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Genre > Rock > Heavy Metal
DopethroneRe-issue of the bands seminal 2000 album Dopethrone!!! Probably the bands dirtiest, heaviest and most extreme release to date; cited by many as the pinnacle of their career. Following the demise of such legendary bands as Kyuss, Sleep etc; Electric Wizard took over the vacant throne of drug riddled earth moving Doomed rifferama. Often described as the heaviest band in the world; Dopethrone may well give you a clue as to why!LP 1
1. Vinum Sabbathi
3. Weird Tales
iii.AltAr of Melektaus
5. I, The Witchfinder
6. The Hills Have Eyes
7. We Hate You
9. Mind Transferral
$37.99Vinyl LP - 2 LPs SealedBuy Now
Opus EponymousGHOST is the name of a devil worshipping ministry, that in order to spread their unholy gospels and, furthermore, trick mankind into believing that the end is ultimately a good thing, have decided to use the ever so popular rock music medium as a way to achieve their ends.
Standing motionless and anonymous beneath the painted faces, hoods and robes which their sect demand, the six nameless ghouls of Ghost deliver litanies of sexually pulsating heavy rock music and romantic lyrics, that glorify and glamorise the disgusting and sacrilegious, with the simple intention to communicate a message of pure evil via the most effective device they can find - entertainment.
In May 2010 Ghost were contracted to a UK based gramophone company called Rise Above Ltd, who swore an oath stating that they will assist the group in the task of spreading their musical blasphemies through formats such as Compact Discs, Long Playing Vinyl Records and Digital Downloading.
The first full length Ghost album Opus Eponymous will be released in October 2010 and it is understood and agreed that Rise Above Ltd will invest money in areas such as magazine advertising and retail marketing and will employ the services of music publicity specialists in order to expose the music of Ghost to the wider public.
Specific attention will be paid to targeting people (research suggests these are most likely to be adolescents) who have a void in their life, perhaps caused by some form of emotional trauma or upset, that can be filled by the music and philosophies of Ghost. In time, these easily manipulated children will come to share the views and goals of the Ghost sect and can prepare their own plans for the downfall of humanity....1. Deus Culpa
2. Con Clavi Con Dio
5. Stand By Him
6. Satan Prayer
7. Death Knell
8. Prime Mover
$37.99Vinyl LP - SealedBuy Now
As Above, So BelowWith a lineage dating back to 1977, South Londons Angel Witch were leading lights of a now legendary movement known as the New Wave Of British Heavy Metal that saw their path interwoven with the likes of Iron Maiden, Saxon, Samson, Praying Mantis, the Tygers Of Pan Tang and countless more. Unlike a great many of the groups with whom they shared stages their style was dark, uncompromising and heavy; a perfect complement for the sword & sorcery-themed lyrics of songs such as White Witch, Gorgon and Angel Of Death no wonder Geoff Barton of Sounds magazine once memorably described their bludgeoning sound as: "the first Black Sabbath album played through a cement mixer".
This album is unquestionably the finest thing to bear the band's name since the first, iconic release. Its contents unite newly-penned yet timeless sounding material.1. Dead Sea Scrolls
2. Into The Dark
4. The Horla
5. Witching Hour
6. Upon This Chord
$34.99Vinyl LP - SealedBuy Now
The Oath (Awaiting Repress)To master the dark and wring compelling creativity from its densest shadows requires vision, belief and, perhaps most importantly, a dash of synchronicity. These are all qualities that ooze from every pore of the debut album by The Oath. A band forged around the fizzing, feral chemistry between Swedish guitarist Linnea Olsson and German vocalist Johanna Sadonis, The Oath represent the wild magic that erupts when two blazing souls collide and fate is sent veering off course by sheer strength of the human will. This is heavy metal at its most mercurial and intuitive.
“I had grown tired with the metal scene in Stockholm, and I wanted to experience something new and get out of my comfort zone,” Linnea Olson recalls. “This resulted in me going to Berlin, a city where I had no friends, and just exploring everything that makes it so magical… the creative energy, the sense of freedom, and the notoriously dark and debauched nightlife. I played my guitar as usual at home, and riffs started to pile up. By the time summer came, I felt the time was right to start a new band. My best friend Henke put me in touch with Johanna. On her end, she had been looking for a guitarist for a band that she wanted to call The Oath. We had an instant connection. And we looked almost identical.”
Having found each other and discovered that their obsessions, desires and musical urges were utterly compatible and swiftly and irrevocably interwoven, Linnea and Johanna set about devising an artistic masterplan. The results of that plan are now primed to emerge, fully-formed and thrumming with primal energy and pristine passion, in the shape of The Oath: a nine-song clarion call that simultaneously recalls the hallowed greats of heavy rock, punk and metal – from Sabbath, Trouble and Angel Witch through to the Stooges and Poison Idea, and further to Mercyful Fate and Danzig – while revelling in new ways to express the spirit of those revered archetypes. Recorded in ten days at Studio Cobra in Stockholm with producer Konie Ehrencrona at the controls and the raging rhythm section of Simon Bouteloup (bass, Kadavar/ex-Aqua Nebula Oscillator) and Andrew Prestidge (Angel Witch/Winters) underpinning Linnea and Johanna’s otherworldly hymns to the black, The Oath is a triumph for soul and sonic ceremony, with conviction and integrity bursting from every artfully-crafted riff and ethereal melodic motif.
