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  • Star Wars: A New Hope (Box Set) Star Wars: A New Hope (Box Set) Quick View

    $149.99
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    Star Wars: A New Hope (Box Set)

    40th Anniversary - Original Motion Picture Soundtrack 3-LP 12 Vinyl Boxed Set, with 3D hologram experience of the Death Star(on LP3 Side A), Book, and Slipcase. Newly, restored Masters.


    The Star Wars: A New Hope 40th Anniversary soundtrack will include rarely seen pictures from the production of the movie and Williams' scoring sessions. There will also be a 48-page book with essays by film music experts Jeff Bond and Jeff Eldridge. Bond's essay is entitled "Tuning Up a Galaxy," while Eldridge will follow Williams' early film work in "John Williams' Journey to Star Wars."

    LP 1
    1.Main Title
    2.Imperial Attack
    3.Princess Leia's Theme
    4.The Desert and the Robot Auction
    5.Ben's Death and TIE Fighter Attack
    6.The Little People Work
    7.Rescue of the Princess
    8.Inner City
    9.Cantina Band


    LP 2
    1.The Land of the Sand People
    2.Mouse Robot and Blasting Off
    3.The Return Home
    4.The Walls Converge
    5.The Princess Appears
    6.The Last Battle
    7.The Throne Room and End Title


    LP 3
    1.Main Title (Take 16)
    2.MainTitle (Take 17)
    3.Main Title (Take 18)
    4. Main Title (Take 19)
    5. Main Title (Take 20)

    John Williams
    $149.99
    Vinyl LP Box Set - 3 LPs Sealed Buy Now
  • Hope Hope Quick View

    $21.99
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    Hope

    Atlanta-based hard rock quintet Manchester Orchestra switches gears for their latest release Hope to present this unexpected yet completely satisfying re-imagination of their album Cope, which was released earlier this year. These stripped down, new versions of the songs incorporate vocal rearrangements, Fender Rhodes electric piano, acoustic piano and even strings.
    1. Top Notch
    2. Choose You
    3. Girl Harbor
    4. The Mansion
    5. The Ocean
    6. Every Stone
    7. All That Really Wanted
    8. Trees
    9. Indentions
    10. See It Again
    11. Cope
    Manchester Orchestra
    $21.99
    Vinyl LP - Sealed Buy Now
  • New Hope For The Wretched New Hope For The Wretched Quick View

    $35.99
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    New Hope For The Wretched

    New Hope for the Wretched is the debut album by punk-metal band The Plasmatics, fronted by the infamous Wendy O. Williams. The front woman is also credited on the sleeve as playing the chainsaw and machine gun! A hint at how raucous and rowdy their live shows and albums were. This is some fast and furious Rock N' Roll, and Wendy O's gruff vocals perfectly compliment the music.
    LP1
    1. Tight Black Pants
    2. Monkey Suit
    3. Living Dead
    4. Test Tube Babies

    5. Won't You
    6. Concrete Shoes
    7. Squirm
    8. Want You Baby
    9. Dream Lover
    10. Sometimes I


    LP2
    1. Corruption
    2. Butcher Baby
    3. Sometimes I (Live)
    4. Living Dead (Live)
    5. Tight Black Pants (Live)
    6. Butcher Baby (Live)
    7. Corruption (Live)
    8. You Think You're Comin'
    9. Fast Food Service

    Plasmatics
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Begin To Hope Begin To Hope Quick View

    $19.99
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    Begin To Hope

    Regina Spektor's last album, 2004's Soviet Kitsch, garnered praise from Time, Rolling Stone, Spin, Vanity Fair, The New York Times and many others. But this Russian-born, Bronx-bred singer-songwriter-pianist, who emerged from the NYC cafÉ circuit, continues to expand her vision. On Begin To Hope, produced by David Kahne (The Strokes, Sublime, Sugar Ray), she broadens here palette with electric guitar, drum machines and seductive electronic loops, finding new canvases for her provocative vocal style. Hope for pop has arrived with Regina Spektor.
    1. Fidelity
    2. Better
    3. Samson
    4. On the Radio
    5. Field Below
    6. Hotel Song
    7. Apres Moi
    8. 20 Years Of Snow
    9. That Time
    10. Edit
    11. Summer In The CIty
    Regina Spektor
    $19.99
    Vinyl LP - Sealed Buy Now
  • Hope For The Hopeless Hope For The Hopeless Quick View

    $17.99
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    Hope For The Hopeless

    Brett Dennen Hope For The Hopeless On Vinyl LP + Digital Download


    Hope for the Hopeless is the follow-up to Brett Dennen's critically acclaimed Dualtone debut, So Much More. The record finds the eclectic singer/songwriter in the natural progression to a more full band sound and is the perfect complement to Brett's high energy live shows. Featured tracks on the new record include the first single, Make You Crazy featuring Femi Kuti,Closer to You and the emotionally charged,Heaven.


