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  • MTV Unplugged - Summer Solstice MTV Unplugged - Summer Solstice Quick View

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    MTV Unplugged - Summer Solstice

    In the land of the midnight sun, the clocks tick slightly different than they do elsewhere. This is especially true during the summer solstice, when the sun hardly sets at all, bathing the small Norwegian island of Giske - where a-ha played their first ever two acoustic concerts - in an eerie twilight.


    Giske is a tiny island in close proximity to the city of Ålesund on the shore of the North Atlantic Ocean - a popular city much frequented by day trippers arriving on huge cruise ships during Norway's short yet intense summer season. But a-ha's audience didn't get to Giske on such boats. Coming from destinations all over the world, for them getting to Giske meant embarking on a plane to Oslo and from there to Ålesund. And from there you finally have to drive through a series of seemingly endless and frighteningly deep undersea tunnels to reach Giske, an island so beautiful and, well, remote, that one immediately wonders why a-ha handpicked this specific location to play their long awaited first MTV Unplugged shows on the night of the 2017 summer solstice, right where the world seems to end.


    Pål Waaktaar-Savoy: "Choosing Giske is like most of the things we do: It's been 50% chance and 50% planned. We were discussing many different places to play these special shows - among them Manaus in the Amazon jungle, Berlin, London and New York. At the end of the day it was the Ocean Sound Recordings studio in Giske that made the difference. We knew that we could rehearse undisturbed in an extremely good sounding facility."


    a-ha booked the Ocean Sound Recordings studio, which looks out onto the ocean, to revisit their own back catalogue for two weeks together with producer Lars Horntveth, who had already been working on the acoustic arrangements for more than half a year. The nearby Øygardshallen (Giske Harbour Hall) turned out to be the perfect venue to stage their two first ever acoustic shows: They simply had to lay cables from A to B and then were able to use the studio at Ocean Sound Recordings to capture the shows perfectly. a-ha performed in front of an audience of just 250 people - the Øygardshallen's glass front allowed the audience to gaze out into the pale night and onto a number of LED video steles that had been set up behind the band, serving as a minimalist backdrop to the concert. Suffice to say, the concerts were sold-out within minutes, as a-ha were to play "concerts so close to our audience like never before". As Magne Furuholmen puts it: "These were by far the most intimate concerts we've ever given."


    Yet the beauty of the North Atlantic Ocean, the light of the midnight sun and the exclusivity of the concerts are only one half of the story. The other half is that the idea of a-ha playing their vast catalogue of world hits stripped down to their very essence is indeed a promising endeavor.


    Pål: "We've talked about this idea for so many years. And in many of our concerts we've also played some acoustic songs. But if you consider that we don't use much technology at all when we write the songs, the idea an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins."


    Magne expands the thought in a more universal direction: "Most of our songs draw inspiration from a childhood directly exposed to Norwegian culture, even the folk music tradition, perhaps more so than we thought. We were constantly faced with questions from journalists implying how our 'Norwgian-ness' was a unique part of our sound, even though we lived and worked in London.


    As a creative person it is almost easier to tap into this nordic mindest from a distance. History is full of good examples of how iconic Norwegians in the past did their best work away from home; The writer Henrik Ibsen wrote on universal topics with a strong Norwegian tone while living in Italy, Edvard Munch's melancholic force defined expressionism while living in Berlin - yet he simply couldn't be from anywhere but this country. And of course there is Edvard Grieg, who took a lot of inspiration directly from folk music. His music always felt particularly resonant in our ears growing up. With such strong figures and influences defining what it is to be a Norwegian, it becomes part of what you are. Our darker, melancholic streak definitely harks back to these early influences. We feel connected to all that, which is why we thought returning home for this project was a very natural step.


    Morten Harket stresses the fact how crucial it was to have arranger/producer Lars Horntveth on board as a catalyst and fearlessly driving force behind the scenes: "He confronted our music by presenting completely new arrangements, also taking out 'untouchable' parts, which easily came across as being disrespectful. I say this as a compliment, by the way... And of course we hated it! But we also needed it! This was exactly what we had asked of him. We needed someone who would boldly question everything that we stood for as a band - someone who could stand up to us. Of course it led to shouting matches. It's part of the creative process. Lars deserves the credit for bringing the band closer together than we have been for a very long time."


    For the MTV Unplugged shows, a-ha played 17 songs in completely new arrangements as well as two new songs and two cover versions on vintage acoustic instruments, accompanied by a backing band featuring Karl Oluf Wennerberg on drums, Even Ormestad on acoustic bass, Morten Qvenild on piano and various acoustic keyboards, Lars Horntveth on multiple instruments and Madeleine Ossum on violin and vocals, Tove Margrethe Erikstad on cello and Emilie Heldal Lidsheim on viola and backing vocals. Furthermore, a total of four guest stars served as duet partners for Morten Harket. Most notably, Echo & The Bunnymen's Ian McCulloch had been invited by Magne Furuholmen to sing "Scoundrel Days" and Ian's very own "The Killing Moon" on the first of the two shows. On the second night, a-ha were joined by Alison Moyet of Yazoo fame to duet with Morten on "Summer Moved On". Highasakite's Ingrid Helene Håvik guested on "The Sun Always Shines on TV" on both nights, while, last but not least, American singer Lissie did the same on "I've Been Losing You".


    "In the cacophonic world of popular music, with its high-impact effects and productions, the music is often somewhat lost as it ends up being premeditated." Morten Harket addresses the subject of subtlety: "The world of pop is a world where everything always has to be more than anything else."


    Attending the concerts and the last full day of the rehearsals, you could tell that the whole group and especially Morten did indeed try to reveal the soul of each and every song performed. During the last run-through on the day before the first night the band took things extremely seriously. Songs were started, stopped and deconstructed. Discussions between Morten and the group as well as with the recording engineers dealt with the tiniest details of sound, cohesiveness and attitude. As a result, the two shows benefited profoundly, both in terms of microstructure (the new arrangements reveal so much of the songs' essences), as well as in that the overall dramaturgic arc of the concerts, which steadily built towards a climax that would astound even the most dedicated follower of the group. During the encore, a-ha would play - "as usual" - their first and biggest hit to date, "Take On Me". But an unexpected chord change in the chorus and the skeletal arrangement not only allowed a new perspective on the song's lyrics, it also left the audience with tears in their eyes.


