Hits. Filled with a treasure trove of number one singles and hit album tracks from their first five smash albums, this incredible LP also provided the soundtrack to their successful syndicated television run of The Monkees on Saturday mornings.

No stone is left unturned, as this 14-track masterpiece is loaded with hit singles like "Daydream Believer," "Last Train To Clarksville," "I’m A Believer," "Pleasant Valley Sunday," "Valleri, (I’m Not Your) Steppin’ Stone," plus the appearance of a rare stereo mix of "A Little Bit Me, A Little Bit You" that was only available on this original vinyl album.

As one of the most rare albums in their Colgems Records catalog, The Monkees Greatest Hits was only in print for a very short time, making it an instant collector’s item, which hasn’t seen the light of day for over four decades, that is until now!

Friday Music presents for the first time on audiophile vinyl, The Monkees Greatest Hits. Mastered impeccably from the original Colgems Records tapes by Joe Reagoso, this amazing pop classic truly shines in the audiophile vinyl domain. Long time unearthed vinyl mixes of their classic hit singles and solid album tracks like "She," "Shades Of Gray" and "I Wanna Be Free" truly resonate as you remember them from years ago.

Track Listing:
1. Daydream Believer
2. Pleasant Valley Sunday
3. Cuddly Toy
4. Shades Of Gray
5. Zor and Zam
6. A Little Bit Me, A Little Bit You
7. She
8. Randy Scouse Git
9. I Wanna Be Free
10. I’m A Believer
11. Valleri
12. Mary, Mary
13. (I’m Not Your) Steppin’ Stone
14. Last Train To Clarksville

Ansermet transforms the score into a veritable firework of sound, without ever straining after cheap effects by means of a thunderous sound; the strings are clean and warm in all registers, the brass volleys blare out keenly, and the percussion is dauntlessly resolute. This performance and Decca’s customary excellent sound recording render great homage to this music. All the more reason to be glad that this particular Sleeping Beauty has been awakened at long last.

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Track Listing:
1. The Sleeping Beauty

With their second album, For the Good Times, The Little Willies take on songs by such masters as Loretta Lynn, Willie Nelson, Johnny Cash, and Dolly Parton. The results demonstrate the joy they take, and commitment they make, to a project that was first born for purely practical reasons.

Material for the new album was taken from the Willies’ live repertoire, and by passing around ideas drawn from disparate sources. The selections include more surprising choices, like the trucker classic “Diesel Smoke, Dangerous Curves” and “Foul Owl on the Prowl,” from the soundtrack to In the Heat of the Night. Alongside the more obscure songs, though, For the Good Times also includes some of the best-known songs in the history of country music, like Parton’s “Jolene” and the title track, written by Kristofferson and made famous by such singers as Ray Price and Al Green.

Track Listing:
1. I Worship You (Ralph Stanley) – Norah & Richard vocals
2. Remember Me (Scott Wiseman) – Norah vocals
3. Diesel Smoke, Dangerous Curves (Cal Martin) – Norah & Richard vocals
4. Lovesick Blues (Cliff Friend/Irving Mills) – Norah & Richard vocals
5. Tommy Rockwood (Jim Campilongo) - instrumental
6. Fist City (Loretta Lynn) – Norah vocals
7. Permanently Lonely (Willie Nelson) – Richard vocals
8. Foul Owl on the Prowl (Quincy Jones/Alan Bergman/Marilyn Bergman) – Norah & Richard vocals
9. Wide Open Road (Johnny Cash) – Richard vocals w/Norah backing
10. For the Good Times (Kris Kristofferson) – Norah vocals
11. If You’ve Got the Money I’ve Got the Time (Lefty Frizzell/Jim Beck) – Norah & Richard vocals
12. Jolene (Dolly Parton) – Norah vocals

Even though the group lasted for only two albums and four years, their influence on power pop bands since has been as profound as the bands that Jellyfish were influenced by: Cheap Trick, Big Star, Badfinger, Raspberries, Brian Wilson and more, all part of the power pop tradition being handed down one generation at a time.

Omnivore Recordings release of the two Jellyfish albums on LP marks the fist time either have been commercially available on vinyl in the U.S. Bellybutton was only released on vinyl as a promotional item in 1999, its only official release at the time was on CD. The Omnivore pressing carefully replicates the original gatefold packaging on royal blue vinyl.

Track Listing:
1. The Man I Used To Be
2. That Is Why
3. The King Is Half-Undressed
4. I Wanna Stay Home
5. She Still Loves Him
6. All I Want Is Everything
7. Now She Knows She's Wrong
8. Bedspring Kiss
9. Baby's Coming Back
10. Calling Sarah

For the past year, Chilton had been strapped in a creative, professional, and personal straitjacket. He was the lead singer of a million-selling band, The Box Tops, but felt like little more than a puppet of the group’s producers. In the era of free love, he’d been pressured into a shotgun marriage and fatherhood. And he’d ultimately come to see himself as the pawn of an unscrupulous business machine, sent to grind it out on the road in a series of silly lip-synched TV performances and one-night stands while someone else cashed his checks.

