Vinyl Record Albums & Newly Released Vinyl LP Records

While less musically intense than the preceding This Year’s Model, Armed Forces doesn’t let up in the lyric department. Costello’s narratives are loaded with paranoia, irony, bitterness, and scathing humor. Originally titled Emotional Fascism, the singer’s third consecutive masterpiece is inspired by billboard sign slogans, insular observations, and social behavior that Costello found applicable to his own situation. “Oliver’s Army,” “Green Shirt,” and “Senior Service” address systemic governmental control. “Big Boys,” “Two Little Hitlers,” and “Accidents Will Happen” also concern control and betrayal—but that of the interpersonal nature.

Given the luxury of six weeks in the studio, Costello and the Attractions responded with spacious arrangements and a few extra touches and instrumental colors that add to the songs’ charm. Steve Nieve employs a monophonic Minimoog keyboard and pianos patterned after Abba’s sweet pop; whispers are exaggerated into black comedy shouts on “Goon Squad”; layered and echoed vocals provide the illusion of several Costello voices on multiple tracks. The band is of a piece, constantly in harmony and on the same page.

Half-speed mastered from the original tapes, Mobile Fidelity’s numbered limited-edition 180-gram LP presents the vibrant dynamics of Armed Forces’ timeless pop songs in the highest possible fidelity. This album has never sounded so full, rich, airy, spacious, detailed, or necessary. The textures and voicings of Nieve’s keyboards are alone worth the investment. This pressing will have you dancing in the aisles and analyzing Costello’s brilliant turns of phrase for years to come.

Track Listing:
1. Accidents Will Happen
2. Senior Service
3. Oliver's Army
4. Big Boys
5. Green Shirt
6. Party Girl
7. Goon Squad
8. Busy Bodies
9. Sunday's Best
10. Moods For Moderns
11. Chemistry Class
12. Two Little Hitlers
13. (What's So Funny 'Bout) Peace, Love And Understanding?

In 1996 Alice In Chains performed their first show in three years for MTV Unplugged. Unfortunately, it also turned out to be one of the last ones they would ever do, as lead singer Layne Staley's drug addiction was already getting the better of him. Visibly frail, he – and band members Jerry Cantrell, Mike Inez and Sean Kinney – still out-performed many of the other acts that crept in front of MTV's camera, making this one of the most legendary performances of the series. The band perform songs from both Facelift and Dirt albums as well as their critically acclaimed E.P. Jar Of Flies, creating new and exciting arrangements for their heavier songs while reinventing others. The tension and excitement in the audience is palpable throughout the entire show, and it makes this a fantastic record of the greatness of Alice In Chains.

Track Listing:
1. Nutshell
2. Brother
3. No Excuses
4. Sludge Factory
5. Down In a Hole
6. Angry Chair
7. Rooster
8. Got Me Wrong
9. Heaven Beside You
10. Would?
11. Frogs
12. Over Now
13. Killer Is Me

Sinatra's 1966 Live Album With Count Basie and Quincy Jones as Good as Music, Performance, and Chemistry Get

Half-Speed Mastered from the Original 4-Track Master Tapes for Breathtaking Sound

Audiophiles Will Be in the Copa Room With Sinatra Standing in Front of Them

Frank Sinatra. Count Basie. Quincy Jones. Las Vegas. Combinations and circumstances don’t get any better. And by every measure, Sinatra at the Sands is as good as music gets. Comprised of live material recorded at five nights in early 1966 at the famed Copa Room, Ol’ Blue Eyes’ 22-song album stands as one of his pinnacle achievements, the results a blend of superb chemistry, sparkling arrangements, infallible singing, and contagious energy. As part of its continuing series of essential Sinatra recordings, Mobile Fidelity is proud to offer the record in the most definitive-sounding edition available. Listeners will be transported to a table close to the stage, with the image of a tuxedo-clad Sinatra unfolding right in front of them.

By 1966, Sinatra had conquered the world. His tenure as a teen idol and maturing crooner behind him, he was confident, assured, focused, and quite simply, untouchable. Music’s top arrangers and composers came to him, knowing the magic that he’d bring to their labors of love. It’s for these reasons that Count Basie and his orchestra backs Sinatra here, and why Jones, in demand by everyone, chooses instead to lend his arrangement insights onstage at the Sands. Indeed, Sinatra at the Sands harkens back to the day’s when concerts were a true event, and the album is nothing short that promise. This is a happening you won’t want to miss.

Containing many of Sinatra’s most well-known and celebrated performances--“I’ve Got a Crush on You,” “Fly Me to the Moon (In Other Words),” “Luck Be a Lady” among them--Sinatra at the Sands finds the entertainer in immaculate voice. He improvises lines with effortless and ease, casually adorns lyrics with hidden rhythms, stretches notes to instill meaning and emotion, and utilizes his impeccable knack for phrasing to turn a line and beget instrumental responses that complement each song’s mood. Meanwhile, Basie and Co. swing on uptempo numbers and lay back on melancholy tunes that still bring a tear to the eye.

Warner Bros. executive Stan Cornyn, writing about these very shows, observed that, doing more than sing, “Sinatra turns actor. The man whose broad’s left him with some other guy and all of the loot…And there is silence about, for this audience is watching a man become that last lucked-out guy at the bar, the last one, with no where to go but sympathy city.” And so it goes, Sinatra proving it’s the singer and the song, demonstrating a seemingly unlimited range as he transports you to saloons, romantic parks, lonely streets, and bustling cities. Everything—the pacing, structure, passion, interpretation—is perfect.

Mobile Fidelity has half-speed mastered this exquisite analog set from the original four-track master tapes, originally recorded by engineer Lowell Frank. Clear, big, and sumptuous, Sinatra at the Sands now resonates with previously unheard details, transparency, imaging, projection, smoothness, and dimensionality. Capturing a human voice remains the most difficult recording task. Suffice it to say that this 2LP set will join the ranks of the very best recordings you own.

