LP Outlet Vinyl Records

The band was a vehicle for the prodigious talents of Bob Mosley (lead vocals, bass guitar) and Chris Darrow (lead vocals, guitar).

Mosley had been an integral member of Moby Grape, one of the greatest California bands of the late 60s. A quintet comprising five talented musicians who not could play like demons, but were also equally skilled as singers and songwriters - joining Bob, were guitarists Peter Lewis and Skip Spence, Jerry Miller on lead guitar and Don Stevenson on drums. After a superb but sadly over-hyped debut LP that captured better than most the brief psychedelic glory of the Haight Ashbury era (and is now rightly regarded as a classic), they had spectacularly blown apart during the making of their sophomore set WOW, which saw the exit of the visionary Spence. Regrouping in its aftermath as a quartet, they had released the undervalued 69 which saw them mining a more country vein, but following a tour of Europe Mosley quit and in a surprise move briefly joined the US marines!

In 1971 the original members got back together to record the excellent 20 Granite Creek which opened in fine style with Bob's classic,'Gypsy Wedding' - sadly the reunion was brief with all the old wounds and rivalries soon stymiing any chance of recapturing any former glories and Mose quit again releasing a fine debut solo LP on Reprise.

Darrow had been a founding member of the wildly exotic Kaleidoscope, the hugely talented Claremont-based quintet that subsequently has been recognised as one of the first rock groups to play 'world music' - an outfit that blended many different styles from pyschedelic rock, blues and folk with country, cajun, turkish and cab calloway flavours. Chris played guitar, fiddle, bass and mandolin in a combo of multi-instrumentalists, that also featured the likes of soloman feldthouse and david lindley.

Chris quit Kaleidoscope after their second LP, A Beacon From Mars and joined the Nitty Gritty Dirt Band just in time to appear in the musical Western Paint Your Wagon with Lee Marvin and Clint Eastwood. He then formed the Corvettes who backed up Linda Ronstadt.. As well as playing in these bands and releasing a series of fine solo albums, Chris had also made a name for himself as a sideman for the likes of Leonard Cohen and John Fahey.

In 1973 both Chris and Bob decided they wanted to be in a band again and their mutual manager Michael O'Connor suggested they form a group together - drawing on the energy and style of vintage Stones and Faces and adding more than a dash of the prevalent SoCal country rock scene to the mix, Bob and Chris were joined by lead guitarist Frank Reckard (subsequently in Emmylou Harris's Band for 14 years), keyboard player Loren Newkirk and drummer Johnny Craviotto (Ry Cooder, Arlo Guthrie, Buffy St Marie) - they cut 3 songs to try and get Warner Bros interested. Sadly Warner passed on the demos and they have lain unheard till now - the A-side, 'Albuquerque rainbow' is a crunchy rocker featuring Darrow on lead vocals and originally debuted on his eponymous second album done for UA. The flipside has Bob Mosley as lead vocalist - a treat for all those who already know what a masterful singer this norse god can be - first up is a soulful, smouldering version of the Temptations' 'i wish it would rain' that also boasts some dexterous picking from Reckard. the EP closes with a new version of Bob's exquisite 'Beautiful Day' originally done for the Grape's 69 record.

The band split soon after but these recordings are an integral link in the chain that binds Moby Grape with Fine Wine and the Ducks (Neil Young's legendary summer of 77 Santa Cruz bar band)- Darrow would go on to record a series of excellent solo albums and participate in a couple of Kaleidoscope reunions. Bob and John Craviotta would hook up with Jerry Miller for Fine Wine and then form the rhythm section of the aforementioned Ducks.

Track Listing:
1. Albuquerque Rainbow
2. I Wish It Would Rain
3. Beautiful Day

Venom formed in late 1979 in Newcastle upon Tyne, England. Coming to prominence towards the end of the 'New Wave of British Heavy Metal,' Venom are widely regarded as highly influential, particularly for their first two albums, Welcome To Hell (1981) and Black Metal (1982). The title of Venom's second album would become influential and definitive enough to describe an entire subgenre called black metal, a category under which the band is most commonly referred.

Track Listing:
1. Straight To Hell
2. The Power And The Glory
3. Hand Of God
4. Fall From Grace
5. Hell
6. Evil Perfection
7. Stab U In The Back
8. Armageddon
9. Kill The Music
10. Evilution Devilution
11. Blood Sky
12. USA for Satan
13. Dirge / The Awakening

In the summer of 1987, Yarber moved to Memphis, Tennessee, to play music with his cousin. Yarber and his cousin played together using a number of band names, eventually releasing a new-wave 7 under the name, The End. The tracks You Never Called and People Talk were recorded at Phillips Studio in Memphis, Tennessee. That vinyl single marked Yarber's first appearance on record. By 1989 the two had diverged musically and Yarber's cousin left town, effectively ending their partnership.

