Never Too Loud by Danko Jones
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Vinyl LP - Sealed
"Not too many people outside of Canada and Scandinavia seemed to notice, but Toronto-based trio Danko Jones were responsible for some of the most electrifying, ass-kicking, fearsomely focused hard rock of the third millennium's first decade. That being said, after failing to attract a larger audience with two unquestionably stellar albums released through Razor & Tie, the band found itself relegated to smaller indie label Bad Taste for 2008's Never Too Loud, meaning that not even U.S. distribution was a given. Notwithstanding this problematic setback, though, Danko Jones showed they still held an ace or two in their hands by securing the services of hotshot producer Nick Raskulinecz (Foo Fighters, Velvet Revolver, Rush, etc.) to oversee Never Too Loud's sessions, and their new ally seemed to be fan enough to not attempt altering the band's sound, even while helping the group to cast a slightly wider stylistic net beyond its usual Thin Lizzy and AC/DC-fishing grounds. Among the resulting surprises was the acoustic guitar-driven nostalgia of "Take Me Home" and a pair of stoner rock-flavored offerings in the Fu Manchu-like, groove-oriented opener "Code of the Road" and the extended six-minute head nod of "Forest for the Trees" (Danko's longest track ever, by far), which culminated with guest vocals from Kyuss legend John Garcia. Beyond this experimental trio, though, Never Too Loud remained relatively faithful to the familiar Danko Jones sound -- albeit rarely played quite as loud as on prior releases, ironically enough. Sure, the punkish pogo-fest of "Let's Get Undressed" and the raging hormones of teenage fantasy "Still in High School" both recalled some of the band's wilder, earliest outbursts, and impertinent challenges like "Your Tears, My Smile" and "Something Better" confirmed the enduring chip on eponymous frontman Danko Jones' shoulder. But the mellower, melody-ridden "King of Magazines" and "Ravenous" definitely valued quality over quantity, and both the album's worst and best offerings paid serious dues to the band's chief influences, the closing title track collapsing under the weight of dull repetition (akin to AC/DC's least inspired latter-day songs) while first single "City Streets" reached for the heavens of perfection with that glorious blend of crunchy riffs and longing melodies (the very same ones that earned Thin Lizzy's Philip Lynott his angel's wings). And so, somewhere between the same ol' and brand new, the disappointing and sublime, Never Too Loud proved to be yet another enjoyable LP from Danko Jones, despite ranking just a notch below their most recent triumphs."
All Music Guide
Code Of The Road
Still In High School
Take Me Home
Let's Get Undressed
King Of Magazines
Forest For The Trees
Your Tears My Smile
Never Too Loud
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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