Jazz, Rock, Funk, Soul, Reggae, Rap & Hip Hop, Classical, and Latin New Vinyl Records, 180 & 200 Gram Vinyl LPs

On this salute to pianist/vocalist extraordinaire Nat King Cole, Diana Krall has a lot to live up to, presenting a group of compositions that are ingrained in the public's memory as part of a lasting legacy of both jazz and pop music. It's to her credit that she went about this intimidating task with a resourcefulness and quiet grace that makes All For You an exceptional tribute. A majority of All For You features Krall in an appropriately unadorned trio setting wonderfully capturing the essence of the Cole trio's arrangements. Krall swings hard with guitarist Russell Malone and bassist Paul Keller on "I'm An Errand Girl For Rhythm" and "Hit That Jive Jack," often employing Cole trio devices such as repeated unison figures and on-top-of-the-beat eighth notes on bass. Krall's own sultry, understated singing and crisp, straightforward piano is distinctive enough to cast a fine new light on these classic songs. Here on 180g Double Vinyl!

1. I'm An Errand Girl For Rhythm
2. Gee Baby, Ain't I Good To You
3. You Call It Madness
4. Frim Fram Sauce
5. Boulevard Of Broken Dreams
6. Baby Baby All The Time
7. Hit That Jive Jack
8. You're Looking At Me
9. I'm Thru With Love
10. Deed I Do
11. A Blossom Fell
12. If I Had You

Elvis Costello’s remarkable My Aim Is True announces the arrival of a singular talent. Having long ago secured its status as one of the greatest debut albums ever recorded, the 1977 set hasn’t lost any of the vibrant urgency, lyrical edge, or biting wit that made Costello the pin-up model for new-wave music.

Blending punk-fueled motivation with pub-rock, reggae, and classic American rock n’ roll strains, the landmark effort includes many of the singer’s best-known and most beloved tunes: the poisoned ballad “Alison,” voyeuristic “Watching the Detectives,” slinky “(The Angels Want to Wear My) Red Shoes,” and rave-up “Mystery Dance” included. There isn’t a bad note here.

The history behind My Aim Is True is as rich as the songs. Before landing at then-fledgling English indie label Stiff Records, Costello had been laboring as a computer operator housed next door to a lipstick factory. The conditions couldn’t be riper for the cynical blue-collar observations and fierce humor that pierce tracks like “Welcome to the Working Week” and “Less Than Zero.” Costello took inspiration from London subway rides, venomous politics, and surrounding vanity. Having been rejected by what he estimated amounted to every other label in the city, Costello began calling in sick to his day job in order to record material for what become My Aim Is True.

Made for just 1000 pounds and over the course of four six-hour sessions, the experience found Costello recording his parts in a room the size of a telephone booth. His backing band—Clover, not the Attractions (save for on “Watching the Detectives,” left off the original UK release)—rounded out the slinky, melodic songs with spare details such as fuzztone pedal steel guitar and organ. The minimal budget ensured that nothing extra or fancy was employed. Overdubs weren’t really an option; what was played is basically what you hear.

Notorious for being reissued umpteen times, Mobile Fidelity is thrilled to present the one edition of My Aim Is True that every fan needs to own. Half-speed mastered from the original master tapes—not from copies as so many other versions are—and pressed on 180-gram vinyl, this numbered limited-edition LP is the definitive My Aim Is True. No compromises, no tricks. Just the music delivered with peerless clarity, purity, and transparency. The rawness of Costello’s voice, jangle of the rhythms, hum of the organs, and even the impact of the drumsticks have never been experienced with such realism. This is what organic-sounding albums are supposed to sound like. You will hear this again for the first time. And of course, there's the iconic cover art, presented in full-scale perspective.

Track Listing:

1. "Welcome To The Working Week"
2. "Miracle Man"
3. "No Dancing"
4. "Blame It On Cain"
5. "Alison"
6. "Sneaky Feelings"
7. "(The Angels Wanna Wear My) Red Shoes"
8. "Less Than Zero"
9. "Mystery Dance"
10. "Pay It Back"
11. "I'm Not Angry"
12. "Waiting For The End Of The World"
13. "Watching The Detectives

R.E.M. Live At The Olympia Special Edition 4 LP/2 CD/DVD Box Set features 39 tracks from the band's acclaimed 2007 working rehearsals in Dublin, Ireland where the band set up camp at Ireland's capital city and tested new material over five nights before passionate, capacity crowds. Features rarities, fan favorites, unreleased tracks and original versions of songs that would end up on Accelerate including: "So. Central Rain," "Sitting Still," "Driver 8," "Pretty Persuasion," "Cuyahoga," "Gardening At Night," "Carnival of Sorts (Box Cars)" and more.

DVD is a 59 minute performance documentary by Vincent Moon of 5 nights of live rehearsal in Dublin Ireland featuring "Until The Day Is Done," "Houston," "Drive," "Horse To Water" and more.

Contents also include an Olympia 24" x 36" tour poster, essay notes from Peter Buck and liner notes by Andy Gill.

Track Listing:

CD 1

1. Living Well Is The Best Revenge
2. Second Guessing
3. Letter Never Sent
4. Staring Down The Barrel Of The Middle Distance
5. Disturbance At The Heron House
6. Mr Richards
7. Houston
8. New Test Leper
9. Cuyahoga
10. Electrolite
11. Man Sized Wreath
12. So Central Rain
13. On The Fly
14. Maps And Legends
15. Sitting Still
16. Driver 8
17. Horse To Water
18. I'm Gonna DJ
19. Circus Envy
20. These Days

CD 2

1. Drive
2. Feeling Gravity's Pull
3. Until The Day Is Done
4. Accelerate
5. Auctioneer
6. Little America
7. 1000000
8. Disguised
9. The Worst Joke Ever
10. Welcome To The Occupation
11. Carnival Of Sorts
12. Harbor Coat
13. Wolves Lower
14. I've Been High
15. Kohoutek
16. West Of The Fields
17. Pretty Persuasion
18. Romance
19. Gardening At Night

Disc 3

1. Bonus Content DVD

LP1

1. Living Well Is The Best Revenge
2. Second Guessing
3. Letter Never Sent
4. Staring Down The Barrel Of The Middle Distance
5. Disturbance At The Heron House
6. Mr Richards
7. Houston
8. New Test Leper
9. Cuyahoga
10. Electrolite

LP2

1. Man Sized Wreath
2. So Central Rain
3. On The Fly
4. Maps And Legends
5. Sitting Still
6. Driver 8
7. Horse To Water
8. I'm Gonna DJ
9. Circus Envy
10. These Days

LP3

1. Drive
2. Feeling Gravity's Pull
3. Until The Day Is Done
4. Accelerate
5. Auctioneer
6. Little America
7. 1000000
8. Disguised
9. The Worst Joke Ever
10. Welcome To The Occupation

LP4

1. Carnival Of Sorts
2. Harbor Coat
3. Wolves Lower
4. I've Been High
5. Kohoutek
6. West Of The Fields
7. Pretty Persuasion
8. Romance
9. Gardening At Night

The Thelonious Monk Quartet with Charlie Rouse lasted 11 years. October 31 and November 1, 1964 at the It Club in Los Angeles showcase Monk at particular high point pianistically; in fact, he went into a Los Angeles studio and recorded the album Solo Monk on the afternoons preceding and following the live taping. He is in full force throughout, but his playing is particularly superb on the standards "I'm Getting Sentimental Over You" and the previously unreleased "Sweet And Lovely."

The band plays standards, many of Monk's famous tunes, a few lesser known items like "Gallop's Gallop" and "Blues Five Spot" and the recent compositions "Teo" and "Bright Mississippi." Propelled by Gales and Riley, Monk and Rouse deliver amazing 10-minute excursions on such Monk classics as "Nutty," "Rhythm-a-ning" and "Blue Monk."

Rouse in his sixth year with Monk had hit his stride, truly becoming Monk's musical alter ego. Remarkably, drummer Ben Riley had joined the quartet at the beginning of 1964 and bassist Larry Gales had only logged in a month at the time of this taping; yet they already show the first signs of collective greatness on these evenings.

Mosaic has returned to the original three-track tapes and mixed them down to beautiful sounding analog stereo masters, presenting the six sets they played that night as they happened.

Track Listing:

1. Blue Monk
2. Well, You Needn’t
3. ‘Round Midnight
4. Rhythm-a-ning
5. Epistrophy (theme- Saturday set one)
6. Blues Five Spot
7. Bemsha Swing
8. Straight No Chaser
9. Epistrophy (theme – Saturday set two)
10. Evidence
11. Sweet And Lovely
12. Nutty
13. Epistrophy (theme – Saturday set three)
14. Teo
15. I’m Getting Sentimental Over You
16. Epistrophy (theme – Sunday set one)
17. Misterioso
18. Gallop’s Gallop
19. Ba-lue Bolivar Ba-lues-are
20. Epistrophy (theme – Sunday set two)
21. Bright Mississippi
22. Just You, Just Me
23. All The Things You Are
24. Epistrophy (theme – Sunday set three)

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Marking the 20th Anniversary of Nirvana's debut album, Bleach, Sub Pop is reissuing the groundbreaking set in expanded and remastered form. This deluxe double-LP includes a never-before-released live performance, special packaging, and the first run will be on 180g white vinyl (the first run of the original LP was also on white vinyl).

Originally recorded over three sessions with producer Jack Endino at Seattle's Reciprocal Recording Studios in December 1988 and January 1989, Bleach was released in June of 1989 and remains unequivocally and unsurprisingly Sub Pop's very favorite Nirvana full-length. The album initially sold 40,000 copies, but was brought into the international spotlight following the release and worldwide success of the group's 1991 sophomore effort, Nevermind. Subsequently, Bleach has gone on to sell 1.7 million copies in the US alone.