Track Listing:
1. Come Fly with Me (Jimmy Van Heusen, Sammy Cahn)
2. I've Got a Crush on You (George Gershwin, Ira Gershwin)
3. I've Got You Under My Skin (Cole Porter)
4. The Shadow of Your Smile (Johnny Mandel, Paul Francis Webster)
5. Street of Dreams (Victor Young, Samuel Lewis)
6. One for My Baby (Harold Arlen, Johnny Mercer)
7. Fly Me to the Moon (Bart Howard)
8. One O'Clock Jump(Instrumental) (Count Basie)
9. The Tea Break (Sinatra Monologue)
10. You Make Me Feel So Young (Josef Myrow, Mack Gordon)
11. All of Me (Instrumental) (Gerald Marks, Seymour Simons)
12. The September of My Years (Jimmy Van Heusen, Sammy Cahn)
13. Luck Be a Lady (Frank Loesser)
14. Get Me to the Church on Time (Frederick Loewe, Alan Jay Lerner)
15. It Was a Very Good Year (Ervin Drake)
16. Don't Worry 'Bout Me (Rube Bloom, Ted Koehler)
17. Makin' Whoopee(Walter Donaldson, Gus Kahn)
18. Where or When (Richard Rodgers, Lorenz Hart)
19. Angel Eyes (Earl Brent, Matt Dennis)
20. My Kind of Town (Jimmy Van Heusen, Sammy Cahn)
21. A Few Last Words (Sinatra Monologue)
22. My Kind of Town (Reprise)

Includes 24-page full color booklet.

Taking a break from his day job fronting rock heavyweight Pearl Jam, Eddie Vedder immerses himself into the big-screen story of a young man who gives all his money to charity and hitchhikes to a new life, and his eventual death, in the wilds of Alaska. Prompted by the film's creator, Sean Penn, to contribute to the musical score, the Seattle musician tackled the entire project, playing every instrument on the soundtrack's nine originals and two cover songs.

This title is not eligible for further discount.

Track Listing:
1. Setting Forth
2. No Ceiling
3. Far Behind
4. Rise
5. Long Nights
6. Tuolumne
7. Hard Sun
8. Society
9. The Wolf
10. End of the Road
11. Guaranteed

Original Analog Masters Located After 18 Years and Used for Remaster

Half-Speed Mastering Yields Unprecedented Sound

Also Available on Limited Edition MoFi Hybrid SACD!

The opening instrumental to Bossanova makes it clear that the Pixies weren’t about to take the same crazed approach on their major-label debut as they did on their initial standout efforts, 1987's Surfer Rosa and 1989's Doolittle, also available from Mobile Fidelity on 180g LP. More straightforward, linear, fluid, subtle, and dreamy, Bossanova finds the band exploring pop structures, dropping psychedelic accents, and satisfying surf-rock urges. While it often verges off-the-beaten path, particularly for mainstream tastes circa 1990, the set is the most accessible and hook-ridden record the Pixies ever made.

Black Francis’ surreal narratives and breathy delivery flavor tunes like “Is She Weird,” “Velouria,” and “The Happening,” all of which sonically and/or lyrically tie into themes of aliens and sex. Macabre fixations and noisy outbursts take a backseat to tunefulness, putting a spotlight on Joey Santiago’s underrated guitar work and Kim Deal’s complementary back-up vocals. Recognizing the changes, producer Gil Norton bestowed Bossanova with spacious dynamics and wide-open arrangements that allow the music to breathe.

The analog masters for Bossanova had been missing for 18 years before finally being located in 2008 in the WEA tape archives in Los Angeles. This release marks the first time that the original ½-inch analog master tapes have been used since Bossanova was originally released in August 1990. Be assured that this is the very finest version of Bossanova you will ever hear. At long last, the staggering dimensions of the Pixies’ canyon-wide soundscapes and three-dimensional atmospherics of their nuanced vocals are faithfully reproduced.

An essential document of one of the 20th century’s most vital bands, these numbered limited edition copies will sell out.

Track Listing:
1. Cecilia Ann
2. Rock Music
3. Velouria
4. Allison
5. Is She Weird
6. Ana
7. All Over The World
8. Dig For Fire
9. Down To The Well
10. The Happening
11. Blown Away
12. Hang Wire
13. Stormy Weather
14. Havalina

During hours of downtime on her Acid Tongue world tour, Jenny and Johnathan began writing a batch of songs different from anything they had previously created. During a 9 day demo session in LA in October ‘09, helmed by Rilo Kiley's Pierre De Reeder, Jenny and Johnny played as many instruments as possible, right down to the drums, bringing in Jason Boesel for additional embellishments. The four friends worked lightening fast, had a hell of a lot of fun, and were so happy with the results that Lewis and Rice decided to start a brand new band and finish the record. In late December the two songwriters packed up a station wagon and drove from Los Angeles to Omaha, Nebraska to work with their friend, Mike Mogis.

Jenny and Johnny hunkered down in Mogis' world-class ARC studios for five weeks of tracking, vocals, and mixing during the worst Midwestern winter since the 1860's. The front door of their guesthouse actually froze shut, so they used an alternate route to get to the studio every day. Cut off from the outside world in a blizzard's haze, the record's personality began to emerge. Gone were the vintage, classic-rock textures of their previous two albums, and in came a tougher, rougher sound.

There's an exuberance in love songs like "Scissor Runner" that mask some of the record's darkness, while Lewis chronicles the economic demise of her beloved California in "Big Wave." Listeners will relish Rice's haunting vocal on "Animal" and both songwriters raising a middle-finger kiss off in the acerbic "My Pet Snakes." This is not a Rilo Kiley record, a Jenny Lewis record, or a Johnathan Rice record. This is Jenny And Johnny. They're having fun now, and they want you to, too.

Track Listing:
1. Scissor Runner
2. My Pet Snakes
3. Switchblade
4. Big Wave
5. While Men Are Dreaming
6. Animal
7. Just Like Zeus
8. New Yorker Cartoon
9. Straight Edge Of The Blade
10. Slavedriver
11. Committed

Throughout the recording of We Walk This Road, Randolph and Burnett worked closely together as archivists, discovering songs-decade by decade-from the 20th century American music canon. The songs they uncovered, ranging from blues and rock to field recordings and gospel, serve as the inspiration for the 11 songs on We Walk This Road. Recorded at the Village Recorders and Electro Magnetic Studio, the album includes "If I Had My Way" (featuring Ben Harper), "Salvation" (featuring Leon Russell), and reinterpretations of Prince's "Walk Don't Walk," Bob Dylan's "Shot Of Love," (featuring Jim Keltner, who played drums on the original version) and John Lennon's "I Don't Wanna Be A Soldier Mama" (featuring Doyle Bramhall II).

Of the album, Randolph says "T Bone and I drew a lot from the past while we were making this record, but I think it really is a record for these times. I think the fact that I, as a young guy who likes hip-hop and gospel, am reaching back into this rich history of American roots music will appeal to people who are fifteen, and people who are seventy-five years old. T Bone opened my eyes to great archival music. He's a link between the past and the present."

