Beatles Vinyl | The Beatles Vinyl Records

Pressed on 180g Vinyl

Cut from the original master tapes at Abbey Road Studios!

A Hard Days Night is the 3rd studio album from The Beatles and was accompanied by a film of the same name. This album really showcases the bands Rock and Roll instrumentation and song structure and also spawned some of there most famous songs, A Hard Days Night with its pulse pounding and recognizable opening chord to the previously released "Can't Buy Me Love" .

The album is a landmark for the band seeing as how it is the first Beatles record to feature all original songs, some of which ended up on the movie of the same name. With Lennon handling most of the song writing doing a total of ten out of the thirteen tracks, this is also one of 3 albums to not feature a Ringo Lead song. The album is also considered as opening up the flood gates for more british rockers like the Rolling Stones and The Kinks, to sweep there way to the U.S.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Pressed on 180 gram Vinyl

Sourced from the original master tapes 

Cut at the legendary Abbey Road Studios!

Abbey Road is the 11th studio from The Beatles and sadly there last. It is wildly regarded as the greatest Beatles record, which is impressive seeing as how the band members were hardly functioning as a unit. A notable aspect of this last musical endeavor was the overall tightness and construction of what was and still is a masterpiece.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

3 LP set. No other band has had quite the same impact as the four lads from Liverpool. Over the course of eight years and more than a dozen albums, the Beatles changed popular music and culture forever, spearheading the 1960s British Invasion and shaping rock & roll along the way. Along with their amazing musical output and unprecedented worldwide celebrity, John, Paul, George, and Ringo were responsible for many pop music revolutions, major and minor--writing their own material, pushing the limits of the studio, making films of their music, printing song lyrics on albums--that today are taken for granted. Although the Beatles disbanded in 1970, their artistic legacy is permanently ingrained in the entire world's musical vocabulary.

Track Listing:
LP1
Speech John Lennon
That’ll be the day
In spite of all the danger
Speech Paul McCartney
Hallelujah I lover her so
You’ll be mine, Cayenne
Speech Paul McCartney
My Bonnie
Ain’t she sweet
Cry for a shadow
Speech John Lennon
Speech Brian Epstein
Searchin’
Three cool cats
The shiek of Araby
Like dreamers do
Hello little girl
Speech Brian Epstein
Besame mucho
Love me do
How do you do it
Please please me

LP2
One after 909(Sequence)
One after 909(Complete)
Lend me your comb
I’ll get you
Speech John Lennon
I saw her standing there
From me to you
Money (that’s what I want)
You really got a hold on me
Roll over Beethoven
She loves you
Till there was you
Twist and shout
This boy
I want to hold your hand
Morcombe and Wise
Moonlight bay
Can’t buy me love

LP3
All my loving
You can’t do that
And I love her
A hard day’s night
I wanna be your man
Long tall Sally
Boys
Shout
I’ll be back (Take 2)
I’ll be back (Take 3)
You know what to do
No reply
Mr Moonlight
Leave my kitten alone
No reply
Eight days a week (Sequence)
Eight days a week (Complete)
Kansas city/Hey hey hey hey

On Anthology II the process of making records comes to the fore. The Beatles experimented on all levels making alternate takes of 'Tomorrow Never Knows,' 'I'm Only Sleeping,' 'I Am The Walrus' positively different. Take for example this clip of 'I'm Looking Through You' with rhythm track variations. It's like getting Rubber Soul, Revolver and Sgt. Pepper's all over again.

Track Listing:
1. Real Love
2. Yes It Is
3. I'm Down
4. You've Got To Hide Your Love Away
5. If You've Got Trouble
6. That Means A Lot
7. Yesterday
8. It's Only Love
9. I Feel Fine
10. Ticket To Ride
11. Yesterday
12. Help!
13. Everybody's Trying To Be My Baby
14. Norwegian Wood (This Bird Has Flown)
15. I'm Looking Through You
16. 12-Bar Original
17. Tomorrow Never Knows
18. Got To Get You Into My Life
19. And Your Bird Can Sing
20. Taxman
21. Eleanor Rigby (Strings Only)
22. I'm Only Sleeping (Reheasal)
23. I'm Only Sleeping (Take 1)
24. Rock And Roll Music
25. She's A Woman
26. Strawberry Fields Forever (Demo Sequence)
27. Strawberry Fields Forever (Take 1)
28. Strawberry Fields Forever (Take 7 & Edit Piece)
29. Penny Lane
30. A Day In The Life
31. Good Morning Good Morning
32. Only A Northern Song
33. Being For The Benefit Of Mr. Kite! (Takes 1 And 2)
34. Being For The Benefit Of Mr. Kite! (Take 7)
35. Lucy In The Sky With Diamonds
36. Within You Without You (Instrumental)
37. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
38. You Know My Name (Look Up The Number)
39. I Am The Walrus
40. The Fool On The Hill (Demo)
41. Your Mother Should Know
42. The Fool On The Hill (Take 4)
43. Hello, Goodbye
44. Lady Madonna
45. Across The Universe

The Beatles Anthology 3 promises to be the most interesting and appealing of the series. It covers the period from May 1968 with some great early demos recorded at George Harrison's home, through studio outtakes of the White Album, Let It Be, and their final album Abbey Road. Also included are a number of previously unreleased Beatles songs including Paul's demo for Badfinger of Come and Get It, John's experimental What's The New Mary Jane, and George's early demo of All Things Must Pass. Furthermore, look for a great alternative, bluesier version of Helter Skelter, an incredible acoustic version of While My Guitar Gently Weeps, an early take of Cry Baby Cry, and Ringo's first performance of Good Night with George Martin playing piano.

Track Listing:
1. A Beginning
2. Happiness Is a Warm Gun
3. Helter Skelter
4. Mean Mr. Mustard
5. Polythene Pam
6. Glass Onion
7. Junk
8. Piggies
9. Honey Pie
10. Don't Pass Me By
11. Ob-La-Di, Ob-La-Da
12. Good Night
13. Cry Baby Cry
14. Blackbird
15. Sexy Sadie
16. While My Guitar Gently Weeps
17. Hey Jude
18. Not Guilty
19. Mother Nature's Son
20. Glass Onion
21. Rocky Raccoon
22. What's the New Mary Jane?
23. Step Inside Love
24. I'm So Tired
25. I Will
26. Why Don't We Do It in the Road?
27. Julia
28. I've Got a Feeling
29. She Came in Through the Bathroom Window
30. Dig a Pony
31. Two of Us
32. For You Blue
33. Teddy Boy
34. Medley: Rip It up/Shake, Rattle and Roll...
35. The Long and Winding Road
36. Oh! Darling
37. All Things Must Pass
38. Mailman, Bring Me No More Blues
39. Get Back
40. Old Brown Shoe
41. Octopus's Garden
42. Maxwell's Silver Hammer
43. Something
44. Come Together
45. Come and Get It
46. Ain't She Sweet
47. Because
48. Let It Be
49. I Me Mine
50. The End

Originally released in 1973, Band On The Run was Paul McCartney & Wings' most successful release. The Grammy Award winning album features three Top 10 hits and reached #1 on Billboard's Top Album Chart. Band On The Run is the first release in the Paul McCartney Archive Collection.

