Dylan Vinyl | Bob Dylan Vinyl Records

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Recorded in One Day: Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace the Bards Loosest 1960s Effort

Includes I Shall Be Free No. 10, It Aint Me Babe, My Back Pages, Chimes of Freedom

The Freewheelin Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbias Studio A and, displaying an openness hed never before revealed in a formal environment, lays down the songs that compromise his fourth album.

Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelitys reissue illuminates the artists conditionhe laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if hes stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfectionwith microscopic accuracy. Indeed, Dylans slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.

The uninhibited joie de vive is discernable in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Dont Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylans immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant releasean essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.

As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylans Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. All I Really Want to Do
2. Black Crow Blues
3. Spanish Harlem Incident
4. Chimes of Freedom
5. I Shall Be Free, No. 10
6. To Ramona
7. Motorpsycho Nightmare
8. My Back Pages
9. I Dont Believe You
10. Ballad in Plain D
11. It Aint Me Babe

In that period of time they recorded more than 100 tracks together. And even though the songs were recorded in 1967, this official bootleg wasn't released until 1975.

Although some of the songs on 'The Basement Tapes' are humorous, most of the songs dwell on nothingness, betrayal and a quest for salvation and they possess a rootsy quality that anticipates the Americana genre.

'The Basement Tapes' reached #7 in the Billboard Top 200 charts.

And for your listening pleasure, Music On Vinyl is re-releasing this album on vinyl for the first time since 1976!

Track Listing:
1. Odds And Ends
2. Orange Juice Blues
3. Million Dollar Bash
4. Yazoo Street Scandal
5. Goin' To Acapulco
6. Katie' Been Gone

1. Lo And Behold!
2. Bessie Smith
3. Clothes Line Saga
4. Apple Suckling Tree
5. Please, Mrs. Henry
6. Tears Of Rage

1. Too Much Of Nothing
2. Yea! Heavy And A Bottle Of Bread
3. Ain't No More Cane
4. Crash on The Levee
5. Ruben Remus
6. Tiny Montgomery

1. You Ain't Goin' Nowhere
2. Don't Ya Tell Henry
3. Nothing Was Delivered
4. Open the Door, Homer
5. Long Distance Oprater
6. This Wheel's On Fire

Though the audiences were drenched in nostalgia and demanded old hits on the set-list, Dylan and The Band rearranged them in such a way that they were re-invigorated, re- energized and fresh. They rocked like they never had before.

The line "Even the President of the United States sometimes must have to stand naked," from 'It's Alright, Ma (I'm Only Bleeding)' took on a new meaning altogether thanks to the Watergate scandal early in the year, as did "How does it feel?" from 'Like A Rolling Stone'; where before it had been a sentence of banishment it became a declaration of a new-found independence that was worn as a badge of honor, not a scarlet letter.

The recordings of Before The Flood, made mostly in New York and Los Angeles, were released in June 1974, and would peak at #3 in the Billboard 200, and are now available on vinyl for the first time in 25 years!

Track Listing:
LP 1
1. Most Likely You Go Your Way (And I'll Go Mine)
2. Lay, Lady, Lay
3. Rainy Day Women #12 & 35
4. Knockin' On Heaven's Door
5. It Ain't Me, Babe
6. Ballad Of a Thin Man
7. Up On Cripple Creek
8. I Shall Be Released
9. Endless Highway
10. The Night They Drove Old Dixie Down
11. Stage Fright

LP 2
1. Don't Think Twice, It's All Right
2. Just Like A Woman
3. It's Alright, Ma (I'm Only Bleeding)
4. The Shape I'm In
5. When You Awake
6. The Weight
7. All Along The Watchtower
8. Highway 61 Revisited
9. Like A Rolling Stone
10. Blowin' In The Wind

LP 2
1. Most Likely You Go Your Way And I'll Go Mine
2. Temporary Like Achilles
3. Absolutely Sweet Marie
4. 4th Time Around
5. Obviously 5 Believers
6. Sad Eyed Lady Of The Lowlands

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Recorded With One of Most Ear-Awakening Lineups Ever Assembled: Al Kooper, Pig Robbins, Joe South, Kenny Buttrey, and The Bands Rick Danko and Robbie Robertson Among Musicians

Vaudeville, Contemporary Pop, Fiery Rock and Roll, Memphis Blues, Folk-Derived Sagas Among Enriched Palette of Styles

Ranked 9 on Rolling Stones List of the 500 Greatest Albums of All Time

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. No lie.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed that thin, that wild mercury sound, the albums famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.

Forever prized for a unique sound that cultural critic Greil Marcus tagged the most glamorous record imaginable; listening you [can] see the checkered jesters suit Dylan had worn on stage for the nine previous, furious months, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylans request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelitys reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres youll ever hear in plain sight.

The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashvilles top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.

As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyricsto say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then theres Dylans inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.

