Classic Rock Vinyl Records

Mastered from the Original Master Tapes: You Will Not Find a Better-Sounding Version!

The Heart of Saturday Night, Closing Time, and Small Change Also Available on 180g LP from Warner Bros.

A still-novel idea and an even better album, Tom Waits' Nighthawks At The Diner literally brings the atmosphere of a nightclub into the studio as, for the sessions, Waits concocted a club in the studio and invited a live audience to the recording sessions. Intimate, spontaneous, and filled with late-night vibes, the 1975 double LP is an American classic.

Already championed on the strength of his first two albums, Waits' increased maturity is in evidence throughout, as his now-trademark humor comes into fore on songs such as Emotional Weather Report and Better Off Without a Wife. He's almost an advertisement for the allure of whiskey and pills to cure loneliness, but remains willing to bear the lonesomeness cross for others around him.

And, thanks to the studio set-up, Waits' framing of songs with elaborate scenery and graphic detail have never been stronger. A crack band that includes drummer Bill Goodwin, bassist Jim Hughart, tenor saxophonist Peter Christlieb, and pianist Mike Melvoin supplies the sonic landscape. Waits' rich, theatrical voice and guttersnipe poetry do the rest. As do his colorful introductions to the fare.

An artist whose popularity spans generations and is equally prized by both older and younger audiences, Waits' records remain in constant demand, particularly on vinyl, where they fetch top dollar on the used market. Despite several import LP versions, no edition of Nighthawks at the Diner has ever claimed audiophile-quality sound. Which is reason enough why Warner Bros.' reissues of the singer's first four albums on 180g vinyl are worth celebrating and immediately owning.

Mastered from the original master tapes, this is the first time that any of Waits' formative work has been upgraded and comes on with a presence, immediacy, and detail that have always been missing. Do not miss this incredible pressing!

Track Listing:
1. Opening Intro
2. Emotional Weather Report
3. Intro
4. On A Foggy Night
5. Intro
6. Eggs And Sausage (In A Cadillac With Susan Michelson)
7. Intro
8. Better Off Without A Wife
9. Nighthawk Postcards (From Easystreet)
10. Intro
11. Warm Beer And Cold Women
12. Intro
13. Putnam County
14. Spare Parts 1 (A Nocturnal Emission)
15. Nobody
16. Intro
17. Big Joe And Phantom 309
18. Spare Parts 2 And Closing

This new 180g audiophile version of Bridge Of Sighs is mastered from the original Chrysalis Records tapes by Joe Reagoso at Friday Music and Capitol Studios in Hollywood, CA. This five star masterpiece features the original artwork, and above all, the guitar wizardry of the living legend Robin Trower!

Track Listing:
1. Day Of The Eagle
2. Bridge Of Sighs
3. In This Place
4. The Fool And Me
5. Too Rolling Stoned
6. About To Begin
7. Lady Love
8. Little Bit Of Sympathy

Side B
5. Snake Charmer
6. The Temple Of The King
7. If You Dont Like Rock N Roll
8. Sixteenth Century Greensleeves
9. Still Im Sad

Stunning 180-Gram limited edition gatefold blue vinyl reissue of Rainbow's fourth studio album.

Down To Earth is the fourth studio album released by Rainbow, released in 1979. Most of the album had been already written and recorded by the time Graham Bonnet was recruited. Also recruited were Ritchie Blackmore's ex-Deep Purple bandmate Roger Glover and keyboardist Don Airey, who would later join Deep Purple. Lyrics were by Glover, music by Blackmore, Airey and Cozy Powell

Side B

5. Since Youve Been Gone 3:21
6. Loves No Friend 4:55
7. Danger Zone 4:32
8. Lost In Hollywood 4:52 

Rising (also known as Rainbow Rising) is a hard rock/heavy metal album by Rainbow, released in 1976. With founder Ritchie Blackmore retaining only Ronnie James Dio from the previous album, he recruited keyboard player Tony Carey, bassist Jimmy Bain and drummer Cozy Powell to complete the new line-up. Recorded in Munich in less than a month, the album was overseen by Deep Purple engineer and rock producer Martin Birch. The album marks Dio's first work with bassist Jimmy Bain: Bain would later play bass in Dio's solo band. The album showpiece is the 8 minute piece "Stargazer", which features the Munich Philharmonic Orchestra.

Track Listing:
Side A

1. Tarot Woman – 6:04
2. Run With The Wolf – 3:43
3. Starstruck – 4:08

Side B

4. Do You Close Your Eyes – 3:02
5. Stargazer – 8:32
6. A Light In The Black – 8:12

The album was recorded live over several German and Japanese dates in late 1976 during the Rising world tour. Many of the tracks were spliced together from different dates by producer Martin Birch, and the running order was changed to more easily fit four sides of vinyl. The recording features the customary introduction to a Rainbow show - the classic quote from the The Wizard of Oz, "Toto: I've a feeling we're not in Kansas anymore. We must be over the rainbow!" with the last word repeated as an echo, then the actual band plays a musical phrase from the song Somewhere Over the Rainbow before breaking into Kill the King.

Side A

1. Over The Rainbow ( Intro ) – Kill The King – 5:32
2. Medley : Man On The Silver Mountain- 11.16

Side B

3. Catch The Rainbow – 15:38

Side C

4. Mistreated – 13:09

Side D

5. Sixteenth Century Greensleeves – 7:38
6. Still I’m Sad – 11:01

Difficult to Cure is the fifth album released by Rainbow, in 1981, and marked a further commercialisation of the band's sound. In an interview in Sounds (July 25th 1981), a UK music paper, Blackmore openly stated his liking for Foreigner and erstwhile vocalist Ronnie James Dio has referred to this period of Rainbow as "Foreigner Junior". The album material was started with Graham Bonnet still in the band, getting as far as recording I Surrender. Turner was recruited and sang over backings already completed. In a 1982 interview with British Rock magazine Kerrang! Turner stated that, because of this, he was singing in higher keys than he would do normally (and would do subsequently).

Side A

1. Death Alley Driver – 4:46
2. Stone Cold – 5:19
3. Bring On The Night (Dream Chaser) – 4:06
4. Tite Squeeze – 3:14
5. Tearin’ Out My Heart – 4:02

Side B

6. Power – 4:25
7. Miss Mistreated – 4.30
8. Rock Fever – 3:50
9. Eyes Of Fire – 6:39 

Side B

A dozen haunting rock numbers prove that Molly Hatchet are justly considered to be on a par with legends such as Lynyrd Skynyrd and the Allman Brothers. Justice is marked by hot Southern rock that could hardly be more powerful and diverse. Almost every single track signals its musical and thematic direction. Producer Ingram is responsible for the awesome sound, supported by sound engineer Tommy Newton, who mixed the album. “I wanted a warm, natural sound, which you only get with an analog mixing desk,” Ingram explains his decision in favor of Newton and his Area 51 studio.

And so Justice has turned into an album that impresses at all levels: earthy, dynamic, with a lot of love for detail and loads of energy. One could say it’s Molly Hatchet at their best!

Track Listing:

1. Justice

1. Mississippi Moon Dog
2. World of Trouble
3. Silent Reign of Heroes
4. Miss Saturday Night
5. Blue Thunder
6. Just Remember (You're the Only One)
7. Junk Yard Dawg
8. Dead and Gone (Redneck Song)
9. Saddle Tramp
10. Fall of the Peacemakers
11. Whiskey Man
12. One Man's Pleasure

Gatefold Cover

Meat Loaf's Bat Out Of Hell will forever be one of rock music's most enduring masterpieces. Sung and performed by Meat Loaf, composed by Jim Steinman & produced by Todd Rundgren, this 1977 forty times plus platinum classic will stand always as one of the most successful albums in recording history.With its rock opera anthems like the ultimate power ballad Two Out Of Three Ain't Bad, + Paradise By The Dashboard Light & of course the stellar heavy metal title track, Meat Loaf delivered his entire persona into each and every track. Included with ltd. gatefold cover + mastering by Joe Reagoso.

Track Listing:
1.Bat Out Of Hell
2.You Took The Words Right Out Of My Mouth (Hot Summer Night)
3.Heaven Can Wait
4.All Revved Up With No Place To Go
5.Two Out Of Three Ain't Bad
6.Paradise By The Dashboard Light
7.For Crying Out Load

Features:
High quality 180g Audiophile Vinyl
Replication of Original Artwork


Track Listing:
LP1
1. Only The Young
2. Dont Stop Believin'
3. Wheel In The Sky
4. Faithfully
5. Ill Be Alright Without You
6. Any Way You Want It
7. Ask The Lonely
8. Whos Crying Now

LP2
1. Separate Ways (Worlds Apart)
2. Lights
3. Lovin, Touchin, Squeezin
4. Open Arms
5. Girl Cant Help It
6. Send Her My Love
7. Be Good To Yourself
8. When You Love A Woman

Granted, by the time this sophomore set appeared in late 1979, the world had already been introduced to Eddie Van Halen's pyrotechnic guitar skills and trick bags of jaw-dropping solos. And everyone knew about David Lee Roth's flamboyant singing, oversexed machismo, and vaudeville antics. But the quartet ups the quotient level throughout Van Halen II, which swaggers to a flawless batch of songs and phenomenal playing. There's not a weak moment or note here.

Moreover, as Eddie consistently delivers searing fills, acrobatic leads, and gravity-defying phrasings, Roth steps it up a notch, inserting himself in the role of the come-hither vocalist whose self-aware humor balances his glammed-up, spandex-clad, riser-leaping persona. Again proving itself deft with its choice of a cover (the lead-off "You're No Good"), Van Halen turns up the heat throughout, celebrating cheap and carefree sleaze, booze-soaked good times, and yes, the band's perennial favorite subject, women. There's no topping the soaring "Beautiful Girls." It, and many of the songs here were actually aired in demo form for Kiss' Gene Simmons before the group signed to Warner Bros.

So, okay, the blonde bombshell and six-pack of Pabst Blue Ribbon don't come with this gorgeous pressing, but all of the sonic fun does. Play this awesomely remastered and cleanly pressed LP on a hi-fi system, crank the volume to the level where your neighbor leaves their house, and be prepared to be flooded by late-70s indulgences and one killer riff after another.

Mastered by Kevin Gray from the original analog master tapes, Rhino's stunning 180g LP brings brings the dynamics, details, and punch of the music into supreme focus, and also magnifies the group's famous characteristics and personalities. Close your eyes and you'll both hear and see Roth's frenetic energy and bawdy yelps; Alex Van Halen's drum-til-you-drop bluster and oversized percussion kit; Michael Anthony's Jack Daniel's-inspired bass runs and karate-chop kicks; and Eddie Van Halen's fretboard wizardry, so ahead of its time no one has yet to catch up.

Bottoms up!

Track Listing:
1. You're No Good
2. Dance the Night Away
3. Somebody Get Me a Doctor
4. Bottoms Up!
5. Outta Love Again
6. Light Up the Sky
7. Spanish Fly
8. D.O.A.
9. Women in Love
10. Beautiful Girls

Anchored by the one-two punch of "And the Cradle Will Rock" and "Everybody Wants Some!!," the 1980 release marks the first and only time the group employed a female vocalist, as Nicolette Larson sings on the chorus during "Could This Be Magic?" In addition, the opening track features a phase-shifter-effected Wurlitzer piano being played through a 100-watt Marshall amplifier, the change in instrumentation a hint of the ambition that was to come.

Make no mistake: Women and Children First knows how to party hard, but there are also undercurrents of somber tension missing on the first two albums. Van Halen matures here and it's a welcome evolution, as confirmed by the power ballad "In a Simple Rhyme" and country-flavored "Take Your Whiskey Home." But above all, this album rocks harder than any other VH effort.

No, the bottle of hairspray and liter of Jack Daniel's aren't included with this killer reissue, but cue this meticulously pressed LP up on a good system, turn up the volume, and the good time pleasures forever associated with early Van Halen come rushing back! Guaranteed.

Mastered from the original analog tapes and pressed at RTI, Rhino's new 180g LP brings brings the dynamics and punch of the fervent music into crystal-clear focus and also shines a spotlight on the group's trademarks: Roth's shuck-and-jive deliveries; Alex Van Halen's booming percussion; Michael Anthony's soulful bass; and of course, Eddie Van Halen's inimitable guitar heroics.

Rock on!

Track Listing:
1. And the Cradle Will Rock
2. Everybody Wants Some!!
3. Fools
4. Romeo Delight
5. Tora! Tora!
6. Loss of Control
7. Take Your Whiskey Home
8. Could This Be Magic?
9. In a Simple Rhyme

Coming on the heels of two records on which Van Halen engaged in a slight power struggle, with David Lee Roth leaning in favor of spritzy pop and bacchanalian shtick and Eddie Van Halen preferring more complex material, 1984 bridges the two disciplines and also brings to the table the most cohesive, consistent, and celebratory original songs the quartet ever devised. The melodies, choruses, riffs, and accents here are the stuff of legend. Hear a snippet of "Jump," constructed entirely around Eddie's synthesizer parts, the speedy boogie of "Hot For Teacher," rumbling engine-revving pulse of "Panama," or dramatic flow of "I'll Wait," and be hooked for life.

While this 180g LP can't give you the hot-rod car Diamond Dave cruised around in during the era or Eddie's striped red Kramer guitar, it basically provides everything else. Once the needle drops, Van Halen enters your room. And we're talking the cool edition of Van Halen, the boys playing around, clad in retro tuxedos, white gloves, and black sunglasses while dancing about in comedic and clever MTV videos that became a staple of the channel's most dominant period. Admit it: Who wasn't hot for teacher after watching that clip? Now, bring the memories and pleasures that much nearer to reality.

Mastered by Kevin Gray from the original analog master tapes and pressed at RTI, Rhino's 180g LP brings brings the dynamics, edginess, and punch of the music into laser-sharp focus. Never before has the engine noise of Eddie's Lamborghini on "Panama" or the synthesizer airiness of the introductory "1984" sounded so lifelike. Never before has Roth's baritone, sensual rasp, and unique screams sounded more lively or persuasive. Then, of course, there's the classic and then-controversial album art, in full resolution. You can't lose.

Class dismissed!

Track Listing:
1. 1984
2. Jump
3. Panama
4. Top Jimmy
5. Drop Dead Legs
6. Hot for Teacher
7. I'll Wait
8. Girl Gone Bad
9. House of Pain

Few albums, especially of this epic proportion, rival this magnificent production first released in 1974. In an era of over indulgent double LP efforts and "rock operas", "Lamb" was inspired by a trip to New York City by the band, resulting in the writing and production of what is considered not only the high point of the "Gabriel era" of Genesis, but also in one of the greatest rock albums, ever. Featuring extended passages showcasing the multi-instrumental talents of the band plus the prolific and expressive if sometimes weird and disturbing lyrics by Gabriel, it tells the saga of a NYC graffiti artist named Rael and his ultimate transformation. The album would be Gabriel's swan=song as a member and help launch a still on-going solo career. Featuring the original 2-LP artwork, the songs include Fly On A Windshield, Broadway Melody of 1974, Cuckoo Cocoon, In The Cage, The Grand Parade of Lifeless Packaging, Back In N.Y.C., Hairless Heart, Counting Out Time, Carpet Crawlers, The Chamber of 32 Doors, Lilywhite Lilith, The Waiting Room, Anyway, Here Comes the Supernatural Anaesthetist, The Laima, Silent Sorrow in Empty Boats, The Colony of Slippermen, Ravine, The Light Dies Down On Broadway, Riding the Scree, In The Rapids, It and of course the title tune.

Booklet for LP 1 included - there is no booklet for LP2 in this pressing

Track Listing:
LP1
1. The Lamb Lies Down On Broadway
2. Fly On A Windshield
3. Broadway Melody Of 1974
4. Cuckoo Cocoon
5. In The Cage
6. The Grand Parade Of Lifeless Packaging
7. Back In N.Y.C.
8. Hairless Heart
9. Counting Out Time
10. The Carpet Crawlers
11. The Chamber Of 32 Doors

LP2
1. Lilywhite Lilith
2. The Waiting Room
3. Anyway
4. Here Comes The Supernatural Anaesthetist
5. The Lamia
6. Silent Sorrow In Empty Boats
7. The Colony Of Slippermen
8. The Arrival
9. A Visit To The Doktor
10. The Raven
11. Ravine
12. The Light Dies Down On Broadway
13. Riding The Scree
14. In The Rapids
15. It

The songwriting combination paid magnificent dividends. 1981's Escape peaked at Number One on the Billboard charts and remained amidst the Top 200 Albums for more than two years. No fewer than four singles: "Still They Ride," the everlasting power ballad "Open Arms," the AOR-ready "Who's Crying Now," and the forever-beloved anthem "Don't Stop Believin'," cracked the Top 20 singles charts. And when, in 2005, the World Champion Chicago White Sox adopted "Don't Stop Believin'" as their theme song, the tune was reborn as a rallying cry for sports teams across the country.

Driven by Journey's classic (and really, only true) lineup of vocalist Steve Perry, legendary guitar hero Neil Schon, bassist Ross Vallory, drummer Steve Smith, and keyboardist Jonathan Cain, Escape has tallied sales of more than 9 million copies in the U.S. alone. And now it's sounds sounds better than ever on LP!

Marking the beginning of Friday Music's Journey 180 Gram Audiophile Vinyl Series, Escape comes for the first time on 180 gram high grade audiophile vinyl pressed at RTI and mastered from the original Columbia Records tapes by Joe Reagoso and Kevin Gray at AcousTech. It's also housed in a gatefold cover (another first) and includes a lyric sheet.