    One of Rolling Stone's 10 Artists to Watch in 2008!

    1. San Francisco
    2. Make You Crazy
    3. Heaven
    4. Closer to You
    5. Wrong About Me
    6. So Far From Me
    7. When She's Gone
    8. World Keeps Turning
    9. Who Do You Think You Are?
    10. Follow Your Heart
    11. Aint Gonna Lose You
    Brett Dennen
    $17.99
    High-Definition Gatefold LP - Sealed Buy Now
  • High As Hope High As Hope Quick View

    $29.99
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    High As Hope

    Six-time Grammy-nominee Florence + the Machine are set to release their highly-anticipated new album 'High As Hope' via Virgin EMI / Republic Records. 'High As Hope' is the sound of an artist who appears more certain than ever of herself. Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself.
    1. June
    2. Hunger
    3. South London Forever
    4. Big God
    5. Sky Full of Song
    6. Grace
    7. Patricia
    8. 100 Years
    9. The End of Love
    10. No Choir
    Florence And The Machine
    $29.99
    Vinyl LP - Sealed Buy Now
  • All Hope Is Gone All Hope Is Gone Quick View

    $26.99
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    All Hope Is Gone

    All Hope Is Gone is Slipknots first #1 album and it has brought the group to new heights. The band headlined the inaugural Mayhem festival, embarked on their most successful world tour yet, including a stop at the legendary Madison Square Garden and had two top 10 singles. 2009 is the bands 10th anniversary and is poised to be one of the most exciting of their career.


    The fourth release from the hard rock machine from Des Moines, IA, is more of a statement than a record. Corey Taylor comments, Every album we have made is a statement about that space in time. I think this era is the most mature, most beautiful and the most powerful. We have made an album that will show the road behind, the road ahead, and where we are as men. I think it's the best thing I've ever made. And I challenge anyone to prove me wrong. The album blends elements of 2004's Vol 3: (The Subliminal Verses) and 2001's Iowa, while adding a perspective, freshness and depth that only three years apart can bring. All Hope Is Gone was recorded this in Slipknot's home state and is co-produced by the band and Dave Fortman.

    1. Execute
    2. Gematria (The Killing Name)
    3. Sulfur
    4. Psychosocial
    5. Dead Memories
    6. Vendetta
    7. Butchers Hook
    8. Gehenna
    9. This Cold Black
    10. Wherein Lies Continue
    11. Snuff
    12. All Hope Is Gone
    Slipknot
    $26.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • New Multitudes New Multitudes Quick View

    $21.99
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    New Multitudes

    New Multitudes is an intimate interpretation of American icon and musical legend Woody Guthries previously unrecorded lyrics from a dream team of Americana torchbearers: Jay Farrar (Son Volt), Will Johnson (Centro-matic), Anders Parker (Varnaline) and Jim James (My Morning Jacket). What makes this album such a rarity in todays music world is the allowance of the songs infectious simplicity to stand alone in all their glory. In doing so, Farrar, Johnson, Parker and James, pay the greatest compliment to Woody Guthrie and the collaborative spirit he so greatly embodied. This is an album which seamlessly converges the sepia-toned essence of the time honored past with the risks needed to forge the future.


    Under the invitation of Nora Guthrie, Woody's daughter, to tour the Guthrie archives, each of the four songwriters were offered the chance to plumb and mine the plethora of notebooks, scratch pads, napkins, etc. for anything that might inspire them to lend their voices and give the words new life.


    These guys worked on an amazing group of lyrics says Nora. Much of it was culled from Woody's times in L.A. Lyric wise, it's a part of the story that is still mostly unknown. From Woody's experiences on L.A.'s skid row to his later years in Topanga Canyon, they are uniquely intimate, and relate two distinctly emotional periods in his life.


    Musically, it is the sense of collaboration that makes New Multitudes not just another trite and traditional acoustic regurgitation of back porch blues. From the ragged jangle of its opening track, Hoping Machine, the loping lilt of Fly High, the floorboard stomp of No Fear, to the lush warmth and sudden sonic gut punch of My Revolutionary Mind, the cohorts deliver a lesson in discovering a song's sweet spot time and time again. It's the function and preparedness of each artist's dogged work ethic gleaned the old-fashion way; veracious songs, road weary odometers and sweat stained live shows, all attributes of the man they are honoring.

