Rock Vinyl Records

1987 Pop-Rock Blockbuster A Seamless Fusion of Dance Beats, Sleek Riffs, Soaring Hooks, and Horn-Fueled R&B

Spawned Four Top 5 Hits: Need You Tonight, Devil Inside, New Sensation, Never Tear Us Apart Are Pop Genius

Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI (America's Best Record Plant): Silver Label LP Sounds Incredible, Replete With Dynamic Midrange

The last throes of Reagans presidency, big hair, carefree existence, the promise of a booming economy, preppy clothes, Nintendo 8-bit gaming systems, and MTVs seemingly limitless reign: All happy memories conjured by INXS Kick, on the creative level of anything Madonna, Prince, or Michael Jackson recorded at the time. More than six million copies sold, four Top 5 singles, and still, nearly 25 years later, not one feeble moment, justify the 1987 records status as pure pop genius.

Anchored by the sensual purr of vocalist Michael Hutchence and frisky drumming (recorded in analog) of Jon Farriss, Kick taps into a hybrid style that freshly stays away from the eras plastic, manufactured sounds and narrow-minded, vacant aesthetic. A seamless fusion of dance beats, sleek rock riffs, soaring hooks, horn-fueled R&B, and string-laden accents, the 12-track set is an irresistibly catchy and liquidly fluid sonic miasma that contains every single element a classic contemporary pop work requires.

Above all, every song boasts a different feel and distinctive pace, characteristics that arent forced but natural results of the collectives chemistry. The sexy, breathy pop-funk Need You Tonight clicks with interlocking arrangements and murmured vocals. The atmospheric, synth-drum-punctuated Meditate hallucinates with stream-of-conscious vocals and percolating grooves. Well-placed pauses, hypnotic flanged guitar passages, and so-funky-youll-sweat saxophone breaks pepper the liberating rock smash New Sensation.

INXS also kicks out upbeat dance-inflected jams on the brassy skirt-swaying title track, syncopated Calling All Nations, and elsewhere, but doesnt forget the importance of a bleeding-heart ballad. Hence, the devastatingly moving Never Tear Us Apart, the knifing strings and guitar twang proving dramatic, direct, and honest. The late 1980s produced a handful of more commercially successful pop records, but none is better than Kick.

Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI (America's best record plant), Silver Label numbered limited edition LP presents INXS studio masterpiece with the tremendous punch, transparent midrange impact, and involving depth the record has always deserved but, until now, never possessed. Textural details, Hutchences creamy vocals, and Farris diversified percussion positively explode and engage in the manner that only the best pop-rock can.

About Silver Series: New from Mobile Fidelity Sound Lab, the MoFi Silver Label Vinyl Series will feature an eclectic mix of recordings. This series is mastered and cut on the famous Mobile Fidelity Sound Lab state-of-the-art Tim de Paravacini-designed mastering system. Vinyl will be pressed at RTI on audiophile-grade standard vinyl and will be numbered limited-editions. Future releases will continue to stretch stylistic boundaries, as the MoFi Silver Label continues to explore music from many different genres. Expand your musical horizons with the Silver Label!

Track Listing:
1. Guns in the Sky
2. New Sensation
3. Devil Inside
4. Need You Tonight
5. Mediate
6. The Loved One
7. Wild Life
8. Never Tear Us Apart
9. Mystify
10. Kick
11. Calling All Nations
12. Tiny Daggers

Sub Pop is now releasing new music from Dntel in the form of a pair of companion EPs, entitled After Parties 1 and After Parties 2. These two EPs collect 8 new Dntel tracks (3 on After Parties 1 and 5 on After Parties 2) which are a bit more minimalist and experimental in nature, all of them instrumental.

Track Listing:
1. Flares
2. Peepsie
3. Hits Line
4. Aimless
5. Leed

Their eleventh studio album, 'Who We Touch' was produced by Youth (Paul McCartney, Primal Scream and The Verve) and was recorded at Britannia Row in London, on the desk that New Order's 'Blue Monday' was recorded on. Featuring twelve tracks, the album must surely rank as their boldest to date radically broadening, in places, their aesthetic remit. It is, says Burgess, "a soulful voyage", a journey through moods uplifting and profound, dark and delirious, ultimately concluding in blissful optimism. Its sound is inspired by many heroes, yet always sounds like no-one other than The Charlatans themselves.

Track Listing:
Side 1

1. Love Is Ending
2. My Foolish Pride
3. Youre Pure Soul
4. Smash The System
5. Intimacy
6. Sincerity

Side 2

1. Trust In Desire
2. When I Wonder
3. Oh!
4. You Can Swim
5. On The Threshold
6. Sing The Body Eclectic

Side 3

1. Love Is Ending (Early Version)
2. Intimacy (Early Version)
3. Smash The System (Early Version)
4. These Things (Studio Out-take)
5. Your Pure Soul (Early Version)
6. Sincerity (Early Instrumental Version)
7. Trust In Desire (Alternate Take

Side 4

1. My Foolish Pride (Early Version)
2. Lips That Would Kiss (Early version)
3. Who We Touch Don't Mind (Studio Out-take)
4. Don't Know Where Or When (Studio Out-take)
5. Intimacy (Alternate Mix)
6. Throbbing Genesis (Studio Out-take)

Outstanding solo effort from the founder of legendary New York City groups The Dictators and The Del-Lords. An American rock classic. Available for the first time on vinyl, limited to 500 copies. Each LP comes with a hand-signed and numbered poster and includes a digital download card.

Track Listing:
1. You Move Me
2. Bad Intent
3. I.C.U
4. Hot Rod Angel
5. Love Among The Ruins
6. Lonesome Train
7. Precious Thing
8. Livin' With Her, Livin' With Me
9. Do You Belive In Me
10. (Just Like) Romeo And Juliet
11. Tender Mercies
12. I Wanna Be Yours

Side B:
1. Take Me To The Other Side
2. Walking With Jesus

Eric surely delivered a true heavy rock fusion masterwork with his classic Ah Via Musicom in 1990. This amazing multi-platinum LP and Grammy Award winner includes all of legend's classic signature tunes like "Cliffs Of Dover," "Desert Rose," "Trademark and Righteous." The album topped a lot of music charts that year and has been the fusion album of choice for both fans and guitar enthusiasts ever since.

Just perfect for the audiophile vinyl domain, Friday Music has announced the exclusive 180 Gram Audiophile Vinyl release of Eric Johnsonâs Ah Via Musicom. Mastered impeccably from the original unedited Capitol tapes by Joe Reagoso (Jeff Beck, Santana, John McLaughlin, Johnny Winter) at Friday Music Studios and at Capitol Records in Hollywood with Ron McMaster, this limited edition classic also includes the original album cover graphic elements, as well as a protective poly lined sleeve.

Track Listing:
Part I: (Side One)
1. Ah Via Musicom
2. Cliffs Of Dover
3. Desert Rose
4. High Landrons
5. Steve's Boogie

Part II: (Side Two)
6. Trademark
7. Nothing Can Keep Me From You
8. Song For George
9. Righteous
10. Forty Mile Town
11. East Wes

Musicians:

• Keb' Mo' (guitar, bass, mandolin, vocal, dobro)
• Mindi Abair (alto saxophone, soprano saxophone)
• Nick Lane (trombone)
• Jeff Paris (keyboards, mandolin, piano, organ)
• James Harrah (guitar)
• Mark Cargill (violin, director)
• Reggie McBride (bass)
• Paulinho Da Costa (percussion)
• Stephen Ferrone (drums)

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

The album "Ascension Heights" has always been a £100+ vinyl rarity, so its reissue here is to be welcomed. But it has also divided Blues purists for years because - for a blues label release - it's a slightly strange record! Firstly it's entirely instrumental - and not in a blues way either. It doesn't seem to quite know what it is. One minute it has the playfulness of Django Reinhardt jazz noodlings on "Spider Drag", the next minute it's Sixties Chet Atkins on "Globetrottin'", the next second its funky Blood, Sweat and Tears without the vocals on the brass filled "Mini-Minor-Mo". It also features Pete Wingfield on Piano. There are even times on "Hot Ginger" where it sounds like a soulful version of Fleetwood Mac's debut album! A heady mix to say the least! It's a varied album, daring in its choices and remember - most are original songs by Topham. "Ascension Heights" is a grower that bears repeated listening.

Attention: Both sides of this LP were cut at 45rpm.

Musicians:

• Top Topham (guitar, percussion)
• Greg Bowen (trumpet)
• Chris Pyne (trombone)
• Alan Skidmore (saxophone)
• Rick Hayward (guitar)
• Pete Wingfield (piano, organ)
• Herbie Flowers (bass)
• Duster Bennett (harmonica)
• Mike Vernon (percussion)
• John Marshall (drums)

Recording: Autumn 1969 at CBS Studios, London.
Production: Mike Vernon

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

1. Sawbuk
2. Mini-Minor-Mo
3. Hop House
4. Ridin' The Blinds
5. Hot Ginger
6. Funks Elegy

Side Two

1. Ascension Heights
2. Tuxedo Junction
3. Globetrottin'
4. Spider Drag
5. Mean Old Pullman
6. How Sweet It Is (To Be Loved By You)

1. No Future
2. Photographs From An Asylum
3. All Paths To God

Side B

4. Ambergeist
5. Depakote

Side C

6. Regilion 111
7. Blue Of Noon
8. Decaying Inhalations

Side D

9. And The Stars Fell On
10. Remission
11. Dead Windows

This novelty album, released in 1966 during the height of the Batman & Robin craze, was initially credited to the The Sensational Guitars of Dan and Dale and featured an album full of tracks based on the popular TV show like "The Batman Theme Song," "The Penguin Chase" and "The Batcave."

The album is entirely instrumental, except for someone singing "Batmaaaan!" in the theme song. But the interesting thing about this album, and what makes it an absolute cult gem, are the musicians who are behind it all: basically a joint collaboration between Sun Ra's Arkestra and Danny Kalb's Blues Project (one of the first psychedelic rock bands as well as one of the world's first jam bands).

Dan and Dale were actually blues guitarist Danny Kalb and Steve Katz (later of Blood, Sweat & Tears) on dueling guitars, while Sun Ra and Al Kooper take over organ duties (a Hammond B-3) and members of Ra's Arkestra play sax. Gatefold edition.

Track Listing:
1. Batman Theme
2. Batman's Batmorang
3. Batman and Robin Over the Roofs
4. The Penguin Chase
5. Flight of the Batman
6. Joker Is Wild
7. Robin's Theme
8. Penguin's Umbrella
9. Batman and Robin Swing
10. Batmobile Wheels
11. The Riddler's Retreat
12. The Bat Cave

The First Songs features the majority of Nyro's most famous and revered compositions and her own interpretations of several pieces that would become hits for other artists; Blood Sweat and Tears "And When I Die" (US #2), The 5th Dimension "Wedding Bell Blues" (US #1) and "Blowin' Away" (US #21), and Barbara Streisand "Stoney End" (US #6).

The album was originally released as More Than A New Discovery in 1967 and reissued with a revised track order in 1973 as The First Songs. In 1999, the album was inducted into the Grammy Hall of Fame.

Track Listing:
1. Goodbye Joe
2. Billy's Blues
3. And When I Die
4. Stoney End
5. Lazy Susan
6. Flim Flam Man
7. Wedding Bell Blues
8. Buy and Sell
9. He's a Runner
10. Blowin' Away
11. I Never Meant to Hurt You
12. California Shoeshine Boys

The Babies wrote music and played shows in fits and spurts, whenever they all happened to be in town for a week. They recorded their self-titled debut album with Jarvis Taveniere (Real Estate, Vivian Girls) at Rear House Studios, which doubles as Morbys home; his vocals were done in his own bedroom. The debut follows-up 7" singles on Make a Mess and Wild World. The Babies songs are roughed-up jewels cut from the same cloth as Hazlewood and Sinatra, The Velvet Underground and Nico, Pisces and Linda Bruner, and other dream marriages.

Track Listing:
1. Run Me Over
2. Sunset
3. All Things Come to Pass
4. Voice Like Thunder
5. Meet Me in the City
6. Personality
7. Breakin' the Law
8. Sick Kid
9. Wild 1
10. Wild 2
11. Caroline

The album opener "Razorbacked" emits noirish cinematic imagery and twists which are matched with music sparked from a wasted mid-'70s cassette from Peaches or Turtles. Numerous musical luminaries, including Freddie King and Clifton Chenier, are invoked and celebrated in song. Other tracks like "Cumberland" and "Battle of the Wilderness" are historically detailed and geographically specific chronicles.

Dense tones flow from all corners, with guitar sounds reminiscent of Fripp or Manzanera on one end and the pedal steel tones of Emmons and Mooney on another. Beautifully recorded by Jason LaFarge of Seizures Palace in the urban environs of Brooklyn, this album is southern by lyrical setting, country by instrumental arrangement, rocking through its rhythmic heft and most certainly contemporary in attitude.