This 20th Anniversary Edition has been remastered from the original tapes at Sterling Sound in a session overseen by Endino. The bonus tracks comprise an unreleased live recording of a complete February 9th, 1990 show at Portland's Pine Street Theatre and features performances of "Love Buzz," "About a Girl," and a cover of The Vaselines song "Molly's Lips." Like the studio album, the concert has also been remixed from the original tapes by Endino.

A 16-page LP booklet includes candid photos of the band not previously released to the public rounds out this premier package.

Track Listing:

1. Blew
2. Floyd the Barber
3. About a Girl
4. School
5. Love Buzz
6. Paper Cuts
7. Negative Creep
8. Scoff
9. Swap Meet
10. Mr. Moustache
11. Sifting
12. Big Cheese
13. Downer
14. Intro (Live)
15. School (Live)
16. Floyd the Barber (Live)
17. Dive (Live)
18. Love Buzz (Live)
19. Spank Thru (Live)
20. Molly s Lips (Live)
21. Sappy (Live)
22. Scoff (Live)
23. About a Girl (Live)
24. Been A Son (Live)
25. Blew (Live)

Whether as a singer, a songwriter or a guitarist, Neil Young has been one of the most influential and important artists of the rock era. Blending folk, country and rock, the acoustic and the electric, the melancholy and the hopeful, Young has been an icon for the uncompromising and unpredictable since the 1960s.

His self-titled 1968 solo debut album, following his exit from Buffalo Springfield, bridged what was and what would be. Although the eponymous release was his only album not to chart, it featured the classic track "The Loner" and marked the launching point of an illustrious solo career. Neil Young was followed by the three acknowledged masterpieces, Everybody Knows This Is Nowhere, After the Gold Rush and Harvest.

Track Listing:

1. Emperor of Wyoming
2. Loner
3. If I Could Have Her Tonight
4. I've Been Waiting for You
5. Old Laughing Lady
6. String Quartet from Whiskey Boot Hill
7. Here We Are in the Years
8. What Did You Do to My Life?
9. I've Loved Her So Long
10. Last Trip to Tulsa

The first LP is a newly remastered version of the original "Get Yer Ya-Ya's Out" release. The second LP features 5 unreleased tracks by The Rolling Stones culled from the November 27 & 28, 1969 Madison Square Garden concert master tapes. The third LP features 12 never before released tracks by opening acts B.B. King and Ike & Tina Turner.

The DVD features performances by The Rolling Stones from their 2 night concert at Madison Square Garden, backstage footage, scenes of Keith Richards in the studio and footage of the "Get Yer Ya-Ya's Out" album cover shoot, all shot by Albert and David Maysles. The 56-page Collector’s Book includes photos and an essay by acclaimed photographer Ethan Russell, an original article by Lester Bangs from Rolling Stone magazine and remembrances from concert-goers.

Track List:

LP 1
Original Release

1. Jumpin’ Jack Flash
2. Carol
3. Stray Cat Blues
4. Love In Vain
5. Midnight Rambler
6. Sympathy For The Devil
7. Live With Me
8. Little Queenie
9. Honky Tonk Women
10. Street Fighting Man

LP 2
Unreleased Tracks

1. Prodigal Son
2. You Gotta Move
3. Under My Thumb
4. I’m Free
5. (I Can’t Get No) Satisfaction

LP 3
B.B. King & Tina Turner Live Sets

1. Everyday I Have The Blues – B.B. King
2. How Blue Can You Get – B.B. King
3. That’s Wrong Little Mama – B.B. King
4. Why I Sing The Blues – B.B. King
5. Please Accept My Love – B.B. King
6. Gimme Some Loving – Ike & Tina Turner
7. Sweet Soul Music – Ike & Tina Turner
8. Son Of A Preacher Man – Ike & Tina Turner
9. Proud Mary – Ike & Tina Turner
10. I've Been Loving You Too Long – Ike & Tina Turner
11. Come Together – Ike & Tina Turner
12. Land Of 1000 Dances – Ike & Tina Turner

Bonus DVD

1. Prodigal Son
2. You Gotta Move
3. Under My Thumb
4. I’m Free
5. (I Can’t Get No) Satisfaction

The second of three consecutive masterpieces Neil Young recorded between 1969 and 1972, After the Gold Rush captures the vibes, emotions, and cautious optimism of the era better than any album of its time. Moreover, it contains a host of impeccably written and performed songs that transcend the period and stand as an inextricable part of the American conscious.

Recorded at Young’s Topanga Canyon Ranch and featuring backing from the legendary Crazy Horse, the then-unknown prodigy Nils Lofgren, and several other friends, the 1970 album embraces many of the seemingly artistic contradictions and eccentric diversity that have made Young so peerless. The title track, a devastatingly gorgeous balladic meditation on the '60s and a warning of what may come in the 1970s, proved prophetic. Every other song is equally spectacular and significant.

The bristling whip-crack of “Southern Man” furthered Young’s no-holds-barred political commentary and prompted a response song in the form of Lynyrd Skynyrd’s “Sweet Home Alabama,” an anthem that its target praised. The country heartache of “Oh, Lonesome Me” simultaneously plays off and into the romantic spirit of the uplifting “Don’t Let It Bring You Down” and the exuberant romp of “When You Dance You Can Really Love.” In one swoop, Young and company traverse the Heartland, Southern plantations, Appalachian valleys, and Los Angeles hills.

Having languished for decades, this masterwork (named as one of the '100 Best Albums of All-Time' by Rolling Stone) has finally received the long-overdue sonic treatment it’s deserved. Remastered from the original tapes by Young’s expert team and overseen by the artist himself, After the Gold Rush now sounds better than ever. Young has never sounded so immediate, detailed, rich, or present on a studio album.

The record joins 1968's Neil Young, 1969’s Everybody Knows This Is Nowhere, and 1972’s Harvest as part of the initial batch of Young recordings pristinely mastered from the original tapes, pressed on high-quality audiophile-grade LP, and packaged in sleeves that faithfully mirror those of the originals.

Track Listing:

1. Tell Me Why
2. After The Gold Rush
3. Only Love Can Break Your Heart
4. Southern Man
5. Till The Morning Comes
6. Oh Lonesome Me
7. Don't Let It Bring You Down
8. Birds
9. When You Dance, I Can Really Love
10. I Believe In You
11. Cripple Creek Ferry

Import

Michael Jackson recorded solo prior to Off the Wall, but the 1979 album was undoubtedly his breakthrough and it firmly established the former Motown star as a prolific charting solo artist in his own right. Disco beats accompany a fusion of rock, soul and funk here in a visionary mix that is equal parts dancefloor and lush ballads. Songs like "Don't Stop Till You Get Enough," "Off The Wall," "Rock With You," "She's Out Of My Life" and "Girlfriend" display the brilliant songwriting and intoxicating blend of melody and rhythm that would turn Jackson into the biggest pop star in the world.

Track Listing:

1. Don't Stop 'Til You Get Enough
2. Rock With You
3. Workin' Day And Night
4. Get On The Floor
5. Off The Wall
6. Girlfriend
7. She's Out Of My Life
8. I Can't Help It
9. It's The Falling In Love
10. Burn This Disco Out

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A colossal effort that signifies his first collaboration with Crazy Horse, bar-none the best garage-rock support band ever assembled, Neil Young’s Everybody Knows This Is Nowhere explodes with loose electricity, country-influenced harmonies, and fervent interplay that took melodic rock music in then-unforeseen directions. Moving away from the mellow fare that distinguished his self-titled debut, the pioneering Canadian icon stretches out and showcases his penchant for unhinged guitar solos and drifting arrangements.

Having come across the Rockets while recording his first solo outing, Young spared no time in recruiting the band for his own purposes. With the trio of Danny Whitten, drummer Ralph Molina, and bassist Billy Talbot renamed Crazy Horse, and Young ready with an energetic collection of tunes that called out for longer instrumentals and raw tones, Everybody Knows This Is Nowhere was recorded in a scant two weeks time and just four months after Young’s prior effort.

His symbiotic chemistry with fellow kindred spirit and rhythm guitarist Whitten is evident on the drawn-out “Cowgirl In the Sand” and murderous “Down By the River,” both a tangle of rolling narratives, mysterious tension, amplified feedback, and longing emotion which remain staples in Young’s live repertoire. As does “Cinnamon Girl,” which is distinguished by one of the most famous and magnetic riffs of all time. At this stage of his career, Young had never written such an engaging and expressive set of songs and the album remains a landmark on which every tune is a classic.

Having languished for decades, this masterwork has finally received the long-overdue sonic treatment it’s needed. Remastered from the original tapes by Young’s expert team and overseen by the artist himself, Everybody Knows This Is Nowhere now sounds better than ever. Young has never sounded so immediate, detailed, rich, or present on a studio album.

The record joins 1968's Neil Young, 1970’s After the Gold Rush, and 1972's Harvest as part of the initial batch of Young recordings pristinely mastered from the original tapes, pressed on high-quality audiophile-grade LP, and packaged in sleeves that faithfully mirror those of the originals.

Track Listing:

1. Cinnamon Girl
2. Everybody Knows This Is Nowhere
3. Round & Round (It Won't Be Long)
4. Down By The River
5. The Losing End
6. Running Dry (Requiem For The Rockets)
7. Cowgirl In The Sand

When Peter Frampton left Humble Pie, the band he co-founded, the group replaced him with fireball guitarist Clem Clemson. And Humble Pie grew a whole lot more raucous, more freewheeling and downright greasy. Their third album, the first with Clemson, is unquestionably their greatest with Steve Marriott's soulful wail totally unleashed. Smokin' yielded the group's most memorable anthem - "30 Days In The Hole." Stephen Still guests on some funky Hammond organ on "Road Runner 'G' Jam." Cut from the original analog masters with the most intense attention paid to every minute detail, this reissue is positively Smokin'!

