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  • A Love Supreme A Love Supreme Quick View

    $24.99
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    A Love Supreme

    Ranked 47/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Right from the very first hearing, absolutely every single jazzcritic shared the same opinion - whether trained musicians or not, true or would-be jazz expert: "A Love Supreme" is John Coltrane's most important recording. And the rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swingjournal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making. It not only enabled him to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.


    The first section, entitled "Acknowledgement", has a forceful bass line which runs throughout the whole work. The powerful sound increases in intensity, whereby the bass motif undergoes constant modulation, with John Coltrane's meditative singing creating immense tension.


    In "Resolution" Coltrane's powerful, quasi hymnlike expression comes to the fore, with McCoy Tyner achieving equal intensity in his solo. "Pursuance", with its density, quick-as-lightning runs and block chords, gives us a taste of John Coltrane's later 'free' phase. "Psalm" is filled with the famous, almost static melodies rather like a fervent prayer which are so typical for John Coltrane. "A Love Supreme" has been a faithful companion and teacher of generations of saxophonists and its message goes way beyond Music and is still valid today.


    Musicians:

    John Coltrane (tenor saxophone)

    McCoy Tyner (piano)

    Jimmy Garrison (bass)

    Elvin Jones (drums)


    Recording: December 1964 in New York City by Rudy Van Gelder

    Production: Bob Thiele


    Part 1 - Acknowledgement
    Part 2 - Resolution

    Part 3 - Pursuance
    Part 4 - Psalm
    John Coltrane
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • A Love Supreme: The Complete Masters A Love Supreme: The Complete Masters Quick View

    $45.99
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    A Love Supreme: The Complete Masters


    Ranked 47/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time


    Easily one of the most important records ever made, John Coltrane's A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years.

    LP 1
    1. A Love Supreme, Pt. I - Acknowledgement
    2. A Love Supreme, Pt. II - Resolution
    3. A Love Supreme, Pt. III - Pursuance
    4. A Love Supreme, Pt. IV - Psalm
    5. A Love Supreme, Pt. III - Pursuance
    6. A Love Supreme, Pt. IV - Psalm


    LP 2
    1. A Love Supreme, Pt. I - Acknowledgement
    2. A Love Supreme, Pt. I - Acknowledgement
    3. A Love Supreme, Pt. II - Resolution
    4. A Love Supreme, Pt. II - Resolution
    5. A Love Supreme, Pt. IV - Psalm
    6. A Love Supreme, Pt. I - Acknowledgement
    7. A Love Supreme, Pt. I - Acknowledgement
    8. A Love Supreme, Pt. I - Acknowledgement
    9. A Love Supreme, Pt. I - Acknowledgement
    10. A Love Supreme, Pt. I - Acknowledgement
    11. A Love Supreme, Pt. I - Acknowledgement


    LP 3
    1. Introduction
    2. A Love Supreme Pt. I - Acknowledgement
    3. A Love Supreme Pt. II - Resolution
    4. A Love Supreme Pt. III - Pursuance
    5. A Love Supreme Pt. IV - Psalm

    John Coltrane
    $45.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Armed Forces Armed Forces Quick View

    $24.99
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    Armed Forces

    180 Gram Vinyl


    Re-mastered from the original master tapes, this classic Elvis Costello album is now on 180 gram vinyl. Armed
    Forces features the original U.S. cover and includes a 7" EP of "Live at Hollywood High." This album hit #10 on the Billboard Top 100 and highlights include "(What's So Funny 'Bout) Peace Love And Understanding?," "Oliver's Army" and "Accidents Will Happen."


    Largely written on tour in hotel rooms and on the bus, Elvis Costellos Armed Forces takes personal politics to a new level. A supremely melodic and hook-laden record, the 1979 set is a showcase of scintillating keyboard lines, sharp guitar work, and the most cohesive arrangements of Costello and the Attractions career. In every way, this is a pop masterpiece, defined by hits such as Accidents Will Happen, Olivers Army, and the anthemic Whats So Funny Bout Peace Love and Understanding? You need this record.


    While less musically intense than the preceding This Years Model, Armed Forces doesnt let up in the lyric department. Costellos narratives are loaded with paranoia, irony, bitterness, and scathing humor. Originally titled Emotional Fascism, the singers third consecutive masterpiece is inspired by billboard sign slogans, insular observations, and social behavior that Costello found applicable to his own situation. Olivers Army, Green Shirt, and Senior Service address systemic governmental control. Big Boys, Two Little Hitlers, and Accidents Will Happen also concern control and betrayalbut that of the interpersonal nature.

    1. Accidents Will Happen
    2. Senior Service

    3. Oliver's Army
    4. Big Boys
    5. Green
    6. Party Girl
    7. Goon Squad
    8. Busy Bodies
    9. Sunday's Best
    10. Moods For Moderns

    11. Chemistry Class
    12. Two Little Hitlers
    13. (What's So Funny 'Bout) Peace, Love And Understanding
    Elvis Costello
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Love Is The Thing Love Is The Thing Quick View

    $54.99
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    Love Is The Thing

    Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2,800-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title.


    Love is the theme for twelve ballads of heavenly strings orchestrated by the distinctive Gordon Jenkins, sympathetically backing the intimately expressive and supremely musical voice of the incomparable Nat King Cole. Featuring such legendary classics as Stardust and When I Fall In Love, Love Is The Thing topped the charts upon its release, is among its era's finest, most stylistically defining recordings of popular music and continues to enchant listeners to this day.


    Using the original 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning wide-range potential and beauty of these recordings in this 45-RPM 180-gram vinyl edition. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2,800-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.


    Originally released in 1957.


    This title is not eligible for discount.

