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  • Maiden Voyage Maiden Voyage Quick View

    $54.99
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    Maiden Voyage

    Maiden Voyage is arguably the best in Herbie Hancock's series of fine Blue Note albums from the 60s. Every single cut on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone here with extraordinary compositions, interplay and solos.


    Every single tune on this album from the haunting Maiden Voyage to the gentle, swinging Dolphin Dance has found its way into the standard jazz repertoire. Herbie Hancock fashioned a modern jazz milestone with extraordinary compositions, interplay and solos.



    Originally released in 1965.



    Herbie Hancock, piano

    Ron Carter, bass

    George Coleman, tenor saxophone

    Freddie Hubbard, trumpet

    Anthony Williams, drums


    This title is not eligible for discount.

    1. Maiden Voyage
    2. The Eye Of The Hurricane
    3. Little One
    4. Survival Of The Fittest
    5. Dolphin Dance
    Herbie Hancock
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Hatari! - Music from the Paramount Motion Picture Hatari! - Music from the Paramount Motion Picture Quick View

    $39.99
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    Hatari! - Music from the Paramount Motion Picture

    200-gram 33 1/3 LP, mastered at Sterling Sound by Ryan Smith from the Analog Tapes


    Plated and Pressed by Quality Record Pressings


    Deluxe tip-on Jacket by Stoughton Printing


    Featuring Baby Elephant Walk


    Featured on Harry Pearson's Famous Recommended List of fine audio recordings


    Coming off a double Oscar win for his Breakfast at Tiffany's score, Henry Mancini produced this score for the Howard Hawks-directed, John Wayne-starring safari comedy Hatari!.


    This is at first a fun blend of jazz and Afro-exotica, jungle drums mixed with a classic bop combo. Elsewhere, however, the soundtrack opts for some pleasant, but very Western jazz, only stopping for the African instrument-sampler 'The Sounds of Hatari,' which features some nice treated piano. The filmmakers were probably hoping that the Mercer and Carmichael song 'Just for Tonight' would be as much a success as Tiffany's 'Moon River,' but if Hatari! is memorable for anything, it's for the incredibly goofy 'Baby Elephant Walk,' which has gone on to be infamous musical shorthand for kookiness of any stripe. - AllMusic.com.


    Now Music from the Paramount Picture score Hatari! is back bigger and better than ever! We've gone the deluxe Analogue Productions route - remastered from the original analog tape by Ryan Smith at Sterling Sound, cut at 33 1/3 RPM, plated and pressed as a 200-gram LP at Quality Record Pressings. Then packaged in a deluxe tip-on jacket from Stoughton Printing. A great title, a brilliant reissue. Exceptional!


    This title is not eligible for discount.

    1. Theme from Hatari!
    2. Baby Elephant Walk
    3. Just For Tonight
    4. Your Father's Feathers
    5. Night Side
    6. Big Band Bwana
    7. The Sounds Of Hatari
    8. The Soft Touch
    9. Crocodile, Go Home!
    Henry Mancini
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Mobley's Message (Mono) Mobley's Message (Mono) Quick View

    $39.99
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    Mobley's Message (Mono)

    Hank Mobley's 1956 Prestige release Mobley's Message features six recordings from the legendary tenor saxophonist in three different settings including one cut with a quartet, four with a quintet and one with a sextet. Players such as Donald Byrd (trumpet), Jackie McLean (alto sax), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drums) offer their support here in disparate incarnations. Contains a quintet reading of Charlie Parker's Au Privave and a quartet take on the Rodgers & Hart standard Little Girl Blue with Mobley being the sole horn.


    This title is not eligible for discount.

    1. Bouncing With Bud
    2. 52nd Street Theme
    3. Minor Disturbance
    4. Au Privave
    5. Little Girl Blue
    6. Alternating Current
    Hank Mobley
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Love Is The Thing Love Is The Thing Quick View

    $54.99
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    Love Is The Thing

    Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2,800-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title.


    Love is the theme for twelve ballads of heavenly strings orchestrated by the distinctive Gordon Jenkins, sympathetically backing the intimately expressive and supremely musical voice of the incomparable Nat King Cole. Featuring such legendary classics as Stardust and When I Fall In Love, Love Is The Thing topped the charts upon its release, is among its era's finest, most stylistically defining recordings of popular music and continues to enchant listeners to this day.


