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American In Paris

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  • Inglorious Basterds Soundtrack Inglorious Basterds Soundtrack Quick View

    $18.99
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    Inglorious Basterds Soundtrack

    Academy Award-winning director Quentin Tarantino's World War II epic, Inglourious Basterds, starring Brad Pitt, Diane Kruger, Melanie Laurent, Christoph Waltz, and Eli Roth. This time Tarantino is not only using quirky artists and songs, but a pre-released score from Ennio Morricone, Dimitri Tiomkin, Charles Bernstein and more.


    During World War II a group of Jewish-American soldiers known as 'The Basterds' are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

    1. The Green Leaves of Summer - Nick Perito
    2. The Verdict - Ennio Morricone
    3. L'incontro con la figlia
    4. White Lightning - Charles Bernstein
    5. Il mercenario
    6. Slaughter - Billy Preston
    7. November 1, 1954
    8. The Surrender - Ennio Morricone
    9. One Silver Dollar - Film Studio Orchestra
    10. Bath Attack
    11. Davon Geht Die - Zarah Leander
    12. The Man With The Big Sombrero - Samantha Shelton
    13. Ich Wollt Ich - Lilian Harvey
    14. Cat People (Putting Out the Fire) - David Bowie
    15. Mystic and Severe
    16. The Devil's Rumble
    17. What I'd Say
    18. Un Amico - Ennio Morricone
    19. Tiger Tank - Lalo Schifrin
    20. Eastern Condors - Ennio Morricone
    Various Artists
    $18.99
    Vinyl LP - Sealed Buy Now
  • An American In Paris & Rhapsody In Blue An American In Paris & Rhapsody In Blue Quick View

    $39.99
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    An American In Paris & Rhapsody In Blue

    RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!


    Remastered and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound


    Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!


    With Rhapsody in Blue, George Gershwin, a popular songwriter, established himself as a serious composer. His American in Paris tells the story of a trip through the streets and cafes of France. A first rate orchestra (The Boston Pops), a distinguished conductor (Arthur Fiedler), and a superb pianist (Earl Wild) combine to make this recording something to be treasured.


    This title is not eligible for discount.

    Selections:
    Gershwin
    Rhapsody In blue
    An American In Paris
    Arthur Fiedler
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner) Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner) Quick View

    $34.99
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    Gershwin: Rhapsody In Blue, An American In Paris (Speakers Corner)

    This fast and furious orchestral work with piano, which begins with what must surely be the most famous clarinet glissando of modern times, was composed with the intention of presenting as many facets as possible of music from the New World in the short space of around 15 minutes. In his Rhapsody In Blue Gershwin wanted to »paint a musical kaleidoscope of America - our enormous melting pot, our typical national traits, our blues, our seething city life«. With this in mind, Leonard Bernstein made a number of recordings of the work and among the many excellent recordings that he made as a conductor or as a soloist, this present version with the Columbia Orchestra, from 1959, is especially of note. Bernstein takes on a double function as conductor and soloist and manoeuvres his way safely and surely through the highly diversified score to create a well-rounded picture filled with hefty orchestral dynamics and finely chiselled solo playing. In Gershwin's freely composed work the soloist and orchestra do not resort to bombastic shock effects or egomaniac keyboard acrobatics, and so this the work can be described as rhapsodic in the very best sense of the word.
    Most fittingly, on the B side there is another freely composed work - the autobiographical sketch entitled An American In Paris. The superb New York musicians paint the impressions of a visitor to the hectic French capital city - that too is the sound of America.


    Musicians:



    • The Columbia Symphony Orchestra

    • New York Philharmonic Orchestra

    • George Gershwin (composer)

    • Leonard Bernstein (conductor)




    Recording: June 1959 and December 1958 at St George Hotel, Brooklyn, New York, by Fred Plaut and Frank Bruno

    Production: John McClure



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Rhapsody In Blue
    2. An American In Paris
    Leonard Bernstein
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Paris Concert: Edition Two (Pre-Order) The Paris Concert: Edition Two (Pre-Order) Quick View

    $54.99
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    The Paris Concert: Edition Two (Pre-Order)


    Numbered, Limited Edition! Pressed at RTI!


    Mastered by Bernie Grundman from the Original Masters!


    Edition Two of The Paris Concert by Bill Evans was recorded live in November 1979 at L'espace Cardin in Paris, France. Evans is assisted by bassist Marc Johnson and drummer Joe LaBarbera. This second edition of the two includes Miles Davis' Nardis as well as 34 Skidoo.


    Bill Evans was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, singing melodic lines continue to influence jazz pianists today.


    Marc Johnson is an American jazz bass player, composer, and band leader. In 1978, Johnson joined legendary pianist Bill Evans in what would be Evans' last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. His many recording credits since then include discs with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie, Bill Frisell, Pat Metheny, Eliane Elias, Enrico Pieranunzi, Joey Baron, Philly Joe Jones, and many others.


    Joe LaBarbera is an American jazz drummer and composer. He is best known for his recordings and live performances with the trio of pianist Bill Evans in the final years of Evans' career. Prior to joining Evans he worked in the quartet of Chuck Mangione and Joe Farrell. After Evans' death in 1980, Joe joined singer Tony Bennett.


    The music is sensitive and subtly exciting. Until the release of some later live sessions from 1980, this could be considered Bill Evans' final recording and serves as evidence that, rather than declining, he was showing a renewed vitality and enthusiasm in his last year. -Scott Yanow, allmusic.com


    Features:

    • Numbered, Limited Edition

    • Audiophile 180g, 45rpm Vinyl

    • Double LP, Gatefold Packaging

    • Pressed at RTI!

    • Mastered by Bernie Grundman from Original Masters


    Musicians:

    Bill Evans, piano

    Marc Johnson, bass

    Joe LaBarbera, drums


    Recorded by Radio France at L'espace Cardin in Paris, France on November 26, 1979.


    This title is not eligible for discount.