As he entered the studio that summer to make his first solo recordings, the man who would come to define the very spirit of musical independence was still bound in chains. At a time where liberation and self-expression were rallying cries, Alex Chilton was about to break free. Free Again: The "1970" Sessions features the first solo recordings from Chilton post-Box Tops, pre-Big Star mixed and engineered by Terry Manning.

Track Listing:
1. Free Again (original mono mix)
2. I Can Dig It
3. Something Deep Inside
4. Just To See You
5. The EMI Song (Smile For Me)
6. All I Really Want Is Money
7. Come On Honey
8. I Wish I Could Meet Elvis
9. Every Day As We Grow Closer/Funky National
10. The Happy Song
11. Jumpin' Jack Flash
12. All We Ever Got From Them Was Pain (previously unissued)

To hear him tell it, he has no choice but to work hard. From the rhymes in his notepad to the hair on his head, Murs is not your average rapper. Hell, he's not your average guy. Never has been. "I'm just a nerd, man," he laughs. "I've always walked different, dressed different." His stomping grounds is the Mid-City area of Los Angeles, the kind of neighborhood where cornrows and Chuck Taylors are decidedly more common than dreadlocks and Vans, so Murs was on his own from early on. "I would always get on the bus and hear 'ay cuz, ay blood, what's wrong with your hair?'" Those were the days when he first put pen to paper and began perfecting what he calls 'sitcom rap': songs about the everyday life of those of us who don't live in the hood, and don't live in Hollywood either – the life the majority of us are living. Listening to Murs is something like listening to a regular guy who just happens to know how to rap. His lyrics are straightforward, down-to-earth, and honest, delivered with a vocal tone and forcefulness that recalls a slightly more relaxed Ice Cube.

Track Listing:
1. Epic Salutations
2. Remember 2 Forget
3. 67 Cutlass
4. Easy-E
5. Hip Hop & Love
6. International
7. S-K-I-B-E-A-T-Z
8. Westside Love
9. Life & Time
10. Reach Hire
11. Dream On
12. 316 Ways
13. Animal Style

This title is not eligible for discount.

Track Listing:
1. East of the Sun (And West of the Moon)
2. Blue Moon
3. You Go to My Head
4. You Turned the Tables on Me
5. Easy to Love
6. These Foolish Things (Remind Me Of You)
7. I Only Have Eyes for You
8. Solitude
9. Everything I Have Is Yours
10. Love for Sale
11. Moonglow
12. Tenderly

3 LP set, all recorded originally in 1956/57

Track Listing:
LP1 - Ella & Louis
1. Can't We Be Friends
2. Isn't This A Lovely Day
3. Moonlight In Vermont
4. They Can't Take That Away From Me
5. Under A Blanket Of Blue
6. Tenderly
7. A Foggy Day
8. Stars Fell On Alabama
9. Cheek To Cheek
10. The Nearness Of You
11. April In Paris

LP2 - Ella & Louis Again
1. Don't Be That Way
2. Makin' Whoopee
3. They All Laughed
4. Comes Love
5. Autumn In New York
6. Let's Do It (Let's Fall In Love)
7. Stompin' At The Savoy
8. I Won't Dance
9. Gee, Baby, Ain't I Good To You?

LP3 - Ella & Louis Again
1. Let's Call The Whole Thing Off
2. These Foolish Things (Remind Me Of You)
3. I've Got My Love To Keep Me Warm
4. Willow Weep For Me
5. I'm Puttin' My Eggs In One Basket
6. A Fine Romance
7. Ill Wind
8. Love Is Here To Stay
9. I Get A Kick Out Of You
10. Learnin' The Blues

This title is not eligible for discount.

Track Listing:
1. Just In Time
2. He Was Too Good to Me
3. House of the Rising Sun
4. Bye Bye Blackbird
5. Brown Baby
6. Zungo
7. If He Changed My Name
8. Children Go Where I Send You

Blue Mind was recorded on July 21-22, 2008, at Reference Studio in St-Calixte, Québec. It was mastered by Marc-Olivier Bouchard, assisted by René Laflamme, at Pure Mastering in St-Calixte. There are no overdubs on any song except Dragonfly. With the exception of Hoping Love Will Last (Steve Hackett), all songs were written by Anne Bisson.

Mastered by Kevin Gray & Pressed at RTI on 180g Vinyl!