Track Listing:

1. Hot 'N' Nasty
2. The Fixer
3. You’re So Good To Me
4. C'Mon Everybody
5. Old Time Feelin'
6. 30 Days In The Hole
7. Road Runner
8. Road Runners 'G' Jam
9. I Wonder

Neil Young's career defining fourth solo effort Harvest spawned the folk classics, “Heart of Gold” and “Old Man,” as well as the affecting “The Needle and the Damage Done,” and it went on to become the best-selling record of 1972 and one of Rolling Stone’s '100 Greatest Albums of All-Time.' While firmly rooted in old-timey country and traditional music, the record ventures beyond conventional pastures and incorporates stabbing guitar-driven swamp (“Alabama”), hayride jigs (“Are You Ready for the Country?”), and orchestral pop (“There’s A World”) into its broad sonic swath.

Young’s lyrics here are extraordinarily reflective and poignant. He’s got love on his mind, and yet his emotions run the gamut. The music is both a release and a meditation, the stripped-down structures and economical playing conspiring to deliver maximum feeling and slow-burn impact that one never forgets.

The album features the likes of steel-guitarist Ben Keith, bassist Tim Drummond, pianist/arranger Jack Nitzsche, and drummer Kenny Buttrey, as well as a who's who of background vocalists that includes none other than David Crosby, Graham Nash, Linda Ronstadt, and James Taylor.

Having languished for decades, this bonafide masterpiece has finally received the long-overdue sonic treatment it has needed. Remastered from the original tapes by Young’s expert team and overseen by the artist himself, Harvest now sounds better than ever. Young has never sounded so close, lifelike, palpable, or three-dimensional on a studio album.

The record joins 1968's Neil Young, 1969’s Everybody Knows This Is Nowhere, and 1970’s After the Gold Rush as part of the initial batch of Young recordings pristinely mastered from the original tapes, pressed on high-quality audiophile-grade LP, and packaged in sleeves that faithfully mirror those of the originals. For Harvest, this means a paper stock that you need to feel to believe.

Track Listing:

1. Out On The Weekend
2. Harvest
3. A Man Needs A Maid
4. Heart Of Gold
5. Are You Ready For The Country?
6. Old Man
7. There's A World
8. Alabama
9. The Needle And The Damage Done
10. Words (Between The Lines Of Age)

Live In Paris is Frank Sinatra’s definitive concert album. Yes, there are many good ones—Sinatra at the Sands is also among the finest—but none better captures the essence of the singer’s voice, showmanship, and command than this 1962 session, which remained unreleased until 1994. Backed only by a sextet, the main focus here is on Sinatra’s peerless singing, phrasing, and style. Needless to say, the iconic crooner doesn’t disappoint.

It’s impossible to overstate the magnificence of the interpretations on this set. Looking for the ultimate renditions of “My Funny Valentine,” “In the Still of the Night,” “One for My Baby,” “Night and Day,” and “Ol’ Man River”? Search no more. Sinatra’s readings of these classics exceed his superb studio versions, as well as those that appear on other live albums. And consider the setlist: “The Lady is a Tramp,” “Come Fly With Me,” “Chicago,” “I Could Have Danced All Night.” Superb. And Sinatra is simply “on,” bringing a combination of swinging enthusiasm, reverent charm, and dignified emotion to standards. He triumphs with a powerful voice yet affected by the ravages of time and cigarettes.

Fans of Sinatra at the Sands should take note. Sinatra in Paris is much more intimate, with the scaled-down arrangements and small band allowing songs to bask in the glory of Ol’ Blue Eyes’ voice. Yes, Sinatra’s period onstage comments can seem crude. But they take nothing away from the sheer superiority of this recording.

Ever since its release, the lone drawback to Sinatra in Paris has been that of the inferior sound quality. Lament the shortcoming no more. Half-speed mastered from the original tapes and pressed onto two slabs of quiet 180-gram vinyl, Mobile Fidelity’s numbered limited-edition 2-LP set lifts the veil on the music and allows it to soar with a richness, texture, openness, and presence that have until now gone missing. You will swoon over the improvements.

Track Listing:

1. Introduction - Charles Aznavour
2. Goody Goody
3. Imagination
4. At Long Last Love
5. Moonlight in Vermont
6. Without a Song
7. Day In - Day Out
8. I've Got You Under My Skin
9. I Get a Kick Out of You
10. Second Time Around
11. Too Marvelous for Words
12. My Funny Valentine
13. In the Still of the Night
14. April in Paris
15. You're Nobody 'Til Somebody Loves You
16. They Can't Take That Away from Me
17. Chicago
18. Night and Day
19. I Could Have Danced All Night
20. One for My Baby
21. Foggy Day
22. Ol' Man River
23. Lady Is a Tramp
24. I Love Paris
25. Nancy (With the Laughing Face)
26. Come Fly With Me

2009 studio album from the reformed band led by guitarist extraordinaire Trey Anastasio. Joy was produced by Steve Lillywhite and was recorded in New York's Chung King Studios. Many of the album's 10 songs have already been road-tested during the band's reunion tour and retain their fresh, live feel on the studio recordings. The album is already being hailed as the band's best ever studio release. Pressed on two 180g vinyl LPs and packaged in a beautiful gate-fold sleeve.

Three-sided Double LP
Side 4 is Etched with Artwork

Track Listing:

1. Backwards Down The Number Line
2. Stealing Time From The Faulty Plan
3. Joy
4. Sugar Shack
5. Ocelot
6. Kill Devil Falls
7. Light
8. Been Around
9. Time Turns Elastic
10. Twenty Years Later

New music from Pearl Jam!

Gatefold double pocket jacket, die cut front cover, 24 page booklet, Full color LP inner sleeve, 180 gram vinyl, Original Art by Tom Tomorrow.

Track Listing:

1. Gonna See My Friend
2. Got Some
3. The Fixer
4. Johnny Guitar
5. Just Breathe
6. Amongst The Waves
7. Unthought Known
8. Supersonic
9. Speed of Sound
10. Force Of Nature
11. The End

The new Alice In Chains album Black Gives Way To Blue is the sound of a new beginning of a legendary band returning to life. Right from the album’s powerful and deeply meaningful opener “All Secrets Known” through its redemptive closing title track, Black Gives Way To Blue, the first new Alice In Chains album in more than 14 years, is not just another rock reunion, but something far more inspiring.

Alice In Chains always was and always will be very much a band. So after taking a more than respectful break to mourn the loss of their brother and band mate Layne Staley, the surviving members of Alice In Chains, Jerry Cantrell, drummer Sean Kinney and bassist Mike Inez, gradually began to make music again. The band came together for the first time in 2005 to take part in a benefit for the victims of the tsunami in Indonesia.

The following year, Cantrell, Kinney and Inez decided that the time was right for Alice In Chains to reclaim its legacy again on tour. They did so with the help of a new guitarist and vocalist William DuVall, a gifted singer and player in his own right from Atlanta who previously worked with Neon Christ, Comes with the Fall, and as part of Jerry Cantrell’s touring band. As live audiences discovered, DuVall brings a sound and stage presence all his own. Yet when DuVall and Cantrell blend their voices, as Cantrell and Staley did so often, there could be little doubt that the spirit of Alice In Chains was once again alive and well.

Black Gives Way To Blue is the next step for a group that over the course of their career earned multiple Grammy nominations and sold more than 19 million albums worldwide and achieved 11 Top Ten singles. At the same time, the album offers the full, bracing impact of Alice In Chains, a band that kept heavy rock exciting at the dawn of the '90s and helped set the stage for an even grungier Seattle sound still clearly firing on all cylinders.

Recording on Black Gives Way To Blue began in October of 2008 at Dave Grohl’s Studio 606 in Northridge and finished at Henson Studios in Hollywood. The band produced the album with Nick Raskulinecz, whose past credits include Foo Fighters and Rush. Black Gives Way To Blue combines some classic Alice In Chains textures with a renewed sense of energy and possibility, from the epic and fantastically electric rocker “A Looking In View” to the exquisite and romantic ballad “Your Decision” to the album’s stunning first single “Check My Brain,” a throbbing rocker in which a band associated with the Pacific Northwest makes a wry and witty observation on working and living in California.

Through Black Gives Way To Blue, there is a deep sense of the unique life that this band has lived, of “Lesson Learned,” to borrow the title of another standout track. In the end, the album offers a kind of shared group autobiography by a band that has survived so much. Together, they are in a way “Last Of My Kind,” to use the title of another album highlight penned by Jerry Cantrell, long a dominant songwriter within Alice In Chains, with lyrics from DuVall. “Imitations are pale,” DuVall and Cantrell sing together on “Black Gives Way To Blue,” a brand new Alice In Chains classic that really has it all; the brooding hurt, the brute force and the beautiful introspection.

Track Listing:

1. All Secrets Known
2. Check My Brain
3. Last Of My Kind
4. Your Decision
5. A Looking In View
6. When The Sun Rose Again
7. Acid Bubble
8. Lessons Learned
9. Take Her Out
10. Private Hell
11. Black Gives Way To Blue

Beck’s Sea Change remains the best record of the indie icon’s career. And how. The sonic chameleon shocked the world in 2002 with this warm-sounding folk-pop album—a sincere, honest, and mature meditation on the end of a nine-year relationship with his girlfriend. As for the vocalist’s trademark irony, sarcasm, and humor? Not here. In their place is an affecting emotionalism to which anyone who’s ever been in (or out) of love will relate. The music is equally personal and meditative. Gorgeous string arrangements come courtesy of his father, David Campbell, and illustrate the heartbreak that informs the beautiful melodies and tranquil moods.

Best of all, this album is anything but a bummer. Intending to be heard to from start to finish, Beck begins the record with songs conveying emptiness and loss, and gradually moves on to narratives that detail what changes are necessary to regain a sense of identity, purpose, and feeling. By the time he reaches the concluding “Little One,” the healing has begun. Consider this Beck’s mellowest gold—a feat confirmed by its selection as the #2 record of 2002 on Village Voice’s all-encompassing Pazz & Jop poll.

