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Antony And The Johnsons'
The Crying LightThe follow-up to I Am A Bird Now shifts thematic focus and explores Antony's relationship with the natural world. The intimacy of the Johnsons' sound is enveloped by avant-classical composer Nico Muhly's symphonic arrangements. The Crying Light is a soul stirring new work with daring compositions and captivating vocals.1. Her Eyes Are Underneath The Ground
2. Epilepsy Is Dancing
3. One Dove
4. Kiss My Name
5. The Crying Light
6. Another World
7. Daylight And The Sun
9. Dust And Water
10. Everglade$23.99Vinyl LP - Sealed Buy Now
I Am A Bird NowThis second full-length features contributions from both Antony's peers (Rufus Wainwright, Devendra Banhart) and heroes (Lou Reed, Boy George). Their involvement reflects both their admiration for Antony and his unique place in the contemporary arts community. Reed asked Antony to perform as part of the small ensemble on Reed's American and European tours, and he gave Antony a solo turn on the Velvet Underground classic Candy Says, an homage to another one of Antony's inspirations, Andy Warhol. In fact, the image adorning the cover of this album is Peter Hujar's striking 1974 photo, Candy Darling On Her Deathbed. Like some unsettling ghost relative of Jeff Buckley and Billie Holiday singing for all the fallen, this is tough, honest, uncompromising beauty and the next great voice in music - Mojo. If a great voice is often said to be an instrument, Antony's is a near orchestra, carrying extremes of emotion, great waves of suffering, tragedy, redemption, and joy - Metro. Look for a full US tour this fall.1. Hope There's Someone
2. My Lady Story
3. For Today I Am A Boy
4. Man is the Baby
5. You Are My Sister
6. What Can I Do?
7. Fistfull of Love
9. Free at Last
10. Bird Girl$17.99Vinyl LP - Sealed Buy Now
Strange WeatherAnna Calvi is to release a 5 track covers EP entitled 'Strange Weather.' Produced by Thomas Bartlett
(The National, Antony and the Johnsons, Sam Amidon) and recorded in New York, the EP features
covers of tracks by FKA twigs, Connan Mockasin, Suicide, David Bowie as well as a stunning
collaboration with David Byrne on the title track, a cover of Keren Ann's 'Strange Weather'.
The cover of Suicide's Ghost Rider was recorded with drummer Matt Johnson (Jeff Buckley), and Nico
Muhly contributes string arrangements to the EP opener, a deconstructed organic reworking of FKA
twigs' 'Papi Pacify.'
David Byrne said the following on working with Anna:
'I'm a big fan of Anna's two records... and I caught her tour after her first record at Bowery Ballroom
here in NY. 'Epic' I think is the word that is often used. So when Thomas Bartlett said he was going to
be in the studio producing an EP of Anna doing covers I immediately agreed to join in. I was invited
to suggest songs and I loved the last Keren Ann record and I thought Strange Weather had a haunting
quality that might suit Anna.... so we did that, and Anna then suggested I join in on the Connan
Mockasin track she'd done too.'1. Papi Pacify
2. I'm The Man, That Will Find You
3. Ghost Rider
4. Strange Weather
5. Lady Grinning Soul$18.99180 Gram Audiophile Virgin Vinyl EP - Sealed Buy Now
ADAD-SEC-1515xAntony And The Johnsons
SwanlightsSwanlights is the new album from Antony and the Johnsons, set to release in North America via Secretly Canadian. While I Am a Bird Now was arresting in its simplicity and vision and The Crying Light is a masterpiece of austerity, Swanlights may be Antonys most wide-ranging emotional work to date.
It is a record that is at moments excruciating and tender, and at other times has a wicked gleam to its teeth. Musically its the most maximal of his work to date. Whereas on The Crying Light, Antony paired everything back to its most distilled and essential, on Swanlights the vines have become overgrown and the sound palette has become more exotic, strange percussive elements, John Cale-esque string drones, heavily distorted guitars and symphonic voicings thread the song cycle together.