    Magne: "When you rearrange songs for an acoustic rendition it is also an opportunity to do more than to just simplify them. I especially like what happened when we took a fresh look at Take on me, which went from being an uptempo syntheziser-driven popsong to a much more melancholic, yearning ballad in this slowed down arrangement, it shows with much more clarity how the song at its core is not some standalone upbeat track, but belongs squarely inside our catalogue alongside more thoughtful, darker songs like scoundrel days etc.


    There are only a few bands in the world who can look back on similarly close ties with the music channel MTV as a-ha. Alongside the likes of Duran Duran and Yello, in 1985 a-ha were worldwide pioneers who immediately understood the power of the music video as both a narrative and commercial tool. Steve Barron's classic "Take On Me" clip is still a milestone of music video and in 2003 was voted by the MTV audience as one of the top ten best videos ever made. There have long been efforts by a-ha and MTV to organize an Unplugged concert.


    The fact that the two MTV Unplugged concerts in June 2017 actually took place on Giske also left a deep impression on a-ha themselves. Like every other band that has been successful on a worldwide scale for over three decades, a-ha have had their share of problems, split-ups and re-unifications. A thoughtful Magne reflects: "After such a long time, a-ha have now become a band that simply continues from project to project. This turned out to be a very healthy approach for the three of us, because going acoustic also had the taste of a new project."


    Pål: "When we recorded our last few albums, we were sometimes working pretty isolated from each other. We should do this again - sitting and recording in the same room together for a couple of weeks or months and see what comes out as a result. We may argue about a lot of things, but we are also a band that has very close ties."


    After the closing applause that seemed would never end, the band left the stage and walked out of Øygardshallen into the living daylights. Having performed two triumphant concerts together, the three band mates climbed into three separate vehicles and headed off into the sunlit night. But everybody in the audience had a feeling that a-ha had now just opened a brand new chapter in their unparalleled career. To quote a line from one of the highlights of these unplugged shows: "Cause I've been told / Stay on these roads / We shall meet, I know."


    -Max Dax

    LP 1
    1. This Is Our Home (Live from MTV Unplugged, Giske / 2017)
    2. Lifelines (Live from MTV Unplugged, Giske / 2017)
    3. I've Been Losing You (Live from MTV Unplugged, Giske / 2017)
    4. Analogue (All I Want) (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. The Sun Always Shines on TV (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. A Break in the Clouds (Live from MTV Unplugged, Giske / 2017)
    7. Foot of the Mountain (Live from MTV Unplugged, Giske / 2017 / LP Edit)


    LP 2
    1. Stay on These Roads (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    2. This Alone Is Love (Live from MTV Unplugged, Giske / 2017)
    3. Over the Treetops (Live from MTV Unplugged, Giske / 2017)
    4. Forever Not Yours (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. Sox of the Fox (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. Scoundrel Days (Live from MTV Unplugged, Giske / 2017)
    7. The Killing Moon (Live from MTV Unplugged, Giske / 2017 / LP Edit)


    LP 3
    1. Summer Moved on (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    2. Memorial Beach (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    3. Living a Boy's Adventure Tale (Live from MTV Unplugged, Giske / 2017)
    4. Manhattan Skyline (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    5. The Living Daylights (Live from MTV Unplugged, Giske / 2017 / LP Edit)
    6. Hunting High and Low (Live from MTV Unplugged, Giske / 2017)
    7. Ake on Me (Live from MTV Unplugged, Giske / 2017)

    A-ha
    $45.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Hunting High And Low Hunting High And Low Quick View

    $21.99
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    Hunting High And Low

    Hunting High and Low is the debut studio album by the Norwegian new wave band A-ha. Originally released on 1 June 1985, the album was a huge commercial success selling more than 10 million units worldwide, peaking at number fifteen on the US Billboard 200 and reaching high positions on charts worldwide. The album was recorded at Eel Pie Studios in Twickenham, produced by Tony Mansfield, John Ratcliff and Alan Tarney.
    1. Take On Me
    2. Train Of Thought
    3. Hunting High And Low
    4. The Blue Sky
    5. Living A Boy's Adventure Tale
    6. The Sun Always Shines On T.V.
    7. And You Tell Me
    8. Love Is Reason
    9. I Dream Myself Alive
    10. Here I Stand And Face The Rain
    A-ha
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Scoundrel Days Scoundrel Days Quick View

    $21.99
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    Scoundrel Days

    Scoundrel Days is the second full-length album by the new wave pop/rock band A-ha. It was originally released on 6 October 1986.
    1. Scoundrel Days
    2. The Swing Of Things
    3. I've Been Losing You
    4. October
    5. Manhattan Skyline
    6. Cry Wolf
    7. We're Looking For The Whales
    8. The Weight Of The Wind
    9. Maybe Maybe
    10. Soft Rains Of April
    A-ha
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Back To The Front Back To The Front Quick View

    $19.99
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    Back To The Front

    Explaining the relevance and influence of ENTOMBED is probably as superfluous as pointing out why Slayer rule, Lemmy is bigger than God and Dio the greatest loss in metal history. A legend is a legend. Fullstop. F**k off!


    If you still require a proper explanation that is less shot from the hip, well let us start with this: The Swedish Death Metal forefathers and genre innovators have inspired tons of bands all around the globe with their invincible trademark sound. However, as the band's last album "Serpent Saints - The Ten Amendments" dates back to 2007, there is definitely more than a good reason for a bit of catch-up and ask why it took so long to finish the band's superb 10th opus, programmatically titled "Back To the Front", vocalist extraordinaire L-G Petrov states:


    ""Serpents " was a fairly good album but a little weak compared to previous works and the distribution wasn't that great yet we continued playing shows throughout the past years but never really got going with new songs. At some point we decided that it was time for a new album, so we sat down and played riffs that we had from before as well as many new riffs and started putting them together which really sparked our motivation. That really gave us a push! We feel that this is the best album so far in many years and I think you can hear it on the album!"


