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Electronic Vinyl Records
Chubbed Up (Out Of Stock)Compilation From Electronic Punk-hop Duo From Nottingham
Sleaford Mods started out sometime during 2006 whilst Jason Williamson was living in Nottingham. Born out of part frustration and part accident, it quickly found its feet as an aggressive verbal onslaught on all that is contrived and connected to the day-to-day hammer of low paid employment and domestic situations arising from that trap. After a year of working ideas out in both the studio and in live performances, Williamson moved south and took the cause to London for a couple of years and trod the boards there for a couple of years, before returning to Nottingham in 2009.
Soon after that return he met Andrew Fearn and the Sleaford Mods became a duo. Fearn’s first work was on the production of “Wank” – the Mods’ fifth album. Soon after that started stalking the stage and studio with Williamson. Andrew’s involvement meant that Jason was now able to stop creating the samples and loops that littered the early recordings and concentrate on the lyrics, whilst Andrew created numerous tunes for Jason to vent his spleen over.
Just after the release of “Wank” the duo were invited to play a three day festival curated by Nottingham’s Rammel Club. During that weekend a working relationship with Nottingham’s abstract-punk Harbinger Sound label was formed. A relationship which – a year later – resulted in the release of the “Austerity Dogs” vinyl album. This release would be followed by numerous shows around the UK and Europe, including further festival appearances. As word- of-mouth praise for the album slowly spread out and onto the record-buying publics’ radar, “Austerity Dogs” soon sold out of its intial run of 300 copies and has gone one to, as of today, a fourth pressing of the vinyl edition was also released. Rave reviews would start to appear in magazines as diverse as The Wire and Uncut, along with interviews being published both on paper and on-line, both here and abroad. The album featured, and topped, many writers polls for the best records of 2013.
Somewhere between punk, hiphop and spoken word lie UK duo Sleaford Mods. (They are neither mods, nor from Sleaford. They're from Nottingham.) Jason Williamson spews a tapestry of bile over low-tech, muscular backing by Andrew Fearn, the result is somewhere between The Fall, McClusky, Happy Mondays and John Cooper Clark. The pair have been making music for eight years now but really started to get attention with last year's terrific Austerity Dogs and look to go even wider with the just released Divide and Exit. On it Sleaford Mods are in full rebellion mode. Williamson hold equal contempt for the rich, conservatives, liberals, phonies in general, idiots, "jolly fuckers," etc all via a nonstop torrent of brilliantly, hilariously profane lyrics. Ipecac Recordings will be introducing the coolest thing to come out of the UK in a long time. With the release of a compilation from Sleaford Mods titled CHUBBED UP+. Sleaford Mods are a stripped down, political, electronic punk-hop band from working class Nottingham. This stuff is real and it is spot on!1. Committee
3. 14 Day Court
4. Black Monday
5. Jolly Fucker
6. Tweet Tweet Tweet
8. Routine Dean
10. Pubic Hair Ltd
11. Bring Out The Cannons
12. Fear Of Anarchy
$15.99Vinyl LP - SealedTemporarily out of stock
Believe it or not, electronic music’s origins go back as far as the 19th century. Early electronic instruments like the Teleharmonium helped set the first tones for what ultimately spawn not only a new genre of music, but countless subgenres from house music to dubstep.
The best part about any of these artists? They sound amazing on vinyl. Well, anything sounds amazing on vinyl, but electronic music in particular. A lot of classic electronic compositions were originally created with analog synthesizers, making vinyl the perfect medium to fully experience them.