Track Listing:
1. Razorbacked
2. Days in the Kitchen
3. Le Grand Cochon
4. Cumberland
5. Alamoosook Echoes
6. Freddies Lapels
7. Rust in the Bay
8. Battle of the Wilderness
9. Leaving the Commonwealth

The band celebrated their 25th anniversary by touring the world, which started in 2002 and concluded in 2003. They recorded their show in Amsterdam and released it in late 2003. Music on Vinyl is proud to release this album for the first time on vinyl.

Track Listing:
Side A
MEDLEY:
1. Girl Goodbye
2. Goodbye Elenore
3. Child's Anthem
4. I'll Supply The Love
5. Gift With A Golden Gun
6. While My Guitar Gently Weeps

Side B
1. Bodhisattva
2. Africa
3. Rosanna

Side C
MEDLEY:
1. Waiting For Your Love
2. Georgy Porgy
3. Lion
4. Hydra
5. English Eyes
6. Till The End
7. I Won't Hold You Back

Side D
1. Afraid Of Love
2. Hold The Line
3. Home Of The Brave

Recorded in London and Californian in 1999 with long time friend Bruce Brand on percussion this album features 10 tracks, some of which you'll know if you've seen Holly play in the last decade like "Directly From My Heart" and "Further On Up The Road," but here they're given very warm re-workings.

Track Listing:
1. Directly From My Heart
2. I'll Follow Her
3. Why Don't You Love Me
4. All I Want
5. Don't Pass The Hat Around
6. Lifering
7. I'm Feeling Good
8. Further On Up The Road
9. Desperate Little Town
10. One Of Mine

Face Candy, a free form improvisational ensemble of talented musicians and MCs determined to free themselves from previous constraints and take their listeners along with them was born. This quickly led to a Midwest tour and the groups debut album, This Is Where We Were released by Rhymesayers Entertainment in 2006. Evolution and change followed, including a more concise lineup, an appearance at the Sons dHiver jazz festival in Paris, and monthly performances at historic jazz venues throughout the Twin Cities.

After completing his third E&A album By The Throat with partner DJ Abilities, Eyedea rounded up his Face Candy cohorts for two days at Winterland Studios and one night at the Black Dog Cafe in January of 2009. The result of this odyssey would become Waste Age Teen Land. Unpredictable at every turn, the album defies genre and classification, managing to seamlessly meld free jazz with free form lyrical stream of consciousness.

Face Candy is a representation of the human element at its most raw; vulnerability, adaptability and susceptibility. Whether in the studio or on the stage, the world can only attempt to keep up with Face Candys widening approach.

Limited hand-numbered picture disc vinyl in stickered clear sleeve. Includes free digital download card and bonus DVD featuring behind the scenes and live Face Candy footage.

Track Listing:
1. One
2. Two
3. Three
4. Four
5. Five
6. Six
7. Seven
8. Eight
9. Nine
10. Ten
11. Eleven
12. Twelve
13. Thirteen
14. Fourteen
15. Fifteen

'Heavier Things' features his hits 'Clarity' and 'Daughters'. Although the last one is one of his biggest hits, Mayer has always been resistant on releasing this song as a single because at that time his music was turning into another direction. He was still skeptical even when he won a Grammy for it, which he mentioned in his speech upon receiving the award.

However, his label decided that 'Daughters' should be chosen over other candidates because it would be more well-received by radio. Given its success not a very silly idea.

Track Listing:
Side 1 1. Clarity
2. Bigger Than My Body
3. Something's Missing
4. New Deep
5. Come Back To Bed

Side 2
1. Home Life
2. Split Screen Sadness
3. Daughters
4. Only Heart
5. Wheel

Only 2,500 Numbered Limited Edition Copies Housed In Laminated Double Gatefold Jackets

Originally released in 1977, Heavy Weather is the landmark seventh album from the jazz fusion group Weather Report. Featuring a powerhouse line-up comprised of Wayne Shorter, Jaco Pastorius, Joe Zawinul, Alex Acuna and Manolo Badrena, Heavy Weather became one of the best sellers in the Columbia jazz catalog and the highest selling release of the band's 16 year career. Includes the Joe Zawinul penned jazz standard, "Birdland."

This title is not eligible for discount.

Track Listing:
1. Birdland
2. A Remark You Made
3. Teen Town
4. Harlequin
5. Rumba Mama
6. Palladium
7. The Juggler
8. Havona

This 40th Anniversary Ultimate Collector's Edition includes on two CDs a remastered version of the album plus 28 bonus tracks - 16 unreleased! - plus a vinyl LP.

Leading off this lovingly produced, double-gatefold 12×12 package is a newly remastered version of the original album, which delivers a deeper, warmer sound than in previous reissues. Added to the album on Disc 1 are several outtakes from sessions that led up to the recording of the LPthe original mix of the title song Marvin presented to Motowns legendary Quality Control meeting, where it was summarily rejected; and song demos which show Marvin wrestling with the rejectionas well as the albums three mono single releases, each of which reached No. 1 R&B and Top 10 pop: Whats Going On (in a very different mix than the LP), Mercy Mercy Me (The Ecology) and Inner City Blues (Make Me Wanna Holler), plus their B-sides, of which two are alternate takes from the familiar LP versions.

Disc 2 of Whats Going On Ultimate Collector's Edition is a document of the albums aftermath, when Marvin Gaye, reluctant to tour and shy about becoming the spokesman of his generation, holed up in Motowns Studio B in Detroit with like-minded musiciansamong them the young guitarists Ray Parker Jr. and Wah Wah Watson, and the 20-year-old bassist Michael Henderson, fresh from a Miles Davis tourand simply jammed over several days. These tracks, mostly instrumental, are as brooding and funky as the Whats Going On album cover. The rest of the disc includes Gayes final sessions in Detroit; among the few tunes he recorded was a sequel of sorts to the album, the politically tinged non-LP single Youre The Man, which hit the R&B top 10 in spring 1972. Also included are two rare alternate takes of the song.

Capping this special release is the first ever 12-inch vinyl LP of the Detroit Mix of Whats Going On, the original, darker mix of the entire album, left behind when Gaye decided to finish the overdubs in Los Angeles.

Inside is an LP-sized booklet with rare photos from the sessions, the original lyrics, detailed recording annotations and two essays: one by Gaye biographer David Ritz describing the Why Marvin Gaye created his first-ever self-produced album, and another detailing the How by Ben Edmonds, author of Whats Going On: Marvin Gaye and The Last Days Of The Motown Sound.

A meditative act of artistic rebellion, What's Going On broke the Motown mold. The album introduced Marvin Gaye, the company's sexy prince, as an uncompromising singer, songwriter and producer, and from the first day of release it was recognized as a masterwork. This 40th Anniversary edition includes on two CDs a remastered version of the ablum; the original mono hit singles; the original, rejected, "no strings" single mix of the title track; several post-album outtakes; his single sequel, "You're The Man"; a series of recordings, mostly instrumental, made in Detroit before Marvin followed Motown to Los Angeles. The Motor City theme of this edition continues on the included 12-inch: The LP's rare, original "Detroit Mix," on vinyl for the very first time!

Features:
40th Anniversary Ultimate Collector's Edition
2CDs + Vinyl LP
Double Gatefold that houses LP on one side and the 2CDs in the other panel
Original Album Artwork
Remastered From Original Analog Source
Mastered at Universal Mastering Studios-East
Cut at Sterling Sound, NYC
Pressed at United Records, Nashville, TN
28 CD bonus tracks
Original mono versions of the LP's hit singles
A previously unreleased original "Quality Control test mix" of What's Going On, mixed before Marvin had added strings, horns and additional vocals
Several pre-album outtakes, recorded while Marvin was 'on strike', waiting for his single to be released, including "Head Title", now in unedited form for the first time
Several post-album instrumental jams with local musicians who included Ray Parker, Jr. - a series of recordings made in Detroit before Marvin followed Motown to Los Angeles
The original single version of a sequel to the album, "You're The Man", as well as two alternative versions

CD One:
What's Going On: Original Album Remastered
1. What's Going On
2. What's Happening Brother
3. Flyin' High (In The Friendly Sky)
4. Save The Children
5. God Is Love
6. Mercy Mercy Me (The Ecology)
7. Right On
8. Wholy Holy
9. Inner City Blues (Make Me Wanna Holler)
Bonus Tracks:
10. What's Going On (unreleased original single mix)
11. Head Title - a.k.a. Distant Lover (demo version, original master)
12. Symphony (demo version)
13. I Love The Ground You Walk On (instrumental)
14. What's Going On (mono single version)
15. God Is Love (mono single version)
16. Mercy Mercy Me (The Ecology) (mono single version)
17. Sad Tomorrows (mono single version)
18. Inner City Blues (Make Me Wanna Holler) (mono single version)
19. Wholy Holy (mono single version)

CD 2:
The Detroit Instrumental Sessions and More
1. Checking Out (Double Clutch)
2. Chained
3. Country Stud
4. Help The People
5. Running From Love (instrumental - version 1)
6. Daybreak
7. Doing My Thing
8. "T" Stands For Time
9. Jesus Is Our Love Song
10. Funky Nation
11. Infinity
12. Mandonta
13. Struttin' The Blues
14. Running From Love (version 2 with strings)
15. I'm Going Home (Move)
16. You're The Man (parts 1 & 2, orignal mono single version)
17. You're The Man (alternate version 1)
18. You're The Man (alternate version 2)

From this milieu has emerged the singular statement that is Twist Again. Recorded and mixed at home by David and (a newly pregnant) Meredith in Highland Park (their northeast L.A. neighborhood), the album is a work out of time. It sounds like no other record of 2011, or maybe any other era. The album seems to have escaped the stamp of the cut & paste digital age, it sounds like people playing music together in a room, which it essentially is.

Since their inception, BoW has performed in various incarnations ranging from two to fifteen people, and the groups extended musical family was drawn upon heavily in seeding Twist Agains sonic landscape with horns, strings, saxophones, percussion, and more. The fuzzed out guitar lines and heavy organs of previous BoW recordings have morphed into a J.C. Vannier inspired stew of buzzing reeds and rich brass. The choral blasts have been replaced by cascades of strings and driving pianos à la Roy Orbison or Ennio Morricone.

From the haunting lullabies Rise Up, Careful and Lights Out Forever to the pathos-anthems Mary, Dont You Weep and Like A Stranger, these are rare sorts of classic melodies, and the arrangements give them room to resonate. Davids shaky baritone (imagine a relaxed Scott Walker) and Merediths clear, tender mezzo-soprano take turns at the head of the band, and join for a duet. This time around, listening is an invitation inside, rather than a challenge to keep up. - Chase Roden

Track Listing:
1. One Hand Loves the Other
2. Triplets
3. Mary, Don't You Weep
4. Open Rhythms
5. Rise Up, Careful
6. Ever With Us
7. Like A Stranger
8. Lights Out Forever
9. New Age Nightmare
10. In Your Thrall Again
11. My Hip Won't Let Me
12. You Knew Me So Well

Green Vinyl.

Track Listing:
1. A Shrine to Madness
2. Moonlight Equilibrium
3. On Stirring Seas of Salted Blood
4. Conspiring With the Damned
5. The Window
6. Carbonized in Cruciform
7. Den of the Picquerist
8. Malenchanments of the Necrosphere
9. The Grave Robber's Work
10. The Raven
11. Great Burning Nullifier
12. Blood in the Ink

Back in Nashville again, hes backed vocally by two of music towns finest Missus, Rachel Korine and Cassie Berman. The drum chair is deftly occupied by Peter Townsend, a veteran of many the Bonny session. Guitar is Emmet 'The Cairo Gang' Kelly. Other contributions come in from fiddle player Billy Contreras, bassist Pete Cummings, and guitarist Ben Hall. Profits to be donated to Save Our Gulf and The Turtle Hospital.

Track Listing:
1. God Is Love
2. There Is No God

The lines did not come easily at first, as Jewell was struck with a severe case of writers block when she began the follow-up to the critically acclaimed Sea of Tears. To help she retreated to a cabin in the mountains of Idaho, where the Boston based artist is originally from. With no electricity and no running water, she was able to focus on crafting sketches of songs, breaking her block and building the framework of Queen of the Minor Key.

Jewell and her longtime band of Jason Beek (drums, harmony vocals), Jerry Miller (electric, acoustic and steel guitars), and Johnny Sciascia (upright bass) turned the sketches into songs. A crack unit with an innate musical connection developed after playing 150 plus shows a year for the last five years, the band has an impressive array of styles and sounds displayed fully on the album. From the rollicking, hard-edged rockabilly surf of the title track to the whining pedal steel and gentle strum of the autobiographical Santa Fe.

Track Listing:
1. Radio City
2. I Remember You
3. Queen of the Minor Key
4. That's Where I'm Going
5. Santa Fe
6. Warning Signs
7. Reckless
8. Over Again
9. Bang Bang Bang
10. Hooked
11. Only One
12. Long Road
13. Home To Me
14. Kalimotxo

Johns debut album proper entitled Songs was released through Upset The Rhythm in 2006. It was a record permeated with aching memories; a perfect testimony to lost romance and longing. Its awe-inspired follow-up Love Is Real (released on UTR, 2007) proved a more cohesive listen in terms of focus and emotional depth. Maus returned last year to the heavy snows of the Midwest to finish album number three, We Must Become The Pitiless Censors Of Ourselves.

