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Speak Your Mind (Pre-Order)Speak Your Mind is the rich fruit of the past two years' work and a hyper-confident artistic statement. On her debut offering Anne-Marie's playfully infectious pop spirit entwines with her celebrated humor, charisma and idiosyncratic storytelling - attributes that have set her apart from her peers and seen her become one of the UK's most-loved female breakthrough stars of recent years.
A sonic masterclass, Speak Your Mind spans a number of personal yet relatable topics that only Anne-Marie could unite so compellingly: album opener Cry is a message to the ex-boyfriend who wants you back after ditching you for someone else; the empowering Perfect is an ode to self-love and appreciation; the vulnerable Machine imagines a world free of the negativity and worry that life throws at you; while 2002 - a track Anne-Marie co-wrote with long-time friend and champion Ed Sheeran - recalls memories of a childhood sweetheart.1. Cry
2. Ciao Adios
7. FRIENDS - By Marshmello & Anne-Marie
8. Bad Girlfriend
11. Can I Get Your Number
12. Machine$20.99Vinyl LP - Sealed PRE-ORDER Buy Now
Postcards From ParadiseThe first new studio album from Ringo Starr in 3 years and his 18th studio album. Features the hits Rory and the Hurricanes as well as the title
track Postcards from Paradise.
The solo album, with 11 original tracks, is the first to include a song written and recorded by Ringo Starr and his current All Starr Band - Steve Lukather, Todd Rundgren, Gregg Rolie, Richard Page, Warren Ham and Gregg Bissonette. POSTCARDS FROM PARADISE was produced by Ringo and recorded at his home studio in Los Angeles and, as always, features friends and family. As Ringo often says, "If I am recording and you're in town and drop by, you're going to be on the record!" The album's guest artists include: Joe Walsh, Benmont Tench, Dave Stewart, Ann Marie Simpson, Richard Marx, Amy Keys, Peter Frampton, Nathan East, and Glen Ballard.1. Rory And The Hurricanes
2. You Bring The Party Down
4. Postcards From Paradise
5. Right Side Of The Road
6. Not Looking Back
8. Island In The Sun
9. Touch And Go
11. Let Love Lead$24.99Vinyl LP - Sealed Buy Now
Deep FantasyResilient and hard hitting rock n' roll outfit, White Lung are set to release their third album Deep Fantasy via Domino Recording Co. The band is every bit as confrontational as before, but they've managed to open their sound up just enough to draw listeners in before kicking them in the face. (In a good way.)
After a year plus of near constant touring behind Sorry - which won raves from Pitchfork, Rolling Stone and Interview -White Lung slimmed to a trio in the studio; vocalist Mish Way, drummer Anne-Marie Vassiliou and guitarist Kenneth William. Deep Fantasy was made primarily in Vancouver with producer Jesse Gander (who also did both Sorry and their 2010 debut It's The Evil) in just two, ten day-long sessions at the end of last year and the start of this one. William handled bass duties on Deep Fantasy while Wax Idols' Hether Fortune will take up bass and backing vocal duties on tour for the foreseeable future.
Way is more provocative and melodic than ever on Deep Fantasy, lyrically surveying addiction ("Drown With The Monster"), body dysmorphia ("Snake Jaw") and sexual dynamics ("Down It Goes,") amongst other dinner table topics. William, a devotee of Johnny Marr "plays with the speed of an 80s hardcore dude" whirled in Vassiliou's relentless and seemingly effortless approach to drumming.1. Drown With The Monster
2. Down It Goes
3. Snake Jaw
4. Face Down
5. I Believe You
6. Wrong Star
7. Just For You
9. Lucky One
10. In Your Home$19.99Vinyl LP - Sealed Buy Now
Paradise"a finely honed bludgeoning machine"
- The New Yorker
After the critically acclaimed release Deep Fantasy (2014), White Lung return with their fourth album, Paradise.