Track Listing:
1. Don't Stop Believin'
2. Stone In Love
3. Who's Crying Now
4. Keep On Runnin'
5. Still They Ride
6. Escape
7. Lay It Down
8. Dead Or Alive
9. Mother, Father
10. Open Arms

Mastered from the Original Epic Records Tapes by Joe Reagoso and Kevin Gray at AcousTech/RTI

180g LP Pressing Features a Gatefold Cover: A First for This Incredible Debut

Classic Rock Landmark Has Sold More Than 17 Million Copies: Experience the Pioneering Production As It's Always Been Meant to Be Heard on Vinyl

Spearheaded by MIT graduate and studio enthusiast Tom Scholz, Boston almost single-handedly created arena rock on its 1976 debut. A classic rock juggernaut that has sold more than 17 million copies in America alone, Boston soars on the strength of reflective lyrics, contagious melodies, towering vocals, and one delicious hook after another.

And was Boston ever a unit. Scholtz's strong masterful guitar chops, the late Brad Delp's powerhouse vocals, Barry Goudreau's rhythm guitar playing, Fran Sheehan's bass action, and Sib Hashian's dynamite drumming propelled the band to unforeseen heights. If a group's legacy can be determined on the basis of how long its music holds up, Boston's ranks with the best. Smash songs such as "More Than A Feeling," "Smokin'," and "Long Time" remain staples on radio stations around the world. They are immediately distinctive and unfailingly uplifting.

Part of the appeal directly concerns Boston's unduplicated sound. Scholtzs pioneering 12-track recording devices allowed him to create layered sounds whose depth, width, and height know no limits. And now, more than 30 years later, his production genius can finally be heard as originally intended.

Mastered from the original Epic Records tapes by Joe Reagoso and Kevin Gray at AcousTech/RTI, Boston reaches new-found glory here with amazing sonics that possess phenomenal clarity and detail. Friday Music's 180g LP also features a gatefold cover, a first for this classic.

Track Listing:
1. More Than A Feeling
2. Peace of Mind
3. Foreplay/Long Time
4. Rock & Roll Band
5. Smokin'
6. Hitch a Ride
7. Something About You
8. Let Me Take You Home Tonight

Half-speed mastered from the original analog master tapes, Mobile Fidelitys numbered limited-edition 180g LP possesses a warmth, immediacy, and intimacy that surpasses that available on any of Taylors prior albums, Rhinos analog reissues included. The singers comforting voice, breath control, and enchanting guitar lines sound as if they pour right out of the studio control room, and the splendid array of backing instrumentation is balanced, vivid, and dynamic. Youve never heard Taylor this realistic, warm, or lively.

More than any other of his records, the triple-platinum JT features all sides of Taylors lyrical persona. Optimistic, content material fills half of the set while Taylor also reveals a darker, moodier identity on a number of songs that keep the 12-track set alternating between shade and light, shadow and sun. He turns romantic and blissful on the touching ballad There We Are, praises the power of love on Your Smiling Face, and enchants with the graceful Secret OLife.

In addition to the domestic bliss, Taylor also expresses surprise and cynicism on Honey Dont Leave L.A., delves into despair on Another Grey Morning, and invites sardonic tones on Bartenders Blues. The result is a complete picture of an extraordinary songwriter, and accurate sketches of the mixed emotions so many of us feel. Taylors ability to capture deep-seeded feelings, and set them to lyrical and musical poetry, explains why we relate to him on such a meta-level. Its also why his music, particularly JT, remains timeless.

Taylor doesnt do it all alone. JT benefits from an all-star support cast. Iconic singers Carly Simon and Linda Ronstadt supply background vocals, saxophone great David Sanborn plays the horn, Russ Kunkel mans the percussion, and legendary arranger David Campbell oversees the strings and woodwinds. Its no wonder why many fans consider this gorgeous collection of Laurel Canyon pop-rock Taylors finest.

Mobile Fidelity is honored to have given this easy listening late-70s gem the sonic restoration befitting its brilliant musical content. Whether youve never heard this record or know it inside and out, this 180g analog reissue will open your ears to previously hidden details ranging from pedal-steel guitar accents to honky-tonk tonalities that add to the overall enjoyment. Taylors funky rhythms, too, gain in stature, as does his meticulous command of pace and tempo. Bliss.

Track Listing:
1. Your Smiling Face
2. There We Are
3. Honey Don't Leave L.A.
4. Another Grey Morning
5. Bartender's Blues
6. Secret O' Life
7. Handy Man
8. I Was Only Telling a Lie
9. Looking for Love on Broadway
10. Terra Nova
11. Traffic Jam
12. If I Keep My Heart Out of Sight

Half-speed mastered from the original master tapes, Mobile Fidelitys numbered limited-edition 180g LP marks the first time this classic has been properly remastered. Far exceeding the sonics of Sonys CD reissue, this audiophile version lifts up the cover on a world of sound, with Taylors mellow finger-picked guitar melodies, gently reassuring vocals, and bittersweet deliveries brought to the fore. Listeners will also be able to relax amidst the soft clouds of comforting background singing by ace guests Jennifer Warnes, J.D. Souther, and Peter Asher.

With the title reflecting the singers answer to his then-wife, Carly Simon, Dad Loves His Work remains a statement of certainty and priority that Taylor invests with devastating poignancy, physiological soulfulness, and universal pathos. Balancing the biting edginess and forlorn despair with equal parts self-deprecating humor and rapier wit, Taylors songwriting on such nuggets as Hard Times, Hour That the Morning Comes, and charged Stand and Fight is among the best of his career.

No surprise, then, that Taylor wasnt only looking at and reflecting upon his own life, but that of his relationship with his own father and ancestors. The emotional repercussions involved with such looming themes trickle through the harmony-laden music, spurred by the vocalists trademark acoustic guitar, shivering harmonicas, Rhodes pianos, myriad percussive devices, and tasteful synthesizer passages.

Taylors definitive duet with Souther on Her Town Too bridged both the pop and adult-contemporary charts, catapulting Dad Loves His Work in the Top Ten and past sales of one million copies. Similarly, Taylor expands his horizons on the politically motivated Sugar Trade, co-written by Jimmy Buffett.

Mobile Fidelitys collectible audiophile 180g LP brings you into Taylors private world with unparalleled intensity and extreme closeness. Taylor feels every word he sings on this record, and now, thanks to meticulous remastering efforts, his expressiveness and sensitivity coming through via unencumbered transparency and dynamic acoustics. This edition of Dad Loves His Work is not to be missed!

Track Listing:
1. Hard Times
2. Her Town Too
3. Hour That the Morning Comes
4. I Will Follow
5. Believe It or Not
6. Stand and Fight
7. Only for Me
8. Summer's Here
9. Sugar Trade
10. London Town
11. That Lonesome Road

When The Byrds went on stage for the last time in 1991 on the occasion of their being inducted into the Hall of Fame, the honourary title of 'Founders of Folk and Country Rock' had long been theirs. And if there were an award for quarrelling, constant changes of band members and a continuous threat of a break-up, then the Byrds would certainly have earned it. When they decided to record Bob Dylan’s smash hit "Mr. Tambourine Man", Dylan himself had to enter on the scene to calm the waters. Eventually the song was recorded with session musicians and the frontman Roger McGuinn, who lent the band their characteristic sound with the unmistakable twang of his 12-string Rickenbacker guitar.

Released three years after the band’s founding, Greatest Hits is a compilation of numbers which had proved very popular when released as singles. Alongside Pete Seeger’s musing "Turn, Turn, Turn", the album contains their own space rock compositions "Fifth Dimension", "Mr. Spaceman", and "Eight Miles High", the latter of which has often incorrectly construed as a trip on LSD. The selection of songs on the present album represents the innovative, creative powers of the early Byrds.

Musicians:

• Gene Clark, David Crosby (guitar, vocal)
• Roger McGuinn (banjo, guitar, vocal)
• Chris Hillman (bass, vocal)
• Michael Clark (drums)

About Speakers Corner

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existant tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky“), but even in this particular case we used the analogue tapes for cutting.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects – excluding the exception above – and that the lacquer discs are newly cut.

Like the band's previous two releases, Cream's third album, Wheels Of Fire (1968), also topped the charts. Although it was criticized at the time for being a somewhat disjointed album, because it was divided into one LP of new studio material and one LP of live material. However, it has nonetheless gone down in the annals of history because the song "White Room" remains one of the Great Moments of rock and roll. It was subsequently released as two separate albums, both reissued on white vinyl by Vinyl Lovers.

Track Listing:
Side One

1. Crossroads
2. Spoonful

Side Two

1. Traintime
2. Toad

1. Down From The Mountain
2. Rolling Thunder
3. Devil's Canyon

Side 2

1. Heartless Land
2. Never Say Never
3. Tatanka

Side 3

1. Come Hell Or High Water
2. The Look In Your Eyes
3. Eat Your Heart Out

Side 4

1. The Journey
2. Dreams I'll Never See
3. Bloody Reunion (Bonus Track)

We're An American Band changed history once again for this multi-platinum act as it rose to the top of the charts and brought them more deserved fame. As the anthem-like title track and album took off, even more chart action unfolded with hits like "Walk Like A Man (You Can Call Me Your Man). This groundbreaking album also included some very hard hitting rockers like "Black Licorice," "The Railroad" and more fan favorites like "Stop Looking Back."

Track Listing:
1. We're An American Band
2. Stop Looking Back
3. Creepinâ
4. Black Licorice
5. The Railroad
6. Ainât Got Nobody
7. Walk Like A Man (You Can Call Me Your Man)
8. Lonliest Rider

Eric Clapton live on December 4, 2001 at Tokyo's Budokan Arena, playing a wide range of songs in both the electric and acoustic settings. Features versions of the Cream classics "Badge" and "Sunshine Of Your Love," electric and acoustic renditions of "Layla," as well as takes on Clapton's biggest solo hits such as "Cocaine" and "Tears In Heaven."

Track Listing:
LP1
1. Key To The Highway
2. Reptile
3. Got You On My Mind
4. Tears In Heaven
5. Layla (Acoustic)
6. Bell Bottom Blues
7. Change The World
8. River Of Tears
9. Goin' Down Slow
10. She's Gone

LP2
1. Badge
2. Hoochie Coochie Man
3. Five Long Years
4. Layla (Electric)
5. Wonderful Tonight
6. Cocaine
7. Sunshine Of Your Love
8. Over The Rainbow

Finally! The audiophile edition of Rumours that music listeners have dreamed about for decades. Hear this iconic masterwork in all of its full-range glory. Renowned engineers Steve Hoffman and Kevin Gray have gone back to the original analog master tapes and produced an truly amazing-sounding version that exeeds even the highest expectations. One of the greatest albums ever made, now with sound that befits its status!

The undisputed crown-jewel of the Fleetwood Mac catalog, Rumours has been certified an incredible nineteen times platinum and is one of the best-selling albums in history. A rare effort that transcends genre, generations, and the personnel that created it, Rumours is quite possibly THE definitive album of the 1970s and unquestionably, one of the most vital rock LPs ever made.

With such classic rock staples as "Dreams," "Don't Stop," "Go Your Own Way," "You Make Loving Fun," "The Chain," and "Gold Dust Woman," Rumours reads like a greatest hits package rather than an incredible singe album. Stevie Nicks, Lindsey Buckingham, Mick Fleetwood, and Co. simply make magic on every track. And while celebrated as one of the best break-up releases to enter the public realm, Rumours succeeds primarily because of the impeccable songwriting and passioned playing. No matter your age, interests, or tastes, this is a record everyone should own.

Order your copy, as well as several for friends and family, today!

Track Listing:
1. Second Hand News
2. Dreams
3. Never Going Back Again
4. Don't Stop
5. Go Your Own Way
6. Songbird
7. The Chain
8. You Making Love Fun
9. I Don't Want To Know
10. Oh Daddy
11. Gold Dust Woman

Chicago: Terry Kath (vocals, guitar); Robert Lamm (vocals, keyboards); Lee Loughnane (vocals, trumpet); Peter Cetera (vocals, bass); James Pankow (trombone); Walter Parazaider (woodwinds); Danny Seraphine (drums). Additional personnel: J.G. O'Rafferty (pedal steel guitar); Laudir De Oliveira, Joe Lala (congas). Recorded at Caribou Ranch, Nederland, Colorado in February 1973.Includes liner notes by Don Heckman. All tracks have been digitally remastered. The album on which Chicago fully dropped its early jazz-rock roots and went strictly pop, 1973's CHICAGO VI features two of the band's finest singles, the romantic "Just You 'N' Me" and the uplifting "Feelin' Stronger Every Day," along with a solid set of album tracks. Although Robert Lamm's solo piano ballad "Critics' Choice" reveals a thin skin concerning the group's poor reviews from the hipster press, Terry Kath's "What's This World Coming To" and Lamm's dreamy "Something in This City Changes People" are nearly as strong as the big hits. Elsewhere, the country-fried "In Terms of Two" proves an interesting stylistic detour. Chicago has always been a definitive singles band, but those looking to explore their catalogue beyond the hits should check out this excellent release.

Track Listing:
1. Critics' Choice
2. Just You 'N' Me
3. Darlin' Dear
4. Jenny
5. What's This World Coming To
6. Something in This City Changes People
7. Hollywood
8. In Terms of Two
9. Rediscovery
10. Feelin' Stronger Every Day

Features early renditions and alternate takes of the classics "Little Wing,"Gap," "All Along The Watchtower," plus previously unheard recordings such as "South Saturn Delta," as well as live cuts from the Rainbow Bridge and War Heroes concerts. A must for any Hendrix enthusiast, and a great reference point for those enamored with otherworldly guitar playing.

Track Listing:
1. Look Over Yonder
2. Little Wing (Angel)
3. Here He Comes (Lover Man)
4. South Saturn Delta
5. Power Of Soul
6. Message To The Universe (Message To Love)
7. Tax Free
8. All Along The Watchtower
9. The Stars That Play With Laughing Sam's Dice
10. Midnight
11. Sweet Angel (Angel)
12. Bleeding Heart (Peoples, Peoples, Peoples)
13. Pali Gap
14. Drifter's Escape
15. Midnight Lightning

1. Stranded (4:30)
2. Cant Let You Go (4:22)
3. Fool For The Night (4:05)
4. Fire Dance (4:31)
5. Anybody There (2:41)

SIDE B

6. Desperate Heart (4:37)
7. Street Of Dreams (4:27)
8. Drinking With The Devil (3:45)
9. Snowman (4:33)
10. Make Your Move (5:25)

The incredible chart topper album not only solidified the band a major entrée into the music business, Dreamboat Annie has forever etched the title superstar to Heart as they have been a mainstay in the hearts and minds of music fans ever since.
As a further installment to the Friday Music Heart 180 Gram Audiophile Series, Friday Music is re-presenting Hearts Dreamboat Annie for the audiophile vinyl collector in all of us.
This 35th Anniversary limited edition release is mastered impeccably from the original Capitol tapes by Joe Reagoso at Friday Music Studios with Kevin Gray. This masterwork truly captivates the listener in the audiophile vinyl domain. The stunning vocals and guitar artistry of Ann and Nancy Wilson is second to none as you will relive the great vibes delivered from this mega classic. For this special release, you can also count on the original artwork graphics in a very limited edition gatefold cover.

Track Listing:
1. Magic Man
2. Dreamboat Annie (Fantasy Child)
3. Crazy on You
4. Soul of the Sea
5. Dreamboat Annie
6. White Lightning & Wine
7. (Love Me Like Music) I'll BeYour Song
8. Sing Child
9. How Deep It Goes
10. Dreamboat Annie (Reprise)

Professionally Recorded on 7-Inch Reel-to-Reel Tape: Phenomenal Sonics Capture the 21-Year-Old Bard Solo and Acoustic

Features Stripped-Down, Intense Versions of Songs from the Then-Forthcoming The Freewheelin' Bob Dylan and Still Long-Off The Times They Are-A Changin'

Early, archival insights into the burgeoning genius of a young Bob Dylan don't come any better than this: A previously unknown live recording of a 21-year-old Dylan taped at the Brandeis First Annual Folk Festival in Waltham, Massachusetts, on May 10, 1963, Bob Dylan In Concert - Brandeis University 1963 captures the rollicking wit, deadpan delivery, and driving intensity of the young artist's onstage persona in an assortment of end-of-the-world songs (none of them commercially available at the time) performed in front of an appreciative audience two weeks prior to the release of The Freewheelin' Bob Dylan. Indeed, these two performances took place just weeks before Dylan's "Blowin' in the Wind" became a smash for Peter, Paul, and Mary and months before his appearance at the Newport Folk Festival would forever change the course of music history.

The Bob Dylan In Concert - Brandeis University 1963 concert tape was discovered recently in the archives of the noted music writer and Rolling Stone co-founder Ralph J. Gleason, where it sat on a shelf for more than forty years. "It had been forgotten, until it was found last year in the clearing of the house after my mother died," said Toby Gleason, Ralph's son. "It's a seven inch reel-to-reel that sounds like it was taped from the mixing desk."

Drawn from two sets that spring night at the Brandeis Folk Festival, tracks on Bob Dylan In Concert - Brandeis University 1963 include "Honey, Just Allow Me On More Chance" (incomplete), "Talkin' John Birch Paranoid Blues," "Ballad Of Hollis Brown," "Masters of War," "Talkin' World War III Blues," "Bob Dylan's Dream," and "Talkin' Bear Mountain Picnic Massacre Blues."

Previously available as a limited time offer, Bob Dylan In Concert - Brandeis University 1963 has been reissued in response to overwhelming popular demand for a wide release. The new Columbia/Legacy edition features liner notes penned exclusively for this release by noted Bob Dylan scholar Michael Gray, author of The Bob Dylan Encyclopedia and the three-volume Song & Dance Man: The Art of Bob Dylan, who provided an explication of the album's seven songs and historical/cultural context for the performances.

Track Listing:
1. Honey, Just Allow Me One More Chance (incomplete)
2. Talkin' John Birch Paranoid Blues
3. Ballad of Hollis Brown
4. Masters of War
5. Talkin' World War III Blues
6. Bob Dylan's Dream
7. Talking Bear Mountain Picnic Massacre Blues

Mastered By Joe Reagoso & Kevein Gray at RTI/Acoustech

There are breakthrough albums and then there are amazing groundbreaking masterpieces like Journeys Infinity. This legendary 1978 LP broke a lot of records during its colossal two year run on the coveted radio and retail charts. Journeys tireless touring and fan support truly drove this album to the top, as our San Francisco based superstars finally achieved their well deserved platinum plus status.

