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  • Axis: Bold As Love (Mono) Axis: Bold As Love (Mono) Quick View

    $24.99
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    Axis: Bold As Love (Mono)

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Drawn from the Original Monoaural Mixes Created by Chas Chandler, Jimi Hendrix, and Eddie Kramer in 1967.


    All Analog Mastering by Bernie Grundman


    Orginial Artwork and Sequencing


    Highly Sought After Mixes Previously Unavailable for Decades


    200 Gram pressing by Quality Record Manufacturing


    Faithful to the Original Edition Released in 1967 - US and International Edition Features Different Songs and Sequencing


    The sensational sophomore release of The Jimi Hendrix Experience highlights Hendrix's own evolving musical experimentalism and acknowledges his early musical inuences of soul and R&B. Remastered from the original two-track mixdown master tapes, Axis: Bold As Love's 13-songs show the evolving trio as they neared the height of their career. Features
    the seminal classics "Spanish Castle Magic," "Little Wing," "Castles Made Of Sand," and the classic Easy Rider anthem, "If 6 Was 9."


    The original monophonic mixes have been transferred from the original master tapes using Grundman's all
    analog mono mastering process.


    1. EXP
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $24.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Axis: Bold As Love Axis: Bold As Love Quick View

    $19.99
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    Axis: Bold As Love

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Very few albums radically change the musical and cultural landscape, altering our perceptions by way of a mad combination of forward-looking performance, liberating lyrical narratives, spiritual overtones, and unimaginable sounds. Jimi Hendrix's sophomore Axis: Bold As Love is one of those records, a timeless and prophetic set that still seems as if it comes to us from the future. Unrelentingly ambitious, deeply mythical, and profoundly virtuosic, the stupendous 1967 collection dives into a pool of lustful psychedelia, earthy blues, cosmic soul, and unhinged rock. Along with jazz-schooled drummer Mitch Mitchell and melodic bassist Noel Redding, Hendrix establishes a new musical language, a foundation on which fellow guitar giants such as Eric Clapton, Jeff Beck, Pete Townshend, and Prince would build. Ranked by Rolling Stone as the 82nd greatest album ever released, and leagues ahead of its time, Axis: Bold As Love is an absolute must-have for every music lover. Particularly now that it's finally been afforded the sonic treatment it's always deserved.


    Mastered from the original two-track mix-down analog master tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this LP is a sonic knockout on par with the very best audiophile recordings. With all apologies to previous editions from Classic and Universal, this pressing blows away any competition. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.


    Featuring seminal classics such as Spanish Castle Magic, Little Wing, and Castles Made Of Sand, Axis: Bold As Love stands as one of the Jimi Hendrix Experience's monumental moments, a tapestry scorched with color, sewn together with erotic threads, and varnished with rich personality. Do not miss this seminal pressing of a most seminal recording.

    1. EXP
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress) Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress) Quick View

    $38.99
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    Axis: Bold As Love (Music On Vinyl) (Mono) (Awaiting Repress)

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Axis: Bold as Love, the second Experience album, was released merely six months after their debut LP Are You Experienced, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live. Only Spanish Castle Magic and every-guitar-player's-ultimate-study-material Little Wing became staples during concerts.


    The album shows an incredible growth in Hendrix' songwriting and sonical versatility. Radio friendly rockers like Wait Until Tomorrow and You Got Me Floatin' are mixed with ballads such as Castles Made Of Sand - the album's variety makes it a delightful listen.


    The original mono pressing was intended to cater to those listeners with outdated hifi equipment, and therefore this is a rare piece of Hendrix' legacy. The Music On Vinyl reissue of the mono mix makes this evergreen available for contemporary ears again.

    1. Exp
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $38.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed AWAITING REPRESS Buy Now
  • Axis Mundi Axis Mundi Quick View

    $27.99
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    Axis Mundi

    Yellow/Blue Splatter Colored Vinyl

    Since the band's inception in 2001 Decrepit Birth has releases three full length releases. The first two were released on Unique Leader and the band's last release, 2010's "Polarity", is the band's debut on Nuclear Blast.

    Decrepit Birth's new album "Axis Mundi" is the band's sophomore release on Nuclear Blast. Once again the band comes back roaring back with nine new tracks of technical, melodic death metal.

    1. Vortex of Infinity - Axis Mundi
    2. Spirit Guide
    3. The Sacred Geometry
    4. Hieroglyphic
    5. Transcendental Paradox
    6. Mirror of Humanity
    7. Ascendant
    8. Epigenetic Triplicity
    9. Embryogenesis
    Decrepit Birth
    $27.99
    Colored Vinyl LP - 2 LPs Sealed Buy Now
  • Crosscheck Level Crosscheck Level Quick View

    $10.00
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    Crosscheck Level

    VPI


    Leveling a turntable is essential to ensure proper performance. The platter's constant speed, cartridge's tracking ability and the tonearm's smooth motion can all be affected if the turntable isn't level.


    VPI's Crosscheck Turntable Level is an effective, easy to use level, perfect for turntables. The Crosscheck Level allows two axis to be checked simultaneously, making leveling a quick and simple task. The Crosscheck Level's small form factor allows quick measurements to be taken anywhere; on the platter, on the plinth, even on the shelf itself.

    VPI Accessories
    $10.00
    Crosscheck Level Buy Now
  • Long Lost Tapes 1970 Long Lost Tapes 1970 Quick View

    $32.99
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    Long Lost Tapes 1970

    Import


    While remaining largely unknown to the general public, Peter Walker was something of a legend along the Boston-New York folk axis of the 1960s, releasing a few celebrated albums for Vanguard during this period. Playing with various folk luminaries like Fred Neil, Joan Baez, Tim Hardin and Karen Dalton, and studying Spanish flamenco and Indian classical guitar with none other than Ravi Shankar, Walker was both a true student of his instrument and a pioneer, using not only acoustic guitar, but, as can be heard on this album, also electric. Recorded in 1970 at Levon Helm's (The Band) house in Woodstock, with the likes of legendary Detroit drummer Maruga Booker and tabla god Badal Roy, this is an essential release for fans.

    Side A:


    1. Meditation Blues
    2. Camel Ride
    3. City Pulse


    Side B:


    1. Missing You
    2. 102nd Psalm
    3. Mellowtime

    Peter Walker
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ortofon Alignment Tool Ortofon Alignment Tool Quick View

    $11.00
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    Ortofon Alignment Tool

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Cartridge Alignment Tool/Cartridge Protractor


    An alignment protractor is used to find the correct distance from stylus tip to tonearm pivot.


    When aligning a cartridge for tangency using the alignment protractor, it is essential to remember that you are attempting to align the cantilever (and, hence, the stylus), not the cartridge body. There is no guarantee that the cantilever is perfectly aligned within the cartridge body, so simply aligning the cartridge body will not necessarily produce the desired result.


    Furthermore, many cartridge bodies have non-parallel sides, making tangential alignment of the cartridge body with the lines of tangency on the gauge virtually impossible.


    An alignment protractor is a plastic template onto which are printed the null point(s) and lines of tangency against which the cartridge should be aligned. The template is placed over the turntable's spindle (made possible via a spindle-sized hole drilled in the template) and placed against the platter.


