Books

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

What resonated about Endtroducing when it was released in 1996, and what makes it still resonate today, is the way in which it loosens itself from the mooring of the known and sails off into an uncharted territory that seems to exist both in and out of time. Josh Davis is not only a master sampler and turntablist supreme, he is also a serious archeologist with a world-thirsty passion (what Cut Chemist refers to as Josh’s “spidey sense”) for seeking out, uncovering and then ripping apart the discarded graces of some other generation – that “pile of broken dreams” – and weaving them back together into a tapestry of chronic bleakness and beauty. Over the course of several long conversations with Josh Davis (DJ Shadow), we learn about his early years in California, the friends and mentors who helped him along the way, his relationship with Mo’Wax and James Lavelle, and the genesis and creation of his widely acknowledged masterpiece, Endtroducing.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Music From Big Pink is faction: real people like Richard Manuel, Rick Danko, Bob Dylan and Albert Grossman rub shoulders with fictional characters and actual, documented events thread their way through text alongside imagined scenarios. Through the eyes of 23-year-old Greg Keltner, drug-dealer and wannabe musician, we witness the gestation and birth of a record that will go on to cast its spell across five decades - bewitching and inspiring artists as disparate as The Beatles, Eric Clapton, Travis, Wilco and Mercury Rev.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Of all the recordings to emerge from the Athens-via-Denver collective called Elephant 6, Neutral Milk Hotel’s second album is the one that has worked its way under the most skins. Magnet magazine named it the best album of the 1990s, and Creative Loafing recently devoted a cover story to one fan’s quest to understand why band leader Jeff Mangum dropped out of sight soon after Aeroplane’s release. The record sells steadily to an audience that finds it through word of mouth. Weird, beautiful, absorbing, difficult, In The Aeroplane Over the Sea is a surrealist text loosely based on the life, suffering and reincarnation of Anne Frank, with guest appearances from a pair of Siamese twins menaced by the cold and carnivores, a two-headed boy bobbing in a jar, anthropomorphic vegetables and a variety of immature erotic horrors. Mangum sings his dreamlike narratives with a dreamer's intensity, his creaky, off key voice occasionally breaking as he struggles to complete each dense couplet. The music is like nothing else in the 90s indie underground: a psychedelic brass band, its members self-taught, forging polychromatic washes of mood and tribute. The songs stick to one narrow key, the images repeat and circle back, and to listen is to be absorbed into a singular, heart-rending vision.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books...you will, too!

Marc Woodworth's book covers the album’s long and unorthodox period of writing, recording, sequencing, and editing. It includes interviews with members of the band, manager Pete Jamison, web-master and GBV historian Rich Turiel and Robert Griffin of Scat Records. At least sixty-five songs were recorded and considered for the album and five distinct concepts were rejected before the band hit upon the records final form. One late version, very nearly released, contained only a few of Bee Thousand’s definitive songs.

The rest were left out and nearly ended up in the boxes of cassette out-takes cluttering up Robert Pollard’s basement. The story of Guided By Voices transformation from an occasional and revolving group of complete unknowns to indie-rock heroes is very much part of the story behind the making of Bee Thousand.

In addition to providing a central account of how the record was made, Woodworth devotes a substantial chapter to the album’s lyrics. Robert Pollard’s lyrics are described by critics, when they’re described at all, as a brand of tossed-off surrealism, as if his verbal sensibility is somehow incidental to the songs themselves. Nothing could be further from the truth. Woodworth offers a sustained discussion of Pollard’s work as a writer of often sublime, beautiful, and very human lyrics.

240 pg. Paperback Book

ISBN: 1840005114

The Most Comprehensive Encyclopedia of Metal Music Ever Created!

254 Pg. Paperback Book

ISBN: 156025419X

330 pg. Paperback Book

ISBN: 156025453X

5 Volume Hardcover Book Set

ISBN: 1558624015

This authoritative yet accessible source on popular culture discusses everything from political events and literary genres to fast food and fitness fads. The vast, 5-vol. set includes more than 2,700 signed essays. Ranging from 500 to 2,500 words in length, entries are written by subject experts and edited to form a consistent, readable and straightforward reference.