Following the breakup of The End, Yarber's encounter with fellow musician Greg Cartwright led to the formation of the Compulsive Gamblers. Desptie recording two 7 albums and a handful of home recordings, the band was unable to garner record lable interest until after he success of their next band, the Oblivians. The Oblivians formed in 1993 as as side project to the Compulsive Gamblers, and included former Gambler Greg Cartwright, as well as future Goner Records founder, Eric Friedl. The members of the Oblivians all shared writing and recording responsibilities. Each member supplied vocals, guitar work, and percussion on albums and switched between instruments during live shows. The Oblivians lasted from 1993 until 1998, at which time Yarber and Cartwright left the band to reform the Compulsive Gamblers. The second incarnation of the Gamblers lasted form 1998 to 2003, when the bandmembers again went seperate ways.

After pursuing a brief solo career, Yarber teamed up with Scott Bomar to form the Tearjerkers. As Bomar became more and more involved with film scoring, Yarber began to take a more active role in the band, ultimately taking over as lead songwriter after Bomar's departure. With Yarber in control of the group, the band was rechristened the Tennessee Tearjerkers. At the same time as Yarber was writing songs with the Tearjerkers, he was also contributing in various ways to a number of side projects including, the Knaughty Knights, the Limes, and South Filthy which included collaborations with longtime associates Walter Daniels and Monsieur Jeffrey Evans.
Bend In Cover.

Track Listing:
1. Flip Side Kid
2. Til the Money Runs Out
3. Dirty Nails
4. Golden Age
5. Knick the Knife
6. Hong Kong Girl
7. Chills and Fever
8. Black Boots
9. I Live For Today
10. John Holmes Blues
11. The Man Who Loved Couch Dancing
12. I Can't Find My Way Home
13. Nightowl
14. I Want you (bonus track)

BONUS TRACKS:
11. Nam Myo Renge Kyo (instrumental) *
12. Gentle Thursday (instrumental) *

* Previously Unissued

Johnson's influence was massive, touching everyone from Robert Johnson, whose seminal approach bore strong resemblance to that of his older namesake, to Elvis Presley and Jerry Lee Lewis, who each paid heartfelt tribute with versions of "Tomorrow Night" while at Sun.

Musicians:

• Lonnie Johnson (voc, g)
• Otis Spann (p)

Recording: October 1963 in Copenhagen, Denmark

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

This title is not eligible for discount.

Musicians:

• Sarah Vaughan (vocal)
• Orchestra
• Don Costa (arranger, conductor)

Recording: July 1962 in New York City
Production: Teddy Reig

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

This title is not eligible for discount.

Big Audio Dynamite begat Dreadzone and so it began with Greg Dread and Leo Williams (B.A.D.'s rhythm section) along with Tim Bran forming the band in 1992. They were baptised as 'Dreadzone;' the cultural gatekeepers of the bass line.

Respecting the past and embracing the future these brothers were dealing with the right now, creating the perfect blend somewhere between the technological and the organic. It's a sound that leaves room for the listener to put themselves in the mix and dance like nobody's watching The Roberts/Letts & Williams compositions continued the themes and parameters laid down by B.A.D.; a cinematic break beat dub regggae soundtrack that moves the head and the feet.

Basically if you're standing still at the end of this 180 grams double audiophile vinyl, you're dead!

Track Listing:

Side 1
1. Zion Youth (Dreadzone mix)
2. Little Britain (vocal version)
3. Ali Baba
4. Captain Dread (single edit)

Side 2
1. Iron Shirt
2. Digital Mastermind
3. Biological Radio (2011 Edit)
4. House of Dread

Side 3
1. Life, Love and Unity 96 (single mix)
2. Fight The Power 95 (2011 Edit)
3. Return Of The Dread
4. Gangster

Side 4
1. I Know
2. The Good, The Bad And The Dread (Part 1)
3. Different Planets
4. American Dread

This superb 1957 release from Julie Andrews features a beautiful collection of traditional and much loved songs from Britain and Ireland. Backed by superb orchestrations from the Irwin Kostal orchestra, the twenty-one year old star is in sublime form here with pitch-perfect voice, sensitive phrasing and humor in this stimulating program of songs for the ages.