Vocalist Mish Barber-Way, guitarist Kenneth William and drummer Anne-Marie Vassiliou, reconnected in Los Angeles to work with engineer and producer Lars Stalfors (HEALTH, Cold War Kids, Alice Glass). In October of 2015, White Lung spent a month in the studio, working closely with Stalfors to challenge what could be done with their songs. "I wanted it to sound new. I wanted a record that sounded like it was made in 2016", says William of his mindset. Bringing all the energy, unique guitar work and lyrical prowess Rolling Stone, Pitchfork, NME have praised them for in the past few years, White Lung curated their songs with a new pop sensibility.
Mixed by Stalfors and later mastered by Joe LaPorta, Paradise is their smartest, brightest songwriting yet. "There's this stupid attitude that only punks have where it's uncool to become a better song writer," says Barber-Way, "In no other musical genre are your fans going to drop you when you start progressing. That would be like parents being disappointed in their child for graduating from kindergarten to the first grade. Paradise is the best song writing we have ever done, and I expect the next record to be the same. I have no interest in staying in kindergarten."1. Dead Weight
4. Kiss Me When I Bleed
8. I Beg You
10. Paradise$21.99Vinyl LP - Sealed Buy Now
The Complete Prestige 10-Inch LP Collection (Awaiting Repress)Deluxe Vinyl Box Set Includes Five 10-Inch LPs
Audio Remastered From The Original Analog Tapes
Jackets And LP Labels Faithfully Reproduced From The Originals
8-Page Booklet Includes New Liner Notes And Session Info
Includes A Collective Personnel Of: Sonny Rollins, Art Blakey, Max Roach, Gary Mapp, Julius Watkins, Percy Heath, Willie Jones, Ray Copeland, Frank Foster, Curly Russell, Tommy Potter And Art Taylor
Celebrating 100 years of Thelonious Monk, this limited-edition vinyl box set includes all five of the 10" LPs which the legendary pianist recorded for the jazz label, spanning 1952 to 1954. Each album has been faithfully reproduced - from the jacket design to the LP labels, while the audio has been carefully restored and remastered by Joe Tarantino from the original analog tapes, with lacquer cutting by George Horn and Anne-Marie Seunram. Rounding out the collection is a booklet with new liner notes by Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original.
Thelonious Sphere Monk (1917-1982) remains one of the most highly regarded jazz artists in history, known for his unique style on and off the piano. Monk was a rule-breaker, pushing the limits of his genre, with his dissonant chords, unconventional melodies and progressive rhythms. Initially dismissed an eccentric by the musical elite, Monk stood his ground and came to be celebrated for his complexities, considered by many to be a genius.LP 1: Thelonious Monk Trio: Thelonious
1. Little Rootie Tootie
2. Sweet And Lovely
4. Monk's Dream
5. Trinkle, Tinkle
6. These Foolish Things
7. Bemsha Swing
LP 2: Thelonious Monk Quintet Blows For LP Featuring Sonny Rollins
1. Let's Call This
2. Think Of One
3. Friday The Thirteenth
LP 3: Thelonious Monk Quintet
1. We See
2. Smoke Gets In Your Eyes
LP 4: Thelonious Monk Plays
3. Blue Monk
4. Just A Gigolo
LP 5: Sonny Rollins and Thelonious Monk
1. The Way You Look Tonight
2. I Want To Be Happy
3. More Than You Know$79.9910 Vinyl LP Box Set - 5 LPs Sealed AWAITING REPRESS Buy Now
Bashed OutThis Is The Kit is the much beloved musical project of Kate Stables, born in England and based in Paris. Bashed Out is her band's third album, the result of an extended period collaboration with the record's producer Aaron Dessner (Sharon Van Etten, Local Natives). Dessner--the co-founder of the Brassland label--is best known for his work in The National. Indeed, the backing band he gathered for Bashed Out combines the talents of This Is The Kit's touring members (Rozi Plain, Jesse Vernon, Jamie Whitby-Coles), alongside a number of session players drawn from the Brooklyn music scene: Bryce Dessner, Thomas Bartlett (Doveman, The Gloaming), Matt Barrick (The Walkmen) and Ben Lanz (Beirut, The National) all made key instrumental contributions. This music is honest, human and