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American Hustle SoundtrackLike Goodfellas and Boogie Nights before it, American Hustle's music celebrates the epic feel of '70s pop, rock, and disco and uses it to give its story extra heft. David O. Russell's tale of con men, Feds, and the mob has a lighter touch than either of those two movies, however, and this is reflected in the soundtrack's song choices. More than a few of these tracks are by Electric Light Orchestra as well as Jeff Lynne on his own, and the whimsical yet driving sound of 10538 Orchestra, Long Black Road, and Stream of Stars lends a tongue-in-cheek tone supported by Tom Jones' Delilah and Chris Stills' Live to Live. The album touches on some of the decade's definitive songs (Elton John's Goodbye Yellow Brick Road, Wings' Live and Let Die, Donna Summer's I Feel Love) but never sounds like a prepackaged hits-of-the-'70s collection, due in large part to unique choices like Harold Melvin & the Blue Notes' gritty version of Don't Leave Me This Way and Mayssa Karaa's otherworldly Arabic interpretation of Jefferson Airplane's White Rabbit, which is so striking that it's one of the finest songs on an album packed with big names. A nuanced and playful soundtrack, American Hustle works well as a companion piece to the movie that spawned it and on its own.
- Heather Phares (All Music Guide)LP1
1. Jeep's Blues - Duke Ellington
2. Goodbye Yellow Brick Road (Album Version) - Elton John
3. White Rabbit (Arabic Version) - Mayssa Karaa
4. 10538 Overture - Jeff Lynne
5. Live and Let Die - Wings
6. How Can You Mend a Broken Heart - Bee Gees
7. I Feel Love - Donna Summer
8. Don't Leave Me This Way - Harold Melvin & The Blue Notes
9. Delilah - Tom Jones
1. I've Got Your Number - Jack Jones
2. Long Black Road - Jeff Lynne
3. A Horse with No Name (Album Version) - America
4. Stream of Stars - Jeff Lynne
5. Live to Live - Chris Stills
6. Irving Montage - Danny Elfman$29.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Trans-Continental HustleTrans-Continental Hustle is an extraordinary 13-song powerhouse that continues Gogol Bordello's cultural crusade to unite and celebrate unending originality against all odds. On this album, the band brings us to a new exotic destination, Brazil, where frontman and visionary Eugene Hutz took up residence two years ago. Produced by Rick Rubin, Trans-Continental Hustle is heavily informed by Hutz's experiences living in a country rich with diversity.1. Pala Tute
2. My Companjera
3. Sun on My Side
4. Rebellious Love
5. Immigraniada (We Comin' Rougher)
6. When Universes Collide
7. Uma Menina
8. Raise The Knowledge
9. Last One Goes The Hope
10. To Rise Above
11. In The Meantime In Pernambuco
12. Break The Spell
13. Trans-Continental Hustle$34.99Vinyl LP - 2 LPs Sealed Buy Now
The Art Of HustleThe American rapper and King Of Memphis, Yo Gotti, releases his 5th album, The Art of Hustle, in 2016. Riding the strength of his hit "Down in the DM," Gotti enlists K. Michelle, Lil Wayne, Future, Timbaland, Pusha T, 2 Chainz and Nicki Minaj for the album.LP 1
1. My City (feat. K. Michelle)
2. Bible (feat. Lil Wayne)
3. Down In the DM
4. Law (feat. E-40)
5. The Art of Hustle
6. Smile (feat. Timbaland)
7. Come Up
1. Pay the Price
3. General (feat. Future)
4. Imagine Dat
5. Bank Teller
6. Hunnid (feat. Pusha T)
7. Luv Deez Hoes (feat. 2 Chainz)$26.99Vinyl LP - 2 LPs Sealed Buy Now
American WrestlersScotland-via-Missouri's American Wrestlers is announcing his self-titled debut full-length, set for release in the U.S. via Fat Possum. The latest single from the new album Kelly. The song's jittery opening and shimmering charm are the perfect taster of American Wrestlers' stripped back and timeless approach to songwriting. Armed with little more than a TASCAM 8-track and the cheapest instruments to hand, the upcoming self-titled debut took shape in remote and rural America, and that comforting step away from the hustle and bustle is felt throughout "Kelly."