    Using the original 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning wide-range potential and beauty of these recordings in this 45-RPM 180-gram vinyl edition. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2,800-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.


    Originally released in 1957.


    This title is not eligible for discount.

    1. When I Fall In Love
    2. Stardust
    3. Stay As Sweet As You Are
    4. Where Can I Go Without You?
    5. Maybe Its Because I Love You Too Much (mono only)
    6. Love Letters (mono only)
    7. Aint Misbehavin
    8. I Thought About Marie (studio chatter, false start on 45 RPM LP only)
    9. At Last
    10. Its All In The Game
    11. When Sunny Gets Blue
    12. Love Is The Thing
    Nat King Cole
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • A Stereo Spectacular - Saint Saens: Symphony No.3 A Stereo Spectacular - Saint Saens: Symphony No.3 Quick View

    $39.99
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    A Stereo Spectacular - Saint Saens: Symphony No.3

    RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound!


    Remastered and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound


    Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!


    This performance of the Saint-Saëns Symphony No. 3 (Organ Symphony) is a favorite Living Stereo release. To say that it is incredible might be an understatement. The original 3-track session tapes were used in mastering for the LPs and SACDS in this Analogue Productions reissue series. The record reveals all of the glory of the recording and the precision and passion of Munch and the Boston Symphony Orchestra in Boston's Symphony Hall. It doesn't get any better than this.


    This title is not eligible for discount.

    1. First Movement: Adagio; Allegro moderato
    2. 1st Movement: Adagio; Allegro Moderato -Concluded
    3. 2nd Movement: Allegro moderato; Presto moestoso
    4. 2nd Movement Allegro moderato; Presto Maestoso
    Charles Munch
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Welcome (Speakers Corner) Welcome (Speakers Corner) Quick View

    $34.99
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    Welcome (Speakers Corner)

    Many of Santana's rock-addict fans could well have understood the inviting word Welcome on the white LP cover as an attempt to break away from the spiritual aura of his previous album Love Devotion Surrender. And the musicians certainly managed to produce a rich Latin feeling, with such titles as Samba De Sausalito and Yours Is The Light. But luckily their concessions did not alienate them from their die-hard fans in that they came up with a sort of copy of the rhythmical Caravanserai. They truly attempted something new. Encouraged by the success of the jazz-fusion formula created by Miles Davis and his disciples, Santana combined his virtuoso guitar playing with specially chosen electronic features. The amazingly acrobatic jazz vocalists Leon Thomas and Wendy Haas contributed complicated, quirky parts and the maestro himself vies with John McLaughlin in a dense conflict carried out on their instruments in Flame Sky. This is an album with a strong intellectual drive and offers the discerning listener a dazzling blend of Latin, jazz and fusion.



    Musicians:



    • Carlos Santana (guitar, vocals)

    • John McLaughlin (guitar)

    • Tom Coster (keyboards, vocals)

    • Jules Broussard (saxophone)

    • David Brown (bass)

    • Armando Peraza (percussion, vocals)

    • Mike Shrieve (drums)

    • Jose Chepito Areas (percussion)



    Recording: April - June 1973 by Glen Kolotkin

    Production: Carlos Santana, Maitreya Michael Shrieve and Tom Coster



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Going Home
    2. Love, Devotion, and Surrender
    3. Samba de Sausalito
    4. When I Look Into Your Eyes
    5. Yours Is the Light
    6. Mother Africa
    7. Light of Life
    8. Flame Sky
    9. Welcome
    Santana
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Song Book The Song Book Quick View

    $34.99
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    The Song Book

    Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.


    All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom


    Deep groove label pressings, tip-on jackets on thick cardboard stock


    Of Booker Ervin's nine Prestige albums, this one is special because it presents him exclusively in the contexts of standard songs. Ervin's aggressiveness, his ferocity, his incomparable Texas spaciousness of sound and style, are undiminished. But the compositions provide familiar guideposts by which to track his explorations, which were unfailingly full of adventure and daring. In his only recorded appearance with Ervin, pianist Tommy Flanagan balances the music with his customary elegance. On bass and drums are Ervin's frequent recording companions Richard Davis and Alan Dawson.


    This title is not eligible for discount.