Visions of Johanna. I Want You. Rainy Day Women #12 & 35. Sad Eyed Lady of the Lowlands. Absolutely Sweet Marie. We could go on. Essential doesnt even begin to cover the genius of this record that, now, sounds better than Dylan himself can imagine.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Rainy Day Women #12 & 35
2. Pledging My Time
3. Visions of Johanna
4. One of Must Know (Sooner or Later)
5. I Want You
6. Stuck Inside of Mobile With the Memphis Blues Again
7. Leopard-Skin Pill-Box Hat
8. Just Like a Woman
9. Most Likely You Go Your Way (And Ill Go Mine)
10. Temporary Like Achilles
11. Absolutely Sweet Marie
12. 4th Time Around
13. Obviously 5 Believers
14. Sad Eyed Lady of the Lowlands

Presence, Immediacy, Naturalness, Realism in Spades: Mobile Fidelity Reissue Makes Blood on the Tracks Among Most Lifelike-Sounding Albums Youll Ever Hear

Songs Flow Like Rivers, Acoustic and Electric Elements Merge Like Bezels on a Diamond

Ranked 16 on Rolling Stones List of the 500 Greatest Albums of All Time

Includes Tangled Up In Blue, Simple Twist of Fate, Idiot Wind, Buckets of Rain

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and The Basement Tapes Also Available from Mobile Fidelity

Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks.

A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bards career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray. Dylan maintains its a work of fiction, but its evident close-vested autobiographical premise is what helps make it universal: Its the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of loves darker sides and the consequences of what happens when dreams unravel.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of Blood on the Tracks ever producedand the first-ever proper analog reissue. Fantastically presenting both the solo acoustic and band-supported songs with the utmost clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.

For all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within, Blood on the Tracks remains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylans songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairnessall traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blameinstill the record with equilibrium on par with the consistency of the flowing melodies.

Throughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. Backed by Tony Browns flexible albeit subtle bass, Buddy Cages country-streaked pedal-steel guitar, and Paul Griffins soul-baring organan instrument used to shadow, tuckpoint, and illuminate here as effectively as any time in rock historyDylan pours soulful emotion, open his veins, and bleeds.

Ranked 16 on Rolling Stones list of the 500 Greatest Albums of All Time, and replete with existential thought, piercing directness, raw singing, and majestic arrangements,

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Tangled Up in Blue
2. Simple Twist of Fate
3. Youre A Big Girl Now
4. Idiot Wind
5. Youre Gonna Make Me Lonesome When You Go
6. Meet Me in the Morning
7. Lily, Rosemary and the Jack of Hearts
8. If You See Her, Say Hello
9. Shelter From the Storm
10. Buckets of Rain

'Bob Dylan In Concert Brandeis University 1963' is being reissued in response to overwhelming popular demand for a wide release. As noted Bob Dylan scholar Michael Gray puts it in the liner notes of this album: 'This is the last live performance we have of Bob Dylan before he becomes a star'

Track Listing:
1. Honey, Just Allow Me One More Chance (incomplete)
2. Talkin' John Birch Paranoid Blues
3. Ballad of Hollis Brown
4. Masters of War
5. Talkin' World War III Blues
6. Bob Dylan's Dream
7. Talking Bear Mountain Picnic Massacre Blues

Professionally Recorded on 7-Inch Reel-to-Reel Tape: Phenomenal Sonics Capture the 21-Year-Old Bard Solo and Acoustic

Features Stripped-Down, Intense Versions of Songs from the Then-Forthcoming The Freewheelin' Bob Dylan and Still Long-Off The Times They Are-A Changin'

Early, archival insights into the burgeoning genius of a young Bob Dylan don't come any better than this: A previously unknown live recording of a 21-year-old Dylan taped at the Brandeis First Annual Folk Festival in Waltham, Massachusetts, on May 10, 1963, Bob Dylan In Concert - Brandeis University 1963 captures the rollicking wit, deadpan delivery, and driving intensity of the young artist's onstage persona in an assortment of end-of-the-world songs (none of them commercially available at the time) performed in front of an appreciative audience two weeks prior to the release of The Freewheelin' Bob Dylan. Indeed, these two performances took place just weeks before Dylan's "Blowin' in the Wind" became a smash for Peter, Paul, and Mary and months before his appearance at the Newport Folk Festival would forever change the course of music history.

The Bob Dylan In Concert - Brandeis University 1963 concert tape was discovered recently in the archives of the noted music writer and Rolling Stone co-founder Ralph J. Gleason, where it sat on a shelf for more than forty years. "It had been forgotten, until it was found last year in the clearing of the house after my mother died," said Toby Gleason, Ralph's son. "It's a seven inch reel-to-reel that sounds like it was taped from the mixing desk."

Drawn from two sets that spring night at the Brandeis Folk Festival, tracks on Bob Dylan In Concert - Brandeis University 1963 include "Honey, Just Allow Me On More Chance" (incomplete), "Talkin' John Birch Paranoid Blues," "Ballad Of Hollis Brown," "Masters of War," "Talkin' World War III Blues," "Bob Dylan's Dream," and "Talkin' Bear Mountain Picnic Massacre Blues."

Previously available as a limited time offer, Bob Dylan In Concert - Brandeis University 1963 has been reissued in response to overwhelming popular demand for a wide release. The new Columbia/Legacy edition features liner notes penned exclusively for this release by noted Bob Dylan scholar Michael Gray, author of The Bob Dylan Encyclopedia and the three-volume Song & Dance Man: The Art of Bob Dylan, who provided an explication of the album's seven songs and historical/cultural context for the performances.