Now based in Missouri, the Scotsman's journey is something of wonderment. Born and raised in Glasgow, he then found his way to Manchester, UK, where he recorded some demos under a different name and posted the songs online. It was then, and as a result of his songs, that his now-wife first got in touch. After becoming enraptured with one another, he moved across the Atlantic to get married. The move to Missouri saw American Wrestlers take form, recording in a tiny, remote house, on a Tascam 8-track and the cheapest pawnshop instruments he could afford. The music of American Wrestlers is familiar. It recalls first love, twilight as the day turns to night, and the feeling of discovery that was, at one point, so precious to us; that moment when we are first shockd and beguiled by a melody that strikes us so acutely that our stomachs jump for joy into our chests.1. There's No One Crying Over Me
3. Wild Yonder
4. I Can Do No Wrong
5. The Rest Of You
8. Left$17.99Vinyl LP - Sealed Buy Now
The New ClassicThe New Classic is the debut studio album by Australian recording artist Iggy Azalea. Azalea came to prominence after releasing her debut mixtape Ignorant Art and subsequently aligning herself with American rapper T.I. and his Hustle Gang imprint.
The album was preceded by four singles: the album's lead single "Work", performed well commercially, charting at number 17 in the UK charts. The album's second single, "Bounce", saw a similar success in the United Kingdom, peaking at 13. The third release "Change Your Life", peaked at number 10 on the UK Singles Chart, her first UK Top 10 single, and also made appearances on Australian, New Zealand and US charts. A fourth single, "Fancy", reached top-five in the United Kingdom, becoming her highest charting single to date. It also reached number one on Billboard Hot 100.LP 1
1. Walk the Line
2. Don't Need Y'all
4. Change Your Life
6. New Bitch
8. Impossible Is Nothing
2. Black Widow
3. Lady Patra
4. Fuck Love
7. Just Askin'$24.99Vinyl LP - 2 LPs Sealed Buy Now
Pronounced Leh-nerd Skin-nerd (45 RPM)
45 RPM 200-Gram Gatefold Double LP Reissue
Remastered By Ryan Smith At Sterling Sound From The Original Analog Tapes
Plated And Pressed At Quality Record Pressings!
Tip-On Gatefold Jacket By Stoughton Printing
What would American southern rock be without the scorching sounds of Lynyrd Skynyrd? Analogue Productions and Quality Record Pressings have already brought you exceptional reissues of Second Helping and Nuthin' Fancy. Back to the well then, we go, for two more Skynyrd favorites - the epic Gimme Back My Bullets and the band's bluesy, hard-rocking 1973 debut Pronounced Leh-nerd Skin-nerd.
Remastered from the original analog tapes by Ryan Smith at Sterling Sound, our Analogue Productions reissue of Pronounced Leh-nerd Skin-nerd is the ultimate in luxurious reproduction and unbeatable sound. 200-gram plating and pressing by Quality Record Pressings, and a tip-on Stoughton Printing jacket round out the package.
The undeniable youthful hunger of Pronounced Leh-nerd Skin-nerd pumps through the subtly witty songs, all strongly rooted in Southern heritage and working-class values. Independent of the most-requested tune in history, Pronounced Leh-nerd Skin-nerd bleeds red, white, and blue and encapsulates the wondrous dichotomies of Southern rock.
Months before Lynyrd Skynyrd enjoyed the privilege of recording its debut, the band entered its seventh year of playing juke joints and assorted dives in a bootstraps effort to land a deal. During a residency at a hardscrabble Georgian club, the group's rambunctious rock, swaggering attitude, blue-collar determination, and country-reared cadence caught the ear of producer/musician Al Kooper. The rest is history. Kooper inked the ensemble to his new imprint and hustled everyone into a Georgia studio for sessions that occurred March through April 1973.