Track Listing:
1. Little Black Lake
2. Soothing Your Soul
3. Hoping Love Will Last
4. Dragonfly
5. Do What You Please
6. September In Montreal
7. Camillo
8. Blue Mind
9. Why Is It So

LP2
1. Blood Sugar Sex Magik
2. Under The Bridge
3. Naked In The Rain
4. Apache Rose Peacock
5. The Greeting Song
6. My Lovely Man
7. Sir Psycho Sexy
8. They're Red Hot

David Oistrakh's performance here is Absolutely Stunning! This classic recording features the conducting talents of Jascha Horenstein (Bruch) & Paul Hindemith (Hindemith) accompanied by the London Symphony Orchestra. David Oistrakh is considered one of the best violinist of the twentieth century, premiering new concerti by Nikolai Miaskovsky and Khachaturian as well as two sonatas by his friend Sergei Prokofiev!

This title is not eligible for discount.

LP2
11. I Believe
12. King Of The Birds
13. Crazy
14. Finest Work Song
15. You Are Everything
16. Academy Fight Song
17. Stand
18. Perfect Circle
19. Get Up

UK 10-track vinyl LP combining My Bloody Valentine's two 1987 EPs Strawberry Wine and Ecstasy on Lazy Records. Very limited quantities of this pressing of this highly sought after release.

Track Listing:
1. Strawberry Wine
2. Never Say Goodbye
3. Can I Touch You
4. She Loves You No Less
5. The Things I Miss
6. I Don't Need You
7. (You're) Safe In Your Sleep (From This Girl)
8. Clair
9. You've Got Nothing
10. (Please) Lose Yourself In Me

The concept of merging jazz, blues and arrangements of classical themes worked well, with music journalist Leonard Feather commenting that »it brought music into rock«. Everything seemed to be allowed – as long as it sounded good: almost spontaneously, it seems, the musicians develop a somewhat boozy, cheery "Hi-De-Ho" happening out of synthetically created chivalric fanfares, or conjure up a medieval scenario ("The Battle") with the archaic sound of a harpsichord and solo voice. That caustic big-band soul ("Lucrezia MacEvil") and seemingly familiar rock songs ("Fire And Rain") find their niche here fits in with the free spirit of this third album, which boasts no otherwise specified title. One listens to this disc, wondering what surprise is in store in the next beat, the next phrase, the next number. And there is a wonderfully liberating feeling in knowing that nothing is a ‘must’ but all is allowed.

This title is not eligible for further discount.

Track Listing:
1. Hi-De-Ho
2. The Battle
3. Lucretia MacEvil
4. Lucretia's Reprise
5. Fire and Rain
6. Lonesome Suzie
7. Symphony For the Devil
8. He's a Runner
9. Somethin' Comin' On
10. Forty Thousand Headmen

The definitive 44-track Wax Co. Singles A's And B's 1972-1977 features all the A-side singles issued on Marc Bolan's own T. Rex Wax Co. label during his lifetime as well as their B-sides, some of which contained more than one track. 180g 3-LP set from Music On Vinyl.

Track Listing:
1. Telegram Sam
2. Cadillac
3. Baby Strange
4. Metal Guru
5. Thunderwing
6. Lady
7. Children Of The Revolution
8. Jitterbug Love
9. Sunken Rags
10. Solid Gold Easy Action
11. Xmas Riff
12. Born To Boogie
13. 20th Century Boy
14. Free Angel
15. The Groover
16. Midnight
17. Truck On (Tyke)
18. Sitting Here
19. Teenage Dream
20. Satisfaction Pony
21. Light Of Love
22. Explosive Mouth
23. Zip Gun Boogie
24. Space Boss
25. New York City
26. Chrome Sitar
27. Dreamy Lady
28. Do You Wanna Dance
29. Dock Of The Bay
30. London Boys
31. Solid Baby
32. I Love To Boogie
33. Baby Boomerang
34. Laser Love
35. Life's An Elevator
36. To Know You Is To Love You
37. City Port
38. The Soul Of My Suit
39. All Alone
40. Dandy In The Underworld
41. Groove A Little
42. Tame My Tiger
43. Celebrate Summer
44. Ride My Wheels

Choosing to eschew the recording studio, Let's Go Eat The Factory was instead manufactured in the living rooms, basements, and garages of various long-time bandmembers. Some tracks were recorded more-or-less live at Mitch Mitchell's garage, where the band would often practice back in the early and mid-90s. These sessions comprised Mitch, Bob, and Jimmy Pollard, Bob's brother and long-time collaborator, who, though never a part of the touring ensemble, always played a crucial role on the classic-era releases. Some tracks were improvised over acoustic jam sessions at Greg Demos' house. Many were recorded at Tobin Sprout's place in Wherever, Michigan, and later lovingly fucked with in order to achieve the proper level of weirdness. Band members occasionally switched instruments (Bob plays drums; Mitch plays drums; Kevin plays drums; Jimmy Pollard plays bass; Greg plays lead guitar; Toby plays pretty much everything; etc.), and Bob gladly accepted input from other band members. Tobin Sprout wrote or co-wrote and sings on six out of the 21 songs.