With the tremendous addition of their exciting new vocalist Steve Perry, as well as his incredible songwriting collaborations with bandmates Gregg Rolie (Santana), Neal Schon (Santana), Ross Valory (Steve Miller Band) and Aynsley Dunbar (Jefferson Starship), Journeys Infinity truly became a classic album for all time.

Filled with enough hit songs to be its own Greatest Hits album, the Infinity line-up included chart topping smashes like "Wheel In the Sky," "Feeling That Way," "Anytime" and of course their hometown anthem "Lights." Plus, the prog-rock leanings of masterful tracks like "Winds Of March," made this magical LP the classic that it is today.

Friday Music proudly announces its 180g Audiophile Vinyl release of Journey's Infinity. As with their previous Journey Escape offering, this impeccable release was mastered from the original Columbia Records tapes by Joe Reagoso and Kevin Gray at AcousTech/RTI.

This limited edition masterpiece also comes packaged in a beautiful first time gatefold cover, which includes the song lyrics as well as the cover artwork of Kelley and Mouse. The album cover is also packaged in a poly cover and the LP is in a poly sleeve.

Track Listing:
1. Lights
2. Feeling That Way
3. Anytime
4. La Do Da
5. Patiently
6. Wheel In The Sky
7. Somethin To Hide
8. Winds Of March
9. Can Do
10. Opened The Door

The band celebrated their 25th anniversary by touring the world, which started in 2002 and concluded in 2003. They recorded their show in Amsterdam and released it in late 2003. Music on Vinyl is proud to release this album for the first time on vinyl.

Track Listing:
Side A
MEDLEY:
1. Girl Goodbye
2. Goodbye Elenore
3. Child's Anthem
4. I'll Supply The Love
5. Gift With A Golden Gun
6. While My Guitar Gently Weeps

Side B
1. Bodhisattva
2. Africa
3. Rosanna

Side C
MEDLEY:
1. Waiting For Your Love
2. Georgy Porgy
3. Lion
4. Hydra
5. English Eyes
6. Till The End
7. I Won't Hold You Back

Side D
1. Afraid Of Love
2. Hold The Line
3. Home Of The Brave

1977's In Color is Cheap Trick's second full-length release and the songs and music are as impressive as the band's debut. Melodic, gritty and just a rockin' good time, the album is one of rock's best ever sets of lip-smacking, hip-shaking, guitar-driven, harmony-coated super-songs. In Color contains the studio version of "I Want You To Want Me," which would go on to become one of their biggest hits a few years later when it was released on the At Budakon album, along with four other tracks from this record ("Hello There," "Big Eyes," "Clock Strikes Ten" and "Come On, Come On"). These original versions have all the energy of that classic live set.

Producer Tom Werman understood the band's pop dynamic and brought out the best in the individual members, resulting in pop/rock written and performed as close to perfection as pop-metal/power-pop gets. Aside from the craftsmanship, the album has genuine heart and a fun attitude. Cheap Trick is a band that never took itself too seriously as famously illustrated on the gatefold LP jacket where singer Robin Zander and bassist Tom Petersson are captured in full color astride motorcycles on the front cover while drummer Bun E. Carlos and guitarist Rick Nielsen are in black and white and upside-down, on the back.

Track Listing:
1. Hello There
2. Big Eyes
3. Downed
4. I Want You To Want Me
5. You're All Talk
6. Oh Caroline
7. Clock Strikes Ten
8. Southern Girls
9. Come On, Come On
10. So Good To See You

Electric Warrior is the sixth studio album by English rock band T. Rex

Track Listing:
Side One

1. Mambo Sun
2. Cosmic Dancer
3. Jeepster
4. Monolith
5. Lean Woman Blues

Side Two

6. Get It On
7. Planet Queen
8. Girl
9. The Motivator
10. Life's A Gas
11. Rip Off

Originally released in 1968, the aspiring Anthem of the Sun is the second album from The Grateful Dead and it finds the band refining the dynamics of their live set in the confines of the studio while simultaneously challenging the conventions of the LP medium. The addition of lyricist Robert Hunter and percussionist Mickey Hart helps take the Dead's brand of improvisational psychedelia to new heights here and displays that they could be as equally transcendent in the studio.

Track Listing:
1. That's It For The Other One (Parts I-IV)
2. New Potato Caboose
3. Born Cross-Eyed
4. Alligator
5. Caution (Do Not Stop On The Tracks)
6. Alligator (Live in Los Angeles Version)
7. Caution (Do Not Stop On The Tracks) (Live In Los Angeles 1968 Version)
8. Feedback (Live In Los Angeles 1968 Version)
9. Born Cross-Eyed (Single Version)

The Grateful Dead's first seminal release of 1970 finds the band in an uncharacteristic acoustic setting paying homage to their country, blues and folk roots. Featuring concise songs and tighter arrangements, the timeless Workingman's Dead exhibits the band's true essence as American songwriters of the highest order and that their restless ambition existed in the studio as much as it did in concert. Workingman's Dead introduced such all-time Dead classics as "Uncle John's Band" and "Casey Jones" among others.

Track Listing:
1. Uncle John's Band
2. High Time
3. Dire Wolf
4. New Speedway Boogie
5. Cumberland Blues
6. Black Peter
7. Easy Wind
8. Casey Jones

The out of print 'Quad' vinyl has been replicated, creating the perfect vinyl version playable on your stereo turntable with the original rear sections moved to the center of the front right/left speakers.

Worked from digital transfers (96k/24 bit) made from the original analog masters. The original label supplied Sister Ray with these files and photo copies of the analog including copies of Bob Ludwig's mastering notes.

Track Listing:
1. Metal Machine Music Part - 1
2. Metal Machine Music Part - 2
3. Metal Machine Music Part - 3
4. Metal Machine Music Part - 4

After several whirlwind tours to celebrate their amazing successful run with albums like Fragile, Close To The Edge and Yessongs, the legendary Yes got back to the studio and worked on an amazing and huge piece of music for their 1974 prog-rock masterwork Tales From Topographic Oceans.

With an ever interesting line-up of world class musicianship featuring Jon Anderson (vocals), Chris Squire (bass/vocals), Steve Howe (guitars/vocals), Rick Wakeman (keyboards) and Alan White on drums, Tales From Topographic Oceans truly stands as absolutely one of the most important albums of their mega successful career.

Often considered one of the finest recordings in their amazing career, Yes fans continue to praise Tales Of Topographic Oceans as a truly inspiring masterwork. This important piece of music consists of four amazing Yes workouts such as the definitive side one opener "The Revealing Science of God," the art rock driven "The Remembering," the percussive and acoustic favorite "The Ancient - Giants Under The Sun," and of course, the definitive album closer "Ritual - Nous Sommes du Soleil."

As Friday Music continues their exclusive and extensive Yes 180 Gram Audiophile Vinyl Series, they are very honored to announce the release of their 1974 masterpiece Tales From Topographic Oceans. Issued for the first time on premium sound 180 gram high grade audiophile vinyl, this exceptional deluxe two-album extravaganza is now mastered impeccably from the original Atlantic Records tapes by Joe Reagoso (Close To The Edge, Drama, Time And A Word, 90125, Relayer).

This limited edition masterpiece is also housed in a beautiful gatefold cover and includes the original stunning artwork by the great Roger Dean. To make this even more of an enjoyable listen, Friday Music has included poly-lined sleeve for each record album and a poly-album cover bag to protect your audiophile recording.

Track Listing:
LP 1
1. The Revealing Science of God - Dance of the Dawn
2. The Remembering - High the Memory

LP 2
1. The Ancient - Giants Under the Sun
2. Ritual - Nous Sommes du Soleil

"This is Alice's nightmare 35 years later," explains Alice, "Bob and I created this character and we know how to write for him. I play the part but we're not writing for me, we're writing for Alice. We kept the first Nightmare album very personal to us, on this one we found more humor and we were more open. This was our world and we want to present it to the fans. The original album was my first solo album after all those huge hit records with the original band and now that nightmare is exposed, this one can be a little bit more open. The music crosses all sorts of boundaries; we went where the lyrics took us."

Welcome 2 My Nightmare features an array of collaborators including Alice Cooper members Denis Dunaway, Michael Bruce and Neal Smith who reunite on 3 tracks; global pop superstar Ke$ha, who affectionately calls Alice dad; and legendary Alice and Lou Reed guitarist Steve Hunter, who is part of Alice's current touring band and who was featured prominently on the first Nightmare album.

Musically, the album ranges far and wide, from trashing disco to garage punk, pop balladry to a rocking number, very much in the spirit of the Rolling Stones. And then there's the ballad "Something To Remember Me By," described by Alice as "the prettiest song we have ever released." Glimpes of themes from the original album are also intertwined throughout, each track representing a different aspect of Alice's nightmare.

Track Listing:
LP 1
1. I Am Made Of You
2. Caffeine
3. The Nightmare Returns
4. A Runaway Train
5. Last Man On Earth
6. The Congregation
7. I'll Bite Your Face Off
8. Disco Bloodbath Boogie Feer
9. Ghouls Gone Wild
10. Something To Remember Me By

LP 2
1. When Hell Comes Home
2. What Baby Wants
3. I Gotta Get Outta Here
4. The Underture
5. Flatline

Features:
Limited Uber Deluxe Edition "magnetic puzzle tiled box"
180 gram Double LP, 5 Vinyl Single Discs, 6 CDs, 4 DVDs
Gatefold wallet containing 6 CD audio discs (the album, follow-up Zooropa, remixes and reworkings from Achtung Baby sessions)
Gatefold wallet containing 4 DVD discs (including From the Sky Down documentary, Zoo TV: Live From Sydney, videos and bonus material).
Album on 2 180 gram Black Vinyl LPs in wide spine sleeve with 2 x inner bags
5 × 7 Clear Vinyl in original sleeves housed in a slipcase
84 page hardback book
16 page 12×12 oversized booklet
Bonos trademark The Fly sunglasses
4 Enamel badges
Propaganda magazine
16 art prints in wallet
Sticker sheet
Exclusive numbered lithograph

U2's Most Lavish Uber Deluxe Edition Box Set Marks the 20th Anniversary of Their Seminal Album Achtung Baby! Includes 180 gram Vinyl, 5 - 7" Vinyl Discs, 6 CDs & 4 DVDs and More Housed in Magnetic Puzzle Tiled Box!

U2 release their most lavish Uber Deluxe Edition to date to mark the 20th anniversary of their seminal album Achtung Baby.

Achtung Baby was the 7th studio album by the iconic European rock group. After taking a hit by critics of their 1988 Rattle and Hum release, U2 shifted their musical direction to incorporate alternative rock, industrial, and electronic dance music influences into their sound. The group began recording Achtung Baby in Berlin's Hansa Studios in October of 1990 during the German reunification. The sessions were plagued with conflict while the band argued over the direction and quality of material. Finally, the group made a breakthrough with the improvised writing of the song "One". Morale improved when they returned to Dublin in 1991 and completed most of the recordings.

Achtung Baby is one of U2's most successful records earning favorable reviews and debuting at number one on the US Billboard 200 Top Albums and topping charts in other countries as well. The album produced five hit singles including "One, "Mysterious Ways", and "The Fly". The album was awarded a Grammy in 1993 for Best Rock Performance By a Duo or Group with Vocal. One of the most acclaimed records of the '90s, Achtung Baby is regularly featured on lists of the greatest albums of all time.

The Uber Deluxe Edition includes previously unreleased material, live and documentary video footage, remixes, b-sides and even an album full of demo and early versions of the final 1991 track listing.

Track Listing:
CD1 - Achtung Baby
1. Zoo Station
2. Even Better Than The Real Thing
3. One
4. Until The End Of The World
5. Whos Gonna Ride Your Wild Horses
6. So Cruel
7. The Fly
8. Mysterious Ways
9. Tryin To Throw Your Arms Around The World
10. Ultra Violet (Light My Way)
11. Acrobat
12. Love Is Blindness

CD2 - Zooropa
1. Zooropa
2. Babyface
3. Numb
4. Lemon
5. Stay (Faraway, So Close!)
6. Daddy's Gonna Pay for Your Crashed Car
7. Some Days Are Better Than Others
8. The First Time
9. Dirty Day
10. The Wander

CD3 - Uber Remixes
1. Night and Day (Steel String Remix)
2. Real Thing (Perfecto Mix)
3. Mysterious Ways (Solar Plexus Extended Club Mix)
4. Lemon (Perfecto Mix)
5. Can't Help Falling In Love (Triple Peaks Remix)
6. Lady with the Spinning Head (Extended Dance Remix)
7. Real Thing (V16 Exit Wound Remix)
8. Mysterious Ways (Ultimatum Remix)
9. The Lounge Fly
10. Mysterious Ways (The Perfecto Remix)
11. One (Apollo 440)/Mix Masters (S-109)

CD4 - Unter Remixes
1. Mysterious Ways (Tabla Motown Remix)
2. Mysterious Ways (Appollo 440 Magic Hour Remix)
3. Cant Help Falling in Love (Mystery Train Dub)
4. One (Apollo 440) Ambient Master [S-109]
5. Lemon (Momos Reprise)
6. Salome (Zooromancer Remix)
7. Real Thing (Trance Mix)
8. Numb (Gimme Some More Dignity Mix)
9. Mysterious Ways (Solar Plexus Magic Hour Remix)
10. Numb (The Soul Assassins Mix)
11. Real Thing (Apollo 440 Stealth Sonic Remix)

CD5 - B-Sides and Bonus Tracks
1. Lady With the Spinning Head (UV1)
2. Blow Your House (Analogue Mix Bono Edit)
3. Salome
4. Even Better Than the Real Thing (Single)
5. Satelite of Love
6. Wild Horses (Temple Bar Remix)
7. Heaven And Hell (In Truth Mix)
8. Oh Berlin (Analogue Mix 1)
9. Near the Island (Instrumental) Night Train from Rostock
10. Down All The Days (Vsn 1)
11. Paint it Black
12. Fortunate Son
13. Alex Descends into Hell for a Bottle of Milk/Korova
14. Where Did It All Go Wrong
15. Everybody Loves a Winner (Edit Between Take 2+3)
16. Real Thing (Fish Out of Water Mix)

CD6 - Baby Achtung Baby
1. Baby Zoo Station
2. Baby Even Better Than The Real Thing
3. Baby One
4. Baby Until The End Of The World
5. Baby Whos Gonna Ride Your Wild Horses
6. Baby So Cruel
7. Baby The Fly
8. Baby Mysterious Ways
9. Baby Tryin To Throw Your Arms Around The World
10. Baby Ultra Violet (Light My Way)
11. Baby Acrobat
12. Baby Love Is Blindness

Achtung Baby 12" Vinyl
LP1
1. Zoo station
2. Even Better Than the Real Thing
3. One
4. Until the End of the World
5. Whos Gonna Ride Your Wild Horses
6. So Cruel
LP2
1. The Fly
2. Mysterious Ways
3. Tryin' To Throw Your Arms Around the World
4. Ultra Violet
5. Acrobat
6. Love Is Blindness

5 x 7" Vinyl Singles
1. The Fly
2. Mysterious Ways
3. Even Better than the Real Thing
4. One
5. Whos Gonna Ride Your Wild Horses

DVD
1. From The Sky Down A Documentary
2. Videos
3. Bonus Material
4. ZOO TV: Live From Sydney The Concert

U2 Achtung Baby 20th Anniversary Ultimate Collector's Edition on Limited Edition 180 gram 4LP Box Set + 16 Page Booklet + Digital Download Voucher

To commemorate 20 years since its original 1991 release, U2 and Island Records are now releasing an anniversary edition of Achtung Baby.

Recorded over six months at Hansa Studio in Berlin and Windmill Lane in Dublin, Achtung Baby is U2s seventh studio album. Produced by long time U2 collaborators, Daniel Lanois and Brian Eno with Steve Lillywhite, Achtung Baby was engineered by Flood and led by "The Fly." The album spawned four other singles, "Mysterious Ways," "One," "Even Better Than The Real Thing" and "Whos Gonna Ride Your Wild Horses."

Twenty years ago, Bono described Achtung Baby as "the sound of four men chopping down The Joshua Tree," while Jon Pareles of the New York Times wrote that "stripped-down and defying its old formulas, U2 has given itself a fighting chance for the 1990's." The album won a Grammy Award for Best Rock Performance and became one of the most significant records of the '90s and of U2s career.

This 20th Anniversary Ultimate Collector's Edition Vinyl Box Set is a limited release containing 4 LPs, two of which are pressed on translucent blue vinyl containing remixes and B-sides. The box also includes a 16 page booklet.

Track Listing:
LP1
1. Zoo station
2. Even Better Than the Real Thing
3. One
4. Until the End of the World
5. Whos Gonna Ride Your Wild Horses
6. So Cruel

LP2
1. The Fly
2. Mysterious Ways
3. Tryin' To Throw Your Arms Around the World
4. Ultra Violet
5. Acrobat
6. Love Is Blindness

LP3
1. Real Thing (Perfecto Mix)
2. Night and Day (Twilight Remix)
3. Mysterious Ways (Perfecto Remix)
4. Real Thing (Fish Out Of Water Mix)

LP4
1. Salome (Zooromancer Remix)
2. Mysterious Ways (Solar Plexus Club Mix)
3. Lemon (Perfecto Mix)

The Grateful Deads first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even Luxembourg. Many members of the Dead family came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Deads label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour.

This was a band at the top of its game, still ascending in the wake of three straight hit albums: Workingmans Dead, American Beauty and the live Grateful Dead (Skull & Roses). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the groups exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. This would also be Pigpen's final tour with the band.