    Thematically, the will and determination to back up such words with fantastic songs is reflected in the powerful album title and part of the concept of the record as guitarist Nico Elgstrand describes:


    "A lot of the album is about being at war in different ways and struggles/shortcomings of mankind, so we felt that "Back To The Front" fitted really well. It has a military reference obviously and we also feel like a platoon (ha ha, a small platoon) that has been behind the frontlines for a long time anxious to get back into battle. Not mean and lean but rather fat and bored and really keen on getting back to what we do best, which of course is to kill! Metaphorically speaking needless to say, ha ha. Also it is a very direct way of saying we've been away for way too long, we know and that we will now aim to stay at the front until the friggin' battle is won! The cavalry has finally arrived if you will (without horses though, ha ha)!"


    Well spoken, Sir, yet expectations will be incredibly high on this one as ENTOMBED's roots and legacy goes way back into the year 1987 when they formed under the name NIHILIST. In 1989 the formation changed its name to ENTOMBED and together with Morbid (for whom singer LG played drums), Treblinka/Tiamat, Grave and Dismember, ENTOMBED/NIHILIST established themselves among the earliest bands to forge the immortal Swedish death metal sound that became really popular and unique due to its punkish roots and especially that chainsaw guitar sound, today inseparably linked to terms like "Skogsberg", "Sunlight Studio" or just "Stockholm sound". Inspired by such diverse acts as Autopsy, Motörhead, Discharge or Kiss, over the years ENTOMBED did not shy away from thinking outside of the coffin resulting in a style some fans called Death'n'Roll but in the end it was, is and will be just a band with a style and impact entirely their own.


    So, what awaits the listener on "Back To The Front"? Produced by Roberto Laghi (In Flames, Hardcore Superstar) at Studio Bohus (Abba, Europe) in KunÄlv, it's 666% true to the ENTOMBED everybody loves. While not falling for total regression back to the early classics "Left Hand Path" or "Clandestine", it is a total bone-crushing opus that will have fans of all periods cry tears of joy and even the most stubborn fan of the early days join in shame. "The goal was to have riffs that felt fresh and exciting, to make an album that felt old school as well as fresh and up to date, showing who ENTOMBED are today," L-G puts it quite simply and Nico continues: "I thoroughly enjoy the fact that I find it super hard to pick 2 or 3 songs as the best of it, because i really like 'em all. I think that they all have something new and fresh yet it feels very old school in some way. "Kill To Live" with its surprising ENTOMBED-intro turned out very cool and the track also has an almost cinematic yet classic metal feel to it, dunno why, but it just invigorates me. "Second To None" kinda makes me wanna drive a tank while listening, and that to me is how proper metal should sound! It makes you wanna do mighty things so to speak!"


    From the morbid, pissed-off lyrics over detuned, massive riffs to the inimitable brick-heavy groove and LG Petrov's titanic roar, "Back To The Front" not only musically but also visually with its stunning painting by Necropolitus Cracoviensis Zbgniew Bielak II (Watain, Ghost, Vader) seems to send a respectful nod to the old school as L-G confirms: "The skull will always be a part of ENTOMBED. I totally agree, we have taken away some of the rock parts and gone with more metal, and I think fans new and old will appreciate that."


    With European touring under way in December with label mates and black metal genre leaders WATAIN - vocalist Erik actually penned lyrics for the song "Carnage" (from "When In Sodom" EP, 2006) - and former band member Nicke Andersson contributed parts to the new song "Vulture And The Traitor", the Swedish metal platoon ENTOMBED anno 2013 has all its weapons polished and reloaded and is ready to shatter the entire music scene with an uncompromising full frontal assault. So, let us all enjoy "Back To The Front" and celebrate the fact that the legend called ENTOMBED has finally returned. Goddamn!

    1. Kill To Live
    2. Bedlam Strike
    3. The Underminer
    4. Second To None
    5. Allegiance
    6. Waiting For Death
    7. Eternal Woe
    8. Digitus Medius
    9. Vulture And The Traitor
    10. Pandemic Rage
    11. Soldier Of No Fortune
    Entombed A.D.
    $19.99
    Vinyl LP - Sealed Buy Now
  • Black Soul Choir Black Soul Choir Quick View

    $22.99
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    Black Soul Choir

    Norway's WOLVES LIKE US return triumphant with their new album "Black Soul Choir," the follow-up to their acclaimed 2011 debut "Late Love," which is scheduled for release in North America in 2014.


    Widely hailed across Europe and Scandinavia for their urgent, post-hardcore-fueled mix of alternative rock and punk, WOLVES LIKE US recorded "Black Soul Choir" with producer Mike Hartung - who is well-known for his work in Norway with a diverse array of artists from a-ha to Satyricon - at the famous Propeller Studios in Oslo. The group has toured extensively overseas with the likes of Kvelertak, Swing Kids and label mates Junius, along with appearing at prestigious festivals (OYA, Groezrock).

    1. Days Of Ignorance
    2. Three Poisons
    3. Don't Need To Be Forgiven
    4. A Wish Of Fools
    5. When Will We Ever Sleep
    6. Your Word Is Law
    7. Dig With Your Hands
    8. Lovescared
    9. Under
    10. We Were Blood
    11. Thanatos Wins Again
    Wolves Like Us
    $22.99
    Vinyl LP - Sealed Buy Now
  • Momentum (Opaque Red Vinyl) Momentum (Opaque Red Vinyl) Quick View

    $21.99
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    Momentum (Opaque Red Vinyl)

    Pressed On Opaque Red Colored Vinyl


    Punk stalwarts GBH will release a new album, Momentum, via Hellcat Records. "We're always looking forward," says Colin Abrahall (vocals), "next gig, next tour, next album. For us, it is all about momentum. At this point, if we stopped moving forward we'd just fall over".


    Momentum was recorded at Muther's Studio in GBH's hometown of Birmingham, England. Colin explains: "We laid down all kinds of takes on the songs which made the mixing interesting as we'd send it all off to Michael (Rosen - Engineer) and him and Lars (Fredericksen - Rancid) would send back tracks. You'd think something was maybe a glitch or whatever and it'd come back and we'd listen and think 'that's f*cking amazing'!"


    GBH formed in 1978 in Birmingham, England. The band have released 11 albums, including City Baby Attacked By Rats (1982, Clay), City Babys Revenge (1982, Clay), Midnight Madness and Beyond (1986, Rough Justice), No Need To Panic (1987, Rough Justice), A Fridge Too Far (1989, Rough Justice), From Here To Reality (1990, Rough Justice), Church of the Truly Warped (1992, Rough Justice), Punk Junkies (1996, We Bite), Ha Ha (2002, Go Kart), Cruel and Unusual (2004, Idol), Perfume and Piss (2010, Hellcat).

