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Anthology of Interplanetary Folk Music Vol. 1: Nommos / Visiting (Awaiting Repress)Includes Detailed Artwork And Two Essays By Leon
Craig Leonís seminal synthesizer albums Nommos and Visiting are finally re-editioned in definitive form as the Anthology of Interplanetary Folk Music Vol. 1 for RVNG Intl.ís archival series.
Issued respectively by John Faheyís Takoma record label in 1980 and Leonís Arbitor private press in 1982, Nommos and Visiting were the twin brainchildren of studio wizard Craig Leon. Leonís production was pivotal in realizing the debut recordings by Ramones, Blondie, Richard Hell and Suicide. While those albums broke ground in new worlds of sound, Leonís own debut album was arguably, if not literally, more alien.
In 1973 , the Brooklyn Museum hosted a comprehensive collection of sculptures by the Dogon of the Republic of Mali, a tribe whose religion is based in reveries and recollections of a visit from an extraterrestrial species they named Nommos. Years after experiencing the exhibit, Leon remained fascinated by the idea of alien visitors sharing not just stories of their home-planet, but musical traditions as well. For the classically trained Leon, a puzzle was presented and a challenge in place: what would music sound like if handed down from an ancient alien species? And how best to imagine it?
Upon meeting Fahey in the late 70s, Leon pitched the concept as an opportune time to employ the latest and greatest synthesizer technology available. An avant empathist and eternally free spirit, Fahey enthusiastically green-lighted the project for his Takoma imprint. After a secluded week in an Austin, Texas studio with his partner, wife and collaborator Cassell Webb, Leon returned with a collection of incorporeal melodies generated by the Oberheim OB-X, Roland JP-4 and Arp 2600 synthesizers propelled by primitive rhythms programmed on a prototype of Roger Linnís nascent drum-machine, the LM-1.
Issued by Fahey with zero expectation of the same radio airplay Leon accomplished with his pop productions, Nommos now stands as an innovative example of cosmic-synth composition that wasnít made for its time or any other. For this edition, Leon has in fact re-animated Nommos by re-recording the exact audio signals as preserved in the albumís original studio notes. Every patch, tape-delay speed and outboard setting was transcribed as first scored, materializing the best possible audio from an album whose masters were lost in major label merger milieu years ago.
Additionally, the re-master of Visiting was supervised firsthand by Leon. As its title suggests, Visiting materialized in 1982 as a conceptual continuation of Nommos. The album is in equal measure more improvisatory and constructed than its predecessor. Both albums were intended to be listened to as a set in the first volume of Leonís Anthology of Interplanetary Folk Music (the title was an homage to Harry Smithís influential collection of folk music issued two decades prior). A creative evolutionist, Leon made subtle edits and compositional additions to both albums to enhance the connectivity and encourage infinite interpretation.
While reissues and bootlegs have appeared to relieve the demand for these records, this collection will stand as the first ever version authorized by Craig Leon himself. The vinyl edition will be housed in a 2xLP set that includes detailed artwork and two essays by Leon. The first tells the complete story of the stargazing Dogon people and their prescient understanding of cosmology. The second details Leonís adventure in creating the Anthology of Interplanetary Folk Music Vol. 1, an epic story bookended on this side of history as one seamless synth classic.1. Ring With Three Concentric Discs
2. Donkeys Bearing Cups
4. Four Eyes To See The Afterlife
5. She Wears A Hemispherical Skullcap
6. One Hundred Steps
7. Region of Fleeing Civilians
8. Three Small Coins
10. Details Suggest Fidelity To Fact
11. The Customs of the Age Disturbed
$29.99Vinyl LP - 2 LPs SealedAWAITING REPRESS Buy Now