And now, thanks to truly painstaking remastering efforts, this embraceable and intimate gem sounds better than ever. No lie. Master tapes of every cut were delivered to Mobile Fidelity engineers on a separate reel, with the finished product taking months to perfect. Unlike previous digital versions, no compression or dynamic processing was used, making this half-speed mastered 180-gram 2-LP set not just the definitive version — it’s the only analog version worth owning!

Track Listing:

1. The Golden Age
2. Paper Tiger
3. Guess I'm Doing Fine
4. Lonesome Tears
5. Lost Cause
6. End Of The Day
7. It's All In Your Mind
8. Round The Bend
9. Already Dead
10. Sunday Sun
11. Little One
12. Side Of The Road

Import

Available For the First Time In A Year!

Track Listing:

LP 1:

1. BACK IN THE USSR
2. DEAR PRUDENCE
3. GLASS ONION
4. OB-LA-DI, OB-LA-DA
5. WILD HONEY PIE
6. THE CONTINUING STORY OF BUNGALOW BILL
7. WHILE MY GUITAR GENTLY WEEPS
8. HAPPINESS IS A WARM GUN
9. MARTHA MY DEAR
10. I'M SO TIRED
11. BLACKBIRD
12. ROCKY RACOON
13. DON'T PASS ME BY
14. WHY DON'T WE DO IT IN THE ROAD
15. I WILL
16. JULIA

LP 2:

1. BIRTHDAY
2. YER BLUES
3. MOTHER NATURE'S SON
4. EVERYBODY'S GOT SOMETHING TO HIDE
5. SEXY SADIE
6. HELTER SKELTER
7. LONG LONG LONG
8. REVOLUTION 1
9. HONEY PIE
10. SAVOY TRUFFEL
11. CRY BABY CRY
12. REVOLUTION 9
13. GOOD NIGHT

The best record from the '90s best interpreters of classic rock sounds. With a Faces and Stones-like swagger, Chris Robinson and Co. blaze through 9 originals and one cover on this, their second full length. Featuring the hits “Remedy” and “Thorn In My Pride,” The Southern Harmony And Musical Companion debuted at #1 on the Billboard Top 200 back in 1992. The best Southern Rock record since Eat A Peach and Lynyrd Skynyrd’s classic debut.

Track Listing:

1. Sting Me
2. Remedy
3. Thorn In My Pride
4. Bad Luck Blue Eyes Goodbye
5. Sometimes Salvation
6. Hotel Illness
7. Black Moon Creeping
8. No Speak No Slave
9. My Morning Song
10. Time Will Tell

While Hendrix remains most famous for his hard rock and psychedelic innovations, more than a third of his recordings were blues-oriented. This LP contains 11 blues originals and covers, eight of which were previously unreleased. Recorded between 1966 and 1970, they feature the master guitarist stretching the boundaries of electric blues in both live and studio settings. Besides several Hendrix blues-based originals, it includes covers of Albert King and Muddy Waters classics, as well as a 1967 acoustic version of his composition "Hear My Train A-Comin'." The Classic issue of this title will mark its first time on vinyl. Of course, the two LP set, cut on Bernie Grundman's all tube analog cutting system.

1. Hear My Train a Comin' [Acoustic]
2. Born Under a Bad Sign
3. Red House
4. Catfish Blues
5. Voodoo Chile Blues
6. Mannish Boy
7. Once I Had a Woman
8. Bleeding Heart
9. Jelly 292
10. Electric Church Red House
11. Hear My Train a Comin' [Electric]

The mercurial Bitches Brew is thought by many to be one of the most revolutionary albums in jazz history, having virtually created the genre known as jazz-rock fusion. Miles adds to his In A Silent Way concept here with soprano saxophone, bass clarinet, additional drums and percussion, plus African, Indian and Brazilian instruments. The result was unlike any music heard before or since. A complete rejection of traditional songs, chord progressions, or even melodic conventions, the album signified that music could be just layers of texture and sound. Bitches Brew is not just an important recording, it's an essential one!

Miles Davis Bitches Brew Track Listing

1. Pharaoh's Dance
2. Bitches Brew
3. Spanish Key
4. John McLaughlin
5. Miles Runs The Voodoo Down
6. Sanctuary
7. Feio

Part 1 - Acknowledgement
Part 2 - Resolution

Part 3 - Pursuance
Part 4 - Psalm

Original packaging including stickers and posters, heavyweight virgin vinyl, plus new 30th anniversary poster.

Speak to Me
Breathe in the Air
On the Run
Time
The Great Gig in the Sky
Money
Us and Them
Any Colour You Like
Brain Damage
Eclipse

This fresh approach to stylus cleaning has saved all of us from the fear of hard bristled brushes and over applying dangerous fluids. Clean your stylus simply and effectively with the Zerodust from Japan. This space-age polymer bubble allows you to simply lower your stylus onto its surface, then quickly lift the arm lever and you’re done! Watch as the stylus tip slowly sinks into the baby soft surface, leaving behind an impression with the stylus debris left behind! This unique device will last a lifetime, can be cleaned with tap water, and can extend the life of your cartridge! Comes complete with a magnifier to inspect your stylus! Our highest recommendation!

“After a few seconds, you lift the stylus, and it’s as clean and reside-free as the proverbial whistle…Upside: no potentially dangerous brushing, and no fluids!” - Michael Fremer, Stereophile, Recommended Components Issue

The D4+ Record Care System is the result of intensive scientific research on safe record cleaning. The D4+ System is a cleaning system unlike other products, which reduce record dynamics and fidelity. The more active, yet safe, D4+ fluid is actually able to lift and suspend contaminants in solution on the record surface so the D4 pad can easily and efficiently remove debris. Containing less residue than tap water, D4+ fluid will clean without depositing new residues on the record surface; it will not encourage any biological growth as do "constantly damp" cleaning methods.
For longer life, Discwasher recommends that records be lightly cleaned each time before playing. New records should also be cleaned before their first play. Although presumed clean, many new recordings still have mold release compounds in their grooves, thus requiring cleaning.

HAND CRAFTED The handle of the Discwasher D4+ Record Care System has been hand crafted and finished from solid American walnut, creating elegance for an already superior cleaner.

INSTRUCTIONS FOR ROUTINE PRE-PLAY CLEANING

Application
Apply 3-6 drops of the D4+ fluid in a line on the leading edge of the pad (the arrow on the end of the handle points to the leading edge). Distribute the fluid along the leading edge of the pad using several deliberate strokes with the bottom of the D4 bottle, causing the pad to form a strip of damp fabric.

Position
Position the disc washer handle/pad with the arrow end on the outside edge of the record. Gently contact the record with the damp leading edge of the pad. The turntable motor may be assisted by gently turning the record with you finger on the label.

Clean/Dry
Allow the damp leading edge to contact the record for about three revolutions. Dry the record with a simple rolling movement of the handle, allowing for the middle and back edge to contact the album for several revolutions, assuring thorough drying.

D4+ Record Care System.

• Simply the finest record cleaner available.
• Cleans records while retaining fidelity.
• 1.25 fl. oz. D4 recording cleaning fluid.
• D4 pad with solid walnut handle, and convenient storage case.

Moussorgsky
Pictures at an Exhibition
(Orchestrated by Maurice Ravel)

Mobile Fidelity Sound Lab has obtained the master tapes of this landmark album and for the first time What’s Going On will be released on 180g UTLRA ANALOG LP. As with all Mobile Fidelity Sound Lab releases, meticulous attention to detail is paid during the transfer process.

Marvin Gaye’s What’s Going On was a landmark recording and is considered one of the greatest albums ever made. Rolling Stone named it Album Of The Year when it came out and, in 2003, it was ranked number 6, the highest for a non-rock album, in Rolling Stone’s 500 Greatest Albums Of All Time. Originally, the title cut was recorded as a single, and Motown chief Berry Gordy refused to release it, citing that it was too personal and political. "What's Going On" became Motown's fastest-selling single at that point, going to the number one spot on the R&B charts for five weeks and number two for three weeks on the Pop listings, which lead Gordy to request a full album's worth of material.

“What's Going On”, the single, was recorded in June of 1970. The remainder of the album was recorded in March-May of 1971 and was released on May 21st of that year. It was produced entirely by Marvin Gaye.

1. What's Going On
2. What's Happening Brother
3. Flyin' High (In The Friendly Sky)
4. Save The Children
5. God Is Love
6. Mercy Mercy Me (The Ecology)
7. Right On
8. Wholy Holy
9. Inner City Blues (Make Me Wanna Holler)

On Colored Vinyl!

Track Listing:

1. Crazy Mary (From Victoria Williams Tribute Album)
2. Masters Of War (From Victoria Williams Tribute Album)
3. Footsteps (From Fan Club Flexi)
4. Oceans (From MTV Unplugged, Never Broadcast)
5. Rockin In The Free World (From MTV Unplugged, Never Broadfcast)
6. Bee Girl (From Fan Club Flexi)
7. Daughter (From the Bridge School Benefit, 1999)
8. Wishlist (From the Bridge School Benefit, 1999)
9. Last Kiss (From the Bridge School Benefit, 1999)
10. Yellow Ledbetter (From the Bridge School Benefit, 1994)

Released shortly before Jim Morrison's death in Paris, 1971's L.A. Woman was the first Doors album too not feature production from long time collaborater Paul Rothchild. The rawer, more live feel marks a return to the blues roots from which the band originally emerged and it delivered the signature songs “Love Her Madly,” “Riders On The Storm” and the title track.