“We had a die-hard dedication right from the beginning – if not, what’s the point?” states Linnea. “As for the master plan, there was none. If things fall into place naturally, you don’t need one. We felt that this was our shot, and we needed to go for it. We wanted this album to be primitive and minimalistic in the sense that the sound is fairly raw, and we kept overdubs to a minimal – most of what you hear on the album are live takes. But we also wanted to bring out the melody and richness that is within the songs. And these are all strong songs, which is very important to us.”
Veering from the strident grooves and shimmering menace of opener All Must Die to the breakneck, Luciferian clatter of Black Rainbow and on to the spine-tingling grandeur and grime of epic closer Psalm 7, The Oath is anything but just another addition to the modern pseudo-occult rock canon. Instead, it is an extraordinary glimpse into its creators’ overpowering charisma and chemistry and a thrillingly, hyper-nourishing dose of authentic, 21st century heavy metal sorcery. With input from In Solitude’s Henke Palm – who contributes some “improvised Voivod-style solos”, according to Linnea – and logo designed courtesy of Watain’s Erik Danielson, this is an album that exudes ageless style and irresistible substance: a potent antidote to the flimsy fripperies of the modern age.
“This album represents Johanna and me and our dedication to our music,” Linnea avows. “Everything about this band is about me and her – our relationship to each other, our differences as people and musicians, and the unity that we are in The Oath. She possesses strengths that I lack and the other way around. Musically, my riffs are the dirt and her vocals, the diamonds. I have a friend who cleverly put that the world is made up by two kinds of people: the werewolves and the vampires. By that standard, I am a werewolf and Johanna is a vampire. You can interpret that as you like.”
And now, this new ritual begins. The Oath has been sworn, the dice have been thrown. All that remains is the propagation of the divine but unholy art that these sisters-in-sound have wrenched from the depths of their harmonised psyches. The future belongs to those who believe…
“There are a lot of hopes, plans and ambitions,” Linnea concludes. “But what’s even more important is that there is only now and that now is forever.”
- Dom Lawson, January 20141. All Must Die
2. Silk Road
3. Night Child
4. Leaving Together
5. Black Rainbow
6. Silver and Dust
7. Death Delight
8. In Dream
9. Psalm 7
$16.99Vinyl LP - SealedAWAITING REPRESS Buy Now
Runaway Girls (Awaiting Repress)Uncle Acid is already a legend, so not much more needs to be said about that right now. The main thing is that there is a new piece of wax coming your way, featuring an exclusive tasty new cut: Runaway Girls! Following extensive recent touring with Black Sabbath and with worldly ventures, the fiends are set to embark on their first ever US tour in September of 2014. To coincide with this landmark occasion, Runaway Girls will hit the stores and have acid casualties around the world knocked for six.
Quite possibly his catchiest tune yet, Uncle A looks ever closer toward world domination. Beware: this isn't an ordinary tale of girls on the run. Here is the tale of fatherless girls disillusioned in a loveless world.. their intentions are fatal and their desires deadly!1. Runaway Girls
2. Devils Work (Acoustic)
$8.997" Vinyl Single - SealedAWAITING REPRESS Buy Now
Pusher ManLimited Edition Pressing
Everybody’s favourite band, Uncle Acid, release a new single, Pusher Man on Rise Above Records. The single is backed by Remember Tomorrow, an Iron Maiden cover, initially available on a Kerrang (legendary UK magazine) cover-mount CD.
Pusher Man is taken from the bands fourth album, The Night Creeper, which was released to much acclaim in July of last year. The track was recorded as part of the album sessions at Toe Rag Studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard).
They released their breakthrough album Blood Lust in 2011, a homage to British Hammer and folk horror films of the 1970s, a candle-lit head-trip of withered hands, ritual knives and gallows ropes. Mind Control (2013), their third album, looked further afield, to the post-Charles Manson US for inspiration: Jim Jones dosing the Kool-Aid. Blue Cheer, Blue Oyster Cult and B-movie biker movies. War, Watergate, serial killers and suicidal TV evangelists.1. Pusher Man
2. Remember Tomorrow
$16.997" Vinyl Single - SealedBuy Now
Come My FanaticsImport
What a difference two years can make ... Between their self-titled debut and this follow-up, Electric Wizard beefed up and distorted their sound and polished their song-writing and the result has taken them light years beyond what the first album achieved. For this reason alone, anyone interested in the band's history and how a young group can progress in leaps and bounds, these two albums are worth seeking out and hearing. The most obvious improvement in the band's style is the overall sound: thick and grimy textures in slower-than-slow guitar chords and riffs, accompanied by basic drum rhythms and a washed-out wailing vocal singing lyrics of despair at the present world and conjuring avenues of escape from the social and political oppression in our society.
We dive straight into the deep end with "Return Trip", a crusty doom sludge song if ever there was one, with black grime peeling off riffs to expose a raw layer that quickly changes to hard and dark and bleeds off in turn. The song sticks to the straight and narrow: even an extended instrumental passage doesn't attract a wiggly guitar solo, and it's only towards the end the song acquires layers of melody and riffing to suggest the vocalist's increasing mental derangement. Jus Oborn's singing isn't great - it's more like chanting or shouting sometimes - but his voice has a rough, anguished edge suited to the lyrical content. Real life is cold, hard, tyrannical, unjust and abusive and for many people the only way to stay sane is to escape into one's own world through the portal of hallucinogenic drugs. "Wizard in Black" and "Doom-Mantia" take up where "Return Trip" leaves off: these are epic tracks that extend the sludge / stoner doom trip out further into the realms of psychedelia, the latter track featuring treated vocals and multi-tracked voices (or so they sound).