    Cartridge must be adjusted until the cantilever is parallel to the set of parallel lines. And this should be achieved for both the indicated points. When the cartridge's longitudinal axis is parallel with the horizontal lines, tracking error will be at a minimum.

    Ortofon Cartridges
    $11.00
    Alignment Tool Buy Now
  • Thorens TP 92 Thorens TP 92 Quick View

    $999.00
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    Thorens TP 92


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    The Thorens Precision Tonearm


    The TP 92 is a nine-inch cardanic design that follows the Loefgren geometry. It was developed in parallel with the TD 309 turntable, which allowed our designers to achieve optimal compatibility. The horizontal bearing is a high-precision Japanese ball bearing that uses a specially developed oil. It is located underneath the tonearm tube at the same level as the stylus for enhanced stability. The counterweight, decoupled by two rubber rings, is also exactly level with the stylus.


    The tonearm tube is manufactured from high-quality cold-forged aluminium. A laser vibrometer was used to analyse the tube's resonances, enabling our designers to target specific frequencies.


    The headshell is also made from aluminium and tightly coupled to the tube for increased stability. Overhang can be adjusted either by sliding the headshell into the desired position on the tube or by adjusting the entire tube in the bearing block. The tube can also be rotated on its axis in order to adjust azimuth. The shape of the headshell ensures that the pick-up cartridge's centre of gravity is always directly underneath the tonearm tube, thus preventing torsional vibrations.


    VTA can be easily adjusted by loosening the arm collar lock nut and raising or lowering the entire tonearm. The anti-skating force is provided by two ferrite magnets and can be increased or decreased with the help of an adjustment screw.


    Thorens Turntables
    $999.00
    Thorens TP 92 Tonearm Buy Now
  • Carry Fire Carry Fire Quick View

    $29.99
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    Carry Fire

    Carry Fire, Robert Plant's eleventh solo album and first full-length release since 2014's acclaimed lullaby and... The Ceaseless Roar, was produced by Plant in the west of England and Wales, at Top Cat studio in Box, Wiltshire with additional recordings at Real World and Rockfield studios. As with lullaby, Plant is accompanied by The Sensational Space Shifters: John Baggott on keyboards, moog, loops, percussion, drums, brass arrangement, t'bal, snare drum, slide guitar, piano, electric piano, bendir; Justin Adams on guitar, acoustic guitar, oud, E-bow quartet, percussion, snare drum, tambourine; Dave Smith on bendir, tambourine, djembe, drum kit; and Liam Skin Tyson on dobro, guitar, acoustic guitar, pedal steel, twelve-string.


    Plant and the Space Shifters are also joined on Carry Fire by a number of special guests. Chrissie Hynde joins Plant on the duet Bluebirds Over the Mountain (written by rockabilly legend Ersel Hickey and later recorded by both Richie Valens and The Beach Boys). Albanian cellist Redi Hasa performs on three tracks, as does the celebrated Seth Lakeman on viola and fiddle.


    Plant and the Space Shifters (which now includes Lakeman) celebrate Carry Fire's release by beginning a world tour in November 2017 starting in UK & Ireland and touring all corners of globe from thereon.


    Plant and the band spent two years on the road together supporting lullaby and... The Ceaseless Roar, their unique sound and vision ultimately evolving into something even more creative and powerful.


    Plant, who lived in Texas for a time before returning to his native England three years ago, together with his friends, present the songs Carry Fire, melding unusual rhythms with naturalism and smoldering power.


    It's about intention, I respect and relish my past works but each time I feel the lure and incentive to create new work. I must mix old with new. Consequently the whole impetus of the band has moved on its axis somewhat, the new sound and different space giving way to exciting and dramatic landscapes of mood, melody and instrumentation.

    LP 1
    1. The May Queen
    2. New World...
    3. Season's Song
    4. Dance With You Tonight
    5. Carving Up The World Again...A Wall And Not A Fence
    6. A Way With Words
    7. Carry Fire


    LP 2
    1. Bones Of Saints
    2. Keep It Hid
    3. Bluebirds Over The Mountain
    4. Heaven Sent

    Robert Plant
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Split Series #23 Split Series #23 Quick View

    $20.99
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    Split Series #23


    '[Gately] veers towards the fringes of pop before dancing away into weirdo ambience and
    more solemn computer music climes." - FACT


    "Hewing to a crooked axis of air-tumbling house drums and buoyant bass, Tlaotlon sparks
    off all manner of corkscrewing pings, synth stabs and scrambled electronics in a psychoactive manner belying his participation with wayward acts such as Finnish psych troupe,
    Kemialliset YstÄvÄt. " - Boomkat


    Another high quality, album-length release, the twenty-third - and penultimate - issue in
    FatCat's long-running and highy-acclaimed Split 12" Series features two emerging artists,
    each working in markedly di erent ways to forge bold new territory for modern electronic
    music. As usual, this record will be released on 12" vinyl in the Split Series' trademark
    hand-drilled and numbered packaging, pressed in a limited edition of 700 copies for the
    world.


    A hugely exciting new talent, Katie Gately is a Brooklyn-born, LA-based artist with an
    academic background in lm sound production and editing. Having only recently stepped
    out from her regular job as a sound designer in the lm industry, Katie has crafted a set of
    brilliantly intricate and ambitious sound pieces that exist in a borderzone between electro -
    acoustic composition, eld recording and deconstructed pop bringing to mind the
    widescreen scope of Scott Walker or Julia Holter and the precise playful abstraction of
    Matmos and Holly Herndon.


    Katie's o ering for this split 12" is a staggeringly bold and ambitious composition. A
    restlessly playful, hyper-intricate, 15-minute sprawl of a track, 'Pivot' shifts around
    constantly - feeling its way into being through a spartan, alien space of treated vocals
    and gestural sound-slashes set starkly against negative space. At the core of the track
    lies a song and recognisable lyrics, pitch-shifted and time-stretched, chopped and
    layered into choirs, switching its gender, rendering it into pure malleable texture, her
    heavily manipulated voice seeps throughout the track.


    Tlaotlon is the solo alias of Melbourne-based New Zealander Jeremy Coughbrough, who
    has released a clutch of records in the past few years on labels like Dungeon Taxis, Epic
    Sweep, Trensmat and 1080p. Messy, maximalist and psychedelic, Tlaotlon pro ers a kind
    of squelchy, hyper-colourful, dislocated modern electronica that might nd roots in older
    models like Phthalocyanine or Autechre but sharing commonalities with current producers
    like Patten, Sculpture, Dalglish, Astral Social Club and others.


    Starting out from a series of vivid, striking little loops, the resulting tracks rapidly grow,
    swelling into a densely-layered web of multiplying rhythms and synthetic textures to forge
    a kind of hypermodern Baroque: synthetic, slippery, endlessly playful, dense and psychedelic. Any traces of a club backbone are swiftly disoriented into a messy, mutant swirl, a
    joyful, dense tangle of rhythms and timbres. Car alarms, chipmunk vocals, space-jazz
    synth bleed, clattering debris-beats, and pitch-bent slashes all coalesce in a churning
    torrent of sound material.