humane-a folky-lovely slow-rumble. It's rock but of the hangover-friendly, stoner variety; it's folk but at a groovy speed. As notable as the music, however, is front woman Kate Stables, whose voice hearkens back to the classic singer-songwriter era--her distinctive, cutting vocals up front in the mix. It's a self-confidence gained since her previous album, 2011's Wriggle Out the Restless, which made her band a minor institution in the United Kingdom, especially on the radio which has embraced the group. This Is The Kit has received across the board support from BBC 6 DJs Lauren Laverne, Radcliffe & Maconie, Marc Riley, Cerys Matthews, and Mary Anne Hobbs--receiving further play from BBC Radio 1's Huw Stephens, Jen & Ally, and Phil Taggart. Wonderful wonderful stuff, said DJ and Elbow frontman Guy Garvey, before arguing their last album should have made the Mercury Prize shortlist. The Line of Best Fit has already called This Is The Kit an essential fixture of British folk music for the past 10 years one of a handful of truly innovate songwriters working with the British folk template today. In America, however, the band is just building up to their breakout moment. Bruce Warren, program director at influential American AAA station WXPN has praised Stables' "warm and gorgeous voice" and we expect similar notices to come across on this new LP. From Kate's earliest year growing up in the UK town of Winchester, she learned that great art takes time. In some ways the place I grew up is defined by being a Roman Saxon medieval cathedral city, she explains. They started building the Winchester Cathedral a thousand years ago and they've been working on it ever since. It's an exciting moment to join This Is The Kit's continuing musical evolution into a synesthetic, shape-shifting entity-rooted in folk but encompassing elements of psychedelia, alternative rock, and electronic textures and sensibilities.1. Misunderstanding
2. Silver John
3. Spores All Settling
4. Magic Spell
5. Bashed Out
6. All In Cahoots
9. We Are In
10. Cold and Got Colder$18.99Vinyl LP - Sealed Buy Now
London ZooIn Gibson's Neuromancer, when Case and Molly meet the two surviving founders of Zion, there is talk of hearing a mighty dub in the Babel of tongues signaling the final days. If indeed we're living in these end times, as many predict, then there can be no more of an appropriate soundtrack for the coming apocalypse than The Bug's London Zoo.
The Bug is the main project for Kevin Martin, a producer who has headed a diverse range of projects. He is part of Techno Animal, Ice, and God (all with Justin Broadrick of Godflesh and Jesu), King Midas Sound, Razor X Productions (with The Rootsman), Pressure, and Ladybug; runs his Pathological Records label; and has collaborated with noise jazz outfit 16-17, Pete Sonic Boom Kemper's E.A.R. project, John Zorn, Kevin Shields, El-P, and the Antipop Consortium. He has recorded for Rephlex, Position Chrome/Mille Plateaux, Word Sound, Hyperdub, City Slang, Tigerbeat 6, Grand Royal, and now Ninja Tune. He has been personally asked to remix Thom Yorke, Grace Jones, Einsturzende Neubauten, and Primal Scream, and compiled jazz and dub compilations for Virgin Records. London Zoo is the fruition of all these activities.
The album was born of three key moments: an introduction to the thriving dubstep scene (of which The Bug is very much a pioneer from before it carried a name) and its key producers (via Kode 9 and Loefah) where Martin realized there were others on the same sonic trajectory as himself; an introduction to Warrior Queen via his work with Wayne Lonesome on the Razor X Productions project; and a Mary Anne Hobbs Breezeblock session which introduced him to Flowdan (Roll Deep) and Ricky Ranking. All three of these figure heavily in the end result and live presentation.
The obvious entry point to the album is the dubstep tag, particularly after the success of the three lead-up singles, but London Zoo clearly reaches past, brings together, and celebrates reference points from dancehall, grime, hip-hop, and noise-- it could have only come out of London sound-system culture, while its appeal spans cities and scenes.