It's at the Studio One space that Lynyrd Skynyrd flashed scampering tempos, cutting give-and-take riffs, loose barroom lines, and off-the-cuff vocalese that entirely separated its approach from that of the more jazz-styled affairs of the Allman Brothers Band. Confederate flags, empty whiskey bottles, cocked pistols, rotgut habits, scorned women, and prodigal drifters populate the songs, nearly all written from first-person perspectives that add to their genuineness. Prophetic touches - twinkling piano notes, soaring mellotrons, a one-off harmonica - provide ideal complements to the intertwined guitar melodies and singer Ronnie Van Zant's comfortable gruffness and way of expressing local customs.
This title is not eligible for discount.1. I Ain't The One
2. Tuesday's Gone
3. Gimme Three Steps
4. Simple Man
5. Things Goin' On
6. Mississippi Kid
7. Poison Whiskey
8. Free Bird$54.99200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
SUPERFLY (Original Motion Picture Soundtrack) (Pre-Order)Release Date: July 13, 2018*
Silver w/Black & Gold Smoke Colored Vinyl
From visionary filmmaker Director X and the producer of The Matrix Trilogy Joel Silver, comes SUPERFLY with the original soundtrack produced by Future following in the footsteps of legendary songwriter and musician Curtis Mayfield. Based on the original blaxploitation crime drama, which was helmed by Gordon Parks Jr. and starred Ron O'Neal as Priest, the re-make written by Alex Tse follows an African American cocaine dealer who tries to secure one more deal before getting out of the business. Trevor Jackson, Jason Mitchell, Rick Ross, Big Boi and more star in Sony's SUPERFLY. Redefine the hustle.
*Please note that release dates are subject to change.LP 1
1. Sleepy Brown feat. Scar - If You Want It
2. Future feat. 21 Savage - What's Up With That
3. Future feat. PARTYNEXTDOOR - No Shame
4. Future - Walk On Minks
5. Future feat. Young Thug - Tie My Shoes
6. Future - Stains
7. Future feat. Young Thug - Show My Chain Some Love
1. Miguel - R.A.N.
2. Khalid & H.E.R. - This Way
3. Future feat. Young Bans - Bag
4. Future feat. Lil Wayne - Drive Itself
5. Future feat. Young Thug & Gunna - Money Train
6. Future - Nowhere$32.99Colored Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
Hard Times And Nursery RhymesLegendary Punk Rock Band's 1st Studio Record Since 2004
Group Embraces Gritty, Soulful Currents on Can't-Miss Set
Social Distortion's first new studio record in nearly six years, Hard Times and Nursery Rhymes builds on singer Mike Ness twin footings, one in the haunted American landscapes of Hank Williams and the other in the raw swagger of Exile On Main Streetâ€era Rolling Stones. While these twin pillars have always been behind Social Distortions anthemic songs, on Hard Times and Nursery Rhymes they come roaring to the fore, in one of the hardest rocking, most soulful albums of Ness career.
From opener California (Hustle and Flow), a song with enough attitude to redline a 40 Merc, to the dark rockin cover of Hank Williams' Alone and Forsaken, longtime fans will find the trademark punk roar they love. New fans, too, will be drawn to Ness maturing songwriting and vocals with an eye to his rock and roll legacy. Ness also produced Hard Times and Nursery Rhymes (his first time at the production helm).
Cigar-puffing hoodlums, sleazy pimps, staggering winos, down-and-out blue-collar stiffs, on-the-run hustlers, wounded romantics, and spurned lovers are among the crowds that congregate on the street corners of Hard Times and Nursery Rhymes, one of the most consistent, complete, soulful, and tunefully gritty records of Social Distortions career. The set reflects the groups progressive embrace of organ into arrangements. As such, subtle spiritual undercurrents coarse through several tunes.