    1. Birmingham Smiles
    2. Tripwire Strange
    3. No News
    4. Population Bomb
    5. Enemies
    6. Us Against The World
    7. Momentum
    8. The Perfect Storm
    9. Fifty What?
    10. I Never Asked For Any Of This
    11. Blue Sky Thinking
    12. Liquid Paradise (The Epic)
    G.B.H.
    $21.99
    Colored Vinyl LP - Sealed Buy Now
  • Momentum Momentum Quick View

    $19.99
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    Momentum

    Punk stalwarts GBH will release a new album, Momentum, via Hellcat Records. "We're always looking forward," says Colin Abrahall (vocals), "next gig, next tour, next album. For us, it is all about momentum. At this point, if we stopped moving forward we'd just fall over".


    Momentum was recorded at Muther's Studio in GBH's hometown of Birmingham, England. Colin explains: "We laid down all kinds of takes on the songs which made the mixing interesting as we'd send it all off to Michael (Rosen - Engineer) and him and Lars (Fredericksen - Rancid) would send back tracks. You'd think something was maybe a glitch or whatever and it'd come back and we'd listen and think 'that's f*cking amazing'!"


    GBH formed in 1978 in Birmingham, England. The band have released 11 albums, including City Baby Attacked By Rats (1982, Clay), City Babys Revenge (1982, Clay), Midnight Madness and Beyond (1986, Rough Justice), No Need To Panic (1987, Rough Justice), A Fridge Too Far (1989, Rough Justice), From Here To Reality (1990, Rough Justice), Church of the Truly Warped (1992, Rough Justice), Punk Junkies (1996, We Bite), Ha Ha (2002, Go Kart), Cruel and Unusual (2004, Idol), Perfume and Piss (2010, Hellcat).

    1. Birmingham Smiles
    2. Tripwire Strange
    3. No News
    4. Population Bomb
    5. Enemies
    6. Us Against The World
    7. Momentum
    8. The Perfect Storm
    9. Fifty What?
    10. I Never Asked For Any Of This
    11. Blue Sky Thinking
    12. Liquid Paradise (The Epic)
    G.B.H.
    $19.99
    Vinyl LP - Sealed Buy Now
  • True Romance True Romance Quick View

    $21.99
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    True Romance

    Over the past few years, Charli has released a series of singles and mixtapes, toured the globe supporting the likes of Coldplay, Santigold, Sleigh Bells and Justice and garnered champions from practically every tastemaker blog and magazine on both sides of the Atlantic. She's had 2.5 million views on YouTube, 470k views of new video for 'You (Ha Ha Ha)' (in one month) and over 630k total plays on Soundcloud. It's hard to believe someone so young could achieve so much. Through it all her main focus has always been on making the best possible album she could. This was made possible by working with some fantastic collaborators who helped hone her vision for a dark, emotional pop record including Ariel Rechtshaid (Usher, Major Lazer, Solange), Patrik Berger (Lana del Rey, Robyn) as well as hotly tipped blog favourites Blood Diamonds and J£zus Millions.


    As well as being an artist in her own right, Charli has written and featured on one of the biggest global breakthrough hits of 2012 for Icona Pop. I Love It created an absolute frenzy stateside, having blown up all over the world.


    True Romance shares its title with an unbelievably well-cast 1993 movie written by Quentin Tarantino, who was reassembling cultural detritus way before mash-ups and microblogging. Charli XCX's approach to pop is similarly postmodern (how 90s does that sound?), pulling from moody 80s synth-pop, sassy turn-of-the-millennium girl groups, and state-of-the-art contemporary producers to create something distinctive and immediately memorable. She clearly understands the internet, having shared two original mixtapes and two influences mixtapes before her official full-length, but this carefully pruned set is no data dump. And there you'll see a glimmer of True Romance's most throwback aspect: its evident pop ambition, an overriding sense of an imagined mass audience for music that's radio-ready yet outsider-friendly. It's almost like Napster-- and the filler-crammed album sales model that preceded it-- never happened.


    In fact, by the time Charli XCX was a teenage electro-house devotee, illegal file-sharing's early free-for-all had already given way to iTunes and other legal download services. Robyn had already released her self-titled comeback album. So it might be only natural that Charli XCX would keep the pre-bubble faith that people will pay for emotionally direct, bubblegum-catchy, yet stubbornly left-of-center songs about falling in and out of love. But the generous hooks on the previously released singles here, such as the gospel-kissed prechorus of the yearning Stay Away or the Santigold-savvy lilt of love-and-the-bomb brooder Nuclear Seasons, are extraordinarily welcome just the same. Even better are newer singles such as the gorgeously bitter You (Ha Ha Ha), which inhabits its cloud-rappy Gold Panda sample like they were made for each other, and the almost-as-gorgeously blissful What I Like, which recounts a still-young relationship with the cheeky frankness of Lily Allen or the Streets, and the sing-songy near-rapping of the Spice Girls.


    The several songs on True Romance that hadn't previously surfaced in videos or other releases aren't quite as strong, but they're effective enough to suggest Charli XCX's best work might still be ahead of her. The Todd Rundgren-sampling So Far Away, with the sun-dappled lushness of the Avalanches, is a clear highlight; Charli XCX's vocals are usually plain-spoken, but the anguished break-up plea Set Me Free proves she can reach for Jessie Ware-like dramatics when appropriate. The pitch-shifting no one is forever intro added at the start of opener Nuclear Seasons probably should've been given its own track-- and later on the album it is, when the same backing vocal forms the base of the cloudy, broken-hearted Grins. Elsewhere, the haunted confession How Can I, while solid enough, is a reminder that Charli XCX's lyrics so far tend to fall relatively flat; when, on swooning finale Lock You Up, she sings, It hits me like a ton of bricks, she leaves the clichÉ untweaked.