We Must Become The Pitiless Censors Of Ourselves breaks new ground for Maus. The shirt pulling and air punching of his impassioned live performance is finally captured in all its frenzied appeal alongside a tender inner space that wasnt as apparent on his previous albums. Its a record where promise takes the lead for the first time, providing a counterpoint to Johns default existential calling.

Track Listing:
1. Streetlight
2. Quantum Leap
3. And The Rain
4. Hey Moon
5. Keep Pushing On
6. The Crucifix
7. Head for the Country
8. Cop Killer
9. Matter of Fact
10. We Can Breakthrough
11. Believer

Dead Moon's first record, In The Graveyard was originally released in 1988. This LP features the all time classics such as "Graveyard" (a 13th Floor Elevators type vibrating psychedelic song), "Don't Burn The Fires" and "I Hate The Blues." Remastered from the original tapes. Mississippi Records is very proud to make this LP available on vinyl once more.

Track Listing:
1. Graveyard
2. Out On A Wire
3. Can't Help Falling In Love
4. Parchment Farm
5. Dead In The Saddle
6. Hey Joe
7. Don't Burn The Fires
8. Where Did I Go Wrong
9. Remember Me
10. I Hate The Blues

Better Day is the fourth album from the eight-time Grammy Award winning country music icon to be released on her own label, Dolly Records, and it features a dozen brand new self-penned originals. On the appropriately titled Better Day, Dolly offers listeners a breath of fresh air as only she can do it with songs of optimism, love and hope in these hard economic times. The album's first single "Together You & I" is an uplifting love song with a universal message.

Track Listing:
1. In The Meantime
2. Just Leaving
3. Somebody's Missing You
4. Together You And I
5. Country Is As Country Does
6. Holding Everything
7. The Sacrifice
8. I Just Might
9. Better Day
10. Shine Like The Sun
11. Get Out And Stay Out
12. Let Love Grow

All these recordings were made in the street so you can hear babies crying, car horns and food frying throughout. Raw folk music by and for the people, this is the real deal. There was too much good music to fit on an LP, so we've included a free bonus 7" 33 RPM EP of material. Comes in an old school "tip on" sleeve. Includes a booklet with liner notes by Jack Brody. A truly unique record filled with beautiful and stirring sounds.

Track Listing:
No Listing Available.

Highlights include "Pride Of Man" (which would eventually find its way onto their debut album), "Mona" (which would show up again on their classic LP Happy Trails), and (in keeping with their reputation for being a great jam band) a 20-minute version of Willie Dixon's "Hoochie Coochie Man." Recorded live at the Avalon Ballroom in San Francisco on September 9 and October 28, 1966. 180 gram vinyl.

Track Listing:
1. Codeine
2. Pride Of Man
3. Babe I'm Gonna Leave You
4. Gold And Silver
5. Stand By Me
6. Hoochie Coochie Man
7. Smokestack Lightning
8. If You Live, Your Time Will Come
9. Mona

Confusion is Sex is the debut album from Sonic Youth originally released in 1983 on Glenn Brancas label Neutral Records label. Reissued on vinyl for the first time in over 20 years!

Confusion is Sex remains one of the most important and influential records to emerge from the American No Wave, post punk scene which thrived through the late 1970s and early 1980s in the lower east side of New York with bands like The Contortions, Teenage Jesus and the Jerks, Mars and DNA.

Lee Renaldo and Thurston Moore utilized various experimental techniques while playing and recording this album. Notably and most interestingly perhaps are the "third bridge" techniques which evolved from their time working with Branca and his prepared guitars- Thurston and Lee built a third bridge by sticking screwdrivers between the strings and fret boards of their guitars.

Track Listing:
1. (She's In A) Bad Mood
2. Protect Me You
3. Freezer Burn / I Wanna Be Your Dog
4. Shaking Hell
5. In Human
6. The World Looks Red
7. Confusion Is Next
8. Making the Nature Scene
9. Lee Is Free

Red Velvet Snow Ball was recorded in a much different setting than the festive full-length that came before it, however. Starting a few months prior to the fall 2010 release of Beauregard, Pepper Rabbit toured North America several times over including legs with the likes of Passion Pit, Freelance Whales, Ra Ra Riot and Givers, and tracked new songs in two-week spurts at Ryan Hadlocks secluded barnyard studio.

The calming breaks in Pepper Rabbits hectic schedule helped keep frontman Xander Singh and drummer Luc Laurent focused. But more importantly, it resulted in their most collaborative work yet (Beauregard started out as Xanders solo record); incorporating influences from several generations, from Portishead to David Bowie and Supertramp to Jamie Lidell.

Incorporating around 11 instruments including ukuleles, clarinet, horns and a striking array of dusty analog synths, the Pepper Rabbit sound can be described as a loose brand of psychedelic pop music, rounded out by Xanders deftly-layered loops and a third touring member on bass and synths (currently NOLA native Jonathan Allen).

Track Listing:
1. Lake House
2. Rose Mary Stretch
3. Allison
4. The Annexation of Puerto Rico
5. Family Planning
6. Murder Room
7. In Search of Simon Birch
8. Dance Card
9. The Ballad of Alessandro Moreschi
10. Tiny Fingers

The Blackout delves into a world of sound unheard of on any prior Tunnels release as Bindeman steps away from the heady guitar wizardry of Eternal Tapestry to craft a pulsing and dark record steeped in cold dread with a pop sheen. Bass lines, often the centerpiece of the song, play alongside glistening, glass slipper synths and jagged guitars, seeping like silver lined shadows into disaffected vocal incantations. Drawing on a disparate palate of sounds from various facets of electronic music, his version of a new cold wave is a sound both novel and infectious.

Track Listing:
1. Crystal Arms
2. Volt 1979
3. Deux
4. Without Light
5. Red Road
6. Magic Flowers
7. Solid Space
8. Dead Ringers
9. How I Hate You
10. Moon Bombs

The Rock And Roll Hall Of Fame inductees first career-spanning collection, Outside Society, is a new collection of 18 signature songs remastered from all ten of Smiths studio albums. The chronologically arranged tracks move from her 1975 debut album, Horses (Gloria, Free Money), through her last release in 2007, Twelve (Smells Like Teen Spirit). Outside Society features brief recollections of each song, written by Patti, who personally supervised the song choices.

Track Listing:
1. Gloria
2. Free Money
3. Aint It Strange
4. Pissing in a River
5. Because the Night
6. Rock n Roll Nigger
7. Dancing Barefoot
8. Frederick
9. So You Wanna Be a Rock n Roll Star
10. People Have the Power
11. Up There Down There
12. Beneath the Southern Cross
13. Summer Cannibals
14. 1959
15. Glitter in Their Eyes
16. Lo and Beholden (Radio Edit)
17. Smells Like Teen Spirit
18. Trampin

All three projects were recorded at The Haunted Ranch, Hank III's home and studio that lies on the outskirts of Nashville, a fitting place since the town has never really known what to do with this grandson of the American icon. He finally parted ways with Curb Records January 1. "I have musical freedom. I'm able to say 'Here's my record' and I don't have to go through a million different channels just to put out a song," he says. "It's all me now."

Hank III wrote the lion's share of the songs that appear on Ghost to a Ghost/Gutter Town. The players are Andy Gibson on steel guitar and banjo, who also aided in its recording, David McElfresh on fiddle and mandolin, Zach Shedd on standup bass, Daniel Mason on banjo, super-picker Johnny Hiland on guitar, Billy Contreras on fiddle, and Rory Hoffman on accordian. Guest appearances include the mythical Tom Waits on the haunted "Fadin Moon" from Gutter Town and on the Ghost to a Ghost title track, Alan King of Hellstomper, Les Claypool of Primus fame, Dave Sherman, Troy Medlin and Hank III's dog Trooper.

Cuts such as "Gutter Town," "Ridin The Wave" and "The Devil's Movin In" on Ghost to a Ghost and "Goin to Gutter Town," "The Low Line" and "I'll Save My Tears" on Gutter Town highlight both the excellent musicianship on the records, and Hank III's unmistakable, confident vocals. The release of all three projects represents a new birth for Hank III, and he's happy to have the chance. "Megaforce Records has helped me with my vision to do something that never been done before," he says. "They're handling my distribution, and I wanted to flood the market and do everything different. I wanted to come out of the gate strong. I'm opening up the mind a little bit and bringing some different styles together."

Track Listing:
LP1 - Ghost to a Ghost
1. Gutter Town
2. Day By Day
3. Ridin The Wave
4. Don't Ya Wanna
5. Ray Lawrence Jr.
6. The Devils Movin In
7. Time To Die
8. Troopers Hollar
9. Outlaw Convention
10. Cunt of a Bitch
11. Ghost to a Ghost

LP2 - Gutter Town
1. Goin to Gutter Town
2. Gutter Stomp
3. The Dirt Road
4. Mushas
5. The Dream of Before
6. Dyin Day
7. I Promised
8. Chord of the Organ
9. Move Them Songs
10. The Low Line
11. Ill Be Gone
12. Troopers Chaos
13. Chaos Queen
14. Thunderpain
15. Fadin Moon
16. The Round
17. Ill Save My Tears
16. Its Goin Down
17. With the Ship

Attention Deficit Domination allows the listener into Hank III's crunching metal world of the heavy and the slow, complete with his renowned fundamental percussion. The nine tracks hardly allow you to get up from the floor. With songs such as "I Feel Sacrificed" and the tormented "Livin Beyond Doom," Hank III works a ground somewhere between devastation and high theater. "Both A.D.D. and Cattle Callin' are very intense. It's very manic," Hank III explains. "It's hard to follow, even for the guys I play with. I'm playing everything on these two. It's very complex."

There are 23 tracks on Cattle Callin, featuring Hank III's driving, formidable guitar attack, with instrumentation built around the auctioneering tongue-in-cheek humor with titles such as "Heavy Cattle" and "Angus of Death." Also fans of bluegrass will love the banjo-driven "Cattle Callin Lonesome Blues," featuring Mason. "I was raised around it (cattle auctioneering) and it's pretty amazing how fast these guys are," Hank III says. "Hip-hop has looped auctioneers. Bluegrass has meessed around with it a little bit. This has never been done in the heavy metal world."

Track Listing:
1. In The Camouflage
2. I Feel Sacrificed
3. Bend
4. Make A Fall
5. Livin Beyond Doom
6. Demons Mark
7. Aman
8. Get Str8
9. Goats N Heathans

Hear his way with a turn of phrase demonstrates its dexterity amid slinking caterpillar accompaniments (including a rest stop-style pedal steel and even an English horn pilfered from the AM waves). The second half assumes the mentalist lounge approach, that particular sound not unfamiliar to those who attend the monthly Ryan Driver Quartet appearances at the Tranzac bar in Toronto.

Track Listing:
1. Dead End Street
2. Am I Still Too Late?
3. Everything Must Spin
4. Tell Me True
5. Blue Skies Dont Care
6. Its Tulip Season
7. Dont Want To Leave You Without You
8. Whether They Like It Or Not
9. When Now Turns To Never
10. On A Beautiful Night Like Tomorrow

Mono Edition

1966s seminal Blues Breakers with Eric Clapton marked John Mayalls emergence as a major recording artist, as well as his commercial breakthrough. The 12-song LP, considered by many to be the most influential British blues album of all time, marked the official introduction of Mayalls long-running, ever-evolving combo the Bluesbreakers. Mayall shares the spotlight here with soon-to-be-superstar guitarist Eric Clapton (who quit the Yardbirds in order to pursue his blues muse with Mayall), along with future Fleetwood Mac co-founder John McVie on bass and Hughie Flint on drums. Blues Breakers with Eric Clapton is generally acknowledged as a musical milestone for Clapton; his scorching playing and over-the-top tone dominates the entire album. With the groups punchy performances captured in straightforward style by noted producer Mike Vernon, the album offers a potent combination of Mayall originals and distinctive interpretations of songs by Ray Charles, Freddie King, Little Walter and Otis Rush.

From the pristine U.K. mono masters, with complete original artwork and photos.

Track Listing:
1. All Your Love
2. Hideaway
3. Little Girl
4. Another Man
5. Double Crossing Time
6. What'd I Say
7. Key To Love
8. Parchman Farm
9. Have You Heard
10. Ramblin' On My Mind
11. Steppin' Out
12. It Ain't Right

UFO are an English heavy metal and hard rock band, who were formed in 1969. UFO became a transitional group between early hard rock and heavy metal and the New Wave of British Heavy Metal. UFO were ranked #84 on VH1's '100 Greatest Artists of Hard Rock'. Making Contact is the eleventh studio album released by UFO, the first album without founder bassist Pete Way.