    1. Re: Person I Knew
    2. Gary's Theme
    3. Letter to Evan
    4. 34 Skidoo
    5. Laurie
    6. Nardis
    7. Interview (Excerpts of a conversation between Bill and Harry Evans)
    Bill Evans
    $54.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed PRE-ORDER Buy Now
  • In Paris: The ORTF Recordings In Paris: The ORTF Recordings Quick View

    $35.99
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    In Paris: The ORTF Recordings

    Limited Edition 180 Gram Vinyl Pressing Of 2,000


    Gatefold LP Includes Booklet With Essays, Unpublished Photos, Collector Postcards


    Mastered By The Legendary Engineer Bernie Grundman


    Resonance Records, in partnership with the National Audiovisual Institute (INA) of France, is pleased to announce the release of Larry Young In Paris/The ORTF Recordings. Presenting groundbreaking performances by jazz organist and pianist, Larry Young, these studio and live recordings from 1964 and 1965 made for French Radio and never before issued on record will be released in a limited edition 2-LP set.


    Producer Zev Feldman notes, It's particularly exciting because none of this music has ever been heard before except on its initial broadcast in France five decades ago. I think that's something to celebrate and a call for us all - as we often do with the archival recordings we at Resonance Records uncover - to revisit and discuss this legendary artist's legacy.


    Musicians featured on these recordings include trumpet legend Woody Shaw, tenor saxophonist and bandleader Nathan Davis and drummer Billy Brooks. An international cast of supporting players: French pianist Jack DiÉval tenor saxophonist Jean-Claude Fohrenbach and bassist Jacques B. Hess; Italian drummer Franco Manzecchi, Jamaican trumpet player Sonny Grey and Guadaloupean percussionist Jacky Bamboo round out the personnel. This album marks the first new release of Larry Young music in thirty-eight years.


    This project came about in 2012 when Resonance Records producer Zev Feldman traveled to France to explore the ORTF (Office of French Radio and Television) archives (the media vaults overseen by the French National Audiovisual Institute (INA) in the hope of finding undiscovered treasures, which he suspected he might find there. Feldman asked INA executives about specific artists and was stunned to learn that the vaults contained recordings documenting some of the greatest American jazz musicians who lived in - or visited - Paris in the 1960's, including Larry Young. Resonance Records presents in this album tapes that had been sitting idly in the vaults for nearly 50 years, scrupulously maintained by INA. Resonance will also be releasing other future projects from the INA vaults. More details to come soon. Producer Feldman states, It's been a thrill of the lifetime working with Christiane Lemire, Laure Audinot and Pascal Rozat at INA France to find this great music and shepherd this release. No question about it, this project represents jazz through diplomacy and the greater good of a mission. These recordings showcase American artists who found their home and voice in Europe at a time when the American landscape wasn't always as supportive. Feldman continues, When we started to explore the vaults of ORTF and search for recordings to release, we had a wish list of various artists we were on the hunt for, but Larry was the one artist whom I personally felt we needed to look extra hard for. I couldn't be more thrilled with what we found and which we are now releasing. I hope we'll all revisit this genius's legacy and appreciate why he mattered so much.


    While in France, Larry Young recorded at the ORTF Studios in Paris (now Maison de Radio France) as a sideman with the Nathan Davis Quartet, the Jazz aux Champs-ÉlysÉes All-Stars and with his own piano trio which included bassist Jacques B. Hess drummer and Franco Manzecchi. Larry Young In Paris/The ORTF Recordings includes selections from the original tapes, which were recorded specifically to be broadcast on French Radio. As noted, the only time these recordings have been shared with the public were on their original broadcasts on two iconic monthly French radio programs: Musique aux Champs-ÉlysÉes, hosted by French musician and producer Jack DiÉval; and Jazz sur scène, hosted by producer and jazz scholar AndrÉ Francis. Shortly after these recordings were made, Larry Young returned to New York to record the classic album Unity, his second album for Blue Note.


    Larry Young died at the tragically young age of 38 in 1978. Larry Young In Paris: The ORTF Recordings is a tribute to his memory and endorsed by the estate of Larry Young. Produced by Zev Feldman with Executive Producers George Klabin and Michael Cuscuna. Sound Restoration by Fran Gala and George Klabin. Mastering by Fran Gala at Resonance Records Studios.

    LP 1
    1. Trane of Thought
    2. Talkin' About J.C.
    3. Mean to Me
    4. La Valse Grise
    5. Discothèque


    LP 2
    1. Luny Tune
    2. Beyond All Limits
    3. Black Nile
    4. Zoltan
    5. Larry's Blues

    Larry Young
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Music Is Painting In The Air 1974-1977 Music Is Painting In The Air 1974-1977 Quick View

    $34.99
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    Music Is Painting In The Air 1974-1977

    Music Is Painting In the Air is a collection of new mixes and unheard music from Sensations' Fix's prolific output between 1974 and 1977. Revered as one of the great articulations of progressive music, Music Is Painting In the Air offers guide posts to those familiar with Sensations' Fix's amorphous catalog and an approachable primer to those just journeying on the sensational trip.



    The story of Sensations' Fix begins - and never quite ends - with Franco Falsini. Born in Florence, Italy in 1948, Falsini became a teenage rock 'n' roll convert through a steady supply of 45s sent home by his London-based sister. Following his sister's footsteps to swinging 60s London, Falsini put his love of music into practice, fronting a space blues trio that riffed its way from the UK back to Italy in a Ford Transit.



    Falsini became smitten by Vinnie Sherman, an American woman working as a waitress at a nightclub in Florence where Falsini was holding down a residency. The newlywed lovers made their way to Alexandria, Virginia in the summer of 1969. Arriving on August 15th, the first day of Woodstock, a spirit of freedom filled Falsini and fueled his creative proclivity.



    Falsini blazed a trail for home recording that has impressed upon inward resourcing and reflecting musicians and DIY enthusiasts in the decades since. A technology stalwart, Falsini employed a floor model MiniMoog and a tricked-out Teac 4-track machine to transform the Virginia basement of the house shared with Sherman into a cosmic conduit and launch pad for Sensations' Fix.



    The reach for space from a personal place is nowhere more apparent than on Fragments of Light, early basement recordings solicited by Falsini as deal demos and surprisingly flipped into the first of six Sensations' Fix albums released over the next five years. The up-close fidelity of Fragments - coupled with Falsini's emotive guitar leads and sparse, sentimental vocals - creates a private quality that separates the album from other extravagant progressive rock productions contemporary to its 1974 release.



    Relocating back to Italy on the heels of Fragments' release, Falsini, alongside drummer Keith Edwards and bassist Richard Ursillo (both American expats), charged through another two Sensations' Fix albums, Portable Madness in 1974 and Finest Finger in 1976, and a stunning solo album Cold Nose (Naso Fredo) in 1975. Without marketing or tour support to expose Sensations' Fix to a wider European audience, Falsini and his band of psychedelic renegades left Italy for the golden shores of California and their possible salvation. In 1977, Sensations' Fix released Vision's Fugitive on an independent label and fulfilled their major label obligation shortly after with Boxes Paradise.