    1. When I Fall In Love
    2. Stardust
    3. Stay As Sweet As You Are
    4. Where Can I Go Without You?
    5. Maybe Its Because I Love You Too Much (mono only)
    6. Love Letters (mono only)
    7. Aint Misbehavin
    8. I Thought About Marie (studio chatter, false start on 45 RPM LP only)
    9. At Last
    10. Its All In The Game
    11. When Sunny Gets Blue
    12. Love Is The Thing
    Nat King Cole
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Love Devotion Surrender Love Devotion Surrender Quick View

    $29.99
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    Love Devotion Surrender

    These two virtuoso guitarists were coming from different musical worlds when they came together for this unique 1972 project. What they shared, besides the instrument they'd mastered, was profound spirituality; both had taken inspiration from the music of John Coltrane. The core of Love Devotion Surrender is made up of the three magnificent extended guitar jams including Coltrane's A Love Supreme which borders on spiritual ecstasy. To hear Carlos Santana and John McLaughlin trading licks and then coming together is a guitar fan's dream come true and while the guitar playing is absolutely stunning in its virtuosity here, the music never loses its focus or its soul.
    1. A Love Supreme
    2. Naima
    3. The Life Divine
    4. Let Us Go Into The House Of The Lord
    5. Meditation
    Santana & John McLaughlin
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • In A New Setting (Speakers Corner) In A New Setting (Speakers Corner) Quick View

    $34.99
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    In A New Setting (Speakers Corner)

    The vibraphonist presents himself in a new setting in this recording from 1964. Clearly Milt Jackson wanted to free himself occasionally from the straightjacket of the Modern Jazz Quartet. Sonny's Blues is proof of this: it is percussive and swinging, and without the eagle eyes of John Lewis in the background. This time the young McCoy Tyner, who had worked with John Coltrane (A Love Supreme was recorded in the same month), was at the piano. Jimmy Heath, responsible for the drive not only as a composer but also as instrumentalist, and Bob Cranshaw on the bass, contribute important impetus to the short blues, ballad-like and bop themes. None of the twelve numbers became a real jazz hit, but each has kept its own individual charm to this day.
    If you set value on an excellent product being excellently packaged then you are well advised to purchase this LP. Unlike the CD version in its jewel case, this album is now being re-released with its original gatefold cover from the truly beautiful Limelight series, for which the designer alone should have received a Grammy.



    Musicians:



    • Jimmy Heath (tenor saxophone)

    • Milt Jackson (vibraphone (vibes))

    • McCoy Tyner (piano)

    • Bob Cranshaw (bass)

    • Connie Kay (drums)



    Recording: December 1964

    Production: Luchi De Jesus



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Sonny's Blues
    2. I'm Gonna Laugh You Out Of My Life
    3. Spanish Fly
    4. No Moon At All
    5. Slow Death
    6. Clay's Blues
    7. Lazy Melody
    8. Project-S
    9. Ev-ry Time We Say Goodbye
    10. That's In
    11. Ineffable
    Milt Jackson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Book Of Love (Soundtrack) The Book Of Love (Soundtrack) Quick View

    $33.99
    Buy Now
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    The Book Of Love (Soundtrack)


    First Pressing Of 1000 Numbered Copies On 180 Gram Solid Red Vinyl, Black Vinyl Thereafter


    The Book Of Love tells the story of an introverted architect named Henry. After the death of his wife in a car accident, he sets out to help Millie, a homeless teen, to build a raft to sail across the Atlantic.


    Justin Timberlake, the multi-platinum pop star, actor and owner of handfuls of Grammys and Emmys, composed the orchestral film together with Mitchell Owens.


    Justin has always been intrigued by movie scores; "I think when I was a kid I would hear movies more than I would watch them. I saw 'E.T.' at a drive-in with my father, and hearing that main theme to the movie, and how it's used when the bikes take off and they fly over the police barricade, and you hear that sweeping melody - I'll never forget that moment."


    His debut composition is nothing but amazing. Justin takes you on a minimalistic reflective trip. The score is emotionally driven and shows pure honesty, which is the most supreme form in which an artist can express himself.

    LP 1
    1. One of Those Stories
    2. Temerity
    3. So
    4. It's Just Its Nature
    5. She Likes the Rain
    6. I Designed It
    7. T-Bup
    8.The Shit
    9. That We Matter
    10. Pajamas
    11. I'm Sorry
    12. The Journal
    13. Wink and a Mug
    14. The Detritus
    15. As Dreamers Do
    16. The Munchies
    17. As Dreamers Still Do


    LP 2
    1. It's a Raft
    2. Treads
    3. The Ballad of David Pearlman
    4. Who Was That?
    5. A Phenomena
    6. The Whole World Is Crazy
    7. Now We Just Need Some Help
    8. Really Something
    9. Like a Hurricane
    10. She Was...
    11. The People That Left a Mark
    12. The Book of Love Performed by The Shadowboxers
    13. We'll Make It
    14. It's Just Our Story

    Justin Timberlake / Mitchell Owens
    $33.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Love Devotion Surrender (Speakers Corner) Love Devotion Surrender (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Love Devotion Surrender (Speakers Corner)

    For some, Love Devotion Surrender is an album where, exceptionally, John McLaughlin plays the piano and organist Jan Hammer plays the drums. For others, it is the most spiritual album ever by Carlos Santana. And though both disciples were shown the way and inspired by the same guru (Sri Chinmoy) at one and the same time, this album is filled with the spirit of John Coltrane. In order to communicate their differing understanding and interpretation of Trane's music, the two musicians formed a 'project band' made up of members of Santana's ensemble and the Mahavishnu Orchestra. In their performance of Love Supreme, Santana's somewhat dragging melody-maker role amalgamates with McLaughlin's high-speed staccato to a viscous drive. This approach functions just as well in slow motion: Coltrane's miniature, slow composition Naima is performed in a flowing and inspired manner by the duo on their acoustic guitars.



    The arrangements carry Santana's hallmark: the occasionally somewhat intellectual but certainly not long-pondered-over sound is enhanced by the sound of agitated congo beats and the chanted vocals are heard as if from afar. By the time fans of Santana's major albums have got to the expansive gospel song Let Us Go Into The House, they will have rediscovered their Carlos and his timeless solos once again. It is apparent that love and devotion are by no means just memorials of a time gone by but a surrender to oneself in its most perfect form.



    Musicians:



    • Mahavishnu John McLaughlin (guitar, piano)

    • Carlos Santana (guitar)

    • Larry Young (organ)

    • Doug Rauch (bass)

    • Armando Peraza (conga)

    • Billy Cobham, Don Alias, Jan Hammer, Mike Shrieve (drums)



    Recording: 1973 by Glen Kolotkin

    Production: Mahavishnu John McLaughlin & Carlos Santana



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. A Love Supreme
    2. Naima
    3. The Life Divine
    4. Let Us Go Into the House of the Lord
    5. Meditation
    Santana
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Sun Ship Sun Ship Quick View

    $24.99
    Buy Now
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    Sun Ship

    Sun Ship is a jazz album recorded on August 26, 1965, by tenor saxophonist John Coltrane. The album extended the free jazz ideas of Transition. The relaxed, serene feel of earlier ballads like "Welcome" was transformed into a new style of ballad on "Dearly Beloved" and "Attaining". This style involved very slow tempos, drum rolls and fills, and a louder, more intense feel than traditional jazz ballads. Like "Psalm" (from A Love Supreme), there is no real tune, just a scale or series of tones used to build an improvised theme.