305 pg. Hardcover Book

ISBN: 0743284038

264 pg. Paperback Book

ISBN: 0811823210

No leaps to stardom, no overnight success, Mike Lankford gives us the real story about going on the road. Without missing a beat, "Life In Double Time" combines Mike's eye-opening, hilarious adventures and lyrical writing to prove once and for all that, especially in the music world, fact is stranger than fiction.

126 pg. Paperback Book

ISBN: 1-904411-07-X

Cut The Crap Guides Series

480 pg. Paperback Book

ISBN: 1-86074-641-1

464 Pg. Paperback Book

ISBN: 0789314991

The Rolling Stones formed in 1961 by recording early singles covering rhythm and blues standards. They released their first album, The Rolling Stones in 1964, and have continued to tour and record ever since. This book is the first complete discography in over a decade and details the Stones' 49 albums, 66 chart-ranking singles, early EPs and all the B-sides including live takes, studio recordings, recent remixes, and compilations. Included with each entry are reproductions of all album covers, singles sleeves, release dates, composer credits, timing and comments—critical information needed to understand a band that has featured a changing cast of members around the lasting core of Mick Jagger and Keith Richard. This discography is the most comprehensive guide to the Stones' output ever published in one volume—a browsable and compelling reference to an enduring force in pop culture.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Conceived as the last testament of a charismatic recluse who believed he was about to die, 'Forever Changes' is one of the defining albums of an era. Here, Andrew Hultkrans explores the myriad depths of this bizarre and brilliant record. Charting bohemian Los Angeles’ descent into chaos at the end of the ‘60s, he teases out the literary and mystical influences behind Arthur Lee’s lyrics, and argues that Lee was both inspired and burdened by a powerful prophetic urge. EXCERPT 'Forever Changes' may be thirty-six years old at the time of this writing, but its hermetic fusion of the personal and the political feels more relevant than ever. It speaks to the present in ways that, say, a Jefferson Airplane record never could, whatever the parallels between the late ’60s and our contemporary morass. For unlike most rock musicians of his time, Arthur Lee was one member of the ’60s counterculture who didn’t buy flower-power wholesale, who intuitively understood that letting the sunshine in wouldn’t instantly vaporize the world’s (or his own) dark stuff. For him, the glittering surface of the Age of Aquarius obscured an undertow of impending doom.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Dusty in Memphis, Dusty Springfield's beautiful and bizarre magnum opus, remains as fine a hybrid of pop and rhythm and blues as has ever been made. In this remarkable book, Warren Zanes explores his own love affair with the record. He digs deep into the album's Memphis roots and talks to several of the key characters who were involved in its creation; many of whom were - like Zanes - outsiders drawn to the American South and mesmerized by its hold over the imagination. EXCERPT The love that is the subject of 'Dusty in Memphis' is different from the love of her earlier songs: it is a love that is all at once diffuse, dark, unpredictable, ecstatic, and a terrible deal. It is a love too big for the lyrical (and for that matter musical) framework of Dusty’s earlier pop productions, no matter the breadth of that work. Like Memphis itself, the love that is the subject of 'Dusty in Memphis' is indeed bursting with the contrary: it happens not simply when you yearn for it, as in some adolescent dream, but when you’re not prepared for it; it reveals itself not simply under the star-filled skies where a moon hangs low--in fact, as the first and last tracks on side one attest, it might be at its best when the sun’s just arriving at work.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

A Catholic high school near Boston in 1985. A time of suicides, gymnasium humiliations, smoking for beginners, asthma attacks, and incendiary teenage infatuations. Infatuations with a girl (Allison), with a band (The Smiths) and with an album, Meat is Murder, that was so raw, so vivid and so melodic that you could cling to it like a lifeboat in a storm. Excerpt One morning as I was jogging my way past the bronze plaque commemorating the deaths of one student and one motorcyclist, my necktie flapping like a windsock, Ray floored the brake pedal of his Dodge as he closed in on me. Fifty mile an hour traffic came to a screeching, nearly murderous halt behind him. He leaned over and rolled down the passenger side window in one fluid motion. He dispensed with formalities while I marveled at the audacity of his driving and, tossing something at me, winked and said, “Here. I’m going to kill myself.” He pegged the gas, leaving a surprisingly good patch of rubber for such a shitty car. In the gutter, sugared with sand put down during the winter’s last snow, I saw written in red felt ink on masking tape stuck to a smoky-clear cassette: “Smiths: Meat.”