"Ivixor B / Phase Inducer" is a wonderfully trippy mindfuck of a piece featuring a seemingly endless loop of female chanting with bubbly guitar effects and lazy bass rhythm followed by an abstract spacey tone piece that probably fell from an old pre-Autobahn Kraftwerk album and needed a home, so why not here. The atmosphere is spooky without appearing sinister. The two separate passages of the track are combined in a way that suggests a breakdown in a spaceship's communications with Earth while the astronauts are overcome by strange cosmic forces that can't be understood by rational people. Very original and quite ingenious!
The remaining tracks on the album suffer for being footnotes to the instrumental track and the strong first half of the album. "Son of Nothing" is hardcore melodic rock with metal trimmings in style and its post-apocalyptic / sci-fi lyrics embody both hope and fear as the remnants of humanity flee a scorched Earth to find a new home. "Solarian 13" brings up the rear with a mix of gently buoyant and seesawing grime-thickened guitar rhythms around which trippy ambient effects swirl and tease.
The album draws its strength from a more streamlined musical approach in which music serves to enhance each song and its subject rather than fill out empty spaces with frills or show off individual musicians' dexterity and master of their instruments; and also from powerful lyrical themes of alienation, global destruction and flight to new worlds whether internally in one's head as a form of escape or externally for survival. Fantasy, the apocalypse and its aftermath, and science fiction elements of space travel through drugs and spaceships, and human migration to new worlds combine with doom, stoner and sludge metal to generate an original piece of work in "Come My Fanatics ...". It's on this album that EW find their calling.
- NausikaDalazBlindaz (The Metal Archives)1. Return Trip
2. Wizard in Black
4. Ivixor B / Phase Inducer
5. Son of Nothing
6. Solarian 13
7. Demon Lung
10. Return to the Son of Nothingness
$37.99Vinyl LP - 2 LPs SealedBuy Now
Love From With The DeadWith the Dead – Love From With the Dead
Doom is all around us. The optimism of a new millennium has steadily disintegrated. The light at the end of the tunnel turned out to be a burning tower block and the powers-that-be are dancing in the smouldering ruins. Humanity is eating itself and we’re all terminally fucked. As a result, it makes perfect sense that the emergence of British doom metal mavens With The Dead would strike a dissonant chord with so many people. Formed in 2014 by former Cathedral/Napalm Death frontman and Rise Above Records boss Lee Dorrian and ex-Electric Wizard/Ramesses bassisit/guitarist Tim Bagshaw, the band coalesced in a monetary burst of spontaneity and shared fury, resulting in the release of their eponymous debut album in 2015: one of that year’s most widely acclaimed releases and a welcome shot in the arm for fans of merciless, unrelenting sonic despair.
“We were very happy with the way the first album was received,” says Lee. “To be honest, there were no real expectations with the first LP. It’s hard to explain. We just got together and did it. There was no big anticipation. We knew it was going to be well received by certain people, just because of the sheer heaviness of it, but we didn’t think it would get the reaction it did. It sold really well and got a good response all around. It came together so strangely and so fast. We hadn’t gone round, sweating in the clubs, although we’ve all done that previously. The record came out on Rise Above so it was easy and there were no demands from anyone except ourselves. The important thing is, we didn’t want it to be seen as some novelty project band.”
Hell-bent on staking a further claim to be doom metal’s most intense and remorseless practitioners, With The Dead have now completed work on their second album, Love From With The Dead. Comprising tracks recorded during two separate sessions with celebrated studio guru Jaime Gomez Arellano, the new material represents the first fruits of the band’s recently retooled line-up. Joining Lee and Tim are bassist Leo Smee and drummer Alex Thomas, who replaces the departed Mark Greening. As Lee explains, the band’s new incarnation generated great chemistry from the start.
“Tim came over from New Jersey, where he still lives, and we booked four nights’ rehearsals with Leo and Alex to see how it was going to work. Literally, on the first night, they had the whole set nailed within three or four hours. It sounded better than ever before, too. So the next three nights were pointless and we didn’t need them, so we spent the time going over ideas for new songs and by the end we had four brand new songs. It was crazy. Then we thought ‘While Tim’s over, let’s go in the studio and record them…’ Luckily, Gomez was free and we went over to his studio and recorded the four new tracks, they’re the last four on the album, and it was all done just like that. The other three tracks were recorded nearly a year later, again with just one night’s rehearsal. It was all done super quick.”
For those who flinched at the sheer, unforgiving brutality of With The Dead’s first record, the songs on Love From With The Dead are liable to cause major emotional trauma. Darker, denser, more despondent and sickeningly heavy in numerous senses of the word, this is an album that re-establishes doom as a genre that embraces the extreme and not just some cosy, nostalgic reimagining of the early ‘70s. From opener Isolation’s slithering howl of torment and the crushing, schizophrenic barrage of Egyptian Tomb through to the expansive, drone-driven horrors of the closing CV1 (a mournful lament to Lee Dorrian’s home city of Coventry that features a guest appearance by home-town comrade and electro-noise maverick Russell Haswell), Love From With The Dead grimly extinguishes the light of hope and hammers home the hatred and futility that plagues our brief and brittle lives.