Track Listing:
1. Ban on the Run
2. Jet
3. Bluebird
4. Mrs. Vanderbilt
5. Let Me Roll
6. Mamunia
7. No Words
8. Picasso's Last Words
9. Nineteen Hundred and Eighty Five

Pressed on 180 Gram Vinyl

Cut at Abbey Road Studios

The Beatles for sale is the fourth Studio Album from The Beatles. After Lennon met Bob Dylan on tour, an influence immediatley swept him over and crept into his song writing. A good example of this are the songs, "I Don't Want To Spoil The Party" and "I'm a Loser". This album also has the band back to doing a slew of covers due to there rigorous touring schedule but still being able to create great compositions like, "I Feel Fine" and its B-side, "She's a Woman", which for some reason were not included on the album.

Being at the height of Beatlemania and the forth Beatles record in 21 months, most of the song writing and production were done either in the studio or days off from performances, with the bulk of the album being done in about three weeks. When finally released on December 4th 1964 it began a 46 week long run in the charts knocking there last album off the top of the charts for seven weeks.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Pressed on 180 gram Vinyl

Features the beautiful George Martin's 1986 stereo remix

Help! is the fifth album from The Beatles, and is also the soundtrack to there film of the same name. The album contains 12 original songs and only two covers and shows the band taking another giant foot step forward. The most string driven "yesterday", shows McCartney's strength as a solo artist, while Lennons "you've got to hide your love away" shows the growing influence of Bob dylan further cementing itself into his song writing.This record also marks Lennon and McCartney using keyboards more, with the help of four track over dubbing helping to encourage mroe experimentation. Lennon also makes use of an acoustic rather than his standard electric guitar. Considered as one of the best Beatle albums before they dive into there dark rock phase.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

This title is not eligible for discount.

Track Listing:
LP1 - Original LP
1. Imagine
2. Crippled Inside
3. Jealous Guy
4. It's So Hard
5. I Don't Wanna Be A Soldier
6. Gimmie Some Truth
7. Oh My Love
8. How Do You Sleep
9. How?
10. Oh Yoko

LP2- Imagine Sessions 12"
1. How Do You Sleep
2. Jealous Guy
3. Oh My Love
4. Baby Please Don't Go
5. Imagine (take 1)
6. I Don't Wanna Be A Soldier

This collection of songs, featuring Paul McCartney and Denny Laine, (of Moody Blues and later, Wings fame), originally appeared in 1980 as Japanese Tears. Highlights include a re-recording of the Moody Blues mega hit Go Now, along with Japanese Tears, the infamous story of a Japanese fans reaction to a canceled Wings tour and Same Mistakes, an interesting track sung by Dennys then wife, Jo Jo Laine. Also features appearances by Laurence Juber, Steve Holley, Henry McCullough and Denny Seiwell.

Track Listing:
1. Somebody Ought To Know The Way
2. Lovers Light
3. Guess Im Only Foolin
4. Nothing To Go By
5. I Would Only Smile
6. Weep For Love
7. Say You Dont Mind
8. Japanese Tears
9. Danger Zone
10. Clock On The Wall
11. Send Me The Heart
12. Same Mistakes
13. Silver
14. Go Now!

Includes Rare Lennon/Harrison Instrumental “Cry for a Shadow” and Lennon-Led “Ain’t She Sweet”

Gatefold LP with Rare Photos and Essay By Tony Sheridan

This is where the legend starts. Serving as the backing musicians for British rock singer Tony Sheridan, the Beatles turned out the most productive studio session of their formative years in June 1961 in Hamburg, a historical occasion documented on the seminal In the Beginning. Billed as the Beat Brothers, the group that evolved into the Fab Four counted original member Pete Best on drums and largely supplied Sheridan with rhythmic foundations for traditional cuts such as Ray Charles’ “What’d I Say” and Lieber-Stoller’s “Ruby Baby,” as well as a batch of originals.

Most importantly, the date also produced the rare jazzy instrumental “Cry for a Shadow,” the only Beatles track ever credited to Lennon-Harrison. Another essential gem is “Ain’t She Sweet,” an early 20th century hit covered here with lead vocals by John Lennon. Most importantly, this treasured LP affords music fans from around the world an early glimpse into the instrumental abilities and harmonic sound of a band that would, within two years, become the most important and popular ensemble in history.

Historians and collectors, take note: These performances occurred long before the quartet’s similarly prized artifact Live at the Hamburg Club 1962, making this album the earliest official recording of the Beatles available.

Featuring dead-quiet surfaces, this Wax Cathedral LP is pressed at RTI, America’s best record plant.

Music sounds better on vinyl. Especially when it's experienced on new pressings from RTI, America's finest record plant. Introducing Wax Cathedral, an imprint focused on reissuing great albums on LP, complete with dead-quiet surfaces and authentically replicated artwork. Wax Cathedral goes where few other labels dare, restoring titles from diverse genres, myriad eras, and recognizable artists beloved by generations of listeners. Wax Cathedral is all about bringing back quality vinyl titles that have been out-of-print on LP for decades, and having fun in the process. Get your turntables ready.

Track Listing:
1. Ain’t She Sweet
2. Cry for a Shadow
3. Let’s Dance
4. My Bonnie
5. Take Out Some Insurance on Me, Baby
6. What’d I Say
7. Sweet Georgia Brown
8. When the Saints Go Marching In
9. Ruby Baby
10. Why
11. Nobody’s Child
12. Ya Ya, Pts. 1-2

Live and Let Die is the soundtrack to the eighth James Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney & Wings.

It was the first Bond film score not to involve John Barry.

Producers Saltzman and Albert Broccoli approached Paul McCartney to write the theme song and McCartney in turn asked Martin to record it for him. Impressed with the orchestration for the finished track, Saltzman and Broccoli considered Martin for the film’s score.

Martin worked closely with director Guy Hamilton who described what the music should convey in each scene as it unfolds. Only very minor changes to the finished score were asked for. Martin felt that this was as much for Hamilton's accurate briefing.

The orchestra was conducted by Martin and recorded at AIR studios. The soundtrack was also released in quadrophonic.

Live and Let Die was the first time that a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969. McCartney had been considered as title song composer for the previous Bond film, Diamonds Are Forever. The ″Live and Let Die" single was a major success in the U.S. and U.K. and continues to be a highlight of McCartney's live shows.