    1. The Lamp is Low
    2. Come Sunday
    3. All the Things You Are
    4. Just Friends
    5. Yesterdays
    6. Our Love is Here to Stay
    Booker Ervin
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Hub-Tones Hub-Tones Quick View

    $54.99
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    Hub-Tones

    Already the most formidable new trumpeter in jazz in 1962, Freddie Hubbard came into his own as a composer with this album with great originals that range from the complex, ferocious swinger Hub-Tones to his poignant Lament For Booker, written for the later Booker Little. James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis are all at their peak, bringing the brilliant music to life with artistry and feeling.


    Freddie Hubbard, trumpet
    Herbie Hancock, piano
    Clifford Jarvis, drums
    James Spaulding, flute, alto saxophone
    Reggie Workman, bass


    This title is not eligible for discount.

    1. You're My Everything
    2. You're My Everything (alternate take)
    3. Prophet Jennings
    4. Hub-Tones
    5. Hub-Tones (alternate take)
    6. Lament for Booker
    7. For Spee's Sake
    8. For Spee's Sake (alternate take)
    Freddie Hubbard
    $54.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Dark Side Of The Moon Dark Side Of The Moon Quick View

    $30.99
    Buy Now
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    Dark Side Of The Moon

    Ranked 43/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Remastered From The Original Analogue Tapes By James Guthrie, Joel Plante, And Bernie Grundman


    Pink Floyd's most successful and singularly defining album is here to stay. The Dark Side of the Moon has sold over 40 million copies worldwide since its release in 1973, and it shows no signs of letting up. With lush, immaculate production and sweeping instrumentals, The Dark Side of the Moon is unrivaled in sonic brilliance. The complex textures found within have captivated audiophiles for over thirty years.


    With lyrics about seemingly mundane details set against dreamy, atmospheric backdrops, the songs on The Dark Side of the Moon achieve a truly emotional response. Performances are not virtuosic, but they are brilliant nonetheless and were likewise brilliantly recorded. Abbey Road Studios engineer Alan Parsons and Pink Floyd made use of some of the most advanced techniques available at the time to craft a sound that was innovative yet entirely classic, by any sense of the word. Swirling organs, mellow drums, and spacious guitars are signature sounds that have been inextricably linked with Pink Floyd's magnificent songwriting.


    The Dark Side of the Moon is a peerless entry in the annals of classic rock history. No record collection should be without this multi-platinum masterpiece.

    1. Speak to Me
    2. Breathe in the Air
    3. On the Run
    4. Time
    5. The Great Gig in the Sky
    6. Money
    7. Us and Them
    8. Any Colour You Like
    9. Brain Damage
    10. Eclipse
    Pink Floyd
    $30.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Elvis Is Back! Elvis Is Back! Quick View

    $54.99
    Buy Now
    x

    Elvis Is Back!

    The ultra-hyped, hugely celebrated return of the King most certainly did not disappoint. During his military service, Elvis fans waited anxiously for new material. Record label executives worried about whether he'd still be able to crank out the hits. Radio stations were dying for something new for their most requested playlist. It all combined to mount tremendous pressure on Elvis and all involved to deliver something that lived up to expectations. As it turned out, it was worthy of a giant yellow exclamation point on the front cover! Almost immediately after his service time had ended, Elvis entered the studio in March 1960 to record a batch of songs that would go on to become monumental worldwide hits. The singles Are You Lonesome Tonight and It's Now Or Never created a tidal wave of excitement. And the LP tracks like Fever, The Thrill Of Your Love, Dirty, Dirty Feeling and Like A Baby confirmed that the King was still able to deliver a whole program worth of incomparable material. Listen to Fever at 45 RPM if you want to show someone what this hobby of yours is all about. Just vocals, bass and finger-snapping, it sounds so dark and haunting. It's worth the price of admission for just this one track alone.


    Mastered By George Marino at Sterling Sound.


    This title is not eligible for discount.

    1. Make Me Know
    2. Fever
    3. The Girl of My Best Friend
    4. I Will Be Home Again
    5. Dirty, Dirty Feeling
    6. The Thrill of Your Love
    7. Soldier Boy
    8. Such a Night
    9. It Feels So Right
    10. The Girl Next Door
    11. Like a Baby
    12. Reconsider Baby
    Elvis Presley
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • West Side Story West Side Story Quick View

    $54.99
    Buy Now
    x

    West Side Story

    Mastered by George Marino at Sterling Sound


    ...these are all truly classic Verve titles that you simply don't want to miss...most importantly, the sound of these reissues is nothing short of astounding. Particularly the early Billie and Ella mono records are incredible treasures of sonic beauty. I'd definitely ask Santa for the whole set, or, if you want to cherry pick, the most classic titles. Whatever you decide, you owe yourself at least a half dozen! Winner of a 2012 Positive Feedback Online Writers' Choice Award - Danny Kaey, Positive Feedback Online, November/December 2011


    One of the first Broadway musical scores to be overtly jazz-influenced was Leonard Bernstein's West Side Story, a tale of rival street gangs in the inner city. In 1962, pianist Oscar Peterson put his light-swing signature on the already popular score, making it, in the words of one critic, a delight to hear again and earning him a Grammy nomination.


