Format > 180 Gram Vinyl

To hear Johnny Cash’s swaggering Sun Records-era material is to marvel at one of the primal source-streams of what was fast becoming the headwaters of rock ’n’ roll. Cash’s craggy, lunchbucket vocals on gleaming original versions of songs like “Cry, Cry, Cry,” “Get Rhythm,” “Big River” and “I Walk the Line,” backed by the signature guitar style of Luther Perkins and Marshall Grant’s steady bass, are really just the tip of the iceberg corralled on this 180-gram double-LP. “Folsom Prison Blues,” “Hey Porter” and “So Doggone Lonesome”—and plenty more just as exciting—are rock-solid cornerstones of the Johnny Cash legend, an edifice that will stand as long as the pharaoh’s pyramids.

1. Hey Porter
2. Folsom Prison Blues
3. So Doggone Lonesome
4. I Walk the Line
5. Get Rhythm
6. Train of Love
7. There You Go
8. Next in Line
9. Don't Make Me Go
10. Give My Love to Rose
11. Home of the Blues
12. Ballad of a Teenage Queen
13. Big River
14. Guess Things Happen That Way
15. Come In Stranger
16. You're the Nearest Thing to Heaven
17. The Ways of a Woman in Love
18. I Just Thought You'd Like to Know
19. It's Just About Time
20. Luther Played the Boogie
21. Thanks a Lot
22. Katy Too
23. Forgot to Remember to Forget
24. Goodbye, Little Darlin', Goodbye
25. You Tell Me
26. Straight As in Love
27. I Love You Because

It took a conspiracy of record company dunces working overtime to keep the Choir from the fame they so richly deserved. Pop-masters extraordinaire, the Choir's excellence would've outdated eventually, but never told so well nor sounding so great; we're proud to have made it all possible!

I'd Rather You Leave Me
It's Cold Outside
I Only Did It 'Cause I Felt So Lonely
Don't Change Your Mind

On this, the first solo album by an ex-Byrd, Gene Clark doesn't fly too far from the nest -- Byrds' Chris Hillman and Michael Clarke make up the rhythm section, while the Gosdin Brothers chime in with sweet harmony vocals. Add guitarists Glen Campbell, Jerry Cole and future Byrd Clarence White, and some beautiful orchestration by Leon Russell to Clark's melancholy melodies and the result is a forward-looking country-rock primer that sounded like nothing else in '67 and continues to astound and inspire today. With 3 bonus tracks and liner notes courtesy Sid Griffin.

Echoes
Think I'm Gonna Feel Better
Tried So Hard
Is Yours Is Mine
Keep On Pushin'
I Found You
So You Say You Lost Your Baby
Elevator Operator
The Same One
Couldn't Believe Her
Needing Someone

BONUS TRACKS
The French Girl
Only Colombe
So You Say You Lost Your Baby (acoustic demo)

Their psychedelia run amuck with twin drummers, creamy fuzz guitar and carnival-clatter keyboards, LA’s Clear Light were a fixture on underground radio — most memorably with their heavy-on-the-paranoia “Mr. Blue.” Our reissue of their rare self-titled 1967 Elektra debut, produced by Paul Rothchild, features a non-LP bonus track (“She’s Ready To Be Free”) and liner notes that tell Clear Light’s story in full, vivid detail.

Black Roses
Sand
A Child’s Smile
Street Singer
The Ballad Of Freddie & Larry
With All In Mind
Mr. Blue
Think Again
They Who Have Nothing
How Many Days Have Passed
Night Sounds Loud

BONUS TRACK:
She’s Ready To Be Free

Yep, the loudest band in town-and we ain't kidding! Iowa's GONN spearheaded mid-America's charge into a mindbending fuzzfest with their snarling classic, "Blackout Of Gretely." Now on lethal BeatRocket 180 gram vinyl, that cut is joined by 13 of GONN's extra crunchy piledrivers circa '66-'67-with astounding fidelity from the original analog master tapes, plus rare photos, memorabilia and detailed band history. Drop the needle if you dare!

Blackout Of Gretely
Don't Need Your Lovin'
I Need You
You Can't Judge A Book (By The Cover)
Come With Me (To The Stars)
Pain In My Heart
You're Lookin' Fine
Doin' Me In
Sometimes Good Guys Don't Wear White
Death Of An Angel
You Really Got Me
In The Midnight Hour
Signed D.C.
Hey Joe

If any musical combo ever meshed perfectly with the times it was the Incredible String Band. And here’s the proof: their 1966 debut, The Incredible String Band on deep-grooved, 180-gram vinyl. The wildly eclectic Scottish folk outfit—with the airy vocals and fretboard prowess of Robin Williamson and Mike Heron as its two constants—began life resurrecting wondrous and ancient Celtic ballads, then was transformed by the perfumed winds of 1967’s psychedelic revolution to add sitar, oud, gimbri and all manner of exotic axes to its arsenal. The result is a gently mesmerizing psychedelia and anti-folk stance—consummate counterpoint to current psych heroes like Mogwai and Beachwood Sparks—that makes perfectly clear why the Incredible String Band remains just that: Incredible!

Maybe Someday
October Song
When The Music Starts To Play
Schaeffer’s Jig
Womankind
The Tree
Whistle Tune
Dandelion Blues
How Happy I Am
Empty Pocket Blues
Smoke Shovelling Song
Can’t Keep Me
Here
Good As Gone
Footsteps Of The Heron
Niggertown
Everything’s
Fine Right Now

If any musical combo ever meshed perfectly with the times it was the Incredible String Band. And here’s the proof: 1967’s The 5000 Spirits Or Layers Of The Onion on deep-grooved, 180-gram vinyl. The wildly eclectic Scottish folk outfit—with the airy vocals and fretboard prowess of Robin Williamson and Mike Heron as its two constants—began life resurrecting wondrous and ancient Celtic ballads, then was transformed by the perfumed winds of 1967’s psychedelic revolution to add sitar, oud, gimbri and all manner of exotic axes to its arsenal. The result is a gently mesmerizing psychedelia and anti-folk stance—consummate counterpoint to current psych heroes like Mogwai and Beachwood Sparks—that makes perfectly clear why the Incredible String Band remains just that: Incredible!

