Genre > Rock

1. Days Of Graduation
2. Ronnie and Neil
3. 72 (this highway's mean)
4. Dead, Drunk, And Naked
5. Guitar Man Upstairs
6. Birmingham
7. The Southern Thing
8. The Three Great Alabama Icons
9. Wallace
10. Zip City
11. Moved
12. Let There Be Rock
13. Road Cases
14. Women Without Whiskey
15. Plastic Flowers On The Highway
16. Cassie's Brother
17. Life In The Factory
18. Shut Up And Get On The Plane
19. Greenville To Baton Rouge
20. Angels And Fuselage

1971 saw the release of some of the greatest pop/rock albums of all time. Imagine, Pearl, Sticky Fingers, Who’s Next, Tupelo Honey, Surf’s Up, Fragile, Led Zep’s IV, Muswell Hillbillies, Tapestry, What’s Going On? and both Madman Across the Water and Tumbleweed Connection are just some of the iconic titles that hit the stores that year. Add Aqualung and that’s quite an output for a twelve month span. Generally considered the pinnacle of the band’s recorded output, front-man Ian Anderson’s songwriting was quickly evolving from British folk-blues roots and helping define prog-rock. While definitely pushing the envelope for the era in taking on the subjects of God and organized religion, it was guitarist Martin Barre who was establishing equal ground with Anderson’s flute as an instrumental voice of the band. Joining Tull after Toni Iommi (Black Sabbath) who himself had replaced original guitarist Mick Abrahams (Blodwyn Pig, Mick Abrahams Band) departed after only a few days, both Barre’s opening riffs and lead breaks became indelibly imprinted to generations of classic rock. Songs such as My God, Hymn 43, Locomotive Breath, Cross-Eyed Mary, Wind Up and of course the title tune became FM radio staples and are in-demand concert favorites to this day. The Classic Records reissue of Aqualung was cut from the original analog master tapes obtained from Ian Anderson on Classic's "all tube" cutting system by Chris Bellman at Bernie Grundman mastering. This version features, for the first time since the original Chrysalis release, an authentic faux linen textured gatefold jacket and original label art.

1. Aqualung
2. Cross-Eyed Mary
3. Cheap Day Return
4. Mother Goose
5. Wond'ring Aloud
6. Up To Me
7. My God
8. Hymn 43
9. Slipstream
10. Locomotive Breath
11. Wind-Up

Which just about sums up the universal opinion of the first official live recording released by The Who. After repeated failed attempts on their 69-70 UK Tommy tour, the hall on the campus of Leeds University was intentionally scheduled for the main purpose of recording a live album. The results, although only six selections from a much longer performance, were a triumph. Riding the crest of the Tommy album and their monumental appearance at the Woodstock Festival, the original quartet of Townshend, Daltrey, Entwhistle and Moon channeled Mose Allison, Eddie Cochran and Chad Allen with cover versions of Young Man Blues, Summertime Blues and Shakin’ All Over respectively, while delivering expanded and stripped down versions that turned their own Substitute, Magic Bus and My Generation inside-out. A perfect mix, flaunting warts and all; amp noise, feedback and distortion…Who cares! This album ROCKS! All original artwork and packaging including all the "bits" are part of this Classic Records authentic reissue of the original Track UK release. Cut from the original two track master tapes (amp lead pops and all) at Bernie Grundman Mastering by Chris Bellman on Classic's "ALL TUBE" cutting system, this 200g Super Vinyl Profile pressing brings new insight into the genius in the nuance that has previously been obscured - even on original track pressings used for comparison in mastering. Recommendation not need - just buy it!

1. Young Man Blues
2. Substitute
3. Summertime Blues
4. Shakin' All Over
5. My Generation
6. Magic Bus

Considered the very first rock opera, this 1969 breakthrough recording from the genius of Pete Townshend was highly controversial upon its release. Originally banned by the BBC and by some U.S. radio stations, the underlying child abuse and molestation theme in the tale of the deaf, dumb and blind Tommy Walker was a startling, darker side to the former mod-rockers from Shepherds Bush. Highlighted at the Woodstock festival and film, the album peaked at # 4 on the Billboard chart. Townshend proved to himself and the world he could still attempt such a libretto and still rock!. It s pawned such Who staples as "Pinball Wizard," "The Acid Queen," "I'm Free" and "We're Not Gonna Take It / See Me, Feel Me." Ultimate movie, Broadway and concertized versions have kept its imaginative story and music in the forefront for the past three decades. Cut from the original two track quarter inch mater tapes provided by The Who on Classic's all tube stereo cutting system by Chris Bellman at Bernie Grundman Mastering in Hollywood. Pressed on 200g heavy weight vinyl and packaged in authentic tri-fold laminated sleeve including original booklet. This is a masterpiece in every way and an absolute must for all rock fans!

1. Overture
2. Its' A Boy
3. 1921
4. Amazing Journey
5. Sparks
6. The Hawker
7. Christmas
8. Cousin Kevin
9. The Acid Queen
10. Underture
11. Do You Think It's Alright?
12. Fiddle About
13. Pinball Wizard
14. There's A Doctor
15. Go To The Mirror!
16. Tommy Can You Hear Me?
17. Smash The Mirror
18. Sensation
19. Miracle Cure
20. Sally Simpson
21. I'm Free
22. Welcome
23. Tommy's Holiday Camp
24. We're Not Gonna Take It

The most famous bootleg in rock history, with the possible exception of Dylan's own Basement Tapes finally made its official appearance 32 years after the event, and nearly 30 years after it started circulating in the underground. Although often identified as a Royal Albert Hall show, this May 17, 1966, concert, in which Dylan played electric material in front of a British audience, was actually recorded in Manchester (hence the unwieldy title with quotes around "Royal Albert Hall"). Even those who've owned this recording for many a year should be tempted by this official package, as it has been expanded to include the eight electric rock songs from the original bootleg, but also the seven solo acoustic performances that comprised the first half of the show. It's all in great fidelity. More importantly, the electric half in particular is an important document of rock history. It captures the point at which Dylan was at his most controversial and hard rocking as he blazes through mid-'60s classics such as "Like a Rolling Stone" and "Ballad of a Thin Man," radical electric arrangements of songs that had originally been recorded acoustically ("One Too Many Mornings," "I Don't Believe You"), and the hard rocker "Tell Me, Momma," which Dylan never recorded in the studio. On top of everything else there's a 56-page booklet with a fine essay by Dylan's friend Tony Glover (a notable folk musician in his own right). This is not just an interesting adjunct to Dylan's '60s discography; it's as worthy of attention as anything else he recorded during that decade. Originally, transferred from the 1/2" analog mix down masters and cut on Classic's "all tube" cutting system by Bernie Grundman and released on 180g Classic vinyl, this re-release is the first time this, long out of print Classic Record, has been on 140g vinyl as well our proprietary 200 gram Super Vinyl Profile making it sound better than ever!