    Falsini spent the next couple decades between New York City and Paris, creatively contentedly creating above par electro-pop (The Antennas) before returning to Florence to launch the Interactive Test dance music label. Meanwhile, the legend of Sensations' Fix grew. On his 2002 album, The Private Press, DJ Shadow sampled from two Sensations' Fix songs. More recently, Sonic Youth curated a career retrospective titled Sensational Fix at Life Gallery in Saint-Nazaire France.



    For Music is Painting in the Air, Falsini and his son Jeyon set forth on a year-long voyage to restore and revisit the original Sensations' Fix analog tapes. Honoring Falsini's tradition of autonomy, this collection, as with the majority of the Sensations' Fix catalog, was mixed solely by Falsini. The sequence is chronologically defiant, encouraging the listener to free associate the recurring themes' origins and immerse in the body of music as its own universe.



    Once this celestial body suit is occupied, it becomes apparent why the forward-thinking yet emotionally-accessible quality of Sensations' Fix's music is still finding the universal audience for which its intended. Falsini's disregard for time and insistence on reinvention provides an infinite reach for his music. The end-goal was seemingly unmarketable by the industry then, but perfectly harmonious with a culture constantly evolving now.

    LP1
    1. Barnhause Effect
    2. Cold Nose Part 3, 4th Movement
    3. Leave My Chemistry
    4. Acudreaming
    5. Grow On You

    6. Scraping Delay
    7. Warped Notions Of A Practical Joke (Instrumental)
    8. Dark Side of Religion
    9. Cosmic Saudade
    10. Cold Nose Part 3, Movement 2
    11. Fragments of Light
    12. Into The Memory


    LP2

    1. Cold Nose Part 3, Movement 5
    2. C'e Nessuno
    3. Map
    4. Moving Particles
    5. Cold Nose Part 3, Movement 3
    6. Music Is Painting
    7. Left Side Of Green

    8. Chelsea Hotel (Room 625)
    9. Fix A Water Fountain (Instrumental)
    10. Leave My Chemistry
    11. Overflowing Ashtrays
    12. Strangelands
    13. Cold Nose Story
    14. Slow Motion Movie
    15. Fortune Teller
    16. Fortune Teller Coda

    Sensations' Fix
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • One Flight Up One Flight Up Quick View

    $19.99
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    One Flight Up

    One Flight Up is an album by American jazz saxophonist Dexter Gordon recorded in 1964 in Paris and released on the Blue Note label.
    1. Tanya
    2. Coppin' the Haven
    3. Darn That Dream
    Dexter Gordon
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Deconstructed Deconstructed Quick View

    $39.99
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    Deconstructed

    Red Vinyl


    Etched D-Side


    Deconstructed is a remix album by British post-grunge band Bush, released in 1997, as a collaborative effort between the band and various producers like Tricky, Goldie, Mekon and others working in the electronic genre of music to remix some of the band's previously released songs. Mouth (The Stingray Mix) was released as a single in 1997 and became a minor hit, due largely in part to it being featured prominently in both the trailer and the 1997 film An American Werewolf In Paris.


    While not a studio album, Deconstructed often stands among the band's studio catalog and has been frequently cited regarding Bush's transformation from simple post-grunge to more experimental Rock. It was followed two years later by their third studio album, The Science of Things, which continued this incorporation of electronic elements into hard rock.


    The Music On Vinyl reissue features a beautifully etched D-side!

    LP1
    Side A
    1. Everything Zen (The Lhasa Fever Mix)
    2. Mouth (The Stingray Mix)
    3. Swallowed (Goldie/toasted Both Sides Please Mix)
    4. Synapse (Philip Steir/My Ghost In The Bush Of Life Mix)
    Side B
    1. History (Dub Pistols Mix)
    2. Personal Holloway (Fabio Paras/Soundclash Republic Mix)
    3. Bonedriven (Mekon/beat Me Clever Mix)
    4. Insect Kin (Jack Dangers/Drum And Bees Mix)


    LP2
    Side C
    1. Comedown (Lunatic Calm Mix)
    2. Everything Zen (Derek Delarge Mix)
    3. In A Lonely Place (Tricky Mix)
    Side D
    Etch

    Bush
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Paul Simon (Awaiting Repress) Paul Simon (Awaiting Repress) Quick View

    $24.99
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    Paul Simon (Awaiting Repress)

    If any musical justification were needed for the breakup of Simon & Garfunkel, it could be found on this striking collection, Paul Simon's post-split debut. From the opening cut, Mother and Child Reunion (a Top Ten hit), Simon, who had snuck several subtle musical explorations into the generally conservative S&G sound, broke free, heralding the rise of reggae with an exuberant track recorded in Jamaica for a song about death. From there, it was off to Paris for a track in South American style and a rambling story of a fisherman's son, Duncan (which made the singles chart). But most of the album had a low-key feel, with Simon on acoustic guitar backed by only a few trusted associates (among them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, and Hal Blaine, along with such guests as Stefan Grossman, Airto Moreira, and Stephane Grappelli), singing a group of informal, intimate, funny, and closely observed songs (among them the lively Top 40 hit Me and Julio Down by the Schoolyard). It was miles removed from the big, stately ballad style of Bridge Over Troubled Water and signaled that Simon was a versatile songwriter as well as an expressive singer with a much broader range of musical interests than he had previously demonstrated. You didn't miss Art Garfunkel on Paul Simon, not only because Simon didn't write Garfunkel-like showcases for himself, but because the songs he did write showed off his own, more varied musical strengths.