Track Listing:

1. The Changeling
2. Love Her Madly
3. Been Down So Long
4. Cars Hiss By My Window
5. L.A. Woman
6. L'America
7. Hyacinth House
8. Crawling King Snake
9. The Wasp (Texas Radio And The Big Beat)
10. Riders On The Storm

Track Listing:

Come Together
Something
Maxwell's Silver Hammer
Oh! Darling
Octopus's Garden
I Want You (She's So Heavy)
Here Comes the Sun
Because
You Never Give Me Your Money
Sun King
Mean Mr. Mustard
Polythene Pam
She Came in Through the Bathroom Window
Golden Slumbers
Carry That Weight
End
Her Majesty

When the band performed in 1966, Eric Clapton was already fairly well known, having performed and recorded with the Yardbirds and John Mayall's Bluesbreakers, but it wasn't until Cream that Clapton became a global superstar. Breaking free of the traditional rock and roll song structure for a more improvisational/jazz influenced take, the band's long jams gave birth to a whole new approach to rock music. Don't miss your chance to get these amazing collector's editions of three of the four official Cream studio albums in one vinyl box set. The set includes Fresh Cream on clear red vinyl, Wheels of Fire (studio) on white vinyl and Wheels of Fire (Live) on white vinyl and Goodbye on picture disc

Track Listing:

Fresh Cream (Red Vinyl)

N.S.U.
Sleepy Time Time
Dreaming
Sweet Wine
Spoonful
Wrapping Paper
Cat's Squirrel
Four Until Late
The Coffee Song
Rollin' And Tumblin'
I'm So Glad
Toad

Wheels Of Fire (Studio Version On White Vinyl)

White Room
Sitting on Top of the World
Passing the Time
As You Said
Pressed Rat and Warthog
Politician
Those Were the Days
Born Under a Bad Sign
Deserted Cities of the Heart

Wheels Of Fire (Live At The Filmore On White Vinyl)

Crossroads
Spoonful
Traintime
Toad

Goodbye (Picture Disc)

I'm So Glad
Politician
Sitting On Top Of The World
Badge
Doing That Scrapyard Thing

John Coltrane's development as an improviser accelerated in the mid-1950s when he was with Miles Davis. During six months of 1957 with Thelonious Monk in a celebrated engagement at New York's Five Spot Cafe, it went into overdrive. Coltrane said later, "Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way - through the senses, theoretically, technically." Because of the artists' conflicting contractual agreements, Jazzland (Riverside's sister label) was unable to capture the Monk quartet live a the Five Spot. Producer Orrin Keepnews managed to record three studio tracks that did not see the light of day until the sixties. "Ruby, My Dear," "Trinkle, Tinkle" and "Nutty" let us hear what all the excitement was about. "Off Minor" and "Epistrophy" find Monk and Coltrane in a septet that included the great Coleman Hawkins. This record also includes "Functional," an unforgettable Monk solo blues.

Ruby, My Dear
Trinkle, Tinkle
Off Minor
Nutty
Epistrophy
Functional

In conjunction with DreamWorks Films NEW Director's Edition 2-Disc DVD release of Cameron Crowe's "ALMOST FAMOUS", Classic Records is pleased to announce the release of "Untitled" - an inspired reissue of the soundtrack for the Academy Award winning film "Almost Famous". This two LP set features bonus material by Still Water the fictitious band featured in the film. The Stillwater tracks were mastered directly by Bernie Grundman from the 1/2" analog masters (*due to time constraints with this production, digital sources were utilized for the other repertoire).

1. America - Simon & Garfunkel
2. Sparks - The Who
3. It Wouldn't Have Made Any Difference - Todd Rundgren
4. Every Picture Tells A Story - Rod Stewart
5. Feel Flows - The Beach Boys
6. Your Move - Yes
7. Mr. Farmer - The Seeds
8. One Way Out - The Allman Bros
9. Simple Man - Lynyrd Skynyrd
10. That's The Way - Led Zeppelin
11. Tiny Dancer - Elton John
12. Lucky Trumble - Nancy Wilson
13. I'm Waiting For The Man - David Bowie
14. The Wind - Cat Stevens
15. Slip Away - Clarence Carter
16. Something In The Air - Thunderclap Newman
17. Fever Dog - Stillwater
18. Love Thing - Stillwater
19. Chance Upon You - Stillwater
20. Love Comes And Goes - Stillwater
21. Hour Of Need - Stillwater
22. You Had To Be There - Stillwater

The Plymouth Rock on which alternative rock was founded, the Pixies’ Surfer Rosa forever altered the music environment—even if it did take most of the world a few years to catch up with its brilliance. Internationally acknowledged as a pioneering record, its rollercoaster blend of harsh and soft tempos, male and female singing, intense punk and bubblegum pop tones, dark and light quips, and off-kilter sensibilities is the influential equivalent of the Velvet Underground’s oft-cited 1967 debut.

The 1987 debut established the Pixies as otherworldly visionaries whose songs such as the insistent “Bone Machine,” badgering “Something Against You,” and sensual “Cactus” remain ahead of the curve. Having analog fanatic and noise aficionado Steve Albini working production ensured that the music would retain a requisite rawness and in-your-face sonic signature that paralleled the fundamentally chaotic, compulsive characteristics of the Pixies’ songs.

And now, thanks to the painstaking efforts of Mobile Fidelity engineers, you will truly hear this groundbreaking record as if you were experiencing it for the first time. Vivid, immediate, massive, and detailed, this is how Surfer Rosa was meant to be heard when Albini completed it and turned it into the label.

Why pay $175 for the Pixies’ Minotaur limited-edition box that features the band’s four original records with dated (read: bland, compressed, and flat) sound when you can spend far less and, in addition to this superior 180-gram LP copy, get hybrid SACDs of Surfer Rosa, Doolittle, and Bossanova that play in all CD players and feature remastered sound sourced from the original master tapes? Jeff Anderson, who oversaw the release of Minotaur, says there is no remastering on the box because he didn’t want to touch the original master tapes. We did, and having finally hunted the true masters down, know you’ll agree with our results.

“The heaviness and hugeness of the room-reverberating drumbeat that begins the album-opening “Bone Machine” epitomizes the record’s forward impact, visceral punch, grinding crunch, and dynamic headroom. Rather than cluttering the mix with an avalanche of effects, Albini left space without sacrificing live detail or volatile oomph, shown to great effect on “Broken Face,” “Gigantic (there’s a piano—who knew?), and haunting “Where Is My Mind?,” which opens unto a sonic canyon that swallows the listener whole.” –Bob Gendron, The Absolute Sound, September 2007

Track Listing:

1. Bone Machine
2. Break My Body
3. Something Against You
4. Broken Face
5. Gigantic
6. River Euphrates
7. Where Is My Mind?
8. Cactus
9. Tony's Theme
10. Oh My Golly
11. Vamos
12. I'm Amazed
13. Brick Is Red

Singer/songwriter and Rock & Roll Hall of Famer Graham Nash first rose to fame with British Invasion hit-makers The Hollies. He went on to co-found the legendary rock supergroups Crosby, Stills & Nash and CSN&Y, and remains active with both configurations. Throughout it all, Nash has also pursued an acclaimed solo career, beginning with the 1971 gem Songs For Beginners. Guest performers on the eleven-song set include Rita Coolidge, David Crosby, Jerry Garcia, Bobby Keys, Phil Lesh, David Lindley and Dave Mason among others. Features the classic tracks “Military Madness,” “Simple Man,” “I Used To Be King” and “We Can Change The World.”

Track Listing:

1. Military Madness
2. Better Days
3. Wounded Bird
4. I Used To Be A King
5. Be Yourself
6. Simple Man
7. Man In The Mirror
8. There’s Only One
9. Sleep Song
10. Chicago
11. We Can Change The World

The Drive-By Truckers have been making music together for 13 years resulting in 7 critically acclaimed studio albums which could not contain all of the songs written by the band. DBT recently dug into the New West Records vaults and put the finishing touches on a selection of songs that were never quite completed. The result of the collaboration is The Fine Print: A Collection of Oddities and Rarities 2003-2008, a 12-track album of previously unreleased and rare songs. The Fine Print features songs written by band members past and present, including Patterson Hood, Mike Cooley and Jason Isbell. Seven of the twelve songs come from The Dirty South era, a highly creative time for DBT. The record also contains four covers including "Rebels" by Tom Petty, which the band recorded originally for the TV show King of the Hill and "Like A Rolling Stone" by Bob Dylan which provided Shonna Tucker with her first ever lead vocal performance on a DBT recording.

Track Listing:

1. George Jones Talkin' Cell Phone Blues
2. Rebels
3. Uncle Frank (alternative version)
4. TVA
5. Goode's Field Road (alternative version)
6. The Great Car Dealer War
7. Mama Bake A Pie (Daddy Kill A Chicken)
8. When The Well Runs Dry
9. Mrs. Claus' Kimono
10. Play It All Night Long
11. Little Pony And The Great Big Horse
12. Like A Rolling Stone

Originally released on the Beserkley label in 1976 (though most of the material was recorded in 1973), The Modern Lovers is a universally accepted proto-punk classic. It's an album that bridges the gap between The Velvet Underground, a band whom leader Jonathan Richman was obsessed with, and the first wave of punk rock. While also displaying the goofy wit that would later be Richman's signature, The Modern Lovers is equal parts geeky, emotional, angst driven, life affirming, and, from start to finish, absolutely brilliant.

