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  • At What Cost At What Cost Quick View

    $22.99
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    At What Cost


    Blue Colored Vinyl


    At What Cost is the debut studio album of Washington, D.C.-based hip-hop artist, GOLDLINK. The 14-track offering includes features appearances by KAYTRANADA, Wale, Shy Glizzy, and more.

    On the inspiration behind the project, GoldLink says, "I made At What Cost as an ode to my hometown. It's about the essence of Go-Go and how it's shaped the city and where I am from, the people, the attitude. I don't want gentrification to overlook what Go-Go has done and how it's shaped the city."

    LP 1
    1. Opening Credit
    2. Same Clothes as Yesterday (feat. Ciscero)
    3. Have You Seen that Girl?
    4. Hands on Your Knees (feat. Kokayi)
    5. Meditation (feat. Jazmine Sullivan & KAYTRANADA)
    6. Herside Story (GoldLink x Hare Squead)
    7. Summatime (feat. Wale & Radiant Children)
    8. Roll Call feat. MYA


    LP 2
    1. The Parable of the Rich Man (feat. April George)
    2. Crew (feat. Brent Faiyaz & Shy Glizzy)
    3. We Will Never Die (feat. Lil Dude)
    4. Kokamoe Freestyle
    5. Some Girl (feat. Steve Lacy)
    6. Pray Everyday (Survivor's Guilt)

    GoldLink
    $22.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Soundsmith MMP4 Phono Preamp OUTPUT OPTIONS Soundsmith MMP4 Phono Preamp Quick View

    $599.95
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    Soundsmith MMP4 Phono Preamp


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    An upgrade in quality does not have to deplete your wallet.


    The Soundsmith MMP & MCP preamps are revolutionary designs for their price - and the comments we get at each hi-fi show prove it. These preamps are what we use to demo our cartridges at all our shows even our high end cartridge designs.


    Each hand - made preamp circuit is housed in a high quality aluminum case, powered by an external DC power supply, with easy to set up instructions. All amplifiers have extremely accurate RIAA equalization response.


    Our MMP4 is a more cost effective way to enjoy your high output MC, MM or MI cartridge. Its design is based on our highly praised MMP3, and the specs and sonics make it a great value. It features 47K loading and 43 dB of gain.


    Employing very high quality components, the MMP4 assures noise free and ultra-low distortion to allow unfettered enjoyment from your treasured vinyl collection. The MMP4 and MMP3 have been favorably demonstrated against preamps costing $2000 - $4000 with surprising results... and compliments to Soundsmith.


    Optional, for all models we can built 50 ohm output, i.e. for driving long lines. $300 extra. (Select in dropdown)


    Our MMP3 and MMP4 (Moving Magnet Preamps) work well with any of our Medium and High Output cartridge lines, and other similar cartridges.


    Workmanship on this product is warranted for 2 full years.


    Soundsmith
    $599.95
    MMP-4 Phono Preamp - Output Options
    Buy Now
  • Soundsmith MCP2 Phono Preamp OUTPUT OPTIONS Soundsmith MCP2 Phono Preamp Quick View

    $1,199.95
    Buy Now
    x

    Soundsmith MCP2 Phono Preamp


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    An upgrade in quality does not have to deplete your wallet.


    The Soundsmith MMP & MCP preamps are revolutionary designs for their price - and the comments we get at each hi-fi show prove it. These preamps are what we use to demo our cartridges at all our shows even our high end cartridge designs.


    Each hand - made preamp circuit is housed in a high quality aluminum case, powered by an external DC power supply, with easy to set up instructions. All amplifiers have extremely accurate RIAA equalization response, ultra low noise and vanishing levels of THD.


    Our new MCP-2 is a low cost yet very high quality way to enjoy your low output Soundsmith cartridge or any MC cartridge; it is designed with continuously variable loading (10 Ohms to 5K Ohms) to allow use with any low output design and allows you the ease of simple tuning to get the high end response exactly to your listening preference.


    Built-in high quality Soundsmith designed and manufactured fully shielded step up transformers assure noise free and ultra-low distortion to allow unfettered enjoyment from your treasured vinyl collection. The new MCP-2 has been favorable demonstrated against preamps costing $4000 - $9000 with surprising results... and compliments to Soundsmith.


    Optional, for all models we can built 50 ohm output, i.e. for driving long lines. $300 extra. (Select in dropdown)



    Our MCP2 (Moving Coil Preamp) works well with any of our Low Output (Moving Iron / Fixed Coil) cartridge line.


    Workmanship on this product is warranted for 2 full years.


