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10 Years After'
REDI-SUN-6618xTen Years After
Ten Years AfterA Premium RTI Pressing, From The Original U.K. Mono Masters
Ten Years After's self-titled debut hit the British blues scene with the subtlety and precision of a wrecking ball in 1967, serving notice that what had once been confined to steamy haunts in London was now there for the world to hear. And by the time the band electrified half a million hippies at Woodstock two years later, the world was roaring its approval. Cut live with vocals overdubbed later, Ten Years After is an impressive debut, showing off a tight band steeped not only in blues, but rockabilly, jazz, folk and even occasionally psychedelia. They rival Cream on a powerful cover of "Spoonful," which sports a heavy rhythm drive also evident on their extended jam version of "Help Me" that builds and builds to stratospheric heights. The latter allows Alvin Lee to cut loose with the fast licks for which he would become best known, but he was also capable of subtler, more impressionistic soloing on a stellar remake of the Blues Project's "I Can't Keep From Crying, Sometimes." If those three aren't enough evidence of the band's ability, then a spruced-up "I Want to Know," first done by Eric Clapton and the Powerhouse on the legendary What's Shakin' comp (also reissued by Sundazed), certainly seals the deal. But even at this early stage, Ten Years After was no cover act - throwing originals like the Robert Johnson-inspired "Love Until I Die," the country acoustic blues of "Don't Want You Woman" and the swingin' boogie of "Feel It for Me" into the mix. It was no one-man show, either - as organist Chick Churchill takes the lead on "Adventures of a Young Organ" and buttresses "Losing the Dogs" with some rollicking Jerry Lee Lewis piano. And beneath it all, there was the metronomic telepathy of the Ric Lee/Leo Lyons rhythm section. The best way to hear this classic album is in its punchier mono mix, available on vinyl for the first time in 50 years and faithfully packaged with all of the original iridescent psychedelic cover art intact.
Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill's haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!1. I Want To Know
2. I Can't Keep From Crying, Sometimes
3. Adventures Of A Young Organ
5. Losing The Dogs
6. Feel It For Me
7. Love Until I Die
8. Don't Want You, Woman
9. Help Me$24.99Vinyl LP Mono - Sealed Buy Now
REDI-SUN-6816xTen Years After
StonedhengeA Premium RTI Pressing, From The Original U.K. Mono Masters
Ten Years After's eponymous debut hit the door with a loud thud. Undead cracked it. And with 1969's Stonedhenge, they knocked it down with authority, stormed the palace and showed the world that they were indeed a major act. Stonedhenge was where Ten Years After really came into their own with originals. "Hear Me Calling" is brilliant modern blues on par with the best of early Fleetwood Mac, rising from a restrained beginning to all-out rocking before repeating the cycle one last time. "Going to Try" explores similar territory, even venturing into a Middle-Eastern inspired section underscored by randomized percussion overdubs and Chick Churchill's psychedelic organ. "Woman Trouble" is stirring jazzy blues, and on "No Title," the band really cuts loose - kicking off with a standard blues lament before unleashing a series of solos that are almost songs unto themselves: Alvin Lee's power-chord solo making way for Churchill's spooky organ making way for a badass jam between drummer Ric Lee and bassist Leo Lyons. The band was running like a freight train - and in fact, train noises grace the beginning of album finale "Speed Kills," a bluesy boogie that pushes the meter straight into the red before the thrill-ride literally comes to a screeching halt. But not before the album fully displays the band's world-class musicianship and songwriting, which made Stonedhenge a hit in the UK and gave Ten Years After their first-ever Billboard Top 100 entry, at a respectable #61 in April 1969. In turn, it paved the way for the band's acclaimed performance at Woodstock, which ensured regular placement on the album charts for years to come.
For now, dig the first vinyl reissue of the ultra-rare mono mix of Stonedhenge, housed in its original gatefold cover artwork and meticulously mastered for the most discerning listener.
Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill's haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!1. Going To Try
2. I Can't Live Without Lydia
3. Woman Trouble
5. Hear Me Calling
6. A Sad Song
7. Three Blind Mice
8. No Title
10. Speed Kills$24.99Vinyl LP Mono - Sealed Buy Now
REDI-SUN-6717xTen Years After
UndeadA Premium RTI Pressing, From The Original U.K. Mono Masters
Immortalized on the silver screen, Ten Years After's landmark performance of "I'm Going Home" at Woodstock galvanized their reputation as road warriors capable of rousing large crowds - such as the 400,000 festival-goers mesmerized by Alvin Lee's white lightning on his bright red Gibson ES-335."I'm Going Home" could also light up a room as small as Klooks Kleek in London, as heard on their second album, 1968's Undead. But while it was the first recording of the song (with wires running from Decca Studios next door to capture it), it hardly came from nowhere. Alvin Lee and bassist Leo Lyons learned the value of extended jamming as far back as 1962 while playing Hamburg in the Jaybirds, and not long after they began covering Gene Vincent's "I'm Going Home (To See My Baby)" in Ten Years After - it was reworked into something entirely original. Or more specifically: stripped down, repainted, rebuilt and retooled into a drag racer that would scorch crowds for years to come. Undead was the first recorded evidence of that live legacy. Condensed to the best five of the May 14, 1968, set, the album sees the band do further long bluesy jamming with "I May Be Wrong, But I Won't Be Wrong Always," "Spider in My Web," and pound Gershwin into submission (courtesy drummer Ric Lee) on "Summertime/Shantung Cabbage." And on a killer cover of "(At the) Woodchopper's Ball," the band's jazzy blues is hot enough to turn Woody Herman's classic into sawdust - replete with Alvin Lee and organist Chick Churchill trading solos. Rightly regarded as one of the best live albums of its era, Undead is reissued here in its rare mono mix, which has been out of print everywhere for nearly 50 years.It's very much alive on this vinyl edition, which features primo sound and the beautiful negative-image original cover.
Now Sundazed proudly presents the searing guitar of Alvin Lee & Chick Churchill's haunting organ textures as they were meant to be heard, from the original U.K. MONO masters and pressed on premium RTI vinyl!1. I May Be Wrong, But I Won't Be Wrong Always
2. Woodchopper's Ball
3. Spider In My Web
4. Summertime/Shantung Cabbage
5. I'm Going Home$24.99Vinyl LP Mono - Sealed Buy Now
Undead - DeluxeImport
Expanded Vinyl Edition: Contains Material Previously Unissued On Vinyl
Notes By Ric Lee Of Ten Years After
Undead is a live album by Ten Years After, recorded live at the small jazz club, Klooks Kleek, in London on May 14th 1968, The show combined Blues, Boogie and Jazz playing that merged more traditional Rock and Roll with 50s-style Jump Blues. Alvin Lee, Leo Lyons, Chick Churchill and Ric Lee together became one of the biggest club attractions in England. Their music knows no compromise - it's straight down the line. It's loud and tough - but honest. Undead captures the excitement and raw energy of the band's live performances.
When originally released in 1968, the album was only 38 minutes long, due to the timing constraints of vinyl. As the band's tunes were all pretty long, there were only five tracks on the original issue. The expanded edition of Undead contains 4 additional tracks of the performance and is available on vinyl for the very first time. The remastered audio is pressed on 180 gram audiophile vinyl and Side D is beautifully etched.LP1
1. Rock Your Mama*
3. I May Be Wrong, But I Won't Be Wrong Always
1. Summertime Shantung Cabbage
2. Spider In Your Web
3. Woodchopper's Ball
4. Standing At The Crossroads*
1. I Can't Keep From Crying, Sometimes*
2. Extension On One Chord*
3. I Can't Keep From Crying, Sometimes*
4. I'm Going Home
*Previously Unissued On Original Vinyl Release$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Still Crazy After All These YearsThe third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks (My Little Town and Still Crazy After All These Years) with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another (Gone at Last) returned to the gospel style of earlier songs like Loves Me Like a Rock. Of course, My Little Town also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on 50 Ways to Leave Your Lover, which became the biggest solo hit of Simon's career. But elsewhere, as on Have a Good Time, the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.