    1. Katie Gately - Pivot
    2. Tlaotlon - MYRIADE
    3. Tlaotlon - ASCENSIS
    4. Tlaotlon - ODYS
    5. Tlaotlon - SIADE
    Katie Gately / Tlaotlon
    $20.99
    Vinyl LP - Sealed Buy Now
  • Using Sickness As A Hero Using Sickness As A Hero Quick View

    $19.99
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    Using Sickness As A Hero

    First Time Ever On Vinyl


    Legendary influential hardcore/death metal/grind classic featuring future members of Municipal Waste, Discordance Axis, Burnt by The Sun and more!

    1. Weeding Out the Thorns
    2. Waste of Time
    3. Rote
    4. Chewed Up and Spit Out
    5. Swollen
    6. Human
    7. Beyond Human Perception
    Human Remains
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Journey Man The Journey Man Quick View

    $35.99
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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Longhena Longhena Quick View

    $22.99
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    Longhena

    I remember when we were in love/but time has taken that from us.


    The end game, the final unit. The last Gridlink record. Recorded over five days in Kyoto, Japan, 'Longhena,' is a twenty-three minute grindcore opus made real through the emotional ferocity and painstaking calculation of Jon Chang (Discordance Axis), Bryan Fajardo (Phobia, PLF), Takafumi Matsubara (Discordance Axis, Hayaino Daisuki) and Teddy Patterson (Burnt by the Sun, Human Remains, Hayaino Daisuki).


    Awe-inspiring musicianship, landscapes of shred, atonal and melodic at once, blast-beat hyper-mania and vocals screamed from the bottom of a personal and illustrated hell. This is the one you've been waiting for. The one that makes the body ache.


    'Longhena,' is for anyone sick with melancholy, and those who wish to obliterate the world with music.


    I have the pictures of who we once were, that life is over. Grind 2.0.


    Featuring guest vocals from Paul Pavlovich of AssÜck.

    1. Constant Autumn
    2. The Last Raven
    3. Thirst Watcher
    4. Stay Without Me
    5. Taibas
    6. Retract Perdition
    7. The Dodonpachi
    8. Black Prairie
    9. Island Sun
    10. Chalk Maple
    11. Wartime Exception Law 205
    12. Ketsui
    13. Longhena
    14. Look to Windward
    Gridlink
    $22.99
    Vinyl LP - Sealed Buy Now
  • Take To The Fields Take To The Fields Quick View

    $17.99
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    Take To The Fields

    The band Kahoots might as well be on Madagascar -- left alone on an island for years, a species with common roots to us all, but immune from gimmicks and trendiness. Although the band is often compared to the pop noisemakers of the Chicago-Northampton axis, from Silkworm to Sebadoh, a more enlightening comparison is to Arthur Lee's Love... acerbic but honest lyrics, irresistibly catchy hooks, just real and inspired music. Sometimes even a 'Forever Changes' string section, but don't worry, in plenty of moderation.
    1. Runaway
    2. You Already Died
    3. Take Anything From Me
    4. It Appears That We Are Late
    5. Western Civ
    6. I'd Say
    7. Take To The Fields
    8. By The Light Of Western
    9. Stars
    10. In A Land
    11. Monstrous Clever Fellow
    12. 4 For Four
    13. Redux
    Kahoots
    $17.99
    Vinyl LP - Sealed Buy Now
  • Electric Ladyland (Awaiting Repress) Electric Ladyland (Awaiting Repress) Quick View

    $24.99
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    Electric Ladyland (Awaiting Repress)

    Ranked 54/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!


    First-Ever Audiophile Edition of Hendrix's Pioneering Third Studio Album: The Wait Is Over!


    The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Pressing!


    Set Joins Exquisitely Remastered Versions of Are You Experienced, Axis: Bold As Love, First Rays of the New Rising Sun, and the previously unreleased Valleys of Neptune!


    The great manifesto of the psychedelic rock era, the Jimi Hendrix Experience's Electric Ladyland is the culmination of resounding experimentation and several years of band chemistry, as well as Hendrix's continual development as a guitarist seemingly capable of anything and limited only by what he couldn't think of doing. As the trio's final studio recording together, it's also the band's most adventurous, and collaborative, as Steve Winwood, Al Kooper, Buddy Miles, Jack Casady, and Chris Wood all make guest apprarances. Featuring everything from sensitive wah-wah playing (Burning of the Midnight Lamp) to the all-time best version of Bob Dylan's All Along the Watchtower, with Hendrix infusing the song with requisite mystery and mayhem, to the magnetic riff passages of Voodoo Child (Slight Return), Electric Ladyland remains one of the most fully realized and referenced recordings in history. And until now, it's never received the sonic facelift it's not only needed, but deserved.


    Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this 2LP set is a sonic knockout on par with the very best audiophile recordings. This is also the first-ever audiophile edition of Electric Ladyland. We guarantee it will absolutely blow away whatever analog or digital version you've heard before. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.


    Ranked by Rolling Stone as the 54th greatest album ever made, Electric Ladyland epitomizes the passion, soulfulness, exoticism, and emotion that makes music such a part of our life. You will not want to live without.

    1. And The Gods Made Love
    2. Have You Ever Been (To Electric Ladyland)
    3. Crosstown Traffic
    4. Voodoo Chile
    5. Little Miss Strange
    6. Long Hot Summer Night
    7. Come On (Let The Good Times Roll)
    8. Gypsy Eyes
    9. Burning Of The Midnight Lamp
    10. Rainy Day, Dream Away
    11. 1983(A Merman I Should Turn To Be)
    12. Moon, Turn The Tidesgently gently gently
    13. Still Raining, Still Dreaming
    14. House Burning Down
    15. All Along The Watchtower
    16. Voodoo Child (Slight Return)
    Jimi Hendrix
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • First Rays of the New Rising Sun (Awaiting Repress) First Rays of the New Rising Sun (Awaiting Repress) Quick View

    $34.99
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    First Rays of the New Rising Sun (Awaiting Repress)

    Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!


    First-Ever Audiophile Edition of this Seminal Collection, Hendrix's Final Studio Album!


    The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Collection!


    Set Joins Exquisitely Remastered Versions of Are You Experienced?, Axis: Bold As Love, Electric Ladyland, and the previously unreleased Valleys of Neptune!


    Hendrix Has NEVER Sounded Better on Any Format or Pressing!


    First Rays Of The New Rising Sun, the last graceful gesture by pioneering guitarist Jimi Hendrix, is the first album prepared under the supervision of his family. It compiles 17 songs whose creation span from March of 1968 to the last sessions at Electric Lady Studios in August of 1970, and which Hendrix inteded for release on this album, which was being made at the time of his tragic death. The material finds Hendrix expanding upon the parameters of his voice, concentrating on his singing while also embracing soul music more than he had on his other recordings. Hence, listeners hear funkier, bluesier, and R&B-slanted elements on this staggering set, which in no way comes off as a cheaply thrown-together posthumous release. Rather, given the level of experimental psychedelic exploration and dreamlike tones throughout, First Rays of the New Rising Sun rightly takes its place as Hendrix's final studio album. And it's never sounded so amazing.


    Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this LP is a sonic knockout on par with the very best audiophile recordings. It's no wonder that this release helps spearhead Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history. Albums don't get more essential than this.


    Originally released in 1997, First Rays Of The New Rising Sun boasts many of Hendrixs most creative musical achievements, including Night Bird Flying, Angel, Dolly Dagger, Hey Baby (New Rising Sun), and In From The Storm. Finally, here is the link that connects Hendrix's involvement with the Isley Brothers with his own groundbreaking solo fare, now on a truly glorious-sounding pressing. An absolute must for any music fan.

    1. Freedom
    2. Izabella
    3. Night Bird Flying
    4. Angel
    5. Room Full Of Mirrors
    6. Dolly Dagger
    7. Ezy Ryder
    8. Drifting
    9. Beginnings
    10. Stepping Stone
    11. My Friend
    12. Straight Ahead
    13. Hey Baby (New Rising Sun)
    14. Earth Blues
    15. Astro Man
    16. In From The Storm
    17. Belly Button Window
    Jimi Hendrix
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • All Harm Ends Here All Harm Ends Here Quick View

    $14.99
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    All Harm Ends Here

    The Early Day Miners Good Time Band is back with another platter of Midwest post-goth. Having already introduced their new rhythm section (Matt Griffin on drums and Jonathan Richardson on bass) to the world over the course of their last two tours, with All Harm Ends Here Early Day Miners have combined the lushness of their second album Let Us Garlands Bring with the conciseness of their last full-length Jefferson At Rest. Moreso than on any of their previous efforts, EDM take both musical and tonal cues from the principal architects of the 80's sad-as-hell dark underground - Echo & the Bunnymen, the Church, early-the Cure, and most notably the Bauhaus/Tones On Tail/Love And Rockets axis. While contemporaries like Bedhead and Interpol have mined primarily the darkest aspects of these long shadows, there lies in Early Day Miners' method an innate sense of hope that transcends even their darkest themes (decay, suicide, desertion). Perhaps this is most evident in the guitar interplay of long-time collaborators Dan Burton (Ativin) and Joseph Brumley. Arpeggios abound, the works of Roger McGuinn and The Edge come to mind in that there is a sense of hopefulness and sublimation which drives the songs to a better place. While the album is filled with death and ghosts of all sorts, its unifying theme is the individual's ability to escape the death and ghosts. Even the making of the album (which was done just outside of the band's hometown of Bloomington, Indiana, on the outskirts of Hoosier National Forest) was plagued by ghosts and phantoms. Recorded at the Old Mt. Gilead Church - recently revamped into a recording studio and still immediately surrounded on three sides by a dozen acres of 150-year old cemetery - principal tracking for All Harm Ends Here was halted for days at a time on multiple occasions when inexplicable flutter infected the reels of tape, almost requiring EDM to relocate its principal tracking altogether. Mixing and overdubbing was done at Burton's own Grotto Home Studio in an effort to evade those ghosts in the machine which possessed Old Mt. Gilead. While the Early Day Miners don't make flashy music, their layered music rewards the repeat listener. If you listen closely enough, in fact, you can hear ghosts in the distance.
    Errance
    Townes
    The Union Trade
    Comfort/Guilt
    All Harm
    Precious Blood
    We Know in Part
    The Way We Live Now
    The Purest Red
    Early Day Miners
    $14.99
    Vinyl LP - Sealed Buy Now
  • Zubberdust! Zubberdust! Quick View

    $25.99
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    Zubberdust!


    180g LP Audiophile Pressing Includes Art Print Poster


    Avec le soleil sortant de sa bouche began in MontrÉal in 2011, with bassist,
    singer and composer Jean-Sebastien Truchy seeking a new live ensemble to
    fuel his desired return to the highly structured afro-kraut trance rock that was
    a stock-in-trade of his previous group, the pseudo-legendary Fly Pan Am (one
    of Constellation's earliest bands, active from 1998-2005).


    Avec le soleil initially formed with Truchy joined by guitarist/engineer
    Sebastien Fournier and drummer Nasir Hasan; a rotating cast of additional
    players contributed to the group for live shows throughout 2012-2013, and the
    band gained a local reputation for irresistible and levitational live sets
    combining a contemporary/avant-garde sensibility with infectiously angular,
    rubbery grooves. Guitarist Eric Gingras (Pas Chic Chic) emerged as a fourth
    core member during this period.


    Avec le soleil has by now careened towards mastery of a highly original,
    deeply satisfying, giddy and heady avant-funk. Anchored by the excellent bass
    and drum work of Truchy and Hasan, the group's music is woven with crisp
    stuttering guitar and keyboard lines and a dynamic palette of electronic
    interventions. The pair of exquisite and exhilarating 20-minute pieces
    featured on Zubberdust! are the culmination of the group's first two years of
    conceptual and somatic development.


    This is (mostly) instrumental rock that exuberantly succeeds in blending a
    primitivist, hypnotic energy with cerebral pleasures, seeding an addictive trail
    of sonic brain-candy throughout the mixes. The band wholly embodies and
    channels its inimitable square grooves, while teasing out the innumerable joys
    of repetition via micro-deployments of ever-shifting electronic overlays -
    along with the occasional full-stop and 180 degree turn. Truchy's wordless
    lead vocals (and his choral arrangement on "Face à l'instant") add compelling
    textural and melodic counterpoints while lending the music an especially
    timeless, deterritorialised and emotive dimension.


    Radwan Moumneh's recording and production skills are on fine display; the
    album's sonic bedrock conveys all the assertiveness of the rhythm section's
    punk/hardcore roots, upon which a miasma of detailed intertwining elements
    circulate with clarity and cohesion. Zubberdust! comes in waves and pushes
    some serious air, while maintaining a meticulously upfront soundstage as the
    music moves supplely back and forth between simplicity/minimalism and
    complexity/maximalism.


    We're thrilled to be releasing the debut album by Avec le soleil sortant de sa
    bouche, sure to be a treat for Fly Pan Am fans (we know you're out there!) and
    for any aficionados of revitalizing work being done in the no wave/krautrock/
    avant-funk axis.

    1. Face à l'instant Part 1
    2. Face à l'instant Part 2
    3. Face à l'instant Part 3
    4. Face à l'instant Part 4
    5. DÉja, hier....
    6. Super pastiche fantastique / New Sun Part 1
    7. Super pastiche fantastique / New Sun Part 2
    8. Super pastiche fantastique / New Sun Part 3
    9. Super pastiche fantastique / New Sun Part 4
    10. À partir de dorÉnavant
    Avec le soleil sortant de sa bouche
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Valleys Of Neptune Valleys Of Neptune Quick View

    $34.99
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    Valleys Of Neptune

    Jimi Hendrix Valleys Of Neptune on Audiophile-Quality 180g 2LP Set!


    12 Previously Unreleased, Fully Realized Jimi Hendrix Studio Recordings Available for the First Time Ever!


    Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!


    The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Collection!


    Set Joins Exquisitely Remastered Versions of Are You Experienced?, Axis: Bold As Love, Electric Ladyland, and First Rays of the New Rising Sun!


    The already insurmountable legacy of the greatest, most advanced rock guitarist to ever play a note just got better. Valleys Of Neptune, a newly curated album of 12 fully realized Jimi Hendrix studio recordings, contains more than 60 minutes of music never commercially available on any Hendrix album. Centered around tracks recorded during a pivotal and turbulent four-month period in 1969, Valleys Of Neptune unveils the original Jimi Hendrix Experience's final studio recordings for the very first time. Just as importantly, no expense has been spared in making sure this monumental release sounds as good as humanly possible. Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this 2LP set is a sonic knockout on par with the very best audiophile recordings. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history. Albums don't get more essential than this.


    Valleys Of Neptune provides a fundamental, compelling, and largely unseen view of what Jimi Hendrix was doing in the critical period between the release of Electric Ladyland in October of 1968 and the 1970 opening of his own Electric Lady Studios in Greenwich Village. The state-of-the-art facility is also where he would begin his final project, the ambitious double album First Rays of the New Rising Sun.


    Here, the group lays down the foundation for its follow-up to Electric Ladyland, alongside the guitar superhero's first sessions with bassist Billy Cox, an army buddy Hendrix had recruited into his new ensemble. As such, Valleys Of Neptune offers more than an hour of previously unreleased Jimi Hendrix music, newly mixed for this historic release by Hendrix's longtime engineer Eddie Kramer, who first worked with the guitarist on 1967's Are You Experienced? Valleys Of Neptune is produced by Janie Hendrix, John McDermott (who contributes detailed liner notes), and Kramer. The Valleys Of Neptune single has long been one of the most sought-after of Hendrix's recordings. But it's not the only reason to grab this set.


    Other highlights encompass blazing studio covers of Elmore James' Bleeding Heart and Cream's Sunshine of Your Love, as well as premier performances of original Hendrix compositions like Ships Passing Through The Night, Lullaby For The Summer, and the original recording of the Jimi Hendrix Experience rendition of Hear My Train A Comin'. Also included is Mr. Bad Luck, a Jimi Hendrix Experience track, produced by Chas Chandler during the 1967 Axis: Bold as Love sessions.
    Specific personnel and recording dates of the tracks are as follows:


    Stone Free

    Recorded: Record Plant, New York, April 7, 9, 14, May 17,1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Billy Cox

    Drums: Mitch Mitchell

    Backing Vocals: Roger Chapman, Andy Fairweather Low


    Valleys Of Neptune

    Recorded: Record Plant, New York, September 23, 1969, May 15, 1970

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Drums: Mitch Mitchell

    Bass: Billy Cox

    Percussion: Juma Sultan


    Bleeding Heart

    Recorded: Record Plant, New York, April 24, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Billy Cox

    Drums: Rocky Isaac

    Tambourine: Chris Grimes

    Maracas: Al Marks


    Hear My Train A Comin'

    Recorded: Record Plant, New York, April 7, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Mr. Bad Luck

    Recorded: Olympic Studios, London, May 5, 1967

    Producer: Chas Chandler

    Additional bass and drum recording, Air Studios, London, June 5, 1987

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Sunshine Of Your Love

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell

    Percussion: Rocki Dzidzornu


    Lover Man

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Ships Passing Through The Night

    Recorded: Record Plant, New York, April 14, 1969

    Producer: Jimi Hendrix

    Guitar, Vocals: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Fire

    Recorded: Olympic Studios, London, February 17, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass, Backing Vocal: Noel Redding

    Drums: Mitch Mitchell


    Red House

    Recorded: Olympic Studios, London, February 17, 1969

    Producer: Jimi Hendrix

    Vocal, Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Lullaby For The Summer

    Recorded: Record Plant, New York, April 7, 1969

    Producer: Jimi Hendrix

    Mixed By Eddie Kramer

    Guitar: Jimi Hendrix

    Bass: Noel Redding

    Drums: Mitch Mitchell


    Crying Blue Rain

    Recorded: Olympic Studios, London, February 16, 1969

    Producer: Jimi Hendrix

    Additional bass and drum recording, Air Studios, London, June 5, 1987

    Vocal, Guitar: Jimi Hendrix

    Percussion: Rocki Dzidzornu

    Bass: Noel Redding

    Drums: Mitch Mitchell


    1. Stone Free
    2. Valleys Of Neptune
    3. Bleeding Heart
    4. Hear My Train A Comin'
    5. Mr. Bad Luck
    6. Sunshine Of Your Love

    7. Lover Man
    8. Ships Passing In The Night
    9. Fire
    10. Red House
    11. Lullaby For The Summer
    12. Crying Blue Rain
    Jimi Hendrix
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Both Sides of the Sky (Pre-Order) Both Sides of the Sky (Pre-Order) Quick View

    $24.99
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    Both Sides of the Sky (Pre-Order)

    Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of Stepping Stone, Lover Man and Hear My Train A Comin' as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.


    Mannish Boy - The first ever studio session by the group Hendrix would christen as his Band Of Gypsys. Hendrix, Cox & Miles shared a love for the blues as this driving, uptempo reworking of Mannish Boy by Muddy Waters makes clear.


    Lover Man - Just two weeks before their triumphant New Year's concerts at the Fillmore East in NYC [yielding both 1970's Band Of Gypsys and 2016's sequel Machine Gun], Hendrix gathered with Cox and Miles to cut this dynamic rendition of what had become a favorite concert staple.


    Stepping Stone - A totally unique take on this Hendrix favorite, with Jimi showcasing both blues and country styled licks atop a relentless, galloping beat.


    $20 Fine -Stephen Stills joined Jimi, Mitch Mitchell and Buddy Miles Express keyboardist Duane Hitchings at this September 1969 session. With Stephen handling lead vocals and organ, Jimi added multiple guitar parts to this rollicking Stills original.


    Power Of Soul - This 1970 studio session came three weeks after the Band Of Gypsys concerts at the Fillmore East. While a live version remains one of the highpoints of Band Of Gypsys, Jimi never released a studio version during his lifetime. For this album, we present the mix that Hendrix and Kramer prepared of the complete song at Electric Lady on August 22, 1970.


    Jungle - The influence of Curtis Mayfield can be heard here as Jimi expands on the Villanova Junction Blues theme he made famous by its inclusion in the 1970 Woodstock documentary.


    Things I Used To Do - Jimi is joined for this rendition of Guitar Slim's blues classic by Johnny Winter. Jimi's trademark guitar work and Winter's deft slide playing weaves in and around the foundation set by bassist Billy Cox and Crosby, Stills, Nash & Young drummer Dallas Taylor.


    Georgia Blues - Jimi reunited with some old friends from his pre-Experience days. Lonnie Youngblood, with whom Hendrix played in R&B groups like Curtis Knight & The Squires, voiced this superb twelve bar blues neatly underpinned by Hendrix's sublime rhythm and lead guitar work.


    Sweet Angel - With Axis: Bold As Love only just released, Jimi immediately turned his focus to recording what would become Electric Ladyland. This gorgeous, instrumental reading of Angel,, features Jimi on guitar, bass and vibraphone joined by Mitch Mitchell.


    Woodstock - Stephen Stills came to this session fresh from having visited Joni Mitchell, who had a new song that Stills was excited to try and record. Long before CSNY's version, Stephen, Jimi and Buddy Miles recorded this amazing rendition.


    Send My Love To Linda - A superb new Hendrix original composition recorded with Cox and Miles in the aftermath of their successful Band Of Gypsys performances at the Fillmore East.


    Cherokee Mist - Together with drummer Mitch Mitchell, Jimi created this moody, evocative original complete with his playing of a sitar to complement his traditional electric guitar.

    1. Mannish Boy
    2. Lover Man
    3. Hear My Train a Comin'
    4. Stepping Stone
    5. $20 Fine
    6. Power of Soul
    7. Jungle
    8. Things I Used to Do
    9. Georgia Blues
    10. Sweet Angel
    11. Woodstock
    12. Send My Love to Linda
    13. Cherokee Mist
    Jimi Hendrix
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • West Coast Seattle Boy: The Jimi Hendrix Anthology (Awaiting Repress) West Coast Seattle Boy: The Jimi Hendrix Anthology (Awaiting Repress) Quick View

    $99.99
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    West Coast Seattle Boy: The Jimi Hendrix Anthology (Awaiting Repress)

    LPs Cut from the Original Masters at Sterling Sound by Iconic Engineer George Marino



    58-Track Behemoth Includes 45 Previously Unreleased Hendrix Studio and Live Recordings



    Hendrix's Journey Traced in Music: From Little-Known R&B Sideman to Rock Superstar



    Ultimate Hendrix Set is the Jewel of Legacy's Catalog Restoration Project



    The wave of newly re-mastered, all-analog Jimi Hendrix titles culminates in the long awaited release of West Coast Seattle Boy: The Jimi Hendrix Anthology. This definitive career-spanning 8-LP Box Set tracks Hendrixs remarkable journey from R&B sideman to international guitar hero. The deluxe set is filled with previously unreleased Jimi Hendrix Experience recordings plus demos, alternate takes, and more. This newly assembled Jimi Hendrix anthology also includes a new Hendrix documentary DVD, directed by the Grammy award-winning Bob Smeaton (Beatles Anthology, Festival Express, and Beatles: The Studio Recordings). The LPs have been cut from the original masters at Sterling Sound in Manhattan by iconic engineer George Marino.



    This long-awaited career-spanning box set tracks Hendrix's remarkable journey from little known R&B sideman to international stardom through an unprecedented assemblage of previously unavailable recordings. West Coast Seattle Boy - The Jimi Hendrix Anthology is not a collection of existing Hendrix albums but instead 45 unreleased Hendrix live and studio recordings including demos and alternate versions of songs from Are You Experienced, Axis: Bold As Love, and Electric Ladyland.



    West Coast Seattle Boy includes Hendrixs never before heard version of Bob Dylans 'Tears Of Rage, solo acoustic recordings of Electric Ladyland favorites like Long Hot Summer Night and 1983 (A Merman I Shall Turn To Be) as well as never before heard live performances from Berkeley and the legendary Band Of Gypsys Fillmore East concert on New Year's Eve 1969 combined together with such new Hendrix songs as Hear My Freedom, Hound Dog Blues, Lonely Avenue and more.



    A centerpiece achievement in Legacy Recordings' monumental Jimi Hendrix catalog project, West Coast Seattle Boy - The Jimi Hendrix Anthology is the first Hendrix collection to bring fans access to a comprehensive treasure trove of fresh material -- including demos, alternate takes, live concert jewels and more -- from all phases of the artist's recording career (1964 -1970). It offers the most complete collection of Jimi's pre-Experience R&B performances (including his singles with the Isley Brothers, Little Richard, Don Covay, King Curtis and more) to ever be officially anthologized, while bringing together the most comprehensive and revelatory set of fully realized songs, never before heard live performances, alternate studio takes, acoustic and electric demos, and other rarities drawn from every chapter of Hendrix's remarkable life and career.



    The newly curated and assembled West Coast Seattle Boy - The Jimi Hendrix Anthology also includes Jimi Hendrix Voodoo Child, a new 90-minute documentary directed by the multiple Grammy-award winning Bob Smeaton (Beatles Anthology, Festival Express, Beatles: The Studio Recordings, Band of Gypsys). An autobiographical journey told in the legendary musician's own words as read by Parliament-Funkadelic's Bootsy Collins, the film incorporates interviews with Hendrix, coupled with the artist's letters, writings and recordings to provide new insight into one of the most enduring icons of popular culture.



    The documentary features some of Jimi's greatest performances as well as rare and never before seen footage and photos including--for the first time ever--examples from the Hendrix family archive of the late guitarists personal drawings, postcards home to his father, song drafts, sketches, and lyrics.



    Who better to tell the incredible story of a man's life than the man himself? Jimi was amazing and only his music, with tones and textures that he conjured, can capture the colorful and expansive essence of his time here on earth. I am enthralled with this all-encompassing new anthology which not only illuminates his years on both sides of the Atlantic and beautifully reveals his versatility as a performer, from his R&B origins to his explosion on the pop culture scene, but highlights who he was for those who knew and loved him, says Janie Hendrix, President and CEO of Experience Hendrix and co-producer of West Coast Seattle Boy - The Jimi Hendrix Anthology.



    An essential and historic addition to the Jimi Hendrix catalog, West Coast Seattle Boy - The Jimi Hendrix Anthology brings together, for the first time, many of Hendrix's earliest commercial recordings, providing a rare glimpse of the rising rock guitar hero through a series of stellar sideman performances on a set of highly collectible pre-Experience R&B singles.

    Included on the first 2LPs of West Coast Seattle Boy:


    1. Isley Brothers - Testify (1964
    2. Don Covay & the Goodtimers - Mercy, Mercy (1964 - #1 Cashbox R&B - #35 Billboard Hot 100)
    3. Don Covay & the Goodtimers - Can't Stay Away (1964)
    4. Rosa Lee Brooks - My Diary (1965 - written by Arthur Lee)
    5. Rosa Lee Brooks - Utee (1965)
    6. Little Richard - I Don't Know What You Got But It's Got Me (1965)
    7. Little Richard - Dancing All Around The World (1965)
    8. Frank Howard & The Commanders - I'm So Glad (1966 - written by Billy Cox)
    9. Isley Brothers - Move Over And Let Me Dance (1965)
    10. Isley Brothers - Have You Ever Been Disappointed (1965)
    11. Ray Sharpe - Help Me (Get The Feeling) (Part I) (1966)
    12. The Icemen - (My Girl) She's A Fox (1966)
    13. Jimmy Norman - That Little Old Groovemaker (1966)
    14. Billy Lamont - Sweet Thang (1968)
    15. King Curtis - Instant Groove (1969)


    The third and fourth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology focus on 1967-68 and Hendrix's breakout sessions with the Jimi Hendrix Experience:

    16. Fire (1967) - Previously Unreleased Alternate Recording
    17. Are You Experienced (1967) - Previously Unreleased Recording
    18. May This Be Love (1967) - Previously Unreleased Alternate Recording
    19. Can You See Me (1967) - Previously Unreleased Alternate Recording
    20. Love Or Confusion (1967) - Previously Unreleased Alternate Recording
    21. Little One (1967) - Previously Unreleased Recording (featuring Dave Mason on sitar)
    22. Mr. Bad Luck (1967) - Previously Unreleased Alternate Recording
    23. Cat Talking To Me (1967) - Previously Unreleased Alternate Recording
    24. Castles Made Of Sand (1967) - Previously Unreleased Recording
    25. Tears Of Rage (1968) - Previously Unreleased Recording
    26. Hear My Train A Comin' (1968) - Previously Unreleased Recording
    27. 1983 (A Merman I Shall Turn To Be) (1968) - Previously Unreleased Recording
    28. Long Hot Summer Night (1968) - Previously Unreleased Recording
    29. My Friend (1968) - Previously Unreleased Recording
    30. Angel (1968) - Previously Unreleased Recording
    31. Calling All The Devil's Children (1968) - Previously Unreleased Recording
    32. New Rising Sun (1968) - Previously Unreleased Alternate Recording


    The fifth and sixth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology revisit 1968-1969, both a peak and pivotal period for Hendrix in which the artist was exploring bold new directions on stage and in the studio:

    33. Hear My Freedom (1968) - Previously Unreleased Recording
    34. Room Full Of Mirrors (1969) - Previously Unreleased Recording
    35. Shame, Shame, Shame (1969) - Previously Unreleased Recording
    36. Messenger (1968) - Previously Unreleased Recording
    37. Hound Dog Blues (1969) - Previously Unreleased Recording
    38. Untitled Basic Track (1968) - Previously Unreleased Recording
    39. Star Spangled Banner (1969) - Previously Unreleased Original Mix
    40. Purple Haze (1969) - Previously Unreleased Original Mix
    41. Young/Hendrix (1969) - Previously Unreleased Alternate Recording
    42. Mastermind (1969) - Previously Unreleased Recording
    43. Message To Love (1969) - Previously Unreleased Alternate Recording
    44. Fire (1969) - Previously Unreleased Recording
    45. Foxey Lady (1969) - Previously Unreleased Recording


    Opening with Hendrix's incendiary New Year's Eve performance of Stone Free at New York's Fillmore East on December 31, 1969 and closing with a previously unheard recording from Hendrix alone in his Greenwich Village apartment in 1970, the seventh and eighth LPs of West Coast Seattle Boy - The Jimi Hendrix Anthology provides a fascinating portrait of an artist at his fiery best, working on the future:
    46. Stone Free (1969) - Previously Unreleased Recording
    47. Burning Desire (1970) - Previously Unreleased Recording
    48. Lonely Avenue (1969) - Previously Unreleased Recording
    49. Everlasting First (1970) - Previously Unreleased Alternate Recording (featuring Arthur Lee)
    50. Freedom (1970) - Previously Unreleased Recording
    51. Peter Gunn/Catastrophe (1970) - Previously Unreleased Alternate Recording
    52. In From The Storm (1970) - Previously Unreleased Alternate Recording
    53. All God's Children (1970) - Previously Unreleased Recording
    54. Red House (1970) - Previously Unreleased Recording
    55. Play That Riff [Thank You] (1970) - Previously Unreleased Recording
    56. Bolero (1970) - Previously Unreleased Alternate Recording
    57. Hey Baby (New Rising Sun) - Previously Unreleased Alternate Recording
    58. Suddenly November Morning (1970) - Previously Unreleased Recording

    Jimi Hendrix
    $99.99
    Vinyl LP - Limited Edition 8 LP Box Set Sealed AWAITING REPRESS Buy Now
  • The Ultimate Analogue Test LP (Out Of Stock) The Ultimate Analogue Test LP (Out Of Stock) Quick View

    $39.99
    x

    The Ultimate Analogue Test LP (Out Of Stock)

    Editors Editors Editors Editors


    Analogue Productions set out to produce the ultimate test record.


    We've consulted many experts in the field, including mastering engineers, audio experts, turntable experts and audiophile listeners, to create a test record that's never been made before. When Barry Wolifson from Sterling Sound in New York City called us with the same idea we had been thinking about - that being to create the ultimate test record - he and our audio expert Clark Williams began to brainstorm and research ideas until they were both completely satisfied with what should go on the record.


    Most of the test records in the past have been made to test a variety of equipment. This test record excludes silly cannon shots, typewriters, voices on one channel and other useless fluff. This one specifically addresses your turntable and cartridge. It's designed to provide the basic test signals necessary to calibrate a turntable or cutting lathe as simply as possible. Most of the signals have specific implications, but it is certainly possible to use them in any number of novel ways.


    This record was mastered and cut on a Neumann VMS 80 lathe at Sterling Sound and pressed at Record Technology, Inc. on high-quality, 180-gram virgin vinyl.


    Side 1

    General Reference Level

    This 1 kHz reference tone will allow you to establish a "base level" for all measurements.
    Track 1 1Khz reference tone 7cm/s Mono, in phase (Lateral)

    Basic reference for all measurements, adjust meter for maximum convenience (in the studio 0VU).
    Adjust preamp channel balance for equal output.
    Also used to check the offset angle of the photo cartridge; L&R signals should be exactly in phase as displayed on an oscilloscope.


    Azimuth Adjustment

    Track 2 1kHz reference level Left channel only

    Measure Right channel output.

    Track 3 1kHz reference level Right channel only

    Measure Left channel output.

    The object is to sit the stylus exactly perpendicular in the groove.

    Twist cartridge about its radial axis until the measurements from Track 2 and Track 3 are equal or very close to equal for both channels.


    High Frequency Adjustment

    Tracks 4, 5 and 6 are used to calibrate the RIAA high frequency equalizer of a phono preamp. This will be used to calibrate a mastering lathe's phono preamplifier or any phono preamplifier that has these adjustments.

    Track 4 1 kHz tone at -20 below reference level, Lateral

    Reference for High Frequency test.

    Track 5 10 kHz reference tone at -20dbu, Lateral
    Adjust the high frequency until the output level equals that of Track 4.

    Track 6 1 kHz to 20 kHz sweep at -20dbu, Mono (Lateral)

    The AC millivoltmeter reading should stay constant across all frequencies. There are a number of factors which can affect frequency response, including cable capacitance, cartridge loading, tracking force and worn parts. Because of this, it can be difficult to achieve perfectly flat frequency response. Sometimes by making small compromises in the 10 kHz adjustment, a better overall frequency response can be achieved.


    Low Frequency Adjustment

    Tracks 7 & 8 are used to calibrate the RIAA low frequency equalizer of a phono preamp.

    Track 7 1 kHz to 20 Hz sweep at 0 VU (Lateral)

    Play Track 7 and measure the output with your AC millivolt meter.

    Ideally, the output will be flat across all frequencies. When viewed on an oscilloscope, the amplitude would remain constant during the frequency downsweep.

    Track 8 100 Hz reference tone at 0 vu (Lateral)
    Adjust LF Eq to reference (which is your reading from Track 1).