Track Listing:
1. Honey, Just Allow Me One More Chance (incomplete)
2. Talkin' John Birch Paranoid Blues
3. Ballad of Hollis Brown
4. Masters of War
5. Talkin' World War III Blues
6. Bob Dylan's Dream
7. Talking Bear Mountain Picnic Massacre Blues

LP 2
1. Tell Me, Momma
2. I Don't Believe You (She Acts Like We Never Have Met)
3. Baby, Let Me Follow You Down
4. Just Like Tom Thumb's Blues
5. Leopard-Skin Pill-Box Hat
6. One Too Many Mornings
7. Ballad of a Thin Man
8. Like A Rolling Stone

* 180 grams audiophile vinyl
* Remastered Mono Edition

Track Listing:
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie's Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan's 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. It's Alright Ma (I'm Only Bleeding)
11. It's All Over Now, Baby Blue

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two

Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

Bob Dylans Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylans surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the albums you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.

The sonics are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic reactions?

More than 45 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naiveté, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictivenessand a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.

Side One remains one of the boldest cohesive artistic statements ever assembled. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggies Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.

Ranked 31 on Rolling Stones list of the 500 Greatest Albums of All Time, Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience it in the finest-possible quality.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggies Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On the Road Again
7. Bob Dylans 115th Dream
8. Mr. Tambourine Man
9. Gates of Eden
10. Its Alright, Ma (Im Only Bleeding)
11. Its All Over Now, Baby Blue

"In the future, everyone will be world-famous for 15 minutes." - Andy Warhol, 1968

15 Minutes: Homage To Andy Warhol was created with the full approval of The Andy Warhol Foundation For The Visual Arts and is headlined by Columbia Records artists Bob Dylan and Patti Smith plus sixteen other world-renowned fine artists, poets, painters, photographers, actors and musicians. Each artist in this collection offers both an original recording and original work of art in limited edition inspired by their relationship with Warhol. Exclusive Limited Edition 12" x 12" Box Set of only 1,964 copies!

Features:
- 4 x 180g audiophile vinyl LPs
- 3 CDs
- Sixteen 12" x 12" collector quality color offset lithographs
- Artist photos
- Liner Notes
- Limited Edition of only 1,964 copies


Track Listing:
LP1
1. The First Time - Ivan Karp
2. When I Paint My Masterpiece - Bob Dylan
3. Titles - Path Soong
4. Thanks For Nothing - John Giorno
5. Maha Mantra - Billy Name
6. Light - Ultra Violet
7. Vienna - Lawrence Weiner

LP2
1. Conversation - Vincent Fremont & Brigid Berlin
2. Conversation - Vincent Fremont & Brigid Berlin

LP3
1. Edie - Patti Smith
2. What About Me? - Christopher Makos
3. Waiting For My 15 Minutes - Yura Adams
4. Silkscreen - Alexander Heirici
5. Glitch City - Connie Beckley

LP4
1. Silk Scream Liz - Connie Beckley
2. Factory - Nat Finklestein
3. Warhol Soundscape - Susan Breen
4. Uh Yes Uh No - Jeff Gordan

CD1
1. The First Time - Ivan Karp
2. When I Paint My Masterpiece - Bob Dylan
3. Titles - Path Soong
4. Thanks For Nothing - John Giorno
5. Maha Mantra - Billy Name
6. Light - Ultra Violet
7. Vienna - Lawrence Weiner

CD2
1. Conversation - Vincent Fremont & Brigid Berlin
2. Conversation - Vincent Fremont & Brigid Berlin

CD3
1. Edie - Patti Smith
2. What About Me? - Christopher Makos
3. Waiting For My 15 Minutes - Yura Adams
4. Silkscreen - Alexander Heirici
5. Glitch City - Connie Beckley
6. Silk Scream Liz - Connie Beckley
7. Factory - Nat Finklestein
8. Warhol Soundscape - Susan Breen
9. Uh Yes Uh No - Jeff Gordan

1000 ONLY LIMITED EDITION

Not yet 21 and with his first album still unreleased, a largely unknown Bob Dylan was invited by New Yorks WBAI radio to perform a live broadcast for Cynthia Goodings Folksinger s Choice programme on March 11th 1962.

This legendary recording, available here for the first time on vinyl, illustrates perfectly the scope and manner of Dylans live repertoire in the months leading up to his debut release.

In addition to the three originals, all newly minted by Dylan, he covers songs by the likes of Hank Williams, Woody Guthrie and Big Joe Williams, but interestingly does not perform any tracks that would feature on his first record just weeks from release at the time of this broadcast.

Folksinger's Choice also contains the only known Dylan performances of Smokestack Lightning, Hard Travelin and Roll On, John and features the first known outings of The Death Of Emmett Till and Standing On The Highway

The 11 songs performed are liberally interspersed with chat between Bob and Cynthia, however, far from spoiling the show, this only go to enhance one of the best early recordings we have of Bob Dylan, making this LP an incredibly important early document.