LP 1
1. She Belongs To Me
2. Fourth Time Around
3. Visions of Johanna
4. It's All Over Now, Baby Blue
5. Desolation Row
6. Just Like A Woman
7. Mr. Tambourine Man
LP 2
1. Tell Me, Momma
2. I Don't Believe You (She Acts Like We Never Have Met)
3. Baby, Let Me Follow You Down
4. Just Like Tom Thumb's Blues
5. Leopard-Skin Pill-Box Hat
6. One Too Many Mornings
7. Ballad of a Thin Man
8. Like A Rolling Stone

Generally considered one of rocks first concept™ albums, this December 1967 release was preceded by two months with its first single release, the monster hit “I Can See For Milesâ€�. Recorded in London, New York and Los Angeles including some post-production at the famed Gold Star Studios, this album was a turning point in the band’s progression, weaving pure pop power with minor psychedelia in both a humorous mockery and tribute to Britain’s pirate radio scene, complete with faux commercials written and performed by the band, interspersed between songs. Also included is their second single “Mary Ann With The Shaky Handâ€� plus the mini-drama “Raelâ€�, featuring Al Kooper on organ, which was originally intended as a full scale rock-opera by itself and propelled Pete Townsend to the realizations of both Tommy and Quadrophenia. The Stereo version was mastered and cut at Bernie Grundman Mastering by Chris Bellman on Classic's "all tube" Stereo cutting system from the original Stereo master tapes provided by The Who. This deluxe reissue package includes original TRACK artwork and labels and an authentic reproduction of the "Psychedelic Poster" included in original pressings of this title which are now nearly impossible to find other than on eBay for many hundreds of dollars.

1. Armenia City In The Sky
2. Heinz Baked Beans
3. Mary Anne With The Shaky Hand
4. Odorono
5. Tattoo
6. Our Love Was
7. I Can See For Miles
8. I Can't Reach You
9. Medac
10. Relax
11. Silas Stingy
12. Sunrise
13. Rael 1
14. Rael 2
15. Glittering Girl
16. Melancholia
17. Someone's Coming
18. Jaguar
19. Early Morning Cold Taxi
20. Hall Of The Mountain King
21. Girl's Eyes
22. Mary Anne With The Shaky Hand (Alternative Version)

Excuse me, is this 1969, during the time when Rock bands released an album every nine to twelve months and they were all great? Last summer Neil Young recorded what will likely be remembered as one of his best albums ever in "Prairie Wind" and then eight months later delivers a new protest album that will make, even the most conservative thinkers, rethink the state of the world. Maybe it takes the wisdom of time and experience to drill down to the heart of issues these days instead of the open mindedness of youth as in the past. It isn't one of the newer bands on the scene shining a light on the ugly side of human nature, they are all trying to sell a million records ( make that five million records) so that they buy that house in the Hills. Instead it is the old man of ROCK AND ROLL that delivers the familiar one two punch that makes people question the course we are on. Regardless of your politics, "Living WIth War" will rock your world and hit a chord that needs to be struck.

1. After the Garden
2. Living With War
3. The Restless Consumer
4. Shock and Awe
5. Families
6. Flags of Freedom
7. Let's Impeach the President
8. Lookin' For a Leader
9. Roger and Out
10. America the Beautiful

Originally released in 1968 by fledgling UK indie label Track Records for the European market only, this compilation of five single sides plus various album cuts became an instant have on both sides of the Atlantic. Utilizing the original monaural mixes throughout, we've recreated one of the most sought after collector' items in classic rock. Rare mono masters of hits such as I Can See For Miles, Substitute, Happy Jack, I'm A Boy and Pictures of Lily never sounded so good. Mastered at Bernie Grundman Mastering in Hollywood by Chris Bellman and cut from the original full track mono takes on Classic's ALL TUBE MONO cutting system - no mono cut on a stereo cutting system here! Get it while its Hot, baby!

1. Bucket "T"
2. I'm a Boy
3. Pictures of Lily
4. Doctor! Doctor!
5. I Can See For Miles
6. Substitute
7. Happy Jack
8. The Last Time
9. In The City
10. Call Me Lightning
11. Mary Anne With The Shaky Hand
12. Dogs

Originally released in 1968 by fledgling UK indie label Track Records for the European market only, this compilation of five single sides plus various album cuts became an instant have on both sides of the Atlantic. Utilizing the original monaural mixes throughout, we've recreated one of the most sought after collector' items in classic rock. Rare mono masters of hits such as I Can See For Miles, Substitute, Happy Jack, I'm A Boy and Pictures of Lily never sounded so good. Mastered at Bernie Grundman Mastering in Hollywood by Chris Bellman and cut from the original full track mono takes on Classic's ALL TUBE MONO cutting system - no mono cut on a stereo cutting system here! Get it while its Hot, baby!

1. Bucket "T"
2. I'm a Boy
3. Pictures of Lily
4. Doctor! Doctor!
5. I Can See For Miles
6. Substitute
7. Happy Jack
8. The Last Time
9. In The City
10. Call Me Lightning
11. Mary Anne With The Shaky Hand
12. Dogs

The second effort by the Who recorded in 1967 and transferred by Chris Bellman at Bernie Grundman Mastering from the original mono master tapes provided by the Who on Classic's own pure mono cutting system featuring a mono tape head, mono tube electronics, mono tube cutting amp and pure mono cutter head. To say that we went over the top to bring you the best versions of Boris the Spider, Heatwave, and Cobwebs & Strange among others would be an understatement. You could of course get an original copy on ebay for $900. but why would you do that when you can get a Quiex SV-P copy for 3% of that price. Quick...get one! NOW AVAILABLE ON 150gm VINYL

1. Whiskey Man
2. Cobwebs and Strange
3. I Need You
4. See My Way
5. A Quick One While He's Away
6. Heatwave
7. Run Run Run
8. So Sad About Us
9. Boris the Spider
10. Don't Look Away

This is one of the seminal albums of the 60's along with the White Album and Let it Bleed. Originally mixed to Mono and a few tunes half heartedly to stereo, this record contains the title track "My Generation" which is as accurate today as it was 40 years ago. Additional tunes include "The Kids Are Alright", "I'm a Man", "It's Not True", and "The Ox" among others. To mount this important reissue, we reassembled the original MONO master takes of each tune onto a master reel and had Chris Bellman at Bernie Grundman Mastering cut directly from that reel through our all tube MONO cutting system. That's right, this is not mono cut on a stereo head with the resulting crosstalk (read added ambient information) - it is the real deal just like it was cut in 1965 from the Shel Talmy (producer) original (not copies) MONO master tapes. Artwork and labels are meticulously recreated from a Mint original copy of the impossibly rare UK Brunswick LP - which now sells for over $1500. On eBay. Whether you were alive in 1965 or not you need this record in your collection, that is, unless you are into Lionel Richie, in which case you should save your money because you won't get it anyway. The first release from arguably the World's best Rock band - still! Buy it or piss off you wankers. NOW AVAILABLE ON 140gm VINYL!