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Through a series of interviews with a wide range of people connected to Pink Floyd in their earliest days (including Nick Mason, Peter Jenner, Jenny Fabian, Storm Thorgerson, Duggie Fields and Peter Whitehead), John Cavanagh paints a vivid picture of how this remarkable debut album was created. He brings to life the stories behind each track, as well as Pink Floyd’s groundbreaking live performances of the time. EXCERPT The Piper at the Gates of Dawn is a wondrous creation often seen through the distorted view of later events. These things have served to overshadow the achievement of The Pink Floyd on their debut album: an outstanding group performance; a milestone in record production; and something made in much happier circumstances than I had expected to find…This is not another book about “mad Syd”. This, instead, is a celebration of a moment when everything seemed possible, when creative worlds and forces converged, when an album spoke with an entirely new voice. “Such music I never dreamed of,” as Rat said to Mole.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Perhaps more than any other Greatest Hits compilation, Abba Gold has come to define a band's career on one disk. More than that, its release in 1992 heralded the critical rehabilitation of a group which had, since its demise a decade earlier, become little more than a memory of trashy costumes and cheesy tunes to many people. Here, Elisabeth Vincentelli charts the circumstances surrounding the birth of Abba Gold, looks at the impact it had on the music world, and tells the stories behind some of the greatest pop songs ever recorded.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Electric Ladyland is one of the greatest guitar albums ever made. During the recording process, Jimi Hendrix at last had time and creative freedom to pursue the sounds he was looking for. In this remarkable and entertaining book, John Perry gets to the heart of Hendrix's unique talent - guiding the reader through each song on the album, writing vividly about Hendrix's live performances, and talking to several of Hendrix's peers and contemporaries. Excerpt Natural wit, sharpness of ear and a pervasive sense of fun prevented Hendrix from sticking just to the wah-wah pedal's literal use (and it's worth remembering that Hendrix off-stage was a natural mimic, whose imitations of Little Richard or of Harlem drag-queens made his friends howl). In fact, he found a use for the pedal without even using guitar. By turning his amp up high and treading the pedal he found he could modulate the natural hiss of amplifier valves, producing sounds of gentle breezes, howling storms or the susurration of waves on a beach; sounds that are all over "1983" and "Moon Turn The Tides". Hendrix had an ear and (though it's often overlooked) he also had a fine, sly sense of humour that - with characteristic lightness of touch - he was able to express in music.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

One of the greatest double albums of the vinyl era, Sign 'O' the Times shows Prince at his peak. Here, Michaelangelo Matos tells the story of how it emerged from an extraordinary period of creativity to become one of the landmark recordings of the 1980s. He also illustrates beautifully how - if a record is great enough and lucky enough to hit you at the right time - it can change your way of looking at the world. EXCERPT The most immediately striking thing about Sign 'O' the Times is the jazzy sensibility running through it. Prince's father was a jazz musician, his mother a vocalist; he'd been a fan of chops-heavy jazz-fusion as well as rock and R&B growing up. But when Prince began recording for Warner Bros., he abjured the brass sections that dominated groups like Earth, Wind & Fire and Parliament-Funkadelic, opting instead for stacked synthesizer patterns and a spare, cold feel that markedly contrasted with lush, overarranged disco and the wild, thick underbrush of the era's giant funk ensembles; Rickey Vincent, author of Funk: The Music, the People, and the Rhythm of the One, dubbed it "naked funk." Getting away from traditional R&B instrumentation is an underappreciated aspect of Prince's crossover success; Prince is also said to have actively disliked the sound of horns early in his career.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched. EXCERPT In 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

The recording sessions for Let It Be actually began as rehearsals for a proposed return to live stage work for the Beatles, to be inaugurated in a concert at a Roman amphitheatre in Tunisia. In this thoroughly researched book, Steve Matteo delves deep into the complex history of these sessions. He talks to a number of people who were in the studio with the Beatles, recording the sights and sounds of the band at work – bringing to life a period in the Beatles’ career that was creative and chaotic in equal measure.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