Swanlights is the fourth Antony and the Johnsons album and the follow up to the critically acclaimed smash The Crying Light which topped year-end best of lists across the globe in 2009. Antony burst into the international spotlight with his second album, I Am a Bird Now, which won the UKs prestigious Mercury Music Prize.1. Everything Is New
2. The Great White Ocean
4. Im In Love
7. The Spirit Was Gone
8. Thank You For Your Love
10. Salt Silver Oxygen
11. Christinas Farm$19.99Vinyl LP - Sealed Buy Now
Cut The WorldAntony and the Johnsons' Cut The World is a collection of live symphonic performances of songs from the band's four full length albums (Antony And The Johnsons, I Am A Bird Now, Swanlights, The Crying Light).
Recorded in Copenhagen, DK with The Danish National Chamber Orchestra, Cut The World features arrangements by Nico Muhly, Rob Moose, Maxim Moston and Antony.
Additionally, the title track Cut The World is featured here for the first time. It is one of Antony's new songs for The Life and Death of Marina Abramovi, directed by Robert Wilson and staring Antony, Marina Abramovi and Willem Dafoe.
Cut The World was recorded live on September 2nd and 3rd, 2011 at the DK Concert Hall in Copenhagen, DK and represents Antony's continued meditation on light, nature and femininity. Antony discusses his ideas on the track Future Feminism, a speech he made during one of the concerts. Addressing the affects of patriarchy on the global ecology, Antony explores the possibility of shifting towards feminine systems of governance in a gesture to restore our world.1. Cut The World
2. Future Feminism
3. Cripple And The Starfish
4. You Are My Sister
6. Epilepsy Is Dancing
7. Another World
8. Kiss My Name
9. I Fell In Love With A Dead Boy
11. The Crying Light
12. Twilight$21.99Vinyl LP - 2 LPs Sealed Buy Now
Noah's ArkSince the mysterious and beautiful La Maison de Mon Reve surfaced in early 2004, CocoRosie have spent months traveling the world with the likes of Bright Eyes, TV On The Radio, Antony And The Johnsons, Devendra Banhart, and Blonde Redhead. Along the way, Noah's Ark took shape, where heart-offerings of friends, family, loved ones and lost ones surface gracefully, contributing depth to the narrative journey. Noah's Ark is the result of a rootless reality, a drifting consciousness across state lines, date lines, time lines...connected to the past, vague about the future. But the heart of these songs is always issued from a tender present.1 K-Hole
2 Beautiful Boyz
3 South 2nd
4 Bear Hides And Buffalo
5 Tekno Love Song
6 The Sea Is Calm
1 Noah's Ark
4 Brazilian Sun
6 Honey Or Tar$19.99Vinyl LP - Sealed Buy Now
You And Me (Discontinued)You & Me is Kevin Barker's debut album, released by Gnomonsong. Though it's his first solo release under his own name, Barker's no newcomer to the scene--he's spent the last few years recording, touring, and collaborating with Devendra Banhart, Joanna Newsom, Vashti Bunyan, Vetiver, Antony and the Johnsons, and Espers, to name just a few. Essentially acting as everyone's favorite sideman, Barker has influenced and helped create a sound with which this generation is happily familiar. During his college days, Barker became interested in the finger-style guitar playing of John Fahey and Bert Jansch and began to record under the name Currituck County. This solo project (sometime a duo with Vetiver / Espers drummer Otto Hauser) recorded albums for Teenbeat Records, Troubleman Unlimited, and the UK's Track and Field Organisation. Now Barker has assembled an unbelievable group of musicians for You & Me. Produced by Thom Monahan (Vetiver, Lilys, Gary Louris, Devendra Banhart), the album features Pat Sansone (Wilco), Joanna Newsom, Jonathan Wilson (Elvis Costello, Jenny Lewis), Eric Johnson (Shins, Fruit Bats), and Otto Hauser (Vetiver, Espers). Full of sunny, rural country rock, You & Me recalls the rustic grooves of The Band and The Grateful Dead, the heady melancholy of Roy Harper, and the golden harmonies of CSNY.1. Little Picture of You
2. You & Me
3. Mountain & Bear
5. Walking Along
6. My Lady
7. I Will Fly
8. Bless You on Your Way
9. Tiny Tattered Tale (Bonus track)
10. Ten Toes To Sister Sky (Bonus track)
11. Jerry Jeff On The Radio (Bonus track)$11.99Vinyl LP - Sealed Buy Now
Bon IverBon Iver is Justin Vernon returning to former haunts with a new spirit. The reprises are there, solitude, quietude, hope and desperation compressed, but always a rhythm arises, a pulse vivified by gratitude and grace notes. The winter, the legend, has faded to just that, and this is the new momentary present.