Track Listing:
SIDE A

1. Lonesome Whistle Blue
2. Conversation pt.1
3. Fixin To Die
4. Conversation pt.2
5. Tell Me Baby

SIDE B

6. Conversation pt.3
7. Hard Travel
8. Conversation pt.4
9. Death Of Emmett Till
10. Conversation pt.5
11. Standing On The Highway

SIDE C

12. Conversation pt.6
13. Long John
14. Conversation pt.7
15. Stealin
16. Conversation pt.8

SIDE D

17. Long Time Man Feel Bad
18. Conversation pt.9
19. Baby Please Dont Go
20. Conversation pt.10
21. Hard Times In New York

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Records Ambitious Poetry, Melodies, and Moral Conviction Transformed Songwriting, Folk, and Pop

Includes Masters of War, Blowin in the Wind, and A Hard Rains A-Gonna Fall

Ranked #97 on Rolling Stones List of the 500 Greatest Albums of All Time

Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

Its the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. Its the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. Its the sound of change, the feeling of ground shifting beneath ones feet, and the entrance of an entirely new way of thinking. Its the effective beginning of whats arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. Its The Freewheelin Bob Dylan.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of The Freewheelin Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such clarity, openness, body, or realism.

With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether its the exaggerated nasal accents employed on Down the Highway or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surfaceenhancing the listeners experience and taking them inside Columbias Studio A where history was made by leaps and bounds.

Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (Masters of War, A Hard Rains A-Gonna Fall), hypocrisy of segregation (Oxford Town), urgency of civil rights and freedom (Blowin in the Wind), and multiple angles of unrequited love (Girl From the North Country, Dont Think Twice Its All Right) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.

Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deservesas much as you deservea fidelity that makes as closely intimate as possible the musics connection with you. You deserve this edition.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Blowin in the Wind
2. Girl From the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylans Blues
6. A Hard Rains A-Gonna Fall
7. Dont Think Twice, Its All Right
8. Bob Dylans Dream
9. Oxford Town
10. Talking World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

Recorded at his Malibu home in his garage studio, it's filled with traditional Folk songs, Bluegrass standards & other covers. There isn't an original composition in sight; still it's an intimate portrait of a legendary musician.

Original vinyls aren't easy to come by, so it was a no-brainer to re-issue this classic album!

Track Listing:
1. Frankie & Albert
2. Jim Jones
3. Blackjack Davey
4. Canadee-I-O
5. Sittin' On Top Of The World
6. Little Magie
7. Hard Times

1. Step It Up And Go
2. Tomorrow Night
3. Arthur McBride
4. You're Gonna Quit Me
5. Diamond Joe
6. Froggie Went A Courtin'

It is the follow up of the 1974 live album 'Before The Flood' which is also released by Music on Vinyl.

Oddly enough, the album is named after one of his most famous songs, 'A Hard Rain's A-Gonna Fall' but that song happens to be missing from the album. The fact that it poured rain for most of the concert may be the reason for the title.

Track Listing:
1. Maggie's Farm
2. One Too Many Mornings
3. Stuck Inside Of Mobile With The Memphis Blues Again
4. Oh, Sister
5. Lay, Lady, Lay

1. Shelter From The Storm
2. You'Re A Big Girl Now
3. I Threw It All Away
4. Idiot Wind

* 180 grams audiophile vinyl
* Remastered Mono Edition

Track Listing:
1. Like A Rolling Stone
2. Tombstone Blues
3. It Takes A Lot To Laugh
4. It Takes A Train To Cry
5. From A Buick 6
6. Ballad Of A Thin Man
7. Queen Jane Approximately
8. Highway 61 Revisited
9. Just Like Tom Thumb's Blues
10. Desolation Row

Featuring songs from and inspired by the acclaimed film, the I'm Not There collection premieres new interpretations of Bob Dylan songs performed by an eclectic cavalcade of celebrated contemporary musicians.

I'm Not There includes two versions of the enigmatic title track, a new interpretation performed by Sonic Youth and the original Bob Dylan recording, a rare oft-bootlegged outtake from The Basement Tapes sessions which has been previously unavailable on any official release.

Artists include Eddie Vedder, Sonic Youth, Jack Johnson, Cat Power, The Black Keys, Jim James, Sufjan Steven, Calexico, Iron & Wine, Jeff Tweedy, Willie Nelson, Los Lobos, Yo La Tengo, Ramblin' Jack Elliot, Stephen Malkmus, Karen O and many more.

Track Listing:
1. All Along the Watchtower
2. I'm Not There
3. Goin' to Acapulco
4. Tombstone Blues
5. Ballad of a Thin Man
6. Stuck Inside of Mobile with the Memphis Blues Again
7. Pressing On
8. Fouth Time Around
9. Dark Eyes
10. Highway 61 Revisited
11. One More Cup of Coffee
12. The Lonesome Death of Hattie Carroll
13. Billy, Pt. 1
14. Simple Twist of Fate
15. Man in the Long Black Coat
16. Señor (Tales of Yankee Power)
17. As I Went out One Morning
18. Can't Leave Her Behind
19. Ring Them Bells
20. Just Like a Woman
21. Mama, You've Been on My Mind/A Fraction of Last Thoughts on Woody Guthr
22. I Wanna Be Your Lover
23. You Ain't Goin' Nowhere
24. Can You Please Crawl out Your Window?
25. Just Like Tom Thumb's Blues
26. The Wicked Messenger
27. Cold Irons Bound
28. The Times They Are a Changin'
29. Maggie's Farm
30. When the Ship Comes In
31. Moonshiner - Traditional
32. I Dreamed I Saw St. Augustine
33. Knockin' on Heaven's Door
34. I'm Not There