Track Listing:
1. Segue 1
2. Traveling Shoes
3. Segue 2
4. Back To The Wall
5. Shot Of Love
6. I Still Belong To Jesus
7. Segue 3
8. If I Had My Way
9. Segue 4
10. Don't Change
11. I Don't Wanna Be A Soldier Mama
12. Walk Don't Walk
13. Segue 5
14. Dry Bones
15. Segue 6
16. I'm Not Listening
17. Salvation

Recorded with local musicians in Austin, this double album is self-produced. Lou Ann Barton guests on several tracks.

Jimmie hand picked the covers originally made famous by the likes of Little Richard, Jimmy Reed, Roy Milton, Willie Nelson, Doug Sahm and more.

When Jimmie Vaughan says “I have the best job in the world,” he isn’t kidding. For more than four decades, the guitar-slinging Texan legend has been earning his living rockin’ the blues, and nothing makes the man happier. But now, Vaughan is even more excited about his gig than usual—for his newest release he’s consulted the vast blues encyclopedia that resides deep inside of his head and come up with a nearly all-covers set best described by its unambiguous title: Blues, Ballads & Favorites.

Self-produced and recorded in Vaughan’s hometown of Austin, the newest offering by the co-founder of the iconic, still-missed Fabulous Thunderbirds spotlights a wild array of tunes originally recorded by the likes of Roy Milton, Jimmy Reed, Roscoe Gordon and Little Richard, with a Willie Nelson favourite tossed in. No particular criteria were used in selecting the tracks to include; Vaughan simply narrowed down a long list of songs he liked and Blues, Ballads and Favorites was the ultimate result.

Recorded with a solid group of mostly local musicians, with longtime cohort Lou Ann Barton lending her vocals to a handful of tunes, Blues, Ballads & Favorites is Vaughan’s first new release in nearly nine years. “I got married and had twins, and a lot of things happened in between,” he says, but as soon as the music emits its mighty roar, it’s clear that nothing has dulled Jimmie Vaughan’s mastery of his axe or his powerful vocal delivery. “I’m just about to turn 59 years old and I’m having a good time,” he says. “I’ve got my second wind here.”

Track Listing:

Side A:

The Pleasure's All Mine
Come Love
I'm Leaving It Up To You
Comin' & Goin'

Side B:

Wheel Of Fortune
How Can You Be So Mean
Just A Little Bit
Lonely Weekends

Side C:

I Miss You So
RM Blues
Roll, Roll, Roll
Send Me Some Lovin'

Side D:

Why, Why, Why
(She's Got The) Blues For Sale
Funny How Time Slips Away

"I had originally planned for Relapse 2 to come out last year. But as I kept recording and working with new producers, the idea of a sequel to Relapse started to make less and less sense to me, and I wanted to make a completely new album. The music on Recovery came out very different from Relapse, and I think it deserves its own title." - Eminem

Track Listing:
1. Cold Wind Blows
2. Talkin' 2 Myself Feat. Kobe
3. On Fire
4. Won't Back Down Feat. Pink
5. W.T.P.
6. Going Through Changes
7. Not Afraid
8. Seduction
9. No Love Feat. Lil Wayne
10. Space Bound
11. Cinderella Man
12. 25 To Life
13. So Bad
14. Almost Famous
15. Love The Way You Lie Feat. Rihanna
16. You're Never Over
17. Untitled

Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: These Records Have NEVER Sounded Better in Any Format

This is the ULTIMATE AUDIOPHILE Dylan LP Box: Don't Miss Some of the Most Timeless and Crucial Music Ever Recorded in Sound That Rivals What Was Heard in the Studio Control Room

Each Disc Comes With Individual Jacket Replete With Original Artwork and Inserts

Hear Dylan's Most Definitive Albums As They Were Meant to be Experienced: In Mono

Includes Deluxe Booklet + Rare Photos and Greil Marcus Essay

Bob Dylan’s first eight groundbreaking albums are returning for the first time ever in a limited edition box set of newly re-mastered mono versions on fully analog 180-gram vinyl.

The Original Mono Recordings are comprised of these albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant – and often preferred – mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylan devoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic – and longtime Dylan aficionado – Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, we guarantee this is the best you will ever hear Dylan sound. This set is simply unprecedented--some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room. Don't miss this!

Also includes a limited edition 18" x 24" Bob Dylan poster.

The Original Mono Recordings Box Set Includes:

Bob Dylan – 1962
The Freewheelin’ Bob Dylan – 1963
The Times They Are A-Changin’ – 1964
Another Side Of Bob Dylan – 1964
Bringing It All Back Home – 1965
Highway 61 Revisited – 1965
Blonde on Blonde (2 LP) – 1966
John Wesley Harding – 1967


Track Listing:
Bob Dylan – 1962

1. You're No Good
2. Talkin' New York
3. In My Time of Dyin'
4. Man Of Constant Sorrow
5. Fixin' To Die
6. Pretty Peggy-O
7. Highway 51 Blues
8. Gospel Plow
9. Baby, Let Me Follow You Down
10. House Of the Risin' Sun
11. Freight Train Blues
12. Song To Woody
13. See That My Grave Is Kept Clean

The Freewheelin’ Bob Dylan – 1963

1. Blowin' in the Wind
2. Girl of the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylan's Blues
6. A Hard Rain's A-Gonna Fall
7. Don't Think Twice, It's All Right 8. Bob Dylan's Dream
9. Oxford Town
10. Talkin' World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

The Times They Are A-Changin’ – 1964

1. The Times They Are A-Changin’
2. Ballad Of Hollis Brown
3. With God On Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only A Pawn In Their Game
7. Boots Of Spanish Leather
8. When The Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

Another Side Of Bob Dylan – 1964

1. All I Really Want To Do
2. Black Crow Blues
3. Spanish Harlem Incident
4. Chimes Of Freedom
5. I Shall Be Free—No. 10
6. To Ramona
7. Motorpsycho Nitemare
8. My Back Pages
9. I Don’t Believe You
10. Ballad In Plain D
11. It Ain’t Me Babe

Bringing It All Back Home – 1965

1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie’s Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan’s 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. It’s Alright Ma (I’m Only Bleeding)
11. It’s All Over Now, Baby Blue

