Authorized & Certified VPI Dealer

A World of Vinyl

Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
20% Off Vinyl - LP20
Home > Products for: '

Allman Brothers Live At The Fillmore East

'
  • 1
Results per page:
  • Live at Fillmore East (Awaiting Repress) Live at Fillmore East (Awaiting Repress) Quick View

    $34.99
    Buy Now
    x

    Live at Fillmore East (Awaiting Repress)

    Ranked 49/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Considered by many to be one of the greatest live albums of all time, this classic album by the Allman Brothers, recorded at the pinnacle of their success, was a huge hit for the band. In 1971, the Allman Brothers were already one of the most popular groups in America, but by the time this album hit the streets their brand of Southern rock had become a national obsession. Live At Fillmore East was also the band's last with guitar hero Duane Allman who was killed in a motorcycle accident later that year.

    Side One:
    1. Statesboro Blues
    2. Done Somebody Wrong
    3. Stormy Monday


    Side Two:
    1. You Don't Love Me


    Side Three:
    1. Hot 'lanta
    2. In Memory Of Elizabeth Reed


    Side Four:
    1. Whipping Post

    The Allman Brothers
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Live at Fillmore East (Awaiting Repress) Live at Fillmore East (Awaiting Repress) Quick View

    $49.99
    Buy Now
    x

    Live at Fillmore East (Awaiting Repress)

    The Allman Brothers Band At Fillmore East on Numbered Limited Edition 180g Vinyl 2LP from Mobile Fidelity


    Telepathically Executed Double Album At Fillmore East Among Ten-Best Live Records Ever Made


    Ranks #49 on Rolling Stone's 500 Greatest Albums of All Time List: Includes Epic Takes of Whipping Post and In Memory of Elizabeth Reed


    Peerless Sonics: Mobile Fidelity Analog Reissue Provides Fifth-Row Seat to Historic March 1971 Concerts


    Fillmore East is synonymous with some of the greatest concerts ever staged. Yet the venue belongs to one group: The Allman Brothers Band. This groundbreaking double album is why. As the collective's breakthrough, it broadcasts to the world wowing improvisational flights and seamless musical fusion the likes of which no one had ever heard. In communion with the crowd, the band establishes an interactive blueprint for all shows that followed, while its high-wire displays of powerhouse soloing and time-stretching arrangements remain the stuff of hall-of-fame legend.


    Mastered on Mobile Fidelity's world-renowned mastering system and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180g 2LP of At Fillmore East joins the unparalleled reissue imprint's other Allman titles in presenting the inimitable ensemble's music in the most lifelike, uncompromising fidelity possible. Myriad versions of the 1971 set exist, yet none possesses the audiophile sensibilities found here - sonic traits that whisk the listener to the midst of the Fillmore East for four gigs performed on March 12 and 13, 1971, plunking them down in a fifth-row seat surrounded by fervent fans and a smoke-filled atmosphere. Every slippery bottleneck note, every aching vocal moan, every soulful purr from the organ, every gritty interlocking riff comes across with unfettered clarity and realism.


    While the record features multiple works the band never laid down in a studio, At Fillmore East is a meticulously conceived affair. The Allmans prepped rough sketches and layouts of the tunes, carving out spaces for each member's solos, and leaving the direction of such entirely up to the individual. As a result, the effort - anchored by iconic producer Tom Dowd's stellar production - presents a jazz-drifting rock band benefiting from both a sense of assured direction as well as opportunistic freedom.


    Indeed, At Fillmore East is the rare sound of a group letting it all go, fearlessly maneuvering through bluesy shuffles, exquisite laments, graceful instrumental passages, and frenetic swamp-laden boogies. Achieved via a combination of virtuosic skill, visionary ambition, and natural chemistry, the six-piece burns white-hot with intensity and persuades via a padlock-tight rhythm section on which Duane's searing slide playing and Gregg's bottom-of-the-stomach vocals glide, each aural utterance coaxing on their respective mates to strive for new heights.


    This title is not eligible for discount.

    1. Statesboro Blues
    2. Done Somebody Wrong
    3. Stormy Monday
    4. You Don't Love Me
    5. Hot 'Lanta
    6. In Memory of Elizabeth Reed
    7. Whipping Post
    The Allman Brothers
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Live At Ludlow Garage 1970 Live At Ludlow Garage 1970 Quick View

    $49.99
    Buy Now
    x

    Live At Ludlow Garage 1970


    Remastered From Original Analog Tapes


    Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe


    A live recording from Ludlow Garage, a Cincinnati based venue, originally released in April of 1990. This album
    features the longest recorded version of "Mountain Jam" and at that time, a previously unreleased rendition of "In
    Memory Of Elizabeth Reed." It has been remastered from original analog tapes by Keven Reeves (Brothers And
    Sisters, The 1971 Fillmore East Recordings) to 192kHz 24-bit audio & then cut on copper plates using Abbey Road
    Mastering's Direct Metal Mastering (DMM) lathe. 180g.