    Originally released in 1962


    Oscar Peterson, piano

    Ray Brown, bass

    Toots Thielemans, harmonica


    This title is not eligible for discount.

    1. Something's Coming
    2. Somewhere
    3. Jet Song
    4. Tonight
    5. Maria
    6. I Feel Pretty
    7. Reprise
    Oscar Peterson
    $54.99
    200 Gram Audiophile Virgin Vinyl 45 RPM LP - Sealed Buy Now
  • Masterpieces (45 RPM) Masterpieces (45 RPM) Quick View

    $54.99
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    Masterpieces (45 RPM)


    A Historic Record - Recorded Just Four Years Removed From The Dawn Of The Analog Tape Era!


    Remastered By Ryan Smith At Sterling Sound From The Original Analog Tapes


    Recorded On An Ampex 200, Using 3M-111 Magnetic Tape Running At 15 Inches Per Second


    Gatefold Old-School Tip-on On Jacket By Stoughton Printing Plated And Pressed At Quality Record Pressings!


    Named A 2015 Record To Die For By Stereophile Magazine.


    Remastered by Ryan Smith at Sterling Sound from the original analog tapes, the record was plated and pressed at Quality Record Pressings. The depth and space when those rich chromatic harmonies create a wide and well-defined soundscape, the timbre of the orchestra as a whole as well as individual instruments, and the thick, wooden sound of Wendell Marshall's bass are among the aural pleasures provided when you drop a needle on this platter; expect goose bumps. - Music = 5/5; Sonics = 4.5/5 - Jeff Wilson, The Absolute Sound, May-June 2015.


    I chose the CD reissue of this album as one of my R2D4s for 2012, but now from Chad Kassem's Analogue Productions comes this QRP LP, and it's an occasion for popping corks. Released in 1950, this was Ellington's first LP, and he used the new medium to stretch out four of his biggest hits. The arrangements are jaw-droppingly gorgeous and the sound just slightly less so. Recorded by Fred Plaut, who later miked Kind of Blue and other Columbia classics, it has the dynamics, depth, and in-your-face tonal realism of a modern (mono) audiophile thumper. Among the best jazz albums ever. - Fred Kaplan, for Stereophile - Records To Die For - February 2015.


    This new re-issue slays my vintage copy in every way. Every dimension of the recording was much better...dynamics, harmonics, frequency response, detail, jump...all just leaped out at me! The recording sounded like it had been made that morning...absolutely fresh-sounding. No veiling. No roll-off. In fact, it's so good that it doesn't matter that this is a mono recording! Listen to it on a great turntable...you'll hear mono that fools you into thinking that it's not mono. Just wait until you hear Yvonne Lanauze sing, Mood Indigo amigos, after a long instrumental build-up...she'll take you there! ... The pressing itself was impeccable: flat, and free of noise, tics and pops...a genuine masterpiece of the pressing-plant arts. The Hyperion OCL, the finest cartridge that I've ever heard, revealed how superbly these grooves were carved! Commendable, reference-grade analog...very, very close to master tape sound. Very damned close! Kissing cousins close! Hell, maybe even closer than that. In fact, I now consider the Analogue Productions re-issue of Masterpieces by Ellington to be one of the very finest Jazz records ever released. (Sorry Miles! Move over, Kind of Blue!). - David W. Robinson, editor-in-chief, Positive Feedback Online.


    Most highly recommended (the record is now on the QRP presses). It's one of my 'Records to Die For' in the February 2015 Stereophile. A true classic both musically and sonically and a historical work of art you can now own. - Music = 11/11; Sound = 11/11 - Michael Fremer, AnalogPlanet.com.


    This title is not eligible for discount.

