Stevie Wonder - Songs In The Key Of Life (Speakers Corner)

 
 
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Songs In The Key Of Life (Speakers Corner) by Stevie Wonder

Songs In The Key Of Life (Speakers Corner)
180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed

Songs In The Key Of Life (Speakers Corner)
by Stevie Wonder

Our Price:
$64.99
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Product Code:
SPCO-SPE-340C2
Label:
Speakers Corner (Motown)
Genre:
Soul, R&B & Funk
Format:
180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed
UPC:
4260019713438
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Ranked 56/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

To sing songs in the key of life, as the cover promises us, must be more of an exercise than a labour of love for a soul musician. But this album, which Stevie Wonder – just 26 years old – produced more or less on his own, turned out to be a raving success at the time. The collection of love songs, childhood recollections and ghetto scenes were considered to be the ultimate confirmation of his extraordinary talent according to People Magazine while Melody Maker considered the album to be the "most essential recording of the year«".

That this collection should be considered as a complete work of art is easy to understand when one has listened to it right through because it’s not a collection of hits and 'best-ofs', and one has the opportunity to make one’s own choice of top hits. Each number is a unique musical jewel: the one has an earthy basic sound, subtle percussion, a funky bass melody and a rocking Rhodes piano; another has cloudy a capella passages and makes use of electronics in a gentle, never diffuse sounding way. This results in a microcosm of black soul and feelings composed out of sounds, rhythms and lyrics which can hardly be surpassed as far as complexity is concerned. Now it becomes quite clear as to why Michael Jackson and co. borrowed an idea here or there from this work of wonder.

Musicians:

  • Stevie Wonder (arranger, harmonica, keyboard, vocal)
  • Minnie Riperton (vocal)
  • Ronnie Foster (org), Herbie Hancock (keyboard)
  • Michael Sembello, Howard 'Buzz' Feiten (guitar)
  • George Benson (guitar, vocal)
  • Jim Horn (saxophone)
  • George Bohannon (trombone)
  • Raymond Maldonado (trumpet, percussion)
  • Raymond Lee Pounds (drums)

Recording: 1975/76 at Crystal Industries (Hollywood), Hit Factory (New York), Record Plant (Los Angeles); Record Plant (Sausalito, CA.) by John Fischbach and Gary Olazabal
Production: Stevie Wonder

Format: 2LPs 33rpm / gatefold sleeve, booklet, 7" EP

About Speakers Corner

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existant tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky“), but even in this particular case we used the analogue tapes for cutting.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects – excluding the exception above – and that the lacquer discs are newly cut.

1. Love's in Need of Love Today
2. Have a Talk With God
3. Village Ghetto Land
4. Contusion
5. Sir Duke
6. I Wish
7. Knocks Me off My Feet
8. Pastime Paradise
9. Summer Soft
10. Ordinary Pain
11. Isn't She Lovely
12. Joy Inside My Tears
13. Black Man
14. Ngiculela-Es Una Historia-I Am Singing
15. If It's Magic
16. As
17. Another Star

A Something's Extra 7 EP
1. Saturn
2. Ebony Eye
3. All Day Sucker
4. Easy Goin' Evening (My Mama's Call)

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SoundStageDirect Glossary

VINYL RECORDS

Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!

180/200 GRAM Vinyl LP

These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.

VINYL REISSUES

Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.