Chinese White
No Sleep Blues
Painting Box
The Mad Hatter’s Song
LIttle Cloud
The Eyes Of Fate
Blues For The Muse
The Hedgehog’s
Song
First Girl I Loved
You Know What You Could Be
My Name Is Death
Gently Tender
Way Back In The 1960s

If any musical combo ever meshed perfectly with the times it was the Incredible String Band. And here’s the proof: 1968’s The Hangman’s Beautiful Daughter on deep-grooved, 180-gram vinyl. The wildly eclectic Scottish folk outfit—with the airy vocals and fretboard prowess of Robin Williamson and Mike Heron as its two constants—began life resurrecting wondrous and ancient Celtic ballads, then was transformed by the perfumed winds of 1967’s psychedelic revolution to add sitar, oud, gimbri and all manner of exotic axes to its arsenal. The result is a gently mesmerizing psychedelia and anti-folk stance—consummate counterpoint to current psych heroes like Mogwai and Beachwood Sparks—that makes perfectly clear why the Incredible String Band remains just that: Incredible!

Koeeoaddi There
The Minotaur’s Song
Witches Hat
A Very
Cellular Song
Mercy I Cry City
Waltz Of The New Moon
The Water Song
Three Is A Green Crown
Swift As The Wind
Nightfall

Was this Gram Parsons-led combo the first country-rock band ever? With groundbreaking backwoods material this superb, who cares? Electrified honky-tonk laments like "Blue Eyes" and spooky little mini-epics like "Miller's Cave" give Parsons' soulful, pre-Burrito Bros. set of pipes plenty of George Jones-like elbow room here. Dim the lights, inhale the thick smoke and wallow in the loud, loud music. From the original 1968 LHI stereo masters; this is an exact repro plus the bonus track “Knee Deep In The Blues,” on vinyl for the first time ever!

Blue Eyes
I Must Be Somebody Else You've Known
A Satisfied Mind
Medley: Folsom Prison Blues–That's All Right
Knee Deep In The Blues
Miller's Cave
I Still Miss Someone
Luxury Liner
Strong Boy
Do You Know How It Feels To Be Lonesome?

In 1968, 15 year old guitarist/singer Jay Kaye trekked from Las Vegas to Vancouver, British Columbia. There, with a topnotch team of session musicians, he recorded Suddenly One Summer, a dark masterpiece of orchestral psychedelia, intended to musically represent the life and death of a man. This first-ever legitimate reissue of this ultra rare album is 180 gram vinyl, direct from the analog master tapes, and features interviews with Jay Kaye and key members of his Company.

Break Of Dawn
Fly
Little Children
Christine
Speed
Crystal Ball
Nobody
O.D.
Land Of Sensations & Delights
The Times
Magical Fingers Of Minerva
Dead

The electricity supplied by the Knickerbockers—mid-’60s America’s answer to the British Invasion—could have lit up their hometown of Bergenfield, New Jersey for a month. Here’s your own power supply: their most fantastically rockin’ material on one essential 180gm platter, with Knickerbocker knock-outs from beginning to end!

Lies
Just One Girl
I Can Do It Better
She Said Goodbye
Stick With Me
Love Is A Bird
I Love
One Track Mind
I Must Be Doing Something Right
High On Love
They Ran For Their Lives
Rumors, Gossip, Words Untrue
My Feet Are Off The Ground
Give A Little Bit

The May, 1966 debut from this legendary L.A. group bristles with energy; includes their punky hit cover of Hal David / Burt Bacharach’s “My Little Red Book” and Arthur Lee’s harrowing “Signed D.C.”

My Little Red Book
Can’t Explain
A Message To Pretty
My Flash On You
Softly To Me
No Matter What You Do
Emotions
You I’ll Be Following
Gazing
Hey Joe
Signed D.C.
Colored Balls Falling
Mushroom Clouds
And More

Their second album, from November 1966, featuring the explosive “7 And 7 Is,”a Top 40 hit in 1966 and an all-time garage-punk classic. Exact repro from the analog masters!

Stephanie Knows Who
Orange Skies
¡Que Vida!
Seven & Seven Is
The Castle
She Comes In Colors
Revelation

“...the greatest rock album ever made...” – Mojo Forever Changes has remained high atop critic’s Top 10 lists since its original 1968 release, and its influence today can be felt stronger than ever. A masterpiece of psychedelia!

Alone Again Or
A House Is Not A Motel
Andmoreagain
The Daily Planet
Old Man
The Red Telephone
Maybe The People Would Be The Time
Or Between Clark And Hilldale
Live And Let Live
The Good Humor Man He Sees
Everything Like This
Bummer In The Summer
You Set The Scene

Arthur Lee opened many eyes when he cut 1969’s uniformly wonderful Love album, Four Sail, with an entirely new supporting cast. The band’s final record for Elektra features such delights as “The Singing Cowboy,” a loping, locoweed-dusted trail ballad, “Robert Montgomery,” Lee’s assimilation of “Eleanor Rigby”-style magic, and the band’s heartfelt show-closer at the time, “I’ll Pray For You.”

August
Your Friend And Mine—Neil’s Song
I’m With You
Good Times
Singing Cowboy
Dream
Robert Montgomery
Nothing
Talking In My Sleep

From the original analog master tapes comes this exact repro of the original Elektra Best Of, with tracks from the first 4 Love albums and a non-LP single-side!