--Bob Gendron, TONE Audio, Issue 341. Road Zombie
2. California (Hustle and Flow)
3. Gimme The Sweet And Lowdown
4. Diamond In The Rough
5. Machine Gun Blues
7. Far Side Of Nowhere
8. Alone And Forsaken
9. Writing On The Wall
10. Can't Take it with You
11. Still Alive$21.99Vinyl LP - 2 LPs Sealed Buy Now
MelbourneIt's the original rock n' roll fantasy: to be genius, aloof, deserving. To be instantaneously swept from the wings of obscurity into the arms of acclaim. Well, that's what I've heard at least.
But who does this really happen to? Most successful musicians will tell you it's not enough to make brilliant music. You've got to work it constantly, clawing and hustling to get people to the next show, to finance the next record. How pedestrian. How droll. Why can't it just happen?
No, it would seem there are no rock n' roll fairytales anymore. Or are there?
Ladies and gentlemen, meet Jackson Scott, indie's newest prince charming. At the tender age of 20, Scott is already receiving more attention for his forthcoming debut, Melbourne than many musicians get in a lifetime.
When an artist blows up this quickly it's hard to hear their music from an unbiased position. Questions unfailingly arise: What's the deal? Is he really that f-in' good? Did Daddy pay the promo man (remember The Strokes)? Is this guy for real?
So, before we go on, let me just say, this record is good. Like, really good. Like, "I'm kinda freaked out that a kid who's been making music for a year did this by himself on a 4-track" good.
So, let's ignore the hype for a while.
First, the strength of Scott's songwriting is undeniable. Yea, there are some instrumentals here... but overall these songs stick with you. They have power, and with most of them clocking in at around the two minute mark, you won't get bored. Lyrically, Scott both flirts with and repudiates the kind of adolescent moodiness associated with the mopey 90's. Conversely, his musings also betray a connection to the well-fed and perpetually distracted iPhone generation.
Melbourne also offers plenty of rewards in its production. Scott has the hissy, tape, psych-pop thing down. He's experimental where he needs to be and hooky where it counts. These homespun recordings sound like early Ty Segall as produced by The Elephant 6 Recording Co. While Scott acknowledges Segall as an influence, he claims ignorance of the famed recording collective. That said, his misanthropic use of sped-up vocals suggests otherwise.
Melbourne opens with "Only Eternal", a wash of ambient guitar. This brooding intro slyly transitions into "Evie", with its sludgy, driving rhythm, Twilight Zone guitar hooks, and wavering harmonies. Peppy and short, "Sandy" is a druggy acoustic-pop highlight.
"That Awful Sound" is the song that gained Scott so much attention in the first place. Nothing if not a solid single, its strummed acoustics, booming rhythm, and pseudo-Chipmunk vocals are impossible to hear without thinking of Elephant 6. It's not surprising that the crew at Pitchfork (no doubt approaching middle age and feeling a little nostalgic) picked this track to be "the song". This kind of thing ruled all hell in 1998. If not the best track on the record, it is at least the most classifiable, and by extension the most marketable.
"Any Way"... is the high-water mark for Scott's pitch-shifted vocals. It's the kind of song Jackson Scott really sells. It's quick, melody driven, and vaguely flippant. With its toy marimba solo, it also exposes the childlike undercurrent running throughout this record.
"Together Forever" is one of my favorite songs on Melbourne. If you listen closely you can hear the famous background vocals from "Where is My Mind?" at the beginning. To me this is Jackson Scott playing it straight. His voice sounds like a real person and his noisy guitar swells are just as mind-bending as anything coming out of the current psych-revival.
"In The Sun" is reminiscent of the late Scott Miller's more stripped-down moments with Game Theory. The song's chorus reminds us of how much an inspiration Kurt Cobain is to Scott.
Notwithstanding the strength, charisma, and raw talent exhibited on Melbourne, it feels like Jackson Scott has skipped a few levels. Although Cinderella sometimes does well in sports and American Idol, Jackson Scott is going for something much weightier, much deeper. Dare we call it, legitimacy?
-Jacob Sides1. Only Eternal
3. Never Ever
5. That Awful Sound
7. Wish Upon
8. Any Way
9. Together Forever
10. In the Sun
11. Doctor Mad
12. Sweet Nothing$16.99Vinyl LP - Sealed Buy Now