Track Listing:
SIDE A

1. Blinded By A Lie (3:58)
2. Diesel In The Dust (4:30)
3. A Fool For Love (3:57)

SIDE B
4. You And Me (3:21)
5. When Its Time To Rock (5:27)
6. The Way The Wild Wind Blows (4:14)

SIDE C
7. Call My Name (3:15)
8. All Over You (4:24)
9. No Getaway (3:32)
10. Push, Its Love (3:17)

SIDE D
11. Everybody Knows (B-side)* (3:36)
12. When Its Time To Rock (live)* (5:49)
13. Blinded By A Lie (live)* (3:48)
* Bonus tracks

Oh Mary (5:12)
Hell Yeah (4:26)
Captain of a Shipwreck (3:55)
Evermore (5:19)

Side B

Save Me A Saturday Night (3:32)
Delirious Love (3:12)
I'm On To You (4:28)
What's It Gonna Be (4:05)

Side C

Man of God (4:22)
Create Me (4:10)
Face Me (3:27)
We (3:49)

Side D

Men Are So Easy (4:03)
Delirious Love (ft Brian Wilson) (3:23)

Under the Blade is the debut album by American heavy metal band Twisted Sister, released on Secret Records on September 18, 1982. (U.S. Sales Certification - Gold). The album was re-mixed and re-released on Atlantic Records on July 14, 1985. The re-release also had a remixed version of the song "I'll Never Grow Up Now" added. Under The Blade has sold over two million copies worldwide. Twisted Sister is an American heavy metal/glam metal band from Long Island. Musically, the band implements elements of traditional heavy metal bands such as Iron Maiden and Judas Priest, along with a style that is similar to early glam metal bands. The band is generally categorized as glam metal for their earlier work, although the band does not consider themselves to be so. Although the band was formed by guitarist Jay Jay French in December 1972, all of their songs were written by Dee Snider from 1976 onward. Snider remarked to Johnny Carson that the proposed name for the band was "This" but was rejected for fear of fans saying "This sucks". He describes Twisted Sister as "Slade meets Sex Pistols".

Track Listing:
SIDE A

1. What You Dont Know Cant Hurt You (4:46)
2. Bad Boys Of RocknRoll (3:21)
3. Run For Your Life (3:28)
4. Sin After Sin (3:22)
5. Shoot Em Down (3:54)

SIDE B

6. Destroyer (4:09)
7. Under The Blade (4:38)
8. Tear It Loose (3:10)
9. Day Of The Rocker (5:03)

SIDE C

10. What You Dont Know Cant Hurt You (Rough Cutts version) (5:33)
11. Shoot Em Down (Rough Cutts version) (3:56)

SIDE D

12. Under The Blade (Rough Cutts version) (4:42)
13. Leader Of The Pack (Rough Cutts version) (4:01)
14. Shoot Em Down (Live at Reading) (3:37)

Stunning 180 Gram red double vinyl reissue Of UFOs ninth album.

Track Listing:
SIDE A

1. Chains Chains
2. Long Gone
3. The Wild The Willing And The Innocent

SIDE B

4. Its Killing Me
5. Makin Moves
6. Lonely Heart

SIDE C

7. Couldnt Get It Right
8. Profession Of Violence

SIDE D

9. Long Gone (live)
10. Lonely Heart (live)
11. Makin Moves (live)

Stunning 180 Gram clear double vinyl reissue Of UFOs eighth album.

Track Listing:
SIDE A

1. The Writer
2. Somethin Else
3. Back Into My Life
4. Youll Get Love
5. Doing It All For You

SIDE B

6. We Belong To The Night
7. Let It Rain
8. Terri
9. Feel It
10. Dreaming

SIDE C

11. Heel Of A Stranger (B-side)
12. We Belong To The Night (live)

SIDE D

13. Let It Rain (live)
14. Doing It All for You (live sound check)

Lyrically, Pure was seen as continuing the composers attacks on Christian dogma but in a somewhat more personal fashion than on Exile. Many critics considered it Numans most aggressive album musically, with its prominent guitar work, as well as one of his strongest vocally. The recording featured an expanded group of collaborators after the largely one-man efforts of Sacrifice (1994) and Exile. The Sulpher team of Rob Holliday and Monti contributed guitar and drums, respectively, as well as keyboards and additional production. Gary Numan (born Gary Anthony James Webb on 8 March 1958) is an English singer, composer, and musician, most widely known for his chart-topping 1979 hits "Are 'Friends' Electric?" (as Tubeway Army) and "Cars". His signature sound consisted of heavy synthesizer hooks fed through guitar effects pedals. Numan is considered a pioneer of commercial electronic music. His use of themes from science fiction, and his combination of aggressive punk energy with electronics, have since been widely imitated.

Track Listing:
SIDE A
1. Pure
2. Walking With Shadows
3. Rip

SIDE B
4. One Perfect Lie
5. My Jesus
6. Fallen

SIDE C
7. Listen To My Voice
8. A Prayer For The Unborn

SIDE D
9. Torn
10. Little InVitro
11. I Cant Breathe

Todd Rundgren's definitive 1972 double album masterpiece, Something/Anything finds the mult-talented singer/songwriter/producer playing every instrument and handling all vocal duties on the first three sides while a band that featured the Sales Brothers accompanies him on the fourth. The sprawling release runs the musical gamut with classic ballads, power-pop numbers, psychedelic hard-rock, Motown soul and everything in between. Includes Rundgren's all-time greatest hit in "I Saw the Light" as well as "Hello It's Me" among many others.

Track Listing:
LP1
1. I Saw the Light
2. It Wouldn't Have Made Any Difference
3. Wolfman Jack
4. Cold Morning Light
5. It Takes Two to Tango (This is for the Girls)
6. Sweeter Memories
7. Intro
8. Breathless
9. The Night the Carousel Burned Down
10. Saving Grace
11. Marlene
12. Song of the Viking
13. I Went to the Mirror

LP2
1. Black Maria
2. One More Day (No Word)
3. Couldn't I Just Tell You
4. Torch Song
5. Little Red Lights
6. Overture - My Roots: Money (That's What I Want)/Messin' With the Kid
7. Dust in the Wind
8. Piss Aaron
9. Hello It's Me
10. Some Folds is Even Whiter Than Me
11. You Left Me Sore
12. Slut

Come Out and Play is the fourth album by the American heavy metal band Twisted Sister, released by Atlantic Records. It was less successful than its predecessor Stay Hungry (1984) both critically and commercially. Twisted Sister is an American heavy metal/glam metal band from Long Island. Musically, the band implements elements of traditional heavy metal bands such as Iron Maiden and Judas Priest, along with a style that is similar to early glam metal bands. The band is generally categorized as glam metal for their earlier work, although the band does not consider themselves to be so. Although the band was formed by guitarist Jay Jay French in December 1972, all of their songs were written by Dee Snider from 1976 onward. Snider remarked to Johnny Carson that the proposed name for the band was "This" but was rejected for fear of fans saying "This sucks". He describes Twisted Sister as "Slade meets Sex Pistols".

Track Listing:
SIDE A
1. Come Out And Play
2. Leader Of The Pack
3. You Want What We Got
4. I Believe In RocknRoll
5. The Fire Still Burns
6. Be Chrool To Your Scuel

SIDE B
7. I Believe In You
8. Out On The Streets
9. Lookin Out For #1
10. Kill Or Be Killed
11. King Of The Fools

In Battle There Is No Law is the debut album of Bolt Thrower. It is recorded at Loco studios by Andrew Fryer, and mixed at Clockwork by Alan Scott. It was released on Vinyl Solution as Sol 11 in 1988 and re-released on Vinyl Solution as Sol 11 in 1992, with a different album sleeve. The album was again re-released in 2005 with the old album sleeve restored.

Track Listing:
SIDE A
1. In Battle There Is No Law
2. Challenge For Power
3. Forgotten Existence
4. Denial Of Destiny
5. Blind To Defeat

SIDE B
6. Concession Of Pain
7. Attack In The Aftermath
8. Psychological Warfare
9. Nuclear Annihilation

Edge of Sanity was a Swedish death metal band whose work often delved into experimental, even progressive, territory. Edge of Sanity are regarded alongside Opeth as being the first to fuse extreme metal styles like death and black metal with progressive rock. Unorthodox is the second full-length studio album by the Swedish death metal band Edge of Sanity. It was recorded in between December 1991 and January 1992 with Tomas Skogsberg and released by Black Mark Records on July 8, 1992.

Track Listing:
1. The Unorthodox
2. Enigma
3. Incipience to the Butchery
4. In the Veins / Darker Than Black
5. Everlasting (Epidemic Reign Part III)
6. After Afterlife
7. Beyond the Unknown
8. Nocturnal
9. A Curfew for the Damned (...Blind Belief)
10. Cold Sun (Epidemic Reign Part IV)
11. The Day of Maturity
12. Requiscon by Pace (Instrumental)
13. Dead but Dreaming
14. When All is Said

Edge of Sanity was a Swedish death metal band whose work often delved into experimental, even progressive, territory. Edge of Sanity are regarded alongside Opeth as being the first to fuse extreme metal styles like death and black metal with progressive rock. The Spectral Sorrows is the third full-length studio album by the Swedish death metal band, Edge of Sanity, recorded by Borje Forsberg in JulyAugust 1993 and released by Black Mark Productions in 1993.

Track Listing:
1. The Spectral Sorrows (instrumental)
2. Darkday
3. Livin' Hell
4. Lost
5. The Masque
6. Blood of My Enemies (Manowar Cover)
7. Jesus Cries
8. Across the Fields of Forever
9. On the Other Side
10. Sacrificed
11. Waiting to Die
12. Feedin' the Charlatan
13. A Serenade for the Dead (instrumental)

Every generation of Metal bands has its pioneers groups that re-define the genre musically and take it to a new level. SYLOSIS is one of them! Its not for nothing that the quartet from Reading, England has been considered as UKs greatest Metal export. Now the boys return with their second metallic gem "Edge Of The Earth". Since the release of their debut album "Conclusion Of An Age" in late 2008, SYLOSIS have acquired a respectable global fan base and were able to prove their live skills playing with bands such as DRAGONFORCE, AS I LAY DYING, FEAR FACTORY or THE BLACK DAHLIA MURDER as well as on big festival stages of Download, Sonisphere and Graspop. After a slight line-up alteration of lead guitarist Josh Middleton henceforth taking the front man role as well, SYLOSIS present their most intense, vigorous and ambitious material to date. "Edge Of The Earth" is overflowing with devastating riffs, thrilling melodies, soulful solos, progressive twists and turns and an ubiquitous dark atmosphere. The productional part was done once again by fellow-countryman Scott Atkins who aimed for a more earthy sound this time, as Middleton states: "We didn't want this album to be quite as polished as the last. We put emphasis on playing with more aggression or feel instead of going for perfection. We've all grown tired of hearing metal albums that sound like they're played by computers. The best way to make something sound heavy is to let the human - and sometimes ugly - elements shine through."

Track Listing:
SIDE A
1. Procession
2. Sands Of Time
3. Empyreal (Part 1)
4. Empyreal (Part 2)

SIDE B
5. A Serpents Tongue
6. Awakening
7. Kingdom Of Solitude
8. Where The Sky Ends

SIDE C
9. Dystopia
10. Apparitions
11. Altered States Of Consciousness

SIDE D
12. Beyond The Resurrected
13. Eclipsed
14. From The Edge Of The Earth

After the death of bassist Allen Woody in 2000, Gov't Mule considered breaking up.

Instead, remaining members Warren Haynes and Matt Abts recorded several songs with bass players admired by Woody. 'The Deep End Volume 1', originally issued in 2001, was the first album of material released from these sessions. It features loads of guest appearances.

The bass parts are played by legends like Jack Bruce, Bootsy Collins, John Entwistle, Flea, Roger Glover & Larry Graham. Other guests are Gregg Allman, Jerry Cantrell, John Scofield & Bernie Worrell.

Track Listing:
1 Fool's Moon
2 Life On The Outside
3 Banks Of The Deep End
4 Down And Out In New York City

1 Effigy
2 Maybe I'm A Leo
3 Same Price

1 Soulshine
2 Sco-Mule
3 Worried Down With The Blues

1 Beatifully Broken
2 Tear Me Down
3 Sin's A Good Man's Brother

Musicians:

• Cassandra Wilson (vocal)
• Don Byron (clarinet)
• Olu Dara (cornet)
• Brandon Ross, Chris Whitley (guitar)
• Charlie Burnham (violin, mandocello)
• Kenny Davis, Lonnie Plaxico (bass)
• Tony Cedras (accordion)
• Lance Carter, Bill McClellan (drums, percussion)

Format: 2 LPs 33rpm / gatefold sleeve

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

Record: 2
1. Skin On Skin
2. Broken Box
3. You Got A Killer Scene There, Man...
4. Long Slow Good
5. Like A Drug - Side 2. Etched Side

Artwork is a painting by MC5 bassist Mike Davis derived form a sketch from 1967.

Red Coloured Vinyl.

Primal Scream are currently touring worldwide with the Screamadelica Tour so profile is extremely high.

DKTMC5 will play their last ever concert in France with the Stooges this summer.

Joint vocals shared by Primal Scream s Bobby Gillespie and William Duvall from Alice in Chains guesting on vocals for Davis, Kramer & Thompson.

