The Minneapolis Hotel & The Gaslight Cafe - Vinyl Record
by Bob Dylan
- Product Code:
- Let Them Eat Vinyl
- 140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed
- Track Listing
Further to BDAs previous collections (Carnegie Hall & The Minnesota Party Tape) comes the third album in the 1961 series of rare and previously unreleased Dylan material . This time showcasing an early stint at the infamous Gaslight Cafe in NYCs Greenwich Village, and the December recordings made at his friend Bonnie Beechers apartment back in Minnesota - the same venue that witnessed the Party Tape in May of the same year.
Dylan played the Gaslight a number of times but this particular performance is one of only two for which any recordings exist - it is believed to be the set he played there on 6th September 61.
Bonnie Beechers apartment (aka the Minneapolis Hotel) was a regular stopping off point for Bob on his way home to visit his parents in Hibbing, and while there he would often play in front of old college friends. This recording was made a few days before Christmas - on 22nd December 1961- en route to spending the festivities with his folks. Both recordings here feature the very best sound recordings known to exist making this LP both a hugely important historical document and a delightful collection of Bob Dylanís earliest work.
1. Man On The Street
2. He Was A Friend Of Mine
3. Talking Bear Mountain Picnic Massacre Blues
4. Song To Woody
5. Pretty Polly
6. Car, Car
7. Candy Man
8. Stealin, Stealin
9. Its Hard
10. Man Of Constant Sorrow
11. Omie Wise
12. In The Evening
13. Baby Let Me Follow You Down
14. Sally Gal
15. Gospel Plow
16. Long John
18. VD Blues
19. VD Waltz
20. VD City
21. VD Gunners Blues
22. See That My Grave Is Kept Clean
23. Ramblin Round
24. Black Cross
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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