There was a ton of new, unreleased material that came into the repertoire in the fall of 71 (after Skull & Roses was out) and during the spring of 72, including Tennessee Jed, Jack Straw, Hes Gone, Ramble on Rose, One More Saturday Night and Mr. Charlie. All those future classics were interspersed with songs from the aforementioned hit albums such as Cumberland Blues and Sugar Magnolia, as well as spectacular versions of Truckin and I Know You Rider.

Track Listing:
LP1
1. Cumberland Blues (Live in England 1972 Version)
2. He's Gone (Live in Amsterdam 1972 Version)
3. One More Saturday Night (Live in England 1972 Version)
4, Jack Straw (Live in Paris 1972 Version)
5. You Win Again (Live in England 1972 Version)
6. China Cat Sunflower (Live in Paris 1972 Version)
7. I Know You Rider (Live in Paris 1972 Version)

LP2
1. Brown-Eyed Woman (Live in Denmark 1972 Version)
2. Hurts Me Too (Live in London 1972 Version)
3. Ramble On Rose (Live in England 1972 Version)
4. Sugar Magnolia (Live in Paris 1972 Version)
5. Mr. Charlie (Live in England 1972 Version)
6. Tennessee Jed (Live in Paris 1972 Version)

LP3
1. Truckin' (Live in London 1972 Version)
2. Epilogue (Live in England 1972 Version)
3. Prelude (Live in England 1972 Version)
4. Morning Dew (Live in England 1972 Version)

During the bands hiatus in 1988, the Greatest Hits album was issued, surveying tracks from the bands 7 albums. Over the years, Journeys music has been used in films and recently in several high-profile TV shows (particularly the song Dont Stop Believin). Now 16x Platinum in the U.S., Journeys Greatest Hits has truly taken on a life of its own.

But as successful as Greatest Hits is, its only a part of the Journey story. Several Top 40 and Top 20 singles were not included such as Stone In Love, Anytime and Feeling That Way, as well as songs near and dear to principal songwriters Steve Perry, Neal Schon and Jonathan Cain. For those who love the Greatest Hits and want more, Columbia/Legacy is proud to release Greatest Hits 2.

Track Listing:
LP 1

1. Stone In Love
2. After The Fall
3. Chain Reaction
4. The Party's Over (Hopelessly In Love)
5. Escape
6. Still They Ride
7. Good Morning Girl
8. Stay Awhile
9. Suzanne

LP 2

1. Feeling That Way
2. Anytime
3. Walks Like A Lady
4. Little Girl
5. Just The Same Way
6. Patiently
7. When I Think Of You
8. Mother, Father (Live)

Sourced from the original master tapes, cut by noted engineer Doug Sax, and overseen by resident Pink Floyd producer James Guthrie, this pressing bests anything you've heard. Teeming with stunning dynamics, an immense front-to-back soundstage, newly uncovered details, balanced transients, and tube-amplifier warmth, this dead-quiet pressing will have you truly hearing this all-time classic with fresh ears. Whether you already have The Wall on an older analog pressing or on one of myriad CD versions, YOU NEED TO HEAR THIS PRESSING

One of the most acclaimed concept albums of all time, The Wall is renowned as Roger Waters rock opera dealing with the abandonment and personal isolation of a rock star. Replete with smooth production, complex vignettes, and lacerating self-pity, the album yielded the U.S. and U.K. #1 hit "Another Brick In The Wall Pt. 2," and was subsequently adapted for cinema by Alan Parker featuring Bob Geldof in the lead role.

No matter your generation, you've heard of and will relate to The Wall. Treat yourself and experience it like never before with this pressing, sourced from the original master tapes and finally back on LP after being out of print for many years. Having taken one year to make, Rolling Stone nailed the record's genius when the magazine called it "Rock's ultimate self-pity opera, The Wall is also hypnotic in its indulgence: the totalitarian thunder of "In the Flesh?" the suicidal languor of "Comfortably Numb," the Brechtian drama of "The Trial.""

The vinyl remastering is sourced from the original analog master tapes for these amazing transfers. Cut by expert cutting engineer, Doug Sax and overseen by James Guthrie for the best sound quality possible.

Track Listing:
LP1
1. In The Flesh?
2. The Thin Ice
3. Another Brick In The Wall Part 1
4. The Happiest Days of Our Lives
5. Another Brick In The Wall Part 2
6. Mother
7. Goodbye Blue Sky
8. Empty Spaces
9. Young Lust
10. One of My Turns
11. Don't Leave Me Now
12. Another Brick In The Wall Part 3
13. Goodbye Cruel World

LP2
1. Hey You
2. Is There Anybody Out There
3. Nobody Home
4. Vera
5. Bring The Boys Back Home
6. Comfortable Numb
7. The Show Must Go On
8. In The Flesh
9. Run Like Hell
10. Waiting For The Worms
11. Stop
12. The Trial
13. Outside The Wall

Moving Pictures was Rush's eighth studio release and most successful album to date. Certified four-times platinum, the album features some of the band's most well known material and perennial radio favorites including "Tom Sawyer," "Limelight" and the Grammy-nominated instrumental "YYZ."

Track Listing:
1. Tom Sawyer
2. Red Barchetta
3. YYZ
4. Limelight
5. The Camera Eye
6. Witch Hunt
7. Vital Signs

Franks Wild Years was an album that was released in 1987, after the eponymous play written by Tom Waits & his wife Kathleen Brennan. Inspired by German art songs & carnival music, this "operachi romantic in two acts", this pinnacle of Waits-ness, brought forth gems such as 'Way Down In The Hole', the theme tune to much acclaimed tv show The Wire.

Track Listing:
1. Hang On St. Christopher
2. Straight To The Top (Rhumba)
3. Blow Wind Blow
4. Temptation
5. Innocent When You Dream (Barroom)
6. I'll Be Gone
7. Yesterday Is Here
8. Please Wake Me Up
9. Franks Theme
10. More Than Rain
11. Way Down In The Hole
12. Straight To The Top (Vegas)
13. I'll Take New York
14. Telephone Call From Istanbul
15. Cold Cold Ground
16. Train Song
17. Innocent When You Dream

Remastered by Kevin Gray

The Dead's last album for Warner Brothers. A single LP of acoustic and electric material from the shows on February 13 and 14, 1970 at the Fillmore East.

''...the songs are well-executed and the music harkens back to the band's blues-based roots"

''This is what the Grateful Dead sounded like at the close of the 1960's and the dawn of the 1970's''

History Of The Grateful Dead, Volume One (Bear's Choice) consists of selections from two magnificent moments in the band's history, February 13-14, 1970 a the Fillmore East in New York City at a time they were still making the transition from acidic to countrified music and their live performances included tunes from every corner of the American pop songbook. This 1973 release is the ninth album and the fourth live album by Grateful Dead and was compiled as a tribute to Ron ''Pigpen'' McKernan, the band's original keyboard player and blues aficionado, who died while the album was being prepared. The ''Bear'' of the title is Owsley Stanley, underground chemist turned Dead sound man. The album was recorded and produced by Stanley and fans often simply refer to the album as ''Bear's Choice''.

The set consists of seven songs, six of them covers. The first five songs are stripped down acoustic numbers with a nice bluesy feel to them. The album's sole original composition, Jerry Garcia's ''Black Peter,'' is a masterfully executed beautiful tune that ends Side One. The second half of the record belongs to Pigpen and the last two tracks are stunning electric offerings - a 20-minute, crazy old truckin' blues cover of Howlin' Wolf's ''Smokestack Lightnin','' and Otis Redding's ''Hard To Handle'' is a classic Dead hustling shuffle- Garcia is at his best, the vocal cooks and the band is tight and quick weaving their collective R&B-influenced psychedelia.

The record peaked at #60 on Billboard 200 - it is perhaps the Dead's most rustic album. The band sounds genuinely informal, with impromptu stage chatter adding to the low-key ambiance... just like a bunch of guys hanging out and making great music.

Track Listing:
1. Katie Mae
2. Dark Hollow
3. I've Been All Around This World
4. Wake Up Little Susie
5. Black Peter
6. Smokestack Lightnin'
7. Hard To Handle

This commemorative collector's edition box set celebrates the 40th Anniversary of Jethro Tull's seminal 1971 album Aqualung. Now, 40 years after its release, this prized recording gets a collection worthy of its historic status.

The limited collector's edition includes: 180g heavyweight LP, 2CD, DVD and Blu-Ray including various unreleased materials; a new stereo mix, the original Quad mix, 5.1 DTS and Dolby Digital Surround; 12" x 12" 48-page hardback book featuring liner notes and an interview with Ian, Q&A with engineer John Burns, memoirs from band members and Jennie Franks (Ian's first wife who wrote the lyrics for the title track), rare photos and notes on the new mixes by producer Steven Wilson and much more.

"Well it's finally here! The superb remixes by Porcupine Tree's Steven Wilson in both stereo and 5.1 Surround. Plus the re-mastered original mixes, bonus tracks, alternative versions and takes of the classic Aqualung material from 40 years ago. When I wrote and recorded these songs and slaved over a hot audio-mixer in Island Records' Basing Street Studios, I never thought we we would be celebrating this 40th Anniversary release, soon to be released in October. But you can't keep a good song down. Many of these are still favourites on stage today in our concerts throughout the world." - Ian Anderson

Track Listing:
LP - New Stereo Mix
1. Aqualung
2. Cross Eyed Mary
3. Cheap Day Return
4. Mother Goose
5. Wond'ring Aloud
6. Up To Me
7. My God
8. Hymn 43
9. Slipstream
10. Locomotive Breath
11. Wind Up

CD1 - New Stereo Mix
1. Aqualung
2. Cross Eyed Mary
3. Cheap Day Return
4. Mother Goose
5. Wond'ring Aloud
6. Up To Me
7. My God
8. Hymn 43
9. Slipstream
10. Locomotive Breath
11. Wind Up

CD2 - Additional 1970 & 1971 Recordings
1. Lick Your Fingers Clean
2. Just Trying To Be
3. My God (Early Version/Previously Unreleased)
4. Wond'ring Aloud (December 13, 1970/Previously Unreleased)
5. Wind Up (Early Version)
6. Slipstream (Take 2/Previously Unreleased)
7. Up The Pool (Early Version/Previously Unreleased)
8. Wond'ring Aloud, Again (Previously Unreleased)
9. Life Is A Long Song
10. Up The Pool
11. Dr. Bogenbroom (Remastered)
12. From Later (Remastered)
13. Nursie (Remastered)
14. US Radio Spot

DVD
1. Aqualung (5.1 Surround Sound Mix)
2. Cross-Eyed Mary (5.1 Surround Sound Mix)
3. Cheap Day Return (5.1 Surround Sound Mix)
4. Mother Goose (5.1 Surround Sound Mix)
5. Wond'ring Aloud (5.1 Surround Sound Mix)
6. Up To Me (5.1 Surround Sound Mix)
7. My God (5.1 Surround Sound Mix)
8. Hymn 43 (5.1 Surround Sound Mix)
9. Slipstream (5.1 Surround Sound Mix)
10. Locomotive Breath (5.1 Surround Sound Mix)
11. Wind-Up (5.1 Surround Sound Mix)
12. Lick Your Fingers Clean (New Mix) (5.1 Surround Sound Mix)
13. My God (Early Version) (5.1 Surround Sound Mix)
14. Up The 'Pool (5.1 Surround Sound Mix)
15. Life Is A Long Song (New Mix) (5.1 Surround Sound Mix)
16. Aqualung (New Stereo Mix)
17. Cross Eyed Mary (New Stereo Mix)
18. Cheap Day Return (New Stereo Mix)
19. Mother Goose (New Stereo Mix)
20. Wond'ring Aloud (New Stereo Mix)
21. Up To Me (New Stereo Mix)
22. My God (New Stereo Mix)
23. Hymn 43 (New Stereo Mix)
24. Slipstream (New Stereo Mix)
25. Locomotive Breath (New Stereo Mix)
26. Wind-Up (New Stereo Mix)
27. Lick Your Fingers Clean (New Mix)
28. Just Trying To Be (New Mix)
29. My God (Early Version)
30. Wond'ring Aloud (13th December 1970)
31. Wind-Up (Early Version - New Mix)
32. Slipstream (Take 2)
33. Up The 'Pool (Early Version)
34. Wond'ring Aloud, Again (Full Morgan Version)
35. Life Is A Long Song (New Mix)
36. Up The 'Pool (New Mix)
37. Dr Bogenbroom (2011 - Remaster)
38. From Later (2011 - Remaster)
39. Nursie (2011 - Remaster)
40. Aqualung (Quad Mix)
41. Cross-Eyed Mary (Quad Mix)
42. Cheap Day Return (Quad Mix)
43. Mother Goose (Quad Mix)
44. Wond'ring Aloud (Quad Mix)
45. Up To Me (Quad Mix)
46. My God (Quad Mix)
47. Hymn 43 (Quad Mix)
48. Slipstream (Quad Mix)
49. Locomotive Breath (Quad Mix)
50. Wind-Up (Quad Mix)

Blu-Ray
1. Aqualung (5.1 Surround Sound Mix)
2. Cross-Eyed Mary (5.1 Surround Sound Mix)
3. Cheap Day Return (5.1 Surround Sound Mix)
4. Mother Goose (5.1 Surround Sound Mix)
5. Wond'ring Aloud (5.1 Surround Sound Mix)
6. Up To Me (5.1 Surround Sound Mix)
7. My God (5.1 Surround Sound Mix)
8. Hymn 43 (5.1 Surround Sound Mix)
9. Slipstream (5.1 Surround Sound Mix)
10. Locomotive Breath (5.1 Surround Sound Mix)
11. Wind-Up (5.1 Surround Sound Mix)
12. Lick Your Fingers Clean (New Mix) (5.1 Surround Sound Mix)
13. My God (Early Version) (5.1 Surround Sound Mix)
14. Up The 'Pool (5.1 Surround Sound Mix)
15. Life Is A Long Song (New Mix) (5.1 Surround Sound Mix)
16. Aqualung (New Stereo Mix)
17. Cross-Eyed Mary (New Stereo Mix)
18. Cheap Day Return (New Stereo Mix)
19. Mother Goose (New Stereo Mix)
20. Wond'ring Aloud (New Stereo Mix)
21. Up To Me (New Stereo Mix)
22. My God (New Stereo Mix)
23. Hymn 43 (New Stereo Mix)
24. Slipstream (New Stereo Mix)
25. Locomotive Breath (New Stereo Mix)
26. Wind-Up (New Stereo Mix)
27. Lick Your Fingers Clean (New Mix)
28. Just Trying To Be (New Mix)
29. My God (Early Version)
30. Wond'ring Aloud (13th December 1970)
31. Wind-Up (Early Version - New Mix)
32. Slipstream (Take 2)
33. Up The 'Pool (Early Version)
34. Wond'ring Aloud, Again (Full Morgan Version)
35. Life Is A Long Song (New Mix)
36. Up The 'Pool (New Mix)
37. Dr Bogenbroom (2011 - Remaster)
38. From Later (2011 - Remaster)
39. Nursie (2011 - Remaster)
40. Aqualung
41. Cross-Eyed Mary
42. Cheap Day Return
43. Mother Goose
44. Wond'Ring Aloud
45. Up To Me
46. My God
47. Hymn 43
48. Slipstream
49. Locomotive Breath
50. Wind-Up
51. Aqualung (Quad Mix)
52. Cross-Eyed Mary (Quad Mix)
53. Cheap Day Return (Quad Mix)
54. Mother Goose (Quad Mix)
55. Wond'ring Aloud (Quad Mix)
56. Up To Me (Quad Mix)
57. My God (Quad Mix)
58. Hymn 43 (Quad Mix)
59. Slipstream (Quad Mix)
60. Locomotive Breath (Quad Mix)
61. Wind-Up (Quad Mix)

Singer Crystal Gayle is featured prominently on this in 1982 released album, performing either solo or in duets with Waits. The result is one of the most beautifully wrought soundtrack collaborations in history. The soundtrack was also nominated for an Academy award for Original Music score.

'One From The Heart' is a welcome addition to any soundtrack library, but also an essential one to the shelf of any Waits or Gayle fan.

Track Listing:
1. Opening Montage (Medley)
Tom's Piano Intro
Once Upon A Town
The Wages Of Love
2. Is There Any Way Out Of This Dream?
3. Picking Up After You
4. Old Boyfriends
5. Broken Bicycles
6. I Beg Your Pardon
7. Little Boy Blue
8. Instrumental Montage (Medley)
The Tango
Circus Girl
9. You Can't Unring A Bell
10. This One's From The Heart
11. Take Me Home
12. Presents

Dragontown is the twenty-second studio album by Alice Cooper, released in 2001. Like Brutal Planet, the album displays a heavier style than many of his previous releases.

Track Listing:
1. Triggerman
2. Deeper
3. Dragontown
4. Sex, Death and Money
5. Fantasy Man
6. Somewhere In The Jungle
7. DisGraceland
8. Sister Sara
9. Every Woman Has A Name
10. I Just Wanna Be God
11. Its Much Too Late
12. The Sentinel

Brutal Planet is the 21st studio album by Alice Cooper, released in 2000. Lyrically, Brutal Planet deals with themes of dark "social fiction", including domestic violence ("Take it Like a Woman"), War ("Pick Up the Bones") and school shootings ("Wicked Young Man"). The album has been erroneously reported as being the second in a trilogy (beginning with The Last Temptation and ending with Dragontown); however, Cooper has stated that this is in fact not the case.

Track Listing:
1. Brutal Planet
2. Wicked Young Man
3. Sanctuary
4. Blow Me A Kiss
5. Eat Some More
6. Pick Up The Bones
7. Pessi-Mystic
8. Gimme
9. Its The Little Things
10. Take It Like A Woman
11. Cold Machines

Though the audiences were drenched in nostalgia and demanded old hits on the set-list, Dylan and The Band rearranged them in such a way that they were re-invigorated, re- energized and fresh. They rocked like they never had before.

The line "Even the President of the United States sometimes must have to stand naked," from 'It's Alright, Ma (I'm Only Bleeding)' took on a new meaning altogether thanks to the Watergate scandal early in the year, as did "How does it feel?" from 'Like A Rolling Stone'; where before it had been a sentence of banishment it became a declaration of a new-found independence that was worn as a badge of honor, not a scarlet letter.