Track Listing:
1. I can only give you everything
2. Movin' on up
3. Skull X
4. Rama Lama Fa fa fa (Rocket Reducer No.62)
5. Black to Comm (feat. John Sinclair, Melanie Draisey)

Stormblast is the second studio album by Norwegian black metal band Dimmu Borgir. It was released in 1996 by Cacophonous Records, and re-released in 2001 by Century Media. The album is sung entirely in the band's native language, Norwegian, and was their last album to be completely in Norwegian instead of English. In November 2005, a completely re-recorded version of this album was released. For this album,more keyboards were employed, and the guitars and bass became more musically textured. This is also the last album where lyrics would be written by Aldrahn (of Dodheimsgard and Ved Buens Ende) until 2003's Death Cult Armageddon. As well as being the last album to feature Brynjard Tristan on bass guitar.

Track Listing:
1. Alt lys er svunnet hen
2. Broderskapets ring
3. Nar sjelen hentes til helvete
4. Sorgens Kammer
5. Da den kristne satte livet til
6. Stormblast
7. Antikrist
8. Dodsferd
9. Vinder fra en ensom grav
10. Guds fortapelse - Apenbaring av dommedag

LP2
1. Long Live Rock And Roll
2. Fever Dreams 1
3. Holy Diver
4. Heaven And Hell
5. The Last In Line
6. Rainbow In The Dark
7. We Rock

This gatefold sleeved edition of the album contains the B-side to the Love Hurts 7 single as a bonus. Rock on!

Track Listing:
1. Silver Dollar Forger
2. Glad When You're Gone
3. Loved and Lost
4. Shanghai'd In Shanghai
5. Down 3:54 (bonus track)
6. Jet Lag
7. Light My Way
8. Sunshine
9. (A) Shape Of Things
(B) Space Safari

Franks Wild Years was an album that was released in 1987, after the eponymous play written by Tom Waits & his wife Kathleen Brennan. Inspired by German art songs & carnival music, this "operachi romantic in two acts", this pinnacle of Waits-ness, brought forth gems such as 'Way Down In The Hole', the theme tune to much acclaimed tv show The Wire.

Track Listing:
1. Hang On St. Christopher
2. Straight To The Top (Rhumba)
3. Blow Wind Blow
4. Temptation
5. Innocent When You Dream (Barroom)
6. I'll Be Gone
7. Yesterday Is Here
8. Please Wake Me Up
9. Franks Theme
10. More Than Rain
11. Way Down In The Hole
12. Straight To The Top (Vegas)
13. I'll Take New York
14. Telephone Call From Istanbul
15. Cold Cold Ground
16. Train Song
17. Innocent When You Dream

With AM in Los Angeles and Shawn Lee in London the two began bouncing tracks back and fourth resulting in Celestial Electric; a musical match made in cyberspace propelling the duo into their best work yet. AMs honeyed vocals ride a driving percussion section straight into walls of shimmering guitars and glassy keyboards pulling elements as disparate as Gary Numan, Jorge Ben and Ariel Pink into perfect future pop.

Track Listing:
1. City Boy
2. Lonely Life
3. Cant Figure It Out
4. Dark Into Light
5. Different Forces
6. Jackie Blue
7. Somebody Like You
8. Promises Are Never Far From Lies
9. Down The Line
10. The Signal
11. Winter Sun
12. Callahan

They simultaneously had two Top 10 albums ("Focus 3" and "Moving Waves") and two hit singles ('Sylvia' and 'Hocus Pocus'). All of the musicians were voted as Top 10 musicians in each of their categories. Jan Akkerman was voted world's best guitarist.

With a live reputation that proved Focus lived up to these 'Best Musicians' claims, it was the right thing to do to release a live album: "Focus at The Rainbow".

(FACT: On the night of the recording, due to the demand for encores, Focus ran out of pieces to play!)

Track Listing:
1. Focus III
2. Answers? Questions! Questions? Answers!
3. Focus II
4. Eruption
a. Orfeus
b. Answer
c. Orfeus
d. Answer
e. Pupilla
f. Tommy
g. Pupilla
5. Hocus Pocus
6. Sylvia
7. Hocus pocus - Reprise

Such was the case with Pulp, even if charismatic frontman Jarvis Cocker never liked the moniker. Pulp came, saw, and recorded one of the best albums of the genre with 1995's Different Class.

The inspiration for the title came from a friend of Cocker who used the phrase "different class" to describe something that was "in a class of its own". Cocker liked the double meaning, with its allusions to the British social class system a theme of some of the songs on the album.

A message on the back of the record also references this idea: "We don't want no trouble, we just want the right to be different. That's all."

Two of the singles on the album "Common People" (number 2 in the UK singles chart) and "Disco 2000" (number 7) were especially notable, and helped propel Pulp to nationwide fame. Eventually "Different Class" was the winner of the 1996 Mercury Music Prize. In 1998 Q readers voted Different Class the 37th greatest album of all time.

Track Listing:
1. Mis-Shapes
2. Pencil Skirt
3. Common People
4. I Spy
5. Disco 2000
6. Live Bed Show
7. Something Changed
8. Sorted For E's & Wizz
9. F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E.
10. Underwear
11. Monday Morning
12. Bar Italia

Though their signature hit, 96 Tears, ranks as one of the most recognizable and beloved songs of the 60s, their two original albums have never come out on LP in this country since their original release, till now!

Contrary to urban legend, this 1966 album didnt peak at #96 on the Billboard charts; instead, it went all the way up to #66! Reissued on 180g vinyl, remastered from the original tape sources by Bob Ludwig and lacquer cutting by Carl Rowatti of TruTone Mastering. Mastered at 45RPM for maximum fidelity.

Track Listing:
1. I Need Somebody
2. Stormy Monday
3. Youre Telling Me Lies
4. Ten OClock
5. Set Aside
6. Up Side
7. 8 Teen
8. Dont Tease Me
9. Dont Break This Heart of Mine
10. Why Me
11. Midnight Hour
12. 96 Tears

Stemming from unused lyrics left behind by the legendary singer after his death in 1953 and spearheaded by Bob Dylan, The Lost Notebooks Of Hank Williams has a wide spectrum of current artists putting the music to Williams lyrics with fantastic results. The release is brought to you by Third Man Records, along with Egyptian Records, Bob Dylan's label imprint, in partnership with the Country Music Hall of Fame and Museum's CMF Records and Columbia Records.

The second title ever to be released on Egyptian (the first was 1997's The Songs of Jimmie Rodgers: A Tribute Album), The Lost Notebooks of Hank Williams is a long-awaited collection of previously unrecorded Hank Williams lyrics newly set to music and performed for the first time as completed songs by a roster of artists with a musical and spiritual kinship to the archetypal American country music singer/songwriter.

The release of The Lost Notebooks of Hank Williams provides an audio companion to the Country Music Hall of Fame and Museum's Family Tradition: The Williams Family Legacy, a 5,000-square-foot exhibition presenting an intimate, behind-the-scenes portrait of a great American musical dynasty. Family Tradition, which opened in March of 2008, is the largest and most popular temporary exhibition in the institution's history. The exhibit, which includes Hank Williams' notebooks and other memorabilia, will close on December 31, 2011.

Created from writings left behind by country music's "lovesick blues boy," The Lost Notebooks of Hank Williams premieres the first-ever performances of 12 previously unheard Hank Williams lyric compositions newly set to music by 13 artists whose own sensibilities have been profoundly shaped by Williams.

The Lost Notebooks of Hank Williams project began with the idea of finding a well-known artist, one who felt Hank's inspiration and influence, to record an album's worth of the unheard songs. After veteran music industry manager/A&R executive Mary Martin approached Bob Dylan, a natural first choice for the endeavor, the project evolved into a multi-artist tribute providing a variety of sympathetic approaches to this rich mysterious material.

From heartbreak to honky-tonking, from Jesus to gin mills, Hank Williams wrote about life's deepest truths and sang with an ethereal authority on such unforgettable songs as ''Your Cheatin' Heart,'' ''I Saw the Light,'' ''I'm So Lonesome I Could Cry,'' ''Cold, Cold Heart'' and many more.

When Hank Williams died, at the age of 29, in the back of his Cadillac sometime early morning on New Year's Day 1953, he left behind a scuffed, embroidered brown leather briefcase, which he used to carry bound notebooks, among other items, darkening their pages with lyrics and song ideas. Some were fully finished, some just started.

The odyssey of Hank Williams' notebooks is recounted in the album's liner notes, penned by Michael McCall from the Country Music Hall of Fame and Museum, who observes, "The history of Hank's notebooks is as complex as the legend himself. Yet, in the end, what matters most are the songs, and these new works rise from the ether with ghostly relevance. As with his many standards, these new recordings tap straight into the soul of man. This is songwriting at its most artful and most powerful."

Track Listing:
1. You've Been Lonesome, Too - Alan Jackson
2. The Love That Faded - Bob Dylan
3. How Many Times Have You Broken My Heart? - Norah Jones
4. You Know That I Know - Jack White
5. I'm So Happy I Found You - Lucinda Williams
6. I Hope You Shed a Million Tears - Vince Gill and Rodney Crowell
7. You're Through Fooling Me - Patty Loveless
8. You'll Never Again Be Mine - Levon Helm
9. Blue Is My Heart - Holly Williams
10. Oh, Mama, Come Home - Jakob Dylan
11. Angel Mine - Sheryl Crow
12. The Sermon on the Mount - Merle Haggard

Alternate takes of "The Changeling," "Love Her Madly," "Cars Hiss By My Window," "L.A. Woman," "The Wasp (Texas Radio and the Big Beat)," "Been Down So Long" and "Riders On The Storm" offer a fresh view on this landmark release, which was the group's last album and sixth straight Top 10.

The studio chatter between songs is a revelation, transporting listeners to The Doors' West Hollywood rehearsal space where they recorded the album with Botnick. One segment in particular captures a fascinating moment of inspiration when Morrison suggests they add the now iconic thunderstorm sound effects to the beginning of "Riders On The Storm."

This 180g 2LP edition of LA Woman: The Workshop Sessions is presented on three sides of vinyl, with the fourth side featuring a laser etching of the original "Electric Woman" art included with the album's original 1971 release.

Track Listing:
LP1
1. The Changeling (Alternate Version)
2. Love Her Madly (Alternate Version)
3. Cars Hiss By My Window (Alternate Version)
4. L.A. Woman (Alternate Version)
5. The Wasp (Texas Radio and the Big Beat) (Alternate Version)
6. Been Down So Long (Alternate Version)
7. Riders On the Storm (Alternate Version)

LP2
1. She Smells So Nice/Rock Me

Music On Vinyl reissued ALICE IN CHAINS album DIRT. Chronologically, that album fits right in between the two discs in this limited vinyl package, which combines the JAR OF FLIES and SAP EPs.

SAP was originally released early 1992, half a year before DIRT came out. It features guest appearances by Ann Wilson (Heart), Mark Arm (Mudhoney) and Chris Cornell (Soundgarden). JAR OF FLIES was released in January 1994 and shows a side of the band that was unknown until then: predominately acoustic songs and the use of instruments like the harmonica and a talk-box.

Track Listing:
LP1 - Side A

1 Rotten Apple
2 Nutshell
3 I Stay Away
4 No Excuses
5 Whale & Wasp

LP1 - Side B

1 Pistol Of Fire
2 Milk
3 The Bucket

LP2 - Side A

1 Brother
2 Got Me Wrong
3 Right Turn
4 Am I Inside
5 Love Song

LP2 - Side B

1 (Etching)

The first single on Wax Poetics Records, Its Me featuring guest singer-songwriter Rebecca Jordan, comes out as an Official Serato Control Vinyl in limited-edition chocolate. Classic production techniques and authentic instrumentation recall the glory days of 70s soul, while the vocal workout and swagger allow the music to sit firmly with modern artists who redefine soul like Erykah Badu. Some say its a mix between Aretha Franklin circa 1969 and Wu-Tang circa 1992.

Track two, The Niacin, exclusive to this Serato release, starts its point of reference in the dusty breakbeats of golden-era hip-hop. Featuring virtuoso Shawn Lee (Ubiquity), trumpeter Michael Leonhart (Truth & Soul, Daptone), and Italian cinephiles Calibro 35 (Nublu), the instrumental track expands into a free- form jam session that references both film maestro Ennio Morricone and hip-hop legend DJ Premier.

In 2004, Serato debuted its Scratch Live software, allowing DJs to mix and scratch files from their computer using regular turntables or CDJs. Control Vinyl in various colors soon became collectors items among DJs. Side 1 of this release plays as a normal vinyl record, while Side 2 is designed to interact with Seratos software.

Track Listing:
Side 1
Its Me
The Niacin (featuring Shawn Lee, Michael Leon- hart, and Calibro 35)

Side 2
Serato Tone

The Project consisted of Eric Woolfson and Alan Parsons surrounded by a varying number of session musicians. Englishman Alan Parsons met Scotsman Eric Woolfson in the canteen of Abbey Road Studios in the summer of 1974. Parsons had already acted as assistant engineer on The Beatles' 'Abbey Road' and 'Let It Be' and had recently engineered Pink Floyd's 'The Dark Side of the Moon'. Woolfson, a songwriter and composer, was working as a session pianist.

'I Robot' is their second album and was originally recorded in 1977. It was intended to be based on the 'I, Robot' stories written by Isaac Asimov, who was enthusiastic about the idea. However, as the rights already had been granted to a TV/movie company, the album's title was altered slightly by removing the comma, and the theme and lyrics were made to be more generically about robots rather than specific to the Asimov universe.