    And then there's Cloud Aura, a lovelorn, engagingly laid-back bit of groove that lets Grimes' Genesis video co-star Brooke Candy rap horribly about Chris Brown. Candy's guest verse previously appeared on 2012's uneven Super Ultra mixtape, and it was near-universally panned. It isn't any better now. But in an era when too many up-and-comers are all too eager to please, this stubborn refusal to back down displays another quality in short supply: genuine irreverence. The songwriting and production credits on True Romance include Usher's Climax co-conspirator Ariel Rechtshaid and I Love It collaborator Patrick Berger, among others, who also share some credit (and blame). But like 90s pop stars turned 10s pop sophisticates Justin Timberlake and BeyoncÉ, Charli XCX stamps her personality across the entire project, and True Romance suggests she'll be worth following for a while.
    - Marc Hogan, Pitchfork

    1. Nuclear Seasons
    2. You (Ha Ha Ha)
    3. Take My Hand
    4. Stay Away
    5. Set Me Free (Feel My Pain)
    6. Grins
    7. So Far Away
    8. Cloud Aura
    9. What I Like
    10. Black Roses
    11. You're the One
    12. How Can I
    13. Lock You Up
    Charli XCX
    $21.99
    Vinyl LP - Sealed Buy Now
  • Aabenbaringen Over Aaskammen Aabenbaringen Over Aaskammen Quick View

    $18.99
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    Aabenbaringen Over Aaskammen

    Casiokids have created an album that is unlike anything they have released thus far.


    For one, Aabenbaringen over aaskammen, which roughly translates to the revelation over the mountain, is much more cohesive than the collection of Moshi Moshi singles and double A-sided 7 tracks that comprised Topp stemning pa lokal bar.


    As vocalist Ketil Kinden Endresen explains, Doing the recordings within the same timeframe left us more focused in the studio, shaping ideas from sketches into the finished songs with the whole album in mind.


    In addition, this time around the members of Casiokids were eager to dig a bit deeper into their songs by experimenting more with different recording techniques.


    As such, from the titular album opener -- an instrumental track featuring a mini orchestra -- to closer Aldri ska me ha det gøy -- the band's first true ballad -- Aabenbaringen over aaskammen is a record that finds Casiokids expanding their musical palette with new song styles and enhanced instrumentation


    And unlike the group's past releases, which were recorded quickly in locations as varied as guitarist Fredrik Vogsborg's father's office, the hallway of the Bergen Jazz Association, and an old cantina, Aabenbaringen over aaskammen came to fruition at the band's own pace within their rehearsal space at the newly established Bergen Kjøtt.


    The benefits of devoting extra attention to the recording process are particularly apparent on Selskapets triste avslutning, a track that received some last minute creative energy from of Montreal members Kevin Barnes, K Ishibashi and Bryan Poole who happened to be visiting Bergen at the time recording was wrapping up. Along with Barnes' signature noise bursts during the beginning of the first verse, the song beautifully incorporates a live string arrangement in place of Casio strings.


    But, despite this newfound attention to the art of recording, don't think that Casiokids have abandoned the simple joy of creating music with their namesake instrument.


    Says Endresen, Even though we've become more interested in production possibilities, we still wanted to retain the rawness of the first two records. The dulcet tones of the Casio will always be at the core of our manifesto.


    Det haster! and Golden Years bear out the truth of this statement, as both songs achieve their infectious melodies by way of a sure-to-get-you-up-and-dancing keyboard-driven beat.

    1. Aabenbaringen over aaskammen
    2. Det haster!
    3. Dresinen
    4. Golden Years
    5. Olympiske Leker
    6. Selskapets triste avslutning (feat. of Montreal)
    7. Elefantenes hemmelige gravplass
    8. Kaskaden
    9. London Zoo
    10. Aldri ska me ha det gøy
    Casiokids
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Avos Avos Quick View

    $17.99
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    Avos

    Albums of guitar duets are rare. Albums of guitar duets featuring one American and one Englishman, synthesizing their geographically specific approaches in a collection of new compositions, are rarer. Not since Stefan Grossman and John Renbourns partnerships of the 1970's has there been such a happy reconciliation of Merrie Old England and the good old USA, in which baroque meets the blues, music-hall steps out to ragtime, and Benjamin Britten sits down with Blind Blake.


    James Elkington moved from London to Chicago around the turn of the millennium and has since released a string of albums as leader of The Zincs for Thrill Jockey Records. After dissolving the band in 2008, Elkington has concentrated on acoustic, folk-tinged music with his band The Horses Ha (that he shares with Freakwaters Janet Bean).


    Nathan Salsburg is best known as an archivist and producer for the Alan Lomax Archive, curator of the Twos & Fews vernacular music imprint on Drag City Records, and host of the Root Hog Or Die program on East Village Radio. He appears on Tompkins Squares Imaginational Anthem Volume 3 compilation, and produced a tribute album to EC Ball, also on Tompkins Square.


    Elkington suggested a leap of faith into a collaboration, despite the fact that the two had never previously played guitar together. Avos, then, hither and thither over several seasons, between a porch in Louisville and a kitchen in Chicago, slowly took shape. Aptly, the name comes from the Russian word for the confident approach to new situations, and the faith that nothing tragic will occur once in them.

    No Listing Available.
    James Elkington & Nathan Salsburg
    $17.99
    Vinyl LP - Sealed Buy Now
  • Stiff Stiff Quick View

    $19.99
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    Stiff

    Three years on from their critically acclaimed "barbeque" record Corsicana Lemonade, White Denim are back with more than just a new album to commemorate. Their sixth record, Stiff - out 25 March 2016 via Downtown/Sony Red - is a return to the Austin quartet's frenetic rock band roots, and is both a jubilant thrill ride and joyous celebration of their past ten years. Heading into the studio with an external producer to oversee a whole album for the first time - and even writing a tune with Cass McCombs ('Thank You') - the band teamed up with the legendary Ethan Johns (Paul McCartney, Laura Marling, The Staves) to produce their first truly live record, one teeming with a cool '70s undertow, tumultuous riffs and a feverish energy that's resulted in arguably some of their biggest and brawniest songs to date.


    With drummer Joshua Block and guitarist Austin Jenkins now pursuing other production ventures, vocalist/guitarist James Petralli and bassist Steve Terebecki spent a long time reassessing exactly what White Denim meant to them. "The big thing for Steve and I was trying to define what made us want to keep going," Petralli explains of the album's early days. "What's our partnership about? What's cool about this? We learnt a lot making D and Corsicana Lemonade. We wanted to take some of those lessons and apply it back to our original mission statement. We were trying to get back to some of the things that made us excited about the band in the first place."