In this remarkable book, Douglas Wolk brings to life an October evening in 1962, at the Apollo Theatre in Harlem: an evening at the height of Cold War tensions. In great detail, Wolk pieces together what took place (and what was recorded) that night, and illustrates beautifully the enduring power of one of James Brown’s – and popular music’s – defining moments: Live at the Apollo. EXCERPT Standing on the stage of the Apollo at a sold-out show on the night of October 24, 1962, screaming, James Brown would have looked out and seen 1500 people screaming back at him in the audience, split between the floor and the balconies. The walls behind them were a dark crimson; the balconies were decorated with the laurel wreaths that are the emblem of Apollo the god, recalling Daphne, who became a laurel tree to escape his lust. Most of the audience thought there was a good chance they’d be dead within the week.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Formed in 1968, Jethro Tull are one of rock’s most enduring bands. Their 1971 album Aqualung, with its provocative lyrical content and continuous music shifts, is Tull’s most successful and most misunderstood record. Here, music professor and fan Allan Moore tackles the album on a track-by-track basis, looking at Ian Anderson’s lyrics and studying the complex structures and arrangements of these classic songs. EXCERPT It was buying your first great-coat that did it. That image of a crazy, probably dangerous individual with unkempt hair, strangely wandering eyes and an inability to keep both feet on the floor at the same time, as seen on Top of the Pops when Jethro Tull and his anonymous backing musicians performed ‘Witch’s Promise’ in 1970, remains to this day one of the most striking I can recall. And when the great-coat appeared in all its glory clothing Jethro’s alter ego on the cover of Aqualung, it was clear to us that we were insiders, that we lived in exactly the same crazy world, that we ‘knew what it was all about’, even if we actually hadn’t a clue.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Seemingly granted ‘classic album’ status within days of its release in 1997, OK Computer transformed Radiohead from a highly promising rock act into The Most Important Band in the World – a label the band has been burdened by (and has fooled around with) ever since. Through close musical analysis of each song, Dai Griffiths explores the themes and ideas that have made this album resonate so deeply with its audience, and argues that OK Computer is one of the most successfully realized CD albums so far created. EXCERPT But then ‘Karma Police’ changes. After the second chorus the track lifts, in various ways. Harmonically, there’s a key change of sorts (the sheet music charmingly follows the convention of preparing the reader for the new key signature), from E minor to B minor, although in truth both sections use similar chords. Then vocally or melodically, the key change takes Thom Yorke to his angelic register. Texturally, there’s a big shift, with all the instruments doing lighter things. Best to my mind though, there’s the one word, phew. Phew’s great: it’s a cartoon word, like ‘gulp’ or ‘zzzz’ or ‘bah’. Its precision matters, the fact that it’s really there, properly pronounced, not just sort-of-breathed…

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

In this wickedly entertaining and thoroughly informed homage to one of rock music’s towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the reader to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album. Excerpt: Stripping Led Zeppelin’s famous name off the fourth record was an almost petulant attempt to let their Great Work symbolically stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum. Stripped of words and numbers, the album no longer referred to anything but itself: a concrete talisman that drew you into its world, into the frame. All the stopgap titles we throw at the thing are lame: Led Zeppelin IV, [Untitled], Runes, Zoso, Four Symbols. In an almost Lovecraftian sense, the album was nameless, a thing from beyond, charged with manna. And yet this uncanny fetish was about as easy to buy as a jockstrap.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold! “Passionate, obsessive, and smart.” —Nylon “…an inspired new series of short books about beloved works of vinyl.” —Details Description Tracing the creation of Exile on Main St. from the original songwriting done while touring America through the final editing in Los Angeles, Bill Janovitz explains how an album recorded by a British band in a villa on the French Riviera is pure American rock & roll. Looking at each song individually, Janovitz unveils the innovative recording techniques, personal struggles, and rock & roll mythmaking that culminated in this pivotal album. Excerpt Exile is exactly what rock & roll should sound like: a bunch of musicians playing a bunch of great songs in a room together, playing off of each other, musical communion, sounds bleeding into each other, snare drum rattling away even while not being hit, amps humming, bottles falling, feet shuffling, ghostly voices mumbling on and off-mike, whoops of excitement, shouts of encouragement, performances without a net, masks off, urgency. It is the kind of record that goes beyond the songs themselves to create a monolithic sense of atmosphere. It conveys a sense of time and place and spirit, yet it is timeless. Its influence is still heard today. Keith Richards has said, tongue in cheek, the record “was the first grunge record.”