Highway 61 Revisited – 1965

1. Like A Rolling Stone
2. Tombstone Blues
3. It Takes A Lot To Laugh, It Takes A Train To Cry
4. From A Buick 6
5. Ballad Of A Thin Man
6. Queen Jane Approximately
7. Highway 61 Revisited
8. Just Like Tom Thumb’s Blues
9. Desolation Row

Blonde on Blonde (2 LP) – 1966

1. Rainy Day Women # 12 & 35
2. Pledging My Time
3. Visions Of Johanna
4. One Of Us Must Know (Sooner Or Later)
5. I Want You
6. Memphis Blues Again
7. Leopard-skin Pill-box Hat
8. Just Like A Woman
9. Most Likely You Go Your Way And I’ll Go Mine
10. Temporary Like Achilles
11. Absolutely Sweet Marie
12. 4th Time Around
13. Obviously 5 Believers
14. Sad Eyed Lady Of The Lowlands

John Wesley Harding – 1967

1. John Wesley Harding
2. As I Went Out One Morning
3. I Dreamed I Saw St. Augustine
4. All Along The Watchtower
5. The Ballad Of Frankie Lee And Judas Priest
6. Drifter’s Escape
7. Dear Landlord
8. I Am A Lonesome Hobo
9. I Pity The Poor Immigrant
10. The Wicked Messenger
11. Down Along The Cove
12. I’ll Be Your Baby Tonight

Ella Fitzgerald Sings the Rodgers and Hart Songbook is a 1956 album by the American jazz singer Ella Fitzgerald, with a studio orchestra conducted and arranged by Buddy Bregman, focusing on the songs written by Richard Rodgers and Lorenz Hart.

It's something most everyone has experienced: whether at one of the great jazz festivals in Berlin, Montreux or Paris, or in a small, provincial jazz club which exudes the charm of a dingy jazz cavern in the Fifties - you sit, listen, and then rack your brain to remember the name of the number which the young jazz musician is playing with all his heart. Just what was the name? Put the Ella Sings The Rodgers And Hart Songbook album on your turntable and you're guaranteed to recall "The Lady Is A Tramp," "Spring Is Here" and "It Never Entered My Mind." All these and many more excellent ballads flowed out of the pens of the songwriting team. But don't make the mistake of associating merely scat singing taken at a cracking pace with the most famous and the BEST jazz vocalist between 1930 and 1995. This album more than demonstrates Ella Fitzgerald's excellent powers of expression and her brilliant modulations.

Track Listing:
1. Have You Met Miss Jones?
2. You Took Advantage Of Me
3. A Ship Without A Sail
4. This Can't Be Love
5. The Lady Is A Tramp
6. Manhattan
7. Johnny One Note
8. I Wish I Were In Love Again
9. Spring Is Here
10. It Never Entered My Mind
11. Where Or When
12. Little Girl Blue

Dylan's Formative Demos That He Used to Net a Record Deal

47 Original Recordings, Including 15 PREVIOUSLY UNRELEASED Dylan Compositions

Features Deluxe Booklet With Revelatory Photos and Insightful Essay and Notes

Another Must-Have Installment in the Phenomenal Bootleg Series

Bob Dylan's The Witmark Demos are seeing their first commercial release on 180-gram 4LP vinyl nearly five decades after they were first recorded. Listening to these 47 original recordings, one can trace Dylan’s dramatic growth as a songwriter from early traditionally-styled songs like “Man On The Street” and “Ramblin’ Gamblin’ Willie” through the social commentary of “Blowin’ In The Wind, “The Times They Are A Changin’” and “Masters Of War,” and the groundbreaking lyrical genius of “Mr. Tambourine Man.” All of these songs, and all the others on The Witmark Demos, were written – and their subsequent demos recorded – before Dylan turned 24 years old.

Among the many gems found on The Witmark Demos are 15 previously unreleased Dylan songs which include the plaintive “Ballad For A Friend,” the civil rights era-inspired “Long Ago, Far Away” and “The Death Of Emmett Till,” and the poignant “Guess I’m Doing Fine.”

The Witmark Demos also features a deluxe booklet featuring in-depth liner notes by noted music historian Colin Escott, as well as rare photographs of Bob Dylan captured during the same period as these early recordings. Absolutely essential!

Track Listing:
LP 1 - Side A

1. Man On The Street (Fragment)
2. Hard Times In New York Town
3. Poor Boy Blues
4. Ballad For A Friend
5. Rambling, Gambling Willie
6. Talking Bear Mountain Picnic Massacre Blues
7. Standing On The Highway
8. Man On The Street

LP 1 - Side B

1. Blowin’ In The Wind
2. Long Ago, Far Away
3. A Hard Rain’s A-Gonna Fall
4. Tomorrow Is A Long Time
5. The Death of Emmett Till

LP 2 - Side A

1. Let Me Die In My Footsteps
2. Ballad Of Hollis Brown
3. Quit Your Low Down Ways
4. Baby, I’m In The Mood For You
5. Bound To Lose, Bound To Win
6. All Over You
7. I’d Hate To Be You On That Dreadful Day

LP 2 - Side B

1. Long Time Gone
2. Talkin’ John Birch Paranoid Blues
3. Masters Of War
4. Oxford Town
5. Farewell

LP 3 - Side A

1. Don’t Think Twice, It’s All Right
2. Walkin’ Down The Line
3. I Shall Be Free
4. Bob Dylan’s Blues
5. Bob Dylan’s Dream

LP 3 - Side B

1. Boots Of Spanish Leather
2. Walls of Red Wing
3. Girl From The North Country
4. Seven Curses
5. Hero Blues
6. Whatcha Gonna Do?
7. Gypsy Lou

LP 4 - Side A

1. Ain’t Gonna Grieve
2. John Brown
3. Only A Hobo
4. When The Ship Comes In
5. The Times They Are A-Changin’
6. Paths Of Victory

'Once' is a 2006 Irish musical film written and directed by John Carney, former bassist for Irish band The Frames. Set in Dublin, this naturalistic drama stars musicians Glen Hansard (singer of, again, popular rock band The Frames) and Markéta Irglová as struggling musicians during an eventful week as they write, rehearse and record songs that reveal their unique love story. Collaborators prior to making the film, Hansard and Irglová composed and performed all of the original songs in the movie.

Hansard and Irglová's song 'Falling Slowly' received a 2008 Academy Award for Best Original Song and the soundtrack as a whole also received a Grammy nomination.

