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Amused To Death'
Amused To DeathMastered by Pink Floyd Producer/Engineer James Guthrie & Doug Sax from the Original Analog Master Tapes
Pressed by Quality Record Pressings
"It is the poet's responsibility to foresee the future, and it is his neighbor's duty to prevent the worst of it from taking place. With Amused To Death, surely one of the most provocative and musically dazzling records of the decade, Roger Waters has fulfilled his part of the bargain." - Timothy White, "Music to My Ears," Billboard Magazine, July 1992
An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly - and unthinkingly - in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view.
The 2015 2 LP 200-gram vinyl edition of Amused to Death features remastered audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, and has been pressed at Quality Record Pressings. The cover and gatefold art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 The Wall Live tour and movie.
This title is not eligible for discount.1. The Ballad of Bill Hubbard
2. What God Wants, Part I
3. Perfect Sense, Part I
4. Perfect Sense, Part II
5. The Bravery of Being Out of Range
6. Late Home Tonight, Part I
7. Late Home Tonight, Part II
8. Too Much Rope
9. What God Wants, Part II
10. What God Wants, Part III
11. Watching TV
12. Three Wishes
13. It's A Miracle
14. Amused To Death$54.99200 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Roll The Bones200 Gram Vinyl LP
From a lyrical perspective, 1991's Roll the Bones is quite possibly Rush's darkest album (most of the songs deal with death in no uncertain terms), but from a musical point of view, the record treads territory (highbrow melodic hard rock) similar to its recent predecessors, with only a few surprises thrown in for good measure. These include an amusing rap section in the middle of the title track, a welcome return to instrumentals with Where's my Thing?, and one of the band's finest songs of the '90s in the gutsy Dreamline. Neurotica is another highlight which lives up to its title, and though their negative subject matter can feel stifling at times, fine tracks like Bravado, The Big Wheel, and Heresy feature wonderful melodies and arrangements.1. Dreamline
3. Roll The Bones
4. Face Up
5. Where's My Thing?
6. The Big Wheel
8. Ghost Of A Chance
10. You Bet Your Life$26.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
$41.99 $35.69 Save $6.30 (15%)
Is This The Life We Really Want? (On Sale)Roger Waters, the creative power and songwriting force behind Pink Floyd, presents Is This The Life We Really Want?, his first rock album in 25 years. The album is produced and mixed by Nigel Godrich (Radiohead, Paul McCartney, Beck, U2, From the Basement), and includes 12 new Roger Waters musical compositions and studio performances.
Roger Waters' last studio album, 1992's Amused To Death, was a prescient study of popular culture, exploring the power of television in the era of the First Gulf War. This long-awaited follow-up, Is This The Life We Really Want ?, is an unflinching commentary on the modern world and uncertain times, and a natural successor to such classic Pink Floyd albums as Animals and The Wall.
Tracks on Is This The Life We Really Want? include: When We Were Young, DÉjà vu, The Last Refugee, Picture That, Broken Bones, The Life We Really Want, A Bird In A Gale, The Most Beautiful Girl in the World, Smell the Roses, Wait For Her, Oceans Apart, and Part of Me Died. The lyrics for Wait for Her were written by Roger Waters and inspired by an English translation by an unknown author of Lesson from the Kama Sutra (Wait for Her), by Mahmoud Darwish.
The musicians on Is This The Life We Really Want? are: Roger Waters (vocals, acoustic, bass), Nigel Godrich (arrangement, sound collages, keyboards, guitar), Gus Seyffert (bass, guitar, keyboards), Jonathan Wilson (guitar, keyboards), Joey Waronker (drums), Roger Manning (keyboards), Lee Pardini (keyboards) and Lucius (vocals) with Jessica Wolfe and Holly Proctor.
This title is not eligible for further discount.LP 1
1. When We Were Young
2. DÉjà Vu
3. The Last Refugee
4. Picture That
5. Broken Bones
1. Is This the Life We Really Want?
2. Bird In A Gale
3. The Most Beautiful Girl
4. Smell the Roses
5. Wait for Her
6. Oceans Apart
7. Part of Me Died$41.99 $35.69 Save $6.30 (15%)180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Body FaucetThere is no pretense behind the Athens, GA four-piece Reptar (named after a Rugrats character) and consisting of Graham Ulicny (guitar/vocals), William Kennedy (analog keyboards), Ryan Engelberger (bass) and Andrew McFarland (drums). Still, the ability to amuse and arouse their fans is just as important to them as indulging their musical curiosities. This sonic wanderlust extends from African Music to post-punk to psych-pop and converges joyously in songs such as Blastoff and Rainbounce among others.