    Soundsmith
    $1,199.95
    MCP-2 Phono Preamp - Output Options
    Buy Now
  • Highlights From The Fun House Sessions (On Sale) Highlights From The Fun House Sessions (On Sale) On Sale Quick View

    $36.99$29.99Save $7.00 (19%)

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    Highlights From The Fun House Sessions (On Sale)

    Pressed On 180g, Multi-Color Vinyl And Pressed At Record Industry

    Each 2-LP Set Is Individually Numbered And Strictly Limited

    Comes In A Gatefold Tip-On Stoughton Sleeve With Brand New Artwork

    1970: The Complete Fun House Sessions was recorded at Elektra Sound Recorders in Los Angeles and compiled from all thirteen reels of multi-track tape that held every note and snippet of studio dialogue. Twelve reels of tape were used during the original sessions, with the thirteenth reel having the takes that would be used on the studio album.

    This sprawling set which was originally aimed at the collector market would be challenging and cost prohibitive to reissue as a multi-disc vinyl box set. What is presented here is an attempt to assemble some of the best highlights from the Fun House Sessions on an officially-released 2LP set in high quality packaging with a sequence that hopefully proves to be an easier, and more casual listen.

    Included are some terrific alternate versions of Down on the Street,Loose, Dirt, Funhouse, 1970 and others, pulled from session reels 1,4, 6, 7, 9 and 11 and originally recorded on May 11, 12, 15, 18, 21 and 25 of 1970. Also notable is the inclusion of the 17+ minute version of L.A. Blues,titled as Freak, which encompasses the entire fourth side of this set and is the prime example of what makes the Fun House Sessions both loved and feared.


    This title is not eligible for further discount.

    LP 1
    1. Studio Dialogue #23 (reel 6) - May 18, 1970
    2. Down on the Street Take 6 (reel 6) - May 18, 1970
    3. Loose Take 16 (reel 4) - May 15, 1970
    4. T.V. Eye Take 5 (reel 7) - May 18, 1970
    5. Dirt Take 5 (reel 11) - May 25, 1970
    6. Studio Dialogue #3 (reel 1) - May 11, 1970
    7. 1970 Take 3 (reel 1) - May 11, 1970
    8. Fun House Take 3 (reel 9) - May 21, 1970


    LP 2
    1. Studio Dialogue #7 (reel 2) - May 12, 1970
    2. See That Cat (T.V. Eye) (reel 2) - May 12, 1970
    3. 1970 Take 2 (reel 1) - May 11, 1970
    4. Lost in the Future Take 3 (reel 3) - May 15, 1970
    5. Slide (Slidin' The Blues) (reel 4) - May 15, 1970
    6. Freak (L.A. Blues) Take 1 (reel 12) - May 25, 1970
    7. See That Cat (T.V. Eye) (reel 2) - May 12, 1970
    8. 1970 Take 2 (reel 1) - May 11, 1970

    The Stooges
    $36.99 $29.99 Save $7.00 (19%)
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • KAB Super Record Grip - Push On Record Clamp (On Sale) KAB Super Record Grip - Push On Record Clamp (On Sale) Quick View

    $38.00
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    KAB Super Record Grip - Push On Record Clamp (On Sale)

    The newly redesigned KAB super record grip was designed to replace and improve upon the PIG clamp originally supplied with the Revolver brand turntables. This new design features a 2 piece precision molded frame, spring rubber insert and UHMW polyethylene non marring contact surface. This is especially useful on Rega brand turntables and others where there is very little spindle to grab on to.


    The KAB Super Record Grip reduces resonance and acoustic vibration of the record itself, freeing the stylus to do its intended job of tracing the groove. The result is better focus and detail to the soundstage.


    The Super record grip attaches quickly; by turning with slight pressure, it walks down the spindle and meets the record surface.


    Note: For easier use, the center hole can be lubricated with a diluted solution of 5% Armor All® and alcohol, swabbed with Qtip®.


    The built-in bubble level shows turntable level at a glance to within 1 degree of accuracy.


    Spring reinforced rubber insert holds onto the turntable spindle firmly.


    The built in bubble level allows a quick check of turntable level. A level turntable balances the forces of the needle in the groove.


    When the needle is resting in the record groove, the entire record surface behaves as a microphone picking up vibrations from the air and the turntable below. Damping the record surface reduces the affect of these added vibrations to the needle's already difficult job of reading the groove.


    The really great features to take note of with the KAB super record grip is the ease of use and cost effectiveness.


    The super record grip represents great value. Yet it is quite good at what it does and even has the added benefit of showing level at a glance, each time you use it. Keeping with the KAB philosophy that more is better, but it needn't cost more!


    One issue to be sensitive to is turntables with light floating spring suspensions. You will have to push down some while applying the super record grip. It does not rely on weight. (It only weighs 2 Oz) Be sure your turntable can Bottom Out safely. If this is a concern, consult your turntable maker first.