The recordings of Before The Flood, made mostly in New York and Los Angeles, were released in June 1974, and would peak at #3 in the Billboard 200, and are now available on vinyl for the first time in 25 years!

Track Listing:
LP 1
1. Most Likely You Go Your Way (And I'll Go Mine)
2. Lay, Lady, Lay
3. Rainy Day Women #12 & 35
4. Knockin' On Heaven's Door
5. It Ain't Me, Babe
6. Ballad Of a Thin Man
7. Up On Cripple Creek
8. I Shall Be Released
9. Endless Highway
10. The Night They Drove Old Dixie Down
11. Stage Fright

LP 2
1. Don't Think Twice, It's All Right
2. Just Like A Woman
3. It's Alright, Ma (I'm Only Bleeding)
4. The Shape I'm In
5. When You Awake
6. The Weight
7. All Along The Watchtower
8. Highway 61 Revisited
9. Like A Rolling Stone
10. Blowin' In The Wind

* Gatefold Sleeve
* 180 grams audiophile vinyl
* Remastered Mono Edition

Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. 

LP 2
1. Most Likely You Go Your Way And I'll Go Mine
2. Temporary Like Achilles
3. Absolutely Sweet Marie
4. 4th Time Around
5. Obviously 5 Believers
6. Sad Eyed Lady Of The Lowlands

'Bob Dylan In Concert Brandeis University 1963' is being reissued in response to overwhelming popular demand for a wide release. As noted Bob Dylan scholar Michael Gray puts it in the liner notes of this album: 'This is the last live performance we have of Bob Dylan before he becomes a star'

Track Listing:
1. Honey, Just Allow Me One More Chance (incomplete)
2. Talkin' John Birch Paranoid Blues
3. Ballad of Hollis Brown
4. Masters of War
5. Talkin' World War III Blues
6. Bob Dylan's Dream
7. Talking Bear Mountain Picnic Massacre Blues

Bob Dylans Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylans surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.

* 180 grams audiophile vinyl
* Remastered Mono Edition


Track Listing:
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie's Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan's 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. It's Alright Ma (I'm Only Bleeding)
11. It's All Over Now, Baby Blue

Highway 61 Revisited is a landmark. Recorded in 1965, during the same tumultuous summer that had seen him plugging in his electric guitar at the Newport Folk Festival, Highway 61 Revisited is Bob Dylan diving head-first into the rock and roll maelstrom, backed by the studio prowess of Al Kooper, Michael Bloomfield and others on such devastating classics as the epochal Like A Rolling Stone. This Sundazed edition is an exact reproduction of the rare original 1965 mono album, featuring the original sleeve-notes and photos, and all-analog mastering from the absolute original source tapes.

* 180 grams audiophile vinyl
* Remastered Mono Edition

Ranking near the top of anyone's list of Dylan's masterpieces, this post-motorcycle-accident career-turning-point finds Dylan veering from the razor-edged desperation of "All Along The Watchtower" to the gentle, back-porch sway of "I'll Be Your Baby Tonight", and all points in between. Back at last, in its ultra-rare original mono mix, this landmark LP - cut with the cream of Nashville's studio cats and generally credited as a blueprint for the era's country-rock movement

Track Listing:
1. John Wesley Harding
2. As I Went Out One Morning
3. I Dreamed I Saw St Augustine
4. All Along The Watchtower
5. The Ballad Of Frankie Lee & Judas Priest
6. Drifter's Escape
7. Dear Landlord
8. I Am A Lonesome Hobo
9. I Pity The Poor Immigrant
10. The Wicked Messenger
11. Down Along The Cove
12. I'll Be your Baby Tonight

* 180 grams audiophile vinyl
* Remastered Mono Edition

Track Listing:
1. The Times They Are A-Changin'
2. Ballad Of Hollis Brown
3. With God On Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only A Pawn In Their Game
7. Boots Of Spanish Leather
8. When The Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

John McVie, however, wasn't convinced yet, and it forced Fleetwood Mac to find a temporary replacement in Bob Burning. After a short while, however, he was as hooked on the Elmore James influenced British Blues that he left John Mayall to take a risk on a group of unknowns. The rest is history.

'Fleetwood Mac', the self-titled debut album, was released in 1968, and was one of the highlights of the late British Blues movement, climbing to the #4 slot in the UK album charts without producing one single, and managing to stay in the charts for 37 weeks.

It was a traditional blues album true to form, but one that also showcased Peter Green's budding singing and songwriting skills; 'I Loved A Woman' has a hint of the Latin Blues fusion he would perfect in 'Black Magic Woman' a year later, while 'Looking For Somebody' balanced humour and vulnerability that would come to characterize their style.

This sought-after record is back out on vinyl for the first time in almost 35 years!

Track Listing:
1. My Heart Beat Like A Hammer
2. Merry Go Round
3. Long Grey Mare
4. Hellhound On My Trail
5. Shake Your Moneymaker
6. Looking For Somebody
7. No Place To Go
8. My Baby's Good to Me
9. I Loved Another Woman
10. Cold Black Night
11. The World Keep On Turning
12. Got To Move

'Axis: Bold as Love', the second Experience album, was released merely 6 months after their debut lp, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live.

Only 'Spanish Castle Magic' and every-guitar-player's-ultimate-study-material 'Little Wing' became staples during concerts.

Artists who covered songs off this album range from Brian May, John Mayer, Joan Osborne, The Pretenders unto the New York Rock & Roll Ensemble.

* Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. EXP
2. Up From The Skies
3. Spanish Castle Magic
4. Wait Until Tomorrow
5. Ain't No Telling
6. Little Wing
7. If 6 Was 9
8. You Got Me Floatin'
9. Castles Made Of Sand
10. She's So Fine
11. One Rainy Wish
12. Little Miss Lover
13. Bold As Love

The Band of Gypsys made their live debut at the Fillmore East on New Year's Eve, 1969, for a series of four shows spread over two nights. A compilation of these shows saw the light as the eponymous live album 'Band of Gypsys'. Containing definitive versions of "Machine Gun" and "Who Knows"!

Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. Who Knows
2. Machine Gun
3. Changes
4. Power To Love
5. Message To Love
6. We Gotta Live Together

'Electric Ladyland' is the 3rd and final album by the Jimi Hendrix Experience, released in 1968 on Reprise Records (see 1968 in music). Produced and mainly written by Jimi Hendrix, the album is seen as the peak of Hendrix's mastery of the electric guitar.

The album is a cross-section of Hendrix's wide range of musical talent. It includes samples of several genres, including the psychedelia of "Burning of the Midnight Lamp", the extended blues jam "Voodoo Chile", the New Orleans-style rock and roll of "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", and the social commentary of "House Burning Down".

The album also features a cover version of Bob Dylan's "All Along the Watchtower" that has been praised by many, including Dylan himself.

Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. And The Gods Made Love
2. Have You Ever Been (To Electric Ladyland)
3. Crosstown Traffic
4. Voodoo Chile
5. Little Miss Strange
6. Long Hot Summer Night
7. Come On (Let The Good Times Roll)
8. Gypsy Eyes
9. Burning Of The Midnight Lamp
10. Rainy Day, Dream Away
11. 1983(A Merman I Should Turn To Be)
12. Moon, Turn The Tidesgently gently gently
13. Still Raining, Still Dreaming
14. House Burning Down
15. All Along The Watchtower
16. Voodoo Child (Slight Return)

'First Rays' was the first of a series posthumous albums with hiqh-quality sought-after rarities and other previously unreleased music, released by the Jimi Hendrix Estate.

Track Listing:
LP 1
1. Freedom
2. Izabella
3. Night Bird Flying
4. Angel
5. Room Full Of Mirrors
6. Dolly Dagger
7. Ezy Ryder
8. Drifting
9. Beginnings

LP 2
1. Stepping Stone
2. My Friend
3. Straight Ahead
4. Hey Baby (New Rising Sun)
5. Earth Blues
6. Astro Man
7. In From The Storm
8. Belly Button Window

LP 2
1. Red House
2. Johnny B. Goode
3. Lover Man
4. Blue Suede Shoes
5. Voodoo Child

This album hasn't been available on vinyl for a long time but once again Music On Vinyl comes to the rescue! The double album features an 8 page booklet and comes in a beautiful gatefold sleeve.

Track Listing:
LP 1
1. Look Over Yonder
2. Little Wing (Angel)
3. Here He Comes (Lover Man)
4. South Saturn Delta
5. Power Of Soul
6. Message To The Universe (Message To Love)
7. Tax Free

LP 2
1. All Along The Watchtower
2. The Stars That Play With Laughing Sam's Dice
3. Midnight
4. Sweet Angel (Angel)
5. Bleeding Heart (Peoples, Peoples, Peoples)
6. Pali Gap
7. Drifter's Escape
8. Midnight Lightning

10 Recordings were made between February and May 1969 as the Jimi Hendrix Experience set out to create their sequel to the groundbreaking 1968 Double LP 'Electric Ladyland'

Features the song 'Valleys of Neptune', one of the most sought after of all of Hendrix's commercially unavailable recordings.
Includes exciting 1969 arrangements of classic Hendrix signature songs 'Red House', 'Fire' and 'Stone Free'.

Mixed by Eddie Kramer, the engineer for all of Jimi's albums during his lifetime. Produced by Janie Hendrix, Eddie Kramer and John McDermott; the team behind all of the acclaimed Jimi Hendrix CD and DVD releases since 1996.

Track Listing:
LP 1
1. Stone Free
2. Valleys Of Neptune
3. Bleeding Heart
4. Hear My Train A Comin'
5. Mr. Bad Luck
6. Sunshine Of Your Love

LP 2
1. Lover Man
2. Ships Passing In The Night
3. Fire
4. Red House
5. Lullaby For The Summer
6. Crying Blue Rain

Originally the lyrics and musical landscape were sketched out by Lou for a theatrical production in Berlin, but after coming together with the 'Tallica boys for the Rock and Roll Hall of Fame concerts in New York in 2009 all guilty parties knew they wanted to make more music together. Lou was inspired enough by that performance to recently ask the band to join him in taking his theatrical Lulu piece to the next level and so starting in early May of this year they were all camped out recording at HQ studios in Northern California, bringing us to today and ten complete songs.

Track Listing:
LP1
1. Brandenburg Gate
2. The View
3. Pumping Blood
4. Mistress Dread
5. Iced Honey
6. Cheat On Me
7. Frustration

LP2
1. Little Dog
2. Dragon
3. Junior Dad

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

Released in 1970 in the wake of Jim Morrisons infamous indecency bust, the Doors next-to-last album Morrison Hotel found the band reinventing themselves as one of the greatest bar bands around with a thrilling bluesy, no-frills approach and harder edged sound. The album shot up to #4 on the charts on the strength of the band standards "Waiting For The Sun," "Roadhouse Blues" "Peace Frog" and "Ship Of Fools." Here on 200g 45RPM 2LP.

This title is not eligible for discount.

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

The Doors mined new territory with their 1969 release, The Soft Parade incorporating brass, strings and even a full orchestra into the mix, albeit with the same results as it became their fourth Top 10 album in a row. The album climbed all the way to #6 on the strength of the huge hit Touch Me. Here on 200g 45RPM 2LP.

This title is not eligible for discount.

Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

Although most of the material for their 1967 sophomore album was written around the same time as their debut which was released earlier in the same year, the songs on the genre-bending Strange Days still manage to possess their own distinct and foreboding character. The equally as impressive follow-up yielded the touchstone hits "Love Me Two Times" and "People Are Strange" as well as the the fan favorites "Moonlight Drive," "Strange Days" and "When The Music's Over." Here on 200g 45RPM 2LP.

This title is not eligible for discount.

Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings

The Doors self-titled 1967 release famously contains some incorrect speed and pitch issues. While there have been "corrected" versions made, in the interests of being historically accurate, this Analogue Productions reissue was cut without speed or pitch correction.

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

The Doors exploded onto the music scene in 1967 with their epic debut, introducing the world to their unique blend of rock, blues, jazz and flamenco styles arranged around Jim Morrison's deep resonate voice and poetic lyrics. The is widely considered the band's masterwork and it contains some of their most beloved songs, including "Break On Through (To The Other Side)," "Light My Fire," "Back Door Man" and "The End." Here on 200g 45RPM 2LP.

This title is not eligible for discount.

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings as well as The Doors, Strange Days, Waiting For The Sun and L.A. Woman on Hybrid multi-channel SACD, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

With their third album, 1968's Waiting For The Sun, The Doors took a noticeably mellower turn, delivering some fine melodic ballad rock songs like "Hello, I Love You," "Love Street" and "Wintertime Love" while still retaining their former power with tracks like "The Unknown Soldier," "Spanish Caravan" and the apocalyptic "Five To One." The Doors' newfound sensibility not only helped the band produce one of their most diverse releases, it also resulted in their first and only #1 album. Here on 200g 45RPM 2LP.

This title is not eligible for discount.

Mastered by Doug Sax and overseen by Bruce Botnick, The Doors producer/engineer.

Two 45 rpm LPs pressed on 200-gram vinyl at Quality Record Pressings

Part of The Doors reissue series proudly presented by Analogue Productions and Quality Record Pressings!

Analogue Productions presents all six of the Doors studio titles on 200g 45RPM 2LP pressed at Quality Record Pressings, all cut from the original analog masters by Doug Stax, with the exception being The Doors which was made from the best tape copy available.

Sax and the Doors producer/engineer Bruce Botnick have gone through a meticulous setup to guarantee a positively stunning reissue series. These masters were recorded on all-tube equipment, and the tape machine used for the transfer of these releases is also a tube machine, as is the cutting system.

1971's L.A. Woman was The Doors sixth and final studio album, released just three months before Jim Morrison's death in Paris, France. It was also the first Doors album to not feature production from long time collaborater Paul Rothchild. The rawer, more live feel marks a return to the blues roots from which the band originally emerged, delivering the signature songs Love Her Madly, Riders On The Storm and the title track. Here on 200g 45RPM 2LP.

This title is not eligible for discount.

'Rain Dogs' is Tom Waits' ninth album, originally released in 1985. It is a loose concept album about the people who live on the streets of New York City, the so-called urban dispossessed.

'Rain Dogs' is generally considered the middle album of a trilogy that includes 'Swordfishtrombones' and 'Franks Wild Years'. On the album Waits works together with both Marc Ribot and Keith Richards for the first time.

Many times would follow including Waits' latest album 'Bad as Me'. Rain Dogs is praised for its broad spectrum of musical styles and genres, described by Rolling Stone as merging "Kurt Weill, pre-rock integrity from old dirty blues and the elegiac melancholy of New Orleans funeral brass, into a singularly idiosyncratic American style".

Track Listing:
1. Singapore
2. Clap Hands
3. Cemetery Polka
4. Jockey Full Of Bourbon
5. Tango Till They're Sore
6. Big Black Mariah
7. Diamonds And Gold
8. Hang Down Your Head
9. Time
10. Rain Dogs
11. Midtown
12. 9th & Hennepin
13. Gun Street Girl
14. Union Square
15. Blind Love
16. Walking Spanish
17. Downtown Train
18. Bride Of Rain Dog
19. Anywhere I Lay My Head

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Recorded in One Day: Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace the Bards Loosest 1960s Effort

Includes I Shall Be Free No. 10, It Aint Me Babe, My Back Pages, Chimes of Freedom

The Freewheelin Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

The ever-evasive Bob Dylan never explicitly stated exactly what represented the another side of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbias Studio A and, displaying an openness hed never before revealed in a formal environment, lays down the songs that compromise his fourth album.

Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelitys reissue illuminates the artists conditionhe laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if hes stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfectionwith microscopic accuracy. Indeed, Dylans slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.

The uninhibited joie de vive is discernable in the rattling piano lines on Black Crow Blues, seemingly subconscious ramble of the hysterical folk rhyming of Motorpsycho Nightmare, bluesy dream sequencing throughout I Dont Believe You, and intentionally out-of-tune yodeling during All I Really Want to Do. On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

And so the apparently autobiographical and self-aware My Back Pages, one of the earliest examples of Dylans immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant releasean essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.

As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal Chimes of Freedom, the standard that journalist Paul Williams dubbed Dylans Sermon on the Mount. Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. All I Really Want to Do
2. Black Crow Blues
3. Spanish Harlem Incident
4. Chimes of Freedom
5. I Shall Be Free, No. 10
6. To Ramona
7. Motorpsycho Nightmare
8. My Back Pages
9. I Dont Believe You
10. Ballad in Plain D
11. It Aint Me Babe

That Thin, That Wild Mercury Sound: Dylans Ground-Shaking 1966 Double LP Sent Tremors Throughout the World

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Recorded With One of The Most Ear-Awakening Lineups Ever Assembled: Al Kooper, Pig Robbins, Joe South, Kenny Buttrey, and The Bands Rick Danko and Robbie Robertson Among Musicians

Vaudeville, Contemporary Pop, Fiery Rock and Roll, Memphis Blues, Folk-Derived Sagas Among Enriched Palette of Styles

Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. No lie.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of Blonde on Blonde ever produced. Forever renowned for what the Bard deemed that thin, that wild mercury sound, the albums famed aural character lives and breathes on this superb version, with wider and deeper grooves affording playback of previously buried information and lifelike presentation of the studio sessions.

Forever prized for a unique sound that cultural critic Greil Marcus tagged the most glamorous record imaginable; listening you [can] see the checkered jesters suit Dylan had worn on stage for the nine previous, furious months, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. The secret to its inimitable aural character partially stems from Dylans request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another. Mobile Fidelitys reissue captures this ensemble ambience, with echoes, resonation, and some of the most natural timbres youll ever hear in plain sight.

The story of Blonde on Blonde is almost as compelling as the music within. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashvilles top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. A majority of songs were recorded long after midnight, the post-A.M. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.

As for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyricsto say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. Then theres Dylans inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare.

