Diddy Wah Diddy - Vinyl Record
- Product Code:
- 7" Vinyl Single - 2 Singles Sealed
- Track Listing
In the high desert of California, they were referred to simply as “Beefheart.”
Don Van Vliet acquired the habit of singing along to vintage blues records while hanging with high school chum Frank Zappa. Founder Alex Snouffer formed the Magic Band in late 1964. And, by early 1965, the powerful and charismatic local blues combo had made quite a name for itself locally as “the band” for local dances at the fairgrounds. By late ’65 the inclusion of master guitarist Rich Hepner explosively changed the group’s chemistry; dances morphed to concerts – with the dancers choosing to sit on the floor, captivated by this white blues band that seemed to transform Exposition Hall into a spellbinding Louisiana swamp.
In early 1966, the band signed with A&M Records. Producer David Gates (of Bread fame) was assigned production duties, and the first result – a cover of Bo Diddley’s “Diddy Wah Diddy” – stunned everyone. Famed Del Rio, Texas DJ “Wolfman Jack” introduced it by saying “OK everybody on the highway, you’d better pull over, cause here comes Captain Beefheart with ‘Diddy Wah Diddy.’”
Ill-fated times intervened with the coincidental cover of “Diddy” by an East Coast group – The Remains – which was releases almost simultaneously on the Epic Records label. Confusion and chaos reigned, and the songs dropped from the charts quickly. Founder Snouffer reflected: That’s a record label’s, personal manager’s, and band’s nightmare.” Undaunted, Gates penned a follow-up to “Diddy,” entitled “Moonchild.” The band arranged it themselves – interpreting Dave’s guitar/voice demo. Gates reaction: “Boy, it wasn’t supposed to happen like this!”
Van Vliet had also penned his first recorded compositions – “Who Do You Think You’re Fooling” for the B-side of “Diddy” and “Frying Pan” for the B-side of “Moonchild.” Van Vliet went on in later years through many incarnations of Magic Bands to create the most avante-garde rock music ever recorded, but the roots of these early pieces echo throughout all the later works.
-John French, Lancaster, CA
2. Who Do You Think You’re Fooling
4. Frying Pan
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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