Bon Iver is often equated with just me, says Vernon, but you are who surrounds you, and for Bon Iver I wanted to invite those voices as musical catalysts. Thus on the track Beth/Rest and throughout the album, we hear the pedal steel of Greg Leisz (Lucinda Williams, Bill Frisell), the uniquely layered low end of Colin Stetsons (Tom Waits, Arcade Fire) saxophones, the riffing of Mike Lewis (Happy Apple, Andrew Bird) altos and tenors, and the lush horns of C.J. Camerieri (Rufus Wainwright, Sufjan Stevens). Bon Iver regulars Sean Carey, Mike Noyce and Matt McCaughan contributed vocals, drums and production, Rob Moose (Antony and the Johnsons, The National) helped with arranging and added strings, and fellow members of Volcano Choir, Jim Schoenecker and Tom Wincek provided processing.
Bon Iver was recorded and mixed over the course of three years at April Base Studios, a remodeled veterinarians clinic located in rural Fall Creek, Wisconsin.1. Perth
2. Minnesota, WI
6. Hinnom, TX
9. Lisbon, OH
10. Beth/Rest$19.99Vinyl LP - Sealed Buy Now
A Fool For EveryoneBones is a guitar hero inside and out, master apprentice of a steel-eyed, determined blues first informed by punk, not the sallow, honeyed agony seeping out of our most emotionally isolated singer-songwriters - Dusted. Features contributions from Matt Sweeney and Douglas Armour as well as members of Antony & The Johnsons, Sian Alice Group, Favourite Sons, and Jah Division.1.Today The World Is Worthy Of My Loathing
2.One Moment's Peace
3.Fool For Everyone, A
4.Like A Politician
5.I'm A Decent Man, I Kept Repeating
6.What I Have Left
7.Much More Than Love
8.Give Up On Guitars
9.Everybody's Always Coming Down On Me$16.99Vinyl LP - Sealed Buy Now
Bluebird"Musically she exists somewhere between
Feist and Townes Van Zandt, and her New
York-by-way-of-Kentucky pluck is a refreshing
antidote to schmaltzy neo-folk"
"Dawn Landes' music sits neatly on the
fulcrum between Cat Power and Neko Case"
" compelling mix of alternative folk with
instrumental experimentation just the right
hint of country"
" Landes is a haunting presence in the world
of alt-folk experimentalism.
Based in Brooklyn, but raised in Louisville, singer-songwriter Dawn Landes has been writing
songs for most of her life, and at 33 already has more than a decade of experience as a
professional producer and engineer. After leaving NYU where she studied psychology and
literature, Landes began honing her production and engineering skills, working at Stratosphere Sound
(owned by James Iha, Adam Schlesinger, and Andy Chase), and at Philip Glass'
personal recording studio, before launching Saltlands Studio in Brooklyn with partners Steve
Salett and Gary Maurer.