1. Out in the Street
2. I Don't Mind
3. The Good's Gone
4. La-La-La-Lies
5. Much Too Much
6. My Generation
7. The Kids Are Alright
8. Please Please Please

9. It's Not True
10. I'm A Man
11. A Legal Matter
12. The Ox

At the beginning of the 70s, the impact of Tommy weighed heavily on Pete Townshend's shoulders. How on earth would he and the Who top such a successful and important album? The guitarist-songwriter felt he had to take his music and its conceptual strains one step further. He began writing a futuristic fable that would transcend itself beyond the usual conventions of modern music. Intended to be a film, a play, a concert, a mega multimedia and cerebral experience - Townshend called his new project Lifehouse. And although Lifehouse would stay frozen on the blocks for another 30 years, its seeds sprouted the Who's most cohesive and consistent effort, Who's Next. How Townshend's ambitious follow-up ended up as Who's Next isn't easy to discern. After several false starts and a break with Who manager/mentor, Kit Lambert, the record was eventually rescued and shaped by producer/engineer, Glyn Johns. Much of Townshend's vision was contained within his extensive demos -- bits and pieces of a loosely constructed storyline set against experimental melodies and basic backbeats. The album's opening track, "Baba O'Riley," was originally an elongated cycle of synthesizer loops. What it became was an anthem, highlighted by a tumultuous build, Dave Arbus' rambling violin and Roger Daltrey's acclamation of a "Teenage Wasteland." The thunder is sustained by the contagious "Bargain" - now, like so much of the Who's music, a commercial jingle. "Love Ain't For Keeping" chugs away against a fierce acoustic rhythm while John Entwistle's sole contribution of "My Wife" remains one of his most electrifying songs. "This Song Is Over" features Nicky Hopkins' incomparable piano work and ends with a chorus pulled from "Pure And Easy," the central number of Lifehouse that failed to make the final cut, but would resurface three years later on the Odds And Sods compilation. The theme is maintained on "Getting In Tune," reintroduced during the Who's most recent tour, and "Going Mobile," a track with Townshend on lead vocals that recounts a couple of Lifehouse's characters cruising the streets in a Cadillac. It's the album's two singles that set up the grand finale. "Behind Blue Eyes" and "Won't Get Fooled Again" are adrenaline-filled powder kegs that capture the Who in their most primal state. Keith Moon's drumming is as wild as ever, yet enduringly steady. Entwistle's sturdy bass and Townshend's barking guitar rise and shift as Daltrey's signature scream radiates with emotion and authority during the climax. This is arguably one of the Who's greatest triumphs ever put on record. And indisputably one of the most definitive moments in all of rock and roll. - Review by Shawn Perry Mastered by Chris Bellman at Bernie Grundman mastering from the original two track 1/4" analog master tapes, cut on the Classic "All Tube" cutting system, and pressed on Classic's proprietary 200g Quiex Super Vinyl Profile. This release also features original Track labels and artwork. Arguably one of Rock's greatest recordings - enough said! NOW AVAILABLE 140gm Vinyl

1. Baba O'Riley
2. Bargain
3. Love Ain't For Keeping
4. My Wife
5. Song Is Over
6. Getting In Tune
7. Going Mobile
8. Behind Blue Eyes
9. Won't Get Fooled Again

The third album from The Who featuring the hit tune " I Can See For Miles" in addition to others like "Mary Anne With The Shaky Hand"', "I Can't Reach You" and "Relax" among others. The Mono version was mastered and cut at Bernie Grundman Mastering by Chris Bellman on Classic's "all tube" MONO cutting system from the original Mono master tapes provided by The Who. This deluxe reissue package includes original TRACK artwork and labels and an authentic reproduction of the "Psychedelic Poster" included in original pressings of this title which are now nearly impossible to find other than on eBay for many hundreds of dollars. The stereo version of this title has also been reissued as part of the Classic Who LP reissue series and both are must haves for the serious Who fan and music lover!

1. Armenia City In The Sky
2. Heinz Baked Beans
3. Mary Anne With The Shaky Hand
4. Odorono
5. Tattoo
6. Our Love Was
7. I Can See For Miles
8. I Can't Reach You
9. Medac
10. Relax
11. Silas Stingy
12. Sunrise
13. Rael 1
14. Rael 2
15. Glittering Girl
16. Melancholia
17. Someone's Coming
18. Jaguar
19. Early Morning Cold Taxi
20. Hall Of The Mountain King
21. Girl's Eyes
22. Mary Anne With The Shaky Hand (Alternative Version)

Generally considered one of rocks first concept™ albums, this December 1967 release was preceded by two months with its first single release, the monster hit “I Can See For Milesâ€�. Recorded in London, New York and Los Angeles including some post-production at the famed Gold Star Studios, this album was a turning point in the band’s progression, weaving pure pop power with minor psychedelia in both a humorous mockery and tribute to Britain’s pirate radio scene, complete with faux commercials written and performed by the band, interspersed between songs. Also included is their second single “Mary Ann With The Shaky Handâ€� plus the mini-drama “Raelâ€�, featuring Al Kooper on organ, which was originally intended as a full scale rock-opera by itself and propelled Pete Townsend to the realizations of both Tommy and Quadrophenia. The Stereo version was mastered and cut at Bernie Grundman Mastering by Chris Bellman on Classic's "all tube" Stereo cutting system from the original Stereo master tapes provided by The Who. This deluxe reissue package includes original TRACK artwork and labels and an authentic reproduction of the "Psychedelic Poster" included in original pressings of this title which are now nearly impossible to find other than on eBay for many hundreds of dollars.

1. Armenia City In The Sky
2. Heinz Baked Beans
3. Mary Anne With The Shaky Hand
4. Odorono
5. Tattoo
6. Our Love Was
7. I Can See For Miles
8. I Can't Reach You
9. Medac
10. Relax
11. Silas Stingy
12. Sunrise
13. Rael 1
14. Rael 2
15. Glittering Girl
16. Melancholia
17. Someone's Coming
18. Jaguar
19. Early Morning Cold Taxi
20. Hall Of The Mountain King
21. Girl's Eyes
22. Mary Anne With The Shaky Hand (Alternative Version)

Deluxe 4 LP box set edition of this great compilation previously only available as a two CD set includes four studio sides and four live sides along with a 12 page 12" x 12" color booklet filled with pictures and an essay by Kurt Loder. This issue was compiled from the original analog masters and mastered and cut by Bernie Grundman on Classic's "all tube" stereo cutting system and pressed on Classic's 200g Super vinyl profile! These babies are HOT and include all the biggest songs - Purple Haze, Foxey Lady, Stone Free and all the rest! (Also available on 140g Red Vinyl

LP 1 - Studio
1. Purple Haze
2. Hey Joe
3. The Wind Cries Mary
4. Fire
5. Highway Chile
6. Are You Experienced?
7. Burning of the Midnight Lamp
8. Little Wing
9. All Along the Watchtower
10. Crosstown Traffic
LP 2 - Studio
1. Voodoo Child (Slight Return)
2. Spanish Castle Magic
3. Stone Free
4. Izabella
5. Stepping Stone
6. Angel
7. Dolly Dagger
8. Hey Baby (New Rising Sun)
LP 3 - Live
1. Fire
2. Hey Joe
3. I Don't Live Today
4. Johnny B. Goode
5. Hear My Train a Comin'
6. Foxey Lady
LP 4 - Live
1. Machine Gun
2. Red House
3. Freedom
4. Purple Haze
5. Star Spangled Banner
6. Wild Thing

The second effort by the Who recorded in 1967 and transferred by Chris Bellman at Bernie Grundman Mastering from the original mono master tapes provided by the Who on Classic's own pure mono cutting system featuring a mono tape head, mono tube electronics, mono tube cutting amp and pure mono cutter head. To say that we went over the top to bring you the best versions of Boris the Spider, Heatwave, and Cobwebs & Strange among others would be an understatement. You could of course get an original copy on ebay for $900. but why would you do that when you can get a Quiex SV-P copy for 3% of that price. Quick...get one!