“The thinking was that the first LP was meant to be the heaviest we could possibly make, but then what do you next?” Lee muses. “Well, the only thing you can do is make the next one even heavier. So that was the ambition and the intention, to make it even more crushing. But to be able to do that you have to be crushed yourself. This last couple of years have been quite soul-destroying. There’s been a lot of personal shit going on, and during this whole process so much fucking bad shit has happened in my personal life and other people’s personal lives. Everything you hear on this LP, the angst is very real. I’ve never felt so disillusioned with life and the world around me, not since the first Cathedral album!”
Irrefutable evidence that With The Dead are a formidable and substantial proposition, the quartet’s second album could hardly provide a more apposite soundtrack to the deeply fucked up and irrevocably dysfunctional state of the world in 2017. Both a fine example of the simple, savage power of the riff and an authentic outpouring of anger, bitterness, bile and vivid existential dread, it is the living, breathing, screaming embodiment of heaviness itself. Cometh the hour, cometh the bringers of doom…
“I’m 50 next year and you’re supposed to mellow out when you get older, but why?” Lee asks. “I don’t feel like mellowing out. The world’s getting worse, the atmosphere is getting heavier, people treat each other like shit and there’s so much negativity, how are you supposed to chill out when all that’s going on? I’m in a privileged position to be able to be in a band like this, so why fuck around? The band’s called With The Dead and it’s a doom band, why would you want to mellow out? It’s got to be pure nihilism or nothing.”
Dom Lawson, July 2017.1. Isolation
2. Egyptian Tomb
3. Reincarnation of Yesterday
4. Cocaine Phantoms
5. Watching the Ward Go By
$29.99Vinyl LP - SealedBuy Now
New vinyl pressing of ELECTRIC WIZARD's debut album on black vinyl! Limited to 1000 copies.1. Stone Magnet
2. Mourning Prayer
3. Mountains Of Mars
5. Devils Bride
6. Black Butterfly
7. Electric Wizard
8. Wooden Pipe
$37.99Vinyl LP - SealedBuy Now
Mind Control (their third full-length album) is set for release in April 2013, following their two debut London sell-out concerts at The Garage. Within it's blood soaked grooves you will hear shocking tales of bizarre desert ceremonies, religious brainwashing and drug inspired mass slaughter!
Imagine the original Alice Cooper band jamming in a cell with early Black Sabbath and the Stooges, whilst sitting on murder charges and you may get a glimpse into their fuzzed up world of exploding tube amps and cymbal smashing mayhem. However, this enticing act of musical manipulation is merely the icing upon a very sick cake. Mind Control is a concept album with a theme that makes the acts and intentions of the likes of Charles Manson and Jim Jones seem like petty crimes. What makes Mind Control scarier than most albums is that it doesnt seem as sinister on the surface as it really is deep down within the core of its black acid-drenched world of pain and torture.
The infectious energy surges and pulverizing grooves of Mind Crawler, tell the tale of a man on a mission who has fled from Mount Abraxas after mercilessly murdering all the members of his cult. He rides his motorcycle through the gates of hell and hijacks the weak minds of yet more foolish disciples to join him in his desert hideaway. This is when the real fun and terror truly commences...
There was no escaping the chained-to-the brain hooks and melodies of first single from the album, Poison Apple, but this was merely a trailer for the real hellish delights now to be bestowed upon the earth. Recorded at the legendary Chapel Studios over an autumnal full moon using the finest western electrical technology, engineer Jim Spencer (Bert Jansch, Robert Wyatt) has perfectly captured the bands live sound of saturated fuzz, mind-bending riffs and 60's vocal harmonies. A wider range of influences can be heard from both music and cinema, but their founding principle of presenting light and darkness still remains. Simple and ragged in all its low life glory, Mind Control is the ultimate expose of killer cult madness and mind manipulation.1. Mt. Abraxas
2. Mind Crawler
3. Poison Apple
4. Desert Ceremony
5. Evil Love
6. Death Valley Blues
7. Follow the Leader
8. Valley of the Dolls
9. Devils Work
$42.99Vinyl LP - 2 LPs SealedBuy Now
The Night CreeperThe Night Creeper is the new album by Uncle Acid & the Deadbeats. Contained within are ten tracks of the type of sonic psyche-frazzling heaviness and blood-drenched pop that have made Uncle Acid & the Deadbeats one of Britains great cult bands.
Recorded at Toe Rag studios in early 2015 with engineer Liam Watson (White Stripes, Tame Impala, Electric Wizard), their fourth opus The Night Creeper, finds the quartet in full-on deatripping, third eye-widening mode. Here songs ooze louche evil over flesh-melting riffs that creep like hot magma bubbling up through the earths crust at their own malevolent pace. This album is in no hurry to destroy you. But it will. It will. In an age when the word is over-used, Uncle Acid are indeed a true cult. Everything they do is covert, their movements crepuscular, the loyalty they inspire fervent. Every sneering melody and every piece of artwork is loaded with meaning, designed to be pored over. Their press coverage is deliberately limited but doesnt prevent them selling out US tours or joining Black Sabbath at their personal request. They only reveal what they want to reveal: chiefly that Uncle Acid & the Deadbeats began as a studio project circa 2009 in Cambridge, the wild concept of Kevin Starrs. The rest is academic.