Her new album Bluebird was produced in collaboration with good friend Thomas Bartlett
(known for his work with The National, Sharon Van Etten, Rufus Wainwright, Antony and the
Johnsons, and many others), and features contributions from Tony Scherr, Rob Moose, and
Press coverage of Bluebird will understandably present this album as Dawn's answer to her
ex's divorce record. However, like any great songwriter, she's abstracting her personal
narratives enough to leave them open to interpretation and a larger meaning. Bartlett's
spartan production keeps the vibe intimate, making it easy to connect with these naked and
honest songs which manage to rise above the context in which they were written. In the end,
the fact that Bluebird is Landes' way of processing the overwhelming emotions she dealt
with after her divorce doesn't matter - there are two sides to every story, and this is hers.1. Bluebird
2. Try to Make a Fire Burn Again
4. Heel Toe
5. Cry No More
6. Oh Brother
7. Diamond Rivers
8. Love Song
9. Lullabye for Tony
10. Home$17.99Vinyl LP - Sealed Buy Now
Don't Act Like You Don't CareBefore the success of his group Here We Go Magic, Luke Temple worked full-time as a plasterer. At nights after work, he spent his hours crafting what would become Here We Go Magic's self-titled debut. During the days he wrote a completely different set of songs in his head. The resulting record Don't Act Like You Don't Care shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut.
After recording two critically acclaimed solo records for Mill Pond (2005, 2007) Temple's work still hadn't garnered much attention from the record-buying public. Frustrated, but not defeated, he focused his creative energy into the writing of two amazing, but completely different records. Initially referred to as 'The Country Record,' Don't Act Like You Don't Care was shelved due to the success of Here We Go Magic's self-titled debut. Now, three years later, we're finally able to offer this incredible collection of folk-pop songs.
Unlike the Here We Go Magic record, Don't Act Like You Don't Care focuses on Temple's songwriting and evocative tenor. From heartbreaking ballads like So Long, So Long and Ballad for Dick George to jaunty pop gems like Ophelia and In The Open you'll become fast friends with these songs that continue to satisfy after hundreds of listens.
Inspired by Rudy Van Gelder's early Blue Note recordings, Temple and friends recorded the songs in two 4-hour sessions using just three microphones and a 4-track recorder. Temple is fortunate to have some amazingly talented friends with Eliot Krimsky (Glass Ghost) on synths, Tyler Wood on piano, Parker Kindred (Antony and the Johnsons, Jeff Buckley) on drums, Michael Bloch (Here We Go Magic) on guitar and Adam Chilenski on bass.1. In The Open
2. More Than Muscle
3. How Could I Lie
4. Weekend Warrior
6. Ballad for Dick George
7. So Long, So Long
8. You Belong To Heaven
9. Luck Part$18.99Vinyl LP - Sealed Buy Now
Rarely is so much meaning conveyed in the space of six letters. And with regard to Xiu Xiu, its applications are infinite: always relevant, always provocative, always surprising, always evolving, always glittering.
It's fitting, then, that as the band (now comprised of Jamie Stewart, Angela Seo, Bettina Escauriza, Marc Riordan, and returning member Devin Hoff) marks a decade in existence, such a powerful sentiment would serve as the title of its latest album.
At its core, Always symbolizes the mutual camaraderie with and deep dedication to each person who has internalized Xiu Xius work, tattooed its name on their skin or soul, and throughout the past ten years made the band a part of their lives. The origin of these intense, everlasting bonds is Stewart. His fearless lyrics have given voice to life's most untouchable and taboo subjects, while his distinctively committed but hushed vocals crystallize and medicate their unsettling impact.
Those familiar with the band's work will take particular note of the times Stewart re-visits profoundly personal accounts from his own life -- most prominently on Beauty Towne (a not-so-uplifting postscript to the muddle of those depicted in Clowne Towne from 2004's Fabulous Muscles) and Black Drum Machine (which finishes the narrative of incest and molestation begun on Black Keyboard from 2008's Women as Lovers).
