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Blues Vinyl Records
Party Of OneRounder Records announces the first-ever solo album release from legendary guitarist/vocalist George Thorogood, titled PARTY OF ONE. The album will feature 14 cuts of traditional blues, classics, and modern blues songs, from John Lee Hooker's "One Bourbon, One Scotch, One Beer" to Hank Williams' "Pictures From Life's Other Side," and The Rolling Stones' "No Expectations."
PARTY OF ONE was produced by Grammy-winner Jim Gaines (John Lee Hooker, Luther Allison, and Stevie Ray Vaughan), who reunites with Thorogood on the debut solo project, having produced several of Thorogood's biggest albums to date (RIDE ‘TIL I DIE, THE HARD STUFF, THE DIRTY DOZEN). The album's primarily acoustic instrumentation – including slide, Dobro, and harmonica – is performed entirely by Thorogood, raw and stripped down, with an intimate one-on-one feel.
Says Thorogood: "I think this is a project that's long overdue. Maybe it should have been the very first album I ever made. After playing with the band for all these years, I had to kind of reverse my hands and my head in order to do this thing justice." Thorogood continues, "But I think Destroyers fans – and hardcore blues fans, too – are ready for the unexpected. My whole career, I've always said, ‘Just give them what you are, and they're either going to dig it or not.' This record is what I was, what I am, and what I always will be."
PARTY OF ONE is Thorogood's return to Rounder Records, the roots label with which he first signed in 1976 to record the three hit albums that launched his recording career, beginning with his debut, GEORGE THOROGOOD AND THE DESTROYERS. Says Rounder co-founder Ken Irwin: "George's coming back is a nice completing of the circle. This record shows his talent as a storyteller in a very different setting, with all the emotion in his guitar and vocals. It's a really intimate record, but it's unmistakably a George Thorogood record, too."
Co-founder Marian Levy adds, "You'd think it would be almost impossible to recapture, but there's immediacy to this record that harks back to the radicalism of the early Destroyers. In many ways, I think this record is a summation of George's career."
Rounder Records Vice President of A&R Scott Billington, also the album's executive producer, says: "This wasn't an easy record for George to make. He had to viscerally reconnect with a time in his life when he was discovering who he was. But as you listen to these songs, you realize that he is, and always has been, an authentic blues player. This album is George Thorogood claiming his legacy."
Over the course of the last four decades, George Thorogood, with his longtime legendary band, The Destroyers, has sold more than 15 million albums, released 16 studio albums – including six gold and two platinum discs — and performed more than 8,000 live shows. George Thorogood and the Destroyers' catalog of hits include: "Who Do You Love?," "I Drink Alone," "One Bourbon, One Scotch, One Beer," "Move It On Over," "Get A Haircut," and the anthemic "Bad To The Bone."1. I’m A Steady Rollin’ Man (Robert Johnson)
2. Soft Spot (Gary Nicholson and Allen Shamblin)
3. Tallahassee Women (John Hammond Jr.)
4. Wang Dang Doodle (Willie Dixon)
5. Boogie Chillen (John Lee Hooker)
6. No Expectations (The Rolling Stones)
7. Bad News (Johnny Cash)
8. Down The Highway (Bob Dylan)
9. Got To Move (Elmore James)
10. Born With The Blues (Brownie McGhee)
11. The Sky Is Crying (Elmore James)
12. The Hookers (If You Miss ‘Im…I got ‘Im) (John Lee Hooker)
13. Pictures From Life’s Other Side (Hank Williams)
14. One Bourbon, One Scotch, One Beer (John Lee Hooker)
$21.99Vinyl LP - SealedBuy Now
Porcupine MeatNaming one’s album after a song titled “Porcupine Meat” may seem a little unusual — unless, of course, you’re Bobby Rush, who earned his first gold record in 1971 with a hit entitled “Chicken Heads.” He elaborates on his recent composition: “If a lady won’t treat me right, but she doesn’t want anyone else to have me, that is hard to digest.” Hence the lyric, “too fat to eat, too lean to throw away.”
Porcupine Meat is Rush’s debut release for Rounder Records, and one of the best recordings of his astonishing 60-plus year career. The album is due out September 16, 2016. Rush estimates that he has cut over 300 songs since he first began making music. He has been honored with three Grammy nominations, as well as ten Blues Music Awards and 41 nominations. He was inducted into the Blues Hall of Fame in 2006.
Make no mistake: Rush is not your typical octogenarian. At age 82, he exudes the energy of a 20-year-old, on the road for more than 200 dates a year. His hectic tour schedule has earned him the affectionate title King of the Chitlin’ Circuit. Rush has traveled the globe including Japan and Beirut. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and the ribald humor that he has cultivated during the course of his storied career.