    LP 1
    1. Mood Indigo
    2. Sophisticated Lady


    LP 2
    1. The Tattooed Bride
    2. Solitude

    Duke Ellington
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Coltrane (Mono) Coltrane (Mono) Quick View

    $39.99
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    Coltrane (Mono)

    After establishing himself as a star on the rise with the Miles Davis quintet, the Thelonious Monk quartet, and various Prestige recordings with Sonny Rollins, Hank Mobley, and Tadd Dameron, John Coltrane made his debut as a leader on this excellent self-titled 1957 release. The 6-song set finds the tenor sax giant joined by John Splawn (trumpet), Sahib Shihab (baritone sax), Mal Waldron (piano), Red Garland (piano), Paul Chambers (bass) and Al Heath (drums) on a pair of Trane's own compositions in Straight Street and Chronic Blues, alongside Cal Massey's Bakai and pop fare such as Violets for Your Furs, While My Lady Sleeps and Time Was.


    This title is not eligible for discount.

    1. Bakai
    2. Violets For Your Furs
    3. Time Was
    4. Straight Street
    5. While My Lady Sleeps
    6. Chronic Blues
    John Coltrane
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Wear Your Love Like Heaven (Speakers Corner) Wear Your Love Like Heaven (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Wear Your Love Like Heaven (Speakers Corner)

    Donovan Philip Leitch may well share a proletarian origin with several of the folk bards of his time. But comparisons with the top dog Dylan have worn thin and are not worth the effort since Donovan never was neither vocally nor thematically brusque - and moreover he created his own standards. He quickly converted the pacifist message of The Universal Soldier into positive thoughts and his poetry was concerned with history, sagas, myths and magic. »Lord, kiss me once more, fill me with song« he prays in Wear Your Love Like Heaven, and if this makes you sentimental then you are on the right wavelength. However, the »seller of hope« (Donovan on Donovan) triggers off a few psychedelic nerve tracts: whether it be a personal experience in echo form (Sun) or the sprechgesang and whistling of a vocal group (Little Boy In Corduroy) - light, gentle but perceptibly formed. That Donovan set far more than cheerful texts to the guitar is proven by the use of sawing stationary sound of the organ, low-register string passages and subtle rhythms, which raises his song repertoire miles above routine. A nice 'folksy guy' who merely loves the sun, moon and stars just cannot exist in times of war.


    This Speakers Corner production was manufactured 100% analogously, with the use of the analogue mastertape and analogue mastering. All royalties and mechanical rights have been paid.


    Musicians:



    • Donovan (vocals, guitar)

    • Mike O'Neil (organ,piano, harpsichord,)

    • Eric Leese (guitar)

    • Harold McNair (flute)

    • Mike Carr (vibraphone)

    • Jack Bruce, Cliff Barton (bass)

    • Keith Webb (drums)

    • Candy John Carr (conga, bongo)



    Recording: October 1967 at CBS Studios London by Michael Ross Trevor

    Production: Ashley Kozak




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1. Wear Your Love Like Heaven
    2. Mad John's Escape
    3. Skip-A-Long Sam
    4. Sun
    5. There Was a Time
    6. Oh Gosh
    7. Little Boy in Corduroy
    8. Under the Greenwood Tree
    9. The Land of Doesn't Have to Be
    10. Someone Singing
    Donovan
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Chuck Mangione Quartet (Speakers Corner) The Chuck Mangione Quartet (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    The Chuck Mangione Quartet (Speakers Corner)

    Now - in which pigeonhole that the innumerable self-proclaimed jazz critics like to create does this release from 1971 fit? Jazz-rock, jazz-fusion, soul-jazz-rock-fusion, electro-fusion-pop? Perhaps we can all agree that we should just enjoy these quartet recordings!


    These recordings, all of them absolutely fantastic numbers, have been made by flugelhornist Chuck Mangione with his marvellous quartet without a piano in a sort of 'jam session'. The band members are absolutely top notch with Ron Davis on drums, Joel DiBartolo on the double bass, and Gerry Niewood (still underestimated and mostly known as a sideman) on the soprano saxophone and flute (which is his foremost instrument although the more hushed one). On this LP, which has long been out of print, Chuck Mangione comes into the limelight in wonderfully melodic and mellow solos such as Land Of Make Believe and Little Sunflower - and the latter certainly needs not fear a comparison with the original by Freddie Hubbard! And Manha De Carnival, composed by guitarist Luis Bonfá is especially worth listening to for the amazing improvisations which have been set down for all times. Mercury's recording technology was of the very best in the Seventies, and that makes itself heard when listening to this recording on a new high-end vinyl LP instead of the original pressing.