Track Listing:
1. Live and Let Die
2. Just A Closer Walk With Thee
3. Bond Meets Solitaire
4. Whisper Who Dares
5. Snakes Alive
6. Baron Samedi's Dance of Death
7. San Monique
8. Fillet of Soul
9. Bond Drops In
10. If He Finds It, Kill Him
11. Trespassers Will Be Eaten
12. Solitaire Gets Her cards
13. Sacrifice
14. James Bond Theme
15. Gunbarrel / Snakebit
16. Bond To New York
17. San Monique (alternate)
18. Bond and Rosie
19. The Lovers
20. New Orleans
21. Boat Chase
22. Underground Liar

While many a musician is often asked about the tunes that have influenced their songwriting, it is not a question Paul McCartney ordinarily gets to answer, until now. Paul is about to offer a glimpse into the songs which inspired the songs with the upcoming release of his brand new album of those standards he grew up listening to in his childhood plus two brand new McCartney compositions. Entitled Kisses On The Bottom, the album will be released courtesy of Hear Music/Concord Records.

With the help of Grammy Award-winning producer Tommy LiPuma and Diana Krall and her band as well as guest appearances from Eric Clapton and Stevie Wonder, McCartneys new album is a deeply personal journey through classic American compositions that, in some cases, a young Paul first heard his father perform on piano at home. As authentic and daring a musical statement as he could make, this is the album Paul has been thinking about making for more than 20 years and probably the last thing his fans are expecting. In the end it was Look, if I dont do it now, Ill never do it, he says.

In short, Paul believes it is about time the songs me and John based quite a few of our things on received the recognition they deserve. Moreover, the record also features a couple of new original McCartney compositions in the spirit of those classics.

When I kind of got into songwriting, I realized how well structured these songs were and I think I took a lot of my lessons from them, Paul explains. I always thought artists like Fred Astaire were very cool. Writers like Harold Arlen, Cole Porter, all of those guys, I just thought the songs were magical. And then, as I got to be a songwriter I thought its beautiful, the way they made those songs.

Determined to approach the record in a new and unique manner, Paul enlisted the help of LiPuma and Krall and her band who delivered ultra-high quality musicianship and were completely in tune with Pauls restraint and feel for the music. In the studio, the recording of this album was also a new challenge for Paul who, for the first time ever, performed exclusively in the vocal booth without no instrument, no guitar, no bass, no piano, which led to a vocal performance like no other in his career.

He adds, It was very spontaneous, kind of organic, which then reminded me of the way wed work with The Beatles. Wed bring a song in, kick it around, when we found a way to do it wed say Okay, let's do a take now and by the time everyone kind of had an idea of what they were doing, wed learnt the song. So thats what we did, we did the take live in the studio.

It was important for me to keep away from the more obvious song choices so, many of the classic standards will be unfamiliar to some people. I hope they are in for a pleasant surprise.

The album was recorded at the legendary Capitol Studios in Los Angeles, New York and London throughout 2011. It also features guest musicians Eric Clapton and Stevie Wonder, respectively, on the original compositions "My Valentine" and "Only Our Hearts."

Track Listing:
1. I'm Gonna Sit Right Down and Write Myself a Letter (Alhert/Young)
2. Home (When Shadows Fall) (Van Steeden/Clarkson/Clarkson)
3. It's Only a Paper Moon (Arlen/Harburg/Rose)
4. More I Cannot Wish You (Loesser)
5. The Glory of Love (Hill)
6. We Three (My Echo, My Shadow and Me) (Dorsey/Robertson/Mysels)
7. Ac-Cent-Tchu-Ate the Positive (Arlen/Mercer)
8. My Valentine (McCartney)
9. Always (Berlin)
10. My Very Good Friend the Milkman (Burke/Spina)
11. Bye Bye Blackbird (Henderson/Dixon)
12. Get Yourself Another Fool (Forrest/Heywood)
13. The Inch Worm (Loesser)
14. Only Our Hearts (McCartney)

History comes alive in the voices of the Beatles as Broadcast Journalist Larry Kane joins them on every stop of their historic 1964 and 1965 tours of North America. In these interviews, narrated by Larry, the Beatles take on world politics, celebrate their fans, describe their fears, judge their celebrity, and even challenge an astrologist who forecasts their demise. The interviews ring out with the truth of these amazing early tours. On picture disc!

Track Listing:
1. Ringo talks about playing drums, performing, and being happy
2. Track introduction
3. George Harrison talks about loving the USA
4. Track introduction
5. John Lennon talks live during the "Bed-in" in Amsterdam
6. Track introduction
7. John Lennon discusses life
8. Track introduction
9. Paul McCartney talks about advice from his father
10. Last interview of John Lennon and Paul McCartney together 1968

Pressed on 180 gram Vinyl

Sourced from original master tapes

Cut at the legendary Abbey Road Studios!

Let It Be is the last album to be recorded and released by The Beatles. The band had broken up before the album was released and it was initially met with mixed feelings. Many tried to blame Phil Spectors involvement, but the accompanying film showed the band members friction as a leading cause to the albums incoherence. Despite friction and the groups break up, the album earned the top spot on both the American and British record charts and many still consider it a classic.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

12 album and a 7 containing Fly On The Wall material offering a unique insight into The Beatles at work in January 1969

Track Listing:
1. Get Back
2. Dig A Pony
3. For You Blue
4. The Long And Winding Road
5. Two Of Us
6. I've Got A Feeling
7. One After 909
8. Don't Let Me Down
9. I Me Mine
10. Across The Universe
11. Let It Be

Fly On The Wall - 7

The legendary Live Peace In Toronto was John Lennon's declaration of independence from the Beatles and Ringo Starr states that the concert became the turning point in John's mind to leave the band. The September 13, 1969 live performance at Toronto's Rock and Roll Revival Festival was Lennon's first in over four years and it would offer the first look at John and Yoko's Plastic Ono Band. The lineup consisted of a thrown together band made up of Eric Clapton on guitar fresh from the breakup of Blind Faith, Klaus Voormann on bass, Yes drummer Alan White, Lennon on lead vocals and rhythm guitar and Ono on vocals. The repertoire included a handful of blues-based oldies like Blue Suede Shoes, Money and Dizzy Miss Lizzie mixed in with Lennon numbers like Yer Blues, Cold Turkeyand Give Peace a Chance, and Ono's vocal dalliances. A historical document and true classic here on Limited Edition 180g Vinyl!