Steven Spielberg was quoted as saying "A little movie called 'Once' gave me enough inspiration to last the rest of the year". When informed of Spielberg's comments, director John Carney told Sky News, "in the end of the day, he's just a guy with a beard"

Track Listing:
Side A:

1. Falling Slowly
2. If You Want Me
3. Broken Hearted Hoover Fixer Sucker Guy
4. When Your Mind's Made Up
5. Lies
6. Gold

Side B:

1. The Hill
2. Fallen From The Sky
3. Leave
4. Trying To Pull Myself Away
5. All The Way Down
6. Once
7. Say It To Me Now

Deluxe Packaging Features Stoughton Box, 6-Panel Folder, and Individual Jackets

Remastered 180g 45RPM LP Pressings of Metallica's Kill 'Em All, Ride the Lightning, Master of Puppets, ...And Justice for All, "The Black Album," and Load Also Available!

Released one year after Metallica’s Load album, the bookending follow-up Reload continued to build upon the legendary Bay Area band's musical expansion into areas apart from its trademark thrash signatures and charged metal. Coming at a time when hard rock was still searching for a new identity, the 1997 release helped establish new parameters and announced to the world that Metallica still wasn’t content resting on its laurels.

Now, fans can finally hear Reload in supreme fidelity. Receiving the same audiophile treatment afforded the group’s first six records, Warner Bros.' deluxe limited edition LP box set of Reload has been cut from the original masters by Bernie Grundman, pressed on 180g LP at Pallas in Germany, and spread out over four discs of 45RPM vinyl for the ultimate sonic experience.

Housed in a box printed at Stoughton and featuring four single-pocket jackets with a six-panel folder, this set stands as the sweetest Metallica package yet! Don’t miss out on your chance to add another essential release to your Metallica collection!

Track Listing:
1. Fuel
2. The Memory Remains
3. Devil's Dance
4. The Unforgiven II
5. Bad Seed
6. Where The Wild Things Are
7. Prince Charming
8. Better Than You
9. Slither
10. Carpe Diem Baby
11. Low Man's Lyric
12. Attitude
13. Fixxxer

The Screaming Trees are considered to be one of the Godfathers of Grunge.

Although they were one of the best 'Seattle-bands' of the early nineties, they never achieved the commercial success of bands like Nirvana, Pearl Jam and Alice in Chains. Founded in 1985, the band had to wait till 1992 for their biggest success, the release of Sweet Oblivion. The song 'Nearly Lost you' became the Screaming Trees' biggest hit after being featured on the soundtrack of the movie Singles.

Lead singer Mark Lanegan started a very successful solo career after the Screaming Trees, working with the likes of Queens of the Stone Age, Greg Dulli (Afghan Wigs), Isobel Campbell (Belle & Sebastian) en UNKLE.

Being out of print for years, this 90's milestone will be finally available again!

* 180 grams audiophile vinyl

Track Listing:
1. Shadow Of The Season
2. Nearly Lost You
3. Dollar Bill
4. More Or Less
5. Butterfly
6. For Celebrations Past
7. The Secret Kind
8. Winter Song
9. Troubled Times
10. No One Knows
11. Julie Paradise

This fresh approach to stylus cleaning has saved all of us from the fear of hard bristled brushes and over applying dangerous fluids. Clean your stylus simply and effectively with the Zerodust from Japan. This space-age polymer bubble allows you to simply lower your stylus onto its surface, then quickly lift the arm lever and you’re done! Watch as the stylus tip slowly sinks into the baby soft surface, leaving behind an impression with the stylus debris left behind! This unique device will last a lifetime, can be cleaned with tap water, and can extend the life of your cartridge! Comes complete with a magnifier to inspect your stylus! Our highest recommendation!

“After a few seconds, you lift the stylus, and it’s as clean and reside-free as the proverbial whistle…Upside: no potentially dangerous brushing, and no fluids!” - Michael Fremer, Stereophile, Recommended Components Issue

Side A:

1. My Black Mama - Part 1 (Son House)
2. My Black Mama - Part 2 (Son House)
3. Preachin’ The Blues - Part1 (Son House)
4. Preachin’ The Blues - Part 2 (Son House)
5. Dry Spell Blues - Part 1 (Son House)
6. Dry Spell Blues - Part 2 (Son House)
7. Walkin’ Blues (Son House)

Side B:

1. Mississippi Jail House Groan (Rube Lacy)
2. Ham Hound Crave (Rube Lacy)
3. Mississippi Bottom Blues (Kid Baley)
4. Rowdy Blues (Kid Baley)
5. M & O Blues (Willie Brown)
6. Future Blues W (Willie Brown)

Side C:

1. Cottonfield Blues - Part 1 (Garfield Akers)
2. Cotton field Blues - Part 2 (Garfield Akers)
3. Dough Roller Blues (Garfield Akers)
4. Jumpin’ And Shoutin’ Blues (Garfield Akers)
5. Fare Thee Well Blues (Joe Callicott)
6. Travelling Mama Blue (Joe Callicott)

Side D:

1. Bedside Blues (Jim Thompkins)
2. Outside Woman Blues (Blind Joe “Willie” Reynolds)
3. Nehi Blues (Blind Joe “Willie” Reynolds)
4. Married Man Blues (Blind Joe “Willie” Reynolds)
5. Third Street Woman Blue (Blind Joe “Willie” Reynolds)

Youth and Young Manhood was Kings of Leon's debut album, released in August 2003. The title was taken from a drawing of the family tree of Moses, found on the inside of one of their Pentecostal preaching father's Bibles. According to the band, each branch contained a line that could have passed for an album title. Youth and Young Manhood, however, seemed fitting and was quickly agreed upon by all members.

The album was recorded between Sound City Studios, California (where Nirvana's 'Nevermind' and Fleetwood Mac's 'Rumours' were recorded) and Shangri-La Studio in Malibu.

Many critics appreciated the band's punk and garage rock-influenced revival of the southern rock genre with UK's NME hailing the album among the best debuts of the last 10 years. Allmusic claimed the album contained some greasy licks that sure sound good. Village Voice called the album 2003's finest rock debut. Rolling Stone declared that the band knew when to lay back and let things simmer as well as when to jump up and testify with tambourines banging in a favorable review. A promising debut, which led the way for steady growth, musically and commercially in later years.

Originally released on limited double-10vinyl, this 180 grams audiophile 2LP includes the formerly CD-only bonus track 'Talihina Sky'!