- William Ruhlmann (All Music Guide)1. Still Crazy After All These Years
2. My Little Town
3. I'd Do It for Your Love
4. 50 Ways to Leave Your Lover
5. Night Game
6. Gone at Last
7. Some Folks' Lives Roll Easy
8. Have a Good Time
9. You're Kind
10. Silent Eyes$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Bad YearAfter the release of their 2014 debut EP The World Is A Terrible Place And I Hate Myself And Want To Die, The Weaks went to work on creating the best rock and roll record of the decade. Bad Year, the first full length record from The Weaks, is filled with more guitars than all of the songs you've heard on the radio in the last ten years combined. Slowly making their way towards superstardom, The Weaks have taken everything you love about Weezer, Superchunk and Cheap Trick and squeezed them Together in eleven tracks of purified rock.
The Weaks keep the same tongue in cheek Tomfoolery that earned them their cult following With The World Is A Terrible Place And I Hate Myself And Want To Die (see Bad Year tracks 2, 9 & 11), and just like on that EP, Bad Year's cheeky titling is backed up by well-crafted, beautifully recorded, brilliantly catchy songs. The songwritingduo of Evan Bernard and Chris Baglivo may be silly, but they are no joke. Alternating between shredding rockers and pop-y sing-alongs, The Weaks have put their back into delivering you your new favorite record.1. Kick It
3. Still Courting
4. Bad Year
7. Black Box
9. I Don't Want To Be An Anarchist (Anymore)
10. Welcome To Earth
11. Frances Quinlan Will Have Her Revenge On Philadelphia$17.99Vinyl LP - Sealed Buy Now
You Can't Imagine How Much Fun We're Having (10 Year Anniversary Edition)
Red & Green Vinyl
Includes an 8-page LP Lyric Booklet
With a career built on eight albums, dozens of side projects and over 18 years of touring, Atmosphere's classic album, You Can't Imagine How Much Fun We're Having, is back after being out of print on vinyl for several years. This limited 10 year anniversary edition, four piece vinyl comes newly packaged in a custom quad-fold LP jacket including two transparent green color vinyl containing the original album and two transparent red color vinyl containing the never before released instrumentals.$42.99Colored Vinyl LP - 4 LPs Sealed Buy Now
SPCO-SPE-139020xHerbert Von Karajan
Shostakovich: Symphony No. 10 (Speakers Corner)
Russia in the year 1953. After the October Revolution this was probably one of the most eventful epochs in the whole of the 20th century as far as social development and Art were concerned. When Stalin's reign of terror at last came to an end Shostakovich was able to realize his artistic ideas without fear of political persecution. And this is precisely the reason for regarding the premiere performance of his Tenth Symphony, in December 1953, as a gesture of freedom after years of discrimination. Shostakovich wanted his music to reflect human feelings and passions - and indeed the rugged first movement is filled with melancholy. Many biographers have identified a brutal portrait of the dictator Stalin in the strained mechanism and whip-lash rhythm of the following Allegro. The third and fourth movements take on a brighter character and are filled with song-like melody which leads to a splendid Finale.
Herbert von Karajan and his Berlin orchestra made the present recording just a few years after the work's composition; even today it is still considered one of the very best performances of this unique work.
Recording: November 1966 at Jesus-Christus-Kirche, Berlin, by GÜnter Hermanns and Hans Weber
Production: Otto Gerdes
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.Dmitri Shostakovich (1906-1975)
Symphony No. 10 in E minor, Op. 93
4. Andante - Allegro$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
TenRanked 207/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Ten, the debut album that sold 12 million copies and introduced the world to Pearl Jam in 1991, is now being reissued in four new and expanded editions. The reissue of Ten serves as the launch of a planned two-year catalog re-release campaign leading up to the bands 20th anniversary in 2011.
This edition of Ten is packaged on two vinyl LPs and includes two versions of the album: the remastered version of the original album plus an accompanying remixed version done by the bands long-time producer, Brendan OBrien (Bruce Springsteen, AC/DC, Audioslave).
The band loved the original mix of Ten, but were also interested in what it would sound like if I were to deconstruct and remix it, says producer Brendan OBrien. The original Ten sound is what millions of people bought, dug and loved, so I was initially hesitant to mess around with that. After years of persistent nudging from the band, I was able to wrap my head around the idea of offering it as a companion piece to the original, giving a fresh take on it, a more direct sound.