    This three-LP set is a worthy companion to that 1971 classic, Fillmore East. Recorded the previous year at the famed Cincinnati venue (but not released until 1991), Ludlow catches the band in the moments just before their peak. Some of the material will be familiar to fans, but this collection adds gems such as John Lee Hooker's Dimples and the blues classic I'm Gonna Move to the Outskirts of Town to their recorded repertoire. -Marc Greilsamer

    1. Dreams
    2. Statesboro Blues
    3. Trouble No More
    4. Dimples
    5. Every Hungry Woman
    6. I'm Gonna Move To The Outskirts Of Town
    7. Hoochie Coochie Man
    8. Mountain Jam ( Theme From First There Is A Mountain )
    The Allman Brothers Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Eat A Peach Eat A Peach Quick View

    $34.99
    Buy Now
    x

    Eat A Peach


    Remastered From Original Analog Tapes


    Cut On Copper Plates Using Abbey Road Mastering's Direct DMM Lathe


    Faithfully Restored Artwork


    Eat A Peach is the third studio album from the Allman Brothers and was originally released in February of 1972. It
    has been remastered from original analog tapes by Keven Reeves (Brothers And Sisters, The 1971 Fillmore East
    Recordings) to 192kHz 24-bit audio and then cut on copper plates using Abbey Road Mastering's Direct Metal
    Mastering (DMM) lathe. This title is being issued on 180g, heavy weight vinyl. The original artwork has been
    faithfully reproduced as well.


    Having firmly established themselves as The Grateful Dead of the South via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus Mountain Jam, blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's One Way Out and his own Melissa, it was second guitarist Dickey Betts who came out from under the departed Allman's shadow with his lead vocal on Blue Sky and his incendiary playing throughout. -Billy Altman


    1. Ain't Wastin' Time No More
    2. Les Brers in A Minor
    3. Melissa
    4. Mountain Jam
    5. One Way Out
    6. Trouble No More
    7. Stand Back
    8. Blue Sky
    9. Little Martha
    10. Mountain Jam, Cont'd.
    The Allman Brothers Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Eat A Peach (Awaiting Repress) Eat A Peach (Awaiting Repress) Quick View

    $49.99
    Buy Now
    x

    Eat A Peach (Awaiting Repress)

    Allman Brothers Band Eat a Peach on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity


    1972 Double LP Split Between Live and Studio Fare


    Last Appearance of Fallen Member Duane Allman on an Official Release


    Sonic Spectacular: Mastered from the Original Master Tapes, Mobile Fidelity Edition Captures Grit of Live Tracks and Organic Soul of Studio Cuts


    Includes Standout 33-Minute-Plus Epic "Mountain Jam"


    Features Complete, Accurate Reproduction of Gatefold Artwork


    Tributes to fallen icons don't come any more poignant or illustrative than Eat a Peach. Released in early 1972, slightly more than three months after guitarist Duane Allman died in a motorcycle accident, the double album honors the musician via sides he recorded in the studio as well as several live performances that didn't fit on the mammoth At Fillmore East. The Allman Brothers Band, determined to press on, also contributes a trio of songs completed after their soulmate's passing. Its execution is near perfect, its concept timeless.


    Mastered from the original master tapes and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180 gram 2LP of Eat a Peach joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromising fidelity possible. Not only is the punch of the concert fare transmitted with full-range dynamics and realistic spaciousness, but the studio cuts-in particular, the acoustically framed "Melissa" and "Little Martha"-come through with astounding clarity and body, replete with textural richness that affords listeners images of fingers on frets and sticks hitting drum skins.


    In all probability, the Allman Brothers Band would've leapt to the fore of music's commercial and critical elite had it not been for Duane's fateful motorcycle accident that altered history and the trajectory of the group's course. A statement of purpose and homage, Eat a Peach extends the guitarist's legacy in the form of three heart-racing live tunes recorded at Fillmore East, none more important than the nearly 34-minute harmonic showcase "Mountain Jam." Begun at the end of "Whipping Post" during the final show of the group's four-gig stand, the tour de force improvisation finds the band at the peak of its telepathic aural and communicative capacities.


    Not that the three studio originals with Duane are by any means forgettable. "Blue Sky" epitomizes the gorgeously elegant colors with which the late virtuoso could paint while the heart-stopping sentimental feel of "Little Martha" finds just he and Dickey Betts engaged in spiritual communion. To this extent, the band continues a mellower vibe on the hit "Melissa," a country-rock ballad that taps into a melancholy feel largely courtesy of Gregg Allman's weary vulnerability and Betts' lyrical, slap-back-echoing guitar lines.


    Yet nothing here eclipses the direct meaning and steadfast intent of the record-opening "Ain't Wastin' Time No More," a defiant showing of unity and understated anthem with which the band seemed to embrace as a motto. No one knew, however, that fate would again subvert the group's plans even if it could never take away the magic held within Eat a Peach, sonic and lyrical sorcery that extends to the legendary gatefold-artwork mural.


    This title is not eligible for discount.

    1. Ain't Wastin' Time No More
    2. Les Brers in A Minor
    3. Melissa
    4. Mountain Jam
    5. One Way Out
    6. Trouble No More
    7. Stand Back
    8. Blue Sky
    9. Little Martha
    The Allman Brothers Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • 1
Go to top