1. Whiskey Man
2. Cobwebs and Strange
3. I Need You
4. See My Way
5. A Quick One While He's Away
6. Heatwave
7. Run Run Run
8. So Sad About Us
9. Boris the Spider
10. Don't Look Away

Noel Redding: The Experience Sessions presents a collection of rare and previously unreleased studio recordings made by Redding during his two-and-threequarter-year tenure with the Jimi Hendrix Experience, and also contains the master takes of his two stand-out original compositions, Electric LadylandLittle Miss Strange and Axis: Bold As Love. Previously unreleased alternate recordings of these two essential tracks are included, offering fascinating insight into the inner-workings of the group in the studio. This disc is also a cause for celebration simply for the fact that three of the tracks, the previously unissued Nothing Wrong Noel¢â€s?‰â€z?¢???s Tune [Take  plus an out-of-print live rendition of Red House, feature blistering guitar work from Jimi Hendrix. The basic rhythm track of the album opener, There Aint Nothing Wrong, was recorded December 28, 1967 by Hendrix, Mitch Mitchell, and Traffic guitarist Dave Mason during the Electric Ladyland sessions, and it is a thrill to hear previously unearthed examples of Jimis genius during this highly creative period for himself and the band. This recording is particularly unique in that Noel, under the direction of former Jimi Hendrix Experience producer Chas Chandler in 1989, composed lyrics, recorded a lead vocal, and added new bass parts to this previously unissued Jimi Hendrix session. Noel s Tune [Take1], recorded days after the Experiences historic February 24, 1969 performance at London s Royal Albert Hall, is a rave-up rocker featuring Noel pounding away on funky rhythm guitar while Jimi adds appropriately intense guitar work. Red House recorded live at the Olympia Theater in Paris on January 29, 1968, is a rare example of Noel recreating the studio take by forgoing the use of the bass in favor of bass-heavy rhythm guitar; Jimi s playing on this high-energy track is simply spectacular. It was in the aftermath of the release of Axis: Bold As Love that Noel began to develop new solo material in earnest. Noel Redding: The Experience Sessions presents the much sought-after unreleased tracks Dream and Walking Through the Garden, both of which feature Noel on guitar and Jimi on bass, plus a previously unissued demo of How Can I Live? Noel would later re-record the song without Hendrix and include the new version as part of his first post-Experience release, Fat Mattress. Mastered from the original analog master tapes, under the supervision of Eddie Kramer, by George Marino at Sterling Sound in New York and released in cooperation with Experience Hendrix by Classic on our 140 gram burgundy. Rock at its finest!

1. There Ain't Nothing Wrong
2. Little Miss Strange
3. Walking Through The Garden
4. She's So Fine
5. Little, Little Girl
6. How Can I Live?
7. Noel's Tune (Take1)
8. Noel's Tune (Take 2)
9. Little Miss Strange (Alternate Take)
10. She's So Fine (Alternate Take)
11. Dream
12. Red House (Live)

1. Sleepwalker
2. Washington Is Next!
3. Never Walk Alone...A Call to Arms
4. United Abominations
5. Gears of War
6. Blessed Are the Dead
7. Play for Blood
8. À Tout Le Monde (Set Me Free)
9. Amerikhastan
10 You're Dead
11. Burnt Ice
12. Out on the Tiles

Import

1. Nappy Dugout
2. You Can't Miss What You Can't Measure
3. March To Witch's Castle
4. Let's Make It Last
5. Cosmic Slop
6. No Compute
7. This Broken Heart
8. Trash A-Go-Go
9. Can't Stand The Strain

It was 35 years ago at about this time that Jimi Hendrix took the stage at the Fillmore East in New York to perform a set that would become, in part, one of the best Live albums ever recorded - entitled simply "Band of Gypsys". In fact, Hendrix played two nights at the Fillmore, the second performance being on New Years day 1970 after a rousing performance on New Years eve 1969. To celebrate the beginning of the new decade, Fillmore East impresario Bill Graham went to great length to ensure a special evening for his patrons, dressing his ushers in special shirts and placing toy tambourines on each of the venue's 2,639 seats. He strode onstage and introduced "some very old friend with a brand-new name" As the sold-out crowd roared in approval, Jimi led his trio through a scintillating 75 minute set. Hendrix was ON this night delivering perhaps his finest live performance. His playing was focused and precise. In fact, for most of the set, Hendrix stood motionless, a far cry from the stage antics that helped establish his reputation as a performer. Equipment problems had plagued him in past live shows as well, but everything was perfect for the Fillmore shows. His absolute mastery of his guitar and effects is even more amazing considering that this was the first time he used the Fuzz Face, wah-wah pedal, Univibe, AND Octavia pedals on stage together. The guitar tones he gets on "Who Knows" and "Power to Love" are powerful and intense, but nowhere is his absolute control more evident than on "Machine Gun," where Hendrix conjures bombs, guns, and other sounds of war from his guitar, all within the context of a coherent musical statement. The solo on "Machine Gun" totally rewrote the book on what a man could do with an electric guitar and is arguably the most groundbreaking and devastating guitar solo ever. At midnight, when the strains of the Guy Lombardo Orchestra's "Auld Lang Syne" filled the theatre, the Band of Gypsys appeared back on stage, Jimi launching into his own arrangement of the traditional year-opener, a beautiful rendition that captivated the audience immediately. Now Classic Records brings back this legendary title for the first time on our Quiex 200g Super Vinyl Profile. George Marino and Eddie Kramer mastered and cut the lacquers from the original analog two track masters at Sterling Sound in New York with Michael Fremer in attendance in 1998. The legend lives on as do our memories of one of Rock's greatest performers - Jimi Hendrix.

1. Who Knows
2. Machine Gun
3. Changes
4. Power To Love
5. Message To Love
6. We Gotta Live Together

At the beginning of the 70s, the impact of Tommy weighed heavily on Pete Townshend's shoulders. How on earth would he and the Who top such a successful and important album? The guitarist-songwriter felt he had to take his music and its conceptual strains one step further. He began writing a futuristic fable that would transcend itself beyond the usual conventions of modern music. Intended to be a film, a play, a concert, a mega multimedia and cerebral experience - Townshend called his new project Lifehouse. And although Lifehouse would stay frozen on the blocks for another 30 years, its seeds sprouted the Who's most cohesive and consistent effort, Who's Next. How Townshend's ambitious follow-up ended up as Who's Next isn't easy to discern. After several false starts and a break with Who manager/mentor, Kit Lambert, the record was eventually rescued and shaped by producer/engineer, Glyn Johns. Much of Townshend's vision was contained within his extensive demos -- bits and pieces of a loosely constructed storyline set against experimental melodies and basic backbeats. The album's opening track, "Baba O'Riley," was originally an elongated cycle of synthesizer loops. What it became was an anthem, highlighted by a tumultuous build, Dave Arbus' rambling violin and Roger Daltrey's acclamation of a "Teenage Wasteland." The thunder is sustained by the contagious "Bargain" - now, like so much of the Who's music, a commercial jingle. "Love Ain't For Keeping" chugs away against a fierce acoustic rhythm while John Entwistle's sole contribution of "My Wife" remains one of his most electrifying songs. "This Song Is Over" features Nicky Hopkins' incomparable piano work and ends with a chorus pulled from "Pure And Easy," the central number of Lifehouse that failed to make the final cut, but would resurface three years later on the Odds And Sods compilation. The theme is maintained on "Getting In Tune," reintroduced during the Who's most recent tour, and "Going Mobile," a track with Townshend on lead vocals that recounts a couple of Lifehouse's characters cruising the streets in a Cadillac. It's the album's two singles that set up the grand finale. "Behind Blue Eyes" and "Won't Get Fooled Again" are adrenaline-filled powder kegs that capture the Who in their most primal state. Keith Moon's drumming is as wild as ever, yet enduringly steady. Entwistle's sturdy bass and Townshend's barking guitar rise and shift as Daltrey's signature scream radiates with emotion and authority during the climax. This is arguably one of the Who's greatest triumphs ever put on record. And indisputably one of the most definitive moments in all of rock and roll. - Review by Shawn Perry Mastered by Chris Bellman at Bernie Grundman mastering from the original two track 1/4" analog master tapes, cut on the Classic "All Tube" cutting system, and pressed on Classic's proprietary 200g Quiex Super Vinyl Profile. This release also features original Track labels and artwork. Arguably one of Rock's greatest recordings - enough said!

