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Night Of The Living Dead Soundtrack (Awaiting Repress)Original live score composed (except where noted) and performed by MORRICONE YOUTH to George A. Romero's 1968 Zombie Classic.1. Driveway To The Cemetery (Main Title)
4. At The Gravesite
5. Beat 'Em Or Burn 'Em
6. Another One For The Fire (End Title)$20.9912 Vinyl EP - Sealed AWAITING REPRESS Buy Now
The Art Of Falling ApartThe Art Of Falling Apart is the second full length album by Soft Cell, reaching number 5 on the UK charts. This reissue features the epic 'Martin' (based on the obscure George Romero psycho/vampires movie) on a bonus 12 just like the original release. Issued on black vinyl 1 LP + bonus 12" (one track each side).1. Forever The Same
2. Where The Heart Is
5. Kitchen Sink Drama
6. Baby Doll
7. Loving You Hating Me
8. The Art Of Falling Apart
Bonus 12 Single
2. Hendrix Medley: Hey Joe, Purple Haze, VooDoo Child$35.99Vinyl LP + 12 Single - Sealed Buy Now
Creepshow: Original 1982 Score (Colored Vinyl)'Kill Lights' Deep Red with Blue Smoke Colored Colored Vinyl
Heavyweight Casebound Tip-on Gatefold Jacket With A Satin Coating
Director Essay From George A. Romero & Composer Essay From John Harrison
A Built-in Booklet Featuring Production Stills, Artwork, And Liner Notes
A Satin Coated 12x12 Art Print Of The Creeper
Full Album Packaging Artwork By Ghoulish Gary Pullin
Waxwork Records is thrilled to announce their next LP release to the 1982 horror anthology classic, CREEPSHOW. The film was directed by George A. Romero and written by Stephen King. The score was composed and performed by John Harrison (DAY OF THE DEAD, TALES FROM THE DARKSIDE).
This definitive release of the film score has never before been released. The original master tapes of the CREEPSHOW film score were lost for over 30 years, but with the efforts of composer John Harrison and Waxwork Records, the tapes were located in the attic of Jeree Recording Studios in New Brighton, PA. The tapes remained in remarkable shape over the years and were re-mixed and re-mastered for vinyl. The CREEPSHOW score has never sounded this good.1. Prologue
2. The Creepshow Welcomes You
3. Henry Is Told The Family Secrets
4. She Bashed His Head In
5. Bedelia Arrives
6. Where's My Cake? I Want My Cake
7. Nate Comes Out Of The Grave
8. Henry Goes Looking
9. Henry Meets Nate; Henry Gets Crushed
10. I Got My Cake
11. Sylvia On A Platter - A Meteor Arrives
12. Jordy Discovers His Meteor
13. Jordy Hallucinates And Takes A Bath
14. From The Farm To The Beach
15. Get In The Hole Harry
16. If You Can Hold Your Breath
17. Richard Watches Them Drown
18. From The Beach To The College
19. Mike Discovers The Crate
20. Dex And Mike Move The Crate$38.99Colored Vinyl LP- Sealed Buy Now
Rodrigo - Concierto Andaluz / Marriner - Academy of St. Martin in the Fields (Speakers Corner) Quick ViewSPCO-SPE-9500$34.99Buy Now
Rodrigo - Concierto Andaluz / Marriner - Academy of St. Martin in the Fields (Speakers Corner)
The frenetic applause with which both the public and the experts greeted the Concierto de Aranjuez for guitar and orchestra, composed in 1940, is certainly astounding - one would have thought that 20th-century music was dominated chiefly by composers of twelve-tone music and the avantguardists. Rodrigo, however, remained faithful to the Classical three-movement form, employed a late-Romantic orchestral colouring, and followed in the tradition of Spanish composers who, perhaps more than any others, won their inspiration from the folkmusic of their native country.
The whole work is full of the exotic magic of Spanish folkmusic, whereby the rhythmic drive of the first movement - reminiscent of clicking castanets - is particularly fascinating. Fortunately not only the composer but also the conductor and orchestra have taken care that the gentle tones produced by the world famous guitarist Pepe Romero are clearly to be heard.
In addition, the listener is treated to a performance of the rarely recorded Concierto Andaluz for four guitars, composed in 1967. Once again the Romeros demonstrate that they are not only amazingly virtuosic musicians but are also worthy dedicatees of this unique work.
Last but not least, PHILIPS balance engineers have produced a superb recording: Rodrigo himself was absolutely delighted with it - and this opinion one can well endorse.