My Little Red Book
Softly To Me
Hey Joe
Signed D.C.
7 And 7 Is
Orange Skies
Your Mind And We Belong Together
She Comes In Colors
Alone Again Or
Andmoreagain
Your Friend And Mine—Neil’s Song
Good Times
You Set The Scene

Magic was in the air in 1965 when the Lovin’ Spoonful recorded their debut album, a delightful grab-bag of styles that lets you taste all of the ingredients of their patented “good time music” even as that timeless elixir was being brewed. Featuring the enduring hits “Do You Believe In Magic” and “Did You Ever Have To Make Up Your Mind,” Do You Believe In Magic makes its long-awaited reappearance on LP, bolstered by four previously unissued bonus tracks.

Do You Believe In Magic
Blues In The Bottle
Sportin’ Life
My Gal
You Baby
Fishin’ Blues
Did You Ever Have To Make Up Your Mind
Wild About My Lovin’
Other Side Of This Life
Younger Girl
On The Road Again
Night Owl Blues (complete version)

BONUS TRACKS:
Younger Girl (demo)*
Alley Oop*
Blues In The Bottle (alternate vocal)*
Wild About My Lovin’ (alternate vocal)*
*Previously Unissued

The Lovin’ Spoonful’s sophomore LP Daydream was released in the spring of 1966. By April, the single “Daydream” smashed at Number Two. Also featuring the earlier Top 10 hit “You Didn’t Have To Be So Nice” and signature songs “Jug Band Music” and “Didn’t Want To Have To Do It,” Daydream was The Spoonful’s highest charting original album. This classic makes its long-awaited LP reappearance, bolstered with four previously unissued bonus tracks.

Daydream
There She Is
It’s Not Time Now
Warm Baby
Day Blues
Let The Boy Rock And Roll
Jug Band Music
Didn’t Want To Have To Do It
You Didn’t Have To Be So Nice
Bald Headed Lena
Butchie’s Tune
Big Noise From Speonk

BONUS TRACKS:
Didn’t Want To Have To Do It (demo)*
Fishin’ Blues (alternate inst. version)*
Jug Band Music (alternate inst. version)*
Daydream (demo)*
*Previously Unissued

1966’s Hums Of The Lovin’ Spoonful glistens with chart-toppers (“Summer In The City,” “Rain On The Roof,” “Nashville Cats”) from John Sebastian and co. The Spoonful’s folk, blues, country and jug band roots meet an intensified focus on production value and experimentation to yield an enduring classic, now available on gatefold 180 gram vinyl from the original stereo masters, and bolstered by 4 previously unissued bonus tracks.

“The best, most consistent record by America’s most underrated band.” -Peter Buck, R.E.M.

Lovin' You
Bes' Friends
Voodoo In My Basement
Darlin' Companion
Henry Thomas
Full Measure
You And Me And Rain On The Roof
Coconut Grove
Nashville Cats
4 Eyes
Summer In The City

BONUS TRACKS:
Rain On The Roof (instrumental)*
Four Eyes (alternate version)*
Darlin’ Companion (demo)*
Voodoo In My Basement (Instrumental)*

*previously unissued

The MC5 give you a true testimonial, alive and uncensored, on one of the most explosive albums ever! Their revolutionary 1968 debut LP is now restored to its original gatefold glory, from the original analog masters & complete with John Sinclair's unexpurgated liner notes!

Ramblin’ Rose
Kick Out The Jams
Come Together
Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)
Borderline
Motor City Is Burning
I Want You Right Now
Starship

OK kids, it’s rockin’ time! Detroit’s MC5 kicked off the ‘70s with a bang on Back In The USA, released January 15, 1970. A roadmap for punk’s class of ‘77, the album condensed the epic, throbbing sprawl of Kick Out The Jams into the pure essence of rock & roll: machine gun blasts of pure energy and hooks, with nods to the founding fathers (Chuck Berry and Little Richard) and freshly-minted teen anthems for the ages (“Shakin’ Street,” “High School,” “Tonight,” “Teenage Lust,” etc., etc.).

Tutti-Frutti
Tonight
Teenage Lust
Let Me Try
Looking At You
High School
Call Me Animal
The American Ruse
Shakin’ Street
The Human Being Lawnmower
Back In The USA

The MC5’s ferocious third and final album, from July 1971, High Time is also their most fully realized studio creation, and finds the band rampaging through a classic set of songs which revel in the dynamic Guitar Army assault of Wayne Kramer and Fred “Sonic” Smith, the powerhouse rhythm section of bassist Michael Davis and drummer Dennis Thompson, and the insightful/inciteful vocals and lyrics of Rob Tyner. Original gatefold art and liners faithfully repro’d!

Sister Anne
Baby Won’t Ya
Miss X
Gotta Keep Movin’
Future/Now
Poison
Over And Over
Skunk (Sonicly Speaking)

Blistering rockers with wispy melodies, Buddhist chants with wild-eyed psychedelic anthems: all part of the unique acid-folk vision of LA's Music Emporium, led by keyboard virtuoso/singer Bill "Casey" Cosby. For this first ever legitimate reissue of their supremely rare 1969 album--now on CD and 180 gram vinyl (with original die-cut, gatefold cover faithfully reproduced!)--we've purchased the original masters, interviewed the band, found never-before-seen snapshots, and added five cool bonus tracks (2/LP)!

Nam Myo Renge Kyo
Velvet Sunsets
Prelude
Catatonic Variations
Times Like This
Gentle Thursday
Winds Have Changed
Cage
Sun Never Shines
Day Of Wrath

BONUS TRACKS:
Nam Myo Renge Kyo (instrumental) *
Gentle Thursday (instrumental) *

* Previously Unissued

With a deeply resonant voice that exuded a hundred things at once—pain, joy, weariness and decades ofexperience—Fred Neil created a small body of work that covered the world like paint. No one from the vibrant early '60s Greenwich Village folk scene had more staying power than this legendary recluse. Neil's 1964 debut, Bleecker And MacDougal, captures the great man at the apex of his talents. Exact repro on 180 gram vinyl, from the original analog masters!