1. Baba O'Riley
2. Bargain
3. Love Ain't For Keeping
4. My Wife
5. Song Is Over
6. Getting In Tune
7. Going Mobile
8. Behind Blue Eyes
9. Won't Get Fooled Again

It was thirty five years ago today when Jimi Hendrix took the stage to end what would arguably become the most famous Rock event in history. Who knew it would be around 9 am on the Monday morning after the event was to end on Sunday night. What we do know is that Jimi came to headline the show and did so with a great set albeit at least twelve hours later than anticipated. Yes, many people had already left but for those who stayed to see the world's greatest rock guitarist it must have been a fitting end to three days of memorable performances by Crosby Stills and Nash, Janis Joplin, Santana, The Greatful Dead, Creedence Clearwater Revival, The Who, Jefferson Airplane, The Band and a host of others. To commemorate that day and the spirit of what it has come to represent, Classic Records and Experience Hendrix would like to announce the 35th anniversary Jimi Hendrix at Woodstock deluxe LP Boxed Set which includes the legendary Hendrix performance on 3 LP's transferred from the original analog master tapes. Accompanying features include a 36 page booklet with rare photos, expanded essays and interviews with Eddie Kramer, Mitch Mitchell, Billy Cox and other band members present that last day in the Summer of Love. Also included is a bonus colored vinyl 7" single with "Izabella" and "Message to the Universe" recorded by Eddie Kramer at the Hit Factory the week after Woodstock with the same band by Eddie Kramer. This definitive package will undoubtedly become a collectors item in years to come and is a must have for all serious Hendrix fans - the King of Rock has never sounded better at Woodstock - well, unless you were there just outside Bethel, New York on August 18th 1969!

LP 1
1. Introduction
2. Message To Love
3. Hear My Train Comin'
4. Spanish Castle Magic
5. Red House
6. Lover Man
LP 2
1. Foxey Lady
2. Jam Back At The House
3. Izabella
4. Fire
5. Voodoo Child (Slight Return)
LP 3
1. Star Spangled Banner
2. Purple Haze
3. Woodstock Improvisation
4. Villanova Junction
5. Hey Joe

After the U.S. release of Are You Experienced and American tour dates that left jaws dropped, anticipation was very high about the next Jimi Hendrix album. Many fans and critics consider this follow up, Axis: Bold As Love, his best collective effort. Released in November of 1968, it immediately garnered high praise for it's incredible performances and innovative engineering by Eddie Kramer. The album was to spawn many hits including Up From The Skies, If 6 was 9, Spanish Castle Magic, Little Wing, and Castles Made of Sand, among others. Again joined by Noel Redding's bass and Mitch Mitchell on drums. This Track Edition is exclusively presented here by Classic, pressed on 180 gram vinyl and mastered directly from the original MONO master tapes. Original 1968 mono copies of this title on Reprise, bring as much as a staggering $1400 - $2000 if they can be found.

1. EXP
2. Up From The Skies
3. Spanish Castle Magic
4. Wait Until Tomorrow
5. Ain't No Telling
6. Little Wing
7. If 6 was 9
8. You Got Me Floatin'
9. Castles Made of Sand
10. She's So Fine
11. One Rainy Wish
12. Little Miss Lover
13. Bold As Love

On "Surfacing" Sarah and producer Pierre Marshand again collaborate on this multi-platinum record. Full of rich textures and superb vocals, Surfacing features one great song aftger another. This album is, without a doubt, Sarah's best work to date and is very addicting - the songs seem to stay in your head for days. This is a keeper.

LP1
1. Possesion
2. Wait
3. Plenty
4. Good Enough
5. Mary
6. Elsewhere
7. Circle
8. Ice
9. Hold On
10. Ice Cream
LP2
1. Elsewhere
2. Plenty
3. Mary
4. Good Enough
5. Hold On
6. Ice Cream
7. Ice
8. Ol' 55
9. I Will Remember You

The first of three solo albums by the ex-Genesis singer, all to be officially released as only "Peter Gabriel". In time, the three would take on "also-known-as" nicknames based on the front-cover artwork of each. This volume is usually referred to as Peter Gabriel (I, Car). In 1977 there was much anticipation for the first solo effort from the flamboyant Gabriel. Three years had passed since his swan song with Genesis. He had certainly exited on a high note indeed with The Lamb Lies Down on Broadway. While fans shouldn't have worried about the survival of Genesis without their original lead singer, neither would they be disappointed in his solo debut. Produced by Bob Ezrin (Pink Floyd, Alice Cooper), he addressed the split with his band mates in the allegoric hit "Solsbury Hill", while retaining the art-rock sensibilities he had pioneered. The balance of the album, transferred from the artist's personal original master tapes, includes other concert favorites, such as Moribund The Burgermeister, Modern Love, Excuse Me, Humdrum, Slowburn, Waiting For the Big One, Down The Dolce Vita (featuring the London Symphony Orchestra) and Here Comes The Flood.

1. Moribund the Burgermeister
2. Solsbury Hill
3. Modern Love
4. Excuse Me
5. Humdrum
6. Slowburn
7. Waiting For The Big One
8. Down The Dolce Vita
9. Here Comes The Flood

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him crafting an album that's artier, stronger, more song oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. For an album so popular, it's remarkably bleak, chilly, and dark Transferred, for the first time ever, from the original 30 ips 1/4" master on Bernie Grundman's all tube cutting system, this Classic 200g Quiex SV-P pressing, packaged in a deluxe gatefold die cut jacket with printed inner sleeves, is the definitive LP version of this giant album. This is a rock record for anyone with good taste.

1. Intruder
2. No Self Control
3. Start
4. I Don't Remember
5. Family Snapshot
6. And Through The Wire
7. Games Without Frontiers
8. Not One Of Us
9. Lead A Normal Life
10. Biko

The title notwithstanding, this debut from the former Faithless singer is pretty angelic-sounding stuff. You're bound to think of Sinead O'Connor, but the comparison is as misleading as it is inevitable. Granted, Dido's ethereal vocals here frequently recall O'Connor; but Dido's music The Classic LP was cut on the Grundman all analog tube cutting system and will be pressed on 180g QUIEX SV-P for maximum playback fidelity - you can hear the difference!