    [In our opinion, if you can bottom out safely, the super grip is a better solution still over clamps that rely on weight, since they will change the operating height of your platter.]

    KAB Electro-Acoustics
    $38.00
    Record Clamp Buy Now
  • Cayin A-50T Tube Integrated Amplifier Cayin A-50T Tube Integrated Amplifier Quick View

    $1,600.00
    Buy Now
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    Cayin A-50T Tube Integrated Amplifier

    Stereophile Stereophile



    The Cayin A-50T is the best low-price amp I have ever heard, and it rivals some of the best amps in any price range.

    - Harry Weisfeld, owner of VPI Industries


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    A beautifully-crafted, hand-made tube piece manufactured to deliver the sound of the classic Marantz 8B


    The Cayin Audio A-50T uses four EL34s for Class A/B1 P.P amplification. The craftsmanship is absolutely first-rate, featuring point-to-point wiring, and each unit is hand-initialed by a quality-control inspector. The toroid power transformer and EI audio transformer are specially manufactured for the A-50T with low magnetic leakage, wide frequency response and low impedance. Two 12AX7EHs and two 12AU7s are used in the preamplifier. One very cool feature is the ability to switch between ultralinear and triode by remote control.


    This piece was hand-built with extreme attention to detail, including point-to-point wiring. Point-to-point was the way that amps used to be wired back in the 1950s and '60s when cost was not the primary objective. Nowadays, most everything contains circuit boards instead of this point-to-point wiring, which is much more dependable and better performing. The bottom line is that point-to-point wiring sounds better. It's one of the main reasons why these Cayin pieces sound like the classic tube gear from Marantz and McIntosh. Anymore, products that feature point-to-point wiring cost a fortune, or they feature sub-par workmanship. You simply are not going to find craftsmanship like with this Cayin gear for anywhere close to this price.


    There are output taps for 4 or 8 ohms. This allows you to fine-tune the sound that you desire. Switching is simple, and listening to the differences is a lot of fun. There is a removable cage, included at no extra charge. The cage snaps into place simply, so that you can take it on and off with no problem. Keep it on if you're worried about protecting your tubes, or take it off to show what real, heavy-duty, classic tube gear looks like. Turn off the lights and watch 'em glow.


    Cayin
    $1,600.00
    Cayin A-50T Tube Integrated Amp Buy Now
  • Cayin A-50T MK 2 Tube Integrated Amplifier (with Phono Stage) Cayin A-50T MK 2 Tube Integrated Amplifier (with Phono Stage) Quick View

    $1,900.00
    Buy Now
    x

    Cayin A-50T MK 2 Tube Integrated Amplifier (with Phono Stage)

    Stereophile Stereophile



    The Cayin A-50T is the best low-price amp I have ever heard, and it rivals some of the best amps in any price range.

    - Harry Weisfeld, owner of VPI Industries


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Includes Phono Stage


    A beautifully-crafted, hand-made tube piece manufactured to deliver the sound of the classic Marantz 8B. The A-50T MK 2 now features the ability handle either EL34 or KT88 output tubes.


    The Cayin Audio A-50T MK 2 uses four EL34s for Class A/B1 P.P amplification but can use KT88s (not included) if so desired. The craftsmanship is absolutely first-rate, featuring point-to-point wiring, and each unit is hand-initialed by a quality-control inspector. The toroid power transformer and EI audio transformer are specially manufactured for the A-50T MK 2 with low magnetic leakage, wide frequency response and low impedance. Two 12AX7EHs and two 12AU7s are used in the preamplifier. One very cool feature is the ability to switch between ultralinear and triode by remote control.


    This piece was hand-built with extreme attention to detail, including point-to-point wiring. Point-to-point was the way that amps used to be wired back in the 1950s and '60s when cost was not the primary objective. Nowadays, most everything contains circuit boards instead of this point-to-point wiring, which is much more dependable and better performing. The bottom line is that point-to-point wiring sounds better. It's one of the main reasons why these Cayin pieces sound like the classic tube gear from Marantz and McIntosh. Anymore, products that feature point-to-point wiring cost a fortune, or they feature sub-par workmanship. You simply are not going to find craftsmanship like with this Cayin gear for anywhere close to this price.


    There are output taps for 4 or 8 ohms. This allows you to fine-tune the sound that you desire. Switching is simple, and listening to the differences is a lot of fun. There is a removable cage, included at no extra charge. The cage snaps into place simply, so that you can take it on and off with no problem. Keep it on if you're worried about protecting your tubes, or take it off to show what real, heavy-duty, classic tube gear looks like. Turn off the lights and watch 'em glow.