    Opener 'Had 2 Know (Personal)' is the embodiment of that mission statement. Described by Petralli as "a reassertion of our initial intent to make songs that satisfy our urge to play fast", it sets the tone brilliantly for the bulk of Stiff, right from its idiosyncratic, Red Krayola-sampling beginning to its huge, golden era chorus. While it remains distinctively White Denim, there's a reinvigoration permeating through its riffs via new guitarist Jonathan Horne and a beefed-up rhythm section thanks to the work of new drummer Jeffrey Olson. Every single high octane turn - from the tremendously fun 'Ha Ha Ha Ha (Yeah)' to the outrageously shredding 'Holda You (I'm Psycho)' - sounds like a band re-energised and revitalised, resulting in what Petralli describes as a "high heat, high energy, good times record". Having previously sold out Shepherd's Bush Empire and having toured with Tame Impala and Arctic Monkeys, Stiff is full to the brim with songs that sound ready to now lift White Denim to similar heights.


    For the most part, Stiff is an album crammed with adrenaline-fuelled sing-alongs that show off the band's staple technical abilities. But it's also one that sees some new shades that they've developed along the way, too. Citing new wave and the razor-sharp pop punk of Buzzcocks as influences this time round, there's an addictive Elvis Costello circa This Year's Model quality to 'Real Deal Momma', a tune that highlights the band's love for hummable synthesisers and curious, affecting oddities. Then there's the cow bell calm and backing vocals laden brilliance of 'I'm The One (Big Big Fun)', that along with 'Take It Easy (Ever After Lasting Love)' (a song Petralli says "wants to be on a collection of doo wop songs written in 2016") shows a softer and more intricate side to the band while fully emphasising Petralli's vocal excellence.


    Of the artwork - which was created by collagist Eugenia Loli - was inspired and worked from the band's previous album covers and videos as a visual template. Ultimately, it's a fleeting visit to a place the band have been before, with the covers of Workout Holiday and D being collages too. Stiff was even originally stylised 'Stif', which when spelt backwards spells out the title of their second full-length Fits. Then there's 'Mirrored In Reverse', a nod to the Fits track 'Mirrored And Reverse'. "I mean, we're ten!" Petralli says in disbelief while explaining all of the record's throwbacks. "We did think about naming this record Ten and referencing the Pearl Jam cover!"


    Recorded with nothing but equipment that Petralli describes as being "past a certain point in the '70s", he explains that Stiff is an album made "entirely the old way". "It was tracked live to 16-track tape with very little overdubs," he says. "It was very hardcore record making - traditional in every aspect." Recorded with Ethan Johns in Asheville, North Carolina over a twenty-day period, Petralli and the band had an intense but deeply educational time with Johns. "It was really cool. The guy had these stories that were just unbelievable. He started talking about playing with Jimmy Page when he was a kid, and he lived in the studio where The Rolling Stones and The Faces would just hang out. Having Ethan in the room pushing us really made it more of an 'in the moment' and a visual thing. Capturing live performances is what he does really well."


    To make things even more celebratory, there was an extra ten day stint spent with go-to White Denim man Jim Vollentine, who Petralli describes as "my guy, man". He continues: "we've made a lot of records together now. When we left the studio in Asheville with Ethan, we thought we gotta work on this record some more, you know? Though it was really just mixing, which we did with respect to Ethan's arrangements and his recording. I feel like I really haven't made anything like this before."


    Ultimately, Stiff is the sound of a band finding their feet again and having the time of their lives. It's a record that refuses to buckle under the pressures of life, instead offering up a soundtrack to sing, dance, shout and scream along to. As a White Denim album, it's a joyride through the past ten years of the band's idiosyncratic catalogue while simultaneously pushing things further forward into new territories. "It's similar to our first record [Workout Holiday] in that we found the initial energy and just went with that," Petralli says of the initial studio spark that started it all. "We thought, what's the fundamental thing that made us want to get into a van and quit our terrible jobs and start this whole thing in the first place? And it was loud, fast-playing, rock and roll."

    1. Had 2 Know (Personal)
    2. Ha Ha Ha Ha (Yeah)
    3. Holda You (I'm Psycho)
    4. There's a Brain in My Head
    5. Take It Easy (Ever After Lasting Love)
    6. (I'm the One) Big Big Fun
    7. Real Deal Momma
    8. Mirrored in Reverse
    9. Thank You
    White Denim
    $19.99
    Vinyl LP - Sealed Buy Now
  • Animal Animal Quick View

    $29.99
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    Animal

    Ke$has debut album Animal is executive produced by Dr.Luke (Katy Perry, Britney Spears, Kelly Clarkson, and Avril Lavigne) and includes collaborations with producers Max Martin and Benny Blanco. Features the smash hit single Tik Tok.
    1. Your Love Is My Drug

    2. TiK ToK
    3. Take It Off
    4. Kiss N Tell
    5. Stephen
    6. Blah Blah Blah
    7. Hungover
    8. Party At A Rich Dude's House
    9. Backstabber
    10. Blind
    11. Dinosaur
    12. Dancing With Tears In My Eyes
    13. Boots & Boys

    14. Animal
    Ke$ha
    $29.99
    Vinyl LP - Sealed Buy Now
  • Enta Da Stage Enta Da Stage Quick View

    $10.99
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    Enta Da Stage

    Enta da Stage is the debut album of American East Coast hip hop group Black Moon, released on October 19, 1993 through Nervous Records. The album was produced by DJ Evil Dee and Mr. Walt of Da Beatminerz. Enta da Stage features the debut of underground hip hop duo Smif-n-Wessun, as well as appearances from Havoc of Mobb Deep and Dru Ha, the co-founder of Duck Down Records.
    1. Powaful Impak!
    2. Niguz Talk Shit
    3. Who Got da Props?
    4. Ack Like U Want It
    5. Buck em Down
    6. Black Smif-N-Wessun
    7. Son Get Wrec
    8. Make Munne
    9. Slave
    10. I Got Cha Opin
    11. Shit Iz Real
    12. Enta da Stage
    13. How Many MC's...
    14. U da Man
    Black Moon
    $10.99
    Vinyl LP - Sealed Buy Now
  • The Child Star (Limited Edition) The Child Star (Limited Edition) Quick View

    $14.99
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    The Child Star (Limited Edition)

    Awol One has been a force of underground hip hop for over a decade thanks to his work with the LA crew The Shape Shifters, countless solo endeavors, as well as his critically acclaimed release with Low End Theory curator Daddy Kev, Souldoubt. Nathaniel Motte is a worldwide superstar, part of the multi-platinum electro-pop duo, 3OH!3, who has produced hits for the likes of Ke$ha and Katy Perry.