1. Here With Me
2. Hunter
3. Don't Think of Me
4. My Lover's Gone
5. All You Want
6. Thank You
7. Honestly OK
8. Slide
9. Isobel
10. I'm No Angel
11. My Life
Bonus Track
12. Take My Hand

This is the soundtrack from the Movie, starring, along with an all star cast including Jessica Lange, John Goodman, Melanie Cruse, Ed Harris, Jeff Bridges among many others, the Dylan Man himself. The Movie has received mixed reviews which means it is probably worth seeing but the soundtrack is great featuring a myriad of Dylan tunes covered by an international cast of musicians in a host of styles. There are also four tunes that Dylan himself covers, two of which are brand new versions. This is a must have for any serious Dylan fan or music lover. This package is a two LP set with a gorgeous gatefold jacket and printed inner sleeves. A top recommendation.

1. My Back Pages performed by Magokoro Brothers - 4:01
2. Gotta Serve Somebody performed by Shirley Caesar - 5:49
3. Down in the Flood [version] (Dylan) - 3:36
4. It's All Over Now, Baby Blue performed by Grateful Dead - 7:26
5. Most of the Time performed by Sophie Zelmani - 5:30
6. On a Night Like This performed by Lobos - 3:11
7. Diamond Joe (Traditional) - 2:32
8. Come una Pietra Scalciata (Like a Rolling... performed by Articolo 31 - 4:12
9. One More Cup of Coffee performed by Sertab - 3:52
10. Non Dirle Che Non E' Cosi' (If You See Her... performed by De Gregori, Francesco - 4:53
11. Dixie (Traditional) - 2:12
12. Seor (Tales of Yankee Power) performed by Jerry Garcia - 7:50
13. Cold Irons Bound [version] (Dylan) - 5:43
14. City of Gold [*] performed by Dixie Hummingbirds - 5:35

A surprising twist and gutsy call from the Texas outlaw-Nashville outcast, choosing to wrap his trademark twang around what are considered pop standards. An audiophile favorite on vinyl and commercial success upon its release in 1978. Radio stations that program easy listening took to it immediately and continue to play cuts from it today. Utilizing many of Nelson's usual country bandmates to augment the unique arrangements by producer Booker T. Jones.

1. Georgia On My Mind
2. Blue Skies
3. All Of Me
4. Unchained Melody
5. September Song
6. On The Sunny Side Of The Street
7. Moonlight In Vermont
8. Don't Get Around Much Anymore
9. Someone To Watch Over Me
10. Stardust

The self-titled debut by The Little Willies is an album that perfectly distills the fun, down-to-earth spirit of this New York band’s club shows. The group – Lee Alexander (bass), Jim Campilongo (electric guitar), Norah Jones (piano, vocals), Richard Julian (guitar, vocals) and Dan Rieser (drums) – tears through a mix of covers and originals, from the revved-up western swing of Fred Rose’s “Roly Poly” and Willie Nelson’s “I Gotta Get Drunk” to the cutting wit of Kris Kristofferson’s “Best Of All Possible Worlds”; from the poignancy of Townes Van Zandt’s “No Place To Fall” to the cosmic absurdity of their own “Lou Reed.” The Little Willies formed for purely practical reasons. In 2003, the group of five friends, who were all individually involved in other projects, booked a gig at The Living Room on New York’s Lower East Side as an excuse to spend an evening playing music together. They soon discovered that they shared a deep musical vernacular.

1. Roly Poly
2. I'll Never Get Out of This World Alive
3. Love Me
4. It's Not You It's Me
5. Best of All Possible Worlds
6. No Place To Fall
7. Roll On
8. Gotta Get Drunk
9. Streets of Baltimore
10. Easy As The Rain
11. Tennessee Stud
12. Night Life
13. Lou Reed

1.  Smells Like Teen Spirit
2.  In Bloom
3.  Come As You Are
4.  Breed
5.  Lithium
6.  Polly
7.  Territorial Pissings
8.  Drain You
9.  Lounge Act
10.  Stay Away
11.  On A Plain
12.  Something In The Way

1. Don't You Wish It Was True
2. Gunslinger
3. Creedence Song
4. Broken Down Cowboy
5. River Is Waiting
6. Long Dark Night
7. Summer Of Love
8. Natural Thing
9. It Ain't Right
10. I Can't Take It No More
11. Somebody Help Me
12. Longshot

The wildly eclectic New Rhythm & Blues Quintet, better known to its worldwide legion of adoring fans as NRBQ (or just the Q!), is the only band on the planet that can play rockabilly, bar-band blooze, Beatles sound-alikes and Sun Ra-style free jazz in the same set and remain standing. The Q immediately followed Scraps with 1973’s equally terrific Workshop. Gadler had departed, reducing the Quintet to its customary foursome (natch!), but the band never missed a beat with an album that featured the hypnotically chugging “Come On If You’re Coming,” the mouth-watering “RC Cola and a Moon Pie” and the ultra-prophetic “Get That Gasoline Blues.

1. C'mon If You're Comin'
2. RC Cola and a Moon Pie
3. Blues Stay Away from Me
4. Mona
5. Just to Hold My Hand
6. Get That Gasoline Blues
7. Deaf, Dumb, and Blind
8. Miss Moses
9. I Got a Little Secret
10. Hearts of Stone
11. Misunderstanding
12. Four Million B.C.

Walk On By
Hyperbolicsyllabicsequedalymistic
One Woman
By The Time I Get To Phoenix

1. Prelude 3.0
2. The Blister Exists
3. Three Nil
4. Duality
5. Opium Of The People
6. Circle
7. Welcome
8. Vermilion
9. Pulse Of The Maggots
10. Before I Forget
11. Vermilion Pt.
12. The Nameless
13. The Virus Of Life
14. Danger - Keep Away

After 28 million records sold worldwide, 5 Grammy nominations, and more #1 hits and weeks at #1 than any other artist in history at Adult Top 40 and Modern AC, Melisma/Atlantic recording group matchbox twenty is overdue for a Greatest Hits package. In order to create something truly special for their fans, the band returned to the studio to record their first new material in five years. Grammy-winning producer Steve Lillywhite oversaw the sessions in L.A., marking the band?s first work with the renowned producer - whose credits include the likes of U2, The Rolling Stones, Dave Matthews Band, Peter Gabriel, Talking Heads, and many others. Out of the session came six brand-new songs, turning the package into a new EP with a bonus of 11 matchbox twenty hits. The new tracks also mark their first recordings as a foursome.