Elsewhere, Stewart's willingness to broach any subject finds him confronting both the topical and the intimate in equally meaningful ways: Gul Mudin seeks to bring comfort to an Afghani teenage boy murdered for sport by American soldiers; Joey's Song strives to do the same for Stewart's brother in the aftermath of a family tragedy.
Factory Girls chronicles the sexual objectification and desperate existence of Chinese female, migrant workers. I Luv Abortion, featuring perhaps Stewart's most unhinged vocal ever, careens through the resolute heartache of a friend too young to be pregnant and seeks to personalize this most political issue.
But while such writing is worthy of reverence, Always' most arresting moments lie in its sonic innovation -- transforming avant pop elements from an undertone into a bright black focal point while adding new influences such as choral music, kraut rock and animal field recordings.
Produced by Deerhoof's Greg Saunier (who also contributes drums and vocals to the album) and mixed by John Congleton (Antony and the Johnsons, Marylin Manson, the Roots) the album is positively vibrant.
During recording, Stewart saw a Bible verse spray painted on the wall of his gym. He interpreted the verse to mean, Horror and beauty are the same; love and hate are the same, the tireless dread of our own lives and of living can be embraced with the same fervency as what we find beautiful.
Composed of this essence, the album proves that perhaps the only six letters to carry the same weight as always are these: Xiu Xiu.1. Hi
2. Joey's Song
3. Beauty Towne
5. I Luv Abortion
6. The Oldness
7. Chimney's Afire (Mickensian Suicide)
8. Gul Mudin
9. Born to Suffer
10. Factory Girl
11. Smear the Queen
12. Black Drum Machine$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDI-THR-6817xThe Soft Pink Truth
Why Do The Heathen Rage?Not final cover art
The Soft Pink Truth is the solo alter ego of Drew Daniel, one half of celebrated Baltimore-based electronic duo Matmos. After a decade of silence in which Daniel concentrated on Matmos and becoming a Shakespeare professor, The Soft Pink Truth is set to release Why Do the Heathen Rage? whose subtitle "Electronic Profanations of Black Metal Classics" reveals its bizarre agenda as an unrequited love letter to a justly divisive genre. A gleeful queer travesty of black metal's undying obsession with kvlt authenticity, Why Do the Heathen Rage? is also a formally precise homage executed with a scholar's obsession. With the guitar chord transcription assistance of Owen Gardner (Teeth Mountain, Horse Lords) and a coven of guest vocalists, including Antony Hegarty and members of Locrian and Wye Oak, Daniel meticulously transposes the riffs, structures and patterns of black metal chestnuts and deep cuts by Darkthrone, Venom, Mayhem, Sarcofago and more into oddly hybrid new forms. Cruising camp absurdity by forcing a sticky tryst between the two mutually incongruous early 90s subcultures of rave and black metal, the results are bracingly strange on first listen, but curiously addictive as the album sinks in.
