Sun Midnight Sun by Sara Watkins
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Vinyl LP - Sealed
Sun Midnight Sun is the second solo album from acclaimed singer, songwriter, and fiddle player Sara Watkins. Produced by guitarist, singer, and songwriter Blake Mills, co-founder of the band Simon Dawes, the album features special guest appearances by Fiona Apple, Jackson Browne, Taylor Goldsmith (Dawes), Benmont Tench, and Sean Watkins.
In the three years since her last release, Watkins has been busy touring the world as guest fiddle player and vocalist with the Decemberists and joining Garrison Keillor on his nationwide Summer Love performance tours, as well as acting as his first and only guest host for A Prairie Home Companion broadcasts.
Sun Midnight Sun was recorded, mixed, and mastered by Shawn Everett at Zeitgeist Studio, Los Angeles, and includes songs written by Watkins (“You and Me,” “Take Up Your Spade”) as well as several collaborations with Mills (“The Foothills,” “Be There,” “The Accord,” “Impossible,” and “Lock and Key”). It also features songs by Dan Wilson (“When It Pleases You”) and Willie Nelson (“I’m a Memory”), and a rendition of The Everly Brothers classic “You’re the One I Love,” on which Fiona Apple duets with Watkins.
Watkins first gained recognition as a founding member of the Grammy Award–winning, platinum-selling trio Nickel Creek. When not on the road or in the studio, Watkins has guest-starred as fiddler and/or harmony vocalist on albums by Béla Fleck, the Chieftains, Ray LaMontagne, Ben Lee, Dan Wilson, Richard Thompson, and Alex Woodward, among others. Additionally, Watkins and her brother Sean continue an informal residency called the Watkins Family Hour at the L.A. club Largo, which often includes surprise cameos from friends and colleagues.
1. The Foothills
2. You and Me
3. You're the One I Love (ft. Fiona Apple)
4. When It Pleases You
5. Be There
6. I'm a Memory
8. The Ward Accord
9. Lock & Key
10. Take Up Your Spade
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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