Their aesthetic percolates even more vibrantly through their debut LP, Body Faucet, to be released on Vagrant Records. A set of shimmering sing-along anthems produced by Ben Allen (Animal Collective, Deerhunter, Washed Out), Body Faucet is propelled by jerky guitars and persistent beats. The record feels like a big dream with different chapters, says Ryan. Ghost Bike captures the space between witnessing a friend's death and surviving it. In Sebastian (named after a saint who became a gay icon), it's experiencing, then remembering, a sexual awakening with a close friend.
Lyrics and music flow in a liquid form from real places, each song oozing with a different color and substance. We wanted to capture the thoughts we project on our surroundings and the ideas that flow in and out of us each day, says Graham. Indeed, much of the record deals with exploring and interacting with one's surroundings in new, occasionally frustrating, ways. The album builds with songs such as New House, expressing a future of possibilities. A centerpiece of sorts, notes Andrew, it's the most driving song on the record, and it's really empowering live.1. Sebastian
2. Please Don't Kill Me
3. Isoprene Bath
4. Orifice Origami
5. Houseboat Babies
6. Natural Bridge
7. Ghost Bike
8. New House
9. Thank You Gliese 370 b
10. Sweet Sipping Soda
11. Three Shining Suns
12. Water Runs$19.99Vinyl LP - Sealed Buy Now
Rumor and Sigh
The Most Cohesive and Accessible Album of Richard Thompson's Career: Brilliantly Diverse, Savagely Witty Rumor and Sigh Includes All TIME 100 Song 1952 Vincent Black Lightning
Mastered from the Original Master Tapes, Pressed at RTI, and Strictly Limited to 3000 Numbered Copies: Rumor and Sigh on 180g Vinyl 2LP for the First Time, Features Dynamic Production
Richard Thompson manages all of his usual superhuman feats on Rumor and Sigh. Rippled, vibrant guitar lines that sound like they're coming from four guitars? Check. Lyrics that expose the delicate quirks of human behavior in witty, truthful manners? Here. Engaging vocals that arrive as if they are sung only to you, the words doubling as whispered thoughts in your own head? Yep. But Rumor and Sigh goes further by featuring astute, lively production and well-planned arrangements that turn the 1991 album into one of the - if not the - most cohesive and accessible efforts of Thompson's storied career. And now, courtesy of Mobile Fidelity, it's his best-sounding record.
Mastered from the original master tapes, pressed at RTI, strictly limited to 3000 numbered copies, and on 180g vinyl 2LP for the first time ever to provide needed groove space, Mobile Fidelity's analog edition breathes with an effervescent openness that makes the music emerge with a livelier sheen, standout dynamics, and unstoppable energy. The dead-quiet pressing makes it immediately evident Rumor and Sigh endures as a very special album - a cohesive, varied, and fun set spiked with some of Thompson's finest compositions and an exoticism that extends to the modest use of the hurdy-gurdy, mandolin, concertina, and crumhorn.
Casual fans will likely even recognize the Mitchell Froom-produced release includes the incomparable 1952 Vincent Black Lightning, a motorcycle-based tale of desire, love, and death rightly recognized by TIME magazine as one of its All TIME 100 songs. It, and the other 13 tracks, takes on newfound radiance that showcases the brilliant range of Thompson's instrumentation and tone. You could plug in a guitar amplifier right next to you, connect a Fender, and strum. Yet you still wouldn't have the depth, intimacy, and detail afforded by this audiophile edition. It's that remarkable.
So is the diversity of the album's sonic signatures and themes. Opener Read About Love provides an electric-start jolt, its upbeat tempos, shimmering accents, and massive hooks framing Thompson's amusing story of an inexperienced introvert that applies pop-culture ideas of romance to the real thing. The master wordsmith finds similar ironies in the mischievous intent of I Feel So Good, a Celtic-flavored tune whose uplifting emotions contrast with the character's out-of-control desires. Humor further wriggles in the jaunty Psycho Street and spirited Don't Sit on My Jimmy Shands, an enduring tribute to the Scottish accordionist and the pursuit of collecting rare 78 records.
The singer-songwriter's knack for accentuating biting contrast - and for delving into darker regions where jealousy, bitterness, and self-deprecation reside - pervades Rumor and Sigh in the same manner his band shades his every move with narrative skill. Just listen to the faint keyboard cues on I Misunderstood or Jim Keltner's crisp, hi-hat cracks on You Dream Too Much. Of course, everyone stands aside for the folk-leaning 1952 Vincent Black Lightning, a solo tour de force of musicianship and lyricism that confirms Rumor and Sigh survives not only as one of the finest records of the 1990s - but one of the best platters of the last three decades.
This title is not eligible for discount.1. Read About Love
2. I Feel So Good
3. I Misunderstood
4. Grey Walls
5. You Dream Too Much
6. Why Must I Plead
7.1952 Vincent Black Lightning
8. Backlash Love Affair
9. Mystery Wind
10. Don't Sit on My Jimmy Shands
11. Keep Your Distance
12. Mother Knows Best
13. God Loves a Drunk
14. Psycho Street$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now