    Coltrane's solos on the other tracks are also more extreme than on his earlier albums, and are reminiscent of the style of Albert Ayler and Pharaoh Sanders in their extensive use of altissimo and multiphonics. The title "Sun Ship" may have been inspired by Sun Ra's conception of free jazz as having an affinity with science fiction conceptions of human existence.


    Sun Ship was one of the only albums John Coltrane's quartet recorded without sound engineer Rudy Van Gelder. It was also one of the last albums (with First Meditations, recorded a week later) which John Coltrane recorded before he began experimenting with larger groups. Tenor saxophonist Pharaoh Sanders was playing regularly with the band by September, 1965, and both McCoy Tyner and Elvin Jones left the band in January, 1966.


    Musicians:

    John Coltrane - tenor saxophone, soprano

    saxophone, leader

    McCoy Tyner - piano

    Jimmy Garrison - bass

    Elvin Jones - drums

    1. Sun Ship
    2. Dearly Beloved
    3. Amen
    4. Attaining
    5. Ascent
    John Coltrane
    $24.99
    180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
  • The Unexamined Life The Unexamined Life Quick View

    $19.99
    Buy Now
    x

    The Unexamined Life

    Supreme Dicks put out one single in their career. It was a double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell.


    Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak disarmingly real paranoia and grief in the contemporary trappings of late '80s and early '90s lo-fi college rock. They may have inhabited the same sonic and physical space as colleagues like Dinosaur jr. (Lou Barlow was an occasional Dick, and at least one early Dinosaur jr show was actually played by Dicks in disguise), but they stripped away all youthful yearning and anticipation in favor of a bleak and unblinking certainty. Honest, frank, and free of ironic distance. Obtuse and yet so essential that it can't help but feel familiar to anyone who's ever spent a sleepless night wondering whether there's any point to all of this. And, on occasion, warm, intimate and lovely.


    The Supreme Dicks formed while students at Massachusetts' Hampshire College in the twilight of the Reagan era. The campus was a fractured post-hippie free-for-all that many students theorized was a right-wing think tank experiment in pitting progressives against each other. The constantly revolving lineup centered around Daniel Oxenberg, Jon Shere, Steve Shavel, Mark Hanson, Jim Spring, and whoever else was around and willing to torture an instrument. They advocated the teachings of Wilhelm Reich and were vocal about focusing their creative energy via celibacy. This may do much to explain the constant, unrelenting tension that provides the driving force behind the most powerful moments in their music. Regardless of tempo or arrangement, Supreme Dicks songs play like soundtracks to autoerotic asphyxiation, haunting tones that ring in the ears at the moment consciousness is lost and not guaranteed to return.


    Jagjaguwar is proud to reintroduce the complete recordings of Supreme Dicks in the form of Breathing and Not Breathing, a four CD set that includes both of the band's studio albums, The Unexamined Life from 1993 and The Emotional Plague from 1996, along with 1994's Workingman's Dick, a collection of early archival recordings, and the 1996 EP This Is Not A Dick, which has been fleshed out with rare and unreleased tracks. Also available are 2xLP editions of The Unexamined Life and The Emotional Plague, neither of which has been previously released on vinyl.

    1. In A Sweet Song
    2. The Arabian Song
    3. The Sun's Bells
    4. Jack Smith
    5. That I May Never Forget And Stay
    6. Garden Of Your Past
    7. Jack-O-Lantern
    8. River Song
    9. The Fallout Song
    10. Azure Dome
    11. The Forest Song (or Especially When The October Wind With Frosty Fingers, Punishes My Hair)
    12. Hyacinth Girls
    13. Ten Past Eleven
    14. Woody Would Have Wanted It That Way
    15. Strange Song
    Supreme Dicks
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Emotional Plague The Emotional Plague Quick View

    $19.99
    Buy Now
    x

    The Emotional Plague

    Supreme Dicks put out one single in their career. It was a double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell.


    Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak disarmingly real paranoia and grief in the contemporary trappings of late '80s and early '90s lo-fi college rock. They may have inhabited the same sonic and physical space as colleagues like Dinosaur jr. (Lou Barlow was an occasional Dick, and at least one early Dinosaur jr show was actually played by Dicks in disguise), but they stripped away all youthful yearning and anticipation in favor of a bleak and unblinking certainty. Honest, frank, and free of ironic distance. Obtuse and yet so essential that it can't help but feel familiar to anyone who's ever spent a sleepless night wondering whether there's any point to all of this. And, on occasion, warm, intimate and lovely.


    The Supreme Dicks formed while students at Massachusetts' Hampshire College in the twilight of the Reagan era. The campus was a fractured post-hippie free-for-all that many students theorized was a right-wing think tank experiment in pitting progressives against each other. The constantly revolving lineup centered around Daniel Oxenberg, Jon Shere, Steve Shavel, Mark Hanson, Jim Spring, and whoever else was around and willing to torture an instrument. They advocated the teachings of Wilhelm Reich and were vocal about focusing their creative energy via celibacy. This may do much to explain the constant, unrelenting tension that provides the driving force behind the most powerful moments in their music. Regardless of tempo or arrangement, Supreme Dicks songs play like soundtracks to autoerotic asphyxiation, haunting tones that ring in the ears at the moment consciousness is lost and not guaranteed to return.


    Jagjaguwar is proud to reintroduce the complete recordings of Supreme Dicks in the form of Breathing and Not Breathing, a four CD set that includes both of the band's studio albums, The Unexamined Life from 1993 and The Emotional Plague from 1996, along with 1994's Workingman's Dick, a collection of early archival recordings, and the 1996 EP This Is Not A Dick, which has been fleshed out with rare and unreleased tracks. Also available are 2xLP editions of The Unexamined Life and The Emotional Plague, neither of which has been previously released on vinyl.

    1. Synaesthesia
    2. Cuchulain (Blackbirds Loom)
    3. Columnated Ruins/Seeing Distant Chimneys
    4. Along a Bearded Glade
    5. Swell Song
    6. Showered
    7. A Donkey's Burial in a Tower on a Mirage
    8. Adoration de l'Agneau Mystique
    9. Porridge for the Calydonian Bar
    10. Siberian Penal Colony (Ode to Joel Stanley)
    11. Green Wings Fly Adventure (Showered Reprise)
    Supreme Dicks
    $19.99
    Vinyl LP - Sealed Buy Now
  • Get Happy!! Get Happy!! Quick View

    $49.99
    Buy Now
    x

    Get Happy!!