Musically this album has strong influences from soul, funk and disco music, mixed with some influences from early electro and synth-pop music.

Track Listing:
1. I Robot
2. I Wouldn't Want To Be Like You
3. Some Other Time
4. Breakdown
5. Don't Let It Show
6. The Voice
7. Nucleus
8. Day After Day
9. Total Eclipse
10. Genesis Ch. 1 V.32

This concept, however, was at some point abandoned, and many of the tracks from the sessions were left unfinished and without any vocals.

A number of the abandoned tracks were re-recorded in 1968, and released as 'Strictly Personal'. The original session tapes, however, remained the property of Buddha Records, who released them under the title 'Mirror Man' in 1971. In 1999, Buddha Records issued an expanded version of the album entitled 'The Mirror Man Sessions', which features five additional tracks taken from the abandoned tapes.

Music On Vinyl is proud to pay homage to the late Don Van Vliet by re-releasing these Mirrorman Sessions as a double album on 180 gram audiophile vinyl.

Track Listing:
LP 1
1. Tarotplane
2. 25th Century Quaker
3. Mirror Man
4. Kandy Korn 8:00

LP 2
1. Trust Us (Take 6)
2. Safe as Milk (Take 12)
3. Beatle Bones n' Smokin' Stones
4. Moody Liz (Take 8)
5. Gimme Dat Harp Boy

Though the audiences were drenched in nostalgia and demanded old hits on the set-list, Dylan and The Band rearranged them in such a way that they were re-invigorated, re- energized and fresh. They rocked like they never had before.

The line "Even the President of the United States sometimes must have to stand naked," from 'It's Alright, Ma (I'm Only Bleeding)' took on a new meaning altogether thanks to the Watergate scandal early in the year, as did "How does it feel?" from 'Like A Rolling Stone'; where before it had been a sentence of banishment it became a declaration of a new-found independence that was worn as a badge of honor, not a scarlet letter.

The recordings of Before The Flood, made mostly in New York and Los Angeles, were released in June 1974, and would peak at #3 in the Billboard 200, and are now available on vinyl for the first time in 25 years!

Track Listing:
LP 1
1. Most Likely You Go Your Way (And I'll Go Mine)
2. Lay, Lady, Lay
3. Rainy Day Women #12 & 35
4. Knockin' On Heaven's Door
5. It Ain't Me, Babe
6. Ballad Of a Thin Man
7. Up On Cripple Creek
8. I Shall Be Released
9. Endless Highway
10. The Night They Drove Old Dixie Down
11. Stage Fright

LP 2
1. Don't Think Twice, It's All Right
2. Just Like A Woman
3. It's Alright, Ma (I'm Only Bleeding)
4. The Shape I'm In
5. When You Awake
6. The Weight
7. All Along The Watchtower
8. Highway 61 Revisited
9. Like A Rolling Stone
10. Blowin' In The Wind

* Gatefold Sleeve
* 180 grams audiophile vinyl
* Remastered Mono Edition

Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didnt know. Professor Sean Wilentz, historian-in-residence for Bob Dylans Web site, comes as close to summing up its brilliance in his superb Bob Dylan In America as any whove tried: The songs are rich meditations on desire, frailty, promises, boredom, hurt, envy, connections, missed connections, paranoia, and transcendent beautyin short, the lures and snare of love, stock themes of rock and pop music, but written with a powerful literary imagination and played out in a pop netherworld. 

LP 2
1. Most Likely You Go Your Way And I'll Go Mine
2. Temporary Like Achilles
3. Absolutely Sweet Marie
4. 4th Time Around
5. Obviously 5 Believers
6. Sad Eyed Lady Of The Lowlands

'Bob Dylan In Concert Brandeis University 1963' is being reissued in response to overwhelming popular demand for a wide release. As noted Bob Dylan scholar Michael Gray puts it in the liner notes of this album: 'This is the last live performance we have of Bob Dylan before he becomes a star'

Track Listing:
1. Honey, Just Allow Me One More Chance (incomplete)
2. Talkin' John Birch Paranoid Blues
3. Ballad of Hollis Brown
4. Masters of War
5. Talkin' World War III Blues
6. Bob Dylan's Dream
7. Talking Bear Mountain Picnic Massacre Blues

Bob Dylans Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylans surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.

* 180 grams audiophile vinyl
* Remastered Mono Edition


Track Listing:
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie's Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan's 115th Dream
8. Mr. Tambourine Man
9. Gates Of Eden
10. It's Alright Ma (I'm Only Bleeding)
11. It's All Over Now, Baby Blue

An exact reproduction of Bob Dylan's 1963 breakthrough LP in accurate, vintage mono sound, with all-analog mastering from the original master tapes. The Freewheelin' Bob Dylan, his second album, is filled top to bottom with classics, including Blowin' In The Wind, Don't Think Twice, It's All Right, Masters Of War and A Hard Rain's A-Gonna Fall.

Track Listing:
1. Blowin' in the Wind
2. Girl of the North Country
3. Masters of War
4. Down the Highway
5. Bob Dylan's Blues
6. A Hard Rain's A-Gonna Fall
7. Don't Think Twice, It's All Right
8. Bob Dylan's Dream
9. Oxford Town
10. Talkin' World War III Blues
11. Corrina, Corrina
12. Honey, Just Allow Me One More Chance
13. I Shall Be Free

Highway 61 Revisited is a landmark. Recorded in 1965, during the same tumultuous summer that had seen him plugging in his electric guitar at the Newport Folk Festival, Highway 61 Revisited is Bob Dylan diving head-first into the rock and roll maelstrom, backed by the studio prowess of Al Kooper, Michael Bloomfield and others on such devastating classics as the epochal Like A Rolling Stone. This Sundazed edition is an exact reproduction of the rare original 1965 mono album, featuring the original sleeve-notes and photos, and all-analog mastering from the absolute original source tapes.

* 180 grams audiophile vinyl
* Remastered Mono Edition

Ranking near the top of anyone's list of Dylan's masterpieces, this post-motorcycle-accident career-turning-point finds Dylan veering from the razor-edged desperation of "All Along The Watchtower" to the gentle, back-porch sway of "I'll Be Your Baby Tonight", and all points in between. Back at last, in its ultra-rare original mono mix, this landmark LP - cut with the cream of Nashville's studio cats and generally credited as a blueprint for the era's country-rock movement

Track Listing:
1. John Wesley Harding
2. As I Went Out One Morning
3. I Dreamed I Saw St Augustine
4. All Along The Watchtower
5. The Ballad Of Frankie Lee & Judas Priest
6. Drifter's Escape
7. Dear Landlord
8. I Am A Lonesome Hobo
9. I Pity The Poor Immigrant
10. The Wicked Messenger
11. Down Along The Cove
12. I'll Be your Baby Tonight

* 180 grams audiophile vinyl
* Remastered Mono Edition

Track Listing:
1. The Times They Are A-Changin'
2. Ballad Of Hollis Brown
3. With God On Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only A Pawn In Their Game
7. Boots Of Spanish Leather
8. When The Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

* 180 grams audiophile vinyl
* Deluxe 2-way die-cut Sleeve and poster

Track Listing:
1. Jerusalem
2. Toccata
3. Still...You Turn Me On
4. Benny The Bouncer
5. Karn Evil 9: 1st Impression - Part 1
6. Karn Evil 9: 1st Impression - Part 2
7. Karn Evil 9: 2nd Impression
8. Karn Evil 9: 3rd Impression

Outrospective was their third and most successful album, where Maxi Jazz's trendy vicar approach and Sister Bliss & Rollo's innate sense of what makes music work reach their climax.

It is more upbeat in tempo and emotion and has an intuitive production that emphasizes their E-flavoured spirituality to a tee. Featuring Dido and their biggest selling hit 'We Come One'.

Track Listing:
LP 1
1. Donny X
2. Not Enuff Love
3. We Come 1
4. Crazy English Summer
5. Muhammad Ali
6. Machines R Us

LP 2
1. One Step Too Far
2. Tarantula
3. Giving Myself Away
4. Code
5. Evergreen
6. Liontamer

LP 2 LIVE
1. Follow Me (Live)
2. Shinkicker (Live)
3. Off The Handle (Live)
4. Bought And Sold (Live)
5. I'm Leavin' (Live)
6. Tattoo'd Lady (Live)

LP 3 - LIVE
1. Do You Read Me (Live)
2. Country Mile (Live)
3. Calling Card (Live)
4. Shadow Play (Live)
5. Bullfrog Blues (Live)
6. Sea Cruise (Live)

They have had over 40 hits and 30 albums, many achieving either gold or platinum status in their home country, The Netherlands.
They are best known for their 1973 hit single 'Radar Love' and their 1982 single 'Twilight Zone'.
Around 1992, the unplugged sessions on MTV were a trend; almost every rock band or artist was doing them.

Bass player Rinus Gerritsen suggested to record an acoustic album themselves. The record company wasn't very enthusiastic at first so with a small budget the band recorded the album live in an intimate cafe in Amsterdam. "The Naked Truth" turned out to be the Golden Earring's bestselling album.

Track Listing:
LP 1
1. Introduction
2. Jangalene
3. Another 45 Miles
4. Mad Love's Comin'
5. Why Do I
6. I Can't Sleep Without You
7. Weekend Love
8. Vanilla Queen

LP 2
1. Twilight Zone
2. One Shot Away From Paradise
3. Long Blond Animal
4. Pouring My Heart Out Again
5. Radar Love
6. Eight Miles High
7. The Naked Truth

'Axis: Bold as Love', the second Experience album, was released merely 6 months after their debut lp, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live.

Only 'Spanish Castle Magic' and every-guitar-player's-ultimate-study-material 'Little Wing' became staples during concerts.

Artists who covered songs off this album range from Brian May, John Mayer, Joan Osborne, The Pretenders unto the New York Rock & Roll Ensemble.

* Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. EXP
2. Up From The Skies
3. Spanish Castle Magic
4. Wait Until Tomorrow
5. Ain't No Telling
6. Little Wing
7. If 6 Was 9
8. You Got Me Floatin'
9. Castles Made Of Sand
10. She's So Fine
11. One Rainy Wish
12. Little Miss Lover
13. Bold As Love

The Band of Gypsys made their live debut at the Fillmore East on New Year's Eve, 1969, for a series of four shows spread over two nights. A compilation of these shows saw the light as the eponymous live album 'Band of Gypsys'. Containing definitive versions of "Machine Gun" and "Who Knows"!

Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. Who Knows
2. Machine Gun
3. Changes
4. Power To Love
5. Message To Love
6. We Gotta Live Together

'Electric Ladyland' is the 3rd and final album by the Jimi Hendrix Experience, released in 1968 on Reprise Records (see 1968 in music). Produced and mainly written by Jimi Hendrix, the album is seen as the peak of Hendrix's mastery of the electric guitar.

The album is a cross-section of Hendrix's wide range of musical talent. It includes samples of several genres, including the psychedelia of "Burning of the Midnight Lamp", the extended blues jam "Voodoo Chile", the New Orleans-style rock and roll of "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", and the social commentary of "House Burning Down".

The album also features a cover version of Bob Dylan's "All Along the Watchtower" that has been praised by many, including Dylan himself.

Incl. 8-page full-colour booklet (12"x 12")

Track Listing:
1. And The Gods Made Love
2. Have You Ever Been (To Electric Ladyland)
3. Crosstown Traffic
4. Voodoo Chile
5. Little Miss Strange
6. Long Hot Summer Night
7. Come On (Let The Good Times Roll)
8. Gypsy Eyes
9. Burning Of The Midnight Lamp
10. Rainy Day, Dream Away
11. 1983(A Merman I Should Turn To Be)
12. Moon, Turn The Tidesgently gently gently
13. Still Raining, Still Dreaming
14. House Burning Down
15. All Along The Watchtower
16. Voodoo Child (Slight Return)

LP 2
1. Red House
2. Johnny B. Goode
3. Lover Man
4. Blue Suede Shoes
5. Voodoo Child

This album hasn't been available on vinyl for a long time but once again Music On Vinyl comes to the rescue! The double album features an 8 page booklet and comes in a beautiful gatefold sleeve.

Track Listing:
LP 1
1. Look Over Yonder
2. Little Wing (Angel)
3. Here He Comes (Lover Man)
4. South Saturn Delta
5. Power Of Soul
6. Message To The Universe (Message To Love)
7. Tax Free

LP 2
1. All Along The Watchtower
2. The Stars That Play With Laughing Sam's Dice
3. Midnight
4. Sweet Angel (Angel)
5. Bleeding Heart (Peoples, Peoples, Peoples)
6. Pali Gap
7. Drifter's Escape
8. Midnight Lightning

10 Recordings were made between February and May 1969 as the Jimi Hendrix Experience set out to create their sequel to the groundbreaking 1968 Double LP 'Electric Ladyland'

Features the song 'Valleys of Neptune', one of the most sought after of all of Hendrix's commercially unavailable recordings.
Includes exciting 1969 arrangements of classic Hendrix signature songs 'Red House', 'Fire' and 'Stone Free'.

