Label / Make
Genre / Model
- Please Select
- Name: A to Z
- Name: Z to A
- Price: Low to High
- Price: High to Low
Blues Vinyl Records
Keb' Mo'Numbered Limited Edition 180g LP from Mobile Fidelity
1994 Self-Titled Major-Label Debut a Folk-Blues Classic
Half-Speed Mastered from the Original Master Tapes: Gorgeous Vocal Inflections, Astonishing Acoustic Guitar Lines Possess Incredible Detail
Pure Blues: National Steel Guitar Playing, Raw Harmonica Solos, Soulful Strumming Infuse Originals and Pair of Covers
In an age where most contemporary bluesmen strive to mimic the past and pattern their music after the greats, Keb' Mo' is content to be himself. Original, charismatic, and immensely gifted, the guitarist/vocalist (born Kevin Moore) brings country blues in the late 20th century on his stunning self-titled Epic debut, which quickly climbed the charts and turned the former backing instrumentalist into a household name. Replete with gritty textures, close-up vocals, and resplendent acoustics, Mobile Fidelitys scintillating analog version of this 1994 set finally possesses the fidelity that brings Mos Delta strains out of the backwoods and onto a lively back porch.
Half-speed mastered from the original tapes, this numbered limited-edition 180g LP represents the very first time that Mos watershed album has been given a much-needed sonic facelift. Gone are the hazes that obscured his singing, artificial ceilings that blunted the highs, and digital fog that interfered with the multitude of illuminating tones, details, and notes. Whats revealed is startling intimacy and soothing emotion, Mos gorgeous vocal timbres and inflections given equal space with his guitar, harmonica, and pace. Finally, a great-sounding contemporary blues record that does not resort to derivative recycling and bland revivalism.
The son of Southern parents, Mo' channels his heritage via a batch of superb folksy songs that relax, refresh, and regale. While hes since traveled in a more commercialized pop-oriented direction, Mos initial salvo is nothing but raw, pure blues played with unbridled passion, tremendous conviction, and what is best deemed the essence of heart and soul. Keb' Mo' engages with a compelling mix of tradition and modernity, the headliner refraining from any attempt at assuming an artificial personality and instead basing his reputation on quality songs. As such, Mos material resonates with deep, mellow vibes and extraordinary National steel guitar work, which complements his fluid, acoustic finger-picking and soulful strumming.
Mo' occasionally teams with an ensemble. But this record is mostly all about the basics: guitar, voice, and harmonica. Tunes such as Victims of Comfort and Angelina testify on behalf of his phenomenal country-blues songwriting; his covers of Robert Johnsons Come On In My Kitchen and Kindhearted Woman Blues speak to his reverence for the past. Shuffles, ballads, dance songsMo nails them all.
You owe it to yourself to hear this master musician in the finest possible sound. Every movement on the guitar fretboard, every breath Mo' takes before exhaling words, every crisp and gutsy pluck of the strings they have never possessed more dynamics, detail, or life. Imaging and soundstaging are incredible.
Keb' Mo' remains one of the finest blues albums made in the post-Stevie Ray Vaughan era. Don't miss this American gem that so many have since tried to copy.
This title is not eligible for discount.1. Every Morning
2. Tell Everybody I Know
3. Love Blues
4. Victims of Comfort
6. Anybody Seen My Girl?
7. She Just Wants to Dance
8. Am I Wrong?
9. Come on in My Kitchen
10. Dirty, Low Down and Bad
11. Don't Try to Explain
12. Kindhearted Woman Blues
13. City Boy
$34.99180 Gram Audiophile Virgin Vinyl LP - SealedBuy Now
The Genius Sings the BluesNumbered Limited-Edition 180g LP from Mobile Fidelity
1961 Collection Gathers 12 Must-Have Songs from Charles' Peak Era
Mobile Fidelity Has Righted the Sonic Wrongs That Plagued Earlier Versions - You Won't Find a Better-Sounding Ray Charles LP
Genius doesnt even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singers migration to rival ABC Paramount. What Atlantic originally underestimated is that the album contained many of Charles greatest works, all unified by their bluesy emotions and stirring arrangements. A classic of the soul and R&B canon, The Genius Sings the Blues is a snapshot of the evolution of timeless American music captured by the pianists indelible rhythmic pace, gospel roots, jazz backgrounds, and Southern-styled accents. And its never sounded so good.
From the iconic cover art (a photo of Charles taken by legendary photographer Lee Friedlander) to the distinguished music within, everything about the thematic record is iconic. Now, nearly 50 years later, it can be heard in pristine fidelity sourced from the original mono master tapes. Mobile Fidelitys engineers have taken great pains to ensure that every clink of the piano keys, ache of Charles rolling voice, and rush of the backing arrangements sounds better than they have since first being recorded in the studio. This 180g LP simply lays waste to the competition.
Previous editions of The Genius Sings the Blues, including a remastered digital edition from Rhino, suffered from varying levels, distracting static and noise, and inconsistent vocal balances. Mobile Fidelity has gone back to the original mono master tapes to correct these problems, giving music lovers what is now unquestionably the best-sounding Charles album to stem from his peak era. And these performances are simply on fire.
Whether inhabiting the sadness in Night Time (Is the Right Time) or personifying the loss of Hard Times, Charles invests each song with supreme emotion and undeniable conviction that makes the lyrics ring true and the blues resonate with cathartic pathos. Uptempo country blues numbers (Im Movin On, Early in the Mornin) balance the mournful slow fare, and again prove Charles a master composer, interpreter, and musician who could make any style his own. The Genius Sings the Blues also speaks to legendary jazz pianist Billy Taylors initial impressions of Charles upon hearing him in a way in which few other Charles recordings do.
Taylor recalled: While playing through some new music for a projected Ruth Brown record date, I was asked to listen to an original song played and sung by a young composer and pianist from Seattle, Washington. I can still remember how surprised I was to hear this kind of music from a Northwesterner. He reminded me of Charles Brown, another pianist-singer who was very popular in the Forties, but he had a very personal sound and there was something different about his rhythmic approach. In his handling of melody he seemed to be using devices similar to those used by Dinah Washington and a small group of popular singers who allowed their gospel singing backgrounds to influence their interpretation of popular songs... I was intrigued by the emotional quality projected by both his piano playing and his unusual voice and was not surprised when Ahmet ErtegŁn said that he wanted to let the young musician record some of his own material. He communicates just like the old blues singers, Ahmet said."
Indeed, that innate blues aesthetic dominates this collection, as does Charles distinctive rhythmic mannerisms. Finally, hear them as theyve always been intended to be experienced.
This title is not eligible for discount.1.Early in the Mornin'
2.Hard Times (No One Knows Better Than I)
3.The Midnight Hour
4.(Night Time Is) the Right Time
7.I'm Movin' On
8.I Believe to My Soul
10.Mr. Charles' Blues
11.Some Day Baby
12.I Wonder Who
$34.99180 Gram Audiophile Virgin Vinyl LP - SealedBuy Now