Visions of Johanna. I Want You. Rainy Day Women #12 & 35. Sad Eyed Lady of the Lowlands. Absolutely Sweet Marie. We could go on. Essential doesnt even begin to cover the genius of this record that, now, sounds better than Dylan himself can imagine.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Dylans Masterpiece Break-Up Album: Sentimental Redemption Arises Amidst Sorrow, Turmoil, Sadness, and Pain

Presence, Immediacy, Naturalness, Realism in Spades: Mobile Fidelity Reissue Makes Blood on the Tracks Among Most Lifelike-Sounding Albums Youll Ever Hear

Songs Flow Like Rivers, Acoustic and Electric Elements Merge Like Bezels on a Diamond

Includes Tangled Up In Blue, Simple Twist of Fate, Idiot Wind, Buckets of Rain

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and The Basement Tapes Also Available from Mobile Fidelity

Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime. Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks.

A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made and ranks as the most personal statement of the Bards career. To hear it is to experience the agony, frustration, trauma, highs, lows, confusion, sadness, and, ultimately, requisite redemption associated with intimate relationships gone astray. Dylan maintains its a work of fiction, but its evident close-vested autobiographical premise is what helps make it universal: Its the icon singing through tears, going out of his mind, battling hallowing emptiness, firing shots across the bow, and accepting culpability. It is, in short, a consummate expression of loves darker sides and the consequences of what happens when dreams unravel.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of Blood on the Tracks ever producedand the first-ever proper analog reissue. Fantastically presenting both the solo acoustic and band-supported songs with the utmost clarity, dynamics, presence, immediacy, spaciousness, imaging, and balance, this version shines a high-powered light on the fluid vocal phrasing, timbral shifts, functional rhythms, and inward-looking strumming that contribute to every song here serving as a wound-exposing confessional.

For all the melancholic pain, unresolved questions, shattered memories, wasted times, unrequited dialogs, and weary regret within, Blood on the Tracks remains as daring as it is reflective. Rather than follow for a monotone caustic vibe, Dylans songs burrow into the subconscious for the manners in which they are even-keeled, mellow, and occasionally, even peaceful. Dignity, honor, poignancy, and fairnessall traits uncommon in any situation in which partners dissolve histories, change hearts, and attribute blameinstill the record with equilibrium on par with the consistency of the flowing melodies.

Throughout, tunes come on and proceed as if they could continue forever, Dylan spinning poetic verses and conversations amidst finely tied knots of acoustic notes, chords, and fills, the deceivingly simple architecture conjuring the intertwined refractions of a bezeled jewel, various angles, colors, and textures conjoining into a gorgeously inseparable whole. Backed by Tony Browns flexible albeit subtle bass, Buddy Cages country-streaked pedal-steel guitar, and Paul Griffins soul-baring organan instrument used to shadow, tuckpoint, and illuminate here as effectively as any time in rock historyDylan pours soulful emotion, open his veins, and bleeds.

Ranked 16 on Rolling Stones list of the 500 Greatest Albums of All Time, and replete with existential thought, piercing directness, raw singing, and majestic arrangements,

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Tangled Up in Blue
2. Simple Twist of Fate
3. Youre A Big Girl Now
4. Idiot Wind
5. Youre Gonna Make Me Lonesome When You Go
6. Meet Me in the Morning
7. Lily, Rosemary and the Jack of Hearts
8. If You See Her, Say Hello
9. Shelter From the Storm
10. Buckets of Rain

Dylan's 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two

Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories

Numbered, Limited Edition

Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the albums you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.

The sonics are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic reactions?

More than 45 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naiveté, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictivenessand a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.

Side One remains one of the boldest cohesive artistic statements ever assembled. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggies Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.

Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience it in the finest-possible quality.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggies Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On the Road Again
7. Bob Dylans 115th Dream
8. Mr. Tambourine Man
9. Gates of Eden
10. Its Alright, Ma (Im Only Bleeding)
11. Its All Over Now, Baby Blue

Dylans 1963 Sophomore Effort Marks the Beginning of a Cultural Sea Change

Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity

Records Ambitious Poetry, Melodies, and Moral Conviction Transformed Songwriting, Folk, and Pop

Includes Masters of War, Blowin in the Wind, and A Hard Rains A-Gonna Fall

Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, Blood on the Tracks, and The Basement Tapes Also Available from Mobile Fidelity

Its the album the ignited sea changes in pop culture, music, songwriting, poetry, and the social consciousness. Its the creation of a 22-year-old visionary still years away from casting a jaundiced eye to the media. Its the sound of change, the feeling of ground shifting beneath ones feet, and the entrance of an entirely new way of thinking. Its the effective beginning of whats arguably the boldest career in music history, the yawning vortex into the complex mind, supernatural wordplay, and folk techniques of a vocalist/guitarist whose name is forever associated with transformation. Its The Freewheelin Bob Dylan.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog edition of The Freewheelin Bob Dylan ever produced. Never before has the resonance of his nylon guitar strings, fingerpicked notes, shivering harmonica fills, or plainspoken timbre possessed such clarity, openness, body, or realism.

With the advantage of wider and deeper grooves, the 45RPM pressing affords the opportunity to detect more information and lavish in extra richness. Whether its the exaggerated nasal accents employed on Down the Highway or the decay of each strummed line on the entirely acoustic album, previously concealed details, microdynamics, and ambient cues surfaceenhancing the listeners experience and taking them inside Columbias Studio A where history was made by leaps and bounds.

Exponentially surpassing the potential he demonstrated on his debut, Dylan became a mirror of the concerns, issues, and feelings confronting the nation. Writing and singing with penetrating honesty, observational wit, moral conviction, and scathing emotion, he digs into the madness of war (Masters of War, A Hard Rains A-Gonna Fall), hypocrisy of segregation (Oxford Town), urgency of civil rights and freedom (Blowin in the Wind), and multiple angles of unrequited love (Girl From the North Country, Dont Think Twice Its All Right) with a literate astuteness and depth that, nearly 50 years later, still leave audiences slack-jawed. Satire, absurdist humor, and traditional blues also pepper the album, which rests upon graceful melodies and sparse, poignant patterns.

Viewed as protest songs, love songs, folk songs, or talking blues songs, the material on The Freewheelin Bob Dylan remains amongst the most astonishing and imaginative ever committed to tape. It deservesas much as you deservea fidelity that makes as closely intimate as possible the musics connection with you. You deserve this edition.

Given the sonic and artistic merit of this album, we anticipate huge demand.

Track Listing:
1. Blowin in the Wind
2. Girl From the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylans Blues
6. A Hard Rains A-Gonna Fall
7. Dont Think Twice, Its All Right
8. Bob Dylans Dream
9. Oxford Town
10. Talking World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

Recorded in Basement of Big Pink with The Band: Modern Americana Starts Here

• Audiophile Sound at Last: Sonic Subtleties, Loose Interplay, Organic Spirit, Warm Textures Presented Like Never Before on Definitive Mobile Fidelity Reissue
• Dylan at His Most Humorous, Unguarded, Loose: Folk Tales, Weird Narratives, Rock Ballads, Inside Jokes, Allusions Pepper Alchemic Material
• Includes This Wheels on Fire, You Aint Goin Nowhere, Tears of Rage, Million Dollar Bash, Yazoo Street Scandal

The Freewheelin Bob Dylan, Another Side of Bob Dylan, Bringing It All Back Home, Blonde on Blonde, and Blood on the Tracks Also Available from Mobile Fidelity

Basements have long been associated with raw, off-the-cuff rock n roll, the damp and dark spaces serving as the woodshedding venues for countless bands. Yet no basement is more famous, and none yielded music as familiarly weird, wholesomely American, joyously loose, and identifiably humorous as that in the upstate New York house dubbed Big Pinkthe location where, during the summer and early fall of 1967, Bob Dylan and The Band played a vivid tapestry of covers, originals, and traditionals that signaled the advent of Americana. Once again, the Bard changed the world.

As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on dead-quiet LPs at RTI. The end result is the very finest, most transparent analog edition of The Basement Tapes ever producedand the first-ever analog reissue. Inimitable, the particulars of The Basement Tapesespecially, the gather-round-in-a-huddle assembly of the instrumentalists, home-made character, domestic vibe, and low-volume nature of the recordingscome to fore here in a manner that takes the listener down the stairs at 2188 Stoll Road and brings the images of Dylan, Rick Danko, Robbie Robertson, and Co. to life.

Fresh off experiencing a motorcycle accident and the wrath of audiences hostile to his embrace of amplified music, Dylan elected to retreat to the comforts of rural and family life. He soon began collaborating with members of the Band in his house, ultimately moving the sessions to Big Pink. Informal, peaceful, relaxed, open-minded: The collaborations blanket country stomps, roots hootenannies, forgotten spirituals, earthy originals, chaotic marches, dreamscapes, dance tunes, folk laments, catch-as-you-can improvisations. On The Basement Tapes, mythical ghosts and dead legends reappear, reveling in the absurdity, comedy, mystery, aura, and alchemy.

In Invisible Republic, his scintillating book about the sessions, cultural critic Greil Marcus states: At a time when the country was tearing itself apart in a war at home over a war abroad, the music was funny and comforting; it was also strange, and somehow incomplete. Out of some odd displacement of art and time, the music seemed both transparent and inexplicable when it was first heard, and it still does. Indeed, The Basement Tapes appear to emanate from an indefinable chasm between modern and ancient, self-evident and mysterious, shapeless and fully formed, abstract and concrete, histories unwritten and chronicled. But every note chimes with freenessa liberating fun, humble simplicity, and bond-creating camaraderie felt in every hoot, holler, laugh, and false start.

The Basement Tapes capacity to remain so gloriously honest and timelessperformances that genuinely couldve been made today, ten years from now, or back in the 1930shelps account for their emotional resonance and unsurpassed reputation as a snapshot of how unencumbered American music, and art with deep historical roots and connective cultural tissues, is supposed to sound.

Mobile Fidelitys reissue squares away the late-night bleariness, jovial atmosphere, low-ceiling dimensions, and ensemble-based perspective of the sessions, allowing the listener to become Hamlet, the dog who slept nearby Dylan, Robertson, and Co. as it all went down. This is not to be missed.

Given the sonic and artistic merit of this album, we anticipate huge demand.

The Eyes of Alice Cooper is the twenty third album by Alice Cooper, that was released in 2003. Although it has been said that the title is a reference to the 2000 documentary known as The Eyes of Tammy Faye, in October 2007, Alice said that was not the case. With this album, Cooper returned to his earlier hard rock sound, in the vein of The Last Temptation, and left the heavy industrial metal sound found in his last two studio albums

Track Listing:
SIDE A

1. What Do You Want From Me
2. Between High School And Old School
3. Man Of The Year
4. Novocaine
5. Bye Bye Baby
6. Be With You Awhile
7. Detroit City

SIDE B

8. Spirits Rebellious
9. This House Is Haunted
10. Love Should Never Feel Like This
11. The Song That Didnt Rhyme
12. Im So Angry
13. Backyard Brawl

Dirty Diamonds is the 24th studio album by Alice Cooper. It was released on July 4, 2005 internationally and on August 2 for North America. The album peaked on Billboard's "Top Independent Albums" chart at position #17, and on the Billboard 200 album chart at #169 - Cooper's highest charting album since The Last Temptation, 11 years prior.

Track Listing:
SIDE A

1. Woman Of Mass Destruction
2. Perfect
3. You Make Me Wanna
4. Dirty Diamonds
5. The Saga Of Jesse Jane
6. Sunset Babies (All Got Rabies)

SIDE B

7. Pretty Ballerina
8. Run Down The Devil
9. Steal That Car
10. Six Hours
11. Your Own Worst Enemy
12. Zombie
13. Stand

Love It to Death is a 1971 album by Alice Cooper. Hits include "Ballad of Dwight Fry", "Is It My Body", and one of Cooper's trademark songs, "I'm Eighteen". After two failed albums, this was the album that brought the Alice Cooper band into the mainstream. Much credit is generally given to producer Bob Ezrin, cleaning up the band's sound with fresh ideas and making it more accessible.

Track Listing:
1. Caught In A Dream
2. I'm Eighteen
3. Hallowed Be My Name
4. Long Way To Go
5. Black Juju
6. Is It My Body
7. Second Coming
8. Ballad Of Dwight Fry
9. Sun Arise

LP2
1. All day and all of the night
2. A well respected man
3. Death of a clown
4. Sunny afternoon
5. Waterloo sunset
6. Slum kids
7. Celluloid heroes
8. The hard way
9. Lola
10. Alcohol
11. Skin and bone

1000 ONLY LIMITED EDITION

In December, Tom entered the studios of KQRS Minneapolis for his first ever FM broadcast, floated across the airwaves by that very station and syndicated by many others nationwide.

Now considered the holy grail of Waits broadcasts amongst serious collectors of the great mans work, this performance featuring Tom Waits alone at his piano with just his magnificent voice as accompaniment, the way he should be heard, is nothing short of staggering.

This CD contains the full KQRS broadcast in perfect FM stereo quality, during which Tom performs a range of songs taken from his first three records Closing Time , The Heart Of Saturday Night and the aforementioned Nighthawks.

Bonus tracks include a further three exceptional TV broadcasts from the early to mid 1980s, and include Mr. Siegal performed on Don Lang s show in 1981, plus two 1986 Letterman broadcasts in support of his then brand new masterpiece Swordfishtrombones

Track Listing:
SIDE A

1. Emotional Weather Report
2. Eggs & Sausage [Intro.]
3. Eggs & Sausage
4. Better Off Without A Wife

SIDE B

5. Semi Suite
6. Spare Parts
7. The Ghosts Of Saturday / The Heart Of Saturday Night
8. New Coat Of Paint

SIDE C

1. Warm Beer & Cold Women
2. Virginia Avenue (2:48)
3. San Diego Serenade
4. Putnam County
5. Ol 55

SIDE D

6. Mr Siegal [Don Lane Show 1981]*
7. Tango Till Theyre Sore [David Letterman Show 1986]*
8. Time [David Letterman Show 1986]*
*bonus track

Wring That Neck is a long instrumental from a bootleg of a show in Amsterdam in August 1969, one of the earliest recordings of the famous Mk 2 line-up where they were able to stretch out in proper progressive rock style; Child In Time, the bands anthem in 1970 (originally laid down on the In Rock LP) was recorded live in Manchester in July that year; the version of the single Black Night was specially recorded for TV in September 1970 after becoming a surprise top ten hit; Strange Kind Of Woman comes from a very early American gig at Long Beach Arena in 1971, one of their first there as headliners; Into The Fire and Demons Eye are live recordings from Germany in 1971, tracks not often played live. The CD concludes with two bonus items, ten minute edits of Wring That Neck and Mandrake Root from Holland in August 1969, which feature some really astonishing playing from the band. Quality is pretty good given the sources, and as always restoration has been done but not overdone.

Track Listing:
1. Wring That Neck
2. Child In Time
3. Black Night
4. Strange Kind Of Woman
5. Into The Fire
6. Demon's Eye
7. Wring That Neck (edit)
8. Mandrake Root (edit)

Co-produced by Tony Visconti, who also produced many of Bowie's best albums (Space Oddity, Heroes, The Man Who Sold The World, and many others), Heathen sounds like coming home. It combines the best of Bowie without re-hashing what made him big in the first place, and effortlessly weaves modern production & electronics into his sound.

The original vinyls of this release can go for up to 200 online, so it was an easy decision for Music On Vinyl to make this highlight of Bowie's work available again to those with smaller budgets. Features guest spots for Pete Townshend & Dave Grohl on guitar!

Track Listing:
1. Sunday
2. Cactus
3. Slip Away
4. Slow Burn
5. Afraid
6. I've Been Waiting For You
7. I Would Be Your Slave
8. I Took A Trip On A Gemini Spaceship
9. 5:15 The Angels Have Gone
10. Everyone Says 'Hi'
11. A Better Future
12. Heathen (The Rays)

As if a whirlwind tour and unbelievable album success with The Eagles Hotel California werent enough for this spirited guitarist, Walsh went back into the studio in 1978 and created his own top chart platter But Seriously, Folks.

Filled with eight unprecedented Walsh rockers, But Seriously, Folks was truly one of his most enduring classics in large part due to the eight minute burner "Lifes Been Good." This song will forever be associated with the '70s rock superstar lifestyle binge as it was also a featured song in the rock movie soundtrack extravaganza FM.

Even more time tested tracks like the blues rocker "At The Station," AOR classics "Over And Over" and "Tomorrow" plus the brilliant and melodic "Indian Summer" made this the album of choice for many rock radio programmers for over a year upon its initial release.

As a first installment in their Joe Walsh 180 Gram Audiophile Vinyl Series, Friday Music is very pleased to present his career masterwork But Seriously, Folks as a first time ever high quality vinyl release. Mastered from the original Asylum Records tapes by Joe Reagoso (Jeff Beck/ Deep Purple/Yes) at Friday Music Studios with Kevin Gray. Features the rare original gatefold artwork and a poly lined inner sleeve to help keep your vinyl in mint shape.

Track Listing:
1. Over And Over
2. Second Hand Store
3. Indian Summer
4. At The Station
5. Tomorrow
6. Inner Tube
7. Theme From Boat Weirdos
8. Lifes Been Good

1. Bang Bang
2. Raining In My Heartland
3. Hobo Kinda Man
4. Red White And Blue [live]
5. Call Me The Breeze [live]
6. Sweet Home Alabama [live]

Mastered from the Original Capitol Records Tapes by Joe Reagoso at Friday Music Studios and Capitol Records in Hollywood, CA with Ron McMaster

When former members of YES Peter Banks (guitars) and Tony Kaye (keyboards) teamed up and re-emerged on the recording scene with a new prog-rock quintet called Flash, their 1972 self-titled debut LP was immediately greeted with great sales and solid reviews, thanks in part to their memorable hit single "Small Beginnings."