Bleecker And MacDougal
Blues On The Ceiling
Sweet Mama
Little Bit Of Rain
Country Boy
Other Side To This Life
Mississippi Train
Travelin' Shoes
The Water is Wide
Yonder Comes The Blues
Candy Man
Handful Of Gimme
Gone Again

One of the most essential garage elpees ever, loaded with the trademark harmonies, Leslie-fied guitar licks, and hypnotizing combo organ of Chicago’s NC6. The 180 gram vinyl edition is an exact repro of their ultra-rare ‘66 debut. Unstoppably brilliant!

1. I Confess
2. A Heart Is Made Of Many Things
3. Don’t You Think It’s Time You Stopped Your Cryin’
4. Last Nite
5. I And You
6. At The River’s Edge
7. I Lie Awake
8. Dawn Is Breaking
9. The Time Of The Year Is Sunset
10. Mister You’re A Better Man Than I
11. Some People Think I’m A Playboy
12. Sloopy

Van Dyke Parks’ visionary 1968 debut, Song Cycle, rose phoenix-like from the ashes of his fabled Smile collaboration with Brian Wilson. Parks’ breathtaking high-wire act fused the pop genius of Phil Spector, Stephen Sondheim’s Broadway vertigo and the orchestral flare of American composer Charles Ives and made it wholly his own. Our definitive pressing of this landmark Warner Bros. album is sourced from the original analog master, and pressed on audiophile 180 gm vinyl.

1. Vine Street
2. Palm Desert
3. Widow’s Walk
4. Laurel Canyon Blvd.
5. The All Golden
6. Van Dyke Parks
7. Public Domain
8. Donovan’s Colours
9. The Attic
10. Laurel Canyon Blvd.
11. By The People
12. Pot Pourri

Following the breathtaking high-wire act of Song Cycle, Van Dyke Parks turned his kaleidoscopic gaze to the 1940’s martini-and-rhumba world of Hemingway’s Caribbean sojourn with 1972's Discover America. Our definitive pressing of this landmark Warner Bros. album is sourced from the original analog master, and pressed on audiophile 180 gm vinyl.

1. Jack Palance
2. Introduction
3. Bing Crosby
4. Steelband Music
5. The Four Mills Brothers
6. Be Careful
7. John Jones
8. FDR In Trinidad
9. Sweet Trinidad
10. Occapella
11. Sailin’ Shoes
12. Riverboat
13. Ode To Tobago
14. Your Own Comes First
15. G-Man Hoover
16. Stars and Stripes Forever

From his Motor City days with the band first known as the Psychedelic Stooges, or glamming it up with Reed and Bowie, or the occasional binge of onstage self-mutilation, Iggy Pop has always done what he damn well pleases. Fortunately, in today's street parlance: "It's all good." Here is a razor-sharp, wiry classic from the Ig's mighty Arista period, recorded at the height of the punk/new wave era. Aided by the likes of ex-Stooges Scott Thurston and James Williamson, former Sex Pistol Glen Matlock and Patti Smith group alum Ivan Kral, Iggy shows all the pretenders how it's done on this cutting-edge platter–on primal-scream 180-gram vinyl.

Tell Me A Story
New Values
Girls
I'm Bored
Don't Look Down
The Endless Sea
Five Foot One
How Da Ya Fix A Broken Part
Angel
Curiosity
African Man
Billy Is A Runaway

From his Motor City days with the band first known as the Psychedelic Stooges, or glamming it up with Reed and Bowie, or the occasional binge of onstage self-mutilation, Iggy Pop has always done what he damn well pleases.

Loco Mosquito
Ambition
Knocking' 'Em Down In The City
Play It Safe
Get Up And Get Out
Mr. Dynamite
Dog Food
I Need More
Take Care Of Me
I'm A Conservative
I Snub You

After waxing several singles for Epic, the Remains cut this audition tape for Capitol in '66, resulting in a pounding set of covers (plus their own Why Do I Cry, for good measure), the high energy likes of which have never been duplicated.

Hang On Sloopy*
All Day And All Of The Night*
Why Do I Cry*
Like A Rolling Stone*
Johnny B. Goode*
I'm A Man*
Gonna Move*
Walkin' The Dog**
Ain't That Her (demo)**
When I Want To Know (demo)**
Why Do I Cry (demo)**
Say You're Sorry (demo)**
All Good Things (demo)**

*previously unissued in the U.S.
**previously unissued

The Remains’ original Epic-label platter ranks as one of the two or three best U.S. garage albums of all-time. But this Beantown bruiser doesn’t make it so much on ‘66 snarl or fuzztone. Instead, Barry and his boys deliver a one-two of intricate Beatleriffic vocals and super-muscular musicianship (from the aggravated assault of drummers Chip Damiani and ND Smart, to the percussive, distorto piano of William Briggs, to the all powerful, punishing frontline of guitarist-lead screamer Barry Tashian and bassist Vern Miller). Don’t be duped like the Class of ‘66 into thinking the green-tone Epic sleeve don’t house the holy grail, ‘cause it’s all in these grooves.

Featuring Taj Mahal, Ry Cooder, Jesse Lee Kincaid, Kevin Kelley, and Gary Marker, the Rising Sons added an earthy dose of rural country blues to the fast-evolving rock scene of the mid-'60s. Though this Los Angeles-based group led a storied existence between 1964-1966 and were well-known for their live performances—admirers included Bob Dylan, Mick Jagger, Keith Richards, Mark Lindsay, and David Crosby—their debut album, produced by Terry Melcher of Byrds fame, languished unissued in the Columbia vaults.