    Cayin
    $1,900.00
    Cayin A-50T MK 2 Tube Integrated Amp with Phono Stage Buy Now
  • Lavender Country Lavender Country Quick View

    $21.99
    Buy Now
    x

    Lavender Country

    Widely recognized as the first openly gay country music album-and cited as such even by Nashville institutions like the Country Music Hall of Fame and CMT-the landmark self-titled '|973 LP by Lavender Country stands as nothing less than an artifact of courage, a sonic political protest document of enormous power, clarity, and grace. At once a scathing indictment of the injustices perpetrated on the homosexual community, a proud proclamation of gay identity, and a love letter of bracing intimacy and eroticism, the album radically appropriates the signifiers of the conservative country genre, queering its heteronormative vocabulary into a deeply personal language.


    Songwriter, singer, and guitarist Patrick Haggerty, a fearless first-generation gay liberation activist and artist, seasons his songs with Yippie deviousness; in the manner of the Cockettes, the laughs both sharpen and sweeten the impact. To our ears the inimitable aesthetics and glimpses of cockeyed humor recall some ethereal psych-folk nexus of the Flatlanders and the Holy Modal Rounders as much as any standard country and western forebears, rendering the biting poetry in an even more other worldly and timeless light. The record reflects Haggerty's experiences: his upbringing on a tenant dairy farm in rural Washington, on the Canadian border; his dismissal from the Peace Corps on the spurious grounds of his sexuality; and his righteous struggles as an outraged young gay man navigating the Pacific Northwest in the immediate aftermath of Stonewall. He designed Lavender Country as a vehicle for what he deems The Information : valid cultural communications intended to resonate with those unable to access similar resources. (Playing Cryin' These Cocksucking Tears, one of the indisputably great country song titles ever, cost a brave Seattle DJ her FCC license.) This deluxe reissue includes includes a 32pp chapbook with an oral history by Haggerty, never before published color photos, and full lyrics to these ten moving songs of gay liberation.

    1. Come Out Singing
    2. Gypsy John
    3. Waltzing Will Trilogy
    4. Georgie Pie
    5. Cryin' These Cocksucking Tears
    6. Back in the Closet Again
    7. I Can't Shake the Stranger Out of You
    8. To A Woman
    9. Straight White Patterns
    10. Lavender Country
    Lavender Country
    $21.99
    150 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rega Ania MC Cartridge Rega Ania MC Cartridge Quick View

    $795.00
    Buy Now
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    Rega Ania MC Cartridge

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    ANIA, REGA'S FIRST FORAY INTO THE WORLD OF BUDGET MC CARTS, IS REVOLUTIONARY JUST LIKE ITS BIG BROTHERS.


    APHETA, A BRIEF HISTORY:


    When Rega first announced the original Apheta in 2006, it changed the way people looked at the design of moving coil cartridges. Crafted without the tie-wire that plagued most every other MC cartridge, Apheta was iconoclastic like many Rega products. It was fast, clear, dynamic and insightful, garnering praise in many quarters of the high-end audio world. In 2015 and 2016, respectively, Rega pushed forward with new designs that brought about the reference Aphelion ($4995) and reborn Apheta 2 ($1895). These two carts are based on the original concepts but with the benefit of almost 10 years of experience and a complete overhaul of the cartridge manufacturing facilities. Now, Rega can build moving coil cartridges with a level of precision, speed, reliability, and height of technology they could only dream about way back when.


    ANIA, MOVING FORWARD:


    Having surmounted the challenge of perfecting the original and expanding their horizons, Rega set their eyes on fashioning a moving coil cartridge for less than half the price of the Apheta 2. Now, your first thought might be there's no way to preserve quality while lowering the price, and if this weren't Rega you might be right. But they are who they are, 40+ year specialists at making things better and more reasonably priced.


    Rega leaned hard on its engineers' expertise and that of their suppliers. The first challenge was to construct a new cartridge body that preserved that benefits and lowered the cost from the aluminum-bodied Apheta 2, a marvel in its own right. Here, computer modeling and expert tool making allowed Rega to build a body from PPS-Fortron, a sophisticated polymer-glass amalgam, that has a complex shape, keeping strength high, mass low, and unwanted resonances to an absolute minimum. The result is simply astonishing.


    Of course, Ania would not be a Rega moving coil if not for its unique tie-wire-less design. The tie-wire was originally conceived as a method to secure the cantilever, but this introduces nasty resonances that have to tuned-out with the undesired after effect of reducing detail and speed, unfortunately. Being the curious types and unwilling to compromise, Rega's engineers sought out a method that eliminates the pesky tie-wire. Thus was born the pivot pad, a rhomboid-shaped device that positively locates the cantilever, adds zero mass, improves strength, and allows free movement so that the stylus can more accurately track the groove. Brilliant!