Track Listing:
1. Red Morning Light
2. Happy Alone
3. Wasted Time
4. Joe's Head
5. Trani
6. California Waiting
7. Spiral Staircase
8. Molly's Chambers
9. Genius
10. Dusty
11. Roller Novocaine

So much has been said and written about Miles Davis’ “Kind Of Blue”, it’s virtually impossible to summarize all the necessary info to the length of this note. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it’s the best jazz album ever made, but the music itself will do that to you. As Bill Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Miles Davis laid out the themes before the tape rolled and the band improvised.

The end results were fragile and wondrous. Recorded during 2 sessions in 1959, “Kind of Blue” worked on many different levels and will do so for many years to come. We´re proud to announce a very special version of the most influential (jazz)album ever. We present the orginal album in remastered form plus an extra LP containing 2 tracks that weren’t available on vinyl before (an alternate take of ‘Flamenco Sketches ‘ and a version of ‘On Green Dolphin Street’ recorded prior to the Kind of Blue sessions, with the legendary line-up of Bill Evans, John Coltrane, Paul Chambers and Jimmy Cobb). We present a limited number of the album on classy blue 180 grams vinyl (3000 numbered copies).

Also, we´ve graced this first-time ever 2LP edition of this musical masterpiece with a gatefold sleeve with additional liner notes.

• 180 grams audiophile vinyl
• Remastered Audio
• Limited Edition on Blue Vinyl (3000 numbered copies)
• First-time ever 2LP edition incl. 2 bonustracks
• Gatefold Sleeve incl. additional liner notes


Track Listing:
LP1

Side A

1. So What (9:03)
2. Freddie Freeloader (9:46)
3. Blue In Green (5:37)

Side B

1. All Blues (11:32)
2. Flamenco Sketches (9:24)

LP2

Side A

1. Flamenco Sketches (ALTERNATE TAKE) (9:24)

Side B

1. On Green Dolphin Street (9:48)

“Broken Boy Soldiers” is the debut album from the Raconteurs. By pairing pop songsmith Brendan Benson with hard-rocking Jack White (the White Stripes) and backing them with the crack rhythm section of Jack Lawrence and Patrick Keeler (both of the Greenhornes) what resulted is a completely kick-ass album. From the anthemic volley of “Steady, As She Goes” to the sing-songy crunch of “Hands” and the downright sinister slow creep of “Blue Veins” this album covers the complete range of human emotion.

“Broken Boy Soldiers” is the first proper vinyl reissue from Third Man (both the V2 and XL versions of this LP are out-of-print) with plans to tackle the rest of the White Stripes and Jack White back catalog already in the works. Third Man aims for these reissues to be the definitive, go-to versions of all their titles and this issue of “Broken Boy Soldiers” definitely earns that distinction.

Track Listing:
1. Steady As She Goes
2. Hands
3. Broken Boy Soldier
4. Intimate Secretary
5. Together
6. Level
7. Store Bought Bones
8. Yellow Sun
9. Call It A Day
10. Blue Veins

This title is not eligible for further discount.

Track Listing:
1. Part I - Acknowledgement
2. Part II - Resolution
3. Part III - Persuance / Part IV - Psalm

This item not eligible for further discount.

Track Listing:
1. Aqualung
2. Cross-Eyed Mary
3. Cheap Day Return
4. Mother Goose
5. Wond'ring Aloud
6. Up To Me
7. My God
8. Hymn 43
9. Slipstream
10. Locomotive Breath
11. Wind-Up

In 2003, Norah Jones took home eight Grammy wins, including four of the evening's top awards. Jones was named best new artist, and her song "Don't Know Why" received the record of the year, song of the year, and best female pop performance awards. Her album Come Away With Me was named album of the year, best pop album, vocal, best engineered album, non-classical, and received a producer of the year award for Arif Mardi.

This item not eligible for further discount.

Side B:

1. Bluebird, Bluebird
2. See See Rider
3. Worrying My Mind
4. Til the Gin Gets Here
5. Bunion Stew
6. You Got to Work to Get Your Pay
7. Go Down Old Hannah
8. Hear My Black Dog Bark

Cut from Original Masters by Chris Bell and Pressed at Pallas: Total Audiophile Quality!

Deluxe Packaging Features Stoughton Box, 6-Panel Folder, and Individual Jackets

Released five years after Metallica's famous Black album, Load remains proof that the legendary Bay Area band was capable of much more than thrash signatures and charged metal. Coming at a time when hard rock was in the process of reorganizing, the 1996 set led the way and announced to the world that Metallica wasn't content to rest on its laurels.

By slowing down the tempos, decreasing the aggression, and upping the depth of its grooves, the quartet channels its English and Southern rock influences in spectacular fashion. Load mines the shorter, blues-oriented approaches pioneered by Led Zeppelin, Cream, Lynryd Skynyrd, and Deep Purple, expanding on these classic parameters by retaining some of the ferocious bite Metallica injected into its formative early works.

Having sold more than five million copies in the U.S. alone and topped the Billboard album charts for four consecutive weeks, the album confirmed that Metallica's evolution happened without any inherent loss to its basic appeal. Guitarist Kirk Hammett is allowed more room to explore tonalities, and rhythms serve the songs in concise fashion, making the record Metallica's purest rock effort. Ain't My Bitch, King Nothing,Hero of the Day, and Until It Sleeps all received considerable airplay and remain concert and radio staples to this day.

Now, fans can finally hear Load in supreme fidelity. Receiving the same audiophile treatment afforded the group's first five records, Warner Bros.' deluxe limited edition LP box set of Load has been cut from the original masters by Chris Bell, pressed on 180g LP at Pallas in Germany, and spread out over four discs of 45RPM vinyl for the ultimate sonic experience. Housed in a box printed at Stoughton and featuring four single-pocket jackets with a six-panel folder, this stands as the sweetest Metallica package yet! Don't miss out on your chance to add another essential release to your Metallica collection!

Track Listing:
1. Ain't My Bitch
2. 2 X 4
3. The House Jack Built
4. Until It Sleeps
5. King Nothing
6. Hero Of The Day
7. Bleeding Me
8. Cure
9. Poor Twisted Me
10. Wasting My Hate
11. Mama Said
12. Thorn Within
13. Ronnie
14. The Outlaw Torn

Despite his untimely death, the man managed to squeeze in a lot in his 27 short years on this earth, enough to earn him the title of “King of the Delta Blues”. Pretty impressive, given the competition! Johnson's style has influenced everyone from Muddy Waters to Eric Clapton and he is widely considered to be one of the greatest guitar players to have ever lived! A widely reported legend of Johnson selling his soul to the Devil in order to gain prowess on the guitar seems likely given the talent the man possessed. This triple LP box set chronicles his short but legendary career, featuring everything Johnson ever recorded, including the many songs that made him famous and have long since become blues standards. Absolutely essential in any collection!