The aesthetic is very much in keeping with Guided By Voices, but in some unexpected ways (more prevalent use of keyboards and samples, for one thing) the 21st century can't help but poke its nose into the resulting music. Devoted fans of Bee Thousand will not be disappointed in, for instance, the demonically tuneful "Chocolate Boy," or the relentless chug of "We Won't Apologize For The Human Race," which Tobin Sprout describes as "Peter Gabriel singing 'I Am The Walrus.'" Other standouts include "Doughnut For A Snowman," which Pollard calls "the goofiest, twinkliest song I've ever written," and "Spider Fighter," a Tobin Sprout number that was in fact the first song title conceived for the new album, and which features a piano coda that Pollard likens to "a Pete Townshend demo for Lifehouse."

Track Listing:
1. Laundry and Lasers
2. The Head
3. Doughnut for a Snowman
4. Spiderfighter
5. Hang Mr. Kite
6. God Loves Us
7. The Unsinkable Fats Domino
8. Who Invented the Sun
9. The Big Hat and Toy Show
10. Imperial Racehorsing
11. How I Met My Mother
12. Waves
13. My Europa
14. Chocolate Boy
15. The Things That Never Need
16. Either Nelson
17. Cyclone Utilities (Remember Your Birthday)
18. Old Bones
19. Go Rolling Home
20. The Room Taking Shape
21. We Won't Apologize for the Human Race

Unrivaled Sonics: First Time Original RIAS Berlin Tapes Have Been Made Available

With the great demand for the LP version of their internationally successful Furtwängler 12CD box set, Audite presents a selection of recordings in LP format for audiophile vinyl enthusiasts. Containing compositions by Beethoven, Bruckner, Schubert, Brahms and Wagner, the LP boxed set (comprising 14LPs on 180g vinyl) presents the principal works of the CD boxed set. The majority of the concerts given by Wilhelm Furtwängler and the Berlin Philharmonic between 1947 and 1954 were recorded by the RIAS Berlin. The original tapes from the RIAS archives have been made available for the first time for this edition so these recordings also offer unsurpassed technical quality.

These RIAS recordings are documents of historical value: they contain a major part of Furtwängler’s late oeuvre as a conductor, which was characterised by a high level of focus in different respects. Focus on repertoire which has at its core the symphonic works of Beethoven, Brahms and Bruckner (CD & LP box) and is supplemented by works by Bach and Handel and also by topical composers of the time, including Hindemith, Blacher and Fortner (CD box only): artists who were counted amongst the members of “moderate modernism” and who were not perceived to have been tainted by the cultural politics of the National Socialists.

Focus was also a guiding principle in Furtwängler’s concert programs which always feature a particular idea. His interpretations also demonstrate extremely high levels of focus: concentration and focus for him meant a contemporary decoding, a re-creation, which would express the fundamental content of a work. A number of works, the Third, Fifth and Sixth Symphonies by Ludwig van Beethoven as well as Johannes Brahms’ Third Symphony, are included in two interpretations. They reveal how Furtwängler was able to accentuate different aspects of a work whilst maintaining the same, clear basic conception, and how the actual interpretation depended on the context of the particular program.

The production is part of Audite's series "Legendary Recordings“ and bears the quality feature “1st Master Release.“ This term stands for the excellent quality of archival productions at Audite. All historical publications at Audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analog tapes, which attain an astonishingly high quality, even measured by today‘s standards, with their tape speed of up to 76 cm/sec. The remastering, professionally competent and sensitively applied, also uncovers previously hidden details of the interpretations.

Track Listing:
1. Symphony no 6 in F major, Op. 68 "Pastoral" by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1808; Vienna, Austria

2. Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1807-1808; Vienna, Austria

3. Symphony no 6 in F major, Op. 68 "Pastoral" by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1808; Vienna, Austria

4. Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1807-1808; Vienna, Austria

5. Symphony no 3 in E flat major, Op. 55 "Eroica" by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1803; Vienna, Austria

6. Symphony no 3 in E flat major, Op. 55 "Eroica" by Ludwig van Beethoven
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Classical
Written: 1803; Vienna, Austria

7. Symphony no 8 in C minor, WAB 108 by Anton Bruckner
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: Vienna, Austria

8. Symphony no 8 in B minor, D 759 "Unfinished" by Franz Schubert
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1822; Vienna, Austria

9. Symphony no 9 in C major, D 944 "Great" by Franz Schubert
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: ?1825-28; Vienna, Austria

10. Symphony no 4 in E minor, Op. 98 by Johannes Brahms
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1884-1885; Austria

11. Symphony no 3 in F major, Op. 90 by Johannes Brahms
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1883; Austria

12. Variations in B flat major on a theme by Haydn, Op. 56a "St. Anthony" by Johannes Brahms
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1873; Austria

13. Symphony no 3 in F major, Op. 90 by Johannes Brahms
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1883; Austria