    The generator of Ania is then formed by a floating iron cross attached to the inner tip of the cantilever, hand-wound with incredibly fine ultra-high purity copper wire. This iron cross is some 50% smaller than the original Apheta, making it one of the smallest, lightest weight generators in the world! These parts, including the high-power neodymium magnet, are borrowed directly from the doubly-priced Apheta 2. An elliptical stylus tops off the lightweight aluminum cantilever, while a CAD-designed plastic case protects the delicate internals from prying fingers and well-meaning feather dusters.


    All in all, the new Rega Ania moving coil cartridge demonstrates precisely what makes Rega great- unique solutions to age-old dilemmas, a commitment to quality, commanding performance, and a reasonable price. Did we mention, it's all still built in the UK?

    Rega Cartridges
    $795.00
    Moving Coil Cartridge Buy Now
  • Europe '72 (Awaiting Repress) Europe '72 (Awaiting Repress) Quick View

    $59.99
    Buy Now
    x

    Europe '72 (Awaiting Repress)

    Nearly 40 years ago, the Grateful Dead released Europe '72, a triple live album documenting its historic trek across Europe that became not only one of the band's best-selling releases, but also set the gold standard for live Dead.


    The Grateful Deads first tour outside of North America took them to all sorts of historic and unusual venues in England, Denmark, West Germany, France, Holland and even Luxembourg. Many members of the Dead family came along on what was really an extended working vacation that was designed to both expose the Dead to new audiences and also reward the band for their unlikely conquest of America during the preceding two years. As a hedge against the costs of the nearly two-month trip, the Deads label, Warner Bros., paid for the band to lug around a 16-track recorder to capture the entire tour.


    This was a band at the top of its game, still ascending in the wake of three straight hit albums: Workingmans Dead, American Beauty and the live Grateful Dead (Skull & Roses). It had been a year since the lineup had gone to its single-drummer configuration, six months since Keith Godchaux had been broken in as the groups exceptional pianist, and this marked the first tour to feature Donna Godchaux as a member of the touring band. This would also be Pigpen's final tour with the band.


    There was a ton of new, unreleased material that came into the repertoire in the fall of 71 (after Skull & Roses was out) and during the spring of 72, including Tennessee Jed, Jack Straw, Hes Gone, Ramble on Rose, One More Saturday Night and Mr. Charlie. All those future classics were interspersed with songs from the aforementioned hit albums such as Cumberland Blues and Sugar Magnolia, as well as spectacular versions of Truckin and I Know You Rider.

    LP1
    1. Cumberland Blues (Live in England 1972 Version)
    2. He's Gone (Live in Amsterdam 1972 Version)
    3. One More Saturday Night (Live in England 1972 Version)
    4, Jack Straw (Live in Paris 1972 Version)
    5. You Win Again (Live in England 1972 Version)
    6. China Cat Sunflower (Live in Paris 1972 Version)
    7. I Know You Rider (Live in Paris 1972 Version)


    LP2
    1. Brown-Eyed Woman (Live in Denmark 1972 Version)
    2. Hurts Me Too (Live in London 1972 Version)
    3. Ramble On Rose (Live in England 1972 Version)
    4. Sugar Magnolia (Live in Paris 1972 Version)
    5. Mr. Charlie (Live in England 1972 Version)
    6. Tennessee Jed (Live in Paris 1972 Version)


    LP3
    1. Truckin' (Live in London 1972 Version)
    2. Epilogue (Live in England 1972 Version)
    3. Prelude (Live in England 1972 Version)
    4. Morning Dew (Live in England 1972 Version)

    Grateful Dead
    $59.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed AWAITING REPRESS Buy Now
  • Elvis Is Back! (Speakers Corner) Elvis Is Back! (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Elvis Is Back! (Speakers Corner)

    During the King's artistically unproductive period of military service, no costs or efforts were spared (e.g. A Date With Elvis, RCA LPM-2011), and no consolatory promises of things to come were left unsaid by the management in order to keep Elvis alive and well in the minds of his vast circle of fans. At last the great coup was landed: Elvis Is Back was what everyone was waiting to hear and American radio and television broadcasting stations made a gigantic medial feast of it.



    With the ink scarcely dry on his demobilization papers, Elvis entered the studio in March 1960 and recorded a whole series of numbers which later became worldwide hits, such as Are You Lonesome Tonight and It's Now Or Never. Released as singles, these tender ballads created a sensation, while the LP with numbers such as Dirty, Dirty Feeling, Like A Baby and The Thrill Of Your Love underlined Elvis's enhanced qualities as a rock, blues and gospel singer. That his voice - despite everyone's fears - had lost nothing of its erotic thrill is more than amply demonstrated in his rendering of Fever alone, which is accompanied merely by bass and percussion.



    With its amazing array of varying styles, this must surely be one of Elvis's most genial albums and was unrivaled right up until his great comeback in 1968 (From Elvis In Memphis, RCA LSP-4155).