To set matters right, we’ve rounded up a dozen long-lost Rising Sons tracks and dressed them up in a pair of pristine, previously unpublished full color photos to present the Rising Sons’ self-titled debut LP as it might have looked and sounded had it appeared in 1966!

Statesboro Blues
Take A Giant Step
2:10 Train
If the River Was Whiskey (Divin' Duck Blues)
11th Street Overcrossing
Candy Man
.44 Blues
The Devil's Got My Woman
By And By (Poor Me)
Walkin' Down The Line
Let The Good Times Roll
I Got A Little

Motor City legends Mitch Ryder and the Detroit Wheels set unsurpassed standards for balls-out American white-boy R&B, influencing rockers from the MC5 to Springsteen. Under the aegis of crack producer Bob Crewe, the Wheels shot to fame, propelled by Ryder's sweat-soaked soulful vocals, the piercing, mile-a-minute guitar sting of Jim McCarty, and the piledriver drum attack of Johnny Bee. Sundazed presents the 180 gram vinyl debut of their second album, 1966's Breakout...!!!, in galvanizing mono from the absolute original analog master tape, with original album artwork and liner notes faithfully reproduced and an ultra-rare bonus track!

1. Walking The Dog
2. I Had It Made
3. In The Midnight Hour
4. Oo Papa Doo
5. I Like It Like That
6. Any Day Now
7. Little Latin Lupe Lu
8. Devil With A Blue Dress On
9. Shakin’ With Linda
10. Stubborn Kind Of Fellow
11. You Get Your Kicks
12. I Need Help
13.Breakout

Motor City legends Mitch Ryder and the Detroit Wheels set unsurpassed standards for balls-out American white-boy R&B. Under the aegis of crack producer Bob Crewe, the Wheels shot to fame, propelled by Ryder's sweat-soaked soulful vocals, the piercing, mile-a-minute guitar sting of Jim McCarty, and the piledriver drum attack of Johnny Bee. Attacking rock and R&B with a startling, head-on frenzy, the group created a rock-n-soul dynasty still without equal.

Sundazed presents the 180 gram vinyl debut of 1967's Sock It To Me! in galvanizing mono, with the classic original album artwork faithfully reproduced!

1. Sock It To Me - Baby
2. I Can’t Hide It
3. Takin’ All I Can Get
4. Slow Fizz (Instrumental)
5. Walk On By
6. I Never Had It Better
7. Shakedown
8. A Face In The Crowd
9. I’d Rather Go To Jail
10. Wild Child

Motor City legends Mitch Ryder and the Detroit Wheels set unsurpassed standards for balls-out American white-boy R&B. Under the aegis of crack producer Bob Crewe, the Wheels shot to fame, propelled by Ryder's sweat-soaked soulful vocals, the piercing, mile-a-minute guitar sting of Jim McCarty, and the piledriver drum attack of Johnny Bee. Attacking rock and R&B with a startling, head-on frenzy, the group created a rock-n-soul dynasty still without equal.

Sundazed presents the 180 gram vinyl debut of 1966's Take A Ride... galvanizing mono, with the classic original album artwork faithfully reproduced!

“These original mono mixes best capture the band's energy and essence.” –Jim McCarty, The Detroit Wheels

1. Shake A Tail Feather
2. Come See About Me
3. Let Your Lovelight Shine
4. Just A Little Bit
5. I Hope
6. Jenny Take A Ride
7. Please, Please, Please
8. I’ll Go Crazy
9. I Got You
10. Sticks And Stones
11. Bring It On Home To Me
12. Baby Jane (Mo-Mo Jane)

It's only natural that the home of the hip-shakin', harmonica-blowin' blues would produce the finest garage-blues band in history. Hear the Shadows of Knight rock Chicago in this live, circa-1966 recording that's ours alone!

I Got My Mojo Working
Oh Yeah
Tomorrow's Gonna Be Another Day
It Takes A Long Time Comin'
Let It Rock
Hey Joe
Gospel Zone
Got To Get You Off My Mind
Everybody Needs Somebody To Love
Don't Fight It
Spoonful
Dark Side
Gloria

Here is the first of the Shadow's two Dunwich longplayers from 1966, available from the original masters for the first time in over three decades!! With their debut album, Gloria, the Shadows of Knight bastardized the blues into a new form; they invented supersonic-tempo'd blues-punk!! Including the chart-stomping smash "Gloria" - plus, dig the wildness as they pulverize "I Got My Mojo Working" and the wigged-out "I Just Want To Make Love To You," then take it one extreme step further with totally tough originals like "Light Bulb Blues". Available on luscious 180 gram virgin vinyl!

Gloria
Light Bulb Blues
I Got My Mojo Working
Dark Side / Boom Boom
Let It Rock
Oh Yeah
It Always Happens That Way
You Can't Judge A Book (By The Cover)
(I'm Your) Hoochie Coochie Man
I Just Want To Make Love To You

Here is the second of the Shadow's two Dunwich longplayers from 1966, available from the original masters for the first time in over three decades!! Back Door Men is a wild ride! From barbed-wire-toned-electric-threats ("I'll Make You Sorry") to Bo Diddley-ripped-on-acid R&B ("Gospel Zone"), not to mention fab folk-rock diversions, this platter kills. This release features bonus tracks, original sleeve art genius, rare photos and additional notes and interviews. Available on luscious 180 gram virgin vinyl!