    - William Ruhlmann (All Music Guide)

    1. Mother and Child Reunion
    2. Duncan
    3. Everything Put Together Falls Apart
    4. Run That Body Down
    5. Armistice Day
    6. Me and Julio Down by the Schoolyard
    7. Peace Like a River
    8. Papa Hobo
    9. Hobo's Blues
    10. Paranoia Blues
    11. Congratulations
    Paul Simon
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Lee Hazlewoodism: Its Cause and Cure Lee Hazlewoodism: Its Cause and Cure Quick View

    $22.99
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    Lee Hazlewoodism: Its Cause and Cure

    The second of his MGM trilogy-1967's peculiarly named Lee Hazlewoodism: Its Cause And Cure-took on countrified French ye-ye ("The Girls In Paris"), a tale of a young bullfighter built on Spanish guitar and choral cowboys ("Jose"), a string-drenched song about the passing of time ("The Old Man And His Guitar"), and a western epic about a Native American tribe ("The Nights"). And that was just the first four tracks. Elsewhere, the honky tonk madness of "Suzi Jane Is Back In Town," the Byrds-like jangle of "In Our Time" and-in the bonus tracks-an instrumental named "Batman" confirm this to be one of Hazlewood's most far-ranging, far-out LPs ever!
    1. The Girls In Paris
    2. Jose
    3. The Old Man And His Guitar
    4. The Nights
    5. I Am A Part
    6. Home (I'm Home)
    7. After Six
    8. Suzi Jane Is Back In Town
    9. In Our Time
    10. Dark In My Heart
    11. Lee Hazlewood's Woodchucks Frenesi*
    12. Lee Hazlewood's Woodchucks Muchacho*
    13. Lee Hazlewood's Woodchucks Batman*
    Lee Hazlewood
    $22.99
    Vinyl LP - Sealed Buy Now
  • Grey Oceans Grey Oceans Quick View

    $16.99
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    Grey Oceans

    CocoRosie are two American-born sisters, Sierra and Bianca, who started making music together in Paris in 2003. Their first album, La Maison de Mon Reve, was released in 2004 and their second album, Noah's Ark, followed in 2005. Their third and most recent album, The Adventures of Ghosthorse and Stillborn, came out in 2007. All three of these albums were released worldwide on Touch and Go Records and earned critical acclaim both overseas and at home. The nomadic duo (currently and temporarily residing in New Mexico) spent much of 2008 writing and recording in Buenos Aires, Melbourne, Berlin, New York, and Paris, finding amazing and diverse musicians to collaborate along the way. The result is their 11-song Sub Pop debut, Grey Oceans.
    1. Trinity's Crying
    2. Smokey Taboo
    3. Hopscotch
    4. Undertaker
    5. Grey Oceans
    6. R.I.P. Burn Face
    7. The Moon Asked the Crow
    8. Lemonade
    9. Gallows
    10. Fairy Paradise
    11. Here I Come
    CocoRosie
    $16.99
    Vinyl LP - Sealed Buy Now
  • Marry Me Marry Me Quick View

    $22.99
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    Marry Me

    St. Vincent is the moniker of singer/multi-instrumentalist/composer Annie Clark and this is her debut full-length. She's opened for such diverse acts as Television, Jose Gonzalez, and Sufjan Stevens, and she's an inventive and versatile guitarist who has also performed with avant-garde composer Glenn Branca. On this record, she writes cinematic pop epics that feel at times like Paris in the 20s before all the fun ended. Or, conversely, an orchestra of pure modernity - a new American music, informed by jazz, gospel blues, Southern folk music, and classical composition but, in the end, an animal original unto itself. She's been compared to everyone from Bjork to Kate Bush to Jeff Buckley, and her beautiful voice melds perfectly with her intricate guitar work.
    1. Now, Now
    2. Jesus Saves, I Spend
    3. Your Lips Are Red
    4. Marry Me
    5. Paris Is Burning
    6. All My Stars Aligned
    7. Apocalypse Song, The
    8. We Put a Pearl Into the Ground
    9. Land Mines
    10. Human Racing
    11. What Me Worry?
    St. Vincent
    $22.99
    Vinyl LP - Sealed Buy Now
  • Through The Dusty Paths Of Our Lives Through The Dusty Paths Of Our Lives Quick View

    $25.99
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    Through The Dusty Paths Of Our Lives

    Just the name Paris evokes thoughts of romance. From tiny streetside cafes serving cafe au lait and fresh croissants to the breathtaking panoramic view as seen from atop the Eiffel Tower, the city simply oozes love. Thankfully the city of love also has a darker side. One just as dedicated to love, just love of a different kind. Love of all things heavy and all things rock. And that's the real Paris the one where Abrahma lives.


    Formed in 2005 under the moniker Alcohsonic, this Parisian quartet epitimized the ideals of Rock and Roll. Blending the classic American 70's sound with blues, southern roots and just a hint of the modern Seb Bismuth, Nicolas Heller and the brothers Colin attempted to set Europe on fire. Their flame burned hot but far too bright and after five years, one LP and a scathing trail of live shows sharing the stage with the likes of Brant Bjork and Cactus, their course was run. But like a pheonix rising from it's own ashes Alcohsonic has been reborn as Abrahma.


    ''Through The Dusty Paths Of Our Lives'' is a self made monument to what might have been and an explosive first example what is yet to come. Five years on the road has hardened the sound and forged the new songs like iron in flame. Gone are any hints of 70's revivalism, buried beneath thick sludgy riffs and thundering basslines. Six hands play as one with the voice of an angry angel lighting the way. Featuring a guest appearance by Ed Mundell (Monster Magnet) and artwork designed by Alexander vonWieding ''Through The Dusty Paths Of Our Lives'' is a once in a lifetime debut. Catch a glimpse before the sparks begin to fly.

    LP1
    1. Alpha
    2. Neptune Of Sorrow
    3. Tears Of The Sun
    4. Dandelion Dust
    5. Honkin' Water Roof
    6. Loa's Awakening (Prelude)
    7. Vodun Pt. 1: Samedi's Awakening
    8. Big Black Cloud


    LP2
    1. Headless Horse
    2. Vodun Pt. 2: I, Zombie
    3. Oceans On Sand...
    4. ...Here Sleep Ghosts
    5. Vodun Pt. 3: Final Asagwe
    6. The Maze
    7. Omega

    Abrahma
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Tanner Suite Tanner Suite Quick View

    $28.99
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    Tanner Suite

    Soul Jazz Records/Universal Sound is releasing the third album from deep jazz flautist and composer Lloyd McNeill (alongside the earlier 'Asha' and 'Washington Suite'). Tanner Suite is one of the most beautiful and by far the rarest of all of McNeill's records. A unique piece of music especially commissioned by the Smithsonian National Gallery Of Art in the late 1960s, to accompany an exhibition of the work of Henry Ossawa Tanner, the first African-American painter ever to gain international success. Tanner Suite was originally released in 1969 as a private, individually numbered pressing of 1000 copies on McNeill's own Asha Record company and has never been issued since. Lloyd McNeill is a flautist, composer and painter. As a musician he studied with Eric Dolphy, played with Nina Simone, Mulatu Astatke, Nana Vasconceles, Ron Carter, Dom um Romao and Sabu Martinez. In the mid-1960s McNeill headed to Paris and became friends with Pablo Picasso.
    1. Black Expatriate
    2. Tanner Suite
    3. Daniel In The Lion's Den
    4. The Banjo Lesson
    Lloyd McNeill & Marshall Hawkins
    $28.99
    Vinyl LP - Sealed Buy Now
  • Welcome To Mali Welcome To Mali Quick View

    $24.99
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    Welcome To Mali

    Welcome to Mali, the second Nonesuch effort from Malian duo Amadou & Mariam has already garnered rapturous reviews from critics in Europe, where it was released in late 2008. The album appeared on many year-end best-of lists; Londons Sunday Mirror declared, African pop doesnt get more effervescent and joyful than the sound of this blind couple dueling together and sending their message of love around the globe. Simply wonderful.