And now comes The Night Creeper, Uncle Acid & the Deadbeats darkest journey yet1. Waiting For Blood
2. Murder Nights
4. Pusher Man
5. Yellow Moon
6. Melody Lane
7. The Night Creeper
9. Slow Death
10. Black Motorcade (hidden track)
$37.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs SealedBuy Now
Desperate Souls of Tortured TimesWelcome to the Taurean Empire; a decaying land where disease, war and corruption is rife. A wretched place of man and beast, where deception, fear and despair fills every dank alleyway and the stench of suffering drifts across endless, sun-scorched plains. As way of ensuring safe passage through this hellish hour, let us introduce your guides for the journey; four road-hardened mortals, brought together by luck, power and coincidence. Ladies and Gentlemen, take up arms and go safely as Age of Taurus show you a world inhabited by the Desperate Souls of Tortured Times....UK based Age of Taurus make no frills Doom-laden heavy metal, with an emphasis on HEAVY. Produced by Jaime Gomez Arellano (Angel Witch, Hexvessel, Ghost), 'Desperate Souls of Tortured Times' is a 42 minute collection of material written during their transition over the past three years. It's an unashamedly heavy voyage down a road less travelled, where each of the seven songs acts as a chapter from an altogether longer tale. Monstrous, mountain-shaking riffs are order of the day in the Empire, stepping aside only for Riddell's searing leads to take hold, whilst the lock-tight Bruce/Claydon rhythm section underpins all. Heading the charge from centre stage, Wright's lyrics act as a vivid narrative, painting pictures of ancient ritual and sprawling landscapes, somewhat reminiscent of Manilla Road and Brocas Helm in their prime. Some might assume that DSOTT is a concept album, however in reality, Age of Taurus is more like a 'concept band', intent on delivering undiluted and intriguing heavy metal to all that will listen.1. A Rush of Power
2. Sinking City
3. Always in the Eye
4. Walk With Me, My Queen
5. Desperate Souls
6. Embrace the Stone
7. The Bull and the Bear
$34.99Vinyl LP - SealedBuy Now
With The DeadImport
Supergroup is such an erroneous term – images of bored playboys pissing on their legacy spring to mind – but the members of With The Dead have a history of creating criminally good records as long as your arm. They've all served hard time in the subterranean worlds of Doom and the heaviest forms of Metal and have now reconvened to surpass previous projects. They're back – and this time the aim is To maim.
With The Dead were formed by the founding rhythm section of occultist Doom overloads Electric Wizard: guitarist/bassist Tim Bagshaw and drummer Mark Greening, a pair once notorious for the sheer brute heaviness of their bowel-shaking sound and early extra-curricular activities that involved excess, injury and low-level criminality (arrests for the theft of a crucifix from a church roof and drunkenly robbing an off-licence to name but two). Both have also played together in Ramesses.
Completing the triangle is frontman Lee Dorrian, co-founder of Doom pioneers Cathedral, former frontman with grindcore legends Napalm Death and owner of Rise Above Records, the UK’s finest independent purveyors of all sounds heavy and underground, whose stable of bands include Ghost, Uncle Acid & The Deadbeats, Lucifer, Blood Ceremony and Witchcraft. Having been in business since 1988, Rise Above is also one of the most enduring.
Existing doom-heads will already know that the longstanding relationship between Rise Above and Electric Wizard is one that was fractious and fraught. Much mud has been slung between band, label and former members in recent years, but the With The Dead trio are of the opinion that big words meant little - it’s the action that truly counts. And as the fire that is Electric Wizard peters out, With The Dead burn with eyebrow-singeing intensity. With The Dead are heavy. No - scratch that. With The Dead are heavy. H.E.A.V.Y!!! They are a band with teeth and talons.
Like the product of some sort of alchemical alignment or a diabolical modern demon summoned by a whispered incantatory spell, With The Dead formed on All Hallow’s Eve 2014. They worked quickly and the result is a six-track, self-titled debut broadside that draws on the members’ rich musical legacy but without ever taking a backward step. Rising like a fecund creature from the fetid bogs of old England, With The Dead is a malevolent beast that lurches and staggers, flattening everything in its path. Guitars moil and curdle, bubbling up through the loam like black tar, while existing fans will surely welcome the return of Dorrian’s distinctly hateful vocals.
Any listener will be left battered on the floor, bludgeoned into submission by With The Dead’s musical brutality. A new era is upon us.1. Crown of Burning Stars
2. The Cross
4. Living With the Dead
5. I Am You Virus
6. Screams From My Own Grave
$37.99Vinyl LP - SealedBuy Now
Opus Eponymous (Picture Disc)NEW PICTURE DISC VERSION OF GHOST's CLASSIC DEBUT "OPUS EPONYMOUS"
GHOST is the name of a devil worshipping ministry, that in order to spread their unholy gospels and, furthermore, trick mankind into believing that the end is ultimately a good thing, have decided to use the ever so popular rock music medium as a way to achieve their ends.1. Deus Culpa
2. Con Clavi Con Dio
5. Stand By Him
6. Satan Prayer
7. Death Knell
8. Prime Mover
$37.99Vinyl LP Picture Disc - SealedBuy Now
Lucifer IRestless creative spirits never sleep and class is eternal. Thus, the timely and welcome return of Johanna Sadonis is only to be expected. Despite the sudden and distinctly premature disintegration of her previous band The Oath in 2014, Johanna’s passion for making music that touches the darkest recesses of the soul has blazed on. The result is Lucifer – a new manifestation of the Berlin-based singer and songwriter’s extraordinary and potent musical vision.
