Paris, Texas Soundtrack (On Sale) by Ry Cooder
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Vinyl LP - Sealed
Suggestive of both the imagery of Win Wenders' movie Paris, Texas and the desert itself, Ry Cooder's score is a peaceful, poetic journey into the soul of an acoustic guitar. "Paris, Texas," "Brothers," and "Nothing Out There" open the album as meditative blends of guitar twang and scratching ambient effects. The songs move at a pretty, slow place, and the opening track sees Cooder plucking his guitar's strings and letting that sound vibrate into thin air; it's a motif that he returns to repeatedly throughout the score. There's a bit of both humor and mystery to the stillness and the echoing, edgy sound effects that crop up. "Cancion Mixteca" includes a memorable turn on vocals by Harry Dean Stanton, singing in Spanish. "No Safety Zone" is almost completely ambient in its ethics, with fleeting experimental guitar playing, as the song works more as a mood-setter than a traditional song. "I Knew These People" begins with an extended segment of dialogue from the film before Cooder's somber guitar creeps in. The effect of the dialogue makes the track a fine, artistic statement, but the moment works better in the context of the movie than as a track on an album. The dialogue comes from a scene where the characters played by Stanton and Nastassja Kinski have a particularly emotional meeting. The majority of the score is delicate and stunningly pretty. The overall sense is that Cooder was reaching for spare, emotional movements. The score is stark, quiet, and as uplifting as it is sad. Cooder makes the music sound as modern and stylish as acoustic music can sound. The album is at once alien and organic. Since "I Knew These People" includes dialogue from Paris, Texas, the score works best for people who have seen the movie, but it's still a powerful and immensely evocative journey for those whose experience with the material is the album alone.
-All Music Guide
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1. Paris, Texas
3. Nothing out There
4. A Cancion Mixteca
5. No Safety Zone
6. Houston in Two Seconds
7. She's Leaving the Bank
8. On the Couch
9. I Knew These People
10. Dark Was the Night
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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