From the opening strains of Angry (featuring reggae legend Tippa Irie) it's clear that the world has been served notice from the heart of the UK capital. The message is further strengthened as Ranking (best known for his work with Roots Manuva), Flowdan, Warrior Queen, Spaceape, Roger Robinson, Killa P, and Aya step up to lay waste to the boombastic rhythms put before them, eventually culminating in Judgement where Ranking leaves us with a prophecy: So much people are losing their minds, because we're living in a serious time. I guess it come in like a judgment sign, the people have killing on their mind. Living in end times, indeed. Best start building the Marcus Garvey tug now.Angry ft Tippa Irie
Murder We ft Ricky Ranking
Skeng ft Killa P & Flowdan
Too Much Pain ft Ricky Ranking & Aya
Insane ft Warrior Queen
Jah War ft Flowdan
Fuckaz ft Spaceape
You & Me ft Roger Robinson
Warning ft Flowdan
Poison Dart ft Warrior Queen
Judgement Ricky Ranking$24.99Vinyl LP - 3 LPs Sealed Buy Now
Ray Charles (Awaiting Repress)
First Time On 180 Gram Audiophile Vinyl!
Ray Charles' Stunning Atlantic Records Debut!
The One That Started The Genius Of Soul Phenomenon!
Mastered For The First Time From The Original Monophonic Atlantic Records Tapes By Joe Reagoso
Ray Charles was the premiere architect singer/songwriter/musician whose "genius" of combining jazz, blues
with gospel most certainly began the American soul music movement. This modern form of R&B which would become
an American way of life forever etched itself in total with the release of his classic #1 hit single I Got a Woman from
his stunning debut 1957 album Ray Charles.
Fused with heavy blues, gospel and rock and roll, I Got a Woman was one of Ray's very first top charting hits
soon to be followed by other #1 smash hit singles like Mess Around and A Fool for You. More hit singles graced his first
album as well with Hallelujah I Love Her So, Ain't That Love and This Little Girl of Mine. The Ray Charles album itself
on its own merit is truly a Greatest Hits LP, whereby most of these early Ray Charles' hit tracks have been covered
hundreds of times by some of the most important voices in popular music, like The Beatles, Elvis Presley, The Steve
Miller Band, Van Morrison, Peggy Lee, Johnny Winter, Jerry Lee Lewis, Stevie Wonder and many others.
Also included on this debut masterpiece are some of Ray Charles' more definitive blues rockers like the powerful
Come Back Baby, the rockin' Greenbacks, the #1 blues rocker Mary Ann, and the brilliant soul sounds of Don't You
Know, Drown in My Own Tears and Losing Hand.
The Ray Charles album forever etched the name superstar and genius with Ray Charles as the LP reached the
upper rungs of the popular, jazz and R&B charts and has become an American institution which will forever stand the
test of time. Being one of his rarest LP's of his career, the magnificent album has not been officially released on vinyl
in over five decades and fetches hundreds of dollars for a mint used copy if you can even find one.
Friday Music is very honored to announce the first time ever 180 Gram Audiophile Vinyl LP of the Ray Charles'
classic Ray Charles. As another installment in our treasured Ray Charles/Friday Music 180 Gram Audiophile Series, his
amazing debut LP is mastered from the original monophonic Atlantic Records' tapes by Joe Reagoso at Friday Music
Studios and at Capitol Mastering with Ron McMaster. This masterwork truly sounds exceptional and will become one
of the more important roots albums to be reissued in quite some time for the audiophile vinyl domain.
This limited edition release also comes with the original album cover graphics of Marvin Israel, featuring the
stunning liner notes by Guy Remark.
The album will be packaged in a poly bag to preserve the rich details of the legendary cover art as well as a poly
lined inner sleeve to protect your vinyl purchase for years to come. I Got a Woman!!!1. Ain't That Love
2. Drown in My Own Tears
3. Come Back Baby
4. Sinner's Prayer
5. Funny (But I Still Love You)
6. Losing Hand
7. A Fool for You
8. Hallelujah I Love Her So
9. Mess Around
10. This Little Girl of Mine
11. Mary Ann
13. Don't You Know
14. I Got a Woman$29.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Me (Discontinued)Side One
1. Love Has Gone
2. Coulter's Candy
3. The Jute Mill Song
4. The Gentleman Soldier
5. Black Girl
1. Wandering So Far
2. Come All Ya Fair And Tender Madness
4. The Water Is Wide
5. Hallowed Be Thy Name
6. Reverie For Roslyn$16.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Restoration: The Songs Of Elton John And Bernie Taupin
Some of the world's biggest pop, rock and country artists are celebrating Elton John's most beloved and legendary catalog of hits with two albums Revamp (Island Records) and Restoration (Mercury Nashville). The superstar lineup features artists both new and iconic reinterpreting the timeless songs of the over 50 year writing partnership that Elton and Bernie Taupin share. These renditions and artists show the depth of the catalog these two icons have created, which can easily cross musical genres and their unparalleled influence across popular music of all styles.