How Far We've Come
I'll Believe You When
All Your Reasons
These Hard Times
If I Fall
I Can't Let You Go
Long Day
Push
Real World
3am
Back 2 Good
Bent
If You're Gone
Mad Season
Disease
Unwell
Bright Lights

1. Entroper
2. Path to Vanir
3. Fusion of Sense and Earth
4. Ruun
5. Tides of Chaos
6. Essence
7. Api-Vat
8. Heir to the Cosmic Seed

1. Some Loud Thunder
2. Emily Jean Stock
3. Mama, Won't You Keep Them Castles In The Air Burning?
4. Love Song No. 7
5. Satan Said Dance
6. Upon Encountering The Crippled Elephant
7. Goodbye To Mother And The Cove
8. Arm And Hammer
9. Yankee Go Home
10. Underwater (You And Me)
11. Five Easy Pieces

Russian Press

1. Radioactive
2. Burning Up With Fever
3. See You Tonite
4. Tunnel of Love
5. True Confessions
6. Living In Sin
7. Always Near/Nowhere to Hide
8. Man of 1000 Faces
9. Mr. Make Believe
10. See You In your Dreams
11. Wish You Wish Upon a Star

1. "Clown Parade" (featuring Jeff Loomis)
2. "Couple Suicide" (featuring Danko Jones and Angela Gossow)
3. "Army of One" (featuring Steve "Lips" Kudlow)
4. "Downright Dominate" (featuring Alexi Laiho)
5. "Smothered" (featuring Anders Björler)
6. "Operation Annihilation" (featuring Michael Amott)
7. "Haunted" (featuring Jesper Strömblad)
8. "Kicked" (featuring Corey Beaulieu)
9. "Detonation" (featuring Jacob Lynam)
10. "Chasing the High" (featuring Willie Adler)

"State of Grace" - 5:37
"Need for Speed" - 3:08
"Let Me Feel Your Power" - 3:29
"Red Star Falling" - 6:16
"I`ve Got to Rock (to Stay Alive)" - 4:40
"If I Was You" - 3:27
"Going Nowhere Fast" - 4:15
"Ashes to Ashes" - 4:52
"Empire Rising" - 0:41
"Atilla the Hun" - 8:05

US Bonus Version

1. A Song For Sorry Angel - Franz Ferdinand
2. I Love You (Me Either) - Cat Power
3. I Just Came To Tell You That I'm Going - Kid Loco
4. Requiem For Anna - Portishead
5. Requiem For A Jerk - Francoise Hardy
6. L'Hotel - Michael Stipe
7. Au Revoir Emmanuelle - Tricky
8. Lola R. For Ever - Marianne Faithfull Listen Listen 9. Boomerang 2005 - Gonzales Listen Listen 10. Boy Toy (I'm The Boy) - Marc Almond
11. The Ballad Of Melody Nelson - Placebo
12. Just A Man With A Job - The Rakes
13. I Call It Art - The Kills
14. Those Little Things - Carla Bruni
15. The Ballad of Bonnie & Clyde - James Iha & Kazu Makino
16. Angel's Fall - Nina Persson

1. Delivergin The Goods
2. Rock Forever
3. Evening Star
4. Hell Bent For Leather
5. Take On The World
6. Burnin' Up
7. Green Manalishi
8. Killing Machine
9. Running Machine
10. Before The Dawn
11. Evil Fantasies

1. Bulldozers and Dirt
2. Nine Bullets
3. Uncle Frank
4. Too Much Sex (Too Little Jesus)
5. Box of Spiders
6. One Of These Days
7. Margo and Harold
8. The Company I Keep
9. The President's Penis is Missing
10. Tales Facing Up
11. Love Like This
12. Mrs. Dubose
13. Zoloft
14. The Night G. G. Allin Came To Town

Import

1. Gasoline Alley
2. It's All Over Now
3. Only A Hobo
4. My Way Of Giving
5. Country Comforts
6. Cut Across Shorty
7. Lady Day
8. Jo's Lament
9. You're My Girl (I Don't Want To Discuss It)

Metallica Ride The Lightning On LP

Half Speed Mastered from the original analog tapes at Mobile Fidelity Sound Labs for the ultimate listening experience... Audiophile Quality, Louder, Faster, Heavier!!!

Don't let that classical-guitar-ish opening to "Fight Fire with Fire" fool you -- Ride the Lightning packs a heavy-metal wallop. This early Metallica album is indubitably one of their best. Thematically, it explores death and dying from myriad points of view: nuclear war on "Fight Fire with Fire", electric-chair execution on "Ride the Lightning", and drowning on "Trapped Under Ice". Interestingly, the best track on this album is probably "Fade to Black," a slower, more introspective song about suicide. There's also "Creeping Death," which remains a concert favorite. An excellent mix of rapid-fire guitar riffs, rip-roaring solos, and singer James Hetfield's trademark growl, this is thrash metal at its finest. Very highly recommended

1. Fight Fire With Fire
2. Ride The Lightning
3. For Whom The Bell Tolls
4. Fade To Black
5. Trapped Under Ice
6. Escape
7. Creeping Death
8. The Call Of Ktulu

Release Date April 15,2008

Limited to 3,000 copies

Metallica Ride The Lightning (Limited Edition 45RPM 180g 2 x Vinyl LP Set) This series will allow Metallica fans the option to hear these legendary recordings as never before... Louder, Faster, Heavier!!! Half Speed Mastered from the Original Analog Tapes at Mobile Fidelity Sound Labs for the Ultimate Listening Experience... Audiophile Quality! Don't let that classical-guitar-ish opening to "Fight Fire with Fire" fool you, Ride the Lightning packs a heavy-metal wallop. This early Metallica album is indubitably one of their best. Thematically, it explores death and dying from myriad points of view; nuclear war on "Fight Fire with Fire", electric-chair execution on "Ride the Lightning" and drowning on "Trapped Under Ice." Interestingly enough, the best track on this album is probably "Fade to Black," a slower, more introspective song about suicide. There's also "Creeping Death," which remains a concert favorite. An excellent mix of rapid-fire guitar riffs, rip-roaring solos and singer James Hetfield's trademark growl, this is thrash metal at its finest. Very highly recommended.

1. Fight Fire With Fire
2. Ride The Lightning
3. For Whom The Bell Tolls
4. Fade To Black
5. Trapped Under Ice
6. Escape
7. Creeping Death
8. The Call Of Ktulu

Unimpressed and untouched by the glorification of individuals so typical for the music business, the Alan Parsons Project proved that even without spectacular light shows, rock celebrities in the band or self-composed songs it was possible to rise to stardom. Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album 'Dark Side Of The Moon' at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote songs, Parsons � who had an uncanny feeling for sound � conjured up a lush m�lange of synthetic and natural sounds.

As with all albums from the early years, 'Eye In The Sky' is inspired by important topics of the times. True to the 'no-future lifestyle' of the 80s, the songs impart a somewhat depressive character which serves as a stark contrast to the steely rock rhythms, free from electronic gimmicks. In addition one finds addictive harmony in the vocal polyphony ('Gemini'), blaring brass with a Spanish rhythm ('Silence And I') and a velvety string sound ('Old And Wise'). All in all a great achievement by the British wizard of sound at the mixing console.

1. Sirius
2. Eye in the Sky
3. Children of the Moon
4. Gemini
5. Silence and I
6. You're Gonna Get Your Fingers Burned
7. Psychobabble
8. Mammagamma
9. Step by Step
10. Old and Wise

This title is not eligible for further discount.