    Musicians:



    • Chuck Mangione (fluegel horn, electric piano, percussion)

    • Gerry Niewood (flute, soprano saxophone, tuba, guiro)

    • Joel Di Bartolo (bass)

    • Ron Davis (drums, conga, percussion)




    Recording: 1971 at Mercury Sound Studio, New York, by Chuck Irwin

    Production: Chuck Mangione




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1. Land of Make Believe
    2. Self Portrait
    3. Little Sunflower
    4. Floating
    5. Manha de Carnival
    Chuck Mangione
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Duets Duets Quick View

    $34.99
    Buy Now
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    Duets

    Mastered From The Original Master Tapes By Joe Gastwirt Mastering


    Lacquer Cut By Kevin Gray At Cohearant Audio


    Plated And Pressed On 200-Gram Vinyl At Quality Record Pressings


    Stoughton Printing Gatefold Tip-on Heavyweight Cardboard Jacket


    It took a bass player to return vocals to their proper place on Duets - a record that's a model of simplicity. On the tracks on this LP you'll find Rob Wasserman's bass, and another voice. The result is a charming collection of duets featuring bassist Wasserman joined by special guests Aaron Neville, Rickie Lee Jones, Bobby McFerrin, Lou Reed, Jennifer Warnes, Dan Hicks, Cheryl Bentyne and Stephane Grappelli. The experimental release pairs the human voice with the bass guitar, resulting in a collection of unique and soulful material.


    Unlike much of current music, where vocals are squelched and compression molded into something of an afterthought, Wasserman sought to create on Duets a music record - without technology interfering. It's kinda like being in a club. It lets you get closer to the song, Wasserman says.


    Not surprisingly, Duets ranks among the most breathtaking collections of popular songs issued in the 1980s.


    This title is not eligible for discount.

    1. Stardust (Aaron Neville)
    2. The Moon Is Made Of Gold (Rickie Lee Jones)
    3. Brothers (Bobby McFerrin)
    4. Duet - Featuring Rob Wasserman (Rob Wasserman)
    5. One For My Baby (And One More For The Road) (Lou Reed)
    6. Ballad Of The Runaway Horse (Jennifer Warnes)
    7. Gone With The Wind (Dan Hicks)
    8. Angel Eyes (Cheryl Bentyne)
    9. Over The Rainbow (Stephane Grappelli)
    Rob Wasserman
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Misterioso Misterioso Quick View

    $39.99
    Buy Now
    x

    Misterioso

    This title is not eligible for discount.
    1. Nutty
    2. Blues Five Spot
    3. Let's Cool One
    4. In Walked Bud
    5. Just a Gigolo
    6. Misterioso
    7. 'Round Midnight
    8. Evidence
    Thelonious Monk
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rollins Plays For Bird (Mono) Rollins Plays For Bird (Mono) Quick View

    $39.99
    Buy Now
    x

    Rollins Plays For Bird (Mono)

    1956's Rollins Plays For Bird was recorded within a year of Charlie Parker's death and features a 7-song, 27-minute medley of material associated with the jazz legend along with the independent numbers I've Grown Accustomed to Her Face and Kids Know. Accompanying Rollins on the session are Wade Legge (piano), George Morrow (bass), Max Roach (drums) and Kenny Dorham (trumpet).


    This title is not eligible for discount.

    1. Medley: I Remember You/My Melancholy Baby/Old Folks/They Can't Take That Away From Me/Just Friends/My Little Suede Shoes/Star Eyes
    2. I've Grown Accustomed to Her Face
    3. Kids Know
    Sonny Rollins
    $39.99
    200 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
  • Surfer Girl (Mono) Surfer Girl (Mono) Quick View

    $39.99
    Buy Now
    x

    Surfer Girl (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    Bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Party Time Party Time Quick View

    $39.99
    Buy Now
    x

    Party Time

    Part of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.


    All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom


    Deep groove label pressings, tip-on jackets on thick cardboard stock


    At the time he recorded this album in 1957, Arnett Cobb was in the process of rebounding from a serious automobile accident that broke both his legs. Cobb's indomitable spirit shines through in these tracks, whether he is calmly preaching on When My Dream Boat Comes Home, grooving down the Lonesome Road, or roaring through the song that is almost as closely associated with him as it is with Illinois Jacquet - Flying Home.