Pearl Jam bassist Jeff Ament, who served as the art director for the original Ten packaging, reprised his role for the reissues collaborating with designer, Andy Fischer, of Cameron Crowes Vinyl Films (Into the Wild soundtrack LP, Vanilla Sky soundtrack LP, Harold and Maude anniversary edition soundtrack LP). The goal was to assemble the ultimate fan-piece, explains Fischer. Something Pearl Jam lovers could pore over as they experience an indelible record all over again, in an entirely new way.
Pearl Jam originally released Ten on August 27, 1991. The album reached #2 on the Billboard 200 chart, sold over 12 million copies and became one of the cultural touchstones of the '90s. Songs such as Alive, Black, Even Flow and Jeremy became staples of rock radio, and still make frequent appearances on the bands ever-changing concert setlists. The album was produced by Rick Parasher. Pearl Jams 1991 lineup was Jeff Ament (bass), Stone Gossard (guitar), Dave Krusen (drums), Mike McCready (guitar) and Eddie Vedder (vocals).LP 1: Original Ten Tracklisting Remastered for Vinyl
2. Even Flow
4. Why Go
LP 2: Original Ten Tracklisting Remastered for Vinyl and Remixed by Brendan OBrien
2. Even Flow
4. Why Go
11. Release$34.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-BLU-5717xRobert Glasper Experiment
Covered: The Robert Glasper Trio Recorded Live At Capitol Studios10 years after making his Blue Note debut & following 2 GRAMMY-winning volumes of his R&B-oriented Black
Radio albums, Robert Glasper returns to his acclaimed acoustic jazz trio for his new album, Covered (The Robert
Glasper Trio recorded live at Capitol Studios). The album will be released on Blue Note Records & consists
mainly of covers, including Glasper's favorite songs by Radiohead, Joni Mitchell, JhenÉ Aiko, John Legend,
Kendrick Lamar & more, as well as several Glasper originals.LP1
2. I Don't Even Care
5. In Case You Forgot
1. So Beautiful
2. The Worst
3. Good Morning
4. Stella By Starlight
6. Got Over
7. I'm Dying Of Thirst$24.99Vinyl LP - 2 LPs Sealed Buy Now
10 years after their first release, Trapped Under Ice brings you Heatwave. This phat LP is short, fast and hardcore; the way Straight Ahead intended, but played more like Fury of Five and Breakdown at a backyard party. For punks who've considered throwing a spin kick in jean shorts. Rhythmically, Heatwave is like a trailer park Sepultura. Check it out if you fuck with what TUI has been doing for the last decade. The same, but different.1. Backstabbed
3. No Relief
4. Do It
5. Throw It Away
6. Pressure Is On
8. Slow Death
10. Other Side
11. Move$17.99Colored Vinyl LP - Sealed Buy Now
OVSE-MOV-1533xTen Years After
Rock N Roll Music To The WorldImport
Ten Years After was founded in 1966 by keyboardist Chick Churchill, drummer Ric Lee, guitarist Alvin Lee and bassist Leo Lyons. The band experimented with a psychedelic sound during the late sixties through the early seventies along with their career making performance at Woodstock which introduced themselves to music fans in America.
During that era, Ten Years After charted several albums in the United States such as "Watt," "Cricklewood Green" and "A Space in Time." They also managed to chart two Top Forty singles "Love Like a Man" and "I'd Love to Change the World."
Rock & Roll Music to the World is the seventh album by the English Blues Rock band Ten Years After, released in 1972. Here, Ten Years After expanded on their boogie base and continued the hits. The title cut was the hit, and they continued to groove along in the boogie atmosphere.1. You Give Me Loving
2. Convention Prevention
3. Turned Off T.V. Blues
4. Standing At The Station
5. You Can't Win Them All
7. Choo Choo Mama
8. Tomorrow I'll Be Out Of Town
9. Rock & Roll Music To The World$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
A Sting In The TaleImport
New 2017 Album
First Pressing Of 1000 Numbered Copies On Gold Vinyl, Black Vinyl Thereafter
180 Gram Audiophile Vinyl
In 1967 four young musicians from Nottinghamshire, England formed Ten Years After. Alvin Lee, Chick Churchill, Ric Lee & Leo Lyons became one of the most explosive quartets on the world stage and cemented themselves as one of the biggest bands in Rock n Roll history.