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold! “Passionate, obsessive, and smart.” —Nylon “…an inspired new series of short books about beloved works of vinyl.” —Details Nicholas Rombes is an English professor at the University of Detroit Mercy, where he teaches and writes about film, music, and pop culture. His writing has appeared in a range of journals and magazines, including Exquisite Corpse (edited by Andrei Codrescu) and McSweeney’s. He is also the editor of the forthcoming book Post-Punk Cinema. Description What could be more punk rock than a band that never changed, a band that for decades punched out three-minute powerhouses in the style that made them famous? The Ramones’ repetition and attitude inspired a genre, and Ramones set its tone. Nicholas Rombes examines punk history, with the recording of Ramones at its core, in this inspiring and thoroughly researched justification of his obsession with the album. Excerpt: When I sat down to write about the album’s opening song, “Blitzkreig Bop,” my first line was “This is the best opening song to any rock album.” Then I decided that sounded too creepily fanatic and more than a little disingenuous, since I haven't heard every rock album ever made, and I took it out. But then I went downstairs to the turntable and played it and midway through ran back upstairs and put the line back in even before the screensaver clicked in. Here’s why: “Blitzkrieg Bop” succeeds not only as a song in its own right, but also as a promise kept. The songs that follow live up to the speed, humor, menace, absurdity, and mystery of that first song, whose opening lines “Hey ho, let's go” offer not so much a warning as an invitation to the listener, an invitation and a threat that the song isn’t a fluke or a one-off, but that it sets the stage for an entire album that will be fast and loud.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Pet Sounds is, rightly, one of the most celebrated pop albums ever released. It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson’s pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives Pet Sounds its heart almost four decades after its release.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Thirty-Three and a Third is a series of short books about critically acclaimed and much-loved albums of the past 40 years. Over 50,000 copies have been sold! “Passionate, obsessive, and smart.” —Nylon “…an inspired new series of short books about beloved works of vinyl.” —Details Franklin Bruno’s writing about music has appeared in the Village Voice, Salon, LA Weekly, and Best Music Writing 2003 (Da Capo). He has a Ph.D. in Philosophy from UCLA, and his musical projects include Tempting: Jenny Toomey Sings the Songs of Franklin Bruno (Misra) and A Cat May Look At A Queen (Absolutely Kosher), a solo album. He lives in Los Angeles.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

R.E.M.’s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album’s genesis – with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe’s hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art. EXCEPRT: In the course of an interview that took place some twenty years ago, Michael Stipe made passing reference to an essay that had a deep impact on him. It’s what came to his mind when, after having been harangued by fans and journalists alike about Murmur’s lyrics, already grown weary from having to continually entertain their broad speculations, he finally threw up his hands. “Anyone who really wants to figure out the words to our songs should probably read this essay, then go back and listen,” Stipe told the interviewer. “It talks about how people misinterpret something that’s being said, and come up with a little phrase or word that actually defines the essence of what the original was better than the original did.” What Stipe was trying to say is that if you want answers to R.E.M., you’re not only looking in the wrong place, you’re also asking the wrong questions.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley’s fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley’s passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s. EXCERPT: Jeff Buckley was piecing together a contemporary popular music history for himself that was steeped in the magic of singing. He was busy hearing how Dylan channeled Billie Holiday in Blonde On Blonde and how Robert Plant was doing his best to sound like Janis Joplin on early Led Zeppelin recordings. He was thinking about doo-wop and opera and Elton John and working at developing a way to harness the power of the voice…In the process, he was re-defining punk and grunge “attitude” itself by rejecting the ambivalent sexual undercurrents of those movements, as well as Led Zeppelin’s canonical “cock rock” kingdom that he’d grown up adoring. He was forging a one-man revolution set to the rhythms of New York City and beyond. And he was on the brink of recording his elegant battle in song for the world to hear.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