In addition to the legendary Peter Banks and Tony Kaye, Flash consisted of more prog-rock royalty like Colin Carter (vocals), Ray Bennett (bass and vocals) and Mike Hough (drums). In record time, the band developed into a highly important concert and recording act, as their new album Flash brought them much acclaim.

Every track on this stellar first project is a standout. Aside from the aforementioned smash "Small Beginnings," rock radio standards of the time like "Dreams of Heaven" and "Children of the Universe" continue to enthrall fans of these progressive rock champions. Even the mood pieces like Ray Bennetts masterful "Morning Haze" and the stellar "The Time It Takes" show some of the more English folk and bluesier side of this brilliant masterpiece.

The Flash album, also known for having one of the most interesting album covers ever released, sold quite well throughout its substantial radio and retail run back in 1972-73. Banks guitar work is second to none throughout this stunning release, as keyboard virtuoso Tony Kaye lends his trademark keyboard passages to complement each song found on the entire album.

For the first time ever on audiophile vinyl, Friday Music presents the prog-rock masterpiece debut by Flash. Mastered impeccably from the original Capitol/Sovereign Records tapes by Joe Reagoso at Friday Music Studios and at Capitol Records in Hollywood, CA with Ron McMaster, the Flash album is a much welcomed release for all the fans of prog and classic rock.

In addition to the great music within, this limited edition high grade vinyl release also comes in a super rare gatefold cover, for the first time in over three decades! To enhance your listening pleasure, Friday Music has also packaged the album in a poly lined protective sleeve and a poly bag for the album cover too.

Track Listing:
1. Small Beginnings (from the film Record Review)
2. Morning Haze
3. Children Of The Universe
4. Dreams Of Heaven
5. The Time It Takes

1000 ONLY LIMITED EDITION

Nothing Is Easy: Live at the Isle of Wight 1970 is a live album by Jethro Tull, released on 2 November 2004. It was recorded on the fifth and last day of the Isle of Wight Festival 1970, where Jethro Tull were second on the bill between The Moody Blues and Jimi Hendrix.

Track Listing:
LP1
1. My Sunday Feeling
2. My God
3. With You There To Help Me
4. To Cry You A Song

LP2
5. Bouree
6. Dharma For One
7. Nothing Is Easy
8. We Used To Know / For a Thousand Mothers

FANTASTIC 180 GRAM DOUBLE BLUE VINYL REISSUE OF THIS CLASSIC RUSH LIVE PERFORMANCE

The history of the ever mighty Rush goes back to 1968 when the group first got together, but it was not until 1974 that the band proper with Neal Peart joining Geddy Lee and Alex Lifeson to make for the line-up we have known and loved ever since came to the fore.

Peart joined just two weeks before Rushs first US tour and it was during this American jaunt that the guys played the infamous Agora Ballroom, Cleveland - a venue at which the group would go onto play numerous more shows during their formative years.

At their 1974 booking however, radio station WMMS radio was on hand to broadcast the whole event across the airwaves and thus make this particular gig a somewhat notorious event as well as being Rushs very first radio broadcast

The set played by the group that hot August evening in Americas dark industrial underbelly, includes songs from their debut album, Rush, and features two early versions of cuts from their sophomore record, Fly by Night

The show also contained a cover of Larry Williams Bad Boy a 1950s rocker and no mistake - plus incredibly, two excellent tracks that have never been released on any previous Rush release; the super-rare Fancy Dancer and Garden Road, both composed in their very earliest incarnation before Neal Peart was on board

The package is completed by three bonus tracks from their second US broadcast, back at the ABC a year later, and again courtesy of their by then long time champions, WMMR Cleveland

All three songs from the 75 set originated on Fly By Night

PREVIOUSLY UNAVAILABLE RECORDINGS OF SOME OF THE BIGGEST HITS

1000 ONLY LIMITED EDITION

Track Listing:
LP1
1. Finding My Way
2. The Best I Can
3. Need Some Love
4. In The End
5. Fancy Dancer
6. In The Mood
7. Bad Boy
8. Here Again

LP2
9. Working Man
10. Drum Solo
11. What Youre Doing
12. Garden Road
13. Anthem
14. Beneath, Between & Behind
15. Fly By Night

AVAILABLE IN A DELUXE HARDBACK SLIPCASE
The words 'legendary', 'seminal' and 'classic' are very often over-used in the heated hyperbole that surround rock concerts in general and Bruce Springsteen gigs in particular.
They lead to overblown phrases such as "essential for every fan" and one of his greatest ever shows.

This recording of a concert Bruce and the E-Street Band played in Philadelphia in February 1975 really is that of a legendary Springsteen show, a seminal moment in his career, a classic performance and an essential part of any fan's library of The Boss work. This is one of his greatest ever performances.

LEGENDARY LIVE PERFORMANCE FROM PHILADELPHIA, 1975

1000 ONLY LIMITED EDITION

This title is not eligible for further discount

Track Listing:
LP1
1. Intro.
2. Incident On 57th Street
3. Mountain Of Love
4. Born To Run
5. The E Street Shuffle
6. Wings For Wheels (Thunder Road)
7. I Want You

LP2
8. Spirit In The Night
9. Shes The One
10. Growin Up
11. Its Hard To Be A Saint In The City
12. Jungleland
13. Kittys Back

LP3
14. New York City Serenade
15. Rosalita (Come Out Tonight)
16. 4th Of July, Asbury Park (Sandy)

LP4
17. A Love So Fine / Shout
18. For You
19. Back In The USA
20. Thunder Road*
21. Tenth Avenue Freeze-Out*
22. Pretty Flamingo*
23. Backstreets*

* Live at The Roxy, Hollywood, CA. (10/17/1975)

Said long-time manager Jon Landau, "Bruce has dug down as deep as he can to come up with this vision of modern life. The lyrics tell a story you can't hear anywhere else and the music is his most innovative in recent years. The writing is some of the best of his career and both veteran fans and those who are new to Bruce will find much to love on Wrecking Ball."

Track Listing:
LP1
1. We Take Care Of Our Own
2. Easy Money
3. Shackled and Drawn
4. Jack of All Trades
5. Death To My Hometown
6. This Depression

LP2
1. Wrecking Ball
2. You've Got It
3. Rocky Ground
4. Land of Hope and Dreams
5. We Are Alive

Mastered from the Original Island Records Tapes by Joe Reagoso at Friday Music Studios with Kevin Gray

Traffic was one of the premier architects of the acid rock movement in the '60s and blossomed further into one of the most important super groups of the '70s. Their recordings are the soundtrack to a generation of music enthusiasts that continues to this day and will forever stand the test of time.

In 1972, the legendary founding members Stevie Winwood, Jim Capaldi and Chris Wood sojourned on after a smash outing with John Barleycorn Must Die and continued the winning streak with the groundbreaking classic The Low Spark Of High Heeled Boys. Along with new members Jim Gordon (Derek & The Dominoes), Rick Gretch (Blind Faith) and Rebop Kwaku Baah, Traffic was back and on a roll artistically unlike many other important acts of the classic rock era.

Known for more than its amazingly cube shaped album cover, the multi-faceted music inside was a non-stop enjoyment of sounds never heard or recorded since. Whether standout tracks from the pens of Jim Capaldi like the hard rocking "Light Up Or Leave Me Alone" or the powerful balladry of ancient sounds with the Winwood/Capaldi classic "Rainmaker," this brilliant album will most certainly be known forever for its classic title track, the massive twelve minute plus epic, "The Low Spark Of High Heeled Boys." Filled with explosive sax breaks by the late Chris Wood, the piano driven and vocal delivery of master musician legend Stevie Winwood and the percussive vibrations of the late great Jim Capaldi, Jim Gordon and the late Rebop Kwaku Baah, the song was destined to become a huge success.

Friday Music presents the Traffic/Friday Music 180 Gram Audiophile Vinyl Series as we begin with our first installment with their monumental classic of the ages The Low Spark Of High Heeled Boys. Mastered impeccably by Joe Reagoso from the original Island Records tapes at Friday Music Studios with Kevin Gray, The Low Spark Of High Heeled Boys is a truly one of the most important audiophile vinyl releases of this year. To make this an even more enjoyable limited edition happening, for a very short time, we are also going back to the original Tony Wright designed cube shaped die-cut album cover, for the first time in North America since its 1972 release!

Track Listing:
1. Hidden Treasure
2. The Low Spark Of High-Heeled Boys
3. Light Up Or Leave Me Alone
4. Rock n Roll Stew
5. Many A Mile To Freedom
6. Rainmaker

Van Halen makes their welcome return with A Different Kind Of Truth, their first album since 1998's III, their first with singer David Lee Roth since the band's classic multi-platinum album 1984 and the first to feature Eddie Van Halen's son Wolfgang on bass! The all original 13-song set was recorded in 2011 with producer John Shanks and is partially based on demos the band made in the '70s. Eddie and Roth are in fine form and don't miss a beat on highlights like the catchy "She's The Woman," the soulful rocker "Big River" and the stadium sized "Stay Frosty." Double gatefold 180g vinyl with custom LP artwork.

Formed in Pasadena, CA in 1972, Van Halen has enjoyed major success since the release of their self-titled debut in 1978. The band has sold in excess of 80 million albums worldwide and has had the most #1 hits on the Billboard Mainstreem Rock chart in history. They are only one of five rock bands to have had two Diamond Certified albums and were inducted into the Rock And Roll Hall of Fame in March of 2007. Van Halen's classic repertoire of hits remain some of the most influential rock songs ever produced and A Different Kind Of Truth is sure to add some more fuel to the fire!

Track Listing:
1. Tattoo
2. She's The Woman
3. You and Your Blues
4. China Town
5. Blood and Fire
6. Bullethead
7. As Is
8. Honeybabysweetiedoll
9. The Trouble With Never
10. Outta Space
11. Stay Frosty
12. Big River
13. Beats Workin'

Previously unreleased early broadcast featuring rare versions of many early Springsteen hits!

April 1973 from The Main Point, Bryn Mawr, Philadelphia

By mid 1972 the rock landscape was looking decidedly dull. The search for a new Beatles or a new Dylan to re-unite the Woodstock generation and their younger siblings had come to nothing and the natives were getting restless. So when word began to filter through of new-kid-on-the-block Bruce Springsteen breaking out of home city Asbury Park, New Jersey, and playing shows nationwide that reconfirmed audiences faith in the redemptive power of rock n roll, hope began to restore. Bruce had signed a recording deal with Columbia in mid-72 and had been working on his debut record since. Greetings From Asbury Park saw the light of day in early 73, and within the week Springsteen, with a little help from three of the soon to be named East Street Band, were performing their first ever radio broadcast, aired on Boston's WBCN FM. A quite remarkable performance ensued with Bruce and the boys in excellent humour and fine form as they played a terrific set, although remarkably including just one cut from Greetings. The show was an intimate affair without an audience but gave listeners their first glimpse into Springsteen's infectious personality, enormous enthusiasm and unique sense of humour. It also drove home the message that here was an artist who could prove to be the new messiah, with songs that quite beggared belief. The second show featured on this LP is Bruce's very first broadcast from the Main Point venue in Bryn Mawr, just outside Philadelphia - the venue at which Bruce's most prestigious and highly regarded broadcast was made, the astonishing 1975 gig that has also recently been released. This April 1973 set differs widely from the January 73 show as the full band (drummer Vini Lopez joins proceedings) rock out, and comparisons with the largely acoustic Boston broadcast remain fascinating. That was pretty good, Bruce is heard to mutter as the final track of this broadcast draws to a close - providing the perfect understatement for the burgeoning talent heard maturing in these two broadcasts, and equally for the shows themselves, as just one listen to this remarkable LP will testify.

LP2 - Live broadcast on WMMR-FM PHILADELPHIA 24th
6. New York Song
7. Circus Story
8. Spirit In The Sky
9. Does This Bus Stop At 82nd Street?
10. Santa Ana
11. Tokyo
12. Thundercrack

Take a Load Off with the Very Best-Sounding Analog Big Pink Ever Pressed

Half-Speed Mastered from the Original Master Tapes and Pressed at RTI

Includes "The Weight," "I Shall Be Released," "This Wheel's On Fire"

Youve likely heard the story. Now hear the results of one of the most famous sessions in history with a clarity and warmth never thought possible.

In late 1965 and early 1966, Bob Dylan shattered the boundaries between folk and rock music on a controversial tour that found the generation spokesman plugging in and shocking purist audiences that reviled in horror at the sight of their hero playing electric with a bunch of ragtag Canadian mates. Then known as the Hawks, the Band was that backing group, serving Dylan not only on the road but, playing with him after his motorcycle accident, on his seminal Basement Tapes collection.

Recorded in 1968 and ranked #34 on Rolling Stones 500 Greatest Albums of All Time list, The Bands Music From Big Pink stems from the same localea pink farmhouse in upstate Woodstock, New Yorkas the Basement Tapes and is just as rustic, timeless, and mysterious as Dylans celebrated work. A debut for the ages, the album features two songs co-written with DylanThis Wheels on Fire, Tears of Rageas well as whats universally recognized as the definitive version of Dylans I Shall Be Released. More famously, it also includes The Weight, a standard covered by everyone from the Grateful Dead to Weezer to Aretha Franklin. But the power of this set doesnt lie in one song but the entire album.

A groundbreaking statement, Music From Big Pink lays bare the magnetism of the American South, Appalachian traditions, and country-rock innovations. That guitarist Robbie Robertson, pianist Garth Hudson, bassist Rick Danko, drummer/vocalist Levon Helm, and organist Richard Manuel are all household names only adds to the proof of this must-have records everlasting appeal. This is the majesty of what Greil Marcus called the old, weird America.

Half-speed mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version practically gives you a spot on the floor at Big Pink as the sessions went down. Curl up, close your eyes, and listen as the music's sublimely organic sounds appear with full-range dynamics, life-size imaging, and tremendous soundstaging. This is one of the reasons why you have a turntable. Prepare for your system, and your ears, to glow.

Track Listing:
1. Tears Of Rage
2. To Kingdom Come
3. In A Station
4. Caledonia Mission
5. The Weight
6. We Can Talk
7. Long Black Veil
8. Chest Fever
9. Lonesome Suzie
10. This Wheel's On Fire
11. I Shall Be Released

Sonic Sensation: Cut from the Original Analog Master Tapes at Bernie Grundman Mastering

1975 Set Fleetwood Mac's Commercial and Creative Breakthrough: 1st Album With Stevie Nicks and Lindsey Buckingham

Includes Hits "Over My Head," "Rhiannon," "Say You Love Me" and Staples "Landslide" and "Monday Morning"

An Audiophile Blockbuster: Don't Pass Up One of the Most Essential Rock-Pop Albums Ever Recorded on this Absolutely Lifelike-Sounding Pressing

The Chain, for all intents and purposes, starts here. Few, if any bands in history, experienced a rebirth on par with that of Fleetwood Mac, which partially accounts for why this 1975 set is self-titled. With the addition of Stevie Nicks and Lindsey Buckingham finally solidifying the ensemble's rotating lineup, the record signifies a new beginning, a rejuvenated sound, and a melodic purpose that quickly helped the co-ed group become the biggest band in the world.

Recorded in three months and aided by a surfeit of material brought to the fold by Nicks and Buckingham, Fleetwood Mac is a monster album, a five-million-plus-selling effort that set a new record for the amount of weeks spent on the Billboard charts before finally hitting number one and the home to Top 40 singles "Over My Head," "Rhiannon," and "Say You Love Me." Moreover, it marks the introduction to the chemistry, interplay, and connectivity established by a quintet whose singing, songwriting, and harmonizing abilities at the time hadn't a peer.

The first of three consecutive landmark Fleetwood Mac recordings, this refreshing rock-pop landmark opened the floodgates of commercial success, crossing over to both AM and FM radio and steadily winning coverts all across the world. The reasons relate to the impeccable selection of songs and heartfelt performances, whether it's Nicks' unforgettable reflectiveness on "Landslide," Buckingham's warm pleas on "Say You Love Me," or the cozy romp of "Monday Morning," fittingly a lead-off number that related to the emotional games and pain that would characterize so much of the band's iconic work.

Cut at Bernie Grundman Mastering from the original analog tapes and pressed at 45RPM, this version presents the music in the absolute best fidelity it's ever (and ever will) enjoyed. As realistic, dynamic, wide-open, organic, and airy as the critically acclaimed pressing of Rumours, this deluxe set portrays the fingerpicked acoustic guitars, swelling choral voices, jazzy percussion, and every last breath of the lead singing turns with utmost transparency.

Nostalgia for albums recorded in the mid-70s will immediately come to light, as this pressing simply glows and presents the listeners with scads of information that even those that have heard this masterpiece hundreds of times have never noticed.

Track Listing:
1. Monday Morning
2. Warm Ways
3. Blue Letter
4. Rhiannon
5. Over My Head
6. Crystal
7. Say You Love Me
8. Landslide
9. World Turning
10. Sugar Daddy
11. I'm So Afraid

Originally released on January 11, 1971 (three months after her passing on October 4, 1970), the Paul Rothschild produced Pearl debuted Janis Joplin's final finished studio recordings as well as intimations of what the influential American country-soul-blues-rock singer was capable of delivering. The only album Joplin ever recorded with the Full Tilt Boogie Band, the touring ensemble that had backed her on the Festival Express, Pearl includes studio recordings of songs that had been introduced to audiences on tour. Peaking at #1 on the Billboard 200, a position it held for nine weeks, Pearl features some of Janis' most familiar and best-loved performances including her cover of Kris Kristofferson's "Me and Bobby McGee" and her off-the-cuff a cappella "Mercedes Benz."

Track Listing:
1. Move Over
2. Cry Baby
3. A Woman Left Lonely
4. Half Moon
5. Buried Alive In The Blues
6. My Baby
7. Me and Bobby McGee
8. Mercedes Benz
9. Trust Me
10. Get It While You Can

Featuring the powerful superstar vocals and keyboards of the great Dennis DeYoung, the legendary hard rockin guitarist/vocalist James Young, the exciting songs, voice and guitar stylings of Tommy Shaw, the pumping bass of Chuck Panozzo and the power drumming of the late John Panozzo, Cornerstone has gone on to be one of their most popular albums, selling millions of units worldwide thanks in part to the #1 super smash single "Babe."