This title is not eligible for further discount.

Track Listing:
Side A :

1 Kindhearted Woman Blues
2 Kindhearted Woman Blues (Alternate Take)
3 I Believe I’ll Dust My Broom
4 Sweet Home Chicago
5 Ramblin’ On My Mind
6 Ramblin’ On My Mind (Alternate Take)

Side B:

1 When You Got A Good Friend
2 When You Got A Good Friend (Alternate Take)
3 Come On In My Kitchen
4 Come On In My Kitchen (Alternate Take)
5 Terraplane Blues
6 Phonograph Blues
7 Phonograph Blues (Alternate Take)

Side C:

1 32-20 Blues
2 They’re Red Hot
3 Dead Shrimp Blues
4 Cross Road Blues
5 Cross Road Blues (Alternate Take)
6 Walking Blues
7 Last Fair Deal Gone Down

Side D:

1 Preaching Blues (Up Jumped The Devil)
2 If I Had Possession Over Judgment Day
3 Stones In My Passway
4 I’m A Steady Rollin’ Man
5 From Four Till Late
6 Hellhound On My Trait

Side E:

1 Little Queen Of Spades
2 Little Queen Of Spades (Alternate Take)
3 Malted Milk
4 Drunken Hearted Man
5 Drunken Hearted Man (Alternate Take)
6 Me And The Devil Blues
7 Me And The Devil Blues (Alternate Take)

Side F:

1 Stop Breakin’ Down Blues
2 Stop Breakin’ Down Blues (Alternate Take)
3 Traveling Riverside Blues
4 Honeymoon Blues
5 Love In Vain Blues
6 Love In Vain Blues (Alternate Take)
7 Milkcow’s Calf Blues
8 Milkcow’s Calf Blues (Alternate Take)

The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, more is more approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.

The album pulled together an electric array of talent including Dr. John, the late Billy Preston, and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.

Track Listing:
1. Rocks Off
2. Rip This Joint
3. Shake Your Hips
4. Casino Boogie
5. Tumbling Dice
6. Sweet Virginia
7. Torn And Frayed
8. Sweet Black Angel
9. Loving Cup
10. Happy
11. Turd On The Run
12. Ventilator Blues
13. I Just Want To See His Face
14. Let It Loose
15. All Down The Line
16. Stop Breaking Down
17. Shine A Light
18. Soul Survivor

Only 2000 copies being pressed.

Music On Vinyl reissued ALICE IN CHAINS’ album ‘DIRT’. Chronologically, that album fits right in between the two discs in this limited vinyl package, which combines the ‘JAR OF FLIES’ and ‘SAP’ EP’s.

‘SAP’ was originally released early 1992, half a year before ‘DIRT’ came out. It features guest appearances by Ann Wilson (Heart), Mark Arm (Mudhoney) and Chris Cornell (Soundgarden). ‘JAR OF FLIES’ was released in January 1994 and shows a side of the band that was unknown until then: predominately acoustic songs and the use of instruments like the harmonica and a talk-box.

This highly collectable double vinyl set is limited to only 2000 copies and includes a green and an orange disc; one of which is etched with the band logo on one side.

Track Listing:
LP1 - Side A

1 Rotten Apple
2 Nutshell
3 I Stay Away
4 No Excuses
5 Whale & Wasp

LP1 - Side B

1 Pistol Of Fire
2 Milk
3 The Bucket

LP2 - Side A

1 Brother
2 Got Me Wrong
3 Right Turn
4 Am I Inside
5 Love Song

LP2 - Side B

1 (Etching)

* 180 grams audiophile vinyl
* incl. 4-page insert

Side One:

1. Suzanne
2. Sisters Of Mercy
3. So Long, Marianne
4. Bird On The Wire
5. Lady Midnight
6. The Partisan

The D4+ Record Care System is the result of intensive scientific research on safe record cleaning. The D4+ System is a cleaning system unlike other products, which reduce record dynamics and fidelity. The more active, yet safe, D4+ fluid is actually able to lift and suspend contaminants in solution on the record surface so the D4 pad can easily and efficiently remove debris. Containing less residue than tap water, D4+ fluid will clean without depositing new residues on the record surface; it will not encourage any biological growth as do constantly damp cleaning methods.
For longer life, Discwasher recommends that records be lightly cleaned each time before playing. New records should also be cleaned before their first play. Although presumed clean, many new recordings still have mold release compounds in their grooves, thus requiring cleaning.

HAND CRAFTED The handle of the Discwasher D4+ Record Care System has been hand crafted and finished from solid American walnut, creating elegance for an already superior cleaner.

INSTRUCTIONS FOR ROUTINE PRE-PLAY CLEANING

Application
Apply 3-6 drops of the D4+ fluid in a line on the leading edge of the pad (the arrow on the end of the handle points to the leading edge). Distribute the fluid along the leading edge of the pad using several deliberate strokes with the bottom of the D4 bottle, causing the pad to form a strip of damp fabric.

Position
Position the disc washer handle/pad with the arrow end on the outside edge of the record. Gently contact the record with the damp leading edge of the pad. The turntable motor may be assisted by gently turning the record with you finger on the label.

Clean/Dry
Allow the damp leading edge to contact the record for about three revolutions. Dry the record with a simple rolling movement of the handle, allowing for the middle and back edge to contact the album for several revolutions, assuring thorough drying.

D4+ Record Care System.

• Simply the finest record cleaner available.
• Cleans records while retaining fidelity.
• 1.25 fl. oz. D4 recording cleaning fluid.
• D4 pad with solid walnut handle, and convenient storage case.

Tribal finds Dr John at the pinnacle of his creative powers, making what might be the most complete statement of his 50 year musical career.

Recorded with his band “The Lower 911,” Tribal also includes some of the down ‘n’ dirtiest tracks he has recorded since 1968’s iconic Gris Gris.

The European version contains two extra tracks not available elsewhere.

Full press and marketing campaign to support this release.

Replete with swamp rock, funk, Creole voodoo, and Mardi Gras Indian chants, ‘Tribal’ resurrects the magical persona of “The Night Tripper” in his full regalia. At the same time, Dr John displays the rippling piano licks, Cajun-fried humor and sharp political observation that have helped make him a national spokesman for post-Katrina New Orleans.