    1. Hoping Machine
    2. Fly High
    3. My Revolutionary Mind
    4. VD City
    5. Old L.A.
    6. Talking Empty Bed Blues
    7. Chorine
    8. Careless Reckless Love
    9. Angel's Blues
    10. No Fear
    11. Changing World
    12. New Multitudes
    Farrar, James, Johnson, & Parker
    $21.99
    Vinyl LP - Sealed Buy Now
  • High Hopes High Hopes Quick View

    $30.99
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    High Hopes

    High Hopes' finds Bruce Springsteen in a number of different musical settings, and includes the E Street Band members in various large and small combinations as well as guitarist Tom Morello on eight tracks. Besides Morello, the album also includes appearances on several songs by Clarence Clemons, who passed away in 2011, and Danny Federici, who passed away in 2008, on what Springsteen calls some of our best unreleased material from the past decade. The album was recorded in New Jersey, Los Angeles, Atlanta, Australia and New York City and marks Springsteen's 18th studio album. As Bruce writes in the albums liner notes, I felt they were among the best of my writing and deserved a proper studio recording.
    LP 1
    1. High Hopes
    2. Harry's Place
    3. American Skin (41 Shots)
    4. Just Like Fire Would
    5. Down in the Hole
    6. Heaven's Wall


    LP 2
    1. Frankie Fell in Love

    2. This is Your Sword
    3. Hunter of Invisible Game
    4. The Ghost of Tom Joad (2013)
    5. The Wall
    6. Dream Baby Dream


    CD
    1. High Hopes
    2. Harry's Place
    3. American Skin (41 Shots)
    4. Just Like Fire Would
    5. Down in the Hole

    6. Heaven's Wall
    7. Frankie Fell in Love
    8. This is Your Sword

    9. Hunter of Invisible Game
    10. The Ghost of Tom Joad (2013)

    11. The Wall
    12. Dream Baby Dream

    Bruce Springsteen
    $30.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Sing It Now: Songs Of Faith And Hope (Awaiting Repress) Sing It Now: Songs Of Faith And Hope (Awaiting Repress) Quick View

    $24.99
    Buy Now
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    Sing It Now: Songs Of Faith And Hope (Awaiting Repress)

    Reba McEntire has never been one to "rest on her laurels" (Associated Press) and continues to prove that her strong work ethic couples well with passion as she prepares to release SING IT NOW: SONGS OF FAITH & HOPE in 2017 jointly through Nash Icon Records and Capitol Christian Music Group. For an entertainer with an illustrious career that has elicited 35 No. 1 singles, over 56 million albums sold worldwide, prestigious industry awards, lead acting roles and brand endeavors, new is a rarity - yet an art form she has perfected.


    "SING IT NOW was the perfect title for this album because the message and melody throughout the song connects the dots between the traditional hymns I grew up on and new music that has been uplifting for me in challenging times," said Reba.


    Reba let her heart and friends help guide the song selection, which includes the first tune she ever sang in public, "Jesus Loves Me," a former Reba co-star's suggestion of "Oh Happy Day" and an introduction from a close associate to "From The Inside Out."

    LP 1
    1. Jesus Loves Me
    2. Oh, How I Love Jesus
    3. When The Roll is Called Up Yonder
    4. Oh Happy Day
    5. Amazing Grace
    6. I'll Fly Away
    7. In The Garden / Wonderful Peace (feat. The Isaacs)
    8. Swing Low Sweet Chariot / Swing Down Chariot
    9. How Great Thou Art
    10. Softly and Tenderly (feat. Kelly Clarkson and Trisha Yearwood)


    LP 2
    1. Sing It Now
    2. Angels Singin'
    3. God and My Girlfriends
    4. Hallelujah, Amen
    5. There Is A God
    6. I Got The Lord On My Side
    7. Back To God
    8. Angel On My Shoulder
    9. From The Inside Out
    10. Say A Prayer

    Reba McEntire
    $24.99
    Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • New Maps Of Hell New Maps Of Hell Quick View

    $19.99
    Buy Now
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    New Maps Of Hell

    In a world ruled increasingly by superstition and intolerance, Bad Religion's rousing wall-of-sound punk seems about as necessary now as ever before. It is the impassioned sound of reason, anthems of a bittersweet idealism and a guarded hope set to propulsive guitars and charging drumbeats. And while most groups with even half the artistic output have long ago morphed into stylistic self-parody, Bad Religion is currently surging forward with a renewed creative intensity. Their fourteenth album is both a nod to the band's defiant past and an undeniable step forward in the evolution of a genre they helped to define. Look for them on this summer's Warped Tour, inspiring a new generation of fans.
    1. 52 Seconds

