The Black Sabbath Covers

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The Black Sabbath Covers - Vinyl Record

by Jason Molina

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$9.99
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Product Code:
ADAD-SEC-5574
Label/Make:
Secretly Canadian
Genre/Model:
Rock
Description:
7" Vinyl Single - Sealed
UPC:
656605035574
When Jason Molina took on another artist’s song, he willed his own universe into it, his own personal and artistic mythology. Be it Conway Twitty or Townes Van Zandt, their blues were infused with Molina's own entrancing blues. This pair of newly discovered, home-recorded Black Sabbath covers is no different. Molina, a through-and-through fan of metal (seek out his high school metal band the Spineriders' album if you haven’t yet) peels back the sinister and stoned elements of Sabbath, zeroing in on the loneliness and brooding.

He takes “Solitude,” from 1971’s unfuckwithable Master of Reality — and one of Sabbath’s more mystical, near-proggy songs — and doubles down on the title. Molina extracts Ozzy Osbourne’s gorgeously cooed vocal performance and transforms it into a high and lonesome sound, a desert campfire howler. And on his cover of “Snowblind," from 1972’s Vol. 4, it becomes obvious what a guitar hero Sabbath’s Tony Iommi was for Molina. Molina seemed to pull from Iommi’s odd, simple fingerings and tunings throughout his catalogue: from his first album (known informally as “the black album”) to Magnolia Electric Co.’s Josephine. Molina’s brief acoustic cover dials back the bombast, but you can surely connect “Snowblind”’s chord progressions with Molina’s own on the black album and Axxess & Ace.

Recorded in the midwest in the late ‘90s, during Molina’s multi-season run of batting 1.000, these two intimate songs are a bittersweet artifact of one of the Rust Belt’s titan songwriters.

Note: Do not attempt to play Side B of this 7” release. Side B is a gorgeous etching of a black ram by artist Will Schaff. If you do attempt to play the etching on Side B it will sound absolutely awful.

1. Solitude
2. Snowblind

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VINYL RECORDS

Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!

180/200 GRAM Vinyl LP

These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectibles, commanding a higher price.

VINYL REISSUES

Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.

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