Born Emmet Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. According to Rush, his parents never talked about the blues being the devil’s music. “My daddy never told me to sing the blues, but he also didn’t tell me to not sing the blues. I took that as a green light.”
Rush built his first guitar when he was a youngster. “I didn’t know where to buy one, even if I had the money. I was a country boy,” he says. After seeing a picture of a guitar in a magazine, he decided to make one by attaching the top wire of a broom to a wall and fretting it with a bottle. He also got some harmonica lessons from his father He eventually acquired a real guitar, and started playing in juke joints as a teenager, when his family briefly relocated to Little Rock, Arkansas. The fake moustache Rush wore made club owners believe he was old enough to gain entry into their establishments. While he was living in Little Rock, Rush’s band, which featured Elmore James, had a residency at a nightspot called Jackrabbit.
During the mid-1950s, Rush relocated to Chicago to pursue his musical career and make a better life for himself. It was there that he started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin’ Wolf, Muddy Waters, Jimmy Reed, Willie Dixon, and Little Walter. Rush eventually began leading his own band in the 1960s. He also started to craft his own distinct style of funky blues, and recorded a succession of singles for a various small labels. It wasn’t until the early 1970s that Rush finally scored a hit with “Chicken Heads.” More recordings followed, including an album for Kenny Gamble and Leon Huff’s Philadelphia International Label. Rush relocated one final time, to Jackson, Miss. in the early 1980s. He was tired of the cold up north, and he realized that setting up his base of operations directly in the center of the South would make it easier to perform in nearby cities on weekends. More indie label recordings followed. Songs like “Sue, A Man Can Give (But He Sure Can’t Take It),” “What’s Good For The Goose Is Good For The Gander Too,” and” I Ain’t Studdin’ You” became regional jukebox favorites in juke joints throughout the region, and many of those songs are still fan favorites that are an integral part of his live repertoire.
Since 2003, Rush has self-released the majority of his work (including the critically acclaimed Folk Funk album) on his Deep Rush label, but recently, he came to the realization that having a bigger record company behind him would be beneficial. “I outgrew myself,” he says. “I need someone to help in doing the things I can’t do. When you are wearing all the hats, you can’t be everywhere at once.”
Enter esteemed producer and two-time Grammy winner Scott Billington, Rounder Records’ longtime VP of A&R. Billington first met Rush at a Recording Academy meeting 25 years ago, and they became fast friends. He has wanted to work with Rush ever since. “He is the most vital bluesman of his generation,” says Billington. He continues, “There are many people who still don’t know Bobby Rush, even though he is a hero in the parallel universe of the Chitlin’ Circuit — fans stop him on the street in Memphis and Helena and Little Rock.”
Porcupine Meat will not only please Rush’s older fans, but is likely to win over many new ones. Billington reflects, “We wanted to come up with something fresh, while staying 100% true to Bobby.”
The album was recorded in New Orleans, and Rush was pleased and proud to be given the opportunity to make an album in his home state for the very first time. His impassioned vocals and in-the-pocket harmonica playing are among the best performances of his career. Unlike most of his recent releases, these sessions only feature real instruments and no synthesizers. All of the rhythm tracks were cut live in the studio, often edited down from jams that on several occasions ran close to ten minutes.
For the project, Billington assembled some of the best Louisiana musicians, including Shane Theriot, David Torkanowsky, Jeffrey “Jellybean” Alexander, Kirk Joseph, Cornell Williams, and others. Rush brought along his old friend and longtime collaborator, guitarist Vasti Jackson, who worked with Bobby and Scott on getting the songs ready for the studio. Guitar greats Dave Alvin, Keb’ Mo’, and Joe Bonamassa all make guest appearances on the album.
Rush has always been a prolific and clever songwriter. The songs he penned for Porcupine Meat such as “Dress Too Short,” “I Don’t Want Nobody Hanging Around,” “Me, Myself And I,” “Nighttime Gardener,” “It’s Your Move,” and the title selection, all equal or rival his best material. “Funk O’ De Funk” delivers exactly what the title suggests and what Rush has always done the best, which is putting the funk into the blues. While “Got Me Accused” is inspired by events from Rush’s own life, the lyrics tell an all-too-familiar tale about the rampant racial injustice that afflicts our society. Producer Billington and his wife Johnette Downing (the well known New Orleans songwriter and children’s musician) co-wrote a couple of fine selections, “Catfish Stew” and “Snake In The Grass.”