14. Tristan und Isolde: Prelude and Liebestod by Richard Wagner
Conductor: Wilhelm Furtwängler
Orchestra/Ensemble: Berlin Philharmonic Orchestra
Period: Romantic
Written: 1859; Germany

1994 Self-Titled Major-Label Debut a Folk-Blues Classic

Half-Speed Mastered from the Original Master Tapes: Gorgeous Vocal Inflections, Astonishing Acoustic Guitar Lines Possess Incredible Detail

Pure Blues: National Steel Guitar Playing, Raw Harmonica Solos, Soulful Strumming Infuse Originals and Pair of Covers

In an age where most contemporary bluesmen strive to mimic the past and pattern their music after the greats, Keb' Mo' is content to be himself. Original, charismatic, and immensely gifted, the guitarist/vocalist (born Kevin Moore) brings country blues in the late 20th century on his stunning self-titled Epic debut, which quickly climbed the charts and turned the former backing instrumentalist into a household name. Replete with gritty textures, close-up vocals, and resplendent acoustics, Mobile Fidelity’s scintillating analog version of this 1994 set finally possesses the fidelity that brings Mo’s Delta strains out of the backwoods and onto a lively back porch.

Half-speed mastered from the original tapes, this numbered limited-edition 180g LP represents the very first time that Mo’s watershed album has been given a much-needed sonic facelift. Gone are the hazes that obscured his singing, artificial ceilings that blunted the highs, and digital fog that interfered with the multitude of illuminating tones, details, and notes. What’s revealed is startling intimacy and soothing emotion, Mo’s gorgeous vocal timbres and inflections given equal space with his guitar, harmonica, and pace. Finally, a great-sounding contemporary blues record that doesn’t resort to derivative recycling and bland revivalism.

The son of Southern parents, Mo' channels his heritage via a batch of superb folksy songs that relax, refresh, and regale. While he’s since traveled in a more commercialized pop-oriented direction, Mo’s initial salvo is nothing but raw, pure blues played with unbridled passion, tremendous conviction, and what is best deemed the essence of heart and soul. Keb' Mo' engages with a compelling mix of tradition and modernity, the headliner refraining from any attempt at assuming an artificial personality and instead basing his reputation on quality songs. As such, Mo’s material resonates with deep, mellow vibes and extraordinary National steel guitar work, which complements his fluid, acoustic finger-picking and soulful strumming.

Mo' occasionally teams with an ensemble. But this record is mostly all about the basics: guitar, voice, and harmonica. Tunes such as “Victims of Comfort” and “Angelina” testify on behalf of his phenomenal country-blues songwriting; his covers of Robert Johnson’s “Come On In My Kitchen” and “Kindhearted Woman Blues” speak to his reverence for the past. Shuffles, ballads, dance songs—Mo nails them all.

You owe it to yourself to hear this master musician in the finest possible sound. Every movement on the guitar fretboard, every breath Mo' takes before exhaling words, every crisp and gutsy pluck of the strings—they have never possessed more dynamics, detail, or life. Imaging and soundstaging are incredible.

Keb' Mo' remains one of the finest blues albums made in the post-Stevie Ray Vaughan era. Don’t miss this American gem that so many have since tried to copy.

Track Listing:
1. Every Morning
2. Tell Everybody I Know
3. Love Blues
4. Victims of Comfort
5. Angelina
6. Anybody Seen My Girl?
7. She Just Wants to Dance
8. Am I Wrong?
9. Come on in My Kitchen
10. Dirty, Low Down and Bad
11. Don't Try to Explain
12. Kindhearted Woman Blues
13. City Boy

This title is not eligible for discount.

Track Listing:
1. My Ship
2. More I See You, The
3. These Foolish Things
4. Waltz For Debbie
5. It Never Entered My Mind
6. The Day the World Stopped Turning, The
7. A Slow Hot Wind
8. Funny World
9. Joey, Joey, Joey
10. Let Me Love You
11. Sunrise, Sunset

The album has become an instant jazz classic, and the renditions of "Lush Life", "My One and Only Love", and "They Say It's Wonderful" are considered definitive.

Recorded March 7, 1963. Produced by Bob Thiele, Engineered by Rudy Van Gelder.

"Rudy Van Gelder recorded both sets [ORGLP 17 John Coltrane & Johnny Hartman & ORGLP 27 Johnny Hartman / I Just Dropped By To Say Hello], and they display Hartman's voice amidst a mildly reverberant soundfield, which the 45rpm format exposes to its very limits. Piano is captured particularly well, preserving its timbre and delicate ambience. The 180-gram LPs, pressed at Pallas in Germany, are exceptionally quiet, exposing the texture of Hartman's voice and delicate dynamic gradations of Coltrane's achingly beautiful playing all the better." - Marc Mickelson, www.theaudiobeat.com, Music 5/5, Sound 4/5

"Rudy Van Gelder’s recording is sympathetic to the musical setting, with Hartman center stage, looming large and just kissed with reverb. Even Tyner’s piano sounds clean and well-textured, while Coltrane and Jones share a channel, with the tenor sax upfront and the drums pushed appropriately behind." - Michael Fremer, www.musicangle.com, Music 10, Sound 9

This title is not eligible for discount.