The band scored eight Top 40 albums on the UK Albums Chart and twelve multimillion-selling albums on the US Billboard 200 between 1967 and 1974.
In 2014 founder members Ric Lee and Chick Churchill put Ten Years After back together with a new lineup. This new and exciting lineup features British Bass icon Colin Hodgkinson (Backdoor, Peter Green, Alexis Corner, Spencer Davis, Chris Rea, John Lord) and multi British Blues Award-winning guitarist and singer Marcus Bonfanti (Van Morrison, Ginger Baker, Ronnie Wood).
This new lineup has been touring extensively since 2013 with over 150 shows under their belt and has received rave reviews from all corners of the world as they continue to produce the high energy of a vintage Ten Years After show 50 years down the line.
To tie in with the bands 50th anniversary in 2017, Ten Years After have recorded a studio album of original material A Sting In The Tale due for worldwide release in September and are touring throughout the year to promote both the anniversary and new release.1. Land Of The Vandals
2. Iron Horse
3. Miss Constable
4. Up In Smoke
5. Retired Hurt
6. Suranne Suranne
7. Stoned Alone
8. Two Lost Souls
9. Diamond Girl
10. Last Night Of The Bottle
11. Guitar Hero
12. Silverspoon Lady$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Friday Night Rock Show Sessions (Awaiting Repress)Import
BBC Friday Night Rock Show Session, Recorded Prior To Their Reading Rock Festival Gig
Now In Its Entirety As A 2LP SetLP1
1. Love Like A Man
2. Good Morning Little Schoolgirl
3. Slow Blues In "C"
4. Suzie Q
2. I May Be Wrong
3. But I Won't Be Wrong Always
4. I Can't Keep From Cryin' Sometimes/ Extension On One Chord
5. Going Home$43.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
The Miseducation Of Lauryn HillRanked 312/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
'The Miseducation of Lauryn Hill' is the critically and commercially acclaimed solo album by female Fugee Lauryn Hill. Originally released on August 25th, 1998, it has been widely praised for its seamless fusion of R&B, Hip Hop, Reggae, Gospel, and Neo-Soul. The songs vary in style, but make for a cohesive album. In 1999, the album garnered 10 Grammy nominations at the 41st Grammy Awards. When Hill won 5 Grammies that night, her achievement made her the first female to receive that many in one night. The album includes collaborations with soul singer D'Angelo on Nothing Even Matters; guitarist Carlos Santana on To Zion; singer Mary J. Blige on I Used to Love Him and well as then little-known John Legend playing the piano on Everything is Everything.
Over 10 years after its original release Hill's debut solo album has proven to stand the test of time easily.1. Intro
2. Lost Ones
4. To Zion
5. Doo Wop (That Thing)
7. Final Hour
8. When It Hurts So Bad
9. I Used To Love Him
10. Forgive Them Father
11. Every Ghetto, Every City
12. Nothing Even Matters
13. Everything Is Everything
14. The Miseducation Of Lauryn Hill
15. Can't Take My Eyes Off Of You
16. Tell Him$29.99Vinyl LP - 2 LPs Sealed Buy Now
Transatlanticism: 10th Anniversary Edition
Reissued For Its 10th Anniversary After Being Out Of Print For Years.
Comes With 12-page Full-color Booklet
As musical lunacy goes, things have gotten as crazy as it gets for Death Cab for Cutie since 2002's You Can Play These Songs with Chords compilation. A wildly successful tour with Dismemberment Plan, a collaboration for singer Ben Gibbard with emo-electronic guru Dntel under the Postal Service moniker, and a whole new legion of fans swooning to Gibbard's lyrics as if he were a modern day answer to Kiss Me-era Robert Smith have all amassed considerable hype around Transatlanticism.