Bobby Rush is the greatest bluesman currently performing. Porcupine Meat is a testament to his brilliance, which presents him at his very best, and doesn’t try to be anything that he is not. “I just try to record good music and stories,” he humbly states. With this recording, he has more than accomplished his goal, and has produced one of the finest contemporary blues albums in recent times.1. I Don't Want Nobody Hanging Around
2. Porcupine Meat
3. Got Me Accused
4. Snake in the Grass
5. Funk O' De Funk
6. Me, Myself and I (feat. Joe Bonamassa)
7. Catfish Stew
8. It's Your Move (feat. Dave Alvin)
9. Nighttime Gardener (feat. Keb Mo)
10. I Think Your Dress Is Too Short
11. Standing on Shaky Ground
12. I'm Tired (Tangle Eye Mix)
$25.99Vinyl LP - 2 LPs SealedBuy Now
xClarence Gatemouth Brown
Alright Again!"One of the most satisfying contemporary Brown [albums] of all for the discerning blues fan. Nothing but swinging, horn-abetted blues adorn this album, as Gate pays tribute to an influence and a protege by covering T-Bone Walker's "Strollin' with Bones" and Albert Collins's "Frosty." Brown's jauntily revives Junior Parker's "I Feel Alright Again" and Percy Mayfield's "Give Me Time to Explain," while his own numbers -- a funky "Dollar Got the Blues," the luxurious blues "Sometimes I Slip" -- are truly brilliant."
- Bill Dahl (All Music)1. Frosty
2. Strollin' With Bones
3. Give Me Time To Explain
4. Baby Take It Easy
5. Sometimes I Slip
6. I Feel Alright Again
7. Alligator Boogaloo
8. Dollar Got The Blues
9. Honey In The Be-Bo
10. Gate Walks To Board
$21.99Vinyl LP - SealedBuy Now
xGeorge Thorogood & The Destroyers
George Thorogood And The DestroyersHeavy on his bluesy guitar playing, Thorogood's first album serves as the prototype for all future Destroyer records. The 1977 classic also contains their crowd pleasing rendition of John Lee Hooker’s “One Bourbon, One Scotch, One Beer.”
Originally released in 1977, this debut record from George Thorogood & the Destroyers helped catapult the band to national prominence. A landmark release, it’s still regarded as one of Thorogood’s best albums.1. You Got To Lose
2. Madison Blues
3. One Bourbon, One Scotch, One Beer
4. Kind Hearted Woman
5. Can’t Stop Lovin’
6. Ride On Josephine
7. Homesick Boy
8. John Hardy
9. I’ll Change My Style
10. Delaware Slide
$21.99Vinyl LP - SealedBuy Now
xGeorge Thorogood & The Destroyers
Move It On OverThis 1978 outing was a fresh and vital collection showcasing his amazing energy, rousing vocals and driving guitar playing. While he wen on to make more commercially successful albums in his career, the spirit and innocence of Move It On Over was never duplicated.
On their hit sophomore release, Thorogood & the Destroyers expand their sound, adding a distinctive stamp to a range of blues and country classics.1. Move It On Over
2. Who Do You Love
3. The Sky Is Crying
4. Cocaine Blues
5. It Wasn’t Me
6. That Same Thing
7. So Much Trouble
8. I’m Just Your Good Thing
9. Baby Please Set A Date
10. New Hawaiian Boogie
$21.99Vinyl LP - SealedBuy Now
Raising SandFor Alison Krauss, musical collaboration has been a way of life. Her latest musical collaboration, Raising Sand, is an astonishing album recorded in tandem with rock vocalist and songwriter Robert Plant. Raising Sand is their first recorded endeavor, and will prove revelatory to fans and the media on two counts: first that it happened at all, and, more importantly, that it is as successful and illuminating as it is.
From its embryonic, conceptual stages well before any music materialized the mere idea of Raising Sand held infinite fascination for both its creators and those around them. As word spread of an impending musical collaboration between Robert Plant and Alison Krauss, imaginations ran wild. Two artists, each at the pinnacle of their respective pantheons, Robert and Alison have seemingly little in common. But just below the surface, an elemental understanding flowed between them, waiting to be tapped...
Under the careful sonic stewardship of producer T Bone Burnett, Raising Sand is pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the unrealized potential of the folk-rock revolution. Shockingly evocative, it is an album that uncovers popular musics elemental roots while sounding effortlessly, breathtakingly modern. Despite hailing from distinctly different backgrounds, Plant and Krauss share a maverick spirit and willingness to extend the boundaries of their respective genres. Raising Sand finds Plant and Krauss functioning as sympathetic equals: creating a powerful new sound from both their common musical ground and their unrivaled sense of empathy.1. Rich Woman
2. Killing the Blues
3. Sister Rosetta Goes Before Us
4. Polly Come Home
5. Gone Gone Gone (Done Moved On)
6. Through the Morning, Through the Night
7. Please Read the Letter
8. Trampled Rose
9. Fortune Teller
10. Stick with Me Baby
12. Let Your Loss Be Your Lesson
13. Your Long Journey
$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs SealedBuy Now