Track Listing:
1. They Say It's Wonderful
2. Dedicated To You
3. My One And Only Love
4. Lush Life
5. You Are Too Beautiful
6. Autumn Serenade

A captivating recording by the “first strings” of chamber music. The Guarneri String Quartet also had the distinction of being music’s longest running artist collaboration.

Reunited with Max Wilcox, the producer who recorded their legendary sessions with Artur Rubinstein at RCA and featuring one of the seminal monuments to French quartet literature, the Guarneri’s exquisite interpretation and performance makes this one of the best recordings of Ravel’s quartet ever made.

Beautifully recorded, this album is the culmination of 37 years of extraordinary talent, success, and emotional commitment from one of the greatest quartets in history.

Track Listing:
I. Allegro moderato
II. Assez vif - Très Rhythmé
III. Très lent
IV. Vif et agité

CD - The Dulcitone Files
1. The Future (acoustic)
2. Looking Through (acoustic)
3. When I Was Young (acoustic)
4. Waiting For Something (acoustic)
5. Clear Eye Clouded Mind (acoustic)

There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.

Volume 1 was pretty straightforward - just some nice records, with the only edit being an instrumental of Disco Socks; a strange, thinly veiled reference to the disco sucks movement. Then on Volume 2 I included a few of my edits and introduced the cover up concept to the disco world. That caused a bit of controversy, which of course I loved. And so it continued for five volumes.

What we have here then is the full series, give or take one or two cuts, all remastered, many re-re-edited, with lots of nice naked pictures to boot. For those who've asked since day one "will there be vinyl" I can finally say yes, you're holding it!

Track Listing:
LP1
1. Arts & Craft - I've Been Searching
2. Executive Suite - Why In The World Do They Keep On (Funk'in With Me)
3. Sizzle - Love Is All Around
4. Silver, Platinum & Gold - Just Friends

LP2
5. Jimmy Sabater - To Be With You
6. The Peoples' Workshop - Funkathone
7. Allan Harris & Perpetual Motion - Get Ready
8. Panaché - Sweet Jazz Music

There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.

Volume 1 was pretty straightforward - just some nice records, with the only edit being an instrumental of Disco Socks; a strange, thinly veiled reference to the disco sucks movement. Then on Volume 2 I included a few of my edits and introduced the cover up concept to the disco world. That caused a bit of controversy, which of course I loved. And so it continued for five volumes.

What we have here then is the full series, give or take one or two cuts, all remastered, many re-re-edited, with lots of nice naked pictures to boot. For those who've asked since day one "will there be vinyl" I can finally say yes, you're holding it!

Track Listing:
LP1
1. Hot Ice - Dancing Free
2. Al Tanner - Doing Our Own Thang
3. Arthur King - Fear
4. Superbs - Party Together

LP2
5. Curtis - How Can I Tell Her
6. Cheryl Berdell - Giving It All To You
7. Sylvano Santorio - We've Got It
8. Stringfield Family - Sound Of Disco Rock

"This may be some of the best sound Keith Johnson has ever gotten out of Symphony Hall in Minneapolis, and certainly Oue's most convincing work with the Minnesota players, who sound for all the world more like the Philadelphia than that orchestra does these days. How Johnson got that huge climax at the end of the Dances cleanly onto tape transcends engineering and goes into the realm of magic." - Harry Pearson, The Absolute Sound

"No one can approach Reference Recordings' unparalleled sound in this music. The sweet liquid presence of the high end, especially the critical massed strings, approaches perfection when it blends with RR's characteristic ambient soundstage, fine inner detail and bass impact." - Arthur B. Lintgen, The Absolute Sound

"Even by the exalted standards one has come to expect from Reference Recordings, this is something extraordinary. This is the kind of recording that gives one renewed faith in the possibility of reproducing the power and beauty of an orchestra in a home environment, the kind of thing that makes audio worthwhile. Not to be missed." - Robert E. Greene, The Absolute Sound

"The recording is once again absolutely stunning, brilliant and plushy at the same time, unequaled by another label in this piece." – Peter Aczel, The Audio Critic

"Overall, the sound is the best I’ve ever heard from Reference Recordings. That also means that overall there’s none better that you can currrently purchase. You don't need any more details, just trust me and run out and buy it." – Karl Lozier, www.enjoythemusic.com

"Once again, Keith Johnson has raised the bar of excellence in the recording of a symphony orchestra. It's a fabulous recording and a super performance of the Symphonic Dances, and a testament to the brilliance of Keith Johnson and his associates." - Anthony Kershaw, Audiophilia.com

This title is not eligible for further discount.