Track Listing:
1. As I Went A Roaming
2. London Pride
3. The Floral Dance
4. These Precious Things
5. Where'er You Walk
6. Pedro, The Fisherman
7. Tally-Ho!
8. If My Songs Were Only Winged
9. The Lass With The Delicate Air
10. Canterbury Fair
11. To A Wild Rose
12. O The Days of the Kerry Dancing

There Is a Hell, Believe Me, I've Seen It. There Is a Heaven, Lets Keep It a Secret. is the third full-length studio album by British metalcore band Bring Me the Horizon, released on October 4, 2010 in the United Kingdom and majority of Europe, and October 5, 2010 in the United States. The album's title is an exact lyric from the first track "Crucify Me".

Track Listing:
SIDE 1
1. Crucify Me
2. Anthem
3. It Never Ends

SIDE 2
4. Fuck
5. Dont Go
6. Home Sweet Hole

SIDE 3
7. Alligator Blood
8. Visions
9. Blacklist

SIDE 4
10. Memorial
11. Blessed With A Curse
12. The Fox And The Wolf

Shore has won three Oscars for his work on The Lord of The Rings Trilogy and received dozens of further accolades for his work. He is also known for his work with Martin Scorsese (The Aviator, The Departed) and David Cronenberg (A History of Violence, Eastern Promises) and several other notable films. With talent like Shore’s and a massive fan base, The Twilight Saga: Eclipse The Score is sure to be a hit with not just fans of the film, but the score genre as well.

Track Listing:

After a triumphant worldwide tour behind It's Never Been Like That, Phoenix, comprised of Thomas Mars (vocals), Laurent 'Branco' Brancowitz (guitars), Christian Mazzalai (guitars) and Deck D'Arcy (keyboards), decided to head out to the Montmartre house of friend, Philip Zdar of Cassius, to record in his studio. From opener and first single Lisztomania, it's clear that Phoenix is light-year's beyond anything they've done before. 1901 leaps out of the speakers with its fizzy power synths, rollicking drums and anthemic chours. Fences is velvet-smooth and soulful, with shimmering keys, chugging acoustic guitars and Thomas' lovelorn croon. Closing track Armistice is coiled and sinister, ending the album with staggered keyboard notes left hanging in the balance.

Track Listing:
1. Lisztomania
2. 1901
3. Fences
4. Love Like A Sunset Pt. 1
5. Love Like A Sunset Pt. 2
6. Lasso
7. Rome
8. Countdown
9. Girlfriend
10. Armistice

1. The Simple Life
2. The Future Will Come
3. One Day
4. A New Bot
5. Tonight
6. No Time
7. Accusations
8. The Station
9. Human Disaster
10. Happy House

Limited edition double gatefold vinyl includes large scale 32-page booklet with liner notes and photographs, and a black-and-white version of the 40-page Hooper Heroes comic book.

Track Listing:
1. Prelude on the Esplanade
2. Introductorty Fanfare for the Hooper Heroes
3. Movement I-In the Countenance of Kings
4. Movement II-Sleeping Invader
5. Interlude I-Dream Sequence in Subi Circumnavigation
6. Movement III-Linear Tableau with Intersecting Surprise
7. Movement IV-Traffic Shock
8. Movement V-Self-Organizing Emergent Patterns
9. Interlude II-Subi Power Waltz
10. Interlude III-Invisible Accidents
11. Movement VI-Isorhythmic Night Dance with Interchanges
12. Movement VII (Finale)-The Emperor of Centrifuge
13. Postlude-Critical Mass

1. Song Of A Sinner - Top Drawer
2. How Great Thou Art - Sensational Saints
3. It's Not Easy - Ofege

Side Two

1. Smiling Faces Sometimes - East Of Underground
2. Forge Your Own Chains - D.R. Hooker
3. Twilight - Shin Jung Hyun
4. Hajm-E Khaali - Kourosh Yaghmaei

Side Three

1.Let Your Life Be Free - T. Zxhiew & The Johnny
2. Two To Make A Pair - The Strangers
3. Don't You Feel Me? - Damon
4. Strawberry Rain - Ellison
5. Who Can I Say You Are? - Morly Grey

Side Four

1. Don't Let It Get You Down - Shadrack Chameleon
2. Nina Nana - Ana Y Jaime
3. Somebody's Calling My Name -Baby Grandmothers

For many years, this was the holy grail among soundtrack aficionados. This release has been prepared from recently discovered master tapes with a clarity and presence that gives the late Paul Giovanni's haunting music the showcase it has so long deserved.

The Wicker Man is one of the most sought after soundtracks ever! Theis latest version is presented on limited edition colored vinyl, packaged in a lavish gatefold sleeve and includes extensive notes and stills from the movie. A luxurious package that pays homage to what is without doubt one of the most innovative and provocative British cult horror films ever produced.