Although still firmly rooted in the fertile soil first cultivated by Black Sabbath, Deep Purple, Led Zeppelin and Blue Oyster Cult, Lucifer exist in a proudly liberated and limitless sonic realm, where the heaviest blues rock is a mere starting point for the band’s skyward creative trajectory. Lucifer’s instinctive take on the very soul of early heavy metal is the electrified essence of rock’n’roll at its nascent purest. This is Magic Rock – heavy, heartfelt and holistic.
Eschewing the now well-worn clichés of the occult rock explosion in favour of a truthful and tempestuous re-imagining of classic 70s proto-metal and turbocharged blues, the two songs on this band’s debut seven-inch single crackle and fizz with nascent energy and the compelling conviction of music made for all the right reasons. Boasting a sound that revels in exquisite analogue warmth without ever retreating into some nostalgic ghetto, both ‘Anubis’ and ‘Morning Star’ came to life at Candy Bomber studios in Berlin, under the supervision of aural wizard Ingo Krauss, a one-time apprentice of legendary Krautrock producer Connie Plank. With the finest and most unique collection of old school analogue equipment, from tape machines to vintage amps, Candy Bomber provided Lucifer with everything they needed to realize their potent vision.
Lucifer represents the culmination of a spontaneous and intuitive creative mind-meld, wherein their leader’s kaleidoscopic focus collides with the heavy soul abandon of earthbound but astrally-inspired musicians at the top of their game. With songs crafted by Johanna and Cathedral legend Gaz Jennings – the first Lucifer release is a mesmerizing glimpse into the sumptuous depths that await us further down the evolutionary trail.
After the release of their debut seven-inch via Rise Above Records in February, Lucifer releases their debut full length, Lucifer I. While Johanna states that this first release does give some indication of the musical direction that this band will pursue, there is a strong sense that these songs are merely a prologue to the much deeper and more substantial body of work to come. Meanwhile, the band intend to hit the road to spread the news of Magic Rock to as many willing sinners as possible. With a solid line-up, a renewed sense of collective purpose and the invigorating effects of creative adrenalin propelling them forward, Lucifer is a glowing advertisement for fresh starts, clarity of vision and the rejuvenative powers of heavy music. Lucifer lives!
Dom Lawson, December 20141. Abracadbra
2. Purple Pyramid
5. White Mountain
6. Morning Star
7. Total Eclipse
8. A Grave For Each One Of Us
$25.99180 Gram Audiophile Virgin Vinyl LP - SealedBuy Now
In MemoriamAs with a choice few truly great bands, the first self- financed cassette recording by Cathedral – made available in October 1990 – was a pioneering underground masterpiece in its own right; the sound of a young band exploring its newfound chemistry, finding confident variations on a flawless list of influences and cultivating a sound and style that would prove hugely inspirational throughout the 1990s and beyond, being a major influence on everyone from Electric Wizard through to Reverend Bizarre.
Where most demos are little more than a dry run for the first album, ‘In Memoriam’ still has its own distinct and important identity in the Cathedral canon. The debut LP that followed, ‘Forest Of Equilibrium’, has a sombre, devout, melodic and mystical grandeur all of its own – but ‘In Memoriam’ has a far murkier, earthier, more deathly intent.
Creepy, cryptic and bowel- looseningly heavy, it represents the first time that the doom metal stylings of Trouble, Saint Vitus, Pentagram and Witchfinder General had been rendered in a new, more extreme metallic form.
At the beginning of the new decade, it was really only Cathedral who were proud to assert the influence of true doom metal – a perennially unfashionable genre, but especially in a turn-of-the-decade metal scene so obsessed with speed, technicality, brutality and modernity.Demo 1990
1. Mourning of a New Day
2. All Your Sins
3. Ebony Tears
Live Holland/Belgium 1991
1. Comiserating the Celebration
2. Ebony Tears Neophytes For Serpent Eve
3. All Your Sins
4. Mourning of a New Day
$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs SealedBuy Now
Check 'Em Before You Wreck 'EmThe Admiral Sir Cloudesley Shovell are the last of a dying breed of Grease Rock Bastard musicians who somehow, despite and in spite of the last 3 decades trying their best to kill off balls out, non-bullshit rock’n’roll music, somehow, against all the fucking odds, still exist, surviving on a steady diet of God sent gigs, hire vans, broken down amps, split drum skins, greasy spoon fry ups, patched up jeans, roll-ups, cheap leather jackets, booze, weed and bathtub speed.
Spare them your sympathy – no-one made the silly bastards do it. They just NEED to!! Right??
Facts to face – the Shovell are named after a 17th century English naval commander; Bill Darlington plays drums, Louis Comfort-Wiggett plays bass and Johnny Gorilla plays guitar and sings, they have been together as a band since 2008.
Their debut 2011 Rise Above 7″, Return To Zero’/’Day After Day, sold out instantly and now commands £100 plus a copy; their 2012 debut long-player DON’T HEAR IT…FEAR IT received unilateral rave reviews and was described pretty accurately by one scribe as ‘the aural equivalent of stumbling into an 18 year-old male’s bedsit in 1973 – the kind of greasy hard-rock thrills rarely heard in this climate of blind nostalgia and misjudged authenticity. It’s hard ‘n’ heavy, without the marshmallow; it’s old-fashioned yet so NOW that it hurts!’’ They’ve toured and played with the likes of Orange Goblin, Uncle Acid and the Deadbeats, Incredible Hog, Gentlemans Pistols, Graveyard, Gonga and countless more, toured Europe and had chief Groundhog Tony McPhee playing on their first LP!