Bad Little Woman
Gospel Zone
The Behemoth
Three For Love
Hey Joe
I'll Make You Sorry
Peepin' And Hidin'
Tomorrow's Going To Be Another Day
New York Bullseye
High Blood Pressure
Spoonful

BonusTracks:
Gospel Zone (single vers.)
Willie Jean (single)
I'm Gonna Make You Mine (single)

Sundazed is ecstatic to be able to reissue Spence's cult classic with original track listing, liner notes and photos intact. Spence-a founding member of seminal San Fran skullbenders Moby Grape-cut his only solo work in Nashville immediately after being released from New York's Bellevue Hospital late in 1968. Unavailable on the collector's market these days at any price, Oar vanished without a trace when first released in 1969. Frequently compared to the likes of Syd Barrett and Nick Drake, Spence's visionary work walks the tightrope between reality and delusion and remains a national treasure.

1. Little Hands
2. Cripple Creek
3. Diana
4. Margaret - Tiger Rug
5. Weighted Down
6. War In Peace
7. Broken Heart
8. All Come To Meet Her
9. Books Of Moses
10. Dixie Peach Promenade (Yin for Yang)
11. Lawrence Of Euphoria
12. Grey / Afro

Spirit wrote the book on the sound they created: a potent synthesis of high-voltage rock, folk, jazz, blues and avant garde electronica. The groundbreaking Los Angeles quintet hit their stride with The Family That Plays Together, whose mega-hit “I Got A Line On You” practically defined underground FM radio in 1968. Spirit’s 1969 album Clear found them polishing their art to a fine sheen with dusky jewels like “Dark Eyed Woman and “So Little Time To Fly.” Sundazed is knocked-out to present perfect recreations (including Family’s striking gatefold sleeve) of both LPs on pristine 180-gram vinyl, from the absolute master tapes.

I Got A Line On You
It Shall Be
Poor Richard
Silky Sam
The Drunkard
Darlin’ If
All The Same
Jewish
Dream Within A Dream
She Smiled
Aren’t You Glad

A potent synthesis of high-voltage rock, jazz, blues and avant garde electronica. Presented here is the group's '67 debut LP in its ultra-rare mono mix along with The Family That Plays Together, whose mega-hit ?I Got a Line on You? practically defined underground FM radio in 1968. Recorded during sessions circa '67-'70, most of the 20 incredible tracks on Now or Anywhere and Eventide were unissued at the time and both include new interviews with the surviving members.

Fresh Garbage
Uncle Jack
Mechanical World
Taurus
Girl in Your Eye
Straight Arrow
Topanga Windows
Gramophone Man
Water Woman
Great Canyon Fire in General
Elijah

Led by the one and only Iggy Pop, rock ‘n’ roll’s original untamed boy, the Stooges erupted from Detroit like a napalm firestorm whose earthshaking repercussions are still being felt today. Pop’s impassioned, whooping vocals and Ron Asheton’s lava-spewing guitar on timeless classics like “1969,” “No Fun” and “I Wanna Be Your Dog” assured their 1969 self-titled debut a place in history. Exact album repro, on 180 gram vinyl, from the absolute original analog master tapes!

1969
I Wanna Be Your Dog
We Will Fall
No Fun
Real Cool Time
Ann
Not Right
Little Doll

The Stooges managed the impossible with 1970’s Fun House, their second Elektra album: they dove even deeper into the chaotic depths to create a riveting, sonic assault that has yet to be equaled. Volcanic workouts like “1970,” “Down On The Street” and “T.V. Eye” confirmed the Stooges date with destiny. Now available on 180-gram vinyl — from the absolute original analog master tapes — Fun House lets you ride shotgun with these runaway sons of the nuclear A-Bomb.

Down On The Street
Loose
T.V. Eye
Dirt
1970
Fun House
L.A. Blues

You'd think they'd be worried sick about getting sand in their sax, but you'd be wrong. The carefree Tornadoes didn't give a rat's ass about anything but surfin' and baggin' beavers. And the world became a better place for their callous indifference to fine brass plating.

Bustin' Surfboards
The Inebriated Surfer
Moon Dawg
The Tornado
The Gremmie
Bumble Bee Stomp
Summertime
Vaquero
Old Shep
Shootin' Beavers
Johnny B. Goode
Maleguena
The Gremmie-Pt. 2*
Beyond The Surf*
Charge Of The Tornadoes (prev.unissued)*

*bonus tracks

Elektra released What’s Shakin’ in 1966—a smoking, various-artists foretaste of breakthroughs to come. Ultra-rare tracks by the Lovin’ Spoonful rub shoulders with searing numbers by the Paul Butterfield Blues Band, Eric Clapton (wtih Steve Winwood), the Blues Project’s Al Kooper, and fabled Boston folkie Tom Rush. Available as a 180-gram vinyl replica of the ultra-rare LP, the album also includes a repro of the original liner note/photos insert.

LOVIN' SPOONFUL: Good Time Music
LOVIN' SPOONFUL: Almost Grown
PAUL BUTTERFIELD BLUES BAND: Spoonful
PAUL BUTTERFIELD BLUES BAND: Off The Wall
AL KOOPER: Can't Keep From Crying Sometimes
ERIC CLAPTON & THE POWERHOUSE: I Want To Know
ERIC CLAPTON & THE POWERHOUSE: Crossroads
PAUL BUTTERFIELD BLUES BAND: Lovin' Cup
PAUL BUTTERFIELD BLUES BAND: Good Morning Little Schoolgirl
ERIC CLAPTON & THE POWERHOUSE: Steppin' Out
TOM RUSH: I'm In Love Again
LOVIN' SPOONFUL: Don't Bank On It Baby
LOVIN' SPOONFUL: Searchin'
PAUL BUTTERFIELD BLUES BAND: One More Mile

The crunching, smack-in-your-face power chords driving hard rock’s thundering heart can be traced directly back to Link Wray.

His pulverizing sound forged a new path for rock ‘n’ roll guitar, and he was never more lethal than during his 1963-1967 tenure at Philadelphia-based Swan Records.

Link unleashed some of the nastiest licks of his phenomenal recording career on the mighty Swan seven-inchers, all of which are corralled on this Sundazed double 180gm gatefold edition, in crunchily accurate sound courtesy of the original mono master tapes!

