Best of Disco Demands Vol. 1 (Out Of Stock) by Al Kent
Best of Disco Demands Vol. 1 (Out Of Stock)
by Al Kent
Vinyl LP - 2 LPs Sealed
- Track Listing
The Disco Demands series started sometime in the early 2000s - I couldn't give you an exact year because it didn't feel like a big deal, so I never noted it. I simply wanted to put out a compilation of some records I really liked and maybe make a little of the money back I was spending on them. Buy some food and stuff.
There's always been Disco comps around of course but there was rarely anything that strayed too far from the standards.. the same songs kept appearing over and over again, or the comps would feature records you could pick up anywhere for little money. I've never seen the point in that. I gave up judging a record on its value or rarity a long time ago but surely there's more to disco than Exodus, Martin Circus, Mass Production and all those Salsoul, West End and bloody Prelude records. So it was a nice surprise to find that there were other people out there who thought the same way.
Volume 1 was pretty straightforward - just some nice records, with the only edit being an instrumental of Disco Socks; a strange, thinly veiled reference to the disco sucks movement. Then on Volume 2 I included a few of my edits and introduced the cover up concept to the disco world. That caused a bit of controversy, which of course I loved. And so it continued for five volumes.
What we have here then is the full series, give or take one or two cuts, all remastered, many re-re-edited, with lots of nice naked pictures to boot. For those who've asked since day one "will there be vinyl" I can finally say yes, you're holding it!
1. Arts & Craft - I've Been Searching
2. Executive Suite - Why In The World Do They Keep On (Funk'in With Me)
3. Sizzle - Love Is All Around
4. Silver, Platinum & Gold - Just Friends
5. Jimmy Sabater - To Be With You
6. The Peoples' Workshop - Funkathone
7. Allan Harris & Perpetual Motion - Get Ready
8. Panaché - Sweet Jazz Music
Vinyl records are able to capture the purest quality of recorded music in
true form. This is possible because the initial recording is captured on an
analog source (usually tape) for the ultimate in High Fidelity sound, it is
then pressed onto virgin vinyl. Analog recordings capture the bottom end
(or bass) while adding sweetness to the high end (or treble) better than any
digital recording ever could. Analog systems are still commonly used before
they are digitally transferred to CD. This means that the sound then is
altered in the transfer process when CD's are produced. The word fidelity
means accuracy and faithfulness. High Fidelity sound is faithful to the
original sound made by the artist, capturing maximum accuracy of what was
intended for the listener to hear. Vinyl records capture those sounds for
the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.