    2. Heroes and Martyrs
    3. Germs of Perfection
    4. New Dark Ages
    5. Requiem For Dissent
    6. Before You Die
    7. Honest Goodbye
    8. Dearly Beloved
    9. Grains of Wrath
    10. Murder
    11. Scrutiny
    12. Prodigal Son
    13. Grand Delusion, The
    14. Lost Pilgrim
    15. Submission Complete
    16. Fields of Mars
    Bad Religion
    $19.99
    Vinyl LP - Sealed Buy Now
  • New Groove (Pure Pleasure) New Groove (Pure Pleasure) Quick View

    $34.99
    Buy Now
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    New Groove (Pure Pleasure)

    Clarinetist Pee Wee Russell's career on record stretched all the way from the 1920s, when he played with musicians such as Jack Teagarden and Bix Beiderbecke, to the 1960s, when he appeared with Thelonious Monk at Newport and made albums that included compositions by modernists such as Ornette Coleman and John Coltrane.



    Although he was pegged as being Dixieland by some and trumpeted as an elder hero of the 60s avant-garde by others, Russell remained a school unto himself. Jazz writer Whitney Balliett said that Russell played with an incomparable daring and nakedness and intuition. He had discovered some of the secrets of life and his improvisations were generally successful attempts to tell those secrets in a new, funny, gentle way.



    After Russell died, his friend and musical cohort Ruby Braff, told Nat Hentoff, »Like Louis Armstrong, Pee Wee will always be contemporary.«




    Musicians:



    • Pee Wee Russell (cl)

    • Marshall Brown (tb)

    • Russell George (b)

    • Ron Lundberg (dr)




    Recording: December 1962

    Production: Frank Driggs




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. My Mother's Eyes
    2. Chelsea Bridge
    3. Red Planet
    4. Pee Wee's Blues
    5. Moten Swing
    6. 'Round Midnight
    7. Good Bait
    8. Old Folks
    9. Taps Miller
    The Pee Wee Russell Quartet
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 1 Hopeful Rd 1 Hopeful Rd Quick View

    $21.99
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    1 Hopeful Rd

    Over the past few years, Vintage Trouble have wowed audiences across the globe by opening for The Rolling Stones in London's Hyde Park, touring with legends like The Who and AC/DC, and playing sold-out headline shows worldwide. Now, on their first album for Blue Note Records, the Los Angeles-based foursome - singer Ty Taylor, guitarist Nalle Colt, bassist Rick Barrio Dill, and drummer Richard Danielson channel the vitality and passion of their live show into a fresh and urgent take on guitar-powered rhythm & blues. Produced by Blue Note president and three-time Grammy Award-winner Don Was, 1 Hopeful Rd. finds Vintage Trouble building off the groove-fueled sound that Yahoo! once painted as ''James Brown singing lead for Led Zeppelin'' and blending blues, soul, and riff-heavy rock & roll with joyfully gritty abandon. As heard on lead single ''Run Like the River,'' 1 Hopeful Rd. matches Vintage Trouble's emotional intensity with a raw yet sophisticated musicianship that's prompted the New York Times to name the band modern-day answer to Otis Redding and BBC Radio 6 to anoint them ''the heirs of rhythm and blues.''
    1. Run Like The River
    2. From My Arms
    3. Doin What You Were Doin'
    4. Angel City, California
    5. Shows What You Know
    6. My Heart Won't Fall Again
    7. Another Man's Words
    8. Strike Your Light
    9. Before The Tear Drops
    10. If You Loved Me
    11. Another Baby
    12. Soul Serenity
    Vintage Trouble
    $21.99
    Vinyl LP - Sealed Buy Now
  • Tubby's New Groove (Pure Pleasure) Tubby's New Groove (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Tubby's New Groove (Pure Pleasure)

    Over the past decade there has been a small avalanche of previously unreleased live recordings by the late, great Tubby Hayes, arguably the UKs most accomplished post-war jazz instrumentalist and a figure already accorded - quite rightly - legendary status. Each has added much to our knowledge of Tubby's musical activities outside the recording studio, but this new release unearths a session which had lain forgotten since 1959 and which significantly is an addendum to what has long been seen as Tubby's first album masterpiece Tubby's Groove. Indeed the music contained on this LP is among the most significant pieces of British jazz history to have been discovered in a long, long time.



