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Genre > Rock > Classic Rock
Charlie Watts Meets The Danish Radio Big BandBefore Charlie Watts became the best-known drummer on the planet with The Greatest rock ‘n’ Roll Band in the World he lived for a few months in Denmark. According to English trumpeter and flugelhorn player, Gerard Presencer, who is also a member of the Danish Radio Big Band, it was something he only found out about by chance when he and Charlie talked on the telephone in 2009
“I landed a job with Danish Radio Big Band in 2009. A week or two after arriving in Copenhagen I got a call from Charlie. Later the idea dawned upon me for a return to his Jazz days over here after nearly 50 years. I spoke with my boss at the Danish Radio Big Band and went about putting this live project together. We agreed upon a week in Copenhagen in October 2010.”
They rehearsed for 4 days, then played a concert on the fifth day at the newly opened Danish Radio Concert Hall in Copenhagen. This concert was recorded for broadcast by Danish National Radio. Charlie and his long-time bassist Dave Green went to record shops and strolled around the city, with no need for security guards. Charlie made it clear that he did not want to be placed on a big riser above the band, as he found that this did not help the musicians to bond.
In choosing the material, it was important to focus on the groove. According to Prescencer, “Having Dave Green on bass as special guest was an essential ingredient, as these two boyhood friends (next door neighbours growing up in Wembley, North London) have unspoken psychic connections that bassists and drummers, so there are times on this recording where their abundant empathy makes the rest of the band comfortable enough to really play out and take chances.”
The album includes seven tracks, including two Mick and Keith compositions, ‘Paint it Black’ and ‘You Can’t Always Get What You Want’, both arranged by Prescencer and another one, ‘Faction’ that is based on another Stones’ classic. There are also two by Charlie himself, both written with fellow drummer Jim Keltner.
A day or two after the broadcast Prescencer began to think that the concert was so good it deserved to be heard more widely. “The Danish Radio needed very little convincing to hand over the recordings to me to work on, as well as Søren Frost our regular drummer and rhythm section consultant from the big band and the brilliant recording engineer, Lars C. Bruun. So, after several years work on this, we have produced this collection of music from our gig.”
Charlie Watts meets the Danish Radio Big Band is the kind of album that many jazz fans had probably given up hope of hearing. In the glory days of big band jazz and arrangers like Oliver Nelson coming up with brilliant music, albums like this were, if not commonplace, at least more readily available. The truth is there is nothing commonplace about this album, it is a sheer delight.
Anyone who knows Charlie, knows how much he loves jazz. A few years ago when he and I were looking at a photo of the Stones playing in the 1960s he pointed at a particular cymbal and said, “I’ve still got that cymbal, but I don’t use it on Stones’ gigs, it’s too good for them. I just use it on my jazz gigs.” There’s no doubt, that’s the cymbal you hear on the first part of the ‘Elvin Suite’.
Charlie Watts is one of the great ambassadors for jazz and every jazz lover will relish this record, and the fact that Charlie is involved may bring jazz to the attention of some that are not sure if they like jazz. Listen to this and you know you do.1. Elvin Suite - Part 1
2. Elvin Suite - Part 2
3. Faction (AKA Satisfaction)
4. I Should Care
5. You Can't Always Get What You Want
6. Paint It Black
$25.99Vinyl LP - 2 LPs SealedBuy Now
Blues Jam At Chess (Pure Pleasure)No introduction needed for this fabulous release. Arguably one of the greatest blues recordings laid down in the last 40 years! Just checking out the personnel above says it all. Originally released on Mike Vernon's highly collectable and revered Blue Horizon label in 1969, this pressing will become a must for all serious collectors and muso's alike!
- Fleetwood Mac
- Otis Spann
- Willie Dixon
- Shakey Horton
- J.T. Brown
- Guitar Buddy
- Honey Boy Edwards
- S.P. Leary
Recording: January 1969 at Chess Ter-Mar Studios, Chicago
Production: Mike Vernon and Marshall Chess
Format: 2LPs 33rpm / gatefold sleeve
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.and that the lacquer discs are newly cut.Side One
1. Watch Out
2. South Indiana - Take 1
3. South Indiana - Take 2
4. Last Night
5. Red Hot Jam
6. I'm Worried
7. I Held My Baby Last Night
8. Madison Blues
9. I Can't Hold
10. I Need Your Love
11. I Got the Blues
12. World's in a Tangle
13. Talk with You
14. Like it This Way
15. Someday Soon Baby
16. Hungry Country Girl
17. Black Jack Blues
18. Everyday I Have the Blues
19. Rockin' Boogie
20. Sugar Mama
21. Homework$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs SealedBuy Now