Track Listing:
1. Blue Suede Shoes
2. Money
3. Dizzy Miss Lizzy
4. Yer Blues
5. Cold Turkey
6. Give Peace A Chance
7. Don't Worry Kyoko (Mummy's Only Looking For...)
8. John, John (Let's Hope For Peace)

Cut at Abbey Road Studios

Pressed on 180 gram vinyl

Containing some fantastic material from The Beatles’ hippy heyday, including the lovely Fool on the Hill (with an endearingly amateurish tin-whistle solo), the delicately woven tapestry of Strawberry Fields Forever, the glorious anthem All You Need is Love and mad, surrealist epic I Am the Walrus, in which Lennon takes the concept of lyrical and musical nonsense and just explodes it all over the speakers. For an album of bits and bobs, there is genius in these grooves.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

This limited edition deluxe version comes in a 10" x 10" box, which contains the DVD & Blu-Ray, as well as a 60 page book with background information, photographs and documentation from the production and also a faithful reproduction of the mono double 7" vinyl EP of the films six new Beatles songs, originally issued in the UK to complement the films 1967 release.

MAGICAL MYSTERY TOUR SPECIAL FEATURES:

• Director's Commentary by Paul McCartney
• The Making of Magical Mystery Tour (19m 05s) - Features interviews with Paul and Ringo, along with other cast members and crew. Includes unseen footage.
• Ringo the actor (2m 30s) - Ringo reflecting on his role in the film.
• Meet The Supporting Cast (11m 27s) - A feature on the background and careers of Nat Jackley, Jessie Robins, Ivor Cutler, The Bonzo Dog Doo-Dah Band, Victor Spinetti, George Claydon, and Derek Royle.
• Your Mother Should Know(2m 35s) Blue Jay Way(3m 53s) The Fool On The Hill (3m 05s) - Three new edits of these performances all featuring footage not seen in the original film.

DVD features the original film restored.

Track Listing:
Side 1
1. Magical Mystery Tour
2. Your Mother Should Know

Side 1
1. The Fool On The Hill
2. Flying

Side 2
1. Blue Jay Way

Audiophile-Grade Gatefold-Packaged 180g 2LP Set Includes Seven Rare and Previously Unreleased Tracks, Download of Entire Record

Macca's 1970 Solo Debut Stands As One of Most Acclaimed Debuts in Music History

McCartney Personally Supervised the Reissue: McCartney II Also Available on 180g 2LP

Originally released in 1970 and instantly heralded as one of the most beloved solo debuts of all time, McCartney announced to the world that Paul McCartney was more than ready for a career outside of the Beatles. Hitting #1 on the charts, the record yielded the timeless tracks "Every Night" and "That Would Be Something" along with the immortal classic "Maybe I'm Amazed."

Recorded at the multi-instrumentalist's home studio, McCartney performed nearly every note himself and also handled production duties. While Macca handles the standard bass, drums, guitar, piano and organ, he also works xylophone, Mellotron, and organ into the mix. The material here is a blend of white soul, hummable pop, and lightly rocking numbers that succeed via their modest charm and ageless melodies. He also calls on then-wife Linda McCartney to supply background vocals.

Part of the icon's ongoing Archive Collection, McCartney has been remastered at Abbey Road from the original master tapes by the same engineering team responsible for the internationally acclaimed Beatles reissues. We assure you that this 1970 masterwork has never sounded better, and the gatefold packaging looks stunning. In addition, McCartney has unlocked the vault and supplied seven rare and previously unreleased tracks to add to the album's overall enjoyment and context. Not surprisingly, Macca himself oversaw the entire reissue.

Pop fans and music connoisseurs, this is what is deemed essential. Grab McCartney and its natural bookend McCartney II on audiophile vinyl and immerse yourself in the sounds of the artist who's the mot successful musician and composer in history.

Track Listing:
LP 1
1. The Lovely Linda
2. That Would Be Something
3. Valentine Day
4. Every Night
5. Hot As Sun / Glasses
6. Junk
7. Man We Was Lonely
8. Oo You
9. Momma Miss America
10. Teddy Boy
11. Singalong Junk
12. Maybe I'm Amazed
13. Kreen-Akrore

LP 2 - Bonus Tracks
1. Suicide (outtake)
2. Maybe I'm Amazed (from One Hand Clapping)
3. Every Night (Live at Glasgow, 1979)
4. Hot As Sun (Live at Glasgow, 1979)
5. Maybe I'm Amazed (Live at Glasgow, 1979)
6. Don't Cry Baby (outtake)
7. Women Kind (demo) (mono)

Audiophile-Grade Gatefold-Packaged 180g 2LP Set Includes Rare and Previously Unreleased Tracks, Plus Download of Entire Record

Macca's 1980 Adventurous, Synth-Dominant Studio Set His First Post-Wings Solo Effort

McCartney Personally Supervised the Reissue: McCartney Also Available on 180g 2LP

Originally released in 1980 and the first album he released after disbanding Wings, McCartney II echoed back to Paul McCartney's titanic 1970 solo debut in that the former Beatle took a singular, do-it-yourself approach to its composition and creation. Eager to expand from the pop he'd been plying with Wings, the legendary singer-songwriter obsesses over synthesizer potential throughout the record's 11 tracks, all of which opt for a more electronic feel and experimental ambience.

Reaching #1 in the UK, and #3 in the U.S., McCartney II yielded myriad enduring classics such as "Coming Up," "Waterfalls," and "Temporary Secretary." And as he did in 1970, McCartney calls on then-wife Linda McCartney to supply background vocals but handles everything else on his own. Clearly playing with something to prove, the boundless musician employs cutting-edge synthesizers to craft memorable arrangements and soundscapes, while his inimitable vocals provide unforgettable timbres and complimentary tones.

Part of the icon's ongoing Archive Collection, McCartney II has been remastered at Abbey Road from the original master tapes by the same engineering team responsible for the internationally acclaimed Beatles reissues. We assure you that this 1980 landmark has never sounded better, and the gatefold packaging looks stunning. In addition, McCartney has unlocked the vault and supplied rare and previously unreleased tracks to add to the album's overall enjoyment and context. Not surprisingly, Macca himself oversaw the entire reissue.

Pop fans and music connoisseurs, this is what is deemed essential. Grab McCartney II and its natural bookend McCartney on audiophile vinyl and immerse yourself in the sounds of the artist who's the most successful musician and composer in history.

Track Listing:
LP 1
1. Coming Up
2. Temporary Secretary
3. On the Way
4. Waterfalls
5. Nobody Knows
6. Front Parlour
7. Summer's Day
8. Frozen Jap
9. Bogey Music
10. Darkroom
11. One of These Days

LP 2 - Bonus Tracks
1. Blue Sway (with Richard Niles Orchestration)
2. Coming Up (Live at Glasgow, 1979)
3. Check My Machine (edit)
4. Bogey Wobble
5. Secret Friend (full-length version)
6. Mr. H Atom/You Know I'll Get You Baby
7. Wonderful Christmastime

Oceans Kingdom is the first time Sir Paul has written an original orchestral score or any kind of music for dance and is the result of a collaboration between Paul and New York City Ballets Master in Chief Peter Martins, who have worked together to present the world premiere of a new ballet for the companys 2011/2012 season this September.

