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Allen Ginsberg Reads Howl And Other Poems (Deluxe)Deluxe Edition In Commemoration Of The 60th Anniversary Of The Obscenity Trial That Rocketed The Poem To The Forefront Of The Public Consciousness
Box Contains LP Housed In A Single-Pocket Tip-On Jacket And Pressed On 180-Gram Translucent Red Vinyl
Also Included Are A Replica Of The Original "Pocket Poem" And A Book With New Liner Notes
In commemoration of the 60th anniversary of the Obscenity Trial that rocketed the poem to the forefront of the
public consciousness, comes this definitive celebration of free expression, the deluxe presentation of Allen
Ginsberg's landmark recording, Howl And Other Poems.
Deluxe box contains LP housed in a single-pocket tip-on jacket and pressed on 180-gram translucent red vinyl. Also
included are a replica of the original "pocket poem" and a book with new liner notes.1. A Supermarket In California
2. Transcription Of Organ Music
4. In Back Of The Real
5. Strange Cottage In Berkeley
6. Europe, Europe
9. The Sunflower Sutra
10. Footnote To Howl$49.99180 Gram Audiophile Virgin Vinyl LP Box Set + Pocket Poem Replica + Book - Sealed Buy Now
Reads Kaddish - A 20th Century American Ecstatic Narrative PoemPressed On Red Colored Vinyl
Along with Howl, Kaddish stands as one of Allen Ginsberg's most illustrious creations. Always a follower of popular trends in music, Ginsberg had spent parts of 1958 digging into Ray Charles' "I Got A Woman" - occasionally doing so while on morphine and methamphetamine. One evening, in this drug-induced state while cranking some Ray, Ginsberg began discussing his mother Naomi with his pal Zev Putterman. Putterman in turn, began reciting the traditional Hebrew "Kaddish" prayer for mourning the dead. Soon after, fueled by Dexedrine, LSD, and caffeine, Allen penned the majority of Kaddish. In early 1959, Kaddish received its debut performance at a poetry reading at Columbia University - in which Allen shared the bill with his lover Peter Orlovsky and fellow beat poet Gregory Corso. Over time, the manuscript was tweaked and adjusted until publication in April 1961 by City Lights. Then, in November 1964, with Orlovsky and Corso in tow, the trio performed several gigs at Harvard and Brandeis Universities, and it was at Brandeis where this recording was made. Released in 1966, Kaddish turned out to be the only record in Atlantic's spoken-word Verbum series; but if label head Jerry Wexler changed his mind about the imprint, he remained a big fan of the work, later telling Los Angeles historian Harvey Kubernik that Kaddish had stirred "the Yiddish currents in my own blood" and inspired "joy and anguish the exaltation that great poetry will bring on." Indeed, Kaddish is an intensely personal and moving work, capturing the complex relationship between Ginsberg, his mother, and his faith, and concluding with a heartrending description of her death. Real Gone Music is very proud to present the first-ever vinyl reissue of this landmark performance, in its original gatefold packaging with an added inner sleeve featuring new liner notes by Pat Thomas and memorabilia provided by the Allen Ginsberg estate over an hour of one of the towering figures in American poetry reading one of his greatest works.1. Kaddish Part 1
2. Kaddish Part 2$20.99Colored Vinyl LP - Sealed Buy Now
Under Stellar StreamRichard Youngs' latest solo work for Jagjaguwar is a collection of neodruid hymns and chants for the minutiae of homelife and fatherhood poetic transcendance through repetition and a focus on the (seemingly) micro. Once again proving himself a master of minimalist composition, Youngs also takes leaps forward as a lyricist on Under Stellar Stream, reminiscent of the list incantations of Allen Ginsberg. With this comes a change in Youngs' voice, now less pleading, deeper and more assured. In these atonal, spatial arrangements, each phrase is granted the room to work into the cerebral cortex.1. Broke Up By Night
2. All Day Monday And Tuesday
3. Cluster To A Star
4. Arise Arise
5. My Mind Is In Garlands
6. The Bells Of Spring$16.99Vinyl LP - Sealed Buy Now
With Solo Piano, Glass presents himself unplugged - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. Metamorphosis was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, Metamorphosis Two, formed the basis of one of the main musical themes in the film The Hours. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts.