1.  Tweedle Dee & Tweedle Dum
2.  Mississippi
3.  Summer Days

1.  Bye And Bye 3:16
2.  Lonesome Day Blues 6:04
3.  Floater (Too Much To Ask) 4:59

1.  High Water (For Charlie Patton)
2.  Moonlight
3.  Honest With Me

1.  Po' Boy
2.  Cry A While
3.  Sugar Baby

At the time of its original release, the sprawling, unconventional Self Portrait generated an immense amount of discussion and disagreement amonst Dylan admirers. The ongoing controversy surrounding the album has been fueled over the years by Dylan himself. At various times, Dylan has defended Self Portrait as a heartfelt artistic statement, dismissed it as a joke and described it as a concerted effort to escape the pressures of his unwanted status as the voice of a generation. Whatever the artist's actual intentions, Self Portrait retains a unique niche in the hearts of Dylan fans, and is often cited as an early landmark in the birth of alternative country.

Self Portrait's highlights include the Dylan originals Wigwam, later featured in the Wes Anderson film The Royal Tenenbaums; Living the Blues, subsequently covered by artists ranging from Leon Redbone to Antony Hegarty; and The Mighty Quinn, which Manfred Mann had turned into a British Invasion hit in 1968. The latter song is one of a quartet of live tracks drawn from Dylan's legendary performances with The Band at the historic Isle of Wight festival, along with memorable versions of the Dylan standards Like a Rolling Stone, Minstrel Boy and She Belongs to Me. Also featured are Dylan's readings of a variety of outside material, ranging from his iconic interpretation of the rural folk song Copper Kettle to his distinctive takes on such familiar tunes as Paul Simon's The Boxer, Gordon Lightfoot's Early Mornin' Rain and the vintage Every Brothers hits Let It Be Me and Take a Message to Mary.

Sundazed has restored this one-of-a-kind release to its original double-LP format. Mastered from the original analog master tapes, the album is pressed on high-quality, high-definition vinyl, with meticulously reproduced original gatefold cover art.

Track Listing:
1. All the Tired Horses
2. Alberta #1
3. I Forgot More Than You'll Ever Know
4. Days of '49
5. Early Mornin' Rain
6. In Search of Little Sadie
7. Let It Be Me
8. Little Sadie
9. Woogie Boogie
10. Belle Isle
11. Living the Blues
12. Like a Rolling Stone (Live at the Isle of Wight Festival 1969)
13. Copper Kettle (The Pale Moonlight)
14. Gotta Travel On
15. Blue Moon
16. The Boxer
17. The Mighty Quinn (Quinn the Eskimo) (Live at the Isle of Wight Festival)
18. Take Me as I Am (Or Let Me Go)
19. Take a Message to Mary
20. It Hurts Me Too
21. Minstrel Boy (Live at the Isle of Wight Festival 1969)
22. She Belongs to Me (Live at the Isle of Wight Festival 1969)
23. Wigwam
24. Alberta #2

1000 ONLY LIMITED EDITION

On the morning of April 25 1963, directly after the conclusion of his final Freewheelin Bob Dylan album session, Bob journeyed to Chicago for a live club appearance and a radio interview.

The gig, on the evening of the same day, was at a newly opened club called The Bear, in which manager Albert Grossman was a partner.

But the primary reason for the 700-mile excursion west was for Dylan to appear on a radio show the following evening, hosted by the extraordinary Studs Terkel.

Capturing the entire broadcast, during which Dylan is questioned and discusses with Studs his thoughts and ideas behind both the songs he performs and others he had written by this juncture, this CD contains a legendary event during which a 21 year old Bob Dylan also performs full acoustic versions of 7 self penned numbers.

Across just over an hour of airtime, Studs and Bob chat like old friends as Dylan is prompted towards playing certain tracks from his then fairly slim body of work, but comes up trumps by pulling songs not just from his imminent second record, but including one from the album after that and showcasing 3 songs that wouldnt see the light of day on record until the 1990s.

Serving both as a historic document of a little known event in the career of a true musical icon, but also as a wholly enjoyable listening experience that stands up to numerous repeat listens.

Track Listing:
SIDE A

1. Farewell
2. Conversation pt.1
3. A Hard Rains Gonna Fall

SIDE B

4. Conversation pt.2
5. Bob Dylans Dream
6. Conversation pt.3

SIDE C

7. Boots Of Spanish Leather
8. Conversation pt.4
9. John Brown

SIDE D

10. Conversation pt.5
11. Who Killed Davey Moore
12. Conversation pt.6
13. Blowin In The Wind

Bob Dylans Tell Tale Signs: The Bootleg Series Volume 8 is the 8th installment in the best-selling and critically lauded Bootleg Series which launched in 1991. A treasure-trove of 27 songs spanning 4 Limited Edition 180g LPs, Tell Tale Signs features previously unreleased recordings and alternate versions of tracks from sessions which generated some of Bob Dylans most acclaimed and commercially successful albums from the last two decades, including Time Out Of Mind, Love And Theft, Modern Times and Oh Mercy. This must have Limited Edition 4 LP Box Set comes in 12x12 box with lift off cover and includes a download card, 60 page booklet with photos, essay and credits.

