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Barber Of Seville'
Rossini - Overtures (Speakers Corner)
Although Gioacchino Rossini wrote 39 operas, they are rarely heard today - with the exception of The Barber of Seville. Many of his overtures have, however, remained extremely popular. This record presents five of them which were composed between 1812 and 1829. Rossini's orchestral works are famous for the magic of the almost inevitable "Rossini crescendo". The composer is said to have been so disheartened by the failure of his last opera William Tell that he gave up composing, and took his talents into the kitchen. He was an excellent cook and one can well imagine how the rich melodic inspiration of his overtures was transferred to his menus.
Pierro Gamba's masterly interpretations convey the structure of the compositions, while the London Symphony Orchestra certainly sets off the fireworks.
The sound quality has lost nothing of its brilliance and musically the recordings are of a very high standard, clear and animated.
- London Symphony Orchestra
- Pierino Gamba (conductor)
Recording: May 1957 by Roy Wallace
Production: James Walker
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. The Thieving Magpie
2. The Silken Ladder
3. The Barber of Seville
5. William Tell$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now