Recording: July / August 1978 by Wilhelm Hellweg
Production: Wilhelm Hellweg
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.Rodrigo: Concierto de Aranjuez, Concierto Andaluz - Pepe Romero and the Academy of St. Martin-in-the-Fields conducted by Sir Neville Marriner$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Creepshow 2 SoundtrackPressed On 180 Gram 2x Colored Vinyl Inspired By "The Raft" (Lake Water Clear & Black Blob Vinyl) & "Old Chief Woodenhead" (Metallic Golden Brown & And Deep Teal Swirl)
Old Style Tip-On Gatefold Jacket With Built In Booklet
Remastered From The Original Master Tapes
Artwork By Ghoulish Gary Pullin
Cut To 45 RPM For Best Sound Quality
Liner Notes By Composer Les Reed
Waxwork Records is thrilled to announce the debut soundtrack release of CREEPSHOW 2. The 1987 anthology horror film is a sequel to 1982's CREEPSHOW, which was directed by George A. Romero and written by Stephen King. The film is once again based upon stories by Stephen King, and features three horror-segments, Old Chief Woodenhead, The Raft, and The Hitchhiker, with an animated-horror wrap around story.
The score, co-composed and performed by Les Reed and Rick Wakeman, features a mix of both classic, orchestral compositions and electronic, synth cues. Waxwork's CREEPSHOW 2 deluxe, double LP soundtrack release marks the very first time that the music from the film has been released in any format. After a lengthy search of the original masters, Waxwork Records was able to work directly with composers Les Reed and Rick Wakeman to acquire the original source material and re-master for vinyl.
Waxwork's 2014 vinyl release of the original 1982 CREEPSHOW score by John Harrison has become a fan favorite amongst film music lovers, horror fans, and record collectors, thus being re-pressed and selling out almost immediately upon release on both occasions.
Packaging details include 2xLP 180 gram colored vinyl with variants correlating to stories within the film, old style tip-on gatefold jackets with a built in booklet featuring liner notes by composer Les Reed, and an LP package that is jam-packed with all new artwork by Ghoulish Gary Pullin!LP 1
1. Welcome To Another Edition Of Creepshow
2. Old Chief Woodenhead
4. Cherished Treasures
5. Here To Do A Little Shopping
6. This Hair Is Gonna Get Me Paid & Laid
7. One More Step & BLAM!
8. Rock Candy
9. There Ain't No Dust In Hollywood
10. War Paint
12. Old Chief Woodenhead's Revenge
13. May Your Spirit Rest, Old One
14. Venus Fly Trap
15. The Raft
1. "Help! It hurts!"
2. "I'm fast! I can make it!"
3. Hold Me
4. Love Theme / "I Beat You!"
5. No Swimming
6. The Hitchhiker
7. "You're Seeing Things, Bitch"
8. Thanks For The Ride, Lady!
9. Shooting The Hitchhiker
10. You Killed Me!
11. "Till Next Issue, Try To Stay Scared"$44.99180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
The Beatles: On Air - Live At The BBC Volume 2
Features 63 Tracks Total With 37 Previously Unreleased Performances And 23 Tracks Of In-Studio Banter
Includes a 48 Page Booklet With Rare Photos And An Introduction By Paul McCartney
In 1994, The Beatles' Live at the BBC was released to worldwide acclaim - hitting number one in the U.K., number three in the U.S. and selling more than five million copies within six weeks. A new companion to The Beatles' first BBC collection, On Air - Live at the BBC Volume 2, in 180-gram vinyl with a 48-page booklet. On Air's 63 tracks, none of which overlaps with The Beatles' first BBC release, include 37 previously unreleased performances and 23 previously unreleased recordings of in-studio banter and conversation between the band's members and their BBC radio hosts.
In the studios of the British Broadcasting Corporation, The Beatles performed music for a variety of radio shows. On Air - Live at the BBC Volume 2 presents the sound of The Beatles seizing their moment to play for the nation. Thrilled to hear these exciting recordings again, Paul McCartney said, "There's a lot of energy and spirit. We are going for it, not holding back at all, trying to put in the best performance of our lifetimes."
Ten of On Air's songs were never recorded by the group for EMI in the 1960s, including two making their debuts with the new release: The Beatles' direct-to-air performance of Chuck Berry's "I'm Talking About You" and a rocking cover of the standard "Beautiful Dreamer." On Air also includes different versions of six rarities heard on the 1994 BBC collection: Little Richard's "Lucille," Chuck Berry's "Memphis, Tennessee," Chan Romero's "The Hippy Hippy Shake," Ray Charles' "I Got A Woman," and two songs they learned from records by Carl Perkins, "Glad All Over" and "Sure To Fall."
The Beatles' tribute to the BBC's most important pop show of the early '60s - "Happy Birthday, Dear Saturday Club" - is another surprise. As John Lennon recalled in 1980, "We did a lot of tracks that were never on record for Saturday Club - they were well recorded, too." Paul remembers, "We'd been raised on the BBC radio programs. One of the big things in our week was Saturday Club - this great show was playing the kind of music we loved, so that was something we really aspired to."