Containing exclusive material from the later, longer version of the film, including the song Gently Johnny, which was not available on early LP issues. Paul Giovanni, together with Magnet, has created a mysterious and sinister world that has a life of its own nearly 30 years after the film's release. Flutes, lyres, harmonicas, and guitars, mixed in with original and traditional material makes each song totally different, summing up the atmosphere of the movie brilliantly! The Wicker Man is a stunning soundtrack, which all movie buffs and traditional British folk music fans are advised to snap up for your collection!

Track Listing:
1. Corn Rigs
2. The Landlord's Daughter
3. Gently Johnny
4. Maypole
5. Fire Leap
6. The Tinker Of Rye
7. Willow's Song
8. Procession
9. Chop Chop
10. Lullaby
11. Festival / Mirie It Is / Sumer Is A Cumen In
12. Opening Music / Loving Couples / The Ruined Church
13. The Masks / The Hobby Horse
14. Searching For Rowan
15. Appointment With The Wicker Man
16. Sunset

Man of the World was engineered by the bands steady studio partner Dave Simon-Baker and produced by none other than Jack Johnson, a longtime friend and musical collaborator. The singer/songwriter/producer was a natural fit with ALO. It felt like he joined the band for the album, drummer Dave Brogan admits. He was very hands on. If he thought he could add something to a track, he was willing to go for it. And we were more than happy to let him. For the recording, the quartet packed their bags, said goodbye to their friends and families, and headed off to Johnsons home studio on the North Shore of Oahu, Hawaii.

As they always have, they shared the songwriting and the vocal duties. Though all four members came to the studio with arrangements and parts of songs fleshed out, everything got scrambled as soon as everyone was together. There was a real workshop vibe, guitarist Lebo affirms. Arrangements were being torn apart and put back together in ways nobody could have imagined. The band had traditionally built their songs up track by track, but they abandoned that approach for a rawer, more organic, one. Songs that sprang out of the bands new recording approach span the sonic spectrum in classic ALO fashion.

Track Listing:
1. Suspended
2. States Of Friction
3. Man of the World
4. Put Away the Past
5. I Wanna Feel It
6. Big Appetite
7. Gardener's Grave
8. Time and Heat
9. The Country Electro
10. The Champ
11. I Love Music

Holly Miranda's debut full-length album, The MagicianÆs Private Library was produced by Dave Sitek at Staygold Studio in Brooklyn, NY, and includes contributions from Sitek, Kyp Malone and Jaleel Bunton (TV On The Radio), Eric Biondo and Stuart Bogie (Antibalas), and HollyÆs long-time violinist, Marques Toliver. Miranda made her official XL Recordings debut with her ôForest Green Oh Forest Greenö 7 single.

Track Listing:
1. Forest Green Oh Forest Green
2. Joints
3. Waves
4. No One Just Is
5. Slow Burn Treason
6. Sweet Dreams
7. Everytime I Go To Sleep
8. High Tide
9. Canvas
10. Sleep On Fire

After the release of such a stellar debut album, many fans and critics were left wondering if Enforcer could ever top or even equal their iconic debut album. Proving themselves more than up to the challenge, Enforcer emerged in February of 2010 with their latest masterpiece, aptly entitled Diamonds. A pure old-school heavy metal album of the highest caliber, Diamonds is Enforcer at their best. Recorded, mixed and mastered 100% analog with no triggers, samples or any other phony modern studio techniques to deliver an old-school heavy metal album the way it was intended to sound!

Track Listing:
1. Midnight Vice
2. Roll the Dice
3. Katana
4. Running in Menace
5. High Roller
6. Diamonds
7. Live for the Night
8. Nightmares
9. Walk With Me
10. Take Me to Hell

The concert was recorded in Munich on October 20, 1977, originally filmed to air on the German TV "Rockpalast" show. Repeated airings have led to numerous bootleg video and audio tapes of the show being available through the 80's and 90's. Although some fans believed that this set came from the same tour as the previously released On Stage (which was mostly culled from their 1976 Japanese tour), the performance on this release is actually from their 1977 European tour, a few months prior to the release of "Long Live Rock n' Roll", and thus features a different bass-player and keyboardist.

Track Listing:
1. Kill The King
2. Mistreated
3. Sixteenth Century Greensleeves
4. Catch The Rainbow
5. Long Live Rock 'n' Roll
6. Man On The Silver Mountain
7. Do You Close Your Eyes
8. Still I'm Sad