Mixed by Eddie Kramer, the engineer for all of Jimi's albums during his lifetime. Produced by Janie Hendrix, Eddie Kramer and John McDermott; the team behind all of the acclaimed Jimi Hendrix CD and DVD releases since 1996.

Track Listing:
LP 1
1. Stone Free
2. Valleys Of Neptune
3. Bleeding Heart
4. Hear My Train A Comin'
5. Mr. Bad Luck
6. Sunshine Of Your Love

LP 2
1. Lover Man
2. Ships Passing In The Night
3. Fire
4. Red House
5. Lullaby For The Summer
6. Crying Blue Rain

Japan, whose members were David Sylvian, guitarist Rob Dean, keyboardist Richard Barbieri, bassist Mick Karn and Sylvian's brother Steve Jansen as a drummer, began as a group of friends, who all studied at the same school and became an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls.
In 1977, the German label Hansa held a contest that elicited entries from over 1000 bands.
The eight winners, including Japan (and an unknown group called the Easy Cure who later became the Cure) received recording contracts and, a year later their debut 'Adolescent Sex' hit the shops.

'Quiet Life' is Japan's third album, originally released in 1980. Musically, the album was a huge change of style for the band since it stepped away from their earlier alternative Glamrock and into New Wave.


Track Listing:
LP 1
1. Quiet Life
2. Fall In Love With Me
3. Despair
4. In Vogue
5. Halloween
6. All Tomorrows Parties
7. Alien
8. The Other Side Of Life

LP 2
1. Quiet Life (Full Length 12" Extended Version)
2. Quiet Life (UK 7" version)
3. European Son (12" Version)
4. I Second That Emotion (12" Version)
5. Life In Tokyo (Remix )
6. Life In Tokyo (Extended Remix)
7. Life In Tokyo (Special Remix )
8. Life In Tokyo (Part 2)

LP 3
1. A Foreign Place (B Side of Quiet Life single)
2. Fall In Love With Me (12" Version)
3. Life In Tokyo (Theme)
4. All Tomorrows Parties (Steve Nye extended remix)
5. I Second That Emotion (Steve Nye extended remix)
6. European Son (Steve Nye extended remix)

'This Is My Truth Tell Me Yours' is their fifth album, originally released in 1998.
It features the singles 'The Everlasting', 'You Stole the Sun from My Heart', 'Tsunami' and 'If You Tolerate This Your Children Will Be Next'.
The latter was their first single to debut at #1 on the UK Singles Chart.

On top of this, the album won Best British Album at the 1999 Brit Awards.

Track Listing:
1. The Everlasting
2. If You Tolerate This Your Children Will Be Next
3. You Stole The Sun From My Heart
4. Ready For Drowning
5. Tsunami
6. My Little Empire
7. I'm Not Working
8. You're Tender And You're Tired
9. Born A Girl
10. Be Natural
11. Black Dog On My Shoulder
12. Nobody Loved You
13. S.Y.M.M.

'The Moon & Antarctica' is their third full-length album, first released in 2000. The album was the band's first release on a major label. In honor of the album's 10th anniversary, Modest Mouse's landmark recording 'The Moon & Antarctica' is reissued on 2 x 12" remastered heavy double vinyl.

Track Listing:
LP 1
1. 3rd Planet
2. Gravity Rides Everything
3. Dark Center Of The Universe
4. Perfect Disguise
5. Tiny Cities Made Of Ashes
6. A Different City
7. The Cold Part
8. Alone Down There

LP 2
1. The Stars Are Projectors
2. Wild Packs Of Family Dogs
3. Paper Thin Wall
4. I Came As A Rat
5. Lives
6. Life Like Weeds
7. What People Are Made Of

One of the UK's most established independents, Tru Thoughts is home to a roster of emerging talents and successful established acts alike. This collection takes the listener on a sonic tour of the Brighton based imprint in 2011, ranging from cutting edge, bassy dancefloor heat through esoteric jazz to deep, entrancing electronica and acoustic folk stylings, touching on blues, soul, dub, Cumbia and much in between. CD1 is an uplifting yet more laid back listen, with lush instrumentals and finely crafted songs, and disc 2 picks up the pace and heads for the dancefloor.

Track Listing:
1. Lanu feat. Megan Washington - 'Roosevelt Blues'
2. Anchorsong - 'Plum Rain'
3. Nostalgia 77 - 'Mockingbird'
4. Hidden Orchestra - 'Dust'
5. Belleruche - 'Northern Girls'
6. Lossy - 'Rain Came Down'
7. Benji Boko - 'Glider'
8. Maddslinky feat. Tawiah - 'Hiding Place'
9. Kinny - 'Lost Baggage'
10. Quantc Presenta Flowering Inferno - 'Portada Del Mar'
11. Smerins Anti-Social Club feat. Tenor Fly - 'Dr. Who'
12. Quantic - 'Nuthin But A G Thing (Dre En Cumbia)'
13. Wildcookie - 'Serious Drug'
14. Belleruche - 'Backyard (Kidkanevil Remix)'
15. Zed Bias feat. Mark Pritchard - 'Trouble In The Street'
16. Saravah Soul - 'Mestico (Debruit Remix)'
17. Mark de Clive-Lowe feat. Bembe Segue - 'Push'
18. Hint - 'Give It Up (Hint Remix)'
19. Nirobi - 'Your Failures Gone To Your Head'
20. Quantic - 'Un Canto A Mi Tierra (J Boogie Remix)'
21. Lanu feat. Aloe Blacc - 'Mother Nature'
22. Beta Hector - 'Jupiter Mission'
23. Lossy - 'You Could Feel'
24. Hidden Orchestra - 'The Windfall (Maddslinky Remix)'
25. Lanu - 'Fall (Hint Remix)'
26. Randomer - 'Be Electric'
27. Maddslinky feat. Skream - '50 Shades Of Peng'
28. Hint - 'Heres Another One'

We Were Exploding Anyway is a game-changer from a band that has only ever followed its own rules, and now they're broken. Don't pick up the pieces. Leave them. Dance over them. This time, and for all time. Deluxe edition with bonus 'Heavy Sky' EP -- Features guest vocals from Robert Smith of The Cure

Track Listing:
1. Mountainhead
2. Crash Tactics
3. Dance Dance Dance
4. Piano Fights
5. Weak4
6. Come To Me
7. Go Complex
8. Debutante
9. Tiger Girl

Artwork direction, design and layout for the new release was handled by Mike Wohlberg at the Fat Kid! Illustration (The Dillinger Escape Plan, Pelican, Tombs) and will be strictly limited to 1,000 copies. Both tracks appear on one side of the LP, with an intricate laser etching on the other side. The jackets are printed on 20pt SBS board and packaging includes inserts containing lyrics and liner notes from each band. Each copy of the record will also come with a download card that includes codes for cover songs by each band.

Track Listing:
1. Junius - A Day Dark With Night
2. Rosetta - TMA-3

LP 2
1. Tell Me, Momma
2. I Don't Believe You (She Acts Like We Never Have Met)
3. Baby, Let Me Follow You Down
4. Just Like Tom Thumb's Blues
5. Leopard-Skin Pill-Box Hat
6. One Too Many Mornings
7. Ballad of a Thin Man
8. Like A Rolling Stone

A quarter century into the CD age, its hard to believe these pivotal labels have never been properly anthologized. Until now, that is! Sundazed once again arrives to the rescue with an exhaustive dive into the pure, undiluted garage side of USA and Destination Records; tapping into everything from priceless artifacts from the Lost Agency, the Foggy Notions, and Park Avenue Playground to label hitmakers the Buckinghams, the Cryan Shames, and the Flock at their most rockin. Theres so much impossibly great music on these labels, we had to expand this collection to 40 tracks.

The album artwork is stuffed with rare photos, band bios, and an interview with the legendary Jim Golden. For a full course of Chicago 66 garage at its finest, look no further than 2131 South Michigan Avenue: 60s Garage & Psychedelia from USA and Destination Records!

Track Listing:
1. The Lost Agency - One Girl Man
2. The Shady Daze - I'll Make You Play
3. Oscar and the Majestics - Got to Have Your Lovin'
4. The Foggy Notions - Take Me Back and Hold Me
5. Lord and the Flies - Echoes
6. The Messengers - Mignight Hour
7. Ronnie Ross and the Good Guys - If You Ever Go
8. Oscar and the Majestics - Soul Finger
9. The Jokers - I'll Never Let You Go
10. The Sheffields - Do You Still Love Me
11. The Great Society - I'm the One for You
12. The Cryan' Shames - Ben Franklin's Almanac
13. The Foggy Notions - Need a Little Lovin'
14. Oscar and the Majestics - I Can't Explain
15. The Buckinghams - Don't Want to Cry
16. The Boyz - Come With Me
17. The Cryan' Shames- You're Gonna Lose That Girl
18. The Cherry Slush - I Cannot Stop You
19. The Lost Agency - Time to Dream
20. The Buckinghams - Radio Spot
21. The Counts - Stop Cheating on Me
22. Trafalgar Square - Till the End of the Day
23. The Boyz - Hard Times All Over
24. Lord and the Flies - You Made a Fool of Me
25. The Richochettes - I Don't Want You
26. The Messengers - Hard Hard Year
27. Oscar and the Majestics - No Chance Baby
28. The Jokers - What'cha Gonna' Do
29. Gary and the Knight Lites - I Don't Need Your Help
30. The Flock - Are You the Kind
31. The Daughters of Eve - Help Me Boy
32. The Buckinghams - I'm A Man
33. Oscar and the Majestics - My Girl Is Waiting
34. Michael and the Messengers - Lifs (Don't Mean Nothin')
35. Park Avenue Playground - The Trip
36. Park Avenue Playground - I Know
37. The Cherry Slush - Gotta Take It Easy
38. The Flock - What Would You Do If the Sun Died
39. The Lost Agency - Time to Dream (alternate vocal)
40. The Daughters of Eve - Radio Spot

Reaching well beyond their debut album, And We Wept the Black Ocean Within, A Storm of Light enters uncharted territories. Fusing delicate melodies with oppressive dirge metal and dense atmospherics, the band has truly come into their own with these two phenomenal tracks. Contagious, hypnotic, and haunting-- though no big surprise, considering A Storm of Light is helmed by frontman Josh Graham, who cut his teeth as the visual artist for Neurosis and is a founding member of both Red Sparowes and Battle of Mice

The prolific Nadja, a true behemoth of stark, glacial-paced sludge, delivers another massive epic of blissful genius. The duo's single 20-plus-minute track consists of their patented molasses-thick wall of ultra-dense fuzz and surprisingly tuneful white noise. Shifting from a serene and uplifting aural setting to an absolutely soul-crushing Broadrick-esque industrial nightmare, Nadja is a beast of many faces.

Primitive North offers the best of both worlds, as volatile remixes also accompany the original works. Each band has reconfigured the other's material, resulting in re-workings that complement the original songs perfectly. Adding to all of this is stunning original artwork by Graham, packaged in a beautiful five-color gatefold sleeve with a CD version of the same material. Last but not least, the flipside of the remix disc has laser-etched artwork, taking the whole concept of a split release to the next level.

Lazer etched artwork

Track Listing:
Side One:

1. Brother & Sister (A Storm Of Light)
2. I Make From Your Eyes The Sun (Nadja)

Side Two

1. Brother Remix (Nadja)
2. I Make From Your eyes The Sun Remix (A Storm Of Light)

Like label-mates Wevie De Crepon, æ produces meta-music that is a lot of fun to hear, a welcome disruption of musical stereotypes, and in the end a proud presentation of an animal by the name of Affrodil.

Track Listing:
1. Something For The Weekend
2. Cocktails
3. Uh
4. Testing Time
5. Clotted Cream
6. 321
7. Thinkin'
8. Carpaccio
10. Steak
11. Tape Cuts/Hello
12. Chinese Whispers
13. Not That Hard
14. Gauche
15. Nori
16. String/Coaster
17. Scarlet
18. Papstar

Betimes includes significant contributions from free percussionists Nicolas Field and Alex Babel, who sprinkle the sound field with an almost FMP-style rush of splattering drum sound, raising the intensity of the music (without resorting to bashing). The album also features a brief but affecting vocal from Ulver mastermind Kristoffer Rygg, who made his first live appearance in over a decade when Aethenor played the Roadburn Festival in April 2008. Aethenor's third LP, featuring vocals and lyrics by David Tibet, will be released in Autumn 2008.

Musically, Aethenor summon the most somnolent examples of Bernard Parmegiani, Organum, Nurse with Wound, Klaus Schulze, Igor Wakhevitch, Coil, Iancu Dumitrescu, and Charlemagne Palestine. Acousmatic drones ebb and flow into crackling and bubbling sonic clusters. Lulling piano motifs and lamenting chants shimmer into distant lunar horizons while oscillators spin and drove serenely into unchartered audial regions. Sometimes as calm as a silvery sea, so that every gentle cat's-paw and lapping wave is deafening. Sometimes as tempestuous as a fuming lava beach, spitting and popping at the surface. --Daniel O'Sullivan

Track Listing:
I
II
III

AEthenor's heaviest outing yes is driven by a weighty low-end and the full fury of Babel and Field's free-wheeling drums. The band's electronics, guitar, Rhodes, and organ ride waves of sound in a tightly-controlled blare, leaving plenty of space for Tibet's declarations of the mystical and supernatural. Tibet is in top form, rising out of the tempest at just the right moment, almost plain-spoken in places-- grounding the squall at times, voicing the apocalypse at others.