Though the work is Pauls first ballet, he approached the project in the same way he writes all other music, driven by his heart rather than his head and inspired by feeling rather than specific technical knowledge. While this may have been another new turn for his staggeringly varied career to take, Paul knew it had to be influenced by his own personal experience and that he needed to create a story the audience would find equally compelling and moving.

Pauls first step was to visit the Royal Opera House to see Adolphe Adams Giselle, danced by the Royal Ballet. Afterwards, Paul met the dancers and discussed the work with them, realizing as he did so that he was still without a central theme to his work. Keen to tell a story through his music, Paul decided to focus on the purity of the ocean and within just two months, the first draft had been completed. He then went through the music again thinking specifically of the ballet itself, thereby creating a world featuring distinctive characters and a vibrant underworld kingdom. Finally Paul spent many more weeks working alongside Peter Martins to refine the work, before Peter created the choreography with the NYCB dancers.

An hour long score featuring four stunning movements: "Oceans Kingdom," "Hall of Dance," "Imprisonment" and "Moonrise," the ballet tells of a love story within the story of an underwater world whose people are threatened by the humans of Earth. A potently expressive and richly varied work, the score is Pauls most challenging and emotionally complex yet. As he explains: What was interesting was writing music that meant something expressively rather than just writing a song. Trying to write something that expressed an emotion so you have fear, love, anger, sadness to play with and I found that exciting and challenging.

The premiere of the ballet Oceans Kingdom will take place at NYCBs Fall Gala on Thursday, September 22nd 2011 while the release of the orchestral score will follow a month later, here on vinyl. It was recorded in June of 2011 in London.

The artwork that accompanies the release is equally striking and inventive. Though it seems to suggest a city skyline, it is actually a digital readout of the notes from the ballet score.

Although this is his first orchestral score for dance, Paul is already quite at home in the world of classical music. His back catalog already carries four classical albums, the most recent of which was the Classical BRIT Award winning Ecce Cor Meum (Behold My Heart); a work for chorus and orchestra in four movements that was released in 2006.

Track Listing:
1. Movement 1: Oceans Kingdom
2. Movement 2: Hall of Dance
3. Movement 3: Imprisonment
4. Movement 4: Moonrise

One is a compilation album by The Beatles. The album features virtually every number-one single released in the United Kingdom and United States from 1962 to 1970. One was a critical success and has gone on to sell over 31 million copies. It's the seventh best-selling album since May 1991 and the best-selling album in the US from 2000 to 2009.

Track Listing:
LP1

Love Me Do
From Me to You
She Loves You
I Want to Hold Your Hand
Can't Buy Me Love
A Hard Day's Night
I Feel Fine
Eight Days a Week
Ticket to Ride
Help!
Yesterday
Day Tripper
We Can Work It Out
Paperback Writer
Yellow Submarine
Eleanor Rigby

LP2

Penny Lane
All You Need Is Love
Hello, Goodbye
Lady Madonna
Hey Jude
Get Back
The Ballad of John and Yoko
Something
Come Together
Let It Be
The Long and Winding Road

Pressed on 180 gram vinyl

Cut at Abbey Road Studios

A two-volume set tying up loose ends, single releases and B-sides. But frankly, when your loose ends include 'Hey Jude’, then it still probably qualifies as essential listening. There’s a bit of filler here (nobody but a Germanic completist needs to hear 'Sie Liebt Dich’) but there are a lot of absolute classics, especially on disc 2, which includes the barrelhouse 'Lady Madonna’, the droning psychedelic 'Rain’ (the whole of Oasis’s career in one song) and Harrison’s lovely 'Old Brown Shoe’. It ends with their final B-side, 'You Know My Name (Look Up The Number)’.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

LP2
1. Day Tripper
2. We Can Work It Out
3. Paperback Writer 4. Rain
5. Lady Madonna
6. The Inner Light
7. Hey Jude
8. Revolution
9. Get Back (With Billy Preston)
10. Don't Let Me Down (With Billy Preston)
11. The Ballad Of John and Yoko
12. Old Brown Shoe
13. Across The Universe
14. Let It Be
15. You Know My Name (Look Up The Number)*

All recordings are stereo except * which are in mono

Sourced From the Original Master Tapes!

Cut at Abbey Road Studios

Pressed on 180 gram vinyl

Once "Please Please Me" rocketed to number one, The Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins.

Please Please Me hit the top of the UK album charts in May 1963 and remained there for thirty weeks before being replaced by With The Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists.

In 2012, Please Please Me was voted 39th on Rolling Stone magazine's list of the "500 Greatest Albums of All Time". It was ranked first among The Beatles' early albums, and sixth of all of The Beatles' albums, with Sgt. Pepper's Lonely Hearts Club Band, Revolver, Rubber Soul, The Beatles (The White Album) and Abbey Road ranked higher.

Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: No. 139, "I Saw Her Standing There", and No. 184, "Please Please Me". According to Stephen Thomas Erlewine of Allmusic, "Decades after its release, the album still sounds fresh", the covers are "impressive" and the originals "astonishing".

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Following the successful recent reissues of McCartney, McCartney II, and 2012's Grammy winner for 'Best Historical Album, Band on the Run, RAM is the latest album from Paul's iconic back catalog to get the deluxe Paul McCartney Archive Collection treatment. As with the previous releases in the series, Paul has personally overseen every aspect of the project and the result is spectacular!

RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul's second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world's media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.

RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken. RAM gave Paul his first solo US #1 single with "Uncle Albert/Admiral Halsey" and a Grammy win for 'Best Arrangement Accompanying Vocalists.'

The band completed the album in early 1971 along with non-album tracks "Another Day" and "Oh Woman, Oh Why" which were released together as Paul's first post-Beatles single ahead of the release of RAM and became a Top 5 global hit. This remastered 180g 2LP, gatefold vinyl reissue includes both songs as bonus tracks along with additional material that didn't appear on the original release.

Track Listing:
LP1
1. Too Many People
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart of the Country
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On (Reprise)
12. The Back Seat of My Car

LP2
1. Another Day
2. Oh Woman, Oh Why
3. Little Woman Love
4. A Love For You (John Kelly Mix)
5. Hey Diddle (Dixon Van Winkle Mix)
6. Great Cock and Seagull Race (Dixon Van Winkle Mix)
7. Rode All Night
8. Sunshine Sometime (Earliest Mix)

Following the successful recent reissues of McCartney, McCartney II, and 2012's Grammy winner for 'Best Historical Album, Band on the Run, RAM is the latest album from Paul's iconic back catalog to get the deluxe Paul McCartney Archive Collection treatment. As with the previous releases in the series, Paul has personally overseen every aspect of the project and the result is spectacular!

RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul's second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world's media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.

RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken. The album garnered Paul his first solo US #1 single with "Uncle Albert/Admiral Halsey" and a Grammy win for 'Best Arrangement Accompanying Vocalists.'

RAM was also issued in mono with alternate mixes, which were only made available to radio stations at the time. This version has gone on to become one of the most sought after McCartney collectibles. It will now be commercially available for the first time as a limited run on vinyl!

Track Listing:
1. Too Many People
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart of the Country
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On (Reprise)
12. The Back Seat of My Car

Sourced From the Original Master Tapes!

Pressed on 180 gram vinyl

Cut at Abbey Road Studios

Their first psychedelic masterpiece, Revolver represents The Beatles at their most creative and cohesive, still a tight rocking unit firing on all cylinders but with a surging freedom of self-expression. It is arguably their greatest album, in which they introduce whole new vistas of sound yet still contain them within tightly structured and performed songs.

Recorded before The Beatles’ personalities began to clash and in advance of the fog brought on by drug use, Revolver encompasses practically every imaginable style and then some. Gentle harmonic pop (“I Want to Tell You”), stained-glass acid rock (“She Said She Said”), upbeat soul (“Got to Get You Into My Life”), Indian (“Love You To”), and what, at the time, and in some ways still is, the most cutting-edge pop composition ever devised (“Tomorrow Never Knows”), a song that single-handedly re-imagined and rewrote the rules of production.

Before the woolly politics of flower power had really taken over psychedelia, Revolver remains sharp and acerbic, its cutting quality emphasised by great electric guitar-playing from both George and John. The band looked fantastic, too, in hipster suits and dark glasses. Pound for pound and song for song, Revolver is as good as it gets, a real monster.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Ringo is joined here by such acclaimed artists as Michael Bradford, Ann Marie Calhoun, Matt Cartsonis, Steve Dudas, Charlie Haden, Amy Keys, Kelly Moneymaker, Richard Page, Van Dyke Parks, Kenny Wayne Shepherd, Dave Stewart, Bruce Sugar, Benmont Tench, Joe Walsh, Don Was and Edgar Winter. Ringo 2012 was recorded in Los Angeles, CA and mixed in England by Ringo and Bruce Sugar.

Track Listing:
1. Anthem (Richard Starkey/Glen Ballard)
2. Wings (Richard Starkey/Vince Poncia)
3. Think It Over (Buddy Holly/Norman Perry)
4. Samba (Richard Starkey/Van Dyke Parks)
5. Rock Island Line (Arrangement by Richard Starkey)
6. Step Lightly (Richard Starkey)
7. Wonderful (Richard Starkey/Gary Nicholson)
8. In Liverpool (Richard Starkey/Dave Stewart)
9. Slow Down (Richard Starkey/Joe Walsh)

Sourced From the Original Master Tapes

Cut at Abbey Road Studios

Pressed on 180 gram vinyl

From a modern perspective, this is where things start to get very interesting. Breaking out of the routine of squeezing albums between touring, Rubber Soul is the result of their first extended period in the studio.

The production is open and spacious, adorned but not yet overcrowded with new instruments and ideas. The songs themselves are like little Pop Art vignettes, where the lyrics are starting to match the quality of the melodies and arrangements. Even a simple, witty rocker such as Drive My Car is played with such tight grooviness (listen to the synchronised bass and guitar) that it practically sparkles with self-amusement.

Lennon, whose personality and leadership has been strongly at the fore throughout the early Beatles, really raises his game on Rubber Soul, with such thoughtful, breakthrough classics as Norwegian Wood (which showcases Harrison on a sitar), Nowhere Man, Girl and the utterly majestic In My Life (replete with George Martin’s flighty harpsichord solo), surely one of the most perfect songs ever written.

Lyrically, McCartney lags behind, but in some ways his lighter, poppier songs help keep Rubber Soul fresh and bubbly, while his melodic bass-playing takes a huge leap forward, propelling everything. There is a crisp innocence about this album, a sense of sweet delight and joyful discovery.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Sourced From the Original Master Tapes

Cut at Abbey Road Studios

Pressed on 180 gram vinyl

The contemporary view was that this was not just the peak of The Beatles’ career but the high point of recorded music to that date.

It is where the Beatles really exploit the studio as the instrument, forgoing live playing for sonic adventure. It is impossible to overstate its impact: from a contemporary Sixties perspective it was utterly mind-blowing and original. Looking back from a point when its sonic innovations have been integrated into the mainstream, it remains a wonky, colorful and wildly improbable pop classic, although a little slighter and less cohesive than it may have seemed at the time.

From Lennon's evocative "Lucy In The Sky With Diamonds" and carnival-like "Being for the Benefit of Mr. Kite," toMcCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day In The Life," Sgt. Pepper is a milestone in every sense of the word.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Cut At the legendary Abbey Road studios.

Each vinyl album is pressed from the full 24-bit,192KHZ digital masters that were released in 2009, so customers will enjoy the full spectrum of the original source material, and an added bonus comes the original Beatles prodcuer George Martin, whose original 1986 remixes, were used only for "Help!" and "Rubber Soul".

Box Set Contents:
Please Please Me
With The Beatles
A Hard Day's Night
Beatles For Sale
Help!
Rubber Soul
Revolver
Sgt. Pepper's Lonely Hearts Club Band
Magical Mystery Tour
The Beatles
Yellow Submarine
Abbey Road
Let It Be
Past Masters
DVD with mini-documentaries

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

This title is not eligible for discount.

A Hard Day's Night
1. I Should Have Known Better
2. If I Fell
3. I'm Happy Just To Dance With You
4. And I Love Her
5. Tell Me Why
6. Can't Buy Me Love
7. Hard Day's Night
8. Anytime At All
9. I'll Cry Instead
10. Things We Said Today
11. When I Get Home
12. You Can't Do That
13. I'll Be Back

Beatles For Sale
1. No Reply
2. I'm A Loser
3. Baby's In Black
4. Rock 'n' Roll Music
5. I'll Follow The Sun
6. Mr Moonlight
7. Kansas City
8. Eight Days A Week
9. Words Of Love
10. Honey Don't
11. Every Little Thing
12. Don't Want To Spoil The Party
13. What You're Doing
14. Everybody's Tryin' To Be My Baby

Help!
1. Help
2. Night Before
3. You've Got To Hide Your Love Away
4. I Need You
5. Another Girl
6. You're Going To Lose That Girl
7. Ticket To Ride
8. Act Naturally
9. It's Only Love
10. You Like Me Too Much
11. Tell Me What You See
12. I've Just Seen A Face
13. Yesterday
14. Dizzy Miss Lizzy

Rubber Soul
1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. Word
7. Michelle
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life

