Europe '72 Vol. 2 - Vinyl Record
- Product Code:
- 180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed
- Track Listing
Europe '72, a triple live album documenting its historic trek across Europe became not only one of the band's best-selling releases, but also set the gold standard for live Dead. Now the group proves you can never get too much of a good thing when it revisits that legendary collection with Europe '71 Vol. 2, an essential continuation of the original that includes more than two hours of unreleased performances from that storied tour.
Grateful Dead archivist David Lemieux, who produced this 20-track compilation, says he only chose song titles that did not appear on Europe '72 as a way to complement the original. "I think this album, coupled with Europe '72, represents a complete overview of the tour in every way," he says. "In fact, songs like "Beat It On Down The Line," "Next Time You See Me" and "Sing Me Back Home" were selected by the Grateful Dead for the first set, but were left off because there wasn't enough room."
In a nod to the original, Vol. 2 features new cover art by Stanley Mouse, the artist who helped create the iconic artwork from Europe '72, which features the return of the legendary Ice Cream Kid. "Trouble comes in many flavors. Ice Cream Kid is in hot water. The jury is out. His only defense is love," says Mouse of the Kid's return.
Recorded at various locations during the band's 22-show tour, the collection captures the Dead in white-hot moments of improvisational revelry as the band explores a number of its most enduring songs, like "Bertha," "Sugaree" and "Playing In the Band," plus relatively obscure cuts like "Black-Throated Wind" and Pigpen's "Chinatown Shuffle."
As a special treat, the set includes an epic hour-plus jam that combines "Dark Star" and "The Other One." Recorded at the Bickershaw Festival, it was the only show on this tour where the band broke out both of these beloved improvisational showpieces. Vol. 2 also includes "Good Lovin" and "Dire Wolf" from the April 26 show at Jahrhundert Halle in Frankfurt, West Germany. While much of that concert was released on 1995's Hundred Year Hall, these particular tracks were not included and have remained unreleased until now.
1. Bertha (Tivoli Concert Hall, Copenhagen, Denmark 4/14/1972)
2. Me And My Uncle (Wembley Empire Pool, London, England 4/7/72)
3. Chinatown Shuffle (Tivoli Concert Hall, Copenhagen, Denmark 4/14/1972)
4. Sugaree (Olympia Theatre, Paris, France 5/3/72)
1. Black-Throated Wind (Tivoli Concert Hall, Copenhagen, Denmark 4/14/1972)
2. Loser (Tivoli Concert Hall, Copenhagen, Denmark 4/14/1972)
3. Next Time You See Me (Olympia Theatre, Paris, France 5/4/72)
1. Beat It On Down The Line (La Grande Salle Du Grand Theatre De Luxembourg, Luxembourg 5/16/72)
2. Dire Wolf (Jahnrhundert Halle, Frankfurt, West Germany 4/26/72)
3. Good Lovin (Jahnrhundert Halle, Frankfurt, West Germany 4/26/72)
1. Greatest Story Ever Told (Olympia Theatre, Paris, France 5/3/72)
2. Deal (Olympia Theatre, Paris, France 5/4/72)
3. Playing In The Band (Lyceum Theatre, London, England 5/24/72)
1. Dark Star (Bickershaw Festival, Wigan, England 5/7/72)
2. Drums (Bickershaw Festival, Wigan, England 5/7/72)
1. The Other One (Bickershaw Festival, Wigan, England 5/7/72) [Part 1]
1. The Other One (Bickershaw Festival, Wigan, England 5/7/72) [Part 2]
2. Sing Me Back Home (Lyceum Theatre, London, England 5/26/72)
1. Big Railroad Blues (Tivoli Concert Hall, Copenhagen, Denmark 4/17/1972)
2. Not Fade Away (Wembley Empire Pool, London, England 4/7/72)
3. Not Fade Away (Wembley Empire Pool, London, England 4/7/72)
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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