Features include; the previously unreleased songs Dreaming Of You, Red River Shore and Marching To The City from the sessions for the Grammy Award winning album, Time Out Of Mind; recordings created for the motion picture soundtracks of Lucky You (Hucks Tune), Gods & Generals (Cross The Green Mountain) and North Country (an alternate take of Tell Ole Bill); and a selection of outstanding live performances from 1989-2006 including Ring Them Bells from Dylans historic shows at New Yorks Supper Club in 1993,the unreleased Girl From The Greenbriar Shore from 1991 and a consummate rendering of High Water (for Charley Patton) from Niagara Falls in 2003.

Bob Dylan was recently awarded a Pulitzer Prize Special Citation for his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.

Track Listing:
SIDE A

1. Mississippi (Unreleased, Time Out Of Mind)
2. Most Of The Time (Alternate version, Oh Mercy)
3. Dignity (Piano Demo, Oh Mercy)
4. Someday Baby (Alternate version, Modern Times)

SIDE B

1. Red River Shore (Unreleased, Time Out Of Mind)
2. Tell Ol Bill (Alternate version, North Country soundtrack)
3. Born In Time (Unreleased, Oh Mercy)

SIDE C

1. Cant Wait (Alternate Version, Time Out Of Mind)
2. Everything Is Broken (Alternate version, Oh Mercy)
3. Dreamin Of You (Unreleased, Time Out Of Mind)
4. Hucks Tune (From Lucky You Soundtrack)

SIDE D

1. Marchin To The City (Unreleased, Time Out Of Mind)
2. High Water (For Charley Patton) (Live, 2003)
3. Mississippi (Unreleased version #2, Time Out of Mind)

SIDE E

1. 32-20 Blues (Unreleased, World Gone Wrong)
2. Series Of Dreams (Unreleased, Oh Mercy)
3. God Knows (Unreleased, Oh Mercy)
4. Cant Escape From You (Unreleased, December 2005)

SIDE F

1. Dignity (Unreleased, Oh Mercy)
2. Ring Them Bells (Live at The Supper Club, 1993)
3. Cocaine Blues (Live, 1997)

SIDE G

1. Aint Talkin (Alternate version, Modern Times)
2. The Girl On The Greenbriar
3. Shore (Live, 1992)
4. Lonesome Day Blues (Live, 2002)

SIDE H

1. Miss The Mississippi (Unreleased, 1992)
2. The Lonesome River (With Ralph Stanley)
3. Cross the Green Mountain (From Gods and Generals soundtrack)

Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue

Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material

Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal

Ranked 291 on Rolling Stones List of the 500 Greatest Albums of All Time

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and Blood on the Tracks Also Available from Mobile Fidelity

Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pinkthe location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever producedand the first-ever analog reissue. Inimitable, the particulars of The Basement Tapesespecially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordingscome to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.

Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.

In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.

The Basement Tapes capacity to remain so gloriously honest and timelessperformances that genuinely couldve been made today, ten years from now, or back in the 1930shelps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.

Mobile Fidelitys reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Odds and Ends
2. Orange Juice Blues (Blues for Breakfast)
3. Million Dollar Bash
4. Yazoo Street Scandal
5. Goin to Acapulco
6. Katies Been Gone
7. Lo and Behold
8. Bessie Smith
9. Clothes Line Saga
10. Apple Suckling Tree
11. Please Mrs. Henry
12. Tears of Rage
13. Too Much of Nothing
14. Yea! Heavy and a Bottle of Bread
15. Aint No More Cane
16. Crash on the Levee (Down in the Flood)
17. Ruben Remus
18. Tiny Montgomery
19. You Aint Goin Nowhere
20. Dont Ya Tell Henry
21. Nothing Was Delivered
22. Open the Door, Homer
23. Long Distance Operator
24. This Wheels on Fire

Extremely Limited - Pre-Orders recommended!

Only available at SoundStageDirect!

Shipping @ June 22nd!

Now THIS is a soundtrack! No grunge bands covering cheesy '70s hits, no retro chic, no rap-techno-country-opera superstar crossovers, just an eclectic selection of tunes by some quality performers. You get obscure tracks from Dylan and Captain Beefheart, some sublime vocalizing from Yma Sumac and Nina Simone, and cuts from world-class artists like Moondog and Meredith Monk, whose creativity exceeds their popularity. The film music quota is covered by a slice of Mancini ("Lujon") and the perversity quota filled by the Gipsy Kings' version of "Hotel California." Did we mention the previously unreleased Elvis Costello cut and the Stones cover from late great Texas songwriting legend Townes Van Zandt?

This title is not eligible for discount.

