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Toys In The AtticRanked 228/500 On Rolling Stone Magazine's 500 Greatest Albums of All Time.
Remastered From The Original Source Tapes!
Contains the classics Sweet Emotion, Walk This Way, & Toys In The Attic
After nearly getting off the ground with Get Your Wings, Aerosmith finally perfected their mix of Stonesy raunch and Zeppelin-esque riffing with their third album, Toys in the Attic. The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like Walk This Way, Toys in the Attic, and Sweet Emotion, but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues Big Ten Inch Record, Tyler writes with a gleeful impishness about sex throughout Toys in the Attic, whether it's the teenage heavy petting of Walk This Way, the promiscuous Sweet Emotion, or the double-entendres of Uncle Salty and Adam's Apple. The rest of Aerosmith, led by Perry's dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this. Sure, Aerosmith cribbed heavily from the records of the Rolling Stones, New York Dolls, and Led Zeppelin, but they didn't have any of the menace of their influences, nor any of their mystique. Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.
-All Music Guide1. Toys in the Attic
2. Uncle Salty
3. Adam's Apple
4. Walk This Way
5. Big Ten Inch Record
6. Sweet Emotion
7. No More No More
8. Round and Round
9. You See Me Crying$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Get Your WingsRemastered from the original source tapes!
Contains the classics Same Old Song And Dance, Train Kept A-Rollin' and Seasons of Wither
Often overshadowed by the subsequent twin highlights of Toys in the Attic and Rocks, Aerosmith's 1974 second album, Get Your Wings, is where Aerosmith became Aerosmith -- it's where they teamed up with producer Jack Douglas, it's where they shed much of their influences and developed their own trademark sound, it's where they turned into songwriters, it's where Steven Tyler unveiled his signature obsessions with sex and sleaze. Chief among these attributes may be Douglas, who either helped the band ease into the studio or captured their sound in a way their debut never did. This is a leaner, harder album, bathed in grease and layered in grit, but it's not just down to Douglas. The band itself sounds more distinctive. There are blues in Joe Perry and Joey Kramer's interplay, but this leapfrogs over blues-rock; it turns into slippery hard rock. To be sure, it's still easy to hear the Stones here, but they never really sound Stonesy; there's almost more of the Yardbirds to the way the group works the riffs, particularly evident on the cover of the early 'Birds classic The Train Kept a Rollin'. But if the Yardbirds were tight and nervy, Aerosmith is blown out and loose, the sound of excess incarnate -- that is, in every way but the writing itself, which is confident and strong, fueled by Tyler's gonzo sex drive. He is the Lord of the Thighs, playing that Same Old Song and Dance, but he also slows down enough for the eerie Seasons of Wither, a powerful slow-churning ballad whose mastery of atmosphere is a good indication of how far the band has grown. They never attempted anything quite so creepy on their debut, but it isn't just that Aerosmith is trying newer things on Get Your Wings, it's that they're doing their bloozy bluster better and bolder, which is what turns this sophomore effort into their first classic.
-All Music Guide1. Same Old Song and Dance
2. Lord of the Thighs
4. Woman of the World
5. S.O.S. (Too Bad)
6. Train Kept A-Rollin'
7. Seasons of Wither
8. Pandora's Box$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Get A GripGet a Grip is the eleventh studio album by American rock band Aerosmith, originally released on April 20, 1993, by Geffen Records. Get a Grip was the band's last studio album to be released by Geffen before they returned to Columbia Records.
Get a Grip featured guests including Don Henley, who sang backup on Amazing, and Lenny Kravitz, who offered backup vocals and collaboration to Line Up. As on Permanent Vacation and Pump, this album featured numerous song collaborators from outside the band including Desmond Child, Jim Vallance, Mark Hudson, Richie Supa, Taylor Rhodes, Jack Blades, and Tommy Shaw.
Get a Grip became Aerosmith's best-selling studio album worldwide, achieving sales of over 20 million copies, and is tied with Pump for their second best-selling album in the United States, selling over 7 million copies as of 1995. (Toys in the Attic leads with eight million). This also made it their third consecutive album with US sales of at least five million. Two songs from the album won Grammy Awards for Best Rock Performance by a Duo or Group with Vocal, in 1993 and 1994. The album was voted Album of the Year by Metal Edge readers in the magazine's 1993 Readers' Choice Awards, while Livin' on the Edge was voted Best VideoLP 1
2. Eat The Rich
3. Get A Grip
5. Livin' On The Edge
7. Walk On Down
8. Shut Up And Dance
2. Gotta Love It
4. Line Up
5. Can't Stop Messin'
7. Boogie Man$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now