Track Listing:
1. Symphonic Dances - Non Allegro
2. Symphonic Dances - Andante Con Moto (Tempo di valse)
3. Symphonic Dances - Lento Assai
4. Vocalise
6. Etudes-Tableaux - The Sea And The Seagulls
6. Etudes-Tableaux - The Fair
7. Etudes-Tableaux - Funeral March
8. Etudes-Tableaux - Little Red Riding Hood And The Wolf
9. Etudes-Tableaux - March

Finn traveled to Austin, Texas in July, removing himself from all familiar surroundings, to record the album with producer Mike McCarthy (Spoon, Trail of Dead). Of the album's title, Finn says, ”It's a juxtaposed reference to 'Friday Night Lights,' a TV show that excited and moved me and also happened in Texas. Further, Clear Heart signifies honesty and transparency, and Full Eyes suggests experience."

Track Listing:
1. Apollo Bay
2. When No One’s Watching
3. No Future
4. New Friend Jesus
5. Jackson
6. Terrified Eyes
7. Western Pier
8. Honolulu Blues
9. Rented Room
10. Balcony
11. Not Much Left Of Us

A band already at the top of its game has gotten even better. And The Black Keys have done pretty damn well so far this year, with three 2011 Grammy awards for Brothers under their belt, an MTV Video Music Award for "Tighten Up," more than 850,000 copies of Brothers sold in the U.S., and upwards of a million units worldwide, plus innumerable licensing placements in film, TV, and commercials. El Camino features one stand-out track after another, such as first single "Lonely Boy," "Gold on the Ceiling," and the surprising, acoustic-guitar-driven, tempo-shifting "Little Black Submarines."

"This record is more straight ahead rock and roll — raw, driving, and back to basics," says Auerbach. As Carney has put it, The Black Keys "respect the past while being in the present," and that formula has made them sound like nothing less than the future of rock and roll. While the largely self-produced Brothers, recorded at the famed Muscle Shoals Studio in Alabama, had a more soul and blues-oriented sound, El Camino often recalls the blitzkrieg-paced British-style rock of the 1960s and 70s, post-Beatles and pre-punk: artists like T-Rex, The Sweet, and Gary Glitter, along with the heavier swing of such bands as Led Zeppelin and Black Sabbath.

The references are there, but the sound is very much contemporary and utterly their own, equally informed by The Black Keys' passion for hip hop and R&B and bolstered by the atmospheric production approach of Danger Mouse (a.k.a. Brian Burton), who was behind the boards for 2008's Attack & Release and collaborated with them on the funky "Tighten Up" for Brothers. As Auerbach notes, "Brian understands all the different kinds of music we're into. He's got really great ideas about melody and song structure. For him it's all about the song." Also rejoining them is consistently innovative mixing engineer Tchad Blake, who Auerbach calls "a genius with audio, a complete wizard."

El Camino arrives just in time to serve as the ideal holiday gift for The Black Keys' rapidly growing fan base. It came together quickly in an unfettered burst of creativity by the hard-charging pair. They recorded these 11 tracks between tour dates for Brothers at Auerbach's new Easy Eye Studio in Nashville, where he and Carney have now relocated after years of working in their native Akron, Ohio. The duo plans to embark on a six week European Tour at the start of the New Year, with U.S. dates to follow shortly thereafter-including several arenas.

In a time of global austerity, The Black Keys work simply and efficiently, with a minimum of tools and a wealth of ideas, to produce the richest, fattest, coolest music around. Upon the release of Brothers last year, Britain's Uncut magazine called them "one of the best rock'n'roll bands on the planet," and El Camino, confirms that.

Track Listing:
1. Lonely Boy
2. Dead And Gone
3. Gold On The Ceiling
4. Little Black Submarines
5. Money Maker
6. Run Right Back
7. Sister
8. Hell Of A Season
9. Stop Stop
10. Nova Baby
11. Mind Eraser

LP2
1. Sparrow
2. Anna's Song
3. When Did You Stop Loving Me, When Did I Stop Loving You (Instrumental)
4. A Funky Space Reincarnation
5. You Can Leave, But It's Going To Cost You
6. Falling In Love Again
7. When Did You Stop Loving Me, When Did I Stop Loving You (Reprise)

Live has been one of the most successful and enduring alternative rock bands of the 1990s and 2000s. Live had, and more importantly, Ed has a huge international fan base and he tours extensively all over the world.

ALIVE is his first solo album and follows a year of touring acoustically. Since 2010 he has been touring with a full rock band that consists of the musicians that played on the album. Ed will be touring Europe again in 2011.