Revamp features the hits reimagined by the best in pop, rock and urban with Mary J. Blige, Alessia Cara, Coldplay, Miley Cyrus, Florence And The Machine, Lady Gaga, The Killers, Mumford and Sons, P!nk and Logic, Q-Tip ft. Demi Lovato, Queens of the Stone Age, Ed Sheeran, Sam Smith,
Restoration highlights countries biggest stars with thoughtful interpretations by Dierks Bentley, Rosanne Cash and Emmylou Harris, Miley Cyrus, Vince Gill and Don Henley, Miranda Lambert, Little Big Town, Maren Morris, Kacey Musgraves, Willie Nelson, Brothers Osborne, Chris Stapleton, Rhonda Vincent and Dolly Parton and Lee Ann Womack.
"'It's always a huge compliment when an artist loves your song enough to take the time and effort to rework it," adds Elton John. "As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp & Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We're humbled and thank them all for their generosity."
"Because of our love of all kinds of music, we're not stuck in one genre," said Bernie Taupin. "From day one we borrowed from everything that's good about American music - whether it's blues, country, gospel, pop, pure rock - everything got thrown in the mix. I think that's why our music over the years has been so varied. It would be tiring if you just got stuck in one niche your entire career, especially when it's one as long as ours."
The album art for Restoration was created by Bernie. The rustic musical instruments and flags from both nations is an extension of his mixed-media art that's another form of expression. It symbolizes the role that U.S. culture and its native music has played as a driver in the John/Taupin canon.
"For me, there's an irony about the American flag," Taupin says. "It's been battered and beaten and burned, but it's resilient. It's always come back. I incorporate it with other things, and lately I've done a lot of pieces with deconstructed guitars and other found materials: barbed wire, broken bottles, things that people identify with on an everyday level. If it's on the floor and it works, I'll put it into the artwork. But it all goes hand in hand with my belief in America and my interest, I would say obsession, with Americana."
Revamp has a pop art cover based on the Terry O'Neil photograph of Elton that was recreated in neon. The covers are very different from each other because they represent totally different albums.
"We have two completely different albums; Revamp being the pop one and Restoration being the country one and God we have so many great artists doing our songs, it's quite incredible," said Elton John. "Restoration was Bernie's project and he's a huge country fan. The 'Revamp' was more my project. He came up with an astonishing list of country performers both new and legendary. On Revamp I wrote out a wish list of people that I would love and asked them and to my surprise most of them said yes and we have quite an astonishing eclectic crew."1. Rocket Man - Little Big Town
2. Mona Lisas And Mad Hatters - Maren Morris
3. Sacrifice - Don Henley and Vince Gill
4. Take Me To The Pilot - Brothers Osborne
5. My Father's Gun - Miranda Lambert
6. I Want Love - Chris Stapleton
7. Honky Cat - Lee Ann Womack
8. Roy Rogers - Kacey Musgraves
9. Please - Rhonda Vincent and Dolly Parton
10. The Bitch Is Back - Miley Cyrus
11. Sad Songs (Say So Much) - Dierks Bentley
12. This Train Don't Stop - Rosanne Cash and Emmylou Harris
13. Border Song - Willie Nelson$35.99Vinyl LP - 2 LPs Sealed Buy Now
Broken PeopleAmerican music is a mile-wide river that beckons black and white, urban and rural, dreamer and doer alike to launch their vessels. All the streams of style and genre flow into it; its tributaries are blues and jazz, mountain and folk, rock, soul and R&B.