But the group proves themselves more than equal to the task, answering the call and proving the cynics wrong with their most focused and most mature work in their entire catalog. Transatlanticism wastes absolutely no time and dives in head first with The New Year, one of the most melodramatic openings to an album since the Smashing Pumpkins' Tonight, Tonight from Mellon Collie and the Infinite Sadness. The mellow, mixed-meter percussion and dense atmosphere of Lightness is a brilliant lead into the pop-happy Expo '86 and The Sound of Settling before setting up the climatic and intensely dramatic title track. Unconsciously taking a page from Blur's Sing, the hypnotic drumming and guitar call and responses through the eight-minute climax of the album are backed with a singalong finale that unquestionably will have every audience on the next tour singing along and holding up their lighters.
And while most albums would be left exhausted after such a track, the group keeps things moving, albeit at a much slower pace than compared to the anthems that packed the first half. Gibbard seamlessly makes the transition between songs that full out rock to songs that are comparable to Elliott Smith's finest hour with great ease. But it's Gibbard's poetic lyrics and signature introspection that remain a bench mark for Death Cab; and it's the group's maturity as musicians as well as songwriters that make Transatlanticism such a decadently good listen from start to finish. The band has never sounded more cohesive, the track sequencing is brilliant, and it caps off a triumphant year for not only Gibbard, but a band whose time and greater recognition is finally due.
- Rob Theakston (All Music Guide)LP 1
1. The New Year
3. Title And Registration
4. Expo '86
5. The Sound Of Settling
6. Tiny Vessels
2. Passenger Seat
3. Death Of An Interior Decorator
4. We Looked Like Giants
5. A Lack Of Color$27.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Cult Favorite, Back In Print After 10+ Years
"Some of the most exciting rock songs of the last decade" -Pitchfork
"Probably weren't the first mid-90s band to have their knotty guitar textures and algebraic time signtures called "math rock," but they might have been the best" -Entertainment Weekly
Chavez debut album from 1995.1. Nailed To The Blank Spot
2. Break Up Your Band
3. Laugh Track
4. The Ghost By The Sea
5. Pentagram Ring
6. Peeled Out Too Late
7. The Flaming Gong
8. Wakeman's Air
9. Relaxed Fit$19.99Vinyl LP - Sealed Buy Now
Ride The Fader
Cult Favorite, Back In Print After 10+ Years
"Some of the most exciting rock songs of the last decade" -Pitchfork
"Probably weren't the first mid-90s band to have their knotty guitar textures and algebraic time signtures called "math rock," but they might have been the best" -Entertainment Weekly
The second album from Chavez, originally released in 19961. Top Pocket Man
2. The Guard Attacks
3. Unreal Is Here
4. New Room
5. Tight Around The Jaws
7. Our Boys Will Shine Tonight
8. Memorize This Face
9. Cold Joys
10. Flight '96
11. Ever Overpsyched
12. You Must Be Stopped$19.99Vinyl LP - Sealed Buy Now
Disarm The Descent (Colored Vinyl)Gold Colored Vinyl
Disarm The Descent marks the return of original singer Jesse Leach to Killswitch Engage. Leach was the voice behind the genre defining release Alive Or Just Breathing. This new album has been hailed as one of the most anticipated releases of 2013 by magazines, blogs and most importantly the fans who are eagerly welcoming Jesse back into the band after 10 years away.1. The Hell In Me
2. Beyond The Flames
3. New Awakening
4. In Due Time
5. A Tribute To The Fallen
6. The Turning Point
7. All That We Have
8. You Don t Bleed For Me
9. The Call
10. No End In Sight
12. Time Will Not Remain$29.99Colored Vinyl LP - Sealed Buy Now
These Ghosts Have BonesMiles Zuniga is the singer, guitarist in Fastball. He's written several songs with other artists including Spoon, The Dandy Warhols and Vince Gill. These Ghosts Have Bones is Miles Zuniga's debut solo album. After a 10 year relationship ended, Miles decided to use the recording studio as a giant therapy session. Miles raised $27,000 on Kickstarter to pay for the record. Bob Clearmountain mixed the album.1. Marfa Moonlight
2. Rock Paper Scissors
3. Feel It In Your Kiss
4. The Weatherman
7. Now She's Just A Shadow
8. One Day Closer To You
9. Working On A Love Song
10. Junkie Hands
11. You Can't Break My Heart$15.99Vinyl LP - Sealed Buy Now
Unden!able (Awaiting Repress)
Deluxe 2 LP 180g Color Vinyl With Souvenir Patch
4 Bonus Tracks
After 10 years, 4 albums and countless global tours as headliners and as participants on can't-miss rock festival bills, and sales of hundreds of thousands of albums, HELLYEAH will be making their biggest and boldest statement yet with their upcoming fifth album, Unden!able.