Faking Gold and Murder features another elegant cover by Vincent de Rougin and Nicola Todeschini, letterpressed by Stumptown Printers.

Brooding, primeval, dark, alchemical epics are full of a ferocious intensity, sounding more like a starlit night being ripped open by lightning than a musical group. Intelligent and primal, like a daemonic workshop, battering up Pandemoniums and dreaming of gold and murder, AEthenor are spectacular. --David Tibet

Track Listing:
I
II
III
IV

Ainotamenishis's brand of controlled panic is sure to spike the tongues of all those who purport to talk about the rock. It is primal, punk, eerie, harsh, and utterly essential.

Track Listing:
1. Theme
2. I Don't Smoke It
3. Shitokinayo
4. I'll Slice You Up
5. Premature Vagueness
6. On The Cross
7. Speed Complaint
8. The Heart Song
9. Rain
10. Fin

In 1999 Darkthrone released the album Ravishing Grimness, which featured cleaner production and a clear influence from the early work of Celtic Frost. This style would continue on their following album, Plaguewielder, which was released two years later in 2001. Its production style was rawer, or as the band described it, more necro.

Track Listing:
Side A:
1. Weakling Avenger
2. Raining Murder
3. Sin Origin

Side B:
4. Command
5. I,Voidhanger
6. Wreak

Side A:

1. Advent

Side B:

2. The night and The Silent Water
3. Nectar – 10:09

Side C:

4. Black Rose Immortal

Side D:

5. To Bid You Farewell
6. Eternal Soul Torture

Side A:

1. Judas Rising
2. Deal With The Devil
3. Revolution

Side B:

4. Worth Fighting For
5. Demonizer
6. Wheels Of Fire

Side C:

7. Angel
8. Hellrider

Side D:

9. Eulogy
10. Lochness

Side B

Side A:

Side A
1. P Walk     
2. Brighton Rock    
3. Igors Revenge
4. The Noose    
5. Windy City    

Side B
1. Cha Love    
2. The Chase        
3. Laurel Canyon    
4. Indian Summer    
5. Prog Funk    
6. Electric Tit   

Side C
1. Spooky Street
2. That's Right    
3. Echo Park        
4. Jagger
5. Ping Pong Song    
6. Westenders    
7. Skunky Funky        

Side D
1. Garden Funk    
2. Boogaloo        
3. Theme From Andrex    
4. Praying Mantis        
5. 26    
6. 60s Swinger    
7. Lous Place
 

Owen is Mike Kinsella (American Football, Joan Of Arc, Cap'n Jazz). Previously only available as a CD EP and import-only 12-inch, this release contains the usual blend of beautiful acoustic work and wry lyrics fans have come to expect. What separates this from previous titles is the inclusion of Cale Parks (Aloha) on drumming and vibraphone along with Jen Tabor on strings, and the pedal steel work of Bob Hoffnar (Nora Jones, Ryan Adams). Includes digital download codes.

Track Listing:
1. Skin and Bones
2. In the Morning, Before Work
3. Breaking Away
4. That Mouth
5. Gazebo
6. I Woke Up Today

Mike Kinsella (American Football, Cap'n Jazz, Joan Of Arc) and his nom de guerre is joined by The Rutabega (a.k.a. Josh Hensley) on this popular Owen title that's being released for the first time on vinyl. The Owen side features an alternate version of "Poor Souls" which appears on his second album, "No Good For No One Now", and also contains a solo version of American Football's "Never Meant". 180 gram vinyl includes digital download code.

Only 1000 Copies Made

Gatefold Vinyl - Import

Johnny the Fox is the seventh studio album by Irish band Thin Lizzy, released in 1976. This album was written and recorded while bassist/vocalist Phil Lynott was recovering from a bout of hepatitis that put him off the road halfway through the Jailbreak tour. "Don't Believe A Word" was a British hit single.

Track Listing:
1. Johnny
2. Rocky
3. Borderline
4. Don't Believe a Word
5. Fools Gold
6. Johnny the Fox Meets Jimmy the Weed
7. Old Flame
8. Massacre
9. Sweet Marie
10. Boogie Woogie Dance

Bad Reputation is the eighth studio album by the Irish band Thin Lizzy, released in 1977. As the front cover suggests, most of the tracks feature only three-quarters of the band, with guitarist Brian Robertson only playing on tracks 3 and 6 (despite a credit on track 8). He had missed most of their previous tour, following an injury sustained in a brawl, and this album turned out to be his last studio effort with Thin Lizzy. "Dancing in the Moonlight (It's Caught Me in Its Spotlight)" was a UK hit single. It reached #14 in the UK Singles Chart in September 1977.

Track Listing:

1. Soldier Of Fortune
2. Bad Reputation
3. Opium Trail
4. Southbound
5. Dancing In The Moonlight
6. Killer Without A Cause
7. Downtown Sundown
8. That Womans Gonna Break Your Heart
9. Dear Lord

Black Rose: A Rock Legend is the ninth studio album by Irish band Thin Lizzy, released in 1979. The album debuted at its #2 peak in the UK album charts and is the band's most successful studio album to date. It was the first time that blues rock guitarist Gary Moore remained in the band long enough to record an album after previous stints in 1974 and 1977 with Thin Lizzy. He appeared with frontman Phil Lynott in the rock band Skid Row in the late 1960s and early 1970s. Around this time Moore recorded the album Back on the Streets with Lynott, spawning the UK top 10 single "Parisienne Walkways" (with Lynott on vocals). He left Thin Lizzy that year following a dispute but worked with Lynott again on his tours in 1984 and 1985 and on the top 5 single "Out in the Fields" and accompanying album Run for Cover, on what were to be Lynott's final performances before his death in January 1986. Axl Rose has the cover of "Black Rose: A Rock Legend" tattooed on his right upper arm, and once said that he "wanted to show it to Phil Lynott, but then he died on me".[citation needed] The album included the second song Lynott wrote about a member of his family entitled "Sarah", the first song by this name having appeared on 1972's Shades of a Blue Orphanage, written about his grandmother, also named Sarah. The song on this album is about his then newly born daughter. The last track "Róisín Dubh" is comprised of traditional songs, all arranged by Lynott and Moore, as well of original parts. The song "Will You Go Lassie, Go" (Wild Mountain Thyme) is sometimes mistakenly credited as a traditional song, but was written by William McPeake, and first recorded by Francis McPeake (and is on this album credited to F. McPeak).

Track Listing:
1. Do Anything You Want To
2. Toughest Street In Town
3. S & M
4. Waiting For An Alibi
5. Sarah
6. Got To Give Up
7. Get Out Of Here
8. With Love
9. Roisin Dubh (Black Rose) A Rock Legend

Chinatown is the tenth studio album by Irish band Thin Lizzy, released in 1980. It introduced guitarist Snowy White who would also perform on the next album as well as tour with Thin Lizzy between 1980 and 1982; he replaced Gary Moore as permanent guitarist. White had previously worked with Cliff Richard, Peter Green and Pink Floyd. Chinatown also featured seventeen-year old Darren Wharton on keyboards, and he would join Thin Lizzy as a permanent member within the year.

Track Listing:
1. We Will Be Strong
2. Chinatown
3. Sweetheart
4. Sugar Blues
5. Killer On The Loose
6. Having A Good Time
7. Genocide ( The Killing Of The Buffalo )
8. Didn’t I
9. Hey You

Renegade was the eleventh studio album by Irish band Thin Lizzy, released in 1981. Though not his first appearance, this was the first album in which keyboard player Darren Wharton was credited as a permanent member, becoming the fifth member of the line-up. As such, he made a contribution as a song-writer on the opening track "Angel of Death". However, even though he had officially joined the band, his picture was omitted from the album sleeve. It was also their last album with guitarist Snowy White. By his own admission, White was more suited to playing blues than heavy rock and he quit by mutual agreement the following year.

Track Listing:
1. Angel Of Death
2. Renegade
3. The Pressure Will Blow
4. Leave This Town
5. Hollywood (Down On Your Luck)
6. No One Told Him
7. Fats
8. Mexican Blood
9. It’s Getting Dangerous

Thunder and Lightning is the twelfth and final studio album by heavy-rock band Thin Lizzy, released in 1983. Guitarist John Sykes was hired to replace Snowy White after 1981's Renegade, and Sykes helped to provide a heavier sound and guitar tone than Thin Lizzy had used on previous albums. However, the bulk of the songwriting (except for "Cold Sweat") was completed before he joined the band. Keyboard player Darren Wharton also offered a stronger musical influence to Thin Lizzy's final studio album, co-writing many of the tracks including "Some Day She Is Going to Hit Back", and the final single "The Sun Goes Down".

Track Listing:
Side A
1. Thunder And Lightning 4.55
2. This Is The One 4.03
3. The Sun Goes Down 6.19
4. The Holy War 5.13

Side B 5. Cold Sweat 3.07
6. Some Day She's Going To Hit Back 4.06
7. Baby Please Don't Go 5.11
8. Bad Habits 4.05
9. Heart Attack 3.40

Side C
10. Emerald (Live)
11. Killer On The Loose (Live)

Side D
12. The Boys Are Back In Town (Live)
13. Hollywood (Live)

Live and Dangerous is a live double LP by Irish band Thin Lizzy, released in 1978. It was recorded in London and Toronto in 1977, during the tours accompanying the albums Johnny the Fox and Bad Reputation. Live and Dangerous was originally intended to be a studio album. Working with Tony Visconti, Thin Lizzy had had huge success with their previous album Bad Reputation, and the group wanted to work with him again. But since Visconti had a very tight schedule Phil Lynott came up with the idea that they spend two weeks together compiling a live album instead. After they had decided which tracks they were going to use, Lynott asked if they could re-record some vocals due to technical issues. After spending some time overdubbing various bits, noticing the impact on the result, they ended up re-recording all the vocals, guitars and bass. So the only real live elements of Live and Dangerous are the drums and the audience. Visconti justified this by stating that every track was performed before a live audience.

Track Listing:
1. Jailbreak
2. Emerald
3. Southbound
4. Rosalie / Cowgirls Song
5. Dancing In The Moonlight
6. Massacre
7. Still In Love With You
8. Johnny The Fox Meets Jimmy The…
9. Cowboy Song
10. The Boys Are Back In Town
11. Don’t Believe A Word
12. Warrior
13. Are You Ready
14. Suicide
15. Sha La La
16. Baby Drives Me Crazy
17. The Rocker

Recorded in 1974 for United Artists Records, the concept album featured classic songs such as Ejection, The Right Stuff and The Widowmaker interwoven with humorous satirical dialogue from Calvert, Jim Capaldi & Viv Stanshall. The musical guests included Hawkwind, Arthur Brown and Brian Eno, making for a unique and legendary album.

Track Listing:
Side A:
1. Franz Josef Strauss, Defence Minister Reviews The Luftwaffe In 1958
2. The Aerospaceage Inferno
3. Aircraft Salesman (A Door In The Foot)
4. The Widow Maker
5. Two Test Pilots Discuss The Starfighter’s Performance

Side B:
6. The Right Stuff
7. Board Meeting (Seen Through A Contract Lense)
8. The Song Of The Gremlin Pt.1
9. Ground Crew
10. Hero With A Wing

Side C:
11. Ground Control To Pilot
12. Ejection
13. Interview
14. I Resign
15. The Song Of The Gremlin Pt.2

Side D:
16. Bier Garten
17. Catch A Falling Starfighter
18. The Right Stuff
19. Ejection
20. Catch A Falling Starfighter

Live...in the Heart Of The City is a 1980 live album by Whitesnake. Originally released as a double-vinyl album, and double-play cassette, it utilises recordings made in 1978 and 1980. Sides 1 & 2 of the vinyl are from recordings made with the Rolling Stones Mobile Studio at the Hammersmith Odeon, during the band's 1980 World Tour, whilst sides 3 & 4 are from a 1978 recording, previously issued in Japan only, as Live at Hammersmith.

Side B:
5. Ain’t No Love In The Heart Of The City
6. Fool For Your Loving
7. Ain’t Gonna Cry No More
8. Ready An’ Willing

Side C:
9. Take Me With You
10. Come On
11. Might Just Take Your Life
12. Lie Down

Side D:
13. Ain’t No Love In The Heart Of The City
14. Trouble
15. Mistreated

Whitesnake are an English rock band, founded in 1977 by David Coverdale (formerly of Deep Purple). The band's early material has been compared by critics to Deep Purple but by the mid 1980s Whitesnake had moved away from the early blues influenced hard rock to a more commercial heavy metal style. Whitesnake were named the 85th greatest hard rock band of all time by VH1.

Side B:
6. Mean Business
7. Love Hunter
8. Outlaw
9. Rock ‘N’ Roll Women
10. We Wish You Well