Jack The Ripper
The Black Widow
Week End
Turnpike U.S.A.
The Sweeper
Run Chicken Run
The Shadow Knows
My Alberta
Deuces Wild
Summer Dream
Good Rockin’ Tonight
I’ll Do Anything For You
Branded
Hang On
Please Please Me
Rumble ‘65
Girl From The North Country
You
Hurt Me So
The Fuzz
Ace Of Spades
Batman Theme
Alone
Ace Of Spades
Hidden Charms
Let The Good Times Roll
Soul Train

With his rawboned and ravaged instrumentals from the early ’60s, Link Wray single-handedly made the guitar the ultimately cool instrument of choice for a whole new generation. Wielding a Danelectro Longhorn, Link Wray—who created the blueprint for everyone from the Kingsmen to the Cramps with his flame-throwing sound—proceeded to outdo himself with this rare LP from 1963, now corralled on this exact-repro, Sundazed 180-gram edition, in crunchily perfect sound courtesy of the original Swan mono master tapes!

1. Mr. Guitar
2. My Beth
3. Deacon Jones
4. Steel Trap
5. Cross Ties
6. Jack The Ripper
7. Fat Back
8. Run Chicken Run
9. Dinosaur
10. Big Ben
11. Mash Potato Party
12. Rumble

From the opening “One, Two, Three” of their debut 1966 smash “Good Lovin’,” The Young Rascals were the hottest, most dynamic rock group New York had ever seen. The runaway train of chart-topping singles that followed—“I've Been Lonely Too Long,” “Groovin’,” “A Girl Like You,” “How Can I Be Sure,” “A Beautiful Morning”—and the four albums they came from, permanently retired the blue-eyed soul trophy. Here they are again in all their Buster Brown-collared, soulful glory: The Young Rascals, Collections, Groovin’ and Once Upon A Dream—exact replicas of the highly collectible original LPs, each one in hefty 180-gram vinyl and mastered from the vintage analog tapes. Groovin’ to the Rascals on vinyl? It's Wonderful.

Slow Down
Baby Let’s Wait
Just A Little
I Believe
Do You Feel It
Good Lovin’
Like A Rolling Stone
Mustang Sally
I Ain’t Gonna Eat Out My Heart Anymore
In The Midnight Hour

From the opening “One, Two, Three” of their debut 1966 smash “Good Lovin’,” The Young Rascals were the hottest, most dynamic rock group New York had ever seen. The runaway train of chart-topping singles that followed—“I've Been Lonely Too Long,” “Groovin’,” “A Girl Like You,” “How Can I Be Sure,” “A Beautiful Morning”—and the four albums they came from, permanently retired the blue-eyed soul trophy. Here they are again in all their Buster Brown-collared, soulful glory: The Young Rascals, Collections, Groovin’ and Once Upon A Dream—exact replicas of the highly collectible original LPs, each one in hefty 180-gram vinyl and mastered from the vintage analog tapes. Groovin’ to the Rascals on vinyl? It's Wonderful.

What Is The Reason
Since I Fell For You
I’ve Been Lonely Too Long
No Love To Give
Medley: Mickey's Monkey-Love Lights
Come On Up
Too Many Fish In The Sea
More
Nineteen Fifty-Six
Love Is A Beautiful Thing
Land Of 1000 Dances

From the opening “One, Two, Three” of their debut 1966 smash “Good Lovin’,” The Young Rascals were the hottest, most dynamic rock group New York had ever seen. The runaway train of chart-topping singles that followed—“I've Been Lonely Too Long,” “Groovin’,” “A Girl Like You,” “How Can I Be Sure,” “A Beautiful Morning”—and the four albums they came from, permanently retired the blue-eyed soul trophy. Here they are again in all their Buster Brown-collared, soulful glory: The Young Rascals, Collections, Groovin’ and Once Upon A Dream—exact replicas of the highly collectible original LPs, each one in hefty 180-gram vinyl and mastered from the vintage analog tapes. Groovin’ to the Rascals on vinyl? It's Wonderful.

A Girl Like You
Find Somebody
I’m So Happy Now
Sueno
How Can I Be Sure
Groovin’
If You Knew
I Don’t Love You Anymore
You Better Run
A Place In The Sun
It’s Love

From the opening “One, Two, Three” of their debut 1966 smash “Good Lovin’,” The Young Rascals were the hottest, most dynamic rock group New York had ever seen. The runaway train of chart-topping singles that followed—“I've Been Lonely Too Long,” “Groovin’,” “A Girl Like You,” “How Can I Be Sure,” “A Beautiful Morning”—and the four albums they came from, permanently retired the blue-eyed soul trophy. Here they are again in all their Buster Brown-collared, soulful glory: The Young Rascals, Collections, Groovin’ and Once Upon A Dream—exact replicas of the highly collectible original LPs, each one in hefty 180-gram vinyl and mastered from the vintage analog tapes. Groovin’ to the Rascals on vinyl? It's Wonderful.

Easy Rollin’
Rainy Day
Please Love Me
It’s Wonderful
I’m Gonna Love You
My Hawaii
My World
Silly Girl
Singin’ The Blues Too Long
Sattva
Finale: One Upon A Dream

A Beau Brummels bonanza! San Francisco’s Beau Brummels cut a staggering amount of stellar material for Autumn Records. It made no difference whether they were demo reels or full-on band sessions: all are jammed with stunningly fine originals. We’ve assembled 14 of our favorites—most of which have never before appeared on LP—to create North Beach Legends.