    American audiences were introduced to the married pair, who met at a Malian school for the blind, with its Nonesuch debut Dimanche à Bamako, produced by the Paris-based world-music provocateur Manu Chao. With Chao behind the wheel, the album was like an exhilaratingly bumpy taxi ride straight into the heart of the Malian capital; cacophonous sounds of the streets mixed in with the spare, propulsive rhythms of the songs, making it all sound thrillingly immediate. Amadou & Mariam, already into the second decade of their overseas career, attracted an impressively wide-ranging state side audience, from world music stalwarts to clubgoers to indie rockers.


    Welcome to Mali, recorded in Bamako, Dakar, Paris and London and produced with longtime manager Marc-Antoine Moreau, is less high-concept travelogue than straightforward set, yet it proves to be even more adventurous and exuberantly rocking. Damon Albarn briefly joins the pair, co-producing and co-writing the opening track Sabali, as ingeniously arranged as the best of his work with the Gorillaz and featuring Mariams almost otherworldly vocals over swirls of disco-style keyboards. Amadou has long spoken of his affection for classic rock and it shows in his playing; Londons Independent calls Welcome to Mali a rock album with an African Heart. Theres a bit of Yardbirds-era swinging London, keyboard arrangements that wouldnt be out of place in a Parisian disco, hip hop breaks from Toronto-based Somalian rapper Knaan and the occasional garage-rock riff, as well as traditional touches courtesy of fellow Malian Toumani DiabatÉ and his magical kora playing. A deep undercurrent of the blues, an arguably indigenous Malian sound that migrated to the Mississippi delta, runs through the disc. Says Uncut, Amadous slithering, grinding guitar riffs sound dark and spiky, the missing link between Ali Farka TourÉ and Steve Cropper.

    1. Sabali (prod. Damon Albarn)
    2. Ce Nest Pas Bon (w/ Damon Albarn)
    3. Magossa
    4. Djama
    5. Djuru
    6. Je Te Kiffe (feat. Juan Rozoff)
    7. Masiteladi (feat. M)
    8. Africa (feat. Knaan)
    9. Compagnon de la Vie
    10. Unissons Nous (feat. Keziah Jones)
    11. Bozos
    12. I Follow You (Nia Na Fin)
    13. Welcome to Mali
    14. Batoma
    15. Sebeke
    Amadou & Mariam
    $24.99
    Vinyl LP w/ CD - 2 LPs Sealed Buy Now
  • Charade Soundtrack Charade Soundtrack Quick View

    $34.99
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    Charade Soundtrack

    180 Gram Audiophile Vinyl


    PVC Protective Sleeve


    Music Composed By Henry Mancini


    Charade is a 1963 Technicolor American romantic comedy/mystery film directed by Stanley Donen, written by Peter Stone and Marc Behm, and starring Cary Grant and Audrey Hepburn. It spans three genres: suspense thriller, romance, and comedy.


    The film is notable for its screenplay, for having been filmed on location in Paris and for Henry Mancini's score and theme song. Charade has received generally positive reviews from critics and was additionally noted to contain influences of genres such as whodunit, screwball and spy thriller.


    Film director Stanley Donen had been charmed by Henry Mancini's song Baby Elephant Walk from the film Hatari!, so he contacted Mancini from London to tell him about his current picture. Donen had directed several famous musical films throughout the 1950s and he now intended to put his own slant on a Hitchcock-like thriller and he wanted a strong melody in the background score.


    Johnny Mercer wrote the lyrics.


    The title track Charade is a sad, lonely Parisian waltz. It was nominated that year for the Academy Award for Best Original Song.

    1. Charade (Main Title)
    2. Bistro

    3. Bateau Mouche

    4. MÉgève
    5. Bye Bye Charlie

    6. The Happy Carousel

    7. Charade (Vocal)

    8. Orange TamourÉ
    9. Latin Snowfall

    10. The Drip-dry Waltz

    11. Mambo Parisienne

    12. Punch And Judy

    13. Charade (Carousel)
    Henry Mancini
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ventura Ventura Quick View

    $22.99
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    Ventura

    In 2010, Antoine Hilaire and Florent Lyonnet released the first Jamaica album. Produced by Peter Franco, an American engineer known for his work with Daft Punk and Xavier de Rosnay, one half of Justice, 'No Problem' is boosted by a terrific single: 'I Think I Like U 2. Jamaica is taking off. Followed an almost two year tour, more than 150 shows around the world, and success from Paris to Tokyo.


    Jamaica felt ambitious when it was time to start working on their second album, without any weight or pressure : "On the contrary! We felt extremely light. We only realised that in a way we had to write our second first album."


    They started writing 'Ventura' in Paris, knowing they would start recording in Los Angeles, fed by both fantasies of American culture, gathered from records or movies, and the reality they discovered while touring several months in the U.S. "We often played in the U.S. during our first tour, and America as we know it now is not only spectacular and Hollywood-centered. It's also filled with clubs and cranked up amps."


    When they tell about the month they spent with Peter Franco in a rented house in Los Angeles to give life to their new songs, Antoine and Florent mention a discovery in a literal sense: "We thought about for a while naming this album 'Pinta, Nina, Santa Maria', like Christopher Columbus's ships." In the end, they named it 'Ventura'. For the musicians, the name reminds of its literal translation of "luck" and "fate", but also of the 72 Pontiac and of course, of Ventura Boulevard, one of the biggest roads in the San Fernando valley. It's also on Ventura Boulevard that Peter Franco set a house into a studio, where Jamaica locked itself for a month, surrounded by instruments borrowed from local musician friends, sometimes recording vocal takes while friends would walk across the living room to get fresh beverages from the fridge, heading to the pool.