Revolver
1. Taxman
2. Eleanor Rigby
3. I'm Only Sleeping
4. Love You To
5. Here There And Everywhere
6. Yellow Submarine
7. She Said She Said
8. Good Day Sunshine
9. And Your Bird Can Sing
10. For No One
11. Dr Robert
12. I Want To Tell You
13. Got To Get You Into My Life
14. Tomorrow Never Knows

Sgt. Pepper's Lonely Hearts Club Band
1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home
7. Being For The Benefit Of Mr Kite
8. Within You Without You
9. When I'm Sixty Four
10. Lovely Rita
11. Good Morning Good Morning
12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13. Day In The Life

Magical Mystery Tour
1. Magical Mystery Tour
2. Fool On The Hill
3. Flying
4. Blue Jay Way
5. Your Mother Should Know
6. I Am The Walrus
7. Hello Goodbye
8. Strawberry Fields Forever
9. Penny Lane
10. Baby You're A Rich Man
11. All You Need Is Love

Yellow Submarine
1. Yellow Submarine
2. Only A Northern Song
3. All You Need Is Love
4. Hey Bulldog
5. It's All Too Much
6. All Together Now
7. Pepperland
8. Sea Of Time
9. Sea Of Holes
10. Sea Of Monsters
11. March Of The Meanies
12. Pepperland Laid To Waste
13. Yellow Submarine In Pepperland

The White Album
Disc One
1. Back In The U.S.S.R.
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story Of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun
9. Martha My Dear
10. Im So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road
16. I Will
17. Julia

Disc Two
1. Birthday
2. Yer Blues
3. Mother Nature's Son
4. Everybody's Got Something To Hide Except Me & My Monkey
5. Sexy Sadie
6. Helter Skelter
7. Long Long Long
8. Revolution 1
9. Honey Pie
10. Savoy Truffle
11. Cry Baby Cry
12. Revolution 9
13. Good Night

Abbey Road
1. Come Together
2. Something
3. Maxwell's Silver Hammer
4. Oh Darling
5. Octopus's Garden
6. I Want You (She's So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. End
17. Her Majesty

Let It Be
1. Two Of Us
2. Dig A Pony
3. Across The Universe
4. I Me Mine
5. Dig It
6. Let It Be
7. Maggie Mae
8. I've Got A Feeling
9. One After 909
10. Long And Winding Road
11. For You Blue
12. Get Back

Past Masters
1. Love Me Do
2. From Me To You
3. Thank You Girl
4. She Loves You
5. I'll Get You
6. I Want To Hold Your Hand
7. This Boy
8. Komm Gib Mir Deine Hand
9. Sie Liebt Dich
10. Day Tripper
11. We Can Work It Out
12. Paperback Writer
13. Rain
14. Lady Madonna
15. Inner Light
16. Hey Jude
17. Revolution
18. Get Back
19. Don't Let Me Down
20. Ballad Of John And Yoko
21. Old Brown Shoe
22. Across The Universe
23. Let It Be
24. You Know My Name (Look Up The Number)

6 Page Insert

Deluxe limited edition LP featuring a 20 page booklet with rare photos, liner notes, a 6 page historic “Parlophone” insert for the launching of their first single, “Love Me Do”, and annotated track listing! 18 tracks of rare early Beatles material, including “In Spite Of All The Danger” (the only song ever co-written by Paul McCartney & George Harrison) recorded in Liverpool in 1958 when the Beatles (along with John Lowe on piano & Colin Hanton on drums) were still known as the Quarrymen; a 1960 home recording of McCartney’s “Cayenne” (with Stuart Sutcliffe); “Ain’t She Sweet” recorded in Hamburg in 1961; “Besame Mucho” featuring Pete Best on drums; “The One After 909”, and “I Saw Her Standing There” recorded live at the Cavern Club in 1962, and much, much more!!

Track Listing:
1. Love Me Do (single version, with Ringo Starr, 4 Sep 62)
2. How Do You Do It (4 Sep 62)
3. Please Please Me (Without Harmonica, 11 Sep 62)
4. Love Me Do (with Andy White, 11 Sep 62)
5. PS I Love You (Single Version, Nov 62)
6. Ask Me Why (Nov 62)
7. Please Please Me (Nov 62)
8. I Saw Her Standing There (Hamburg, 31 Dec 62)
9. Lend Me Your Comb (Hamburg, 31 Dec 62)
10. That'll Be The Day (with John Lowe & Colin Hanton, Liverpool, 1958)
11. In Spite Of All The Danger (with John Lowe & Colin Hanton, Liverpool, 1958)
12. Cayenne (with Stuart Sutcliffe, Liverpool, June 60)
13. Ain't She Sweet (Hamburg, 22 June 61)
14. The One After 909 (Liverpool, 1962)
15. I Saw Her Standing There (Liverpool, 1962)
16. Catswalk (Liverpool, 1962)
17. Besame Mucho (With Pete Best, 6 June 62)
18. Love Me Do (With Pete Best, 6 June 62)

Beautiful packaging that includes double-sided photo montage, lyric sheet and 4 solo color photos.

The Beatles is the ninth official album by the English rock group The Beatles, a double album released in 1968. It is also commonly known as "The White Album" as it has no graphics or text other than the band's name embossed on its plain white sleeve.

The album was written and recorded during a period of turmoil for the group, after visiting the Maharishi Mahesh Yogi in India and having a particularly productive songwriting session in early 1968. Returning to the studio, the group recorded from May to October 1968, only to have conflict and dissent drive the group members apart. Ringo Starr quit the band for a brief time, leaving Paul McCartney to play drums on two tracks. Many of the songs were "solo" recordings, or at least by less than the full group, as each individual member began to explore his own talent.

Upon release in November 1968, the album received largely positive reviews and reached number 1 on the charts in the United Kingdom and the United States. The album is notable for the eclectic nature of its songs, which has divided critics in evaluating its legacy. The album has sold over 30 million copies worldwide and was listed at number 10 on Rolling Stone's "500 Greatest Albums of All Time" list.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs themselves, just polishing them up a bit.

Track Listing:
1. Back in the U.S.S.R
2. Dear Prudence
3. Glass Onion
4. Ob-La-Di, Ob-La-Da
5. Wild Honey Pie
6. The Continuing Story of Bungalow Bill
7. While My Guitar Gently Weeps
8. Happiness Is A Warm Gun
9. Martha My Dear
10. I'm So Tired
11. Blackbird
12. Piggies
13. Rocky Raccoon
14. Don't Pass Me By
15. Why Don't We Do It In The Road
16. I Will
17. Julia
18. Birthday
19. Yer Blues
20. Mother Nature's Son
21. Everybody's Got Something to Hide Except Me and My Monkey
22. Sexy Sadie
23. Helter Skelter
24. Long Long Long
25. Revolution 1
26. Honey Pie
27. Savoy Truffle
28. Cry Baby Cry
29. Revolution 9
30. Good Night

Riding the wave of the German beat craze of the early sixties, British singer Tony Sheridan became a regular on the Hamburg club circuit, recruiting an ever-changing roster of back-up musicians that included, in 1961, a nascent Beatles featuring John Lennon, Paul McCartney, George Harrison and Pete Best. Although still very much on the scene, bassist Stu Sutcliffe did not appear on these sessions. While most of the songs here are covers sung by Sheridan, Lennon and Harrison did write the instrumental Cry For A Shadow. Hamburg is also where the Beatles first picked up the mop-top. SPECIAL GATEFOLD EDITION.