On their new LP CHECK ‘EM BEFORE YOU WRECK ‘EM the Shovell somehow carry on the lineage of the truly golden age of British heavy rock whose dog shit stained road was paved by the likes of Budgie, Sabbath, early Motorhead, Quo, Lizzy, The Groundhogs, Stray etc. Chuck in a healthy chunk of U.S. and Aussie proto metallurgists Sir Lord Baltimore, Dust, Bang, The Litter and Buffalo, as well as a healthy Vertigo ‘Swirl’ of dew picked mushrooms bad trip psych.
The Shovell thinks the world could do with another slice of no-nonsense re-gressive proto-rock ‘n’metal – one that you don’t need a Degree in doom-rock or a Masters in metal to appreciate – just a love of when music was F U N !!!!
Remember kids – CHECK ‘EM BEFORE YOU WRECK ‘EM!!!1. Do It Now
2. 2 Tonne F*ckboot
3. Captain Merryweather
4. Running From Home
5. Happiness Begins
6. Shaker Your Head
7. Don't Hear It ... Fear It!
9. The Thicker The Better
10. Late Night Mornings
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Electric Wizard are back! Their seventh full-length album for Rise Above Records sees this now legendary band enter into a new era. Still the heaviest band on the planet, this time around there is a stronger emphasis on song structure and musicianship than on previous outings. Black Masses is an encyclopedia referencing the history heavy metal from the Kinks to right through to Bathory, thematically governed by occult knowledge passed down from their ancestors.
A trip through every aspect of everything thats cool about underground drug-rock from the head-spinning Satanic Psychedelia of Patterns of Evil through to the NWOBHM on LSD churning of Turn off your Mind Black Masses is the album Electric Wizard always threatened to make. Its here, and listening to the end of the world was never meant to sound this good!1. Black Masses
2. Venus in Furs
3. Night Child
4. Patterns of Evil
5. Satyr IX
6. Turn off your Mind
7. Scorpio Curse
8. Crypt of Drugula
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Double DiamondIncludes Bonus 7" LP
Founding member of Carcass and former Napalm Death guitarist Bill Steer is back with the latest offering from his main passion Firebird. Double Diamond, the bands sixth studio album, is by far the most hard-hitting yet. Moving on from the Humble Pie/Small Faces inspired blues and boogie rock of previous outings, Double Diamond takes in more classic metal elements bringing to mind the likes of Thin Lizzy, Budgie and Diamond Head. Certainly their heaviest outing to date; theres no stopping Mr. Steer when it comes to effortlessly delivering the goods in true organic style!1.Soul Saviour
4.For Crying Out Loud
6.A Wing & A Prayer
7.Pound Of Flesh
9.Lose Your Delusions
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At Her Majesty's PleasureGentlemans Pistols formed in 2003 as a three piece with initial influences being the classic glam bands, Slade and especially The Sweet and heavy 70s bands such as Deep Purple and Captain Beyond. In 2006, the band released their first 7, Just A Fraction b/w Heavy Petting on the Leeds based Art Goes Pop imprint. Soon after, Rise Above records released another 7 for the band with the tracks, The Lady b/w Creamy Lid which was followed a year later with self-titled debut album. The album was well received by the music press with Classic Rock giving it 8/10 and Metal Hammer scoring it 9/10, saying Put simply, there should be more bands like Gentlemans Pistols around.
At Her Majestys Pleasure was produced by singer/guitarist James Atkinson and represents a labor of love, not to mention copious late nights, equipment malfunctions and frayed nerves. Despite developing a broadened musical palette including the use of strings and supplementary percussion, the recording nonetheless aimed to capture the band as they are in the raw, with little in the way of editing used. Indeed, what you hear on the record is how it was played, warts and all, with much of what is on the record captured within a couple of takes.
The album was recorded at James own Mutiny studios in Bradford, where the band practices. They had completed demos of the LP by the end of 2009 and were looking forward to getting the real thing laid down in the New Year. Come February however, they were all ready to go into the studio. Unfortunately, it seemed to be the coldest it had been in a long time. Due to the studio being in an old mill building, warmth wasn't a luxury we were entitled to, laughs James. Undeterred by this, the band soldiered on. Despite quite a few issues with keeping the guitars in tune due to the temperature changes between rooms, most of the basic tracks were laid down relatively easily and by the end of Feb, they decided to take a little break before tackling the vocals and overdubs.
The end result is a collection of storming and strutting rock that should have little problem in putting Gentlemans Pistols at the forefront of UK rock n roll.Side 1
1. Living In Sin Again
2. Comfortably Crazy
3. Midnight Crawler
4. Some Girls Don't Know What's Good For Them
5. Your Majesty
6. Into The Haze
1. I Wouldn't Let You
2. The Ravisher
3. Sherman Tank
4. Peeping Tom
5. Feed Me To The Lions
6. Lethal Woman
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The Black ChordBorn in San Diego but bred in the mists of Avalon, Astra have fast-become a synonym for the ethereal, the sublime, and indeed the genuinely progressive. Ever since 2009's The Weirding put these analog-inflected San Diego visionaries on the map alongside the likes of co-conspirators Earthless, Diagonal and Dungen, who like some lost tribe of prog faithful - have brought this unwieldly and much maligned form of music out of the dark ages and in front of a new generation of mellotron-loving cognoscenti.