Friday Music is very honored to present once again Cornerstone, which also continues their exclusive and much applauded Styx 180 Gram Audiophile Vinyl Series. Authorized by Styx, this exceptional HQ album is now mastered impeccably from the original A&M Records tapes by Joe Reagoso at Friday Music studios with Kevin Gray.

This limited edition masterpiece is also housed in a beautiful first time gatefold cover and includes all the hits you remember like "Babe," "Never Say Never," "Lights" and "Boat On The River." This album truly continued the arena rock level of popularity for Styx, and has kept them at the top of their game ever since. Cornerstone, truly a fine album for the audiophile vinyl domain.

Track Listing:
1. Lights
2. Why Me
3. Babe
4. Never Say Never
5. Boat On The River
6. Borrowed Time
7. First Time
8. Eddie
9. Love In The Midnight

35th Anniversary Edition

Ranked 160/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

Track Listing:
LP1
1. Mambo Sun
2. Cosmic Dancer
3. Jeepster
4. Monolith
5. Lean Woman Blues
6. Get It On
7. Planet Queen
8. Girl
9. The Motivator
10. Life’s A Gas
11. Rip Off

LP2
1. Mambo Sun [Instrumental edit]
2. Cosmic Dancer [single-vocal version]
3. Jeepster [single-vocal version]
4. Monolith [working version]
5. Lean Woman Blues [working version]
6. Get It On [Full Length version]
7. Planet Queen [working version]
8. Girl [alternate master]
9. The Motivator [Working version]
10. Life’s A Gas [working version]
11. Rip Off [Instrumental]

It's a dystopian piece, a portrayal of the end of the world, and what better time to re-release it than in the last year of the Mayan calendar? Bowie and Eno recorded the album during improvised sessions, in which Eno would hand out flashcards as a guiding light. But the light was always distorted, and would for example ask the musicians to imagine they were "the disgruntled member of a South African Rock band. Play the notes that were suppressed."

The original 1995 release had a very limited vinyl run, and because of that this has always been a very much sought after album.

Music On Vinyl is doubly proud that this is their 500th release, it also contains a beautiful 8-page booklet filled with notes from Nathan Adler's diary…

Track Listing:
1. Leon Takes Us Outside (Edit)
2. Outside
3. The Hearts Filthy Lesson
4. A Small Plot Of Land
5. Segue - Baby Grace (A Horrid Cassette)
6. Hallo Spaceboy
7. The Motel (Edit)
8. I Have Not Been To Oxford Town
9. The Voyeur Of Utter Destruction (As Beauty)
10. Segue - Ramona A. Stone / I Am With Name
11. We Prick You
12. Segue - Nathan Adler
13. I'm Deranged

Peart joined just two weeks before Rushs first US tour and it was during this American jaunt that the guys played the infamous Agora Ballroom, Cleveland - a venue at which the group would go onto play numerous more shows during their formative years.

At their 1974 booking however, radio station WMMS radio was on hand to broadcast the whole event across the airwaves and thus make this particular gig a somewhat notorious event as well as being Rushs very first radio broadcast

The set played by the group that hot August evening in Americas dark industrial underbelly, includes songs from their debut album, Rush, and features two early versions of cuts from their sophomore record, Fly by Night

The show also contained a cover of Larry Williams Bad Boy a 1950s rocker and no mistake - plus incredibly, two excellent tracks that have never been released on any previous Rush release; the super-rare Fancy Dancer and Garden Road, both composed in their very earliest incarnation before Neal Peart was on board

The package is completed by three bonus tracks from their second US broadcast, back at the ABC a year later, and again courtesy of their by then long time champions, WMMR Cleveland

All three songs from the 75 set originated on Fly By Night

PREVIOUSLY UNAVAILABLE RECORDINGS OF SOME OF THE BIGGEST HITS

Track Listing:
LP1
1. Finding My Way
2. The Best I Can
3. Need Some Love
4. In The End
5. Fancy Dancer
6. In The Mood
7. Bad Boy
8. Here Again

LP2
9. Working Man
10. Drum Solo
11. What Youre Doing
12. Garden Road
13. Anthem
14. Beneath, Between & Behind
15. Fly By Night

It's a remarkable musical document that reconfirms what the Monterey audience bore witness to on June 18, 1967: Hendrix's unbridled talent and flair for showmanship are unparalleled in the annals of music! Includes definitive and incendiary live takes on such classics as "Foxey Lady," "Like A Rolling Stone," "Hey Joe," "The Wind Cries Mary," "Purple Haze" and "Wild Thing."

Track Listing:
1. Intro
2. Killing Floor
3. Foxey Lady
4. Like A Rolling Stone
5. Rock Me Baby
6. Hey Joe
7. Can You See Me
8. The Wind Cries Mary
9. Purple Haze
10. Wild Thing

Following the successful recent reissues of McCartney, McCartney II, and 2012's Grammy winner for 'Best Historical Album, Band on the Run, RAM is the latest album from Paul's iconic back catalog to get the deluxe Paul McCartney Archive Collection treatment. As with the previous releases in the series, Paul has personally overseen every aspect of the project and the result is spectacular!

RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul's second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world's media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.

RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken. RAM gave Paul his first solo US #1 single with "Uncle Albert/Admiral Halsey" and a Grammy win for 'Best Arrangement Accompanying Vocalists.'

The band completed the album in early 1971 along with non-album tracks "Another Day" and "Oh Woman, Oh Why" which were released together as Paul's first post-Beatles single ahead of the release of RAM and became a Top 5 global hit. This remastered 180g 2LP, gatefold vinyl reissue includes both songs as bonus tracks along with additional material that didn't appear on the original release.

Track Listing:
LP1
1. Too Many People
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart of the Country
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On (Reprise)
12. The Back Seat of My Car

LP2
1. Another Day
2. Oh Woman, Oh Why
3. Little Woman Love
4. A Love For You (John Kelly Mix)
5. Hey Diddle (Dixon Van Winkle Mix)
6. Great Cock and Seagull Race (Dixon Van Winkle Mix)
7. Rode All Night
8. Sunshine Sometime (Earliest Mix)

Following the successful recent reissues of McCartney, McCartney II, and 2012's Grammy winner for 'Best Historical Album, Band on the Run, RAM is the latest album from Paul's iconic back catalog to get the deluxe Paul McCartney Archive Collection treatment. As with the previous releases in the series, Paul has personally overseen every aspect of the project and the result is spectacular!

RAM, originally released in May of 1971, is the only album to be credited to both Paul and Linda McCartney and was Paul's second post-Beatles LP. It was overshadowed at the time by the drama of the dissolution of The Beatles, as played out in the world's media. The album topped the charts hitting #1 in the UK and #2 in the US. While RAM polarized critics upon its release, music fans and critics alike since have overwhelmingly embraced it, with Rolling Stone, for example, revising their original review up to 4 stars. Recently RAM has enjoyed even further re-appraisal and acknowledgement including a number of tribute albums.

RAM was written by Paul and Linda, mostly at their Scottish farm on the Mull of Kintyre. In the autumn of 1970 they flew to New York to start the recording process. Without a band in place they auditioned and drafted musicians, who included future Wings drummer Denny Seiwell and guitarists David Spinozza and Hugh McCracken. The album garnered Paul his first solo US #1 single with "Uncle Albert/Admiral Halsey" and a Grammy win for 'Best Arrangement Accompanying Vocalists.'

RAM was also issued in mono with alternate mixes, which were only made available to radio stations at the time. This version has gone on to become one of the most sought after McCartney collectibles. It will now be commercially available for the first time as a limited run on vinyl!

Track Listing:
1. Too Many People
2. 3 Legs
3. Ram On
4. Dear Boy
5. Uncle Albert/Admiral Halsey
6. Smile Away
7. Heart of the Country
8. Monkberry Moon Delight
9. Eat At Home
10. Long Haired Lady
11. Ram On (Reprise)
12. The Back Seat of My Car

Consistent throughout the project is the world-class musicianship of the Santana Band members, who bring vitality and heart to every note. Santana will be kicking off a major Las Vegas residency at the House of Blues in Mandalay Bay in May of 2012 and will tour throughout the summer. 180g vinyl LP with digital download card

Santana, a Rock and Roll Hall of Fame and Grammy Hall of Fame inductee, has sold over 100 million albums worldwide throughout his career and an amazing 30 million albums in the last decade alone. In addition to 46 Platinum Certifications and 21 Gold Records, he has garnered 10 Grammy Awards.

Track Listing:
1. Shape Shifter
2. Dom
3. Nomad
4. Metratron
5. Angelica Faith
6. Never The Same Again
7. In The Light of a New Day
8. Spark of the Divine
9. Macumba In Budapest
10. Mr. Szabo
11. Eres La Luz
12. Canela
13. Ah, Sweet Dancer

Traffic were one of the premier architects of the acid rock movement in the '60s and blossomed further into one of the most important super groups of the '70s. Their recordings are the soundtrack to a generation of music enthusiasts that continues to this day and will forever stand the test of time. In 1968, the legendary founding members Stevie Winwood, Dave Mason, Jim Capaldi and Chris Wood sojourned on after a smash debut with Dear Mr. Fantasy and continued the winning streak with the groundbreaking self-titled classic Traffic.

Known for their superior progressive rock, jazz and pop influences, the multi-faceted music of this LP offers non-stop entertainment which truly illustrates the legendary talent of this English quartet. Whether standout tracks from the pens of Dave Mason like the classic rock smash anthem "Feelin’ Alright?" or the prog-rock masterpiece Winwood and Capaldi’s classic "Forty Thousand Headmen," the Traffic album has surely earned its currency over the years as one of the more important albums of the classic rock era.

Filled with the piano driven melodies and vocals of the legendary Stevie Winwood, the hard rocking vocals and guitar work of the masterful Dave Mason, the explosive sax breaks by the late Chris Wood and the power drumming and vocals of the late great Jim Capaldi, the Traffic album will always be one of the most revered albums in their extraordinary career.

Even further classics ensued with each of the hard rockin’ ten tracks that make up this masterwork. How about the smash sounds of "Pearly Queen" or another Winwood and Capaldi classic "Means To An End," plus more Dave Mason treasures like "You Can All Join In" or "Don’t Be Sad." No matter what track is your favorite, it’s all classic Traffic, and it just doesn’t get much better than this.

Friday Music continues with their second installment in the Traffic/Friday Music 180 Gram Audiophile Vinyl Series with the monumental rock classic Traffic. Mastered impeccably by Joe Reagoso from the original Island Records tapes at Friday Music Studios with Kevin Gray, Traffic is a truly one of the most important audiophile vinyl releases of 2012.

Friday is also including a very rare gatefold cover, which includes the original gatefold photo of Dave Mason, Stevie Winwood, Chris Wood and Jim Capaldi, for the first time in North America since its 1968 release!

Track Listing:
1. You Can All Join In
2. Pearly Queen
3. Don’t Be Sad
4. Who Knows What Tomorrow May Bring
5. Feelin’ Alright?
6. Vagabond Virgin
7. Forty Thousand Headmen
8. Cryin’ To Be Heard
9. No Time To Live
10. Means To An End

Hes the predominant musical force behind such Mac albums as Rumours and the innovative Tusk, and has created a critically acclaimed body of solo work that yielded the hits, Trouble, Go Insane, and Holiday Road.

Seeds We Sow is a solo album by American musician and Fleetwood Mac vocalist/guitarist Lindsey Buckingham, released on September 6, 2011.

It is Buckingham's sixth solo album, and his first to be self-released.

The album entered the Billboard 200 in the week of September 24, 2011.

By reaching number 45, Seeds We Sow ties with 1984's Go Insane as Buckingham's second successful album after his 1981 debut Law and Order.

Additionally, it also reached number 6 on the Billboard Rock Album Chart and number 5 on the Billboard Independent Albums Chart.

Track Listing:
LP1
1. Seeds We Sow
2. In Our Own Time
3. Illumination
4. That’s The Way Love Goes
5. Stars Are Crazy

LP2
6. When She Comes Down
7. Rock Away Blind
8. One Take
9. Gone Too Far
10. End Of Time
11. She Smiled Sweetly

England's Electric Light Orchestra, better known to its fans as ELO, went from cult status to arena-level superstardom in the 1970s, evolving from eclectic classically-influenced prog-rockers to state-of-the-art hitmakers. At the peak of their popularity, they were one of the world's biggest-selling recording acts, and also one of the most unusual. Combining rock instrumentation with a full string section, ELO couldn't help but stand out, both musically and visually.

Originally launched by Jeff Lynne, Bev Bevan and Roy Wood as a side project to their legendary band the Move, ELO arrived in 1971 with their self-titled debut album accidentally released as No Answer due to a miscommunication with the band's US label. The core trio of Lynne, Wood, Bev Bevan, augmented by Bill Hunt and Steve Woolam, approach the music here both like a hard rock band attacking a song and a string ensemble playing chamber music.

The philosophical differences between Wood and Lynne only commingled for this lone album however, as Wood relinquished ELO to Lynne and went on to form Wizzard. Although their styles were wide ranging, citing Wood's baroque-flavored “Look at Me Now” and Lynne's hard rock number “10538 Overture” as examples, it was that same bookend combination that also makes the album a masterpiece way ahead of its time.

"All in all, I think these tracks are quite amazing because neither Roy or me had any idea how to approach this project, we just got on with it." - Jeff Lynne

"I would have to say that together, Jeff and myself made my original dream into a reality. If I am to be honest, I sincerely love him for it." - Roy Wood

Track Listing:
1. 10538 Overture
2. Look at Me Now
3. Nellie Takes Her Bow
4. Battle of Marston Moor
5. First Movement (Jumping Biz)
6. Mr. Radio
7. Manhattan Rumble (49th Street Massacre)
8. Queen of the Hours
9. Whisper in the Night

Friday Music is very honored to welcome back the much heralded Deep Purple classic Stormbringer for the first time on 180 Gram Audiophile Vinyl in North America. Featuring the stellar Mark III "Burn" line-up of Ritchie Blackmore, David Coverdale, Glenn Hughes, Jon Lord, & Ian Paice, the platinum plus Stormbringer featured such classics as Lady Double Dealer, The Gypsy, Soldier Of Fortune, Holy Man and the hugely successful title track Stormbringer. Limited Ed.

Track Listing:
1. Stormbringer
2. Love Don't Mean A Thing
3. Holy Man
4. Hold On
5. Lady Double Dealer
6. You Can't Do It Right (With The One You Love)
7. High Ball Shooter
8. The Gypsy
9. Soldier Of Fortune

The new Jeff Beck Group LP on the Audio Fidelity “Target Series” label is part of the company’s midline series, which is normally 140/150gram vinyl and a few dollars less expensive. The label’s main line of premium pressings are on 180gram vinyl. (**Please note, that the “Target” series ONLY differs in vinyl weight and the sources are the same original masters used on their main line, and the mastering on both lines are done by either Kevin Gray or Steve Hoffmann, the top 2 mastering engineers on the planet).

The pressing plant made a mistake and pressed the Jeff Beck Group “Target” series on 200 GRAM vinyl!!! Audio Fidelity has never put out any 200 gram records before. As this was a mistake on their pressing plant, there will be NO change in pricing. BUT, only the initial pressing will be on this mistaken 200 gram vinyl. Further pressings will be 140/150 gram. So you are now getting a record at a midline price, but for a product that’s quality will surpass the standard premium line … WHILE SUPPLIES LAST!!

If you have not yet placed your order on the Jeff Beck Group LP, do so now to make sure you can get some of this rare collector’s item!!!

Mastered by Kevin Gray

Originally released in 1972, Jeff Beck Group was the fourth and final studio album for the legendary group. The band fully exploits the wildly unique instrumentation of Beck, a classical/jazz oriented pianist in Max Middleton, the soul/groove of Clive Chaman on bass, Cozy Powell's steady drumming and the expressive vocals of Bob Tench. This innovative music was way ahead of its time. The album features some of the most inspired lead playing of Beck's career.

Beck's guitar arrangements and performances are quite unlike anything from that era, a master pushing the creative envelope. His command of both right and left-hand techniques is truly awesome. The tracks feature multi-layered electric guitars, electric sitars, Beck's wah-wah touch, inspirational slide playing and two-hand tapping all beautifully performed and mixed. The tones he gets out of his guitar are unlike anything he had ever done.

The mid-tempo guitar driven blues of ''Ice Cream Cakes'' is the perfect album opener.The irresistible groove of ''Goin' Down'' has good slide and lead playing. ''Glad All Over'' is one of his all time best songs with sharp leads and great piano lines. The funky and jazzy ''Sugar Cane'' flat-out rocks, and ''Tonight I'll Be Staying Here With You'' is a soulful Bob Dylan cover. Another cover, Don Nix's classic ''Going Down'' has nice vocals by Tench and Middleton's gospel-tinged intro is absolutely perfect. ''Highways'' is a slow blues song driven by Beck's amazing use of power chords and strange and exotic leads. Two instrumentals are featured on Jeff Beck Group, the quite lovely Ashford and Simpson tune, ''I Can't Give Back The Love I Feel For You'' and ''Definitely Maybe,'' one of his Beck's known songs, features a beautiful slide guitar and an emotional melody line accompanied by gorgeous harmonies.

Jeff Beck Group is a Jeff Beck showcase and one of the finest pieces of blues/rock in the history of the genre. Jeff Beck's truly inspired and creative playing is extraordinarily fluid and plain genius in a class of the top echelon of guitarists.

The record was produced by Steve Cropper of Booker T & The M.G.'s.

Track Listing:
1. Ice Cream Cakes
2. Glad All Over
3. Tonight I'll Be Staying Here With You
4. Sugar Cane
5. I Can't Give Back The Love I Feel For You
6. Going Down
7. I Got To Have A Song
8. Highways
9. Definitely Maybe