When the Motor City 5 stormed the stage, the band combined the kinetic flash of James Brown on acid with the raw musical dynamics of the Who gone berserk. It’s a unique band that can land itself on the cover of Rolling Stone a month before the release of its debut album and then be booted from its record contract just a few months later. Rock had never before seen the likes of the MC5 and never will again. Many of us who were floored by the 5 in concert were convinced that this was the most transcendently pulverizing rock we would ever experience, while many more who heard or read about the band dismissed the 5 as a caricature, a fraud, White Panther bozos play-acting at revolution. There was always plenty of humor to the 5—visionary knuckleheads—though the question was whether they were in on the joke. Frequently ridiculed during their short career, they’ve since been hailed as a primal influence on everything from punk to metal to Rage Against the Machine to the Detroit populist resurgence of the White Stripes, Kid Rock and Eminem.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

“One day I blew my nose and half my brains came out.” Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he’s built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: “I know it was recorded in LA because I read it was”), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, “one, two, one, two, three, four,” followed by the droning synth chords of “Born in the U.S.A.” Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line (“Born down in a dead man’s town”) he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen’s voice grew a bit more private and reluctant as he sang, “Nowhere to run. Nowhere to go.” It was as if he weren’t sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength—building a crescendo that fell apart in the cacophony of Springsteen’s and Weinberg’s wild soloing, paused and then came together again in the determined, marching riff—it was clear that the singer was ready to make a stand.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Though Nevermind was Nirvana’s most commercially successful album, and the record that broke them — and the grunge phenomenon — internationally, In Utero has increasingly become regarded as the band’s best album, both by the critics and the band members themselves. Instead of sticking to the “grunge pop” formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band’s creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like. Here, the full story behind the creation of In Utero is told for the first time.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books...you will, too!

Highway 61 Revisited resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In “Like a Rolling Stone,� his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? a composite “type�?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In “Ballad of a Thin Man,� the younger generation’s confusion is thrown back in the Establishment’s face, even as Dylan vents his disgust with the critics who labored to catalogue him. And in “Desolation Row,� he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humor, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mournful sweetness of Bloomfield’s flamenco-inspired fills.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books...you will, too!

Loveless remains an enigma, 15 years after its release - an album so influential and groundbreaking that its chief creator, Kevin Shields, has been unable or unwilling to release an official follow-up. In his book, Mike McGonigal talks to all the members of My Bloody Valentine, in an almost certainly futile attempt to get at the essence of this extraordinary record.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Released in the U.S. in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire. . .the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Who’s catalog, has been embraced by a growing number of fans who regard it as the band’s best work; one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album; without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books...you will, too!

Daydream Nation is the kind of gorgeous monstrosity (born of extremes, rife with difficulties, and mythic in proportion) that can crush the will of the most resilient, well-intentioned listener if the necessary preparations haven’t been made.Matthew Stearns explores the album from a range of angles, including a track-by-track analysis and a look at the historical and cultural context within which the album was made. Featuring a foreword by Lee Ranaldo and exclusive interviews with the band, this truly is the definitive guide to Daydream Nation.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Court and Spark is Joni Mitchell’s most overt attempt at making a hit record, full of glossy production, catchy choruses, and even guest stars from every stratum of rock culture, high (Robbie Robertson) and low (Cheech and Chong). The record was a smash, reaching number two on the charts in March of 1974, spawning three hit singles; Help Me, Free Man in Paris and Raised on Robbery and cementing Mitchell’s position as a commercial as well as an artistic force. Sean Nelson, a well known musician himself (Harvey Danger, the Long Winters), is particularly well equipped to understand all the elements that went into the making of this classic album, and he does so with clarity and wit.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