Track Listing:

1. Roadrunner
2. Astral Plane
3. Old World
4. Pablo Picasso
5. I'm Straight
6. Dignified and Old
7. She Cracked
8. Hospital
9. Someone I Care About
10. Girl Friend
11. Modern World
12. Government Center

Import

As musical lunacy goes, things have gotten as crazy as it gets for Death Cab for Cutie since 2002's You Can Play These Songs with Chords compilation. A wildly successful tour with Dismemberment Plan, a collaboration for singer Ben Gibbard with emo-electronic guru Dntel under the Postal Service moniker, and a whole new legion of fans swooning to Gibbard's lyrics as if he were a modern day answer to Kiss Me-era Robert Smith have all amassed considerable hype around Transatlanticism. But the group proves themselves more than equal to the task, answering the call and proving the cynics wrong with their most focused and most mature work in their entire catalog. Transatlanticism wastes absolutely no time and dives in head first with "The New Year," one of the most melodramatic openings to an album since the Smashing Pumpkins' "Tonight, Tonight" from Mellon Collie and the Infinite Sadness. The mellow, mixed-meter percussion and dense atmosphere of "Lightness" is a brilliant lead into the pop-happy "Expo '86" and "The Sound of Settling" before setting up the climatic and intensely dramatic title track. Unconsciously taking a page from Blur's "Sing," the hypnotic drumming and guitar call and responses through the eight-minute climax of the album are backed with a singalong finale that unquestionably will have every audience on the next tour singing along and holding up their lighters. And while most albums would be left exhausted after such a track, the group keeps things moving, albeit at a much slower pace than compared to the anthems that packed the first half. Gibbard seamlessly makes the transition between songs that full out rock to songs that are comparable to Elliott Smith's finest hour with great ease. But it's Gibbard's poetic lyrics and signature introspection that remain a bench mark for Death Cab; and it's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish. The band has never sounded more cohesive, the track sequencing is brilliant, and it caps off a triumphant year for not only Gibbard, but a band whose time and greater recognition is finally due. ~ Rob Theakston, All Music Guide

Track Listing:

1. The New Year
2. Lightness
3. Title And Registration
4. Expo '86
5. The Sound Of Settling
6. Tiny Vessels
7. Transatlanticism
8. Passenger Seat
9. Death Of An Interior Decorator
10. We Looked Like Giants
11. A Lack Of Color

The highly anticipated final installment in the Blueprint series follows up the international superstar and multi-media mogul's classic Blueprint (2001) and the critically acclaimed Blueprint II (2002). Blueprint III is a Roc Nation/Live Nation release distributed through Atlantic Records.

"This project is all about pushing the envelope. Being an independent artist, I have an incredible freedom to utlize my unique existing relationship with Live Nation and revive partnerships with great creative teams. I have this amazing and rare opportunity to explore different ways to distribute my music. It's exciting because Blueprint III has been a long time in the making."

Track Listing:

1. What We Talkin’ About (featuring Luke Steele of Empire of the Sun)
2. Thank You
3. D.O.A. (Death of Auto-Tune)
4. Run This Town (featuring Kanye West and Rihanna)
5. Empire State of Mind (featuring Alicia Keys)
6. Real As it Gets (featuring Young Jeezy)
7. On to the Next One (featuring Swizz Beatz)
8. Off That (featuring Drake)
9. A Star is Born (featuring J. Cole)
10. Venus vs. Mars
11. Already Home (featuring Kid Cudi)
12. Hate (featuring Kanye West)
13. Reminder
14. So Ambitious (featuring Pharrell) 15. Young Forever (featuring Mr Hudson)

In the vein of their 2002 debut, The Big Come Up, the Black Keys sophomore album leavens their garage blues with enough innovation to keep things interesting, taking full advantage of Dan Auerbach’s full-throated growl and Patrick Carney's bigger than life drum work. Particularly appealing are "Hard Row," which lurks somewhere between Cream and punk rock, the strong stomp of "Everywhere I Go" and the irresistible guitar riff that graces "If You See Me."

Track Listing:

1. Thickfreakness
2. Hard Row
3. Set You Free
4. Midnight in Her Eyes
5. Have Love Will Travel
6. Hurt Like Mine
7. Everywhere I Go
8. No Trust
9. If You See Me
10. Hold Me In Your Arms
11. I Cry Alone

When making the new Built To Spill album There Is No Enemy, Doug Martsch literally lived in the studio working all day and night. He spent hours and hours laying down guitar tracks he realized he couldn't use since the first live takes had the best tone and feel. He had to undigitally remix the record. There Is No Enemy has the sound and feel of the album that every Built To Spill fan has been anxiously awaiting.

In addition to Martsch and his usual support, There Is No Enemy includes guest spots from Sam Coomes, ex-Treepeople co-guitarist/vocalist Scott Schmaljohn, Butthole Surfer Paul Leary, Roger Manning, etc.

Track Listing:

1. Aisle 13
2. Hindsight
3. Nowhere Lullaby
4. Good Ol' Boredom
5. Life's A Dream
6 .Oh Yeah
7. Pat
8. Done
9. Planting Seeds
10. Things Fall Apart
11. Tomorrow

Leonard Cohen Live At The Isle of Wight 1970 is a fascinating and timely portrait of the artist as a young man, just three years into his recording career (though he was already a published poet and novelist for 15 years). As he mesmerizes the Isle Of Wight audience, Cohen intersperses a baker's dozen songs with tales both real and apocryphal, as well as a handful of his poems.

This double 180g vinyl LP edition of Live At The Isle of Wight 1970 represents the 77-minute concert set as performed by Cohen and his backup band: Bob Johnston (Cohen's Nashville-based Columbia A&R staff producer), and Nashville musicians Charlie Daniels (electric bass, fiddle), Ron Cornelius (lead guitar), and Elkin 'Bubba' Fowler (bass, banjo). They were joined by backup singers Corlynn Hanney, Susan Musmanno, and Donna Washburn. During the course of their European tour, which Cohen only agreed to undertake if Johnston (producer of Cohen's most recent LP, Songs From A Room) would manage him and organize the band, the group began to call themselves The Army, owing to the battles they were subjected to by audiences on the road.

All but three of the songs on Live At The Isle of Wight 1970 originated on Cohen's first two LPs, his debut Songs Of Leonard Cohen from 1967 ("So Long, Marianne," "One Of Us Cannot Be Wrong," "The Stranger Song," "Hey, That's No Way To Say Goodbye," "Suzanne"); and Songs From A Room from 1969 ("Bird On The Wire," "You Know Who I Am," "Tonight Will Be Fine," "The Partisan," "Seems So Long Ago, Nancy"). The three other songs "Diamonds In The Mine," "Sing Another Song Boys," and "Famous Blue Raincoat" were destined for Cohen's third album, 1971's Songs of Love and Hate.

Track Listing:

1. Introduction
2. Bird On the Wire
3. Intro to So Long, Marianne
4. So Long, Marianne
5. Intro: "Let's Renew Ourselves Now..."
6. You Know Who I Am
7. Intro to Poems
8. Lady Midnight
9. They Locked Up a Man (Poem)/A Person Who Eats Meat/Intro
10. One of Us Cannot Be Wrong
11. The Stranger Song
12. Tonight Will Be Fine
13. Hey, That's No Way to Say Goodbye
14. Diamonds In the Mine
15. Suzanne
16. Sing Another Song, Boys
17. The Partisan
18. Famous Blue Raincoat
19. Seems So Long Ago, Nancy

One of the most controversial albums in Bob Dylan's remarkable catalog, the 1970 double-LP Self Portrait continues to exercise considerable fascination amongst Dylan devotees. Released on the heels of the artist's game changing Nashville Skyline, Self Portrait offered a quirky assortment of studio and live tracks, encompassing Dylan originals as well as covers of familiar pop and folk numbers, recorded with an all-star musical cast.

At the time of its original release, the sprawling, unconventional Self Portrait generated an immense amount of discussion and disagreement amonst Dylan admirers. The ongoing controversy surrounding the album has been fueled over the years by Dylan himself. At various times, Dylan has defended Self Portrait as a heartfelt artistic statement, dismissed it as a joke and described it as a concerted effort to escape the pressures of his unwanted status as the voice of a generation. Whatever the artist's actual intentions, Self Portrait retains a unique niche in the hearts of Dylan fans, and is often cited as an early landmark in the birth of alternative country.

Self Portrait's highlights include the Dylan originals "Wigwam," later featured in the Wes Anderson film The Royal Tenenbaums; "Living the Blues," subsequently covered by artists ranging from Leon Redbone to Antony Hegarty; and "The Mighty Quinn," which Manfred Mann had turned into a British Invasion hit in 1968. The latter song is one of a quartet of live tracks drawn from Dylan's legendary performances with The Band at the historic Isle of Wight festival, along with memorable versions of the Dylan standards "Like a Rolling Stone," "Minstrel Boy" and "She Belongs to Me." Also featured are Dylan's readings of a variety of outside material, ranging from his iconic interpretation of the rural folk song "Copper Kettle" to his distinctive takes on such familiar tunes as Paul Simon's "The Boxer," Gordon Lightfoot's "Early Mornin' Rain" and the vintage Every Brothers hits "Let It Be Me" and "Take a Message to Mary."

Sundazed has restored this one-of-a-kind release to its original double-LP format. Mastered from the original analog master tapes, the album is pressed on high-quality, high-definition vinyl, with meticulously reproduced original gatefold cover art.

Track Listing:

1. All the Tired Horses
2. Alberta #1
3. I Forgot More Than You'll Ever Know
4. Days of '49
5. Early Mornin' Rain
6. In Search of Little Sadie
7. Let It Be Me
8. Little Sadie
9. Woogie Boogie
10. Belle Isle
11. Living the Blues
12. Like a Rolling Stone (Live at the Isle of Wight Festival 1969)
13. Copper Kettle (The Pale Moonlight)
14. Gotta Travel On
15. Blue Moon
16. The Boxer
17. The Mighty Quinn (Quinn the Eskimo) (Live at the Isle of Wight Festival)
18. Take Me as I Am (Or Let Me Go)
19. Take a Message to Mary
20. It Hurts Me Too
21. Minstrel Boy (Live at the Isle of Wight Festival 1969)
22. She Belongs to Me (Live at the Isle of Wight Festival 1969)
23. Wigwam
24. Alberta #2

Track Listing:

1. In One Ear
2. James Brown
3. Ain't No Rest For The Wicked
4. Tiny Little Robots
5. Lotus
6. Back Against The Wall
8. Drones In The Valley
9. Judas
10. Back Stabbin' Betty
11. Soil To The Sun
12. Free Love

The String Cheese Incident's new live release, Trick Or Treat was culled from a variety of epic SCI Hulaween shows. From Atlanta's Variety Playhouse (1998), Philadelphia's Electric Factory (1999), Portland Maine's State Theatre (2000), New York City, NY (2001), Shrine Auditorium (2002) in Los Angeles' Sin City's Cox Pavillion (2003) and the Exhibition Center at Alliant Energy Center in Madison, WI (2004), Trick or Treat journeys through the years to re-visit some of the band's most classic performances from Halloween's past.