Track Listing

1 WMFW (We Must Fight & Win) FM
2 United Minds
3 Ache'n For Acres
4 United Front
5 Africa's Inside Me
6 Pride
7 Shell
8 Mister Landlord
9 Warm Sentiments
10 Drum, The
11 In The Sunshine
12 Kneelin' At My Altar
13 Fountain Of Youth
14 Ease My Mind
15 Praisin' U

Track Listing

Intro - 2:18
Pioneers - 3:14
Right Now - 3:51
Check 1, 2 - 3:16
Symphony - 3:01
Hold Me Down - 3:34
Rap Is Still Outta Control - 3:33
Fan - 3:03
Draw - 3:22
U Got Shot - 8 Off Agallah And 215 - 3:38
House Party - 3:52
Funk - 2:08
Symphony 2000 - 4:03
Jane 6 - 4:22
It's My Thang - 5:37
You Gots 2 Chill '97 - 3:27
Strictly Business - 4:39
So What Cha Sayin' - 4:28
Big Payback - 4:04
Get the Bozack - 4:33
Please Listen to My Demo - 2:49
Gold Digger - 5:02
Rampage - 3:49
Crossover - 3:48
Headbanger - 4:51
Never Seen Before - 2:50
Joint - 3:26

The premier household name in melodic hard rock returns with a vengeance! Whitesnake is back with Good To Be Bad, their 10th studio album and first in over a decade! This brand new album features a slew of instant-classic Whitesnake songs that are destined to stand side by side with such favorites as "Here I Go Again," "Still Of The Night" and "Fool For Your Love." Led by world-renown vocalist extraordinaire David Coverdale, Good To Be Bad is truly classic Whitesnake, displaying that rare combination of "high class" and "kick ass" that they made their name on! Double LP gatefold vinyl.

Whitesnake Good To Be Bad Track Listing

1. Call On Me
2. Can You Hear The Wind Blow?
3. Best Years
4. All I Want All I Need
5. Good To Be Bad
6. All For Love
7. Summer Rain
8. Lay Down Your Love
9. A Fool In Love
10. Got What You Need
11. 'Till The End Of Time

This four-piece multi-instrumental outfit fuses gypsy, Greek, Slavic and mariachi with American punk and folk roots. Directors Jonathan Dayton and Valerie Faris chose DeVotchKa to score Little Miss Sunshine in 2006, the breakout indie film of the year, garnering four Academy Award nominations and earning DeVotchKa a Grammy nod for Best Soundtrack. Their stage set up is fortified by sousaphone, accordion, piano, violin, a bouzouki, upright bass, percussion, trumpet, drums and a Theramin. The band has toured with similar maverick acts such as Calexico and Flogging Molly and will also appeal to fans of Arcade Fire, Neko Case, and David Byrne.

On their first album since scoring the massive indie film hit, as well as their first for the higher-profile indie label Anti Records, Denver's boundary-pushing DeVotchKa stick to their guns. Rather than watering down their blend of Eastern Europe and the American Southwest, A Mad & Faithful Telling actually puts these elements out in front of the trio's more traditional indie-rock side on songs such as the lengthy, eclectic "Basso Profundo." Melodramatic ballads like "Blessing In Disguise" and "New World" are still the band's stock in trade, and A Mad & Faithful Telling perfectly showcases their quirky but effective mix of influences.

1. Basso Profundo
2. Along the Way
3. Clockwise Witness, The
4. Head Honcho
5. Comrade Z
6. Transliterator
7. Blessing In Disguise
8. Undone
9. Strizzalo
10. New World

Disc One:
1. Everything Zen (Greg Brimson/The Lhasa Fever Mix)
2. Mouth (The Stingray Mix)
3. Swallowed (Goldie/Toasted Both Sides Please Mix)
4. Synapse (Philip Steir/ My Ghost In The Bush Of Live Mix)
5.Synapse (Philip Steir/Instrumental)
6.History (Dub Pistols Mix)
7. Histotry (Dub Pistols/Instrumental)

Disc Two:
1.Personal Holloway (Fabio Paras/Soundclash Republic Mix)
2. Bonedriven (Mekon/Beat Me Clever Mix)
3. Insect Kin (Jack Dangers/Drum and Bees Mix)
4. Comedown (Lunatic Calm Mix)
5. Everything Zen (Derek DeLarge Mix)
6. In A Lonely Place (Tricky Mix)

This amazing "Walking the Line" action figure is 7-inches tall and has a detachable guitar and detailed base.

Track Listing:

1. How We Get Along
2. Influence
3. Great Expectations
4. Quality Control (Intro)
5. Quality Control
6. Contact
7. Lausd
8. World of Entertainment (Woe Is Me)
9. Monkey Bars
10. Jurass Finish First
11. Contribution
12. Twelve
13. Game
14. Improvise
15. Swing Set

The Icelandic avant-pop pioneers, the Sugarcubes' second record, Here Today, Tomorrow Next Week! was originally released in 1989 and it's rich in eccentric contrast and playful contradiction. Teaming the swooping vocals of lead singer Bjork and the spoken word agit-propisms of trumpeter Einer, is bizarre yet very well matched. Notable tracks include the calypso-tinged "Tidal Wave," the barbed and jagged rhythms of "Nail" and the hyperactive "A Day Called Zero."

For all the audiophiles out there One Little Indian is reissuing 38 classic albums using the newest technology in vinyl manufacturing - Half Speed Direct Metal Mastering. The groove is cut directly in copper metal. Transient response is greatly improved. Stampers are plated directly from the DMM Copper Master, eliminating two of the three plating steps required for lacquers. In short, DMM yields better detail resolution and a lower noise ratio. This is especially good for long play albums, or audiophile material. All albums are remastered direct from the original master tapes and pressed on 45RPM heavy weight 200g virgin vinyl audiophile discs. Each release is strictly limited, housed in a plastic wallet and individually numbered. A chance to pick up classic One Little Indian albums in the most lavish vinyl format available.

The Sugarcubes Here Today, Tomorrow Next Week! Track Listing

1. Tidal Wave
2. Regina
3. Speed Is The Key
4. Dream T.V
5. Nail
6. Pump
7. Eat The Menu
8. Bee
9. Dear Plastic
10. Shoot Him
11. Water
12. A Day Called Zero
13. Planet
14. Hey
15. Dark Disco
16. Hot Meat

267 pg. Paperback Book

ISBN: 186074446X

231 pg. Hardcover Book

ISBN: 0434010014

With an abundance of vocal and instrumental talent, the Grascals follow in the footsteps of artists like Flatt and Scruggs, Jimmy Martin and the Osborne Brothers, bringing the sounds of bluegrass to country audiences. Their stunning debut, Keep On Walkin' blends old and new, classic songs and sparkling originals, polished harmonies and fiery picking into a seamless, soulful take on tradition that will be welcomed by hard core bluegrass fans, classic country devotees and audiences raised on Travis Tritt and Garth Brooks alike.

“I am so proud of The Grascals. They are one of the best bluegrass bands I’ve ever heard. They are all so very talented as vocalists and instrumentalists. Their new album is one of the greatest albums I’ve ever listened to and the fact it’s their first just tells you how talented they really are. I was very proud to get to sing on "Viva Las Vegas" with them. They have been opening my shows for a while and people just love ’em.” – Dolly Parton

Grascals Keep On Walkin' Track Listing

1. Leavin's Heavy On My Mind
2. Mourning Dove
3. Me And John And Paul
4. Bevans Lake Crossing
5. Some Things I Want To Sing About
6. Teardrops In My Eyes
7. Where I Come From
8. My Saro Jane
9. Where Corn Don't Grow
10. Sally Goodin'
11. Lonely Street
12. Viva Las Vegas
13. Sweet By And By

Track Listing:

1. Hydraulicks
2. The Knife
3. Pray For Rock
4. The Day The Pirate Retired
5. Sounds Of Liberation
6. Adelante
7. Blue Demon