The release of the debut album by Muddy Magnolias, Broken People, marks the launch of a great new vessel onto that waterway. The album showcases a confluence of style and sound as colorful as it is unlikely, steeped in that river of influence, yet bracingly fresh.
With Broken People, Jessy Wilson and Kallie North take us on an 11-song journey with its origins in two widely divergent backgrounds that came together in a friendship and creative partnership with world-changing resonance.
North was raised in southeast Texas and began singing with her family and studying piano at an early age. She grew to love rich vocal harmonies singing in church choirs and listening to artists like the Carpenters, Alison Krauss, James Taylor and the Eagles. By her early teens, she was singing lead parts in church and in musical theater productions at her high school. Her palette grew when a friend turned her on to the Grateful Dead, and after high school she spent every spare moment in the clubs of Austin, absorbing everything from alt-country and jam bands to New Orleans funk. She met her husband at a concert and moved with him to his native Mississippi. There, on their isolated farm, she had her awakening, starting a career as a photographer, capturing the spirited, deep history of the Mississippi Delta.
"To me, the Delta is the most overlooked and mysterious place," she says. "It was the birthplace of America's music, and all the legends were influenced by everything that came out of it. I went on this personal exploration to learn about the Delta blues and the region's history. I picked up a camera and started taking pictures, blogging about what I was experiencing, and I tapped into all the creative energy lying dormant inside me." When her husband gave her a guitar, she began spending her days on the porch of their farm learning how to connect her first chords. From there, the songs began pouring out and she knew she had to find a way to get to Nashville and write songs professionally.
Wilson, raised in Brooklyn, was in love with music from her earliest days. She was singing before she could talk, and was 5 when her mother recognized her passion for music. "I would cry because I couldn't hit the high notes in Whitney Houston and Mariah Carey songs," she says. Influenced by greats from Aretha and Smokey Robinson to Lauryn Hill, Mary J. Blige and The Notorious B.I.G., she began auditioning in the highly competitive New York entertainment scene and was working professionally in musical theater by the age of 10. Her mother took her to nightclubs where she experienced a variety of live performances. She attended New York's top performing arts schools, including La Guardia High School, the "Fame" school, where she discovered her love for gospel music and took part in the gospel chorus for four years. She worked at Cafe Wha? in Greenwich Village, making $500 a weekend while still in high school.
She sang backup for Alicia Keys in her teens, then worked four years with John Legend, and through him with legends like will.i.am, Kanye West, Raphael Saadiq and Babyface. Legend mentored her in songwriting and recording before she began writing songs on her own for American Idol winner Fantasia Barrino and others. Inspired by her evolving love of songwriting, she too moved to Nashville, looking for a wider creative palette. There, while meeting with then-BMI executive Clay Bradley, her eye settled on a photograph of "a rundown juke joint piano" in his office.
"I want to meet whoever took that photo," she said. The photographer was North-it had been taken during her creative awakening in Mississippi-and the subsequent meeting led quickly to collaboration and an epic friendship.
"The first day we wrote together," says North, "there wasn't much thought that we were blending genres and worlds. That never came up. It was just natural. She had never written a country song and I was writing them every day. We sat down to write one but when we listened back it was a country R&B song. And we decided to become songwriting partners." Before long, they had their first cut as collaborators, and they were off and running.
"The spirit of the Muddy Magnolias existed from the moment we met," says Wilson, "but we didn't know we were the Muddy Magnolias yet." North was toying with the idea of a solo career; Wilson had aspirations of making history as an African-American female songwriter in Nashville. Their new friendship was a game-changer.
"We spent a whole year writing, trying to understand what our message was when we combined our stories," says Wilson. Then one day over afternoon wine at Burger Up, their favorite hangout in the 12 South section of Nashville, both admitted to be being at a crossroads. "The next thing you know," says North, "Jessy said, 'What if we made a record together?' It was like all of our dreams in one."
"We went back to that same office on Music Row where I saw the photograph," says Wilson, "and sat down side by side in Clay's office and said, 'We've got something to tell you. We're going to make an album together.'" Bradley believed enough to sign on as their manager. They held three days of band auditions and found four best friends who had been playing together since college, primarily doing jazz. The fit was perfect, providing just the right sonic backdrop for their soulful approach and high-energy delivery.