    Elvis Costello and the Attractions masterful Get Happy!! is largely believed born of national scandal. While in a Holiday Inn bar, the English singer attempted to end an annoying conversation by baiting Stephen Stills with outrageous, offensive racial remarks about Ray Charles and James Brown. With everyone involved inebriated, the details are unclear, but the falloutdeath threats, radio embargos, protestsis infamous. The upshot? Costello and company retreated, scrapped a planned record, and created the soulful genius that is Get Happy!!, the bands fourth consecutive five-star effort.



    Half-speed mastered from the original master tapes, and pressed on two 45RPM LPs to replicate the very first promotional pressing in the UK, the 1980 LP has never sounded better on any format. Rather than cram nearly 50 minutes of music and 20 songs onto a single record, Mobile Fidelity has gone the extra mile and back to the album's UK roots with two 45RPM discs. For the first time, listeners can home in on the records signature sound that relates to the decision to record the vocals in a studios glass strings room. In addition, the dimensions and images associated with Steve Nieves penetrating organ, Pete Thomas punchy drumming, and Costellos bounding vocals know no limits. The music simply leaps off the proverbial page, the uptempo rhythms jumping and nimble bass lines kicking.



    Clearly, the group is motivated, and the leader brings some of his very finest songs to the table, including High Fidelity, Riot Act, Motel Matches, and The Imposter. While some believe the drunken incident caused Costello to shelve a planned new-wave-leaning effort for the soul-stoked Get Happy!!, the vocalist claims that his ability to find so many great soul records in America from 1977 through 1979 inspired the group to change course. Whatever the cause, Get Happy!! is a start-to-finish wonder.



    Paying homage to Northern soul, Motown, Stax, and Southern soul strains, and infused with smooth and gritty arrangements, Get Happy!! runs on an efficient R&B motor. Subtle tributes abound. High Fidelity quotes a Supremes song; Love for Tender borrows a Supremes riff; Opportunity tips its hat to Al Green; Clowntime Is Over bows to Curtis Mayfield. And two covers, of Sam & Daves I Cant Stand Up for Falling Down and the Merseybeats I Stand Accused, are recast as quick, R&B rave-ups. Theres not a misplaced note or bad step on this record. And for history buffs, the closing, searing ballad Riot Act is Costellos response to his hypocritical critics and finger-pointers.



    As essential as anything in Costellos catalog, and one of the truly great records of the 1980s, you owe it to yourself to experience Get Happy!! in the supreme sonic fidelity that this numbered limited edition Mobile Fidelity double-LP pressing affords. For those intimately familiar with its contents, listening will be a revelation. And for fans that have never heard the record, prepare to be wowed.



    Part of Mobile Fidelitys Costello catalog restoration series, Get Happy!! will make you positively ecstatic.


    This title is not eligible for discount.

    1. Love for Tender
    2. Opportunity
    3. The Imposter
    4. Secondary Modern
    5. King Horse
    6. Possession
    7. Men Called Uncle
    8. Clowntime Is Over
    9. New Amsterdam
    10. High Fidelity
    11. I Can't Stand Up For Falling Down
    12. Black & White World
    13. 5ive Gears in Reverse
    14. B Movie
    15. Motel Matches
    16. Human Touch
    17. Beaten to the Punch
    18. Temptation
    19. I Stand Accused
    20. Riot Act
    Elvis Costello
    $49.99
    180 Gram Audiophile Virgin Vinyl 45 RPM - 2 LPs Sealed Buy Now
  • Fleet Foxes Fleet Foxes Quick View

    $17.99
    Buy Now
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    Fleet Foxes

    Seattle's five piece band, Fleet Foxes traffic in baroque harmonic pop on this, their self titled full length debut. They draw influences from the traditions of folk, pop, choral, gospel, sacred harp singing, West Coast music, traditional music from Ireland to Japan, film scores and their peers from the Northwest. The subject matter ranges from the natural world and familial bonds to bygone loves and stone cold graves. Fleet Foxes is a supremely crafted and confident affair produced by the famous Phil Ek (Modest Mouse, The Shins).
    1. Sun it Rises
    2. White Winter Hymnal
    3. Ragged Wood
    4. Tiger Mountain Peasant Song
    5. Quiet Houses
    6. He Doesn't Know Why
    7. Heard Them Stirring
    8. Your Protector
    9. Meadowlarks
    10. Blue Ridge Mountains
    11. Oliver James
    Fleet Foxes
    $17.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Every Hero Needs A Villain Every Hero Needs A Villain Quick View

    $27.99
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    Every Hero Needs A Villain

    Comic Book Inspired Cover From L'amour Supreme (Mishka NYC)


    Includes A Comic Book Written By Esoteric With Artwork By Gilberto Aguirre Mata (El Ultimo Codice) & L'amour Supreme


    CZARFACE - Wu-Tang founding MC Inspectah Deck and veteran Boston duo 7L & Esoteric - isn't concerned
    with the glitz and the B.S. that modern consumer culture is pushing. And neither are the group's fans.


    In 2013, the trio appeared relatively unassumingly with their self-titled debut, which was chiefly produced by DJ 7L and included guests ranging from Ghostface Killah and Cappadonna to Vinnie Paz, Action Bronson and Roc Marciano. The soon-to-be acclaimed group found out quickly that there was a groundswell of hip-hop fanatics thirsting for the lunchpail, lyrics-above-all-else rap they fell in love with in the '90s. Several pressings of the album on CD, 2-LP and even cassette later, they are back and ready to up the ante.


    This time around the group is the same, but it's fair to say that all three men have stepped up their game. "We knew how we felt about the last album, but weren't sure how it would be received by listeners," explains MC Esoteric. "But people really responded to it, even more than we had hoped. That gave us the confidence to really spread our wings and let loose on this one. The chemistry is even tighter this time around. We know exactly what lanes we are cruising in and what weight class we are fighting in for Round 2."


    Inspectah Deck adds, "Czarface is like the Danger Room for the X-Men, I can use all my weapons on there. When I'm in Wu-Tang, I have to come a certain way because we have a certain style of fan, when I'm here doing the Czarface projects, it allows me to actually be an MC, it allows me to actually just spit...I love that. I love when i can just spit freely and just be an MC."


    The fighting analogy - whether drawn from pugilism or '80s wrestling, both which figure into Every Hero Needs A Villain - is an apt one, considering the unrelenting lyrical attacks that Deck and Esoteric unleash on track after track, each trying to one-up the previous verse.


    Best of all, it is friendly camaraderie, based around a loose theme of renegade mutant MC talents running wild. DJ 7L explains, "All three of us are influenced by comics, sci-fi movies, TV, wrestling. Czarface encompasses all of that, and it helps with the visuals as well."


    On the production side, 7L shows yet again - as he did with the group's debut - that he remains a formidable yet underappreciated musical force, constantly providing hard, funky and alternatingly ominous backdrops for the assembled MCs to use as lyrical luge paths.


