Kingdoms Disdained - Vinyl Record
by Morbid Angel
- Product Code:
- Silver Lining Music
- 180 Gram Audiophile Virgin Vinyl LP - Sealed
- Track Listing
Kingdoms Disdained finds legendary guitarist and founder Trey Azagthoth reigniting his creative alchemy with vocalist/bassist Steve Tucker to create a crushingly heavy and highly apocalyptic soundtrack for these increasingly dark times. Relentless and unrepentant Kingdoms Disdained abounds with sheer, brutal power, complex changes and a gloriously violent death metal underpinning, an album designed to confront fans and non-believers alike, with Tucker’s lyrics destined to spark deep conversation on several angles of mysticism and darkness. “Garden of Disdain” proclaims ’this world of useless being, this endless festering’ as the unceasing riff's weight further augments the song’s meaning, while the barbaric barrage of “Architect and Iconoclast” roars ‘I am all prophecies fulfilled, yet you refuse to see this.' Azagthoth produces some of his finest work yet, his demonically-heavy riffs and lead work finding a powerful delivery vehicle via the strength of Scotty Fuller’s insane percussion and Tucker’s relentless vocal savagery. The supreme solo during “The Righteous Voice” underscores Azagthoth’s unique creative arrangements, and in “For No Master”, Azagthoth illustrates that no guitarist in the genre orchestrates, and translates, dark chaos so masterfully.
Wrapped in a thick wall of death metal sound, Kingdoms Disdained was recorded at Mana Studios in St. Petersburg, FL and produced by Morbid Angel with Erik Rutan (produced albums by Morbid Angel, Cannibal Corpse, Hate Eternal, Six Feet Under, Belphegor and many more). It will unequivocally and unapologetically reset the bar for dynamic death metal music, and only the scared, the meek or the ignorant would wilfully deny themselves a taste of Kingdoms Disdained.
3. Garden of Disdain
4. The Righteous Voice
5. Architect and Iconoclast
6. Paradigms Warped
7. The Pillars Crumbling
8. For No Master
9. From the Hand of Kings
10. The Fall of Idols
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Vinyl records are able to capture the purest quality of recorded music in true form. This is possible because the initial recording is captured on an analog source (usually tape) for the ultimate in High Fidelity sound, it is then pressed onto virgin vinyl. Analog recordings capture the bottom end (or bass) while adding sweetness to the high end (or treble) better than any digital recording ever could. Analog systems are still commonly used before they are digitally transferred to CD. This means that the sound then is altered in the transfer process when CD's are produced. The word fidelity means accuracy and faithfulness. High Fidelity sound is faithful to the original sound made by the artist, capturing maximum accuracy of what was intended for the listener to hear. Vinyl records capture those sounds for the ultimate High Fidelity listening experience!
180/200 GRAM Vinyl LP
These vinyl records are produced with 180 or 200 grams of high definition premium grade virgin vinyl. This is a higher quality audiophile pressing than the typical vinyl record of 100-120 grams. These limited edition LP's are manufactured with the hi-fi enthusiast in mind. A 180 or 200 gram LP is sometimes also referred to as an audiophile pressing, there is a higher bass response and an even warmer High Fidelity sound. 180 or 200 grams LP's are typically manufactured in limited amounts and are considered collectibles, commanding a higher price.
Typically, a vinyl reissue is a repressing of an original LP, usually extracted from the recording's master-tapes. In some cases, reissues are remastered to lower surface noise and improve overall sonics. Reissues help preserve the music of an original recording, especially when original LPs become unavailable or can no longer be found. Reissues can be pressed on a variety of thickness from 150 gram to 200 gram and offer a great opportunity for records collectors to own many classic recordings.
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