    The duo is greeted with prestigious guests. One day, Tunde Adebimpe, TV On The Radio singer, sings soulful and worried vocals on 'Golden Times', another day, Chris Caswell, longtime collaborator of Paul Williams's gives them a hand with a few keyboard arrangements. Their friend DVNO writes and sings the song 'Goodbye Friday' with them in a few simple and entertaining work sessions.


    Jamaica comes back to Paris, where Antoine and Florent take back the numerous tracks recorded in the U.S., helped by their producer friend Samy Osta and his 2001 studio. They listen, select, arrange the many layers of music Peter Franco led them to gather, under the influence of his recent work on Daft Punk's 'Random Access Memories'.


    Jamaica then settles in the Paris studio Tranquille Le Chat, where the owner Laurent d'HerbÉcourt just finished the recording of Phoenix's 'Bankrupt!'. Antoine and Florent find the perfect place to finish their record: it is bathed in daylight thanks to three large windows, which is seldom found in a studio. "To us, 'No Problem' shows a clubby and nightly aspect of the band, while 'Ventura' is meant to be the daylight album for Jamaica."


    The band came in to record a few tracks, but never left the place or Laurent d'HerbÉcourt. They kept pushing in the direction they fancied in Los Angeles, helped by the huge Neve mixing desk that stands in the middle of the studio. The intent was to create a new depth to the band's sound, mixing electronic habits and an almost magical approach to analogue gear: "Depending on the moment of the day, the sound of analogue gear changes, machines heat up, like living things. It was very exciting for us, Jamaica being usually digitally driven."


    Antoine and Florent's belief in a more organic sound was strengthened by Laurent d'HerbÉcourt: "While mixing, he definitely pushed us further towards a "radio" oriented direction, in the most noble and Fleetwood Mac sense of the word. A sunny pop that hides more sensibility when one really pays attention."


    Songs like 'Two on Two', 'Golden Times', 'All Inclusive' or 'Ferris Wheeler' are fueled by this feel good music to listen to while driving along the Pacific Ocean. Other tracks reveal new leads for Jamaica, from 'Turbo' and 'Same Smile's' post surf music to 'Rushmore's' power balladry.


    On the album cover stand the two Jamaica members, in a desert, in front of a plane and a wall made of guitar amps. Ready to take off?

    1. Two on Two
    2. Hello Again
    3. Houdini
    4. Golden Times
    5. All Inclusive
    6. Ferris Wheeler
    7. High Then Low
    8. Ricky
    9. Rushmore
    10. Turbo
    11. Same Smile
    12. Goodbye Friday
    Jamaica
    $22.99
    Vinyl LP - Sealed Buy Now
  • Cafe Atlantico (Pure Pleasure) Cafe Atlantico (Pure Pleasure) Quick View

    $49.99
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    Cafe Atlantico (Pure Pleasure)

    The glorious CafÉ Atlantico finds CÉsaria Évora venturing into more Latin American musical landscapes, as opposed to Portuguese, which dominated her previous albums. Évora draws from traditional Cuban and Brazilian music to mesmerizing effect. The album is also a tribute to her home town of Mindelo, on the Cape Verdean island of Sao Vicente, which was once a busy port with sailors cruising between South America, the Caribbean, and Portugal. Therefore, the music is heartbreaking and nostalgic, warm and tragic all at once. The masterful Carnaval de So Vicente is one of the most joyous, bittersweet party songs ever put on wax (and was even issued as a maxi-single with fantastic remixes). Roma Criola is tragic, lonely, destitute, and always interesting, making for an undiscovered masterpiece of a ballad, and her rendition of the Spanish language standard Maria Elena is absolutely heartbreaking. The album evokes a moody elegance rarely found in modern music, from the sweeping opener Flôr Di Nha Esperança to the summery Amor Di Mundo, and the picture she paints of this cafÉ at the end of the world is a gorgeous, multi-colored, and emotion-stirring palate. This album is nothing short of world class and will be enjoyed by generations to come.



    Musicians:



    • Cesaria Evora (vocal)

    • Bau (guitar, arranger, cavaquinho)

    • Luis Ramos (guitar, vocal)

    • Jacinto Pereira (cavaquinho, vocal)

    • Jose Paris (bass, vocal)

    • Nando Andrade (piano, vocal)

    • Calu (drums)

    • Tey Santos (percussion)

    • Totinho (tenor saxophone, soprano saxophone, percussion, vocal)

    • Silvano Michelino (pander, bongo)

    • Conde Djeli Moussa (kora)

    • Jacky Fourniret (accordion)




    Recording: 1999 at Studio Recall, Pompignan (France) by Joao Magalhaes and at Studio Harry Son, Paris, by Pascal Catet

    Production: Jose de Silva



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    LP1
    1. Flôr Di Nha Esperança
    2. Vaquinha Mansa
    3. Amor Di Mundo
    4. Paraiso Di Atlantico
    5. Sorte
    6. Carnaval De São Vicente
    7. Desilusão Dum Amdjer
    8. Nho Antone Escaderode


    LP2
    1. Beijo De Longe
    2. Roma Criola
    3. Perseguida
    4. Maria Elena
    5. Beijo De Longe
    6. Roma Criola
    7. Perseguida
    8. Maria Elena

    Cesaria Evora
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • All The Way All The Way Quick View

    $24.99
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    All The Way

    The First New Diamanda Galas Studio Record In 9 Years


    All the Way is a collection of radical re-workings of traditional and jazz standards such as "All the Way", "You Don't Know What Love Is", and "The Thrill Is Gone" (made famous by Chet Baker). It also includes a solo piano interpretation of Thelonious Monk's "Round Midnight", and live voice and piano interpretations of the American traditional "O Death" and the country song, "Pardon Me I've Got Someone to Kill". The album includes both electric live performances (recorded in Paris, Copenhagen, and East Sussex) and studio recordings made in San Diego, CA.

    1. All The Way
    2. You Don't Know What Love Is
    3. The Thrill Is Gone
    4. Round Midnight
    5. O Death
    6. Pardon Me I've Got Someone To Kill
    Diamanda Galas
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Horn Ok Please - Road To Bollywood Horn Ok Please - Road To Bollywood Quick View

    $19.99
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    Horn Ok Please - Road To Bollywood


    'Horn OK Please: Road To Bollywood' features a hand-picked selection of the biggest, funkiest tracks from the 80s right through to today and is the definitive soundtrack to experience India.