Mad Rush was written for the occasion of the Dalai Lama's first visit in New York City. Wichita Vortex Sutra is the result of a chance meeting between two long-time friends, Glass and poet Allen Ginsberg, in a bookstore in the East Village. 'We decided on the spot to do something together, reached for one of Allen's books, and chose the poem Wichita Vortex Sutra'.1. Metamorphosis One
2. Metamorphosis Two
3. Metamorphosis Three
4. Metamorphosis Four
5. Metamorphosis Five
6. Mad Rush
7. Wichita Sutra Vortex$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Combat Rock (Awaiting Repress)
Newly Remastered By The Clash From Original Tapes To Audiophile Quality
All Artwork Recreated From Original Release Including Replicated Fully Printed Inner Sleeves With An Exclusive Pennie Smith Photo Print
On the surface of things, Combat Rock appears to be a retreat from the sprawling stylistic explorations of London Calling and Sandinista! The pounding arena rock of Should I Stay or Should I Go makes the Clash sound like an arena rock band, and much of the album boasts a muscular, heavy sound courtesy of producer Glyn Johns. But things aren't quite that simple. Combat Rock contains heavy flirtations with rap, funk, and reggae, and it even has a cameo by poet Allen Ginsberg -- if this album is, as it has often been claimed, the Clash's sellout effort, it's a very strange way to sell out. Even with the infectious, dance-inflected new wave pop of Rock the Casbah leading the way, there aren't many overt attempts at crossover success, mainly because the group is tearing in two separate directions. Mick Jones wants the Clash to inherit the Who's righteous arena rock stance, and Joe Strummer wants to forge ahead into black music. The result is an album that is nearly as inconsistent as Sandinista!, even though its finest moments -- Should I Stay or Should I Go, Rock the Casbah, Straight to Hell -- illustrate why the Clash were able to reach a larger audience than ever before with the record.
- Stephen Thomas Erlewine (All Music Guide)1. Know Your Rights
2. Car Jamming
3. Should I Stay Or Should I Go?
4. Rock The Casbah
5. Red Angel Dragnet
6. Straight To Hell
7. Overpowered By Funk
8. Atom Tan
9. Sean Flynn
10. Ghetto Defendant
11. Inoculated City
12. Death Is A Star$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Master Mix: Red Hot + Arthur RussellMaster Mix' embodies the genre-defying, experimental spirit that defined Russell's work. Living in the East Village from the '70s until his untimely death in 1992 at age 40 from AIDS-related causes, Russell moved effortlessly between the city's various music scenes, recording disco beats alongside Nicky Siano one night, and the next, crafting slow, haunting tracks in his apartment with his cello and idiosyncratic warbling voice. The New Yorker called his work "stranded between lands real and imagined: the street and the cornfield; the soft bohemian New York and the hard Studio 54 New York; the cheery bold strokes of pop and the liberating possibilities of abstract art." Through his collaborations, he earned the admiration of artists like Allen Ginsberg, David Byrne and Philip Glass, who said of Russell's music: "It does not submit to formula, but subverts the formula." The record features 26 tracks by more than 20 artists, including Hot Chip, Sufjan Stevens, Phosphorescent, Blood Orange, The Autumn Defense and Lonnie Holley, paying homage to Russell's boundless creativity and wide-ranging work, which swerved from electronic dance to folk to classical and resulted in what NPR hails as "catchy and hypnotic records that were far ahead of their time."1. Jose Gonzalez - "This Is How We Walk On The Moon"
2. Lonnie Holley - "Soon-To-Be Innocent Fun (Interlude)"
3. Robyn - "Tell You"
4. Hot Chip - "Go Bang"
5. Sufjan Stevens - "A Little Lost"
6. Lonnie Holley - "In The Light Of The Miracle (Interlude)"
7. Richard Reed Parry, Little Scream, Sam Amidon, Colin Stetson & Sarah Neufeld - "Keeping Up"
8. Liam Finn, Ernie Brooks & Peter Zummo - "This Love Is Crying"
9. Rubblebucket & Nitemoves - "Eli"
10. The Revival Hour - "Hiding Your Present from You"
11. Sam Amidon - "Lucky Cloud"
12. Devendra Banhart - "Losing My Taste For The Night Life"
13. Phosphorescent - "You Can Make Me Feel Bad"
14. Blood Orange - "Is It All Over My Face & Tower Of Meaning"
15. Scissor Sisters - "That's Us/Wild Combination"
16. VEGA INTL. - "Arm Around You"
17. Oh Mercy - "Planted A Thought"