Limited gatefold special die cut vinyl edition with attached booklet
Think wailing guitars and dulcet harmonies thickened by Mellotrons and given hypnotic qualities by the kind of drumming that borders on the shamanic. Cinematic in scope but frequently yielding to a kind of melodic fragility that can only be the product of genuine emotion. The Black Chords musical ebb and flow prove Astra to be both a bands band capable fo an artistry all too rare among their generation, and it's a sound to behold.1. Cocoon
2. The Black Chord
3. Quake Meat
5. Bull Torpis
6. Barefoot In The Head
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God Curse UsImport
For years, if not decades, Heavy Metal's heaviest sub-genre known as Doom Metal has been something enigma, yet also generally ignored by the metal masses. Its flames kept fanning by a mere handful of cave-dwelling enthusiasts that fully understood its emotional depth and beauty. With this in mind, it was almost inconceivable to imagine that it would become as widely acknowledged and appreciated as it is today. Since recent times the term "Doom Metal" is used almost as commonly as any other form of metal and whilst many trends have come and gone, Doom never went away. Now that it is a more commonly accepted genre, it has typically led to an abundance bandwagon jumpers coming to the funeral. Using as much copy and paste occult paraphernalia possible can’t disguise the fact that they're not genuinely into the art, or in fact particularly that great.
Witchsorrow are a prime example of a band unaffected by this Johnny-come-lately approach and play their pure and epic non-pretentious brand of Doom Metal straight from the heart. If their self-titled 2010 debut suggested that, God Curse Us All confirms it.1. Aurora Atra
2. God Curse Us All
3. Masters of Nothing
4. Ab Antiquo
6. Breaking the Lore
7. Den of Serpents
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Horrible NightRecorded during the summer and autumn of 2012 at Hampshire's Earth Terminal and London's Earthworks studios, Horrible Night is the sound of MOSS emerging from its cocoon a much more savage, intelligent and all the more terrifying beast. While no longer obsessed with extremity for its own sake - with weirdly infectious riffs, eccentric vocal melodies and no song over 12 minutes - MOSS remain heavier-than-thou, broadening their horror beyond any imposed 'scene' expectations. This mastery of the craft is evident from the opening moments of first track "Horrible Nights" - written back in 2010 it sets the course for the album, taking the twisting death-crawl of MOSS mini-epics such as "Tombs of the Blind Drugged" and administering a lethal dose of addictive melody, cooked up by the colossal riffs of Dominic Finbow and the Ozzy-via-seance vocalisations of Olly Pearson. Cuts such as "The Coral of Chaos" and "Dark Lady" expand further upon this potent formula, dragging the Black Sabbath blueprint to its most nightmarish conclusion and ushering MOSS further into their newest dark age.
With 6 tracks, MOSS proves more than ever why this English cult band is regarded exactly as such. While still no easy pill to swallow for the uninitiated, over its duration Horrible Night will demand complete mind control. Nonsense prefixes such as "stoner", "sludge" or "drone" do not apply here; this is pure DOOM METAL, a celebration of horror, the arcane and the unknown.1. Horrible Night
2. Bleeding Years
3. Dark Lady
4. Dreams From The Depths
5. Coral of Chaos
6. I Saw Them That Night
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The Last SpireImport
And lo, Lee Dorrian, mouthpiece of Cathedral for 23 years, doth solemnly intone the death rites of this mighty British metal Titan. Born in the dying days of Thatcher's Britain, bonding over then-unfashionable, obscure names like Saint Vitus, Pentagram, Trouble and Dream Death, Cathedral's sole ambition was to record a demo tape. In fact they revolutionised doom metal, first pushing their influences into new avenues of grinding extremity, then pioneering groovier forms of '70s-indebted stoner doom.
They've remained a reassuring and singular presence in our lives, building a rabid following worldwide with their wholly distinctive blend of rollicking British heavy metal, true doom, 70s hard rock, psych-folk, mad prog and spiky crust-punk. There was a worrying hiatus between 2005 and 2010 when some dared to wonder if Cathedral were coming back at all - but they re-emerged with 'The Guessing Game', an overflowing treasure chest of weird and wonderful goodies exploring new, bold variations on their craft. So when news came that Cathedral really were approaching the Endtyme, it was a shock.
"Personally speaking, this is the album I've been waiting to do since the first one (their landmark 1991 debut, Forest of Equilibrium), it almost feels like we made our second album last in some respects. We actually recorded a lot more material but decided to sacrifice many of the tracks to make the overall album feel more complete in its nihilism. I don't like happy endings, I never have. So many good films are ruined by happy endings and I didn't want that to be the case with Cathedral, it was my dream to bring everything full circle." Says Lee Dorrian.
Clearly there was new impetus for reconnecting with that early spirit of doleful abjection, of sinister obsessions and lamented desires; on 'The Last Spire' Cathedral are literally doomed. We are commiserating the celebration, and in what thrilling style.1. Entrance to Hell
3. Cathedral of the Damned
4. Tower of Silence
5. Infestation of Grey Death
6. An Observation
7. The Last Laugh
8. This Body, Thy Tomb
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