Track Listing:
Side A:

1. Cry For A Shadow
2. Let's Dance
3. If You Love Me Baby
4. What'd I Say

Side B:

1. Sweet Georgia Brown
2. Ruby Baby
3. Yaya
4. Why

The album opens with an extended and improvised recording titled "Cambridge 1969", recorded on 2 March at Cambridge University, before a live audience. The piece consists of Ono's vocalisations accompanied by electric guitar feedback from Lennon. Saxophonist John Tchicai and percussionist John Stevens join Ono and Lennon towards the end of the piece.

The remainder of the album was recorded on a cassette tape in their suite at Queen Charlotte's Hospital in London during November 1968, where Ono would suffer the first of three miscarriages by the couple. "No Bed For Beatle John" consists of John and Yoko singing the text of press clippings about themselves, in a cappella chant style. "Baby's Heartbeat" is a recording (made with a Nagra microphone) of the ill-fated child's actual palpitations. "Two Minutes Silence" follows; sometimes compared to composer John Cage's 4'33" in that, like Cage's avant garde composition, it is completely silent, the track was intended as a memorial for the baby, "and for all violence and death." The album closes with "Radio Play"; thirteen minutes of a radio dial flipped back and forth with brief moments of John Lennon making a telephone call in the background. (Incidentally, The Beatles song "Ob-La-Di, Ob-La-Da" is discernible amongst the radio static during this recording.)

Track Listing:
1. Cambridge 1969
2. No Bed For Beatle John
3. Babys Heartbeat
4. Two Minutes Silence
5. Radio Play

Downloadable Audio of the Original Album

Wings Over America is the monumental live album by Paul McCartney and Wings, originally released in December of 1976. Recorded throughout the band s Wings Over America U.S. tour dates earlier that Spring, the album reached #1 in the US in early 1977. Containing almost two full hours of music, Wings Over America offers a stunning rendition of Maybe I m Amazed, plus Wings classics such as Live and Let Die, My Love, & Let Em In. McCartney also included some Beatles classics into the set list, including Yesterday, The Long and Winding Road and more for the first time since the Beatles had broken up six years earlier.

Track Listing:
LP: 1
1. Venus And Mars/Rock Show/Jet
2. Let Me Roll It
3. Spirits Of Ancient Egypt
4. Medicine Jar
5. Maybe I'm Amazed
6. Call Me Back Again
7. Lady Madonna
8. The Long And Winding Road
9. Live And Let Die

LP: 2
1. Picasso's Last Words
2. Richard Cory
3. Bluebird
4. I've Just Seen A Face
5. Blackbird
6. Yesterday
7. You Gave Me The Answer
8. Magneto And Titanium Man
9. Go Now
10. My Love
11. Listen To What The Man Said

LP: 3
1. Let 'Em In
2. Time To Hide
3. Silly Love Songs
4. Beware My Love
5. Letting Go
6. Band on the Run
7. Hi Hi Hi
8. Soily

Mastered from the Original Source Material!

Pressed on 180 Gram Vinyl

Cut at Abbey Road Studios

With the Beatles is a sequel of the highest order -- one that betters the original by developing its own tone and adding depth. While it may share several similarities with its predecessor -- there is an equal ratio of covers-to-originals, a familiar blend of girl group, Motown, R&B, pop, and rock, and a show tune that interrupts the flow of the album -- With the Beatles is a better record that not only rocks harder, it's considerably more sophisticated. They could deliver rock & roll straight ("I Wanna Be Your Man") or twist it around with a little Latin lilt ("Little Child," one of their most underrated early rockers); Lennon and McCartney wrote sweet ballads (the achingly gorgeous "All I've Got to Do") and sprightly pop/rockers ("All My Loving") with equal aplomb; and the propulsive rockers ("It Won't Be Long") were as richly melodic as slower songs ("Not a Second Time").
-All Music Guide

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.

Y Not is a groovy and deeply felt song cycle that finds Ringo leading a smaller core group of old and new friends including longtime pal and recent brother-in-law Joe Walsh, Dave Stewart and longtime Roundheads member Steve Dudas on guitar, Benmont Tench of Tom Petty and the Heartbreakers on keyboards, Don Was and Mike Bradford on bass. The album also features Starrs engineer and co-producer Bruce Sugar on keyboards, as well as some special guests like Joss Stone, Ben Harper and Richard Marx on vocals, Ann Marie Calhoun on violin and Tina Sugandh (aka Tina The Tabla Girl) on tabla and chanting.

Starrs songwriting collaborators on Y Not also include familiar and new names like Joe Walsh, Dave Stewart, Joss Stone, Glen Ballard, Richard Marx, Van Dyke Parks, Gary Nicholson plus Gary Wright and former Roundhead band member, Gary Burr. Yet no collaborator featured on Y Not is likely to receive as much attention as Starrs former bandmate and longstanding mate Paul McCartney, who adds a characteristically brilliant bass part to the inspiring Peace Dream, Starrs latest heartfelt plea for peace and love and even more notably provides his unmistakably fabulous vocals to Walk With You, an exquisite new composition by Starr and Van Dyke Parks.

Indeed, theres a whole lot of genius on display throughout Y Not. Highpoints here include Fill In The Blanks, the albums rocking opening track written, played and sung only by Starr and Walsh. Then theres The Other Side Of Liverpool, a revealing autobiographical song that explores Starrs earliest and darkest days.

Track Listing:
1. Fill In The Blanks
2. Peace Dream
3. The Other Side Of Liverpool
4. Walk With You
5. Time
6. Everyone Wins
7. Mystery Of The Night
8. Cant Do It Wrong
9. Y Not
10. Whos Your Daddy

Pressed on 180 gram vinyl

Cut at Abbey Road Studios

The soundtrack to The Beatles’ animated film of the same name, Yellow Submarine presents four new Beatles tracks recorded between 1967 and early 1968. In addition, George Martin’s score for the film rounds out the effort. While not considered a “proper” album, Yellow Submarine contains many memorable moments—George Harrison’s psychedelic “Only a Northern Song,” peppered with organ and candid sentiments, and “It’s All Too Much,” carried on the shoulders of a mesmerizing Mellotron, gigantic percussion, and titanic guitar feedback.

A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.