Electric (Discontinued) - Vinyl Record
- Product Code:
- New West
- 180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed
- Track Listing
Richard Thompson’s many facets only seem to get more, well, multifaceted. “The title’s Electric, and the music sometimes is,” he says.
Mostly electric, to be accurate, and always electrifying. Whether featuring electric or acoustic guitar, the songs are built around the tightly focused core of Thompson’s current, sharply honed trio: drummer Michael Jerome (Better Than Ezra, John Cale) and bassist Taras Prodaniuk (Lucinda Williams, Elvis Costello) complementing and often pushing the leader through a full range of emotional explorations.
The album was produced in Nashville by Buddy Miller (Robert Plant’s Band of Joy, not to mention his own acclaimed albums both solo and with wife Julie Miller) at his cozy home studio. Miller provides rhythm guitar here and there, Stuart Duncan guests on fiddle, Siobhan Maher Kennedy (of the English band River City People) sings harmonies on five of the songs and the incomparable Alison Krauss duets on the achingly lovely “The Snow Goose.”
“It strikes that desirable balance between aggression and reflection that we are always aiming for,” he says, before reflecting, “I wasn’t being too serious with that. But perhaps it does work.” It works very well, both as a description and as a body of work, a new chapter in his ever-unfolding musical saga.
Thompson terms the Electric material “funk-folk, or folk-funk.” But that is to large extent just a matter of economy—and limitations—of language, something he’s employed to great effect throughout his career both in lyrics and interviews. “I commented facetiously somewhere that its between Judy Collins and Bootsy Collins,” he notes, wryly.
1. Stony Ground
2. Salford Sunday
3. Sally B
4. Stuck On The Treadmill
5. My Enemy
6. Good Things Happen To Bad People
7. Where's Home
8. Another Small Thing In Her Favour
1. Straight And Narrow
2. The Snow Goose
3. Saving The Good Stuff For You
4. Will You Dance, Charlie Boy
5. I Found A Stray
6. The Rival
7. The Tic-Tac Man
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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