    Their new album, The Child Star, is what happens when these two forces collide: ten tracks of electro hip hop madness intended to melt your train and rock the party. Bridging the gap between club dance and hip hop; it's an 808 extravaganza that is guaranteed to get bodies moving! The album also features appearances by Slug of Atmosphere and Abstract Rude.

    1. Did Not Could Not
    2. Cheap Sunglass ft. Slug
    3. What Happened
    4. Live Fast Die Last
    5. Drink Have Take ft. Abstract Rude
    6. Savior Self
    7. Sexy Molecules
    8. Take Flight
    9. Daughter Had A Dream
    10. Child Starfish
    Awol One & Nathaniel Motte
    $14.99
    Limited Edition Vinyl LP - Sealed Buy Now
  • The Feast Of The Broken Heart The Feast Of The Broken Heart Quick View

    $24.99
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    The Feast Of The Broken Heart

    Hercules & Love Affair's third and most versatile album to date, THE FEAST OF THE BROKEN HEART sees visionary founder Andy Butler and his ever-evolving musical collective pushing the boundaries of house music, disco, and pop to create a collection of stunningly original new dancefloor anthems. Tracks like the banging "Do You Feel The Same?" highlight a remarkable roll call of diverse vocal talents, including critically acclaimed singer/songwriters Krystle Warren and John Grant as well as new discoveries Gustaph and Rouge Mary. Produced by Butler in collaboration with Viennese electro specialists Ha-Ze Factory and industrial pioneer Mark Pistel (Consolidated, Michael Franti), THE FEAST OF THE BROKEN HEART is Hercules & Love Affair at its provocative, propulsive best, coupling emotionally powerful songcraft with daring dance floor experimentalism.
    LP1
    1. Hercules Theme 2014
    2. My Offence (feat. Krystle Warren)
    3. I Try To Talk To You (feat. John Grant)
    4. That's Not Me (feat. Gustaph)
    5. Think (feat. Rouge Mary)


    LP2
    1. 5:43 To Freedom (feat. Rouge Mary)
    2. The Light (feat. Krystle Warre)
    3. Liberty (feat. John Grant)
    4. Do You Feel The Same?
    5. The Key (feat. Rouge Mary)

    Hercules & Love Affair
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • While We're Young - Soundtrack While We're Young - Soundtrack Quick View

    $21.99
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    While We're Young - Soundtrack

    While We're Young is Noah Baumbach's sparkling follow-up to his 2012 hit Frances Ha. No film has better captured the weird, upended logic of urban sophisticates: the older ones embrace their iPads and
    Netflix, the young ones crave vinyl records and vintage VHS tapes.


    The film follows Ben Stiller and Naomi Watts as Josh and Cornelia, a childless New York married couple in their mid-forties. As their other friends all start having children, the couple gravitates toward a young hipster couple named Jamie (Adam Driver) and Darby (Amanda Seyfried). He's an aspiring documentary filmmaker, avocation Josh already has. Soon the older couple begins enjoying the energy they feel hanging out with the younger generation, but eventually Josh begins to suspect his new best friend might not be as straightforward
    and trustworthy as he thought.


    The soundtrack is filled with classics such as Paul McCartney's "1985," Lionel Richie's "All Night Long (All Night)," Survivor's "Eye of The Tiger," or David Bowie's "Golden Years" just to name a few. The score to the film comes courtesy of LCD Soundsystem's own James Murphy.

    1. Golden Years - James Murphy
    2. All Night Long (All Night) - Lionel Richie
    3. Buggin' Out - A Tribe Called Quest
    4. The Ghost In You - The Psychedelic Furs
    5. The Inch Worm - Danny Kaye
    6. Only The Stars Above Welcome Me Home - James Murphy
    7. Waiting For A Girl Like You - Foreigner
    8. Falling (Duke Dumontre Mix) - Haim
    9. Eye Of The Tiger - Survivor
    10. Nineteen Hundred And Eighty Five - Paul McCartney & Wings
    11. We Used To Dance - James Murphy
    12. Golden Years - David Bowie
    Various Artists
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Tough Love Tough Love Quick View

    $24.99
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    Tough Love

    Jessie Ware first entered our consciousness as a breath of fresh air amidst the then current climate of female pop back in 2012 with the release of her
    delicately soulful debut album 'Devotion'. Recorded with little fanfare in low-key sessions with Dave Okumu of The Invisible, it became one of the most
    critically acclaimed albums of the year, lauded by everyone from Pitchfork to Heat Magazine and nominated for the Mercury Prize. As a solo artist she
    was also nominated for two Brits in 2013- Breakthrough and British Female. Plaudits were followed by an ever-expanding fanbase, meaning Ware was
    constantly on tour as she gained millions of new devotees from across the world. The mania of Jessie's schedule that ensued post release of 'Devotion'
    poetically led to the creation of her already brilliantly received lead single from the new album 'Tough Love'.


    The record's executive producers are BenZell (a new production duo made up of PMR labelmate Two Inch Punch and Katy Perry and Ke$ha super-producer Benny Blanco). You can hear the leaps in production and songwriting that come with experience and an expanded team. While the record still
    draws on the suave, svelte palette of synths and bass heard on 'Devotion', they're combined with more confident choruses and lush arrangements.
    Jessie's stunning vocal is brought to the fore - it often feels she's whispering right in your ear.


    'Devotion' collaborators Dave Okumu and James Ford worked with Jessie again, but there are also a few household names on the record this time
    around. Miguel, who had previously worked with Jessie on her remix of his track "Adorn", wrote with her on a string of sessions in the US. A long cry from
    her makeshift studio in Okumu's Lewisham front room, he would bring R&B royalty in to hear their work - J.Cole could be seen poking his head round the
    door.