This 'Best Of' set offers seven of SCI's famous Halloween cover sets including performances of cover songs by such artists as the Beatles, KC & The Sunshine Band, Phish, Nelly and many others.

Track Listing:

1. Land's End
2. Walking On The Moon
3. The Wedge
4. Get Down Tonight
5. Being For The Benefit Of Mr. Kite!
6. Hot In Herrep 7. Round The Wheel

Track Listing:

LP 1

Country Christmas - Loretta Lynn Santa Claus Is Coming To Town - George Strait
I'll Be Home For Christmas - Elvis Presley
Rudolph - Gene Autry
Jingle Bells - Willie Nelson
Santa's Gonna Come In A Stagecoach - Buck Owens
If We Make It Through December - Merle Haggard
Pretty Paper - Roy Orbison
Christmas Prayer - Marty Robbins
Mr. And Mrs. Claus - George Jones & Tammy Wynette
Christmas Time's A Coming - Bill Monroe Carols Those Kids Used To Sing - Statler Brothers
Away In The Manger - Reba McEntire
Tennessee Christmas - Alabama
Old Toy Trains - Roger Miller
I Can't Have A Merry Christmas Without You - Jerry Lee Lewis
An Old Christmas Card - Jim Reeves
Blue Christmas - Elvis Presley

LP 2

Christmas Boogie -Davis Sisters
Jingle Bell Rock - Chet Atkins
Christmas In My Home Town - Charley Pride
One Happy Christmas - Tammy Wynette
I'll Be Walkin' The Floor This Christmas - Ernest Tubb
Blue Christmas Lights - Buck Owens
Christmas Time In The Valley - Freddy Fender
The Friendly Beasts - The Louvin Brothers
Santa Looked A Lot Like Daddy - Buck Owens
Santa Claus Is Back In Town - Dwight Yoakam
It Won't Seem Like Christmas - Loretta Lynn
What A Merry Christmas This Could Be - Willie Nelson
If Every Day Was Like Christmas - Elvis Presley
It Came Upon The Midnight Clear - The Louvin Brothers
Here Comes Santa Claus - Gene Autry
Truckin' Trees For Christmas - Red Simpson
When It's Christmas Time In Texas - George Strait
Santa! Don't Pass Me By - Freddy Fender

LP 3

Nuttin' For Christmas - Homer and Jethro
Reindeer Boogie - Hank Snow
It's Christmas - Ronnie Milsap
My Mom And Santa Claus - George Jones
White Christmas - Tammy Wynette
Little Drummer Boy - Johnny Cash
Christmas In Dixie - Alabama
Let It Snow - Charley Pride
C-H-R-I-S-T-M-A-S - Eddy Arnold
Lonely Christmas Call - Mickey Gilley
Hard Candy Christmas - Dolly Parton
Winter Wonderland - Chet Atkins
Goin' Home For Christmas - Merle Haggard
Silent Night - Reba McEntire

1973’s Who Do We Think We Are was another platinum plus venture for Deep Purple. While always being on top of their game, with multi-smash albums and huge arena concert tours, this was the last album to feature the legendary line-up of Ian Gillian, Ritchie Blackmore, Roger Glover, Ian Paice and Jon Lord.

Friday Music kicks things off on their Deep Purple 180g audiophile series with Who Do We Think We Are which has been mastered from the original Warner Bros. tapes by Joe Reagoso at Friday Music Studios and Capitol Mastering in Hollywood, CA.

Track Listing:

1. Woman From Tokyo
2. Mary Long
3. Super Trouper
4. Smooth Dancer
5. Rat Bat Blue
6. Place In Line
7. Our Lady

Track Listing:

Side One

1. The Little Drummer Boy
2. Good Time Christmas
3. Little Boy Dear
4. Have Yourself A Merry Little Christmas
5. Santa Claus Is Coming To Town

Side Two

1. Merry Christmas, Baby
2. The Christmas Song
3. Christmas Will Really Be Christmas
4. What Are You Doing New Year's Eve?
5. Child With A Toy

One of the most enduring musical partnerships of our time, Rock and Roll Hall of Famers Crosby, Stills & Nash (CSN) are revered for their peerless vocal harmonies, inspired songwriting and musical virtuosity. When the trio first sang together at a friend’s Laurel Canyon house in 1968, their uncanny harmonic convergence was immediately apparent, and CSN took shape. Each member came to the new venture from other high-profile bands, Crosby from the Byrds, Stills from Buffalo Springfield and Nash from the Hollies, and together they formed that rarest of musical entities, a supergroup that lived up to its billing.

CSN’s stunning 1969 self-titled debut album is one of the true masterpieces of the rock ’n’ roll canon. The album made it all the way to #6 on the Billboard charts and delivered two Top 40 Pop singles with “Marrakesh Express” and “Suite: Judy Blue Eyes.” Also features the CSN classics “Guinnevere,” “Wooden Ships,” “Helplessly Hoping” and “Long Time Gone.”

“Crosby, Stills & Nash are a most important part of the brilliant history at Atlantic Records. The uniqueness of their vocal blend, as well as the uniqueness of each solo voice, made them the top vocal group in the world, and they are still today thrilling millions of fans they have accumulated over the years.” — Ahmet Ertegun

Track Listing:

1. Suite: Judy Blue Eyes
2. Marrakesh Express
3. Guinnevere
4. You Don’t Have To Cry
5. Pre-Road Downs
6. Wooden Ships
7. Lady Of The Island
8. Helplessly Hoping
9. Long Time Gone
10. 49 Bye-Byes

Loaded with amazing loops, catchy pickups, and lyrics that soothe the mind and touch the heart, Minnesota native Owl City (Adam Young ) has once again created a lush listening experience. Owl City’s trademark desire to escape in dreams, oceans and sky abound on this, his first official release, in songs such as “Cave In” and “Umbrella Beach.” Owl Eyes also continues to display a terrific wit uncommon in most electronic based music in such songs as the clap infused, bouncy “Dental Care” (a humorous metaphor on smiling) and “Fireflies.” Previously released fan favorite “Hello Seattle” gives the great Northwest its due with an ode to highlands, parking lots, Puget Sound and albatross. With glorious vocal harmonies (“The Saltwater Room”) and touching odes to love lost (“Vanilla Twilight”) Owl Eyes has dug more deeply on Ocean Eyes lyrically and musically than ever before.

Track Listing:

1. Cave In
2. The Bird and The Worm
3. Hello Seattle
4. Umbrella Beach
5. The Saltwater Room
6. Dental Care
7. Meteor Shower
8. On The Wing
9. Fireflies
10. The Tip Of The Iceberg
11. Vanilla Twilight

Remastered 180-Gram Pressing Cut from Original Master Tapes by Bernie Grundman and Pressed at RTI. This is THE Definitive Version of the Life-Altering 1991 Blockbuster Album!

Pressed on Dead-Quiet Blue-Colored Virgin Vinyl and Limited to Only 4000 Copies Worldwide!

Few records changed the world. Nirvana's Nevermind is one of them. Released in September 1991, the well-produced yet emotionally raw album catapulted grunge into the mainstream and forever altered the popular musical landscape, turning Nirvana into household names and singer Kurt Cobain into the reluctant spokesperson of his generation. By year’s end, Seattle-based music, fashion, and attitude consumed popular consciousness. Nevermind had restored the gritty passion, rebellious mentality, and cathartic power long missing from mainstream rock. Call it the mighty sword that in one swoop fell the excess, plasticity, and emptiness of 80s music.

The record’s impact is also be measured by the success of its singles. Named by Rolling Stone as the #9 Best Song of All Time, the anthemic “Smells Like Teen Spirit” became an institution on radio stations and MTV. Subsequent singles “Come As You Are,” “Lithium,” and “In Bloom” also testified to the genius of the soft-loud arrangements and whip-smart commentary on Nevermind, which at its core was a blockbuster pop album in punk clothing.

More than ten million copies later, the record has only picked up more accolades, having been included at or near the top of nearly every major publication’s Greatest Albums list. Nevermind is listed as:

#1 in Spin’s 90 Greatest Albums of the 90s #1 Album of the Year in Village Voice’s Pazz & Jop Poll #6 in Pitchfork’s Top 100 Albums of the 1990s #17 in Rolling Stone’s 500 Greatest Albums of All-Time #1 in Entertainment Weekly’s Best Albums of the 90s

In addition to the groundbreaking music, sound quality has always been among the album’s finest aspects. Cleanly produced by Butch Vig and mixed by Andy Wallace, Nevermind features explosive dynamics, bursting tones, and a wide-open midrange. While Cobain later disparaged the sound as being too polished, the truth was that the room-filling sound allowed the record to grab the attention of anyone within earshot. Much imitated but never equaled, the sound became the template that nearly every band requested be put on their albums.

And it has never sounded better. Cut for ORG from the original master tapes by Bernie Grundman and pressed on blue-colored 180-gram virgin vinyl at RTI, ORG’s Limited Edition Collector’s Version is THE definitive edition of this masterpiece. WE GUARANTEE THIS BEATS EVERY PREVIOUS PRESSING. Dave Grohl’s titantic drumming, Cobain’s gut-wrenching screams and distortion-packed guitar riffs, and Krist Novoselic’s loopy bass lines all feature life-size imaging and incredible presence. Do not pass this up!

Track Listing:

1. Smells Like Teen Spirit
2. In Bloom
3. Come As You Are
4. Breed
5. Lithium
6. Polly
7. Territorial Pissings
8. Drain You
9. Lounge Act
10. Stay Away
11. On A Plain
12. Something In The Way

Recorded in November 1993, less than six months before singer Kurt Cobain killed himself, Nirvana’s MTV Unplugged is a watershed document that presents a band at the peak of its powers. Unlike any other “unplugged” affair, the diverse album is not a simple stripped-down regurgitation of greatest hits or a cash-it-in set of nostalgic favorites. Rather, the live effort is among the most emotionally naked spectacles ever released—an album so starkly intense and profoundly personal, it’s impossible not to get chills down the spine.