    If that wasn't enough, the double LP comes packaged with "Death & Abduction," a comic written by Esoteric, and has an explosive, comic-book-inspired cover by L'amour Supreme (Mishka NYC).

    LP1
    1. Don The Armor
    2. Czartacus
    3. Lumberjack Match
    4. Nightcrawler (feat. Method Man)
    5. World Premier (feat. Large Professor)
    6. The Great (Czar Guitar)
    7. Red Alert
    8. Junkyard Dogs (feat. Juju Of The Beatnuts)
    9. Sgt. Slaughter


    LP2
    1. When Gods Go Mad (feat. Gza)
    2. Ka-bang! (feat. Mf Doom)
    3. Deadly Class (feat. Meyhem Lauren)
    4. Escape From Czarkham Asylum
    5. Sinister
    6. Good Villains Go Last (feat. Ra The Rugged Man)

    Czarface
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Ctrl Ctrl Quick View

    $23.99
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    Ctrl

    Pressed On 2x 150-Gram Translucent Green Colored Vinyl


    SZA's new album, Ctrl, is set for release on vinyl via RCA Records.


    Featuring Kendrick Lamar, Travis Scott, James Fauntleroy and Isaiah Rashad, Ctrl has been revered for its raw and honest lyrics and garnered praise from celebrities (Calvin Harris, Diddy, Issa Rae, Bella Hadid, Olivia O'Brien), influencers (Karen Civil, Scottie Beam), fans and critics alike.


    Noisey describes Ctrl as "14 tracks of the dreamy R&B lusciousness that we've come to know and love the New Jersey singer-songwriter for." NPR calls Ctrl "a resolutely confident and skillful R&B album that explores the notions of control and honesty," while The Shade Room proclaims, "'Ctrl' is actuals! Imagine 'The Miseducation of Lauryn Hill' tailored for our generation."


    One of the redefining voices of today's contemporary music era, SZA entered the music scene in 2012 with her first critically acclaimed EP, See.SZA.Run. Following that, she released S in 2013 and Z in 2014, both to rave reviews. In 2013, SZA signed to Top Dawg Entertainment, being the first female artist to join the label. SZA wrote and performed on Rihanna's Anti single "Consideration" in 2016 and helped write Nicki Minaj and Beyonce's "Feelin Myself" in 2014.


    Born in St. Louis and raised in Maplewood, NJ as Solána Rowe, SZA grew up listening to classic and avant-garde jazz, alternative, and rap. She renamed herself finding inspiration within the Supreme Alphabet: the 'S' stands for savior or sovereign, the 'Z' for zig-zag, and the 'A' for Allah.

    LP 1
    1. Supermodel
    2. Love Galore (feat. Travis Scott)
    3. Doves In The Wind (feat. Kendrick Lamar)
    4. Drew Barrymore
    5. Prom
    6. The Weekend
    7. Go Gina
    8. Garden (Say It Like Dat)


    LP 2
    1. Broken Clocks
    2. Anything
    3. Wavy (Interlude) (feat. James Fauntleroy)
    4. Normal Girl
    5. Pretty Little Birds (feat. Isaiah Rashad)
    6. 20 Something

    SZA
    $23.99
    150 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Power Of Peace Power Of Peace Quick View

    $27.99
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    Power Of Peace

    Legacy Recordings, a division of Sony Music Entertainment, is pleased to announce the release of Power of Peace, a new studio album from Santana (Carlos Santana and Cindy Blackman Santana) and The Isley Brothers (Ronald and Ernie).

    Recorded last year, Power of Peace is the fulfillment of a dream, a new musical studio collaboration connecting Santana and The Isleys on a mind-bending journey through some of the immortal soul, funk, blues, rock, jazz and pop songs that continue to inspire them.

    About the Power of Peace, Carlos Santana observes, I feel a deep sense of gratitude, appreciation, and thankfulness. There is a spirit of creativity that came knocking and presented itself as a golden opportunity to do something with and for a supreme musician, who I consider to be the best in the world. Brother Ronnie Isley has been in the center of collective unity and harmony on the radio around the world since 1962 with 'Twist and Shout,' the song that the Beatles chose to invade America with. Like Michael Jackson, John Lennon, and Bob Marley, he's an iconic supreme of the highest order. Cindy and I feel very blessed to offer him this gift. From God, through us to you, for the world Mr. Ronnie Isley.

    It was an absolute joy working on this album with Carlos!, exclaims Ronald Isley. I hope this record carries the spirit of hope, love, and peace to the world that it brought to me, my brother and Carlos!

    Ernie Isley shares his brother's enthusiasm, saying, Doing this project with Carlos Santana was fun and illuminating. I hope all music lovers enjoy what we have done.

    Led by the legendary Ronald Isley on lead vocals and the album's main producer/arranger Carlos Santana on lead guitar, rhythm guitar, percussion and background vocals, Power of Peace covers songs first made familiar by the Chambers Brothers (Are You Ready, Love, Peace, Happiness), Swamp Dogg (Total Destruction to Your Mind), Stevie Wonder (Higher Ground), Billie Holiday (God Bless the Child), Eddie Kendricks (Body Talk), Curtis Mayfield (Gypsy Woman), Muddy Waters/Willie Dixon (I Just Want to Make Love to You), Dionne Warwick/Jackie DeShannon (What the World Needs Now is Love Sweet Love), Marvin Gaye (Mercy Mercy Me - The Ecology), Leon Thomas (Let the Rain Fall on Me) and Sy Miller and Jill Jackson (Let There Be Peace on Earth).

    Power of Peace premieres a new song, I Remember, written and sung by Cindy Blackman Santana. Cindy, who plays drums on the album, produced and arranged Higher Ground (along with her husband, Carlos). A family affair, Power of Peace features two Santanas--Carlos (guitar) and Cindy (drums)--and four Isleys: Ronald (vocals) and Ernie (rhythm guitar) and their respective spouses, Kandy Johnson Isley (Ron's wife, she sings background on God Bless the Child, Body Talk and Gypsy Woman) and Tracy Isley (Ernie's wife, she also sings background vocals on God Bless the Child).

    1. Are You Ready
    2. Total Destruction To Your Mind
    3. Higher Ground
    4. God Bless The Child
    5. I Remember
    6. Body Talk
    7. Gypsy Woman
    8. I Just Want To Make Love To You
    9. Love, Peace, Happiness
    10. What The World Needs Now Is Love Sweet Love
    11. Mercy Mercy Me (The Ecology)
    12. Let The Rain Fall On Me
    13. Let There Be Peace On Earth
    The Isley Brothers & Santana
    $27.99
    150 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Divine Miss M The Divine Miss M Quick View

    $24.99
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    The Divine Miss M

    Numbered Limited Edition



    Midler's Grammy-Winning 1972 Debut Announces the Birth of a Superstar



    Record Overflows With Energy and Personality: Torch Songs, Girl-Group Classics, Campy Remakes, Theatrical Pieces Delivered With Supreme Emotion

    Mastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI (Best Plant in North America): Midler's Voice Upfront and Centered, Every Nuance of Her Phrasing Laid Bare



    Oh, behave! Bette Midler's sparkling, energy-pulsing 1972 debut features the singer honing her trademark brassy personality as well as showing off an intimate, raw edge that fell by the wayside later in her career. Witness her forlorn, melancholic, and heartbroken moods, all conveyed with supreme emotion on several riveting ballads. But this LP is no downer. Midler offsets any bleakness with playfully campy songs laced with unadulterated enthusiasm and joyous defiance. This is a diva lover's delight. The music is astonishingly alive. A superstar is born!



    Mastered on Mobile Fidelity's world-renowned mastering system and pressed at RTI (the best record plant in North America), Silver Label numbered limited edition LP presents The Divine Miss M with the warmly cozy and front-row perspective that the music demands. Midler's voice is transparent and full, the timbrel shadings colorfully outlined, the vocal images appearing as if she's singing just a few feet away. Similarly, her cast of back-up vocalists (the Harlettes) receives ample face time on songs that come across as if performed by a girl-group revue. Midler has cut many records in her career but none are this entertaining, diversified, and, now, sonically spectacular.



    There's always risk associated with interpreting other artists' classics and hits, but Midler makes every song here her own. She injects Chapel of Love with extra swagger and feminine gusto. In her hands, the Carpenters' Superstar becomes more heartbreaking, filled with desolate sentiment and lonesome ache. John Prine's ballad Hello In There echoes, as if sung to an empty room, with forlorn emotion. The 50s smash Leader of the Pack positively stomps and declares, her band in tow, that she's not going to be stopped. Indeed, Midler's interpretations of these staples surpass the previous versions, mostly due to her impeccable strong vocals and contagious passion. She doesn't quit. And don't you dare decline her offer on Do You Want to Dance!



    What else can be said of her trademark Boogie Woogie Bugle Boy, her update of the Andrews Sisters' jazzy hit landing in the Top 10, featuring a scat vocal (!), and smartly walking the line between campy fun and serious reverence. Similarly, Midler's two takes of Friends--the first off-the-cuff, wild, snappy, and humorous; the second slightly cooler and infused with gorgeous harmonies--remain modern marvels. There's not a bad note on this incredible record.



    The Divine Miss M has always been prized for its clear, clean production. Mobile Fidelity's Silver Series LP further improves the sound, which, in combination with Midler's performances, make this collectible reissue an absolute no-brainer!


    This title is not eligible for discount.

    1. Do You Want to Dance? (Bobby Freeman)
    2. Chapel of Love (Jeff Barry, Ellie Greenwich, Phil Spector)
    3. Superstar (Bonnie Bramlett, Leon Russell)
    4. Daytime Hustler (Jeff Kent)
    5. Am I Blue (Jarry Akst, Grant Clark)
    6. Friends (Mark Klingman, Buzzy Linhart)
    7. Hello In There (John Prine)
    8. Leader of the Pack (Jeff Barry, Ellie Greenwich, George Morton)
    9. Delta Dawn (Larry Collins, Alex Harvey)
    10. Boogie Woogie Bugle Boy (Don Raye, Hughie Prince)
    11. Friends (Reprise) (Mark Klingman, Buzzy Linhart)
    Bette Midler
    $24.99
    Vinyl LP - Sealed Buy Now
  • This Time I'm Swingin' This Time I'm Swingin' Quick View

    $34.99
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    This Time I'm Swingin'


    Numbered Limited Edition 180g LP from Mobile Fidelity


    Legendary Crooner Backed by Orchestra Conducted by Nelson Riddle


    1960 Capitol Album of Then-Recent and Classic Standards Arguably Martin's Most Timeless Set: MoFi Edition Includes Bonus Track Ain't That a Kick in the Head


    Mastered from the Original Master Tapes: No Martin Album Sounds Like This


    Dean Martin was always at his best when he sounded effortless, when the singing required no exertion-just the same amount of investment required to order a martini. Confident, refined, breezy, and easygoing, this 1960 Capitol album epitomizes the crooner's charm. In pairing with arranger and Frank Sinatra right-hand-man Nelson Riddle, Martin strikes all the right notes on this collection of then-recent and retro standards.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g LP gets inside the core being of Martin's impeccably smooth, relaxed singing by presenting every phrase, dip, and inflection with lifelike realism. The LP does similar wonders for Riddle's backing orchestra. Horns teem with punch and midrange; rhythms possess incredible pacing; strings saunter and float. No Martin album has ever sounded like this. Mobile Fidelity also secured the rights to a bonus track, Ain't That a Kick in the Head, left off the album and released as a single in order to promote the movie Ocean's Eleven.


    While Martin enjoyed his biggest commercial success at Reprise, the aptly titled This Time I'm Swingin' is considered by many critics and vocal-pop fans to be his finest studio hour. He approaches each song with supreme confidence and debonair control, never overreaching his limits or breaking a sweat. Here, he more than lives up to his nickname: The King of Cool. Charismatic, assured, and note-perfect, the album belongs alongside any of the period sets cut by his pal and once-and-future labelmate Sinatra. No wonder that his most recognized hit, the aforementioned and included "Ain't That a Kick in the Head," was actually cut at these sessions.


    Riddle's expert ordering of the charts and direction of horns, strings, and piano equates to jazz and swing genius. Brass blows hard and strong during breaks, calm down for verses during which slinky 88s and swaying strings join the dance, and then rise up, the mix elegantly performed and irresistibly catchy. If you're not snapping your fingers and instantly transported to a swank nightclub within the first few passages of the opening "I Can't Believe That You're In Love With Me," check your system's setup.


    Yet Martin is the real star. Hearing him handle such classics as the devotional "I've Grown Accustomed to Her Face," upbeat "You're Nobody 'Til Somebody Loves You," hopeful "Someday (You'll Want Me to Want You)," bluesy "You're Mean to Me," and clever "Please Don't Talk About Me When I'm Gone" with such aplomb-and now, in such ravishing detail-will remind you why you love music, and why nothing of this ilk will likely ever be made again.


    Martin convincingly conveys the mood each song demands, but a sense of optimism, playfulness, and feel-good romance pervade this stylish effort. If you are a fan of real singing and emotional crooning, you cannot live without this analog edition. A veritable gem.


    This title is not eligible for discount.

    1. I Can't Believe That You're In Love With Me
    2. True Love
    3. You're Nobody 'Til Somebody Loves You
    4. On the Street Where You Live
    5. Imagination
    6. (It Will Have to Do) Until the Real Thing Comes Along
    7. Please Don't Talk About Me When I'm Gone
    8. I've Grown Accustomed to Her Face
    9. Someday (You'll Want Me to Want You)
    10. Mean to Me
    11. Heaven Can Wait
    12. Just In Time
    13. Ain't That a Kick in the Head
    Dean Martin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Heart Like A Wheel (Pre-Order) Heart Like A Wheel (Pre-Order) Quick View

    $34.99
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    Heart Like A Wheel (Pre-Order)


    Linda Ronstadt's 1974 Breakthrough Remains a Paragon of Extraordinary Performance, Arranging, and Songwriting: Heart Like a Wheel Features an All-Star Instrumental Cast and Singer at Her Best


    Audiophile Clarity, Profound Depth, Lifelike Naturalism, and Transfixing Warmth: Numbered, Limited-Edition Mobile Fidelity 180g LP Meticulously Mastered for Supreme Sound


    How to put the ageless appeal, artistic splendor, and imaginative instrumental variety of Linda Ronstadt's Heart Like a Wheel in proper perspective more than four decades after its original release? For starters, the 1974 landmark earned three major Grammy nominations and won for Best Country Vocal Performance - Female. But that feat pales in comparison to what the record did for Ronstadt, who became the decade's most in-demand, multifaceted, and cherished female singer soon after it captured the public's attention. Or the fact that it remains a paragon of songwriting, arrangement, and performance - a trifecta that still holds sway in this era or any. Mobile Fidelity's reissue puts it over the top to stay.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet 180g vinyl at RTI, this LP reissue presents Heart Like a Wheel with astounding clarity, depth, and naturalism. Still the most difficult instrument to accurately capture, the female voice is here conveyed with transfixing realism, warmth, and feeling. The inner beauty of Ronstadt's flawless phrasing and passionate inflections bears out with obvious candor, her tonality and emotiveness pouring through every lyric and wordless expression.


    Yet the advantages of this limited, numbered-edition audiophile version extend far beyond the intimacy afforded Ronstadt's singing. Specifically, the majesty of Peter Asher's crafty arrangements now come to life like never before. Free of the fatiguing high frequencies and flat, dull responsiveness inherent on previous remasters and the original Capitol issue, respectively, this 180g LP sets the sonic standard and lets the extraordinary instrumental blends blossom with openness, airiness, and organic textures.


    While Ronstadt's interpretive skills and stunning vocals remain front and center, the all-star cast of California-based musicians that helped transform Heart Like a Wheel into a 1970s mainstream pop-rock staple - and a lasting example of the period's laid-back West Coast sound - cannot be forgotten. Glenn Frey, Don Henley, Emmylou Harris, Maria Muldaur, Herb Pedersen, David Lindley, J.D. Souther, and Andrew Gold are just a few of the luminaries that ensure the Billboard chart-topping set rests on an unassailable foundation. Asher puts everything in the right place and, in concert with the headliner, chooses a repertoire of standards that both shakes up traditions and pays homage to them.


    The other secrets to the record's distinctiveness lie with Ronstadt's versatility and passion, her uncanny ability to inhabit every lyric with conviction and believability, and her graceful technique. As Stephen Holden stated in his rave review of the album for Rolling Stone in early 1975, No other pop singer so perfectly embodies the Western mythical girl/woman, heartbroken yet resilient and entirely feminine in the traditional sense. There is a throbbing edge to Ronstadt's honey-colored soprano that no other singer quite possesses - the edge between vulnerability and willfulness that I find totally, irresistibly sexy.


    Ronstadt indeed proves seductive and inviting throughout, whether on the bluesy reading of Clint Ballad Jr.'s You're No Good, harmony-rich treatment of Hank Williams' I Can't Help It (If I'm Still in Love with You), folk-rock lilt of Lowell George's Willin', or soulful send-up of Phil Everly's When Will I Be Loved? Complete with piano, double bass, cello, viola, and fiddle, as well as support vocals from Muldaur, the cover of Anna McGarrigle's title track reinforces the one-of-a-kind expanse and all-for-one chemistry evident throughout the double-platinum effort - the kind of record they just don't make anymore.


    This title is not eligible for discount.

    1. You're No Good
    2. It Doesn't Matter Anymore
    3. Faithless Love
    4. The Dark End of the Street
    5. Heart Like a Wheel
    6. When Will I Be Loved
    7. Willin'
    8. I Can't Help It (If I'm Still in Love with You)
    9. Keep Me from Blowing Away
    10. You Can Close Your Eyes
    Linda Ronstadt
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Earth, Wind & Fire Earth, Wind & Fire Quick View

    $21.99
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    Earth, Wind & Fire

    Earth, Wind & Fire's supremely confident debut still blows our minds today. Bandleader Maurice White melds a bold, James Brown-style horn section with dreamy harmonies, tight arrangements, and positive lyrics with a hint of the spacey astrological vibe that inspired the band's name. Uplifting tracks like Help Somebody and the cuddly ballad Love Is Life are the perfect intersection of funk and psychedelic soul. The lush vocal blend of Sherry Scott, Wade Flemons, Don Whitehead, and White comes alive-and hints at the group's later hits.
    1. Help Somebody
    2. Moment Of Truth
    3. Love is Life
    4. C'mon Children
    5. This World Today
    6. Bad Tune
    Earth, Wind & Fire
    $21.99
    Vinyl LP - Sealed Buy Now
  • I Robot I Robot Quick View

    $49.99
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    I Robot

    Alan Parsons Project I Robot on Numbered Limited Edition 180g 45RPM 2LP From Mobile Fidelity


    Perfectionism, Innovation, Complexities, and Reference-Grade Production Make Alan Parsons Project's Conceptual I Robot a Timeless Classic: Sci-Fi Arrangements Steeped In Drama and Moodiness


    More Music, More Information, More Detail, More Nuance, More Everything: Mobile Fidelity 180g 45RPM 2LP Set the Definitive-Sounding Analog Version of 1977 Audiophile Standard


    A Demonstration Disc for the Ages: Immaculate Highs and Lows, Supreme Spaciousness, See-Through Transparency, 3D Imaging, Wider Grooves on System-Testing Pressing


    Audiophiles needn't any introduction to the Alan Parsons Project's I Robot. Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous-sounding 180g 45RPM 2LP set and the question becomes irrelevant.


    Mastered from the original master tapes and pressed at RTI, and afforded the luxurious groove space of a 45RPM LP, I Robot comes to life like never before on this numbered limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this super-clean edition has been lovingly restored by Mobile Fidelity engineers with the intention of demonstrating the full-range capabilities of the world's best stereo systems. Put simply, there's more music, more information, more detail, more nuance, more everything.


    Savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, the analog masterwork is a demonstration record for the ages - the likes of which are no longer being made. Longtime fans can finally rest assured knowing they don't have to pony up hundreds of dollars for older pressings - including three prior Mobile Fidelity versions on LP and CD. This is the very reason you own and invest in high-end audio gear.


    Inspired by and loosely based around the Isaac Asimov stories of the same name, I Robot delves into themes of artificial intelligence and technological dominance that make the record increasingly relevant in the 21st century. Indeed, Parsons' pinnacle creation dovetailed with the ascendency of Star Wars, which itself is experiencing a rebirth in an age of self-driving cars, smart devices, and mindless automation. Lyrically, songs such as The Voice call into question human behavior - and their relationship to increasing robotic supremacy - in everyday life. Sonically, Parsons reflects the associated paranoia, dichotomy, and transformation via shifting sci-fi arrangements steeped in drama and moodiness.


    I Robot's absorbing tunes also continue to fascinate due to their perfectionism and innovation. Borrowing from Pink Floyd's strategies, Parsons utilizes a looped sequence on the title track to create new downbeats. Some Other Time employs two different lead vocalists and yet gives the illusion only one is involved. Captivating strings, a piccolo trumpet, and bona fide pipe organ grace Don't Let It Show. The origins of Nucleus stem from a unique analog keyboard concoction dubbed the Projectron, devised by Parsons and electronic engineer Keith Johnson. Andrew Powell's orchestral and choral arrangements top it all off, with Total Eclipse arriving as an aptly frightening track that presages the climactic Genesis Ch. 1 V. 32.


    Does man or machine win in the end? Decide with Parsons as you get lost in Mobile Fidelity's definitive pressing.


    This title is not eligible for discount.

    1. I Robot
    2. I Wouldn't Want To Be Like You
    3. Some Other Time
    4. Breakdown
    5. Don't Let It Show
    6. The Voice
    7. Nucleus
    8. Day After Day
    9. Total Eclipse
    10. Genesis Ch. 1 V.32
    Alan Parsons Project
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Where Did Everyone Go? Where Did Everyone Go? Quick View

    $54.99
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    Where Did Everyone Go?

    In what some consider his last great album prior to his tragic passing, Nat King Cole approached the dramatic dark side of love in the spirit of Sinatra's saloon songs to timeless, haunting effect with the album Where Did Everyone Go? The distinctive orchestrations of Gordon Jenkins for strings accompany the intimately expressive and supremely musical voice of the incomparable Nat King Cole in such classic songs as Someone To Tell It To, I Keep Going Back To Joe's, Spring Is Here, The End Of A Love Affair and other reflections of one who had and now has not. Nat King Cole and arranger Gordon Jenkins followed their hit albums Love Is The Thing and The Very Thought Of You with this striking shift toward the dramatic. The result again stands among its era's finest, most stylistically defining recordings of popular music and still retains its grand sense of tragedy and beauty.


    Using the original first generation 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings. Two bonus tracks recorded for the album, A Farewell to Arms and Happy New Year, are included in this double 45-RPM 180-gram album set for their first release in original production quality. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 3,200-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.


    Originally released in 1963.


    This title is not eligible for discount.

    Where Did Everyone Go?
    Say It Isnt So
    If Love Aint There
    (Ah, The Apple Trees) When The World Was Young
    Am I Blue?
    Someone To Tell It To
    The End Of A Love Affair
    I Keep Goin Back To Joes
    Laughing On The Outside (Crying On The Inside)
    No, I Dont Want Her
    Spring Is Here
    Thats All There Is


    Bonus tracks:


    A Farewell To Arms
    Happy New Year

    Nat King Cole
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Hello, I Must Be Going Hello, I Must Be Going Quick View

    $21.99
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    Hello, I Must Be Going

    Initially released in 1982, Collins' second album Hello, I Must Be Going! focused on a more organically produced sound than his debut, with lyrics on tracks such as I Don't Care Anymore and Thru These Walls providing a darker thematic core. By contrast, the album's biggest hit was Collins' upbeat interpretation of The Supremes' You Can't Hurry Love, which became his first solo #1 single. Hello, I Must Be Going! itself peaked at #2, and Collins would soon earn his first Grammy® and Brit Award nominations.
    1. I Don't Care Anymore (2016 Remastered)
    2. I Cannot Believe It's True (2016 Remastered)
    3. Like China (2016 Remastered)
    4. Do You Know, Do You Care? (2016 Remastered)
    5. You Can't Hurry Love (2016 Remastered)
    6. It Don't Matter To Me (2016 Remastered)
    7. Thru These Walls (2016 Remastered)
    8. Don't Let Him Steal Your Heart Away (2016 Remastered)
    9. The West Side (2016 Remastered)
    10. Why Can't It Wait 'Til Morning (2016 Remastered)
    Phil Collins
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Just One Of Those Things Just One Of Those Things Quick View

    $54.99
    Buy Now
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    Just One Of Those Things

    Contrasting downbeat ballads with an ironic brassy, upbeat big band attitude, the ironic Cole Porter standard Just One Of Those Things sets the tone for a distinctive, pungent experience of love and disillusionment with a swing. Brilliantly backing the intimately expressive and supremely musical voice of the incomparable Nat King Cole, a big band with no strings smolders, swings, saunters, storms, sighs and sizzles with the arrangements of the distinctive Billy May. Featuring top shelf interpretations of These Foolish Things, Who's Sorry Now? The Party's Over and more, this album is among its era's finest recordings of popular music and its quality, style and spirit remains unexcelled.



    Using the original 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings. A superb track recorded for the album, You'll Never Know, which was omitted due to space constraints, is included in this double 45-RPM 180-gram album set. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2,200-word essay by Jordan Taylor on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.


    Originally released in 1957.



    This title is not eligible for discount.

    When Your Lover Has Gone
    A Cottage For Sale
    Whoâs Sorry Now?
    Once In A While
    These Foolish Things Remind Me Of You
    Just For The Fun Of It
    Donât Get Around Much Anymore
    I Understand
    Just One Of Those Things
    The Song Is Ended
    I Should Care
    The Partyâs Over


    Bonus Track:
    Youâll Never Know

    Nat King Cole
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
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