Track Listing:

LP1 - Side B
1. In Your Light
2. Just in Time
3. Rome
4. Soul Whispers
5. Fire on the Mountain

Mastered from the original master tapes by Mobile Fidelity, A Good Day sounds positively exquisite on 180g LP, the very first time this sure-to-be audiophile vocal favorite has been made available on vinyl. While Mobile Fidelity typically issues albums that are at least a decade old, the label's engineers and decision makers felt too strongly about Ahn's 2008 album to squander any opportunity to release it. Such is the capacious amount of low-level detail, acoustic information, timbral presence, natural dynamics, and wide-spectrum frequency response present on a vocal-dominant effort that sparkles sonically as well as musically. A Good Day is the kind of airy album meant for high-end turntables, analog-friendly amplifiers, a cozy seat, and glass of fine Bordeaux.

Helmed by noted producer and Beck colleague Joey Waronker, A Good Day teems with understated string sections, fingerpicked arpeggios, rustic atmospherics, and confident harmonies. Ahn's relaxed, rural-based childhood memories work their way into delicate ballads and cozy midtempo strummers, as does her more recent stint in California's sun-baked environs. Simultaneously innocent and experienced, she's equally at home with tender love-struck admissions as she is with tough-skinned declarations. Always in control, her lyrics and music belie her then-24-year-old age.

Fans of Joni Mitchell, Carole King, and Laura Nyro should immediately be drawn to Ahn's personal, intimate vibes. The upstart multi-instrumentalist not only plays guitar but also masters autoharp, piano, ukulele, Wurlitzer organ, bells, and glockenspiel on tracks rife with texture and color. Yet the main attraction remains Ahn's wispy, clear, dream-like voice. Soft and sensual, spirited and soothing, her coos, whispers, and wordless flights take off like a breeze on a clear summer day, gently blowing against fields of golden flowers and pillowy clouds.

Indeed, Ahn's is a comforting voice you'll want to experience in the highest-possible fidelity. Experience the blissful aural sensations and myriad sonic hues delivered by Mobile Fidelity's numbered limited-edition 180g LP, and luxuriate in acoustic folk-pop that brightens moods, massages the senses, and clings to the soul as well as any you've heard in recent memory.

Track Listing:
1. Dream
2. Wallflower
3. I Don't Think So
4. Masters in China (Benji Hughes)
5. Leave the Light On
6. Red Cape
7. Astronaut (G. Seyffert, Priscilla Ahn)
8. Lullaby
9. Find My Way Back Home
10. Opportunity To Cry (Willie Nelson)
11. A Good Day (Morning Song)

Backing DiFranco is a remarkably diverse line-up of stellar musicians, including members of her own crack touring band as well as such guest players as Ivan and Cyril Neville (of New Orleans’ first family of funk and R&B, The Neville Brothers), avant-saxophonist Skerik (Pearl Jam, R.E.M., Bonnie Raitt, The Meters), acclaimed singer/songwriter Anaïs Mitchell, guitarist Adam Levy (Norah Jones, Tracy Chapman, Amos Lee), and a host of New Orleans-based horn players known for their work in such outfits as Galactic, Bonerama, and The Rebirth Brass Band.

The newly recorded version of "Which Side Are You On?" is a funk-fueled epic, incorporating not just Ani’s band, but Pete Seeger himself on banjo and vocals alongside The Rivertown Kids, a Hudson Valley-based children’s chorus, and The Roots of Music Marching Crusaders, a brass band consisting of students from The Roots of Music, a music education program for at-risk middle-school students in New Orleans. DiFranco contributed her own straight-from-the headlines verses to the song and has used it to close her own live shows ever since. The album represents an extraordinary snapshot of DiFranco’s own life as well her sense of where the country stands at this particular moment in time.

Track Listing:
1. Life Boat
2. Unworry
3. Which Side Are You On?
4. Splinter
5. Promiscuity
6. Albacore
7. J
8. If Yr Not
9. Hearse
10. Mariachi
11. Amendment
12. Zoo

Heaven and Earth is a posthumous 2011 release by British singer/songwriter/guitarist John Martyn featuring material he was working on at the time of his death in 2009. The finishing touches were made in accordance with Martyn's wishes over the last two years by producer/sound engineer Gary Pollitt with additional production by Spencer Cozens, Stefon Taylor and Jim Tullio. Includes nine bittersweet tracks with accompaniment by his longstanding band and a guest appearance by Phil Collins on " Can't Turn Back the Years." 180g pressing from Music On Vinyl.

Track Listing:
1. Heel of the Hunt
2. Stand Amazed
3. Heaven and Earth
4. Bad Company
5. Could've told you before I met you
6. Gambler
7. Can't turn back the years
8. Colour
9. Willing to work

This title is not eligible for discount.

Track Listing:
1. Progeny
2. The Wheat
3. The Battle
4. Earth
5. Sorrow
6. To Zuccabar
7. Patricide
8. The Emperor Is Dead
9. The Might Of Rome
10. Strength And Honor
11. Reunion
12. Slaves To Rome
13. Barbarian Horde
14. Am I Not Merciful?
15. Elysium
16. Honor Him
17. Now We Are Free