Stories From The Steeples (Pure Pleasure) (Discontinued)

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Stories From The Steeples (Pure Pleasure) (Discontinued) - Vinyl Record

by Mary Black

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Product Code:
Pure Pleasure
180 Gram Audiophile Virgin Vinyl LP - Sealed
Despite its title and front cover art, "Stories From The Steeples", Mary Black's first recording in six years, is not a collection of hymns. It is titled for the Dublin studio where it was recorded. These 12 new selections are, in typical Black form, an impeccable mix of traditional-sounding and contemporary material. There is an enormous list of contributing players on these sessions, but the constants are guitarist Bill Shanley, keyboardist and accordionist Pat Crowley, double bassist Nick Scott, and fiddler Matt McGranahan. The album's opening cut, "Marguerite And The Gambler", written by Ricky Lynch, is certainly informed by the spirit of Bob Dylan's "Lily, Rosemary And The Jack Of Hearts" (though Dylan's song was certainly informed by outlaw tales of the American South that came from centuries-old Celtic balladry in the first place, so there you go). It contains a stellar arrangement that highlights piano, mandolin, and McGranahan's lonesome fiddle. Three duets are strategically placed in this set. “Walking with My Love”, an easy shuffler, is sung with countryman and Irish music legend Finbar Furey, who also plays banjo on it. "Lighthouse Light" sounds like it could have come from Ireland in the early 1960s (and maybe its melody originally did), but it was actually written by the Boston-based Irish songwriter Ry Cavanaugh; it features Black singing with the incomparable Janis Ian.

The real surprise though, is the album's first single, "Mountains to the Sea", written by Australians Shane Howard and Neil Murray. Walking the line between Celtic, contemporary folk, and pop, Black is joined by countrywoman and chart-topping rock & roll singer Imelda May. Each woman does what she does best -- May doesn't rein herself in, Black doesn't try to rock it up. Their voices, phrasing, and timbres complement one another beautifully, weaving together seamlessly on the refrain. Another highlight is Black's reading of Eric Bogle's antiwar ballad "All The Fine Young Men". There are three songs here written by the Coronas' Danny Reilly -- who also happens to be Black's son. The best of the three -- though none of them are duds -- is the sparse, skeletal ballad "Faith In Fate". Her other children, Roisín and Conor, appear with Danny on his "The Night Is on Our Side". Stories from the Steeples is a welcome return for one of contemporary folk music's finest voices and most original stylists; it is also a stand-out album in Black's solo catalog.


  • Mary Black (harmonica, percussion, vocal)
  • Pat Crowley (keyboard, accordion, vocal)
  • Andrew Holdsworth (keyboard)
  • Bill Shanley (bass, guitar, keyboard, mandolin, ukelele, vocal)
  • Finbar Furey (banjo, vocal)
  • Janis Ian (guitar, vocal)
  • Imelda May (vocal)
  • Martin Ditcham (drums, percussion)

About Pure Pleasure

At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s – or employed existent tools from the 80s and 90s for manufacturing.

A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

This title is not eligible for discount.

1. Marguerite And The Gambler
2. The Night Was Dark And Deep
3. Mountains To The Sea
4. Faith In Fate
5. Steady Breathing
7. Walking With My Love
8. All The Fine Young Men
9. The Night Is On Our Side
10. Lighthouse Light
11. Wizard Of Oz
12. One True Place
13. Fifi The Flea

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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!

180/200 GRAM Vinyl LP

These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectables, commanding a higher price.


Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.

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