    This new LP is every bit the equal of the original album and, as previously stated, in parts the music even outstrips its predecessor. Regardless of provenance these rediscovered recordings are, in this writer's opinion, some of the most important of Tubby Hayes career and will doubtless only add to our appreciation and admiration of a player who was truly deserving of the status of world-class. Over fifty years on, Tubby's immense musicianship, talent and creative charisma can still stun new listeners and this new album is the perfect introduction to a performer in whom we can still be proud.



    Musicians:



    • Tubby Hayes (tenor saxophone)

    • Terry Shannon (piano)

    • Jeff Clyne (bass)

    • Phil Seaman (drums)



    Recording: December 1959 at DECCA Studios, London



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. Tin Tin Deo
    2. Visa
    3. Supper At Phil's
    4. Symphony
    5. Hook's Way
    6. The Trolley Song
    Tubby Hayes
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • In New York (Pure Pleasure) In New York (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    In New York (Pure Pleasure)

    Lightnin' Hopkins was one of the most over-recorded artists in the blues genre. The recordings here were made at a pivotal moment in his career. In 1960, at 48 years old, he was no longer a star in the black community, but was becoming a folk legend. His deeply personal music not only reflected the experiences of his community but touched a universal nerve. Chris Strachwitz, who often recorded Hopkins, has called his records »brief audio snapshots of one of the great folk poets to emerge from the African-American experience in Texas.« When he died in 1982 he had recorded well over 600 'audio snapshots'. From his prolific output this Candid session ranks amongst his finest and most intimate work.




    Musicians:



    • Lightnin' Hopkins (vocal, guitar, piano)




    Recording: November 1960 at Nola Penthouse Studios, New York City, by Bob d'Orleans

    Production: Nat Hentoff




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Take It Easy
    2. Mighty Crazy
    3. Your Own Fault, Baby, To Treat Me The Way You Do
    4. Ive Had My Fun If I Dont Get Well No More
    5. The Trouble Blues
    6. Lightnins Piano Boogie

    7. Wonder Why
    8. Mister Charlie

    9. Black Cat
    Lightin' Hopkins
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Bottle Old Wine (Pure Pleasure) New Bottle Old Wine (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    New Bottle Old Wine (Pure Pleasure)

    If you have admired Gil Evans' arrangements on the Miles Davis recordings, you owe it to yourself to check this out. These recordings help make the case that Gil Evans was one of the great jazz arrangers of all time. Gil Evans always manages to communicate with sophistication and nuance, and on these sessions he manages to have fun as well.



    This is a LP of Gil Evans re-arranging classic jazz standards like St. Louis Blues, King Porter Stomp, and Lester Leaps. It's so interesting to be listening to these records nearly 50 years after they were made. This was a 'modern' take on jazz tunes that even then were considered classics. Hearing them now, it's like listening to one set of Old Masters interpreting an even more distant set of Old Old Masters. It's a LP that you can enjoy as a peek into modern jazz of the late 50's, or as a set of very interesting big band orchestrations. An absolute jazz classic.



    Musicians:



    • Gil Evans (arranger, conductor, piano)

    • Cannonball Adderley (alto saxophone)

    • Ernie Royal (trumpet)

    • Phil Bodner (reeds)

    • Harvey Philips (tuba),

    • Bill Barber (tuba)

    • Chuck Wayne (guitar)

    • Paul Chambers (bass)

    • Art Blakey (drums)

    • Philly Joe Jones (drums)



    Recording: April and May 1958 in New York City

    Production: Gil Evans and George Avakian



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    and that the lacquer discs are newly cut.



    1. St Louis Blues
    2. King Porter Stomp

    3. Willow Tree
    4. Struttin With Some Barbecue
    5. Lester Leaps In
    6. Round Midnight

    7. Manteca
    8. Bird Feathers
    Gil Evans
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • In A New Setting (Speakers Corner) In A New Setting (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    In A New Setting (Speakers Corner)

    The vibraphonist presents himself in a new setting in this recording from 1964. Clearly Milt Jackson wanted to free himself occasionally from the straightjacket of the Modern Jazz Quartet. Sonny's Blues is proof of this: it is percussive and swinging, and without the eagle eyes of John Lewis in the background. This time the young McCoy Tyner, who had worked with John Coltrane (A Love Supreme was recorded in the same month), was at the piano. Jimmy Heath, responsible for the drive not only as a composer but also as instrumentalist, and Bob Cranshaw on the bass, contribute important impetus to the short blues, ballad-like and bop themes. None of the twelve numbers became a real jazz hit, but each has kept its own individual charm to this day.
    If you set value on an excellent product being excellently packaged then you are well advised to purchase this LP. Unlike the CD version in its jewel case, this album is now being re-released with its original gatefold cover from the truly beautiful Limelight series, for which the designer alone should have received a Grammy.



