About Candy-O by The Cars:
How did the Cars move beyond their smash 1978 debut (also available on Mobile Fidelity 180-gram LP) and secure their status as one of musics leading bands for years to come? Look no further than the quadruple-platinum Candy-O. Continuing along the streamlined pop paths of its predecessor, the sophomore effort is preoccupied with desirable women that are as mysterious, sexy, and cool as the groups musicand the records pin-up cover.
With rare exception, few new-wave artists enjoyed much of a career outside of a one-hit wonder. Candy-O proves the Cars were anything but. Its loaded with minimalist atmospherics, pulsing bass lines, catchy refrains, and labyrinthine synthesizers that stick in your mind for days. And while retaining a simplicity thats a Cars hallmark, the album also takes myriad stylistic detours: the glam-rock accents of Dangerous Type, a song whose title references the records mysterious and lusty matter; the percolating riffs of the contagious title track; the dizzying garage-rock nature of the upbeat Got a Lot on My Mind, complete with a tooting Farfisa organ. Nothing drags or feels out of place.
Through it all, vocalists Benjamin Orr and Ric Ocasek keep their heads about themselves, singing in direct albeit detached tones that convey the tension, excitement, and risky promise inherent in the lyrics. Hook-laced choruses abound. Yet all is not what it seems.
Hooks are mechanical by nature, but the affectlessness of these deserves special mention; only listeners who consider alienation is the craze a great insight will find much meaning here. On the other hand, only listeners who demand meaning in all things will find this useless. Cold and thin, shiny and hypnotic, it's what [the Cars] do best--rock and roll that is definitely pop without a hint of cuteness. Robert Christgau, The Consumer Guide
Half-speed mastered from the original analog tapes, Mobile Fidelitys numbered limited-edition LP brings the Cars distinctive melodies and exotic arrangements to the fore in ways that have never been heard outside of the recording studio. For the first time, Roy Thomas Bakers vocal production shines, with each members contributions rescued from a cold sonic murk that detracted from the musics impact on both vinyl and the extremely compressed CD. Once you hear the newly uncovered dynamics and rich textures, youll be wondering where they were all of these years. Chalk this up as an essential addition to your pop collection.
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