Imitating the countless black metal albums that begin with ominous intros, the album commences with "Invocation for Strength", a spoken word track in which a Radical Faery poem used by gay activist Arthur Evans in his classic Witchcraft and the Gay Counterculture is read by Drew Daniel and Antony (Antony and the Johnsons). After this queer hymn, the rhythmic assault begins with an industrial gabber take on Venom's genre-founding song "Black Metal", featuring vocals by Baltimore artist Bryan Collins and screams from Daniel. Stark trap beats and rave synths meet two-step house bounce on "Sadomatic Rites," originally by Beherit, whose electronic opus H418ov21.c was an inspiration to Drew as he was making this album. Adding a witchy twist to an underground metal classic, Jenn Wasner (Wye Oak, Dungeonesse) lends her smoky, soulful voice to an orgasmic house deconstruction of Sarcofago's redlight anthem "Ready to Fuck." After a surprisingly sensitive guitar led intro, "Satanic Black Devotion" erupts with full on screaming vocals from Terence Hannum (Locrian), paired with IDM beats, synthetic banjo, and a rather glaring plunderphonic re-working of a recognizable dancefloor classic. Side Two kicks off with a stark, vogue-ball inspired rethinking of Darkthrone's "Beholding the Throne of Might", with whispered vocals from London based free improviser/composer Jennifer Walshe and a spoken interlude from David Serrotte of the vogue ball crew House of Revlon. The goth factor spikes on "Buried by Time and Dust", in which Daniel's Matmos partner M.C. Schmidt croaks the lyrics to the vampiric Mayhem original on top of MIDI harpsichord while a moldy 808 drops the "Planet Rock" beat. In an Ouroboric final gesture, the album concludes with a paroxysmic take on "Grim and Frostbitten Gay Bar" by Impaled Northern Moonforest, the parodic fake black metal project of Anal Cunt's Seth Putnam. A blizzard of snippets of pop, house, crust and metal are shredded and smothered in lo-fi screaming and arctic field recordings, ending the album on suitably contradictory notes of mockery and celebration. The album's controversial artwork, which will remain redacted for the time being due to the extreme content it portrays, fits those themes as well, depicting a volatile, extremist scene undergoing a long overdue queerification, coming out rich and strange, shiny and pink.
The Soft Pink Truth was started in 2001 when legendary UK house producer Matthew Herbert challenged Drew to "make a house record," resulting in the project's slyly funky debut album Do You Party?, which Herbert released on his own Soundslike Records. Daniel has also produced floor-burning remixes for Bjork, Herbert, Grizzly Bear, Dat Politics and many more under The Soft Pink Truth moniker. "Why Do The Heathen Rage?" follows his 2004 release "Do You Want New Wave or Do You Want The Soft Pink Truth?," a collection of electronic interpretations of UK punk and American hardcore songs. As a member of Matmos, Daniel continues to break down established norms of experimental and pop music practice by filtering genres through unique and brilliant conceptual lenses, and has established himself as one of the most individualistic electronic musicians of the past several decades.
Disclaimer: Aesthetics and Politics are neither equivalent nor separable. Black metal fandom all too often entails a tacit endorsement or strategic looking-the-other-way with regards to the racist, anti-Semitic, sexist and homophobic bullshit politics that (still) pervade the scene, on behalf of either escapist fantasy talk, shaky invocations of art as a crypto-religious path to transcendence, or--the oldest cop out in the book--the quietist declaration that "I just like how it sounds." Just as blasphemy both affirms and assaults the sacred powers it invokes and inverts, so too this record celebrates black metal and offers queer critique / mockery / profanation of its ideological morass in equal measure. Mixed emotions about a murky, diverse and self-differential scene are all very well, but, as Barack Obama is so fond of saying at press conferences just before legitimizing drone warfare, let's be clear: No apologies, no excuses, and no escape clauses are hereby offered. Murderers are murderers. No safe space for fascist garbage. The Soft Pink Truth hereby abjures black metal homophobes, racists, and Nazis categorically and absolutely: MAY THIS CURSE BIND! Remember Magne Andreassen!"1. Invocation for Strength
2. Black Metal
3. Sadomatic Rites
4. Ready to Fuck
5. Satanic Black Devotion
6. Beholding the Throne of Might
7. Let There Be Ebola Frost
8. Buried by Time and Dust
10. Grim and Frostbitten Gay Bar$18.99Vinyl LP - Sealed Buy Now
GoJonsi has spent more than a decade writing epic compositions with Sigur Ros, creating some of the finest, most acclaimed albums of the last ten years. The choice to make an album of solo recordings came together as a solution to a backlog of songs Jonsi had written that didn't seem to fit within the Sigur Ros context. Go is a different beast entirely. Ecstatic, dramatic and alive, it features Jonsi's signature vocals throughout, with the majority of the songs sung in English.