It was the season of the blockbuster. Between August 12 and November 26 1991, a whole slew of acts released albums that were supposed to sell millions of copies in the run-up to Christmas. Metallica, Michael Jackson, Pearl Jam, Nirvana, Garth Brooks, MC Hammer, and U2 - all were competing for the attention of the record-buying public at the same time. But perhaps the most attention-seeking act of all was Guns N Roses. Their albums Use Your Illusion 1 and 2, released on the same day, were both 75-minute sprawlers with practically the same cover design - an act of colossal arrogance. On one level, it worked. The albums claimed the top two chart positions, and ultimately sold 7 million copies each in the US alone. On another level, it was a disaster. This was an album that Axl Rose has been unable to follow up in fifteen years. It signaled the end of Guns N Roses, of heavy metal on the Sunset Strip, and the entire 1980s model of blockbuster pop/rock promotion. Use Your Illusion marked the end of rock as mass culture. In this book, Eric Weisbard shows how the album has matured into a work whose baroque excesses now have something to teach us about pop and the platforms it raises and lowers, about a man who suddenly found himself praised to the firmament for every character trait that had hitherto marked him as an irredeemable loser.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Like all double albums, Songs in the Key of Life is imperfect but audacious. If its titular concern - life - doesn't exactly allow for rigid focus, it's still a fiercely inspired collection of songs and one of the definitive soul records of the 1970s. Stevie Wonder was unable to control the springs of his creativity during that decade. Upon turning 21 in 1971, he freed himself from the Motown contract he'd been saddled with as a child performer, renegotiated the terms, and unleashed hundreds of songs to tape. Over the next five years, Wonder would amass countless recordings and release his five greatest albums - as prolific a golden period as there has ever been in contemporary music. But Songs in the Key of Life is different from the four albums that preceded it; it's an overstuffed, overjoyed, maddeningly ambitious encapsulation of all the progress Stevie Wonder had made in that short space of time.

Zeth Lundy's book, in keeping with the album's themes, is structured as a life cycle. It's divided into the following sections: Birth; Innocence/Adolescence; Experience/Adulthood; Death; Rebirth. Within this framework, Zeth Lundy covers Stevie Wonder's excessive work habits and recording methodology, his reliance on synthesizers, the album's place in the gospel-inspired progression of 1970s R'n'B, and many other subjects.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

By the time Roger McGuinn, David Crosby, Chris Hillman, and Michael Clarke entered the studio to begin work on this album, they were basically falling apart at the seams. “Ladyfriend”, a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This – coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day – pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called “Triad”, written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called “Goin’ Back” on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members’ rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he’d had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

In the spring of 1969, the inauspicious release of Captain Beefheart and the Magic Band’s Trout Mask Replica, a double-album featuring 28 stream-of-consciousness songs filled with abstract rhythms and guttural bellows, dramatically altered the pop landscape.Yet even if the album did cast its radical vision over the future of music, much of the record's artistic strength is actually drawn from the past. This book examines how Beefheart's incomparable opus, an album that divided (rather than) united a pop audience, is informed by a variety of diverse sources. Trout Mask Replica is a hybrid of poetic declarations inspired by both Walt Whitman and the beat poets, the field hollers of the Delta Blues, the urban blues of Howlin' Wolf, the gospel blues of Blind Willie Johnson, and the free jazz of Ornette Coleman. This book illustrates how Trout Mask Replica was not so much an arcane specimen of the avant-garde, but rather a defiantly original declaration of the American imagination.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

The story of the Minutemen has been told before (Our Band Could Be Your Life, We Jam Econo), but this book focuses purely on their music – the punk ethic and the remarkable, enduring songs that comprise this, their greatest achievement. Including extensive interviews with Mike Watt and many others close to and inspired by the band, this is a great tribute to a classic piece of American underground music.