The momentum has been building with each album since the members of Pantera, Mudvayne, and Nothingface first joined forces. They have now had mass radio and video airplay that weekly reaches 2 million fans across multiple platforms.
Unden!able was produced by Kevin Churko (Ozzy Osbourne, Five Finger Death Punch, Papa Roach to name a few).1. !
3. Scratch a Lie
4. Be Unden!able
6. Leap of Faith
7. Blood Plague
8. I Don't Care Anymore
9. Live or Die
10. Love Falls
14. Demons in the Dirt (Live in Australia 2015) - BONUS
15. Moth (Live in Australia 2015) - BONUS
16. Cross to Bier (Live in Australia 2015) - BONUS
17. Hush (Live in Australia 2015) - BONUS$30.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
ForthEver since The Verve was thrust into superstardom with their international smash hit, Bittersweet Symphony there has been enormous anticipation for a new studio album from the original line-up of Richard Ashcroft, Nick McCabe, Simon Jones and Pete Salisbury. After 10 long years, we finally get our wish. Fusing psychedelia with majestic arrangements and wickedly smart lyrics, The Verve's new album, Forth embraces a melodic sensibility and musical landscape at its peak. With Forth, The Verve are intent on proving once again why they are one of rock's greatest bands.1. Sit and Wonder
2. Love Is Noise
3. Rather Be
6. I See Houses
7. Noise Epic
8. Valium Skies
10. Appalachian Springs$39.99Vinyl LP - 2 LPs Sealed Buy Now
Mack DaddyMack Daddy is the third album from Sir Mix-a-Lot. It was originally released on February 4, 1992, on Def American Recordings and features the hit single, Baby Got Back. The single spent 5 weeks at #1 on Billboard's Hot 100 and sold more than 2 million copies. Only Whitney Houston's I Will Always Love You sold better in 1992. Continuing with its Respect The Classics campaign, UMe will be reissuing this album back on vinyl after being out of print for over 10 years1. One Time's Got No Case
2. Mack Daddy
3. Baby Got Back
4. Swap Meet Louie
5. Seattle Ain't Bullshittin'
7. The Boss Is Back
9. A Rapper's Reputation
10. Sprung On The Cat
11. The Jack Back
12. I'm Your New God
13. No Holds Barred$24.99Vinyl LP - Sealed Buy Now
XVIIIEighteen Visions are back! They have returned after a 10 year hiatus, bringing with them
their explosive new offering, XVIII. While 10 years have passed since the band's last effort,
Eighteen Visions have retained their ability to craft hardcore rock anthems that are both
melodic and metal at the same time. They've picked up right where they left off, and XVIII
is proof with 10 in your face songs that are both aggressive and canorous.
Eighteen Visions were always a bit ahead of their time, but they were one of the few bands that were able to
make the jump from headlining small sweaty clubs in America to becoming a full force rock
band headlining major tours and festivals all around the world and supporting larger acts like
Avenged Sevenfold, Coheed and Cambria, Hinder, Bullet for My Valentine and HIM.
Eighteen Visions have always had a very loyal following that felt more like a family than a fan
base, which led to their global success and dominance. Because of this, Eighteen Visions' past
albums have been consumed over 200,000 times in the US alone.
Eighteen Visions didn't reunite for any reason other than their love of making music together,
and a desire to once again share their love of aggression with the world. XVIII feels like a
gift, not just to the rabid fan base the band left behind, but to the legacy they created.
XVIII is an album that will be appreciated and valued for years to come.1. Crucified
2. The Disease, The Decline And Wasted Time
3. Underneath My Gun
4. Live Again
5. Laid To Waste In The Shit Of Man
8. Picture Perfect
9. Fake Leather Jacket
10. For This I Sacrifice$18.99Colored Vinyl LP - Sealed Buy Now