From its opening statement, “Feel Good Music,” Dr. John sets the tone: “Feel good music, doctorate your bones… Call me doc, your medicine man / I got a cure in the palm of my hand…” The title cut, “Tribal,” featuring an actual Mardi Gras Indian chief, invoking the spirit of the tribes with references to their solidarity and the sacred healing powers of music.

As always, Dr. John has a little help from his friends: NOLA legend Allen Toussaint contributes two songs; and three songs were co-written with the late, great Bobby Charles, a Louisiana legend himself, to whom Dr. John dedicates the album. Other guest stars include slide guitar phenomenom Derek Trucks and jazz great Donald Harrison on alto sax.

The Lower 911 is: Herman "Roscoe" Ernest III - drums, percussion, vocals; David Barard - bass, vocals; John Fohl - guitar, vocals; Kenneth "Afro" Williams – percussion. The album was produced by Herman “Roscoe” Ernest III and Dr. John in New Orleans.

Track Listing:

Side One

Gov't Mule is a southern rock jam band formed in 1994 as an Allman Brothers Band side project by Warren Haynes and Allen Woody. Deja Voodoo was released in 2004. This album is the first real band-album after Woody's passing away and the first to include keyboardist Danny Louis and bassist Andy Hess. It is comprised completely of songs which had never been performed live. When asked to describe the album at that time, Haynes said "It sounds like Gov't Mule, but it doesn't sound like anything we've already done. It has the same muscle and the same influences and character. But the fact is that it's a new band interpreting." The title is a reference to the fact that the band believes it rocks just like it used to before the death of former bassist Allen Woody.

Track Listing:
1. Bad Man Waling
2. About To Rage
3. Perfect Shelter
4. Little Toy Brain
5. Slackjaw Jezebel
6. Wine And Blood
7. Lola Leave Your Light On
8. Silent Scream
9. No Celebration
10. Mr. Man
11. My Separate Reality
12. New World Blues

The album was recorded live over several German and Japanese dates in late 1976 during the Rising world tour. Many of the tracks were spliced together from different dates by producer Martin Birch, and the running order was changed to more easily fit four sides of vinyl. The recording features the customary introduction to a Rainbow show - the classic quote from the The Wizard of Oz, "Toto: I've a feeling we're not in Kansas anymore. We must be over the rainbow!" with the last word repeated as an echo, then the actual band plays a musical phrase from the song Somewhere Over the Rainbow before breaking into Kill the King.

Ships in approximately 7-10 business days

Track Listing:

Side A

1. Over The Rainbow ( Intro ) – Kill The King – 5:32
2. Medley : Man On The Silver Mountain- 11.16

Side B

3. Catch The Rainbow – 15:38

Side C

4. Mistreated – 13:09

Side D

5. Sixteenth Century Greensleeves – 7:38
6. Still I’m Sad – 11:01

Difficult to Cure is the fifth album released by Rainbow, in 1981, and marked a further commercialisation of the band's sound. In an interview in Sounds (July 25th 1981), a UK music paper, Blackmore openly stated his liking for Foreigner and erstwhile vocalist Ronnie James Dio has referred to this period of Rainbow as "Foreigner Junior". The album material was started with Graham Bonnet still in the band, getting as far as recording I Surrender. Turner was recruited and sang over backings already completed. In a 1982 interview with British Rock magazine Kerrang! Turner stated that, because of this, he was singing in higher keys than he would do normally (and would do subsequently).

Ships in approximately 7-10 business days

Track Listing:
Side A

1. I Surrender – 4:05
2. Spotlight Kid – 4:58
3. No Release – 5:38
4. Magic – 4:09
5. Vielleicht Das Nachster Zeit (Maybe Next Time) – 3:21

Side B

6. Can’t Happen Here – 5:00
7. Freedom Fighter – 4:25
8. Midtown Tunnel Vision – 4:35
9. Difficult To Cure (Beethovens 9th) – 5:58

The songs on Tin Can Trust were all recorded together by the full band in the studio, giving the album a cohesive, live feel and capturing the vibrant essence that has made Los Lobos so popular over the years.

Most of the tracks were written by Louie Perez and David Hidalgo, but again, the shared input of the whole band resulted in a united sound that ties the album together; Yo Canto and Mujer Ingrata were written by Cesar Rosas, and All My Bridges Burning was co-written by Rosas and the Grateful Dead’s Robert Hunter. The Dead’s West L.A. Fadeaway is a band favourite, and after playing it live over time, the band felt it was the right time to put it down on tape.

Los Lobos, the Grammy-winning East L.A. band, announces the release of their brand new studio album, Tin Can Trust, and it is the first collection of new original material in four years. The venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from. And, like so much of Los Lobos' previous work, Tin Can Trust is an album that speaks to the time and place in which it was conceived; the album's title can be traced back more than a century, but for the band, it's apt for the rickety state in which so many of us find ourselves and our world today.

The 11 tracks on Tin Can Trust offer the perfect balance of Los Lobos' parts: the band's lineup has remained uninterrupted since 1984, when saxophonist/keyboardist Steve Berlin joined original members Louie Pérez (guitar, drums, vocals), David Hidalgo (guitar, violin, accordion, percussion, vocals), Cesar Rosas (guitar, vocals) and Conrad Lozano (bass, vocals), each of whom had been there since the beginning in 1973.

Track Listing:

Burn It Down
On Main Street
Yo Canto
Tin Can Trust
Jupiter Or The Moon
Do The Murray
All My Bridges Burning
West L.A. Fadeaway
The Lady Of The Rose
Mujer Ingrata
27 Spanishes

Mastered fully analogue from the original first-generation full-track monaural session tapes by Steve Hoffman and Kevin Gray to 45-RPM 180-gram vinyl, the exemplary recording is presented in appropriately exquisite sound quality.

Recorded in 1956.

This title is not eligible for further discount.

Track Listing:
Just You, Just Me
Sweet Lorraine
Sometimes I’m Happy
Caravan
It’s Only A Paper Moon
You’re Looking At Me
Lonely One
Don’t Let It Go To Your Head
I Know That You Know
Blame It On My Youth
When I Grow Too Old To Dream
(Get Your Kicks On) Route 66

Bonus tracks, songs left off original LP:

Candy
What Is There To Say?
I Was A Little Too Lonely
You Can Depend On Me
Two Loves Have I
Just You, Just Me, Take 2
It's Only a Paper Moon, Take 3