Included are extensive interviews with Mike Watt, the band's bass player, as well as interviews with several artists, musicians, studio owners, and fanzine writers who have been devoted followers of the band for years.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Aja was the album that made Steely Dan a commercial force on the order of contemporaries like Fleetwood Mac, the Eagles and Chicago. A double-platinum, Grammy-winning bestseller, it lingered on the Billboard charts for more than a year and spawned three hit singles. Odd, then, that its creators saw it as an “ambitious, extended” work, the apotheosis of their anti-rock, anti-band, anti-glamour aesthetic. Populated by thirty-five mostly jazz session players, Aja served up prewar song forms, mixed meters and extended solos to a generation whose idea of pop daring was Paul letting Linda sing lead once in a while. And, impossibly, it sold. Including an in-depth interview with Donald Fagen, this book paints a detailed picture of the making of a masterpiece.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

One of the finest hip-hop albums ever made, A Tribe Called Quest's debut record (featuring stone-cold classics like "Can I Kick It?" and "Bonita Applebum") took the idea of the boasting hip-hop male and turned it on its head. For many listeners, when this non-traditional, surprisingly feminine album was released, it was like hearing an entirely new form of music. In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time - a 17-year-old high-school geek who was equally into hip-hop, punk, new wave, skateboarding, and Dungeons & Dragons: all of a sudden, with this one album, the world made more sense. He has spent many years investigating this album, from the packaging to the song placement to each and every sample - Shawn Taylor knows this record like he knows his tattoos, and he's finally been able to write a fascinating and highly entertaining book about it.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Rid of Me joins Music From Big Pink by John Niven and Meat is Murder by Joe Pernice as one of three fictional titles in the 33 1/3 Series, and tells the story of Kathleen and Mary, two women who find themselves alone in a house in the middle of the dark, forbidden forest that borders their depressed valley town. Amidst a dramatic natural setting, they negotiate their freedom, their pasts, their survival, and each other. Rid of Me is a story of escape and desire, violence and gender, landscape, family, and memory. It's a twisted fairy tale, a queer dystopia/utopia, and a lyrical exploration of kidnapping, dreams, murder, sex, revenge, and love.

Kate Schatz's Rid of Me is at once a wholly original work of fiction and an innovative meditation on one writer's relationship to an album. The album in question is PJ Harvey's 1993 recording Rid of Me, a release noted again and again for its raw sound, dark lyrics, and unabashed presentation of female sexuality, desire, and rage. In her prologue, Schatz states that the book is "not about Rid of Me, but because of it" and the book's 14 chapters (one for each song on the album) use the lyrics, moods, images, and characters to create something entirely different, yet intimately connected to the music.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

A fully illustrated oral history of the Magnetic Fields' 1999 triple album, 69 Love Songs - an album that was afforded "classic" status by many almost as soon as it was released. LD Beghtol's book is chatty, incestuous, funny, dark, digressive, sexy, maddening, and delightful in equal measures. It documents a vital and influential scene from the inside, involving ukuleles and tears, citations and footnotes, analogue drum machines, and floods of cognac. Oh, and a crossword puzzle too.

The centre of the book is the secret history of these tuneful, acerbic, and sometimes heartbreaking songs of old love, new love, lost love, punk rock love, gay love, straight love, experimental music love, true love, blue love, and the utter lack of love that fill the album - as told by participants, fans, imitators, naysayers, and others.

Also included are a lexicon of words culled from the album's lyrics, recording details, performance notes from the full album shows in New York, Boston and London, plus rare and unpublished images, personal memorabilia, and much much more.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

If You’re Feeling Sinister shows how Belle & Sebastian transformed themselves over the space of a decade, from a slightly shambolic cult secret into a polished, highly entertaining, mainstream pop group. Along the way, the book shows how the internet has revolutionized how we discover new music—often at the cost of romance and mystery.

Are Liner Notes Not Enough For You?

33 1/3 is a series of short books about the making of wide variety of albums, written by a diverse group of authors/artists with titles ranging from Aja by Steely Dan to Zeppelin IV. The series contains over fifty titles and is acclaimed and loved by fans, musicians and scholars alike. These are for the music nuts out there who appreciate fantastic design, and smart, fun writing. Each book in the series takes an important album and breaks it down in startling minutiae. We love these books…you will, too!

Stephen Catanzarite takes a close look at what many consider to be U2’s most fully formed album through the prisms of religion, politics, spirituality, and culture, illuminating its previously unexplored depths, arguing that it’s a concept album about love and the fall of man.

304 pg. Paperback Book

ISBN: 1556523734

338 pg. Hard Cover Book

ISBN: 0316009989