Just A Little (alternate version)
Sometime At Night (alternate vocal)
I’ll Tell You
When It Comes To Your Love (alternate version)
Sad Little Girl (first version)
Fine With Me
Love Is Just A Game (demo)
Laugh Laugh (alternate version)
Woman (alternate instrumental version)
Dream On
It’s So Nice (demo)
Still In Love With You Baby (first version)
Tomorrow Is Another Day (demo)
Pity The Fool (demo)

When the doors of Autumn Records were padlocked for good in 1966, the Beau Brummels were in the midst of recording their third album. With input from the band members, we’ve assembled what remains of this lost masterpiece to place Gentle Wanderin’ Ways in its rightful niche alongside Introducing The Beau Brummels and Volume 2.

She Sends Me
This Is Love
Friend Of Mine (Ron Elliott demo)
Hey Love
I Grow Old (second version)
On The Road Again (Sal Valentino demo)
Till The Day (Ron Elliott demo)
Gentle Wanderin’ Ways
Let Me In
Cry Some
What Do You Want (Ron Elliott demo)
Find A Place (Sal Valentino demo)
Down On Me
Stay With Me A While (Sal Valentino demo)

Ignition finds the Music Machine, single-black-gloved and snarling, back in the garage, inhaling too much exhaust and exhaling these 19 tracks (14 tracks on 180-gram LP), exhumed with intensity intact. This long-awaited third Music Machine album features rare tracks-12 previously unheard-ranging from their pre-"Talk Talk" demos from 1965 as the Ragamuffins to their final 1969 experimental recordings. Includes track annotations by group leader Sean Bonniwell and Music Machine expert Mike Stax.

Everything Is Everything
Two Much*
Advise And Consent
Black Snow
Chances*
Mother Nature,-Father Earth
Talk Me Down*
Dark White
Push Don't Pull*
Unca Tinka Ty*
1 Citizen Fear*
Worry (vocal)*
Tell Me What Ya Got*
902*

*previously unissued

By day, prolific ‘60s power-surf guitarist Jerry Cole sprayed his reverbed thunder with The Spacemen on killer LPs for Capitol Records. By night, however, Cole recorded dozens of albums for budget labels under an army of aliases. Wild Strings! combines 9 power-strokin' tracks from the Spacemen sessions with 7 lethal sides from Cole's budget-label recordings--on hefty 180-gram vinyl.

Pipeline
Border Run
Papa-Oom-Mow-Mow
Hot Rod Queen
Pokey
No More Hanky Panky
Long Gone
Cops And Rodders
Wipe Out
Jerry’s Jump
Ride-um!
Mr. Wobble Wheels
.007 Rides Again
Really Got It Bad
Groovy Night
Hold On

Led by no-nonsense, all-purpose, guitar-totin' Char Vinnedge, the Luv'd Ones - an all-girl, fuzzed-out garage update of the Shangri-Las - were light years ahead of their time. Here's everything these butt-kicking Michigan trailblazing cuties cut in the '60s for the legendary Dunwich label, rare single sides, unissued tracks, demos and more in their long-overdue debut album.

Up Down Sue
Yeah, I'm Feelin' Fine
Dance Kid Dance
Stand Tall
I'm Leaving You
Walkin' The Dog
Come Back
He Cried*
Scratchy*
Truth Gotta Stand* (demo)
The Memory Of It All* (demo)
Walk Me To The Door* (demo)
Your Mind Is* (demo)
Please Get Up*

*previously unissued

Joe Puma romps through a 1957 set of standards on Wild Kitten with Oscar Pettiford and others. We tracked down the vintage Dawn master tapes and are reissuing it on LP gems in lush 180-gram vinyl.

1.Rose Room
2. Polka Dots And Moonbeams
3. Rigamarole
4. Sportin’ With Morton
5. Wild Kitten
6. Soon
7. But Not For Me
8. Rosalie Ann

Jimmy Raney, revered since his soaring early fretboard work with Stan Getz, flies high on Jimmy Raney Visits Paris. We tracked down the vintage Dawn master tapes and are reissuing it on LP gems in lush 180-gram vinyl.

1. Tres Chouette
2. Imagination
3. Dinah
4. Love For Sale
5. Have You Met Miss Jones
6. What’s New
7. Fascinating Rhythm
8. Too Marvelous For Words
9. Cherokee
10. Everything Happens To Me
11. Night And Day
12. Someone To Watch Over Me

Spirit tempered its ravenous passion for jazz, high voltage rock, folk, blues and avant garde electronics, hammered it like a slab of hot steel and shaped a glistering original sound that no one’s ever been able to duplicate. It’s a good thing this eclectically brilliant Los Angeles combo--Jay Ferguson, Randy California, John Locke, Mark Andes and Ed “Cass” Cassidy--always cut more material than it could use on its albums. Enthusiastically endorsed by the four surviving members of Spirit (all of whom were interviewed for the liner notes), Now or Anywhere, emphasizes the moody and the ethereal, and smolders like phosphorous.

Veruska
Free Spirit
If I Had A Woman
Elijah (alternate take)
Fog
So Little To Say
Mellow Fellow
Now Or Anywhere
Space Chile (early version)

Spirit tempered its ravenous passion for jazz, high voltage rock, folk, blues and avant garde electronics, hammered it like a slab of hot steel and shaped a glistering original sound that no one’s ever been able to duplicate. It’s a good thing this eclectically brilliant Los Angeles combo--Jay Ferguson, Randy California, John Locke, Mark Andes and Ed “Cass” Cassidy--always cut more material than it could use on its albums. Enthusiastically endorsed by the four surviving members of Spirit (all of whom were interviewed for the liner notes), Eventide, emphasizes the moody and the ethereal, and smolders like phosphorous.

Eventide
Green Gorilla
Sherozode
The Moving Van (Model Shop Main Theme)
Model Shop Rehearsal Theme 1
Model Shop- Rehearsal Theme 2
Corral
Fuller Brush Man
Sweet Stella Baby
Rougher Road
Red Light Roll On
Radio Spot 1
Radio Spot 2