Track Listing:
Side 1
1. Bob Dylan - The Man In Me
2. Captain Beefheart - Her Eyes Are A Blue Million Miles
3. Elvis Costello - My Mood Swings
4. Yma Sumac - Ataypura
5. Piero Piccioni - Traffic Boom
6. Nina Simone - I Got It Bad and That Ain't Good
7. Moondog with Orchestra - Stamping Ground
8. Kenny Rogers & The First Edition - Just Dropped In (To See What
Condition My Condition Was In)

Side 2
1. Meredith Monk - Walking Song
2. Gluck Das Mir Verblieb - from the opera "Die Tote Stadt"
3. Henry Mancini - Lujon
4. Gipsy Kings - Hotel California
5. Carter Burwell - Wie Glauben
6. Townes Van Zandt - Dead Flowers

An exact repro of Bob Dylan's 1963 breakthrough LP in accurate, vintage mono sound, with all-analog mastering from the original master tapes. The Freewheelin' Bob Dylan, his second album, is filled top to bottom with classics, including Blowin' In The Wind, Don't Think Twice, It's All Right, Masters Of War and A Hard Rain's A-Gonna Fall.

Track Listing:
1. Blowin' in the Wind
2. Girl of the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylan's Blues
6. A Hard Rain's A-Gonna Fall
7. Don't Think Twice, It's All Right
8. Bob Dylan's Dream
9. Oxford Town
10. Talkin' World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

An exact repro of Bob Dylan's 1963 breakthrough LP in accurate, vintage mono sound, with all-analog mastering from the original master tapes. The Freewheelin' Bob Dylan, his second album, is filled top to bottom with classics, including Blowin' In The Wind, Don't Think Twice, It's All Right, Masters Of War and A Hard Rain's A-Gonna Fall.

Track Listing:
1. Blowin' in the Wind
2. Girl of the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylan's Blues
6. A Hard Rain's A-Gonna Fall
7. Don't Think Twice, It's All Right
8. Bob Dylan's Dream
9. Oxford Town
10. Talkin' World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: These Records Have NEVER Sounded Better in Any Format

This is the ULTIMATE AUDIOPHILE Dylan LP Box: Don't Miss Some of the Most Timeless and Crucial Music Ever Recorded in Sound That Rivals What Was Heard in the Studio Control Room

Each Disc Comes With Individual Jacket Replete With Original Artwork and Inserts

Hear Dylan's Most Definitive Albums As They Were Meant to be Experienced: In Mono

Includes Deluxe Booklet + Rare Photos and Greil Marcus Essay

Bob Dylans first eight groundbreaking albums are returning for the first time ever in a limited edition box set of newly re-mastered mono versions on fully analog 180-gram vinyl.

The Original Mono Recordings are comprised of these albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant and often preferred mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylan devoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic and longtime Dylan aficionado Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, we guarantee this is the best you will ever hear Dylan sound. This set is simply unprecedented--some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room. Don't miss this!

Also includes a limited edition 18" x 24" Bob Dylan poster.

The Original Mono Recordings Box Set Includes:

Bob Dylan 1962
The Freewheelin Bob Dylan 1963
The Times They Are A-Changin 1964
Another Side Of Bob Dylan 1964
Bringing It All Back Home 1965
Highway 61 Revisited 1965
Blonde on Blonde (2 LP) 1966
John Wesley Harding 1967


Track Listing:
Bob Dylan 1962

1. You're No Good
2. Talkin' New York
3. In My Time of Dyin'
4. Man Of Constant Sorrow
5. Fixin' To Die
6. Pretty Peggy-O
7. Highway 51 Blues
8. Gospel Plow
9. Baby, Let Me Follow You Down
10. House Of the Risin' Sun
11. Freight Train Blues
12. Song To Woody
13. See That My Grave Is Kept Clean

The Freewheelin Bob Dylan 1963

1. Blowin' in the Wind
2. Girl of the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylan's Blues
6. A Hard Rain's A-Gonna Fall
7. Don't Think Twice, It's All Right 8. Bob Dylan's Dream
9. Oxford Town
10. Talkin' World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

The Times They Are A-Changin 1964

1. The Times They Are A-Changin
2. Ballad Of Hollis Brown
3. With God On Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only A Pawn In Their Game
7. Boots Of Spanish Leather
8. When The Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

Another Side Of Bob Dylan 1964

1. All I Really Want To Do
2. Black Crow Blues
3. Spanish Harlem Incident
4. Chimes Of Freedom
5. I Shall Be FreeNo. 10
6. To Ramona
7. Motorpsycho Nitemare
8. My Back Pages
9. I Dont Believe You
10. Ballad In Plain D
11. It Aint Me Babe

Bringing It All Back Home 1965

1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggies Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylans 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. Its Alright Ma (Im Only Bleeding)
11. Its All Over Now, Baby Blue

Highway 61 Revisited 1965

1. Like A Rolling Stone
2. Tombstone Blues
3. It Takes A Lot To Laugh, It Takes A Train To Cry
4. From A Buick 6
5. Ballad Of A Thin Man
6. Queen Jane Approximately
7. Highway 61 Revisited
8. Just Like Tom Thumbs Blues
9. Desolation Row

Blonde on Blonde (2 LP) 1966

1. Rainy Day Women # 12 & 35
2. Pledging My Time
3. Visions Of Johanna
4. One Of Us Must Know (Sooner Or Later)
5. I Want You
6. Memphis Blues Again
7. Leopard-skin Pill-box Hat
8. Just Like A Woman
9. Most Likely You Go Your Way And Ill Go Mine
10. Temporary Like Achilles
11. Absolutely Sweet Marie
12. 4th Time Around
13. Obviously 5 Believers
14. Sad Eyed Lady Of The Lowlands

John Wesley Harding 1967

1. John Wesley Harding
2. As I Went Out One Morning
3. I Dreamed I Saw St. Augustine
4. All Along The Watchtower
5. The Ballad Of Frankie Lee And Judas Priest
6. Drifters Escape
7. Dear Landlord
8. I Am A Lonesome Hobo
9. I Pity The Poor Immigrant
10. The Wicked Messenger
11. Down Along The Cove
12. Ill Be Your Baby Tonight

* 180 grams audiophile vinyl
* Remastered Mono Edition

Track Listing:
1. The Times They Are A-Changin'
2. Ballad Of Hollis Brown
3. With God On Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only A Pawn In Their Game
7. Boots Of Spanish Leather
8. When The Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

Dylan's Formative Demos That He Used to Net a Record Deal

47 Original Recordings, Including 15 PREVIOUSLY UNRELEASED Dylan Compositions

Features Deluxe Booklet With Revelatory Photos and Insightful Essay and Notes

Another Must-Have Installment in the Phenomenal Bootleg Series

Bob Dylan's The Witmark Demos are seeing their first commercial release on 180-gram 4LP vinyl nearly five decades after they were first recorded. Listening to these 47 original recordings, one can trace Dylans dramatic growth as a songwriter from early traditionally-styled songs like Man On The Street and Ramblin Gamblin Willie through the social commentary of Blowin In The Wind, The Times They Are A Changin and Masters Of War, and the groundbreaking lyrical genius of Mr. Tambourine Man. All of these songs, and all the others on The Witmark Demos, were written and their subsequent demos recorded before Dylan turned 24 years old.

Among the many gems found on The Witmark Demos are 15 previously unreleased Dylan songs which include the plaintive Ballad For A Friend, the civil rights era-inspired Long Ago, Far Away and The Death Of Emmett Till, and the poignant Guess Im Doing Fine.

The Witmark Demos also features a deluxe booklet featuring in-depth liner notes by noted music historian Colin Escott, as well as rare photographs of Bob Dylan captured during the same period as these early recordings. Absolutely essential!

Track Listing:
LP 1 - Side A

1. Man On The Street (Fragment)
2. Hard Times In New York Town
3. Poor Boy Blues
4. Ballad For A Friend
5. Rambling, Gambling Willie
6. Talking Bear Mountain Picnic Massacre Blues
7. Standing On The Highway
8. Man On The Street

LP 1 - Side B

1. Blowin In The Wind
2. Long Ago, Far Away
3. A Hard Rains A-Gonna Fall
4. Tomorrow Is A Long Time
5. The Death of Emmett Till

LP 2 - Side A

1. Let Me Die In My Footsteps
2. Ballad Of Hollis Brown
3. Quit Your Low Down Ways
4. Baby, Im In The Mood For You
5. Bound To Lose, Bound To Win
6. All Over You
7. Id Hate To Be You On That Dreadful Day

LP 2 - Side B

1. Long Time Gone
2. Talkin John Birch Paranoid Blues
3. Masters Of War
4. Oxford Town
5. Farewell

LP 3 - Side A

1. Dont Think Twice, Its All Right
2. Walkin Down The Line
3. I Shall Be Free
4. Bob Dylans Blues
5. Bob Dylans Dream

LP 3 - Side B

1. Boots Of Spanish Leather
2. Walls of Red Wing
3. Girl From The North Country
4. Seven Curses
5. Hero Blues
6. Whatcha Gonna Do?
7. Gypsy Lou

LP 4 - Side A

1. Aint Gonna Grieve
2. John Brown
3. Only A Hobo
4. When The Ship Comes In
5. The Times They Are A-Changin
6. Paths Of Victory

In an interview on his website Dylan reveals that the record was inspired by the sound of classic 1950s Chess and Sun recordings.

I like the mood of those records, the intensity. The sound is uncluttered. Theres power and suspense. The whole vibration feels like it could be coming from inside your mind. Its alive. Its right there. Kind of sticks in your head like a toothache. The Together Through Life songs have more of a romantic edge than the music on Modern Times. The songs on Modern Times brought my repertoire up to date, and the light was directed in a certain way. You have to have somebody in mind as an audience otherwise theres no point.

There didnt seem to be any general consensus among my listeners. Some people preferred my first period songs. Some, the second. Some, the Christian period. Some, the post Colombian. Some, the Pre-Raphaelite. Some people prefer my songs from the nineties. I see that my audience now doesnt particular care what period the songs are from. They feel style and substance in a more visceral way and let it go at that. Images dont hang anybody up. Like if theres an astrologer with a criminal record in one of my songs its not going to make anybody wonder if the human race is doomed. Images are taken at face value and it kind of freed me up.

This Double 180g Vinyl version also includes a full-length bonus CD.

Track Listing:
1. I Feel A Change Comin' On
2. It's All Good
3. Shake Shake Mama
4. If You Ever Go To Houston
5. Forgetful Heart
6. Jolene
7. This Dream Of You
8. Shake Shake Mama
9. I Feel A Change Comin' On
10. It's All Good