As they continued to write and perform, opening for the likes of The Zac Brown Band and Gary Clark, Jr., they put together a project that crosses genres effortlessly, showcasing two voices that soar together in a blending of cultures as electrifying as if Janis Joplin and Tina Turner, or Whitney Houston and Lee Ann Womack had joined forces.
Broken People combines poetic imagery and vocal passion, with the musicianship and production of Motown or Muscle Shoals by way of the raw honesty of Sun Records. Of course it deals with love, longed for and unleashed, in songs like "I Need A Man," "Why Don't You Stay" and "Devil's Teeth," but the album soars as it reaches for bigger themes, dealing with the need for hope in "Take Me Home," for love on a societal scale in "Shine On" and "Brother What Happened," and hope for the future in "Got It Goin' On." With "Leave It To The Sky," the two, joined by John Legend on vocals and piano, make a powerful case for spiritual solutions, and few songs in the modern lexicon are as steeped in present-day reality as the gospel- and R&B-tinged title track.
"Ultimately," says North, "this album is a result of an unlikely friendship and is a testament to what can happen when you diversify your relationships."
"It's about getting out of your comfort zone and being rewarded with a great friendship," adds Wilson. "We've both felt the power of that."
"Our path is so much better and our lives are so much richer because of it," says North, "and we want to bring people along on this journey."
"We want to see what society would be like if we all reached out in ways we normally wouldn't," adds Wilson.
And that is the magic and the message. The music of Muddy Magnolias, live and on record, comes from a place where the Mississippi meets the A-Train by way of Nashville. Whether yours is the back porch or the front stoop, Spanish moss or window box garden, dusty country lane or crowded subway car, rural honky-tonk or uptown club, this is music that beckons. Muddy Magnolias are collaboration without boundaries, musical healing in a landscape of the heart, and all of us who treasure creative energy, honest art and the possibilities of love and unity, are better for their arrival.1. Broken People
2. Brother, What Happened?
3. Got It Goin' On
4. Why Don't You Stay
5. Take Me Home
6. Shine On!
7. It Ain't Easy
8. I Need A Man
9. Devil's Teeth
11. Leave It To The Sky (feat. John Legend)$18.99Vinyl LP - Sealed Buy Now
Leader Of The Pack (Out Of Stock)Few girl groups of the 1960s can lay claim to being as influential as The Shangri-Las. Eschewing the glitz'n'glamour of their Motown contemporaries, the group's melodramatic songs and tough girl image - often at odds with lead singer Mary's tremulous vocals - have resonated across the decades in the recordings of Blondie, Amy Winehouse and, latterly, Bat For Lashes. Comprising sisters Betty and Mary Weiss and twins Marge and Mary Ann Ganser,
the group formed in high school in Queens, NYC in 1963 and made their Red Bird debut with producer 'Shadow' Morton's opus 'Remember (Walking In The Sand)'. Between 1964 and 1966 they charted 11 US Hot
Recorded to capitalise on their US No.1 death disc classic 'Leader Of The Pack' (penned by Ellie Greenwich & Jeff Barry), Side 1 of this mono 12-tracker brings The Shangs' distinctive sound and penchant for tear-stained heartbreak to the fore with tracks such as 'Easier To Cry' and 'What Is Love?', while Side 2 includes rough'n'ready live recordings of the Isley Brothers' 'Twist And Shout', the Phil Upchurch stomper 'You Can't Sit Down' and, harking back to their high school roots, The Chantels' 'Maybe'. The album's opener, 'Give Him A Great Big Kiss', was immediately spun off as a single, peaking at US No.18 in early 1965.
In the wake of producer George Morton's death earlier this year this is a timely reissue by
one of Pop's best loved girl groups and foremost exponents of teenage angst.1. Give Him A Great Big Kiss
2. Leader Of The Pack
3. Bull Dog
4. It's Easier To Cry
5. What Is Love
6. Remember (Walking In The Sand)
7. Twist And Shout
9. So Much In Love
11. Good Night, My Love, Pleasant Dreams
12. You Can't Sit Down$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock