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Bo Diddley Is A LoverMastered From The Original Chess Mono Reels
Delivering a devastating punch to rock's early '60s doldrums, Bo Diddley Is a Lover bursts at the seams with Bo's uncompromising, rockin' beat. Yep. Industry and the government may have cleaned up fellow '50s rockers like Chuck Berry, Little Richard, Elvis and Gene Vincent, but they didn't get to Bo -- a defiant rocker to the core.
By the time of the 1961 sessions for this album, Bo had relocated from Chicago to DC, to record at his own home studio. He used his artistic freedom to his complete advantage, churning out a series of killer records unfettered by bureaucratic interference. Considered the pinnacle of his collaboration with Lady Bo (aka, Peggy Jones), Is a Lover is also one of Bo's most diverse. Along with rockers like "Hong Kong, Mississippi" and "Bo Diddley Is Loose," the LP also features fantastic instrumentals such as "Congo," straight blues ("Bo's Blues," that is), a call-and-answer with old sparring partner Jerome Green ("Bo's Vacation") and the fabulous ballad, "Love Is a Secret," with backing vocals from a young DC girl group, the Impalas (who would hit the charts three years later as the Jewels). On this album, they're also in fine form on the rocking "Not Guilty" and the title track. And they're not the only gals contributing, as Lady Bo shines on the axe throughout - particularly on the exotic instro, "Aztec." Not to be outdone, Bo closes the album with the badass instro, "Quick Draw" - with strings pulled and twisted to their limit.
This 180-gram edition, properly mastered from the original Chess mono reels, is where you need to be on this album. For sure, for sure.1. Not Guilty
2. Hong Kong, Mississippi
3. You're Looking Good
4. Bo's Vacation
6. Bo's Blues
7. Bo Diddley Is A Lover
9. Back Home
10. Bo Diddley Is Loose
11. Love Is A Secret
12. Quick Draw$24.99180 Gram Audiophile Vinyl LP Mono - Sealed Buy Now
The Dirty Truth (Discontinued)British blues rock guitarist Joanne Shaw Taylor returns to UK shores with a Nationwide UK Tour in November 2014, which follows hot on the heels of her fourth new studio album, The Dirty Truth, which is currently being recorded in Memphis.1. Mud, Honey
2. The Dirty Truth
3. Wicked Soul
4. Fool In Love
5. Wrecking Ball
6. Tried, Tested And True
7. Outlaw Angel
8. Shiver And Sigh
9. Struck Down
10. Feels Like Home$27.99Vinyl LP - Sealed Buy Now
Brand New DayCanadian hip-hop mainstays return with a new release, on the heels of their acclaimed 2013 album Beautiful Death Machine1. Intro
3. Blood Sport
4. Cock Blocker
5. Brand New Day
6. Angel of Death
7. Jacques Cousteau (feat. DJ Makeway)
8. Supernova (feat. DJ Revolution)
9. Odd Goblins
10. Park Bench
12. Creatures of Evil
13. Jackson Pollock (feat. DJ Makeway)
14. Cold Sweat
15. Still Kill$24.99Vinyl LP - Sealed Buy Now
The Darkest HourPressed On Transparent Green Colored Vinyl
New album from Madchild, the Canadian rapper best known for his work in Swollen Members, produced byEvidence. The Darkest Hour follows up 2015's Silver Tongue Devil.1. Write It Down
2. Imaginary Tears
3. Body Bag (feat. Domo Genesis & Oh No)
4. Broken Record
5. Green Light (feat. Evidence)
6. Double Tap (feat. A$ton Matthews & Fashawn)
8. Corleone (feat. Evidence)
9. Cold Crush
10. Club 33 (feat. The Alchemist & Evidence)
11. Land (feat. illmaculate)
12. Black and White
14. I Know$18.99Colored Vinyl LP - Sealed Buy Now
Panic Grass And Fever FewImport
Panic Grass & Fever Few is the 2010 debut album from Yorkshire, U.K. folk artist Ian King. Recorded with the On-U sound crew's Adrian Sherwood and Skip Little Axe McDonald, the 13-song set mixes English traditional song with a very contemporary sound palate including hints of world music and even a touch of dub. Here on 180g vinyl courtesy of 6 Spices Records.
This is English folk music for the 21st century! - Shirley Collins1. Adieu To Old England
2. Death and the Lady
3. Black Eyed Susan
4. Evil Eye
5. Four Loom Weaver
6. By George
7. Flash Company
8. Ah Robin, Gentle Robin
9. Take, O Take Those Lips
10. How Should I Your True Love Know?
11. Isle of France
12. Old Minder
13. Jovial Broom Man$30.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Symphony For The DevilClear Colored Vinyl
Symphony For The Devil is Witchery's third full-length studio album after Restless & Dead in 1998 and Dead, Hot And Ready in 1999. Symphony... was released in 2001 and has received underground acclaim from metal fanzines and webzines. The album continues in the style of previous Witchery releases, with thrash metal riffing and solos, but with a black and death metal influence. This album sees Martin Axe of Opeth on drums, after the departure of Mique. The reissue of the album in 2007 uses slightly different cover art.1. The Storm
2. Unholy Wars
5. Bone Mill
6. None Buried Deeper
8. Called For By Death
9. Hearse Of The Pharoahs
10. Shallow Grave
12. The One Within$22.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Mourning In The MorningFor Mourning In The Morning, his 1969 album debut on Atlantic Records, southpaw blues guitar legend Otis Rush journeyed from his Chicago home to Fame Recording Studios in Muscle Shoals, Alabamaa burg best known for seminal soul platters. Backed by a horn-powered band that included a young Duane Allman on rhythm guitar, Otis slashing axe and anguished vocals glowed on the tortured Youre Killing My Love, remakes of his Cobra Records classics My Love Will Never Die and It Takes Time, and a stunning revival of B.B. Kings Gamblers Blues. Half the set consisted of new compositions from producers Mike Bloomfield and Nick Gravenites, and Rushs mile-wide string bending on a shimmering instrumental version of Aretha Franklins Baby I Love You is utterly breathtaking.1. Me
2. Working Man
3. You're Killing My Love
4. Feel So Bad
5. Gambler's Blues
6. Baby, I Love You
7. My Old Lady
8. My Love Will Never Die
9. Reap What You Sow
10. It Takes Time
11. Can't Wait No Longer$24.99Vinyl LP - Sealed Buy Now
Mindelds is the 10th studio record by Toto, as originally released in 1999. The album saw the return of original Toto singer Bobby Kimball, who had left the band once their breakthrough album Toto IV was released back in 1982. Kimball and axe slinger Steve Lukather share lead vocals, dividing these duties approx 60/40.
As always with Toto, the playing is tight. What else would one expect from these veteran musicians? Apart from Lukather and Kimball, Toto in '99 consisted of David Paich (keyboards), Mike Porcaro (bass) and Simon Phillips (drums, who replaced original drummer Jeff Porcaro after his fatal heart attack in 1992). The record was nominated for a Grammy in the category Best Engineered Album, Non Classical.LP1
1. After You've Gone
2. Mysterious Ways
4. High Price Of Hate
6. No Love
7. Caught In The Balance
8. Last Love
1. Mad About You
2. One Road
5. Better World$36.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Angels Watching Over Me"I was very reluctant to put this stuff out because there's a ton of rootsy cornballs out there doing this kind of stuff and all of them play guitar way better than me. But I think I have something here that doesn't really
sound like anything else. The numbers that bounce really bounce. The numbers that drone really drone. I'm excited about this." -Danny Kroha
As a mainstay on the Detroit music scene for over thirty years, Danny Kroha has consistently pushed himself to reinvention. As founding member of garage legends the Gories, he's influenced countless imitators and poseurs. His axe work with Rocket 455 is the most quintessentially "Detroit" rock and roll this side of the MC5. And his turn as a pastied playgirl in the Demolition Doll Rods proved that even in drag, he was undeniably solid. So with his first full-length release under his own name, it may come as an unexpected turn that he's dealing in classic gospel and folk songs. Playing every instrument himself, spanning guitar, banjo, baritone dulcimer, diddley bow, washtub bass, jug and mouth organ, the end result is a collection of
compelling, timeless traditional songs. Angels Watching Over Me is the real deal, seeming that it could've been recorded at any time over the past 70 years. With this album, Kroha firmly establishes himself as one of the pre-eminent practitioners of a genre in desperate need of someone with his creativity and vision in moving forward the classic American art form.1. Angels Watching Over Me
2. I Want to Live So God Can Use Me
3. Rowdy Blues
4. Holy Ghost Don't Leave Me
5. Take Me Back
6. John Henry
7. Walking Boss
8. Run Little Children
9. The Road is Rough and Rocky
10. Cannonball Blues
11. You Got To Move
13. Before This Time Another Year
14. Jack O'Diamonds
15. Pretty Little Pink
16. Lonesome Valley$17.99Vinyl LP - Sealed Buy Now
Stone Free/Lover ManFrom Sundazed, the lost 1969 Jimi Hendrix single! Recorded in April, 1969, with key musicians from the guitar god's inner circle-Billy Cox on bass, Mitch Mitchell on drums, along with friends Roger Chapman and Andy Fairweather Low on backing vocals-this new platter features Hendrix' second studio attempt at Stone Free, perhaps the song associated with him that best encapsulates the artist's restless renegade spirit!
Reprise scheduled this axe anthem as a single not long after the sessions, but for reasons unknown, they issued an earlier version that was recorded in 1966 and had previously appeared as a 1966 B-side in the UK. This revised, rocking, razing take on a favorite song of the performers' (he often performed it in his shows) only later appeared on a posthumous LP in the '70s in an overdubbed version...but it is restored to the original performances here on the new Sundazed 7 edition!
Also included is Lover Man, a killer, funkified blues track with Billy Cox on bass and Mitch Mitchell on drums, recorded summer, 1970. A tight and tempestuous groove that could've (and should've!) been an A-side of its own.
Two sides of pure, original Jimi Hendrix in his prime, presented by Sundazed in partnership with Experience Hendrix, L.L.C., the fourth in the series of commemorative singles with a new picture sleeve, featuring unique and hard-to-find vintage performances!1. Stone Free
2. Lover Man$9.997 Vinyl Single Buy Now
Navigating The Bronze (Awaiting Repress)Navigating The Bronze, the fifth studio album from Seattle's AKIMBO, is their heaviest and most dynamic release to date. This battle axe of a record was sculpted at Head Bang and Kill Your Mama studio in Louisville, KY with Chris Owens (LORDS, ED GEIN, YOUNG WIDOWS, etc.) whose talent for capturing heavy-hitting bands culminated in ten songs sure to crumble the walls around your stereo.
Navigating The Bronze, AKIMBO's second full-length on Alternative Tentacles (third including the 2007 reissue of Harshing Your Mellow - VIRUS 369) features a revamped lineup with fretboard wizard Aaron Walters on guitar and the familiar cement-tight rhythm section of founding members Nat Damm (drums) and Jon Weisnewski (bass/vocals). In addition to a refreshed guitar sound, Weisnewski's token throat-shredding has evolved into a deeper, more ferocious bellow, lending a primal quality to the vocals as well as fueling the inferno with new melodies.
Tracks like You Can Hear the Honey, Wizard Van Wizard and Huge Muscles will sound instantly familiar to the seasoned AKIMBO connoisseur with frantic pacing and more changes than one can count on two hands. However, Navigating The Bronze has its cache of surprises for old fans, including a classical tribute to Bach in Megatherium and drummer Nat Damm - a multiple Seattle Weekly Best Drummer nominee - doing his first ever solo track Roman Coins.
At once the most varied and sonically mature AKIMBO record thus far, Navigating The Bronze is certain to take the band to the next level. AKIMBO will be on the road constantly throughout 2007 and into 2008 supporting Navigating The Bronze.1. You Can Hear the Honey
2. Wizard Van Wizard
3. Dungeon Bastard
4. Huge Muscles
5. Roman Coins
8. Hiding in Paper
9. Curse of King David
10. Stjernaborg$10.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Reinventing The SteelOne of the preeminent metal bands of all time, Pantera put to rest any and all remnants of the '80s metal scene, almost single-handedly demolishing any notion that hair metal, speed metal, power metal, et al., were anything but passÉ.
As one of metal's most ferocious acts, with one of its most insanely devoted audiences, it's clear as an empty whiskey bottle that Pantera's impact and influence on heavy music is still being felt.
Lyrics about the band itself can be found through most of this album (We'll Grind That Axe For a Long Time) but also includes songs about their fans (You've Got To Belong To It).
Reinventing The Steel will all be reissued on 180-gram vinyl. Heavy Metal thrashers Pantera broke up in 2003. Guitarist Dimebag Darrell was the victim of a tragic shooting in 2004 while playing with his band Damage Plan.
Dimebag Darrell called the band's most recent studio album, 2000's Reinventing The Steel, a best-of in its own right, a mix of elements from the albums that had preceded it. Even the closing epic, I'll Cast A Shadow, was a monster. Usually when we write, the songs come together really fast, says Dime. But sometimes, you'll be drilling at one for hours before you realize it ain't workin'. This was one of those. So we put it on the back burner, finished up all the other tunes, then went back to give it one more pull. We rearranged it, threw a few new parts in, and it really brought it to life. I think it ended up being the baddest-ass song on the whole record.1. Hellbound
2. Goddamn Electric
3. Yesterday Don't Mean Shit
4. You've Got To Belong To It
5. Revolution Is My Name
6. Death Rattle
7. We'll Grind That Axe For A Long Time
9. It Makes Them Disappear
10. I'll Cast a Shadow$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Gimme Back My Bullets (45 RPM)
45 RPM 200-Gram Gatefold Double LP Reissue
Remastered By Ryan Smith At Sterling Sound From The Original Analog Tapes
Plated And Pressed At Quality Record Pressings!
Tip-On Gatefold Jacket By Stoughton Printing
What would American southern rock be without the scorching sounds of Lynyrd Skynyrd? Analogue Productions and Quality Record Pressings have already brought you exceptional reissues of Second Helping and Nuthin' Fancy. Back to the well then, we go, for two more Skynyrd favorites - the epic Gimme Back My Bullets and the band's bluesy, hard-rocking 1973 debut Pronounced Leh-nerd Skin-nerd.
This 1976 Tom Dowd-produced classic, Gimme Back My Bullets, the fourth studio album from the legendary southern rock band, features the original line-up of Ronnie Van Zant on vocals, lead guitar great Gary Rossington, Allen Collins on guitar, Leon Wilkerson on bass, Billy Powell on piano, and Artemus Pyle on the drums.
Other records from the late, great, and original Lynyrd Skynyrd were more barroom raw (Pronounced Leh-Nerd Skin-Nerd), indelibly rocking (Second Helping), and radio-ready (Street Survivors), but none was as endearing and cohesive as Gimme Back My Bullets). The 1976 LP, whose title referred not to ammunition, but to the Billboard term 'No. 1 with a bullet,' found the normally three-fisted Florida guitar army one axe short.
But it allowed Gary Rossington and Allen Collins to work more intuitively on the songwriting chores with vocalist Ronnie Van Zant, while providing room to groove in the process. The results, though underrated in the band's epic pre-crash catalog, sweep into rock ('Trust,' 'Searching'), blues ('I Got the Same Old Blues'), folk ('Every Mother's Son'), and country ('All I Can Do Is Write About It'). - Amazon
This title is not eligible for discount.1. Gimme Back My Bullets
2. Every Mother's Son
4. I Got The Same Old Blues
5. Double Trouble
6. Roll Gypsy Roll
8. Cry For The Badman
9. All I Can Do Is Write About You$54.99200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
No Shouts, No CallsFollowing Rock It To The Moon (2001), Power Out (2004), and Axes (2005), there seems to be a new kind of light shining on Electrelane that remains strong throughout this record, but the willingness to push the envelope hasn't left the band either.
No Shouts No Calls is an album of enticingly irregular brilliance. Electrelane effortlessly assimilate a wide cut of moods and influences - the off kilter harmony of the Velvet Underground, the droning insistence of Krautrock heroes Can, the bratty brashness of feminist popsters Le Tigre - into a heartfelt batch of art-pop that never sounds snobby - BlenderLP 1
1. The Greater Times
2. To The East
3. After The Call
4. Tram 31
5. In Berlin
6. At Sea
1. Between The Wolf And The Dog
4. Cut and Run
5. The Lighthouse$22.99Vinyl LP - 2 LPs Sealed Buy Now
REDI-SUN-5128xIncredible String Band
The 5000 Spirits Or Layers Of The OnionIf any musical combo ever meshed perfectly with the times it was the Incredible String Band. And here's the proof: 1967's The 5000 Spirits Or Layers Of The Onion on deep-grooved, 180-gram vinyl. The wildly eclectic Scottish folk outfit -with the airy vocals and fretboard prowess of Robin Williamson and Mike Heron as its two constants -began life resurrecting wondrous and ancient Celtic ballads, then was transformed by the perfumed winds of 1967's psychedelic revolution to add sitar, oud, gimbri and all manner of exotic axes to its arsenal. The result is a gently mesmerizing psychedelia and anti-folk stance-consummate counterpoint to current psych heroes like Mogwai and Beachwood Sparks -that makes perfectly clear why the Incredible String Band remains just that: Incredible!1. Chinese White
2. No Sleep Blues
3. Painting Box
4. The Mad Hatter's Song
5. Little Cloud
6. The Eyes Of Fate
7. Blues For The Muse
8. The Hedgehog's Song
9. First Girl I Loved
10. You Know What You Could Be
11. My Name Is Death
12. Gently Tender
13. Way Back In The 1960s$24.99Vinyl LP - Sealed Buy Now
REDI-SUN-5129xIncredible String Band
The Hangman's Beautiful DaughterIf any musical combo ever meshed perfectly with the times it was the Incredible String Band. And here's the proof: 1968's The Hangman's Beautiful Daughter on deep-grooved, 180-gram vinyl. The wildly eclectic Scottish folk outfit -with the airy vocals and fretboard prowess of Robin Williamson and Mike Heron as its two constant-began life resurrecting wondrous and ancient Celtic ballads, then was transformed by the perfumed winds of 1967's psychedelic revolution to add sitar, oud, gimbri and all manner of exotic axes to its arsenal. The result is a gently mesmerizing psychedelia and anti-folk stance-consummate counterpoint to current psych heroes like Mogwai and Beachwood Sparks -that makes perfectly clear why the Incredible String Band remains just that: Incredible!1. Koeeoaddi There
2. The Minotaur's Song
3. Witches Hat
4. A Very
5. Cellular Song
6. Mercy I Cry City
7. Waltz Of The New Moon
8. The Water Song
9. Three Is A Green Crown
10. Swift As The Wind
11. Nightfall$24.99Vinyl LP - Sealed Buy Now
Silent Reign Of Heroes (Awaiting Repress)This Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.
1. Mississippi Moon Dog
2. World of Trouble
3. Silent Reign of Heroes
4. Miss Saturday Night
5. Blue Thunder
6. Just Remember (You're the Only One)
7. Junk Yard Dawg
8. Dead and Gone (Redneck Song)
9. Saddle Tramp
10. Fall of the Peacemakers
11. Whiskey Man
12. One Man's Pleasure$22.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Kingdom Of XIIThis Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.1. Heart of the U.S.A.
2. Cornbread Mafia
3. One Last Ride
4. Why Won't You Take Me Home
5. Turn My Back on Yesterday
6. Gypsy Trail
7. White Lightning
8. Tumbling Dice
9. Angel in Dixie
10. Kickstart to Freedom
11. Dreams of Life
12. Edge of Sundown
13. Bounty Hunter$22.99Vinyl LP - 2 LPs Sealed Buy Now
Whine of the MysticNova Scotia's Nap Eyes is the greatest band you've never heard, and Whine of the Mystic is their first full-length album, a brilliant small-batch brew of crooked, literate guitar pop refracted through the gray Halifax rain. Recorded live to tape with no overdubs, it's equal parts shambling and sophisticated, with one eye on the dirt and one trained on the starry firmament, inhabiting a skewed world where odes to NASA and the Earth's magnetic field coexist easily with songs about insomnia and drinking too much. Nap Eyes' keen sonic signature cruises briskly and beautifully along the dog-eared axes of jangle-jaded Oceanic pop music (The Clean, The Verlaines, The Go-Betweens), and through the backpages of Peter Perrett (The Only Ones, England's Glory), via all things Lou Reed and Modern Lovers, without ever sounding very much like anything else happening today.1. Dark Creedence
2. Make Something
3. Tribal Thoughts
4. Delirium and Persecution Paranoia
5. No Man Needs to Care
6. Dreaming Solo
7. Night of the First Show
8. Oh My Friends
9. No Fear of Hellfire$21.99Vinyl LP - Sealed Buy Now
Santana IVSantana IV is the wildly anticipated studio album that reunites the revered early '70s lineup of guitar icon Carlos Santana (guitar, vocals), Gregg Rolie (keyboards, lead vocals), Neal Schon (guitar, vocals), Michael Carabello (percussion) and Michael Shrieve (drums). The album signifies the first time in 45 years - since 1971's multi-platinum classic Santana III - that the quintet has recorded together.
Santana IV features 16 all-new tracks written and produced by the band that burst with the same unparalleled energy and superlative musicianship that made Santana a pioneering force in world music and a household name across the globe. Joining the core Santana IV band in the studio are current Santana members Karl Perazzo (percussion) and Benny Rietveld (bass), with the legendary vocalist Ronald Isley guesting on two cuts.
The origins for the reunion go back several years, when Schon suggested that he and Carlos Santana record together. Santana liked the idea but went one better, proposing that they recruit Rolie, Shrieve and Carabello for what would be called Santana IV. After initial writing sessions and rehearsals took place in 2013, the group recorded throughout 2014 and 2015, amassing 16 spellbinding tracks that combined all their signature elements - Afro-Latin rhythms, soaring vocals, electrifying blues-psychedelic guitar solos, and irrepressibly jubilant percussion work - with widescreen hooks and melodies that will lodge themselves in the thicket of listeners' senses and stay there.
It was magical, Santana says. We didn't have to try to force the vibe - it was immense. >From there, we then needed to come up with a balance of songs and jams that people would immediately identify as Santana.
The band's signature sound arrives forcefully on the album opener Yambu, a righteously gritty and soulful stomper teeming with swirling B3 organ hooks and walloping guitar crunch.
The first single, Anywhere You Want to Go, is destined to storm the pantheon of Santana classics. Written by Gregg Rolie, it's a sexy, body-shaking winner and an unmistakable tip of the hat to the inescapable cha-cha/Latin jazz charms of Oye Como Va.
Ronald Isley (The Isley Brothers) is a special guest on two tracks. His vocals highlight the feverishly impassioned Latin-rock workout Love Makes the World Go Round and the hard-edged and funky Freedom in Your Mind. Guitar fans expecting fireworks from Santana and Schon will cherish Santana IV from front to back. All Aboard is a no-holds-barred guitar jam of the highest order, as is the slinky, soulful metal cruncher Caminando, which explodes with tectonic axe force. And on the unabashedly British blues-tinged Shake It, the two go toe to toe on not one but two extended solo runs that will have lovers of unhinged fretboard work rejoicing.
Carlos and I feel more connected than ever, says Schon. We get super-aggressive when we play, but also melodic and poetic. We have an incredible dialog with each other on our guitars.
Santana's recurring themes of love and tolerance are common threads throughout Santana IV, most dramatically on the epic tone poem album closer Forgiveness, a languid and breathtakingly gorgeous atmospheric groover.
Music fans familiar with the roaring lion artwork on Santana's 1969 debut album will instantly greet Heather Griffin-Vine's graphic for Santana IV as a gloriously realized update of that iconic image. I really think the music goes along with the cover, and vice versa, says Santana. It all fits together beautifully.
Few bands can pick up a musical dialog after 45 years apart, but on Santana IV each band member reaches a new level of virtuosity and communal intuition on a collection of songs that easily stands side-by-side with the group's treasured early work.
When you can go back and break new ground with joy and determination - and some whoop-ass energy - it gets you going, says Santana. I think we achieved something very rare. This music was screaming to come out of us. It wasn't about nostalgia. It was about passion.1. Yambu
2. Shake It
3. Anywhere You Want To Go
4. Fillmore East
5. Love Makes The World Go Round (Feat: Ronald Isley)
6. Freedom In Your Mind (Feat: Ronald Isley)
7. Choo Choo
8. All Aboard
11. Blues Magic
13. Leave Me Alone
14. You And I
15. Come as You Are
16. Forgiveness$29.99Vinyl LP - Sealed Buy Now
Blues of Desperation (Awaiting Repress)GRAMMY-nominated blues-rock guitar icon Joe Bonamassa announces his 20160solo album, Blues of Desperation (J&R Adventures). Like his previous solo disc, 2014's Top 10 Billboard hit Different Shades of Blue, this record features all-original material, and it sees the maverick superstar guitarist, singer and songwriter tossing away the rule book as he continues to reinvent and redefine the blues-rock genre like no other artist working today.
I want people to hear my evolution as a blues-rock musician, says Bonamassa, somebody who isn't resting on accomplishments and who is always pushing forward and thinking about how music can evolve and stay relevant.
The writing sessions for Blues of Desperation took Bonamassa back to Nashville, where he'd composed Different Shades of Blue, to work with some of Music City's top tunesmiths, people like James House, Tom Hambridge, Jeffrey Steele, Jerry Flowers and Gary Nicholson.
These are some of the best guys in the business, Bonamassa raves. Lyrically, you'll hear the proverbial trains, mountains, valleys and other blues references about heartbreak and loneliness but there are also some poignant moments about getting away from the stressful, crazy demands of life and losing yourself with your special someone. I think anybody will be able to relate.
Bonamassa and his longtime producer Kevin Shirley (Led Zeppelin, Iron Maiden, Journey) convened at Nashville's Grand Victor Sound Studios (formerly known as RCA Studio A), and during an intense, five-day period they recorded 11 galvanizing songs with a crack group of musicians including drummers Anton Fig and Greg Morrow, bassist Michael Rhodes, keyboardist Reese Wynans, horn players Lee Thornburg, Paulie Cerra and Mark Douthit, and background singers Mahalia Barnes, Jade McRae and Juanita Tippins.
Of his decade-long collaboration with Shirley, Bonamassa says, I can explain our relationship with one word - 'trust.' I completely trust in Kevin and his musical promptings. He pushes my musical ability by challenging me to not just rest on my laurels or settle for 'good.' He expects more out of the other musicians as well and will not hold back when he sees us falling back into our usual routine.
Which sometimes calls for unorthodox measures, says Shirley, who admits that his idea of augmenting Bonamassa's usual recording band with second drummer Morrow was engineered to ruffle Joe's feathers.
I wanted him to work a little harder, like in his early years, he says, so I brought in an additional drummer, just to throw the cat amongst the pigeons. Of the results, Shirley raves, Recording 'Blues of Desperation' is one of the most exciting recording projects I've done. What a joyful noise we made!
Blues of Desperation is Bonamassa's most powerfully diverse and boldly realized album yet, with the material ranging from the gutsy, gritty blues call to arms of This Train (Joe's guitar is set to rude throughout) to the elegant yet emotionally shattering ballad What I've Known for a Very Long Time to the soul-nourishing, acoustic-based Americana of The Valley Runs Low, on which Bonamassa's voice rises up majestically to meet Barnes, McRae and Tippins in gospel-like rapture. And then there's the bleary, tequila-soaked Drive, dripping with the kind of raw, wicked and unsettling sensuality that could make David Lynch green with envy.
Throughout the record, Bonamassa's epic guitar playing conjures up stirring benedictions and explosive exorcisms of sound. No Good Place For the Lonely features some of the guitarist's most cauterizing licks yet, and the walloping title track is a white-knuckled, six-string thrill ride guaranteed to jolt the senses. Guitar fans everywhere (like those who recently voted Bonamassa Best Blues Guitarist in Guitar World magazine by an overwhelming margin) will consider Blues of Desperation a treasure trove of axe riches.
There are some long solos on this record and even some mini-jams in the middle of a track where the band would just jive and crank it out, he says. [During those jams], we do a tip of the hat to Beck and Clapton from the '70s. I think guitar nerds and music fans like myself will love it.
Packed with unparalleled musicianship and teeming with the most enthralling collection of songs in Bonamassa's career, Blues of Desperation is guaranteed to knock out critics and fans alike. By exceeding his own vertiginously high artistic goals, Bonamassa is bound to shatter all other expectations with this record and reach new audiences - no mean feat when you continue his astonishing track record of hits now includes 15 #1 Billboard Blues Albums (more than any other artist in history). 2014's Different Shades of Blue debuted at #8 on Billboard's Top 200 Chart, making it his highest charting album, his first top 10 and accounting for his biggest sales week ever. In 2014, the guitarist received his first-ever Grammy nomination (for Best Blues Album) for the album Seesaw, his second collaboration with blues singing star Beth Hart, and was named 2014's Billboard Blues Artist of the Year.1. This Train
2. Mountain Climbing
4. No Good Place For The Lonely
5. Blues Of Desperation
6. The Valley Runs Low
7. You Left Me Nothin' But The Bill And The Blues
8. Distant Lonesome Train
9. How Deep This River Runs
10. Livin' Easy
11. What I've Known For A Very Long Time$34.99180 Gram Audiopbhile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Kiss: MTV UnpluggedCelebrating four decades of decibels, KISS, Mercury Records and UMe proudly announce reissuing the legendary KISS albums on 180g audiophile vinyl
starting in 2014. Remastered to high definition 192kHz/24-bit audio for maximum fidelity, these albums have never sounded so amazing and now
vinyl collectors will get what they've been demanding. All posters, sleeve art, stickers, etc that appeared in the original LP release where applicable have
been faithfully reproduced for the KISS Army.
On April 10, KISS will be inducted into the Rock and Roll Hall of Fame - which will be broadcast in May -
and then will kick off a summer co-headlining tour with Def Leppard starting in June.
After sinking deep into this musical celebration, even the not-so-avid listener will surely know something more about Kiss, a classic rock icon of the '70s roaring back in vibrant and passionate form. This recording of a session done expressly for the program MTV Unplugged in 1996 brought together a special group for a remarkable, if unexpected, reunion. Throughout this record, you can feel the support and raw adoration of the audience present, certainly a mixture of long-time fans and new admirers. The members of Kiss got together to rock hard on their axes and crash big on the drums, bringing a renewed sense of freshness and excitement. Nearly rock & roll legends, they exceeded expectations and, given their newfound energy, charisma, and love for the music, their performance provided the catalyst for the beginning of a successful world reunion tour. Coming Home delivers a feverish and electric opening that gets the crowd on its feet in a hurry. Soon the emotion and presence of this group are brought back with startling grace and wisdom on Plaster Caster, and the beautiful acoustic medley Goin' Blind. The decades of Kiss, their costumes, and their wild stadium shows roll back in a heartbeat through the crashing tune Do You Love Me. Perhaps one of the most bewildering tunes that really reflects the image of Kiss is the rocking blues tune Domino. The crowd is really fired up now, next experiencing the charming and soulful power rock ballad Sure Know Something. A World Without Heroes is very subdued and reflective. Rock Bottom is delicate and mysterious in the opening seconds, with a lush minor harmony delivered picking style on the acoustic. Now it gets rough, expresses Stanley, grooving in a racy blues statement. See You Tonight is a romantic and pretty ballad delivered with sweetness, and the group sings, I'll see you tonight/And if I can't, I'll cry, I'll cry/I see you tonight, outside. Then on comes the darker resonance of the band with I Still Love You, expressing grave longing after a grueling breakup. I got to make you see, is a gripping line in a haunting bridge section, before the shouted, emotional, sometimes painful chorus: Girl, it seems the price I have of losing you/Will be my hell to pay/It makes me want to die/'Cause I still love you. The solo during the bridge is reminiscent of the chord structure of the Guess Who's Undun. After this painful, depressing song, new breath is found with Every Time I Look at You, a song of forgiveness, delivered with sincerity and the feeling of hope: Every time I hold you/The things I never told you seem to come easily/'Cause you're everything to me. The bridge is brilliant and seems to elevate the melody to a gratifying level, before breaking into a chilling guitar improv, layered over with a shimmering string orchestra. Beth is the most heartwarming song of Kiss' power ballads: Beth I know you're lonely/And I hope you'll be alright/'Cause me and the boys will be playing all night. Finally, a Kiss show wouldn't be complete without the ultimate party song, Rock and Roll All Night, a tune still electric without electric guitars.
- Shawn M. Haney (All Music Guide)LP 1
1. Comin' Home
2. Plaster Caster
3. Goin' Blind
4. Do You Love Me
6. Sure Know Something
7. A World Without Heroes
8. Rock Bottom
1. See You Tonight
2. I Still Love You
3. Every Time I Look At You
4. 2,000 Man
6. Nothin' To Lose
7. Rock 'N' Roll All Nite
8. Got To Choose$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
OVSE-MOV-435xAlexander Skip Spence
The Canadian-born Alexander 'Skip' Spence was the co-founder of Moby Grape, and played guitar with them until 1969.
In the same year he released his only solo album: 'Oar'.
The album was recorded after Spence had spent six months in a mental institution following a delusion-driven attempt to attack his Moby Grape band mates with a fire axe, after having ingested LSD.
As the urban myth goes, on the day of his release he drove a motorcycle, dressed in only his pajamas, directly to Nashville to record his only solo album. Fact is that he recorded this album in seven days, playing all the instruments himself and that the end result is now considered to be a classic psychedelic folk album.
After this album Spence largely withdrew from the music industry.1. Little Hands
2. Cripple Creek
4. Margaret - Tiger Rug
5. Weighted Down
6. War In Peace
7. Broken Heart
8. All Come To Meet Her
9. Books Of Moses
10. Dixie Peach Promenade (Yin for Yang)
11. Lawrence Of Euphoria
12. Grey / Afro$34.99High-Definition Vinyl LP - Sealed Buy Now
Sweetheart Of The RodeoRanked 117/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
With one mighty swing of the axe, the Byrds changed not only the face of rock 'n' roll but country music, as well, with their sixth album, 1968's Sweetheart Of The Rodeo. Tired of dipping a toe into the genre, Roger McGuinn and Chris Hillman added singer Gram Parsons and drummer Kevin Kelley and went for total immersion. The baptism of country-rock was a natural with Parsons, former International Submarine Band frontman, now on board. And the repertoire was wide open for country classics by the Louvin Brothers (The Christian Life) and Merle Haggard (Life In Prison), as well as Depression-era ballads (Woody Guthrie's Pretty Boy Floyd) and honky tonk weepers cut by George Jones (You're Still On My Mind). The town wasn't big enough for both of them, of course, and Parsons soon split to form the Flying Burrito Brothers, but it sure was nice while it lasted!
We're proud to present the reissue of this monumental recording in its original, stereo incarnation, cut directly from the original Columbia Recordings analog stereo masters, with perfect artwork restoration and meticulously faithful mastering.1. You Ain't Going Nowhere
2. I Am a Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years from Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$28.99Vinyl LP - Sealed Buy Now