    There are plenty of good blues, too, and pianist Ray Bryant's eloquence in this idiom is well exposed. Ray Barretto's conga adds another flavor to the rhythm section, especially on Cocktails for Two. With Ray Bryant, Wendell Marshall, Arthur Taylor and Ray Barretto.


    This title is not eligible for discount.

    1. When My Dreamboat Comes Home
    2. Lonesome Road
    3. Blues in the Closet
    4. Party Time
    5. Flying Home
    6. The Slow Poke
    7. Cocktails for Two
    Arnett Cobb
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Soil New Soil Quick View

    $54.99
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    x

    New Soil

    New Soil wasn't the first session Jackie McLean recorded for Blue Note, but it was the first one released, and as the title suggests, the first glimpses of McLean's desire to push beyond the limits of bop are already apparent. They're subtle, of course, and nowhere near as pronounced, as they would be in just a few years' time, but as with the 1959 material later issued on Jackie's Bag hints of Ornette Coleman's stream-of-consciousness melodic freedom are beginning to find their way into McLean's improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean's 11-minute vamp, Hip Strut, and pianist Walter Davis Jr.'s infectious boogie-woogie Greasy. Coleman's influence is most apparent on McLean's Minor Apprehension, where the freewheeling, Coleman-esque main theme is paralleled by trumpeter Donald Byrd in a definite nod to Don Cherry.


    Jackie McLean, alto sax
    Donald Byrd, trumpet
    Paul Chambers, bass
    Walter Davis Jr., piano
    Pete LaRoca, drums


    This title is not eligible for discount.

    1. Hip Strut
    2. Minor Apprehension
    3. Greasy
    4. Sweet Cakes
    5. Davis Cup
    Jackie McLean
    $54.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • The Clown (Speakers Corner) The Clown (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    The Clown (Speakers Corner)

    Who hasn't got an ancient, worn-out copy of The Clown on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. The Clown was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.


    In the present new release, The Clown can be enjoyed to the full from the very first note of Haitian Fight Song up until the words William Morris Sends Regrets in the title work.

    Musicians:



    • Charles Mingus (bass)
    • Curtis Porter (alto saxophone, tenor saxophone)
    • Jimmy Knepper (trombone)
    • Wade Legge (piano)
    • Dannie Richmond (Drums)
    • Jean Shepherd (Vocals)



    Recording: February and March 1957 in New York City by Tom Dowd and Larry Hiller in mono

    Production: Nesuhi ErtegÜn




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Haitian Flight Song
    2. Blue Cee
    3. Reincarnation of a Lovebird
    4. The Clown
    Charles Mingus
    $34.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Crossings (Speakers Corner) Crossings (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Crossings (Speakers Corner)

    In the 1970s, Herbie Hancock's Crossings was to be found on every IKEA record shelf in the student pads of jazz-fusion fans. The cover, with its psychedelic touch, also contributed significantly to its popularity - although it was unclear where the crossing was going to take us


    Nevertheless, the excellent trumpeter Eddie Henderson - often underestimated as an improviser and composer, and Benny Maupin - who like Hancock had grown up under Miles Davis's wing, present a wide range of sound-generating instruments - as was all the rage in those days. Synthesizer and Mellotron (a polyphonic tape replay keyboard and as such practically the prototype of the sampler) were permanent members of the group - and even produce here melodic arches of sound! Whether Bennie Maupin's Quasar launches the group and us into extraterrestrial territory (as stated in one review) is a moot point.


    This LP is a contemporary historical document, though it certainly doesn't sound antiquated. That's why younger listeners too will find pleasure in this experiment from the previous millennium.


    Musicians:



    • Herbie Hancock (electric-piano, piano, mellotron, percussion)

    • Bennie Maupin (soprano saxophone, flute, bass clarinet, piccolo flute, percussion)

    • Eddie Henderson (trumpet, flugelhorn, percussion)

    • Julian Priester (trombonbe, percussion)

    • Patrick Gleeson (synthesizer)

    • Buster Williams (bass, percussion)

    • Billy Hart (drums, percussion)



    Recording: February 1972 at Pacific Recording Studios, San Mateo, CA., by Patrick Gleason

    Production: David Rubinson



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Sleeping Giant
    2. Quasar
    3. Water Torture
    Herbie Hancock
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfer Girl Surfer Girl Quick View

    $39.99
    Buy Now
    x

    Surfer Girl

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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