Between March 1962 and June 1965, no fewer than 275 unique musical performances by The Beatles were broadcast by the BBC in the U.K. The group played songs on 39 radio shows in 1963 alone. Ringo Starr said in 1994, "You tend to forget that we were a working band. It's that mono sound. There were usually no overdubs. We were in at the count-in and that was it. I get excited listening to them." On their busiest BBC day, July 16, 1963, The Beatles recorded 18 songs for three editions of their Pop Go The Beatles series in fewer than seven hours.
The group played 88 distinct songs in their BBC sessions - some were recorded many times; others performed just once. At the time, three national BBC stations provided all daytime radio broadcasting in the U.K. Only the Light Programme network might occasionally play a record. Most broadcast music was live music. Consequently, to promote their releases, The Beatles had to play live at the BBC. "Everything was done instantly," remembered George Harrison, "But before that, we used to drive 200 miles in an old van down the M1, come into London, try and find the BBC and then set up and do the program. Then we'd probably drive back to Newcastle for a gig in the evening!"
On Air also features BBC recordings of 30 well-loved songs from The Beatles' catalogue, including five number on¬es and other favorites such as: "I Saw Her Standing There," "Twist And Shout," "Do You Want To Know A Secret," "Boys," "Please Mister Postman," "Money," "And I Love Her," and "If I Fell."
Like its critically acclaimed predecessor, On Air - Live at the BBC Volume 2 includes audio of The Beatles talking to DJs Brian Matthew and Alan Freeman and Pop Go The Beatles hosts Lee Peters and Rodney Burke. When first broadcast, pop fans were amazed to hear such witty irreverence on the rather formal BBC and it is great fun to hear these extracts now. In addition, On Air releases, for the first time, the group's candid interviews for the Pop Profile series recorded in November 1965 and May 1966.
Newly remastered for reissue on November 11, The Beatles' first Live at the BBC album sounds and looks better than ever. This collection of the group's BBC sessions mixed versions of their hits with a treasure trove of 30 songs The Beatles performed on air but never released on record in the 1960s. The compelling track list ranged from a rare performance of the little known Lennon-McCartney original "I'll Be On My Way" to covers of classic rock 'n' roll and contemporary rhythm and blues songs. At the time of its release, Live at the BBC was hailed by Rolling Stone as "an exhilarating portrait of a band in the process of shaping its own voice and vision." It earned a GRAMMY® Award nomination for Best Historical Album.
Live at the BBC was assembled by George Martin in 1994 and On Air - Live at the BBC Volume Two was compiled and researched by producers Kevin Howlett and Mike Heatley. Both albums have been meticulously mastered by engineers Guy Massey and Alex Wharton at Abbey Road Studios. The booklets for both collections include Kevin Howlett's essays on the history of The Beatles' BBC radio sessions and his detailed commentaries on all of the tracks.1. And Here We Are Again
2. Words of Love
3. How About it, Gorgeous
4. Do You Want To Know A Secret
6. Hey, Paul..
7. Anna (Go To Him)
9. Please Please Me
11. I'm Talking About You
12. A Real Treat
14. Absolutely Fab
16. Ask Me Why
17. Till There Was You
18. Lend Me Your Comb
19. Lower 5E
20. The Hippy Hippy Shake
21. Roll Over Beethoven
22. There's A Place
23. Bumper Bundle
24. P.S. I Love You
25. Please Mister Postman
26. Beautiful Dreamer
27. Devil In Her Heart
28. The 49 Weeks
29. Sure To Fall (In Love With You)
30. Never Mind, Eh?
31. Twist and Shout
32. Bye, Bye
33. John - Pop
34. George - Pop Profile
35. I Saw Her Standing There
36. Glad All Over
37. Lift Lid Again
38. I'll Get You
39. She Loves You
40. Memphis, Tennessee
41. Happy Birthday Dear Saturday Club
42. Now Hush, Hush
43. From Me to You
44. Money (That's What I Want)
45. I Want To Hold Your Hand
46. Brian Bathtubes
47. This Boy
48. If I Wasn't In America
49. I Got A Woman
50. Long Tall Sally
51. If I Feel
52. A Hard Job Writing Them
53. And I Love Her
54. Oh, Can't We? Yes We Can
55. You Can't Do That
56. Honey Don't
57. I'll Follow The Sun
58. Green With Black Shutters
59. Kansas City/ Hey-Hey-Hey
60. That's What We're Here For
61. I Feel Fine
62. Paul - Pop
63. Ringo - Pop$59.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now