Various Artists - The Sound Of Jazz (Pure Pleasure) (On Sale)

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The Sound Of Jazz (Pure Pleasure) (On Sale) by Various Artists

The Sound Of Jazz (Pure Pleasure) (On Sale)
180 Gram Audiophile Virgin Vinyl LP - Sealed

The Sound Of Jazz (Pure Pleasure) (On Sale)
by Various Artists

Our Price:
$34.99  $26.24
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Product Code:
SPCO-PUR-1098
Label:
Pure Pleasure
Genre:
Jazz
Format:
180 Gram Audiophile Virgin Vinyl LP - Sealed
UPC:
5060149621479
  • Description
  • Features
  • Track Listing
  • Specifications
  • Reviews
  • Set Up Instructions
  • Dimensions
  • More Info
  • About ATL
  • Why Buy?
  • Includes
  • Tonearm
  • Industry Reviews
  • Glossary
"The Sound Of Jazz" is a 1957 edition of the CBS television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television. The one-hour program aired on Sunday, December 8, 1957, at 5 p.m. Eastern Time, live from CBS Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants. "The Sound Of Jazz" brought together 32 leading musicians from the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry 'Red' Allen, Vic Dickenson, and Pee Wee Russell; and younger 'modernist' musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow". The show's performance of "Fine and Mellow" reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.

Musicians:

  • Red Allen Stars
  • Billie Holiday & Band
  • Count Basie All Stars
  • The Jimmy Giuffre Trio
  • Mal Waldron
  • Pee Wee Russell

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

This title is not eligible for further discount.

1. Wild Man Blues - The Henry "Red" Allen All-Stars
2. Rosetta -  Henry Allen And His Orchestra
3. Fine And Mellow - Billie Holiday with Mal Waldron & The All Stars
4. Blues - Jimmy Giuffre;Pee Wee Russell
5. I Left My Baby - Count Basie with All-Stars featuring Jimmy Rushing
6. The Train And The River -  The Jimmy Giuffre Trio
7. Nervous - Mal Waldron
8. Dickie's Dream - Count Basie with All-Stars
9. Wild Man Blues (Alternate Take) - The Henry "Red" Allen All-Stars

Customer Reviews for The Sound Of Jazz (Pure Pleasure) (On Sale)

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The Sound Of Jazz (Pure Pleasure) (On Sale)
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Featured positive reviews:

The Sound Of Jazz (Pure Pleasure) (On Sale)
Fantastic05/05/2014
By William Schneider
If you love jazz you really should try this LP.The playing is fantastic and Billie Holiday is ,well,Billie Holiday.The band are all allstars.
 

SoundStageDirect Glossary

VINYL RECORDS

Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!

180/200 GRAM Vinyl LP

These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.

VINYL REISSUES

Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.

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