Not a straight ahead pop record, nor rock, folk, ambient or electronic, it encompasses all of these to create an expansive musical palette that's been brought to life by Jonsi alongside a number of free-spirited collaborators. Chief among these is Nico Muhly, the Philip Glass protege who is renowned for his work with Bjork, Antony & The Johnsons, Bonnie Prince Billy and Grizzly Bear. Also in the mix is the percussive genius of Samuli Kosminen, whose original drumming powers many of the songs along so you have a sonic landscape that bears little relation to anything else around today, yet explodes from the speakers with sheer happiness and wonder, wide-eyed and eager to be heard. The album was recorded in Iceland and Connecticut, was co-produced by Jonsi, Alex Somers and Peter Katis (The National, Interpol) and was mixed by Tom Elmhirst in London.1. Go do
2. Animal Arithmetic
4. Boy Lilikoi
5. Sinking Friendships
7. Around Us
8. Grow Till Tall
9. Hengilas$22.99Vinyl LP - Sealed Buy Now
In The Hollows
there's a thrilling feeling of freedom to it all.
Nat Baldwin is a musical maverick one of the
best leftfield pop albums of the year.
-DROWNED IN SOUND
terrifically earnest, terrifyingly intimate, and
-THE BOSTON PHOENIX
In The Hollows is Nat Baldwin's followup to 2008's People Changes. Despite his busy scheule recording and touring as the bass player for Dirty Projectors, Nat found time to write
and record his most soulful and ambitious collection of songs to date. After recording the
initial tracks at Machines With Magnets in Pawtucket, RI, Nat recruited Otto Hauser for
drums and percussion, and Rob Moose and Clarice Jensen to write string arrangements.
Discussing the album's production, Nat says I wanted to achieve a consistency throughout
that my past albums have lacked. I wanted the strings to add to the mournful quality of the
songs, weaving their way through the sonic terrain, providing emotional emphasis, but also
leaving necessary amounts of space. Albums by Nick Drake, Judee Sill, Joanna Newsom,
Antony & the Johnsons, and Bill Callahan, to name a few, provided inspiration in balancing
that intimacy with minimal, but powerful, adornments.
Much of the album was written while Nat was training for a marathon at his home in Maine.
According to Nat, I had a pretty rigorous and consistent routine of running/working out
early in the morning, and working on music all afternoon/evening. I also started reading
obsessively during this time, as I wasn't moving around much after the morning marathon
training. Some of the songs were inspired by books I was reading, and some were inspired
by my lifestyle. Blending autobiographical details with fiction, the songs cover a wide
range of topics including boxing, drowning, bodybuilding, target practice, will power, Steve
Prefontaine, competition, separation, isolation, devastation, manipulation, conflagration,
intoxication, and suicide.
Immersive, athletic, and often profound, In the Hollows represents his clearest and most
consistent album-length statement, melodically, structurally, and lyrically. Nat explains
that I hope it is as unsettling as it is beautiful. I want it to make people feel things they
can't describe.1. Wasted
3. Half My Life
4. In The Hollows
5. The End Of The Night
6. Cosmos Pose
8. Bored To Death
9. A Good Day To Die$16.99Vinyl LP - Sealed Buy Now
Another WorldAntony & The Johnsons emerged on the international stage in 2005 with their breakthrough "I Am A Bird Now" (over 700,000 RTD worldwide). His first new material since 2006 is a prelude to the new full-length, "The Crying Light", coming in January 2009. Of the project, Antony said, "I wanted to mark this moment very clearly in my life. I love and feel so anchored by the natural world, which gave birth to me, which supplies and supports my life, this experience of color and light and aching beauty. But the world is changing so fast now. 'Another World' is a song for the present but also a song for the future. What have I lost? And what is to come?"1.Another World
3.Shake That Devil
4.Sing For Me
5.Hope Mountain$13.99Vinyl LP - Sealed Buy Now