    Musicians:



    • Jimmy Heath (tenor saxophone)

    • Milt Jackson (vibraphone (vibes))

    • McCoy Tyner (piano)

    • Bob Cranshaw (bass)

    • Connie Kay (drums)



    Recording: December 1964

    Production: Luchi De Jesus



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. Sonny's Blues
    2. I'm Gonna Laugh You Out Of My Life
    3. Spanish Fly
    4. No Moon At All
    5. Slow Death
    6. Clay's Blues
    7. Lazy Melody
    8. Project-S
    9. Ev-ry Time We Say Goodbye
    10. That's In
    11. Ineffable
    Milt Jackson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Moon Daughter (Pure Pleasure) (Awaiting Repress) New Moon Daughter (Pure Pleasure) (Awaiting Repress) Quick View

    $49.99
    Buy Now
    x

    New Moon Daughter (Pure Pleasure) (Awaiting Repress)

    This is no easy listen ... sparse, complex, often brooding arrangements coupled with Cassandra Wilson's deep, earthy voice and complicated phrasing demand your attention. Waver and you're lost. But ... give this album the listening time & space it deserves and reap the rewards. Unusual, highly atmospheric tracks that combine superb singing and marvellously 'distant' musical backings to weave real magic.


    Cassandra Wilson's own excellent, jazz tinged compositions sit alongside a stunning set of ingenious covers from a highly diverse spectrum of composers. Last Train To Clarksville is transformed from a catchy pop song into a stripped-down and genuinely effective jazz vocal work-out. Harvest Moon slows down Neil Young's already wistful ballad to an almost painful level and, in so doing, takes it to an even higher level of gentle reflection. Hank Williams' I'm So Lonesome I Could Cry & U2's Love Is Blindness are transformed into three in the morning jazz club classics.
    The vocals and backing to Robert Johnson's 32-20 are simplified to the point where only the essence of the blues is allowed to shine and, Lewis Allan's Strange Fruit becomes as desolate and challenging as it's horrific lyrics.


    Clever, very effective and worth the required effort!

    Musicians:



    • Cassandra Wilson (vocal)

    • Graham Haynes (cornet)

    • Chris Whitley, Brandon Ross, Kevin Breit (guitar)

    • Charlie Burnham (violin)

    • Tony Cedras (accordion)

    • Gary Breit (organ)

    • Lonnie Plaxico (bass)

    • Dougie Bowne (drums, percussion)

    • Cyro Baptista (percussion)



    Recording: 1995 at the Turtle Creek Barn, Bearsville, NY / Sound on Sound, New York City / Beartracks, Suffern, NY / Bearsville Studio B , Bearsville, NY.

    Production: Craig Street




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    LP 1

    1. Strange Fruit

    2. Love Is Blindness

    3. Solomon Sang

    4. Death Letter

    5. Skylark

    6. Find Him
    7. I'm So Lonesome I Could Cry


    LP 2

    1. Last Train to Clarksville
    2. Until
    3. A Little Warm Death
    4. Memphis
    5. Harvest Moon
    6. 32-20

    Cassandra Wilson
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • New Wave (Colored Vinyl) (Awaiting Repress) New Wave (Colored Vinyl) (Awaiting Repress) Quick View

    $24.99
    Buy Now
    x

    New Wave (Colored Vinyl) (Awaiting Repress)

    Limited to 1,000 Yellow and Black Split Colored Vinyl


    Reissue of the 2007 major label debut of one of the most controversial modern day rock acts. Features the singles ''Stop'' and ''Thrash Unreal''.


    For Against Me! frontman Tom Gabel (now Laura Jane Grace), sometimes you have to get the hell out just to find your way back in. Since 1997 we have seen Gabel rise from acoustic folk-punk gunslinger in the dives of Gainesville, Florida to releasing Against Me!'s searing, blood-smeared slices of scrappy punk. The 2007 release, New Wave, was their major label debut, one that Spin magazine anointed as their Album Of The Year. And while Gainesville was home, Gabel felt the walls closing in when touring for New Wave came to an end. So he split. With his then-wife, he left behind the ''didja-hear-about-so-and-so'' insular Gainesville world for the sleepy beach town of St. Augustine, wandering the streets and driving dusty back roads: searching, pining, hoping for inspiration.


    Produced by Butch Vig (Nirvana's Nevermind, The Smashing Pumpkins' Gish and Siamese Dream, Garbage).