    With a global audience of 3 Billion, Bollywood's impact on world culture has long travelled worldwide. From the boutiques of Kensington to fashion houses in Paris, to basslines of Hip Hop anthems and plotlines of American sitcoms, Bollywood is fast becoming ubiquitous. The title 'Horn OK Please - Road to Bollywood' is perhaps India's most ever-present phrases. This grammatically erroneous phrase is commonly painted on trucks, buses or local taxis in India. The purpose of the phrase is to alert a driver of a vehicle approaching from behind to sound their horn in case they wish to overtake.

    1. Saturday Saturday
    2. Let's Nacho
    3. Why This Kolaveri Di? (The Soup of Love)
    4. Neele Neele Ambar Par (Male Version- Vinyl master)
    5. Gal Mitthi Mitthi

    6. Ladki Badi Anjani Hai (Vinyl master)
    7. Tunak Tunak Tun (Vinyl master)
    8. Disco, 84 (Vinyl master)
    9. Desi Girl (Vinyl master)
    10. It's the Time to Disco (Vinyl master)
    11. You Are My Soniya (Vinyl master)
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Haden Triplets The Haden Triplets Quick View

    $17.99
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    The Haden Triplets

    Third Man Records is proud to present the debut album from The Haden Triplets. These are songs steeped in history and sung in a close harmony
    that could only be achieved from sharing a lifetime of sisterly togetherness and a near psychic vocal interplay that can only come from being born mere
    seconds apart from each other. It's been rendered and produced beautifully by American music legend Ry Cooder.


    This is an album expanding on an American musical tradition. It is not pastiche or a tribute, but rather a direct antecedent and extension of the original folk legacy that is being exhibited within these songs.


    Here's a little more about it in the Haden's own words.


    During our early life, we were surrounded by music on both sides of our family. We visited our dad's family in Missouri, where they taught us old country songs they used to perform on the radio as The Haden Family. Our grandparents on our mother's side used to sing us to sleep with old Yiddish songs. Growing up, we often had music playing in the house, whether it be our mom playing Billie Holiday and Nina Simone records, or our dad playing Keith Jarrett and Ornette Coleman in the living room.


    We met Ry when we played with his son Joachim, and Joachim asked him if he'd sit in for our show. Once Ry heard we were singing "Voice From On High" by Bill Monroe, he was in right away. The next day we got a call from Ry suggesting we record an album. We wrote down a collection of songs we all liked, then narrowed it down to the music that became the Haden Triplets album. These songs are rich in history, and by recording them we hope to help keep them alive. - Tanya, Rachel & Petra Haden


    Produced by Ry Cooder (Buena Vista Social Club, Captain Beefheart's Magic Band, Paris, Texas)and mixed by Martin Pradler (Robbie Robertson, Mavis Staples, Buddy Guy)

    1. Slowly I'm Falling
    2. Single Girl, Married Girl
    3. Voice from on High
    4. Memories of Mother and Dad
    5. Raining
    6. Making Believe
    7. When I Stop Dreaming
    8. My Baby's Gone
    9. Billy Bee
    10. A Tiny Broken Heart
    11. On a Lonesome Night
    12. Will You Miss Me When I'm Gone?
    13. Oh Take Me Back
    The Haden Triplets
    $17.99
    Vinyl LP - Sealed Buy Now
  • Partly Fiction Partly Fiction Quick View

    $19.99
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    Partly Fiction

    No doubt, you've seen Harry Dean Stanton in at least one of his 250 films. But have you heard him sing?


    The many facets of Harry Dean Stanton are explored
    in Harry Dean Stanton: Partly Fiction, a documentary
    directed by Sophie Huber, that has been screened at
    over 50 festivals, both internationally and in the US
    (including its stateside premiere at SXSW in 2013.) It
    documents the iconic actor in his intimate moments and
    features film clips, as well as Stanton performing his
    own heart-breaking renditions of American folk songs.
    The film explores Stanton's enigmatic outlook on his
    life, his unexploited talents as a musician, and includes
    scenes with David Lynch, Wim Wenders, Sam Shepard,
    Deborah Harry, Kris Kristofferson, and others.


    Omnivore Recordings is pleased to bring Stanton's
    musical talents to light with the soundtrack to this
    acclaimed film.


    This release contains the two tracks from Omnivore's
    Record Store Day 7 picture disc, "Tennessee Whiskey," a
    cover of the 1983 George Jones hit, and a new version of
    "Canción Mixteca," the Mexican folk song Stanton originally
    recorded with Ry Cooder for 1984's Paris, Texas (winner
    of the Palme d'Or at the 1984 Cannes Film Festival and
    directed by Wenders). This full-length soundtrack features
    other classic covers, like "Blue Bayou," "Danny Boy," and
    "Help Me Make It Through The Night," written by Stanton
    friend (and contributor to the film) Kris Kristofferson.


    Just as Harry Dean Stanton marries images and music,
    Partly Fiction will appeal to fans of not only Stanton,
    but all film and music. This release is a representative
    portrait of one of the world's greatest artists, a familiar
    face and a distinctive voice.

    1. Blue Bayou
    2. Everybody's Talkin'
    3. She Thinks I Still Care
    4. Canción Mixteca
    5. When I Get My Rewards
    6. Promised Land
    7. He'll Have To Go
    8. Help Me Make It Through The Night
    9. Blue Eyes Crying In The Rain
    10. Tennessee Whiskey
    11. Hands On The Wheel
    12. Danny Boy
    Harry Dean Stanton
    $19.99
    Vinyl LP - Sealed Buy Now
  • Birthdays (Awaiting Repress) Birthdays (Awaiting Repress) Quick View

    $19.99
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    Birthdays (Awaiting Repress)

    In this frantic Twitterworld, where all the genres of music are either mating with other genres, feeding on the past or searching for the next trending wave, Keaton Henson personifies the moment when time stops still. It's the almost shocking sound of one man and his gently stoked electric guitar, which flicks like the embers of a fire, as the singer's voice glows in the reflected light, safe in his panic room.


    Crippled by anxiety since childhood, to the point that he rarely goes out or plays live, the wondrously bearded Keaton is the archetypal tortured recluse who channels his emotions not into shopping or clubbing but his art: he's a skilled illustrator too, of bare-boned drawings that are as starkly delineated as his guitar-playing.