Such intimacy and wide-range dynamics are reasons why to seek out the best-ever pressing of this detailed gem. And we happen to be able to satisfy your needs. Cut for ORG from the original master tapes by Bernie Grundman and pressed on colored 180-gram virgin vinyl at RTI, ORG’s Limited Edition Collector’s Version is the definitive edition of this masterpiece. WE GUARANTEE THIS BEATS EVERY PREVIOUS PRESSING. Hear the soft pitter-patter of drummer Dave Grohl’s delicate brushwork, the shape of each hushed note coming from Cobain’s guitar, and every inhale and exhale of Cobain’s voice from a stunning, up-close perspective that puts the band onstage in your room.

Made primarily with acoustic instruments—Grohl even trades sticks for brushes, Krist Novoselic picks up an accordion, and cellist Lori Goldston prominently figures in the arrangements—Unplugged in New York reveals Nirvana’s folksier side and clear ambition to move beyond abrasive rock. The setlist is as surprising as the stylistic makeover. Save for renditions of “All Apologies” and “Come As You Are,” the adventurous material includes brooding covers of the Meat Puppets' “Lake of Fire,” “Plateau,” and “Oh Me” as well as harrowing versions of David Bowie’s “The Man Who Sold the World,” and the Vaselines’ “Jesus Don’t Want Me for a Sunbeam.”

And then there’s the heart-shattering climax. Intensely private and disturbingly primal, Nirvana’s rendition of the Leadbelly standard “Where Did You Sleep Last Night” takes its place among the most cathartic songs ever committed to record. It’s the musical equivalent of the insides of Cobain’s soul being ripped out and put out display for all to see.

Hurry! Limited to 4000 copies worldwide, these will go fast. Do not pass up this chance to own the Nirvana swan song that Rolling Stone named one of the 500 Greatest Albums of All Time!

Track Listing:

1. About A Girl
2. Come As You Are
3. Jesus Doesn't Want Me For A Sunbeam
4. The Man Who Sold The World
5. Pennyroyal Tea
6. Dumb
7. Polly
8. On A Plain
9. Something In The Way
10. Plateau
11. Oh Me
12. Lake Of Fire
13. All Apologies
14. Where Did You Sleep Last Night

A reactionary statement to the phenomenal commercial success of Nevermind, In Utero remains Nirvana’s most noisy, caustic, uncompromised, and aggressive album. It’s also the band’s best, a brilliant combination of contagious hooks, feedback-drenched squalls, bruised beauty, and biting lyrical wit intended to blindside causal listeners with raw emotion, difficult listening, and painful honesty. Rife with medical imagery and references to disease, sickness, decay, and dismay, In Utero is the distraught sound of personal catharsis and unyielding trauma. More revealingly, the record doubles as a haunting foreshadowing of singer Kurt Cobain’s suicide that took place just months after its release.

Unhappy with the high-gloss production and pop-based arrangements on Nevermind, Nirvana set out to make a harsher album that would literally alienate millions. While the trio succeeded in its goal of getting intimate with blistering dissonance and acerbic tones, In Utero resonated with the public, debuting at #1 on the Billboard charts and ultimately selling more than four million copies. Echoing John Lennon, Cobain’s piercing songwriting spoke to the disaffected masses that shared his anguish and set new standards for ironic depth that still stand. For every unsettling screed (“Serve the Servants,” “Milk It,” “Radio Friendly Unit Shifter,” “Tourettes”) there are introspective moments of folk-inspired elegance (“All Apologies,” “Pennyroyal Tea,” “Dumb”) that hint at the direction in which Nirvana was headed.

In Utero is equally legendary for the controversies involving its production. Originally helmed by Steve Albini, an engineer known for capturing live ambience and natural tones, the album was eventually remixed by Scott Litt after the group complained about the vocal sound. While the exact specifics of what party demanded the redo remain blurry, the finished results are staggering, with the added harmonies, better bass definition, and vocal volume boosts achieving an ideal balance that satisfied the band’s wishes. Now, you can hear it like never before.

Cut for ORG from the original master tapes by Bernie Grundman and pressed on colored 180-gram virgin vinyl at RTI, ORG’s Limited Edition Collector’s Version is the definitive edition of this masterpiece. WE GUARANTEE THIS BEATS EVERY PREVIOUS PRESSING. Do not pass up this rare chance to own the Nirvana classic that NPR “Sound Opinions” radio co-host Jim DeRogatis named the best alternative rock album of the 90s!

Nirvana In Utero Track Listing:

1. Serve the Servants
2. Scentless Apprentice
3. Heart Shaped Box
4. Rape Me
5. Frances Farmer Will Have Her Revenge on Seattle
6. Dumb
7. Very Ape
8. Milk It
9. Pennyroyal Tea
10. Radio Friendly Unit Shifter
11. Tourette's
12. All Apologies

The follow-up to Today!, Summer Days (And Summer Nights) remained on the U.S. Charts for 33 consecutive weeks and made it all the way to #2. After the melancholy second side of Today!, Mike Love encouraged Brian Wilson to write more Beach-Boys signature fare which resulted in tracks like "California Girls," "Amusement Parks U.S.A.," "Then I Kissed Her" and a re-worked version of "Help Me, Rhonda."

All 'From The Capitol Vaults' titles feature carefully replicated artwork and packaging true to their original single or gatefold jacket LP releases.

Track Listing:

1. The Girl From New York City
2. Amusement Parks U.S.A.
3. Then I Kissed Her
4. Salt Lake City
5. Girl Don't Tell Me
6. Help Me, Rhonda
7. California Girls
8. Let Him Run Wild
9. You're So Good To Me
10. Summer Means New Love
11. I'm Bugged at My Ol' Man
12. And Your Dream Comes True

The most successful album of Frank Sinatra's storied career, the 1959 release Come Dance With Me spent two and a half years on the Billboard Charts peaking at #2 and it garnered Grammy Awards for Album of the Year, Best Vocal Performance by a Male and Best Arrangement for Billy May. Features the classics "Cheek To Cheek," "I Could Have Danced All Night" and "Baubles, Bangles & Beads."

All 'From The Capitol Vaults' titles feature carefully replicated artwork and packaging true to their original single or gatefold jacket LP releases.

Track Listing:

1. Come Dance With Me
2. Something's Gotta Give
3. Just In Time
4. Dancing In the Dark
5. Too Close For Comfort
6. I Could Have Danced All Night
7. Saturday Night (Is the Loneliest Night of the Week)
8. Day In, Day Out
9. Cheek To Cheek
10. Bauble, Bangles & Beads
11. The Song is You
12. The Last Dance

Nowadays the Small Faces are criminally overlooked and often thought of as only the preamble to the Faces and, of course, Rod Stewart. At the time of their debut's original release back in 1966 however, they were one of the absolute greatest rock bands in the UK, with the Who and Rolling Stones being their only real competition. And lead vocalist Steve Marriott could sing circles around both Jagger and Daltrey. Reissued here in all its soul-influenced garage-rock glory is the Small Faces masterful debut.

Track Listing:

1. Shake
2. Come On Children
3. You'd Better Believe It
4. It's Too Late
5. One Night Stand
6. Whatcha Gonna Do About It
7. Sorry She's Mine
8. Own Up Time
9. You Need Loving
10. Don't Stop What You're Doing
11. E Too D
12. Sha-La-La-La-Lee

The 1970 release Stage Fright came on the heels of the career defining albums Music From Big Pink and The Band and it confidently distinguishes itself from its predecessors with a darker tone and much more rock feel. The album was engineered by the up-and-coming Todd Rundgren, was produced by the group themselves, and was recorded in Woodstock, NY. Highlights include "Strawberry Wine," "The Rumor," "The Shape I'm In" and the classic title track.

All 'From The Capitol Vaults' titles feature carefully replicated artwork and packaging true to their original single or gatefold jacket LP releases.

Track Listing:

1. Strawberry Wine
2. Sleeping
3. Time to Kill
4. Just Another Whistle Stop
5. All La Glory
6. The Shape I'm In
7. The W.S. Walcott Medicine Show
8. Daniel and the Sacred Harp
9. Stage Fright
10. The Rumor

Originally released at the height of Crosby, Stills, Nash And Young fame, singer/songwriter David Crosby’s 1971 solo debut If I Could Only Remember My Name is a transcendent tour de force and one of the best CSNY branch out records. Recorded in San Francisco, the LP hit #12 on Billboard’s Pop Albums chart and features the stand-out tracks “Music Is Love,” “Laughing” and “Traction In The Rain” as well as guest performances from Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Paul Kantner, Jorma Kaukonen, Joni Mitchell, Graham Nash, Gregg Rolie (Santana), Neil Young and more.

Track Listing:

1. Music Is Love
2. Cowboy Movie
3. Tamalpais High (At About 3)
4. Laughing
5. What Are Their Names
6. Traction In The Rain
7. Song With No Words (Tree With No Leaves)
8. Orleans
9. I’d Swear There Was Somebody Here

With his 1970 self-titled solo debut, Stephen Stills, like his CSN&Y bandmates, decided to explore other musical avenues. Stills offers up his trademark Southern California folk-pop sound here while incorporating the Latin, swamp and blues influences that were just beginning to emerge in his songwriting. The London session allowed Stills to finally team up with Eric Clapton on the track "Go Back Home" and Jimi Hendrix, who died prior to the album's release, is notably featured on the track "Old Times, Good Times." Other collaborators include John Sebastian, Rita Coolidge, David Crosby, Graham Nash and Cass Elliot. Features two of Stills' biggest hits with "Love the One You're With" and "Sit Yourself Down."

Track Listing:

1. Love The One You're With
2. Do For The Others
3. Church (Part Of Someone)
4. Old Times Good Times
5. Go Back Home
6. Sit Yourself Down
7. To A Flame
8. Black Queen
9. Cherokee
10. We Are Not Helpless