18. Lonnie Holley - "Hop On Down (Interlude)"
19. Cults - "Being It"
20. Richard Reed Parry - "Just A Blip"
21. Glen Hansard - "I Couldn't Say It To Your Face"
22. Thao & The Get Down Stay Down - "Nobody Wants A Lonely Heart"
23. The Autumn Defense - "Oh Fernanda Why"
24. Alexis Taylor - "Our Last Night Together"
25. Lonnie Holley - "The Deer In The Forest (Interlude)"
26. Redding Hunter - "Close My Eyes"$24.99Vinyl LP - 3 LPs Sealed Buy Now
Ritualize (Awaiting Repress)...attitude-thick rapping...with gorgeous
- The New York Times
"Lushlife is an under-the-radar treasure"
From the moment you hear the bristling boom-bap chorus on album-opener
Totally Mutual Feeling, it's apparent that Lushlife's third full-length finds the
Philadelphia rapper-producer at his most introspective. Themes of isolation and
mortality permeate Ritualize, a cinematic hour-long odyssey co-produced by
enigmatic production trio, CSLSX (pronounced Casual Sex) and featuring
contributions from Ariel Pink, Killer Mike, Freeway, Marissa Nadler, RJD2, and
more. With CSLSX at the boards, an entire universe opens up for Lush, where
the pulsating Juno synths of '80s LA night music sit side-by-side with
gorgeously propulsive indie-leaning jams, and low-fi soul burners too. The
resulting LP is a post-blog-era joint that seems to exhale the whole of the 20th
century in a single, fascinating breath.
After toiling over two self-produced LPs in the last half-decade, I felt
compelled to bring on an outside production team for Ritualize, Lushlife
(born Raj Haldar) explains. Not only did I want to broaden the musical
palette, but I felt like the group production effort would give me a depth of
focus on lyrical content and emotion that I hadn't previously been afforded.
After a chance encounter with CSLSX, who had been quietly self-releasing
low-fi dance gems to remarkable organic blog buzz, the newly-formed team
set out on a three-year journey that would eventually yield their new joint
album. By the time work began on Ritualize, Lush had already been riding a
small wave of critical acclaim for his 2012 full-length, Plateau Vision, an album
that made several year-end lists and was described by the Sunday New York
Times as a melding of captivating rhymes with audacious, gorgeous production.
Still, with Ritualize, Lushlife and CSLSX seem to have gone one deeper.
From album cut, The Waking World, which finds Lushlife spitting thorough
sixteens from the vantage of Mark David Chapman lying in wait for John
Lennon, to Incantation, a song that's as much inspired by Allen Ginsberg's
Howl as the general, street-level anxieties of urban life, Ritualize is nothing short
of a step forward. For proof, look no further than Toynbee Suite, a 10-minute,
4-movement rap epic that explores the strange Toynbee Tile meta-art
conspiracy that has captivated Philadelphians for decades. As the centerpiece
of the album, Toynbee Suite was the subject of a 2013 documentary, and
itself represents the combined work of 20+ musicians, including RJD2, Nightlands,
Yikes the Zero, and a full chamber orchestra. On the other hand, the
CSLSX-produced, Hong Kong (Lady of Love), a collaboration with weird
music godhead, Ariel Pink, is a sparse yet powerful four-on-the-floor ode to LA,
inspired by the film soundtrack work of Giorgio Moroder, Vangelis, and others.1. Total Mutual Feeling
2. The Waking World (feat. I Break Horses)
3. Hong Kong (Lady of Love) (feat. Ariel Pink)
4. Incantation (feat. Deniro Farrar)
5. Undress Me In The Temple
6. Body Double
7. Toynbee Suite (feat. Nightlands, RJD2)
8. Strawberry Mansion (feat. Freeway)
9. This Ecstatic Cult (feat. Killer Mike)
10. Burt Reynolds (Desert Visions)
11. Integration Loop (feat. Marissa Nadler)
12. Ritualize$18.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Bigger and BlackererLimited Edition Vinyl LP + DVD
Bigger and Blackerer was taped during two shows, back-to-back on the same evening in Boston, MA. Only by watching the DVD will you learn of Daivid Cross unique relationship with the deaf community, share his canny insights into the editorial machinations behind the Bible, and marvel at how well a bald, middle aged white guy can fill out a pair of jeans. Yet one must listen to the LP in order to hear about gastro-intestinal misadventures with his dog Ollie Red Sox, or sing along with The Sultans Revenge, the swinging, Vegas-style opening number composed by Cross and his good friend Mark Rivers (author of the theme to Mr. Show).