    1. Tough Love
    2. You & I (Forever)
    3. Cruel
    4. Say You Love Me
    5. Sweetest Song
    6. Kind of Sometimes Maybe
    7. Want Your Feeling
    8. Pieces
    9. Keep on Lying
    10. Champagne Kisses
    11. Desire
    12. All On You
    13. Share It All
    14. Way We Are
    15. Midnight Caller
    Jessie Ware
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Basses Loaded Basses Loaded Quick View

    $16.99
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    Basses Loaded

    It's 2016 and the Melvins have an album called Basses Loaded coming out that features six different bass players. That's right SIX different bass players. NEW Melvins bass players for this go around are Steve McDonald from the legendary Los Angeles glam punk band Redd Kross and their old friend Krist Novoselic from Nirvana! Making return appearances are former and probably future bass players Jeff Pinkus (Butthole Surfers), Trevor Dunn (Mr. Bungle/Fantomas), Jared Warren (Big Business) and Dale Crover.


    Six bass players? Is this a joke? What IS the deal with these ceaseless idiots? Can't they just settle in and be happy with ONE line up?


    Apparently not.


    I suppose it figures considering how many goddam bass players they've had up until this point.


    Nonetheless Basses Loaded actually works!


    According to King Buzzo, "More is more! As hard as it might be to believe, all of these bass players contribute something of their own to Basses Loaded which gives the whole album a good kick right in it's big fat ass."


    Recording with Krist Novoselic is something that should have happened a long time ago but rumor has it that he's been busy doing things like playing bass with Paul McCartney and getting his ass inducted into the Rock and Roll Hall of Fame. It's hard to believe he even bothered with this! Ha!


    Butthole Surfer and Honky member Jeff Pinkus played on the Melvins' album Hold it In and has done shit load of touring with the boys in the last few years.


    Trevor Dunn recorded the Freak Puke album with these guys as well as played bass on the Melvins' record setting US tour where they played all 50 states plus DC in 51 days. This was also released as a tour DVD last year entitled Across the USA in 51 Days, the Movie!


    Jared Warren is a Melvins' veteran having recorded the Senile Animal, Nude with Boots and The Bride Screamed Murder albums as well as the Bulls and the Bees EP. Dale Crover is usually the Melvins drummer but slid over to bass when they brought back original drummer Mike Dillard for the Tres Cabrones album (this line-up was called Melvins 1983).


    Steve McDonald has been in Redd Kross since he was 11 and he's a founding member of Los Angeles hardcore band OFF! plus he's got REALLY good stories about the "rock scene" in Los Angeles! The Melvins have a shit load of touring planned with Steven this year so this whole thing is a really big deal.

    1. The Decay of Lying (Steve McDonald)
    2. Choco Plumbing (Jared Warren)
    3. Beer Hippie (Dale Crover)

    4. I Want To Tell You (Steve McDonald)
    5. Captain Come Down (Jeff Pinkus)

    6. Hideous Women (Steve McDonald)
    7. Shaving Cream (Dale Crover)
    8. Planet Distructo (Trevor Dunn)
    9. War Pussy (Steve McDonald)
    10. Maybe I Am Amused (Krist Novoselic)
    11. Phyllis Dillard (Dale Crover)
    12. Take Me Out to the Ballgame (Dale Crover)
    Melvins
    $16.99
    Vinyl LP - Sealed Buy Now
  • PBX Funicular Intaglio Zone (Out Of Stock) PBX Funicular Intaglio Zone (Out Of Stock) Quick View

    $23.99
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    PBX Funicular Intaglio Zone (Out Of Stock)

    As one of the world's most respected guitarists in one of rock's most commercially successful bands, John Frusciante seemingly had it all figured out. So when the famed alternative guitar guru opted out of his second stint as a member of the Red Hot Chili Peppers in 2009, many racked their brains for an explanation. But listening to PBX Funicular Intaglio Zone, it's clear that Frusciante had an itch that the Peppers couldn't scratch. A record as sprawling, layered, and flat-out bizarre as its title would suggest, reveling instead in an eclectic mix of electronica, funk, free jazz, and krautrock.


    The record's break from the Peppers' funk rock formula shouldn't come as a complete surprise to those familiar with Frusciante's past solo efforts, which have always been hard to categorize. Some, like 2004s Ian MacKaye-produced DC EP, keep things on a straight and narrow pop rock path, while others, like 2001s To Record Only Water For Ten Days, are more enigmatic. But even with that caveat, PBX is Frusciante's most challenging and niche effort to date. "Bike", with its Buddy Rich-on-crank drum intro and skittering Pro Tools backbeat, sounds like a sonic freak-out from the year 2036, whereas "Ratisug" works its way back toward center while preserving the record's heavy electronic lean.


    The LP is anything but even-keeled, and the music constantly changes course, often within the same song. But with repeated listens, that quickly becomes part of its zonked-out charm. PBX is a record strung out on big, sometimes half-baked ideas and lots of lofty ambition, and fortunately Frusciante has accrued enough good will for listeners to let him off the leash some. It hits (it's hard to listen to the beginning of "Mistakes" without thinking of that A-Ha video from 1987) and it misses ("Uprane?" Good God, what's happening?), but still it keeps the air underneath its wings. If Frusciante had to bail on his Peppers gig to find inspiration, at least the result tickles the eardrums in some unexpected ways.

    1. - IntroSabam

    2. - Hear Say

    3. - Bike

    4. - Ratiug

    5. - Guitar

    6. - Mistakes

    7. - Uprane

    8. - Sam

    9. - Sum

    10. - Ratiug [Acapella Version]

    11. - Walls And Doors

    John Frusciante
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Temporarily out of stock
  • Last Temptation Of Reid (Out Of Stock) Last Temptation Of Reid (Out Of Stock) Quick View

    $19.99
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    Last Temptation Of Reid (Out Of Stock)

    Their first full-length release. Includes Forkboy (included on the Natural Born Killers soundtrack), Mate, Spawn, and Die plus the only known cover of They're Coming To Take Me Away (Ha, Ha)!
    1. Forkboy
    2. Pineapple Face
    3. Mate, Spawn and Die
    4. Drug Raid at 4AM
    5. Can God Fill Teeth?
    6. Bozo Skeleton
    7. Sylvestre Matuschka
    8. They're Coming to Take Me Away
    9. I Am Your Clock
    Lard
    $19.99
    Vinyl LP - Sealed Temporarily out of stock
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