    Musicians:



    • Elvis Presley (guitar, vocal)

    • Floyd Cramer(piano)

    • Scotty Moore (guitar)

    • Boots Randolph (saxophone)

    • Hank Garland (bass, guitar)

    • Charlie Hodge (harmony)

    • Bob Moore (bass)

    • D.J. Fontana (drums)

    • Hoyt Hawkins, Neal Matthews, Gordon Stoker, Ray C. Walker (vocal)




    March 1960 at RCA Studios, Hollywood, CA. and April 1960 in Nashville, TS., USA,
    by Bill Porter

    Production: Chet Atkins





    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    1. Make Me Know
    2. Fever
    3. The Girl of My Best Friend
    4. I Will Be Home Again
    5. Dirty, Dirty Feeling
    6. The Thrill of Your Love
    7. Soldier Boy
    8. Such a Night
    9. It Feels So Right
    10. The Girl Next Door
    11. Like a Baby

    12. Reconsider Baby
    Elvis Presley
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • PS Audio Stellar S300 Stereo Amplifier 2 COLORS AVAILABLE PS Audio Stellar S300 Stereo Amplifier Quick View

    $1,499.00
    Buy Now
    x

    PS Audio Stellar S300 Stereo Amplifier


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Breathe new life into your loudspeakers with the Stellar S300, one of the most extraordinary under $5,000 stereo power amplifiers ever crafted. The S300 combines the slam, linearity, and toe-tapping pacing of a Class D output stage with the warmth, grace, and rich inner detail of Stellar's Class A Analog Cell. The results are nothing short of ground breaking. Liberate a wealth of untapped energy trapped in your media library. Plumb music's subterranean depths and finally hear the bass your speakers were capable of. Revel in rich layers of fine, full detail. Marvel at the deep, extraordinary, wall-to-wall soundstage. Effortless. Lush. Stellar.


    The problems faced when crafting a new power amplifier are many-delivering sufficient power, control, frequency extension, and dynamics while maintaining a perfectly layered soundstage under the most complex musical passages.


    All amplifiers sound different. What determines sound quality are the components and topologies of the amp's input voltage stage and output current stage. Each section should complement the other. Between them, the amp develops its sound.


    Stellar's design imperatives-affordable pricing, and uncompromised sonics-were major challenges solved by the invention of a unique new circuit christened the Analog Cell.


    Stellar engineer Darren Myers had planned from the outset to take advantage of Class D's high current, low distortion, ruler flat linearity for the output stage-knowing full well it is the input stage that determines sonic character. This critical interface between preamplifier and power amplifier is where Stellar's magic would be unveiled; where Myers could lavish upon the music the sweet, tube-like quality of Class A biased MOSFETs. His challenge was to synergistically marry both input and output topologies, for which he invented Stellar's Analog Cell.


    The Analog Cell is the heart of the S300's musicality, where richly overlayed layers of music's inner details are preserved even in the most complex orchestral crescendos. The Analog Cell is a proprietary, fully differential, zero feedback, discrete, Class A MOSFET circuit, hand-tuned to capture the smallest micro dynamics without sacrificing the loudest macro dynamics music has to offer.


    If you're able to invest in a cost-no-object performance stereo amplifier, you want the BHK Signature 250. For everyone else who refuses to compromise music's promise, Stellar represents breakthrough performance at stellar pricing.


    PS Audio
    $1,499.00
    Power Amplifier - Black or Silver
    Buy Now
  • Zephyr MK/III Cartridge Zephyr MK/III Cartridge Quick View

    $1,499.95
    Buy Now
    x

    Zephyr MK/III Cartridge

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.



    Rebuild Price: $299


    The Zephyr MK III Features A 2 Year Warranty To The Original Owner


    Made In The USA


    The new Zephyr MK III has achieved what no other cartridge has done since its inception; rapid recognition as a leading force in phono cartridge design and performance.


    The Soundsmith Zephyr MkIII enjoys a great history, starting with the well loved VPI Zephyr original, which evolved into the well known Zephyr MKII. In our effort to bring you even higher definition without increase in cost, we introduce the NEW Zephyr MKIII. It features a newly developed aluminum alloy - the same one we are now using in the Paua MKII, just released. This new metal alloy has unique dualistic properties, providing stiffness in the ranges required as well as damping exactly where its needed - and by the proper amount - in the most critical parts of the sonic spectrum. The result is a cartridge that will slam your Rock and Roll while providing a new level of linearity and clarity for the most complex classical and jazz passages.


    Attached to our new cantilever material is a tiny new super low mass High Profile Contact Line diamond we have developed for the new Zephyr MKIII. This stylus traces more of the groove walls than a standard contact line, but avoids some of the alignment pitfalls that can occur with a high profile contact line design, allowing more azimuth alignment forgiveness than is normally possible with such designs.