    Track 9 VTA adjust

    This is an IEC intermodulation distortion (IMD) test signal; 60Hz & 4kHz 4:1 ratio.

    Using an IMD tester, adjust VTA by raising or lowering the tonearm for minimum distortion.


    Track 10 Standard Wow & Flutter test signal; 3150Hz
    The Wow & Flutter meter will give dynamic speed variations as a percentage deviation from nominal.

    Also, the frequency counter should read exactly 3150 Hz for nominal speed. You can use the Hz function on your multi-meter (if so equipped) to verify speed here as well. You can also use to find the measurements at 45RPM. The correct reading at 45RPM would be 4253 Hz (45/33.33) x 3150.


    Side 2

    Track 1 Anti-skating test; 315Hz amplitude sweep to +12dbu (Lateral)

    Signal should remain clean in both channels up to the highest level, both audibly and as viewed on an oscilloscope. In case of distortion, increase anti-skating force or decrease anti-skate until breakup occurs equally in both channels. The left channel information is inscribed on the inner groove wall, the right channel information, on the outer groove wall. Because of the offset angle of a pivoted tonearm, a constantly varying vector force biases the arm towards the center of the record causing the stylus to lose contact with the outer (i.e. right channel) groove wall. Both linear and modulated groove velocity, tracking force, stylus profile, and vinyl composition are contributing factors. The anti skating force attempts to ameliorate this by applying an opposing similar force.

    It is also accepted that the overall force vector increases as the tonearm approaches closer to the spindle or end of the record.


    Track 2 Pink noise lateral

    Track 3 Pink noise vertical

    Used for cartridge "demagnetizing"

    You can also use this track to loosen up the cantilever's suspension to help break in a new cartridge. Play these tracks five to ten times after every 300 hours of normal LP playback.


    Track 4 1kHz @ reference level, vertical
    This out-of-phase signal should cancel to nothing when summed to mono.

    Any signals still present are distortion artifacts, lack of channel balance, or timing (phase) anomalies. This test can be a second confirmation of anti-skate adjustment.


    Track 5 1kHz to 10Hz sweep @ -20 below

    reference level, vertical
    Resonance anomalies in the tonearm / cartridge interface will show up as amplitude peaks and dips as the frequency sweeps down.

    Once again, by listening in 'Mono' it is easier to hear the distortion artifacts.


    Track 6 Silent groove for bearing rumble and table isolation

    During playback of this track, nothing should be transmitted from the turntable to the speakers. Replay the track and gently tap on the rack or base that the turntable is resting on. There should be little or no thump transferred to the speakers. This track will help you experiment with turntable isolation methods and products to be able to get the most out of your playback system. You may want to use a closed or sealed headphone for best listening results, or a stethoscope on the plinth.


    This title is not eligible for discount.

    Analogue Productions
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Between Two Skies / Towards The Night (Out Of Stock) Between Two Skies / Towards The Night (Out Of Stock) Quick View

    $24.99
    x

    Between Two Skies / Towards The Night (Out Of Stock)

    Limited Edition



    Pakistani-born musician Ilyas Ahmed traffics a sound that borders on the folk/drone/raga/rock axis. Currently residing in Portland, OR, Ahmed has released recordings on Time-Lag, Digitalis, and Root Strata. He is known to perform live with Honey Owens (Valet) and Jed Bindeman (Eternal Tapestry, Heavy Winged) and his recent recordings have featured Liz Harris (Grouper).



    He first appeared in the Fall of 2005 with Between Two Skies and Towards The Night, two albums that were released on CDr in editions of 50 copies. Even in editions so small these records quickly made waves and impacted anyone who was lucky enough to hear them. In 2007, Between Two Skies and Towards The Night were given a proper CD release by Digitalis.



    Immune Recordings is now proud to present the ultimate edition of these two modern classics presented as a deluxe gatefold double LP. Featuring the original collage artwork printed in full color as well as brand new gatefold artwork created especially for this release by Ilyas Ahmed. The music was meticulously cut to vinyl by Roger Seibel at SAE Mastering in Phoenix, AZ and pressed on high quality virgin vinyl at RTI in Camarillo, CA.

    Between Two Skies
    1. Black Midas
    2. As Those Above
    3. Night Song
    4. To You Soon
    5. Silence the High
    6. Amajan
    7. Samanjhna


    Towards the Night
    1. Circular Sky
    2. Satanta's Hand
    3. Golden Eyes
    4. Shumsun

    Ilyas Ahmed
    $24.99
    Vinyl LP - 2 LPs Sealed Temporarily out of stock
  • Kill Devil Hill (Out of Stock) Kill Devil Hill (Out of Stock) Quick View

    $22.99
    x

    Kill Devil Hill (Out of Stock)

    Kill Devil Hill is a new all-star band featuring members of Black Sabbath, Dio and Pantera. Their eagerly anticipated self-titled debut was produced by Warren Riker (COC, Sublime, Cathedral) and is presented here on double vinyl with an exclusive bonus track plus a CD courtesy of SPV/Steamhammer.


    One of the baddest metal bassist around, Rex Brown is most famous for his role as the longtime bassist for the Grammy nominated, platinum selling band Pantera. He provided the bottom end thunder to the band, live and on record. Since the 1990 release of Panteras Cowboys From Hell, Rex has had a hand in multiple gold, platinum, and #1 records. In 2002, Rex joined Down for the release of Down II. In 2003, Rex joined Crowbar in the studio to record and help produce Lifesblood for the Downtrodden. He also went into the studio in 2006 to record Down III.


    Vinyy Appice has powered the rhythm live and in the studio with the bands Dio, Black Sabbath, Heaven and Hell, Ozzy Osbourne, WWIII, Axis, Rick Derringer and at the age of 16 even performed with John Lennon. Vinny has recorded and co-written songs on over 25 albums, many of which are multi-platinum records. His drumming can also be heard on numerous movie soundtracks and DVDs including Waynes World 2, Heavy Metal, Iron Eagle and Bedazzled. Vinny, the author of the drum instruction book Rock Steady and DVD Hard Rock Drumming Techniques has performed drum clinics around the globe.


    Mark Zavon has appeared in Guitar Player Magazines Spotlight column and has received acclaim far and wide from other players for a unique style and approach. In the 90s Mark recorded with the band Scream Parade for Shrapnel Records. He also went on to record and tour with vocalist Stephen Pearcy of Ratt and metal band WWIII featuring Mandy Lion.


    Dewey Braggs vocals combine an eerie resemblance to the late Alice in Chains vocalist Layne Staley, but it's his own melodic style that truly steers this supergroup with powerful conviction.

    LP1
    1. War machine
    2. Hangman
    3. We`re All gonna die
    4. Time & time Again
    5. Old Man
    6. Mysterious Ways
    7. Revenge


    LP2
    1. Rise From The Shadows
    2. Up In Flames
    3. Voodoo doll
    4. Gates of hell
    5. Drawbridge (LP Exclusive bonus track)

    Kill Devil Hill
    $22.99
    Vinyl LP + CD - 2 LPs Sealed Temporarily out of stock
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