Bigger and Blackerer is David Cross third album, preceded by Its Not Funny (2004) and Shut Up You Fucking Baby! (2002). The latter was actually nominated for a Grammy Award. Cross was also the first comedian signed to Sub Pop Records, paving the way for Eugene Mirman, Flight of the Conchords, and dozens of other hopeful comics.
During his illustrious career, David Cross has played recurring roles on the TV programs Arrested Development and The Colbert Report, and won an Emmy Award for his contributions to The Ben Stiller Show. He has also starred in such films as Waiting for Guffman, Eternal Sunshine of the Spotless Mind, the Bob Dylan fantasy Im Not There (in which he portrayed Allen Ginsberg), and Kung Fu Panda. He is currently working on the UK show The Increasingly Poor Decisions of Todd Margaret (broadcast on IFC in the USA).1. Opening Song (The Sultans Revenge)
2. If You Care
3. That One Show About Drugs and Stuff
4. Me and Drugs
5. Black Stuff
6. ...Or Worse
7. Where We Are Now Back in Sept. '09
8. Silly Religious Crazies
9. Really Silly Religious Crazies. I Mean, Double, Triple Crazy!
10. Random Goofabouts
11. I Can't Get Beer in Me...
12. Lesson Learned$24.99Limited Edition Vinyl LP - Sealed Buy Now
- CHICAGO TRIBUNE
A winning mix of folk, chamber-pop, and
- TIME OUT CHICAGO
In Tall Buildings' music grabs you immediately.
- HUFFINGTON POST
In Tall Buildings is the aural representation of a
pleasantly scattered mind.
- AMERICAN SONGWRITER
Erik Hall worked patiently and solitarily for four years to craft Driver, his sophomore album as In Tall
Buildings. Produced between his home studio in the Pilsen neighborhood of Chicago and a 60's
farmhouse in Leelanau County, Michigan, the album comes twenty years after Hall originally fell in
love with home recording at age 13 - the year he got his hands on his first multitrack recorder.
Raised in downtown Chicago, Hall played drums and guitar in high school rock bands, and then went
on to study percussion and audio engineering at the University of Michigan. While in college he joined
the avant afro-funk band NOMO and met His Name is Alive's Warn Defever, who produced many of the
band's albums. Under Defever's tutelage, Hall honed many of the recording and production techniques
he would later apply to his solo recordings. As he explains, I was the guy in the band badgering him
with questions throughout the sessions, trying to learn everything I could and then trying it out
myself at home. As a multi-instrumentalist and producer Hall eventually went on to record and tour
with several groups, including old friends His Name is Alive and, more recently, dream-pop duo Wild
Belle, performing the rhythm section tracks and lending an engineering hand to their Columbia
In 2010 Hall's home recording efforts yielded the first In Tall Buildings album, which The Huffington
Post called gorgeous indie-pop, and the Chicago Tribune found hypnotic. In an interview with the
Chicago Tribune, he summed up much of his philosophy about composition with a pair of conflicting
quotes he attributes to Allen Ginsberg and Kurt Vonnegut, respectively: First thought, best thought
and Edit yourself, mercilessly. Loosely guided by these principles, Hall set out once again to
assemble a new batch of songs, when he wasn't recording and touring with other bands.
In stark contrast to the dense polyrhythms echoed by NOMO's albums, Driver uses a relatively simple
palette to create spacious pop songs, leaving plenty of room for Hall's often Peter Gabriel-esque
vocals to shine. The music, though culled from every guitar, keyboard, and drum he managed to fit
into his home studio, is powerful in it's restrained simplicity, and it's a compelling foil to the haunting
gravity of his vocal performance. Never rushed, his melodies deliver elliptical lyrics that manage to
feel intimate, while retaining a sense of mystery. Ultimately, the album's melancholic vibe is relatable,
rather than moping or histrionic, and in the end these songs are incredibly comforting and inviting.1. Bawl Cry Wail
2. All You Pine
6. Flare Gun
7. I'll Be Up Soon
9. When You See Me Fall
10. Pouring Out$16.99Vinyl LP - Sealed Buy Now