    Birthdays follows 2012's cult debut album Dear..., and for its first half, Henson avoids slipping into post-dubstep, chillwave or hiring Skrillex in order to fit in.
    But there is change underfoot. Dear featured one drum track, so the subtle beat behind The Best Today is no biggie. But half way through the following Don't Swim, it's like an ember has landed in your lap. The song's sudden electrical charge, which persists through the following, thunderous Kronos, is the sound of Henson wrenched from his comfort zone. Birthdays' second track suggests he's even reached Paris.


    In fact, the whole album was recorded in California by American producer Joe Chiccarelli (The Shins, The Strokes). And various guests, including Jesca Hoop on ghostly backing vocals, have chipped in. Birthdays' second half takes Heaton closer to Jeff Buckley's turf: the unforced vibrato, the goosepimply effect and romantic hunger. But it's a subtle shift, and the instrumentation only partially reconfigures the secluded spell.


    Beekeeper's occasional bouts of rock doesn't drown out the soft peals of banjo, while the swell of French horns, martial drum and Henson's fluttering voice in Sweetheart, What Have You Done to Us sounds like he's still in his bedroom. Up there, warmed by the fire, he's cloistered away from Twitter and all the other evils of this parish. There's no better way to shut out the din than by putting this record on.

    -Martin Aston


    This LP also includes a CD of the album.

    1. Teach Me
    2. 10am Gare du Nord
    3. You
    4. Lying to You
    5. The Best Today
    6. Don't Swim
    7. Kronos
    8. Beekeeper
    9. Sweetheart, What Have You Done to Us
    10. In the Morning
    Keaton Henson
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Studio Rio Presents: The Brazil Connection Studio Rio Presents: The Brazil Connection Quick View

    $19.99
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    Studio Rio Presents: The Brazil Connection

    Legacy Recordings, the catalog division of Sony Music Entertainment, will release Studio Rio Presents: The Brazil Connection, an innovative new collection of 12 beloved vocal recordings re-experienced through new samba and bossa nova arrangements created by iconic Brazilian musicians and The Berman Brothers.


    Embracing the All In One Rhythm™ Theme of the 2014 FIFA World Cup, Studio Rio Presents: The Brazil Connection blends 12 iconic performances--from Bill Withers, Aretha Franklin, Marvin Gaye, Billie Holiday, Sly & The Family Stone, The Isley Brothers, Mel TormÉ, Nina Simone, Johnny Nash, Dave Brubeck with Carmen McRae, Andy Williams and Sarah Vaughan--with new, samba and bossa nova arrangements and production inspired by the spirit of Brazilian music.


    Working on Studio Rio Presents: The Brazil Connection project, the Berman Brothers sought out the original multi-track masters and utilized an all-new, state-of-the-art separation technology from Science of Sounds to extract exquisitely pristine and detailed vocals. The newly isolated vocals were then melded with brand-new, authentic backing arrangements played by Studio Rio, an all-star cast of Brazilian musical pioneers from the bossa nova and samba genres, including Latin Grammy Lifetime Achievement Award winner Roberto Menescal and Brazilian musical legend Marcos Valle.


    Studio Rio Presents: The Brazil Connection is the latest innovative musical project from the Berman Brothers (Frank and Christian), a production team whose previous work includes Rhythms Del Mundo (2006), a cross-cultural album summit which which fused an all-star cast of Cuban musicians including Ibrahim Ferrer and Omara Portuondo of the Buena Vista Social Club with US and UK artists and superstars such as U2, Coldplay, Sting, Jack Johnson, Maroon5, Arctic Monkeys, Franz Ferdinand, Kaiser Chiefs and others. Rhythms del Mundo was released in more than 61 countries and received multiple sales awards worldwide.


    During the past 20 years, the Berman Brothers have received more than 90 gold and platinum awards, two BMI Awards, a Golden Globe nomination, a Grammy nomination (for Love One Another, recorded by Cher) and a place in history for their production and remix of the Baha Men's colossal hit, Who Let the Dogs Out. As producers, writers and publishers, the Bermans have worked with an array of international superstars including Coldplay, Sting, Cher, Real McCoy, Dido, Maroon5, Sophie B Hawkins, Reamonn and members of the legendary Buena Vista Social Club.


    Music is the heart and soul of Brazil, celebrating with syncopated beats and beautifully expressive melodies. It's the life force of the entire culture, wrote the Berman Brothers in their notes for Studio Rio Presents: The Brazil Connection. We have always had a huge appreciation of Brazilian music. Between us, we have a massive collection of bossa nova and samba recordings, new and old, a lot which we found in flea markets in Amsterdam, Paris, and London.... Once you get into this music, there really is no way to stop. It was this joyful and timeless music that inspired the idea for this collection. Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known American artists like Billie Holiday, Aretha Franklin, Marvin Gaye, The Isley Brothers, and many others. What would these classic songs sound like had they been recorded in the studios of Rio De Janeiro in the first place, with the best Brazilian musicians and arrangers?"


    "It was an amazing journey-bringing together these American classics and the vibrancy of Brazilian music with the help of so many talented musicians, arrangers and a dedicated production team. We learned many things putting together this music including what was the most important, and least surprising lesson of all: Brazil is the most musical place we have ever been in our lives.

    1. Lovely Day (Studio Rio Version) - Bill Withers with Studio Rio
    2. Walk on By (Studio Rio Version) - Aretha Franklin with Studio Rio
    3. Sexual Healing (Studio Rio Version) - Marvin Gaye with Studio Rio
    4. You've Changed (Rio Music Collective Version) - Billie Holiday with Studio Rio
    5. Family Affair (Rio Music Collective Version) - Sly & The Family Stone with Studio Rio
    6. It's Your Thing (Rio Music Collective Version) - The Isley Brothers with Studio Rio
    7. I've Got You Under My Skin (Studio Rio Version) - Mel TormÉ witb Studio Rio
    8. I Can See Clearly Now (Studio Rio Version) - Johnny Nash with Studio Rio
    9. Take Five (Studio Rio Version) - Dave Brubeck & Carmen McRae with Studio Rio
    10. Music to Watch Girls By (Studio Rio Version) - Andy Williams with Studio Rio
    11. Summertime (Studio Rio Version) - Sarah Vaughan with Studio Rio
    Studio Rio
    $19.99
    Vinyl LP - Sealed Buy Now
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