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Blues Vinyl Records
They Only Come Out At NightMastered from the Original Epic Records Tapes by Joe Reagoso and Kevin Gray
Edgar Winter, the multi-talented superstar brother of blues rock legend Johnny Winter, has been a fixture on the rock music scene now for several decades. While launching his own successful career with his solo albums and Edgar Winters White Trash, the natural progression for this man was to develop his own supergroup which would become the platinum and gold selling The Edgar Winter Group.
Releasing their first album in 1973, They Only Come Out At Night was an overnight success, thanks to the mind altering studio jam "Frankenstein" which has since become one of classic rocks finest moments. This instrumental smash featured the stunning keyboard of Edgar Winter, the incredible guitar of resident shredder Ronnie Montrose, the thumping bass of the late great Dan Hartman and of course the solid percussive hits of Chuck Ruff.
The album went onto receive more attention from radio programmers across the globe as even further hit songs would rapidly develop including the blues rocker "Undercover Man," the country rock feel of "Round & Round" and of course another top charter with the summer Top 40 Rock driving sounds of Dan Hartmans "Free Ride." The Rick Derringer produced album would go on to stay on the charts for a long time and receive multiple platinum status in a very short time. Truly, one of classic rocks finest albums ever recorded!
Now for the first time ever on audiophile vinyl, Friday Music announces the first installment of their Edgar Winter 180 Gram Audiophile Vinyl Series with his platinum plus album They Only Come Out At Night. This first time audiophile vinyl release is mastered from the original Epic Records tapes by Joe Reagoso (Johnny Winter/Alice Cooper/Boston) at Friday Music Studios with Kevin Gray and pressed at RTI.
For this special release, the limited edition album comes in the original gatefold album cover, which features the photography of Francesco Scavullo and Norman Seeff and artwork design of John Berg. To keep your album in impeccable condition, they are also including a poly lined sleeve to protect your vinyl investment as well as a poly bag for the classic album cover art.1. Hangin Around
2. When It Comes
3. Alta Mira
4. Free Ride
5. Undercover Man
6. Round & Round
7. Rock N Roll Boogie Woogie Blues
9. We All Had A Real Good Time
$29.99180 Gram Audiophile Virgin Vinyl LPBuy Now
Edgar Winter's White Trash (Speakers Corner)Question: What is whiter than white? There's only one answer: Winter – Edgar Winter. While his equally pale-faced brother Johnny turned towards black music with a country-blues touch (Columbia KCS 9949 and CS 9826), Edgar was inspired by the traditional big-band sound. The brotherly link paid off, for it freed the talented Edgar from having to make strenuous appearances at night in clubs and gave him the chance to join his older brother in the recording studio.
After his successful debut release "Entrance", Winter gathered an all-star band around him and entered the studio to record "White Trash", which landed a smash hit on the US charts. And no wonder – for these soul rockers give everything in a unique mixture of funk, blues and rock 'n' roll. Right from the first number "Give It Everything You Got", a broadly striding rock title with brass, the whole album is bursting with energy and a great atmosphere. Wiry blues with meaty vocals enough to make your hair curl ("I've Got News For You") is followed by the demand – in meaty, snapped phrases – for cheerful rock 'n' roll ("Keep Playin' That Rock And Roll"). And let's not forget the sometimes madly intertwined solo parts, where the musicians really let off steam. A true celebration of rock 'n' roll.
- Edgar Winter (vocal, piano, organ, alto saxophone)
- Jerry laCroix (vocal, tenor saxophone, harp)
- Floyd Radford (guitar)
- Johnny Winter (guitar)
- Rick Derringer (guitar)
- Jon Smith (vocal, tenor saxophone)
- Mike McLellan (vocal, trumpet)
- George Sheck (bass)
- Bobby Ramirez(drums)
Recording: 1971 by Pete Weiss - Production: Rick Derringer
Production: Bob Thiele
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky“), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects – excluding the exception above – and that the lacquer discs are newly cut.1. Give It Everything You Got
2. Fly Away
3. Where Would I Be
4. Let’s Get It On
5. I’ve Got News For You
6. Save The Planet
7. Dying To Live
8. Keep Playin’ That Rock ‘N’ Roll
9. You Were My Light
10. Good Morning Music
$34.99180 Gram Audiophile Virgin Vinyl LP - SealedBuy Now
RoadworkThe Edgar Winter/Friday Music 180 Gram Audiophile Vinyl Series Continues!
Celebrate 4 Decades Of Edgar Winter’s White Trash
First Time 180 Gram White Vinyl!
Featuring Guitar Legends: Johnny Winter & Rick Derringer
The legendary rocker and blues statesman Edgar Winter continues to enthrall audiences the world over. With his unique brand of musical genius and keyboard, sax and vocal prowess, Edgar’s style will always be truly unmatched in purity and longevity.
While he tours, produces and records non-stop, it’s no secret that his live shows have always been top notch and legendary. In 1972, Edgar Winter along with his band White Trash played a series of shows at the famed Apollo Theatre and Academy Of Music in New York City, plus the Whisky A Go-Go in L.A. Luckily, Epic Records captured the prolific event on tape and the amazing album Roadwork was born.
For Roadwork, the artist surely becomes a superstar on this mammoth 2 LP set. Featuring rock and soul classics like Chuck Berry’s Back In the U.S.A. and Otis Redding’s I Can’t Turn You Loose, plus tunes from his first two albums like the epic 17 minute version of Tobacco Road, Roadwork proves to be a never ending festival of rock, blues, gospel and R&B earth shattering performances. The band features his friends like guitar hero Rick Derringer as well as power vocalist Jerry LaCroix, and of course his late great brother Johnny Winter brings the house down with his surprise visit on the smash hit Rock and Roll, Hoochie Koo.
The masterpiece was also a primer for a lot of rockers who for the first time would be treated to the likes of musical pioneers like Bobby “Blue” Bland thanks to the late great Jerry LaCroix’s shuddering vocal performance on the album closer Turn On Your Lovelight.
Edgar Winter’s artistry is no stranger to the Friday Music label, therefore it is with much honor to announce the first time 180 Gram Audiophile Vinyl release of his classic Edgar Winter’s White Trash Roadwork album. For a very short time, this monumental masterwork is being presented on 180 Gram White Vinyl and featuring the original gatefold LP artwork, not seen in years in this format.
Roadwork by Edgar Winter’s White Trash…Featuring Johnny Winter and Rick Derringer…Four sides of pure rock, soul and rhythm and blues…stunning limited edition white vinyl…courtesy of your friends at Friday Music.
People are always asking me…Where’s Your Brother?LP 1
1. Save the Planet
2. Jive, Jive, Jive
3. I Can’t Turn You Loose
4. Still Alive and Well
5. Back In the U.S.A.
6. Rock and Roll Hoochie Koo
1. Tobacco Road
2. Cool Fool
3. Do Yourself a Favor
4. Turn On Your Lovelight
$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPsBuy Now