    1. New Wave
    2. Up The Cuts
    3. Thrash Unreal
    4. White People For Peace
    5. Stop!
    6. Borne On The FM Waves Of The Heart
    7. Piss And Vinegar
    8. Americans Abroad
    9. Animal
    10. The Ocean
    Against Me!
    $24.99
    Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Spongebob Squarepants, The New Musical (Original Cast Recording) Spongebob Squarepants, The New Musical (Original Cast Recording) Quick View

    $29.99
    Buy Now
    x

    Spongebob Squarepants, The New Musical (Original Cast Recording)

    A legendary roster of Grammy Award® winners. A visionary director and Tony Award®-winning design team. One of the world's most beloved and unforgettable characters. Turn them all loose on Broadway and what do you get? SpongeBob SquarePants, the new Broadway musical.


    SpongeBob SquarePants is a one-of-a-kind Broadway musical with original songs written by Yolanda Adams, Steven Tyler and Joe Perry of AEROSMITH, Sara Bareilles, Jonathan Coulton, Alexander Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T's, They Might Be Giants, T. I., and a song by David Bowie. With additional lyrics by Jonathan Coulton and an additional song by Tom Kenny and Andy Paley.


    Stakes are higher than ever before as SpongeBob and all of Bikini Bottom face the total annihilation of their undersea world. Chaos erupts. Lives hang in the balance. And just when all hope seem lost, a most unexpected hero rises up and takes center stage.


    Acclaimed Steppenwolf director Tina Landau and the groundbreaking designers behind Fun Home, Hedwig and Spring Awakening have brilliantly reimagined Bikini Bottom for the Broadway stage, bringing the spirit of SpongeBob to life with humanity, heart and pure theatricality. With an original score from some of the biggest names in pop and rock, SpongeBob SquarePants explodes with energy. The production is conceived and directed by Tina Landau with a book by Kyle Jarrow, and orchestrations, arrangements and music supervision by Tom Kitt.

    LP 1
    1. Prologue - Mark Ledbetter
    2. Bikini Bottom Day - Company of SpongeBob SquarePants, The New Musical
    3. No Control - Kelvin Moon Loh
    4. BFF - Ethan Slater
    5. When the Going Gets Tough - Nick Blaemire
    6. (Just a) Simple Sponge - Ethan Slater
    7. Daddy Knows Best - Emmy Raver-Lampman
    8. Hero is My Middle Name - Lilli Cooper
    9. Super Sea Star Savior - Sardines
    10. Tomorrow Is - Company of SpongeBob SquarePants, The New Musical


    LP 2
    1. Poor Pirates - Pirates
    2. Bikini Bottom Day Reprise - Ethan Slater
    3. Bikini Bottom Boogie - L'ogan J'ones
    4. Chop to the Top - Lilli Cooper
    5. (I Guess I) Miss You - Ethan Slater
    6. I'm Not a Loser - Sea Anemones
    7. Just a Simple Sponge Reprise - Ethan Slater
    8. Best Day Ever - Lilli Cooper
    9. Finale: Bikini Bottom Day Reprise - Company of SpongeBob SquarePants, The New Musical
    10. SpongeBob SquarePants Theme - Company of SpongeBob SquarePants, The New Musical

    Various Artists
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Jazz Winds From A New Direction (Speakers Corner) Jazz Winds From A New Direction (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Jazz Winds From A New Direction (Speakers Corner)


    Hank Garland wasn't the first Country and Western guitarist to discover jazz as a new way of playing. Mundell Lowe (who knows him these days?) and Tal Farlow (whose Verve recordings have long become classics) are just two such musicians who are better known to jazz fans.


    Garland's shining example Charlie Christian was his inspiration when he was invited to participate in a super session, and the LP Jazz Winds From A New Direction became a smash hit. With Joe Morello, the drummer responsible for the tricky, odd meter and Joe Benjamin, who had been instructed by Gerry Mulligan and performs harmonic magic even without a piano, and then Gary Burton, a newcomer (only 17 years old and completely unknown at the time!) on the vibraphone, these six numbers are a real phenomenon with regard to musicality, style and recording technique.


    Unfortunately it was to remain a unique jazz session, for Hank Garland could never aspire to such heights again after his tragic car accident. That's why jazz fans should snap at the chance to grab this newly mastered LP: it enriched the musical horizon of the musicians during the recording, and is guaranteed to bewitch the listener of today.