    These improvements are paired with technology borrowed from our higher end line; Trickle Down technology from a unique Dynamic Energy Management System (DEMS) developed by Soundsmith that moves the damped energy and propagates it properly within the cartridge body. This is a similar system we employ in the Soundsmith's well received and reviewed high end Sussurro Cartridge.


    The new Zephyr MKIII is capable of truly remarkable separation and sound stage imaging at a level not previously achievable in a modestly priced design. The composite body and unique DEMS design work in tandem to contribute to the Zephyr MkIII's ability to produce high-end performance from a moderately priced cartridge. Be prepared to sit back and realize......you may have never really heard your record collection before.


    The Zephyr MkIII will provide a level of clarity and beauty that will make you take out your record collection and listen to it all over again.


    Also available in dual-coil mono


    Phono Cartridge Rebuilding and Stylus Retipping Services Available - Please inquire.

    Sound-Smith
    $1,499.95
    Zephyr MK/III Cartridge Buy Now
  • You Are Someone Else (Pre-Order) You Are Someone Else (Pre-Order) Quick View

    $34.99
    Buy Now
    x

    You Are Someone Else (Pre-Order)

    Release Date: June 8, 2018*


    Fickle Friends' hugely anticipated debut album,'You Are Someone Else,' will be released via Interscope Records.


    Blessed with the same dedication to writing quirky anthems on their own terms as The 1975, the brittle icy synth flourishes of Chvrches and a new era indie pop IT girl in singer Natti Shiner, Fickle Friends have established themselves as the essential new British indie-pop band of 2018. They've played over 350 live shows together, been playlisted regularly on Radio 1 with an incredible string of singles including 'Brooklyn', 'Glue' and 'Hello Hello', headlined a sold-out London Forum - and all before announcing their debut album. Until now


    'You Are Someone Else' is an irresistible debut record, effortlessly capturing both the joy and uncertainty of growing up a 2017 millennial. Songs addressing social awkwardness, self-doubt, anxiety and the qualms of growing into young adulthood all through a prism of perfect timeless pop.


    Current single 'Hard To Be Myself' is an undeniably brilliant pop anthem for a pre-loading generation of wasted youth that flips lyrically from gloriously hedonistic abandon to naked self-analysis, while tracks such as 'Wake Me Up' addresses angsty obsession and the art of over-thinking. The album as a whole pivots around relationships and their tireless effects on the young mind, exploring the highs and lows of dating, falling in love and of course, breaking up.


    Fickle Friends are ultimately a great band with killer tunes who have worked hard at their trade and built a devoted fanbase the old fashioned way - playing as many shows as they could for as little cost, booking their own shows and writing songs on the road. Now, after huge festival shows at Reading and Leeds and a sold out Forum in London, things are slightly easier, but the dedication to writing undeniable songs and playing great gigs remains the same and they look set to dominate festival bills next year and play their debut album to the masses.


    On writing their debut album, Natti says, this album mostly talks about the feeling that you don't fit in your own life, forever craving something else. I felt like I was stuck in a perpetual nightmare of bad relationships and worry for so long and this collection of songs kinda pulled me out of that. We wrote and produced the bulk of everything between Jack's bedroom, the tour van and LA so it's been mostly DIY with an array of producers allowing us to get that extra 20%. We always wanted to make a record that made people dance and think at the same time. If any of these songs help anyone feel cool, or strong or even just less alone then we'll have achieved what we wanted.


    *Please note that release dates are subject to change.

    LP 1
    1. Wake Me Up
    2. Glue
    3. Swim
    4. Bite
    5. Hard To Be Myself
    6. Lovesick

    7. Say No More
    8. Heartbroken


    LP 2
    1. In My Head (Ditty)
    2. Rotation
    3. Hello Hello
    4. Paris
    5. Brooklyn
    6. Midnight
    7. She
    8. Useless

    Fickle Friends
    $34.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • AudioQuest DragonFly USB DAC 2 VERSIONS AVAILABLE AudioQuest DragonFly USB DAC Quick View

    $99.95
    Buy Now
    x

    AudioQuest DragonFly USB DAC


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    DragonFly Black & DragonFly Red


    AudioQuest is truly pleased to introduce two dramatic
    steps forward-two new DragonFlys with unprecedented
    audio quality and even higher performance-to-cost ratios-and,
    drum roll, they work with Apple and Android™ phones!
    Yes, that last point is a biggie. From the day that the original
    DragonFly came out, we got requests for a DragonFly-quality
    DAC to use with smartphones. Finally, thanks to newly
    available parts, power draw is now well within what any
    phone will authorize.