    Musicians:



    • Hank Garland (guitar)

    • Gary Burton (vibraphone)

    • Joe Benjamin (bass)

    • Joe Morello (drums)




    Recording: 1961



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. All The Things You Are
    2. Three-Four, The Blues
    3. Move
    4. Always
    5. Riot-vhous
    6. Relaxing
    Hank Garland
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dvorak - Symphony 5 - New World (Speakers Corner) Dvorak - Symphony 5 - New World (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Dvorak - Symphony 5 - New World (Speakers Corner)

    Dvorák's long experience with classical forms finds its culmination in his final symphony, whose first performance took place in New York in 1893. The work still enjoys an unwaning popularity thanks to its finely contoured orchestration and its original themes, all of which are based on American folksongs and negro spirituals.



    To capture Dvorák's score in sound has always proved a challenge for both orchestra and recording team. This aim has been more than fulfilled in the present recording with the Vienna Philharmonic Orchestra led by István KertÉsz: the primeval power of the weighty brass, the glorious revelling of the strings, and the lyrical solo passages are all captured here. Musicianship of the highest degree combined with audio-technical perfection lend this recording, made in the early days of stereophony, the status of an historical sound document which, despite numerous other recordings, has no reason to fear competition.





    Musicians:



    • Vienna Philharmonic Orchestra

    • Istvan KertÉsz (conductor)




    Recording: March 1961 at Sofiensaal, Vienna by James Brown

    Production: Ray Minshull





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    and that the lacquer discs are newly cut.


    Istvan Kertesz with Vienna Philharmonic
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Hottest New Group In Jazz (Pure Pleasure) The Hottest New Group In Jazz (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    The Hottest New Group In Jazz (Pure Pleasure)

    The premier jazz vocal act of all time, Lambert, Hendricks & Ross revolutionized vocal music during the late '50s and early '60s by turning away from the increasingly crossover slant of the pop world to embrace the sheer musicianship inherent in vocal jazz. Applying the concepts of bop harmonies to swinging vocal music, the trio transformed dozens of instrumental jazz classics into their own songs, taking scat solos and trading off licks and riffs in precisely the same fashion as their favorite improvising musicians. Vocal arranger Dave Lambert wrote dense clusters of vocal lines for each voice that, while only distantly related, came together splendidly. Jon Hendricks wrote clever, witty lyrics to jazz standards like Summertime, Moanin', and Twisted, and Annie Ross proved to be one of the strongest, most dexterous female voices in the history of jazz vocals. Together Lambert, Hendricks & Ross paved the way for vocal groups like Manhattan Transfer while earning respect from vocalists and jazz musicians alike.



    Musicians:



    • Dave Lambert (vocals)

    • Joe Hendricks (vocals)

    • Annie Ross (vocals)

    • Harry Edison (trumpet)

    • Gildo Mahones (piano)

    • Ike Isaacs (bass)

    • Jimmy Wormworth (drums)



    Recording: 1959



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Charleston Alley
    2. Moanin'
    3. Twisted
    4. Bijou
    5. Cloudburst
    6. Centerpiece
    7. Gimme That Wine
    8. Sermonette
    9. Summertime
    10. Everybody's Boppin'
    Lambert, Hendricks & Ross
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Richter: Berlin By Overnight Richter: Berlin By Overnight Quick View

    $25.99
    Buy Now
    x

    Richter: Berlin By Overnight

    To coincide with Max Richter's Royal Albert Hall debut on 4th October, where he joins forces with Daniel Hope in one of the rare live occasions that sees
    them together on stage, DG will release a new, eclectic REMIX EP.


    Berlin by Overnight by Max Richter is taken from Daniel Hope's latest album Spheres (2013) and will include 4 remixes by internationally acclaimed remixers, who were carefully selected and picked up on the nocturnal, minimal and repetitive atmosphere.


    The international line up of remixers:

    Efdemin: A dark sounding producer from Berlin, known for his minimalist musical approach, who regularly performs at clubs such as the Berlin Panorama
    Bar (Berghain)


    CFCF: A renowned Canadian electronic artists whose music alternates between the spaces of dance, ambient, pop and neo-classical who has already
    remixed the music of artists such as Crystal Castles


    Lorna Dune: One of the most versatile keyboardists & producers currently working in New York, with a background in classical, experimental, electronic,
    and pop. Known for the creation and performance of new and experimental music


    Tom Adams: A multi-instrumentalist, composer, producer and songwriter based in Cambridge, who has recently scored the music for the Universal
    Picture film The Knive that killed me whilst doing remixes for artists such as Nils Frahm

    1. Berlin By Overnight (from the Album Spheres)
    2. Berlin By Overnight (CFCF Remix)
    3. Berlin By Overnight (Efdemin Remix)
    4. Berlin By Overnight (Lorna Dune Remix)
    5. Berlin By Overnight (Tom Adams Remix)
    Daniel Hope
    $25.99
    Vinyl LP - Sealed Buy Now
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