    We've been busy for years making this new generation of
    DragonFlys possible. AudioQuest worked alongside Microchip
    Technology to develop a new high-performance, full-speed
    USB microcontroller (a DAC's input processor) that delivers
    improved signal-to-noise ratio and significantly lower power
    consumption. Drawing 77% less current than the DragonFly
    v1.2's microcontroller, the new Microchip MX microcontroller
    enables true compatibility with Apple and Android smartphones
    and tablets. For use with Apple iOS devices, Apple's
    Lightning-to-USB Camera Adaptor is required; for use with
    Android devices, a Made for Android (OTG) adaptor, such as
    our DragonTail USB Adaptor For Android Devices, is required.
    We hesitate to brag about specific electronic parts in the
    DragonFlys because the implementation of those parts is
    as crucial as their quality. Please don't make the mistake of
    thinking that DACs with the same microcontroller or primary
    processor all sound alike! Depending on the circuit design,
    control of noise, power supply regulation, quality of the many
    passive parts, etc., a supposedly "lesser" DAC chip can easily
    outperform a "better" DAC chip in a different DAC.


    Also, as with cameras and their previous race to have more
    pixels than the other guy, playing the numbers game can
    distract and deceive. While the DAC chips in both the Black
    and Red DragonFlys have great capability, we have chosen
    to limit DragonFly Red and Black processing to 24-bit/96kHz.
    This makes using the DragonFlys as simple as it's always been,
    fully compatible with PCs, etc., without having to download
    and install new drivers. Though maybe more importantly,
    faster processing can mean more noise, so while playing
    24/192 files with some of the best component DACs does offer
    sonic advantages, many DACs actually sound better when
    the computer down-samples a 24/192 file to 24/96 before
    sending the data to the DAC. Our point is that AudioQuest
    plays a music-quality game first and foremost. DragonFlys
    are designed to be the-best-they-can-be Emotional Transportation
    for your music, whether Spotify, YouTube videos, Tidal,
    ripped CDs, or state-of-the-art Hi-Res files.


    Back to bragging about our internals: The new DragonFly
    models also incorporate improved 32-bit ESS Sabre DAC
    chips-the 9010 in Black and the higher-performance 9016
    in Red-both of which employ minimum-phase filtering for
    naturally detailed, more authentic sound. While DragonFly
    Black uses the same high-quality headphone amp and analog
    volume control found in the DragonFly 1.2, DragonFly Red
    includes the latest ESS headphone amp and a bit-perfect
    digital volume control that resides on the 9016 DAC chip
    itself-a sophisticated implementation that ensures maximum
    fidelity, dynamic contrast, and signal-to-noise ratio.


    Those of you who remember how we bragged about the
    DragonFly v1.0 and v1.2 having an analog volume control
    might now be going "huh?" Good question! It's a matter of
    capabilities. The earlier DragonFlys and the Black feature
    an analog volume control because that's a better-sounding
    approach than most digital volume controls, which cut off
    bits in order to reduce the volume. However, when a digital
    volume control, as in the new DragonFly Red, doesn't
    compromise the signal, doesn't reduce finesse and subtlety
    and low-level detail, then a bit-perfect digital volume control
    is superior. Once more, it's not about a particular part or
    sample rate or buzz word-it's about honoring the quality of
    the resulting sound above all else.


    DragonFly Black outputs 1.2 volts-enough power to capably
    drive all preamplifier input circuits and all reasonably
    efficient headphones. Meanwhile, with its higher 2.1-volt
    output, DragonFly Red is compatible with an even wider
    range of headphones, including power-hungry, low-efficiency
    models. For reference, DragonFly 1.0 and 1.2 featured
    1.8-volt output.


    The difference in maximum output between DF Black and DF
    Red is essentially irrelevant with our NightHawk headphones,
    as they can be easily driven by either model, but Red's
    higher output is an important advantage with some of the
    more inefficient headphones on the market. However, the
    difference in sound quality between the two new models
    is always meaningful, and is important whether feeding
    headphones or the Aux input of an audio system. At the same
    volume, Red has much more "torque," "grip," and "muscle"
    than Black. Red simply sounds cleaner and clearer overall,
    enabling a larger soundstage with each instrument or voice
    more nearly in its own space.


    And, more good news: The new DragonFlys are software
    upgradeable through complimentary Windows and OS X
    desktop applications. As new developments arise in music
    player applications, streaming protocols, or other associated
    software, DragonFly users will be able to incorporate those
    updates into their existing devices.


    DragonFly Black for only $99, with better sound than any
    previous DragonFly for less money than any previous
    DragonFly, and DragonFly Red with much better sound at
    only $199-and both compatible with phones-how much
    good news can you stand?!


    AudioQuest
    $99.95
    USB DAC + Preamp + Headphone Amp (2 Versions Available)
    Buy Now
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