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Bat Out Of Hell'
Bat Out Of Hell (Awaiting Repress)Ranked 343/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Meat Loaf's Bat Out Of Hell will forever be one of rock music's most enduring masterpieces. Sung and performed by Meat Loaf, composed by Jim Steinman & produced by Todd Rundgren, this 1977 forty times plus platinum classic will stand always as one of the most successful albums in recording history.With its rock opera anthems like the ultimate power ballad Two Out Of Three Ain't Bad, + Paradise By The Dashboard Light & of course the stellar heavy metal title track, Meat Loaf delivered his entire persona into each and every track. Included with ltd. gatefold cover + mastering by Joe Reagoso.1.Bat Out Of Hell
2.You Took The Words Right Out Of My Mouth (Hot Summer Night)
3.Heaven Can Wait
4.All Revved Up With No Place To Go
5.Two Out Of Three Ain't Bad
6.Paradise By The Dashboard Light
7.For Crying Out Load$31.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Bat Out Of Hell (Colored Vinyl) (Awaiting Repress)Ranked 343/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Pressed On Limited Edition 180-Gram Red Colored Vinyl
Mastered Impeccably From The Original Cleveland International Records/Epic Records Tapes By Joe Reagoso At Acoustech / RTI
Meat Loaf's Bat Out Of Hell album will forever be one of rock and roll music's most enduring masterpieces. Sung and performed by Meat Loaf, composed by Jim Steinman and produced by Todd Rundgren, this 1977 forty times plus platinum classic will stand always as one of the most successful albums in recording history
With its rock opera anthems like the ultimate power ballad Two Out Of Three Ain't Bad, the theatrical Paradise By The Dashboard Light and of course the stellar heavy metal title track Bat Out Of Hell, Meat Loaf delivered his entire persona powerfully into each and every Jim Steinman masterpiece.
The who's who list of musicians is second to none, with of course Todd Rundren and Utopia, Roy Bittan and Max Weinberg from Bruce Springsteen's E Street Band, Edgar Winter, Ellen Foley, Jim Steinman, and even The New York Philharmonic!
It is with much honor and respect to announce the Friday Music 180 Gram Audiophile Vinyl Limited Edition release of the captivating Bat Out Of Hell by Meat Loaf. To celebrate its thirty-third year anniversary, we are releasing it in a super limited run gatefold cover with all of the lyrics and graphics as you remember them.
Mastered impeccably from the ORIGINAL Cleveland International Records/Epic Records tapes by Joe Reagoso at AcousTech/ RTI, this limited edition album will be one of the most anticipated releases of this year. Absolutely one of the finest sounding albums in our lifetime, this will be one of your favorite audiophile treasures for many years. ROCK ON!1. Bat Out Of Hell
2. You Took The Words Right Out Of My Mouth (Hot Summer Night)
3. Heaven Can Wait
4. All Revved Up With No Place To Go
5. Two Out Of Three Ain't Bad
6. Paradise By The Dashboard Light
7. For Crying Out Load$32.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Braver Than We AreMeat Loaf, the rock legend who along with songwriter/producer Jim Steinman broke sales records with the classic multi-platinum albums "Bat Out of Hell" and "Bat Out of Hell II: Back Into Hell," announces their reunion on the new album "Braver Than We Are" featuring 10 new Steinman songs performed as only Meat Loaf can! The project also showcases another reunion with vocalists Ellen Foley and Karla DeVito ( vocalists from the smash hit "Paradise by the Dashboard Light" ) on the epic song and first single 'Going All The Way'.1. Who Needs The Young
2. Going All The Way
3. Speaking In Tongues
4. Loving You Is A Dirty Job
6. Only When I Feel
9. Skull of Your Country
10 .Train of Love$29.99Vinyl LP - 2 LPs Sealed Buy Now
First Pressing Of 1000 Numbered Copies On Solid Orange & Black Colored Vinyl
Meat Loaf's Dead Ringer (1981) is the second of his three albums written entirely by Jim Steinman, among which Bat Out Of Hell was the first.
Once again, Jim Steinman wrote extended, operatic songs with hyperbolic lyrics and organized a backup band anchored by E Street Band members Max Weinberg (drums) and Roy Bittan (keyboards), while Meat Loaf sang with a passion all the more compelling for its hint of the ridiculous.
Four singles were released from Dead Ringer: Dead Ringer For Love, I'm Gonna Love Her For Both Of Us, Read 'Em And Weep and Peel Out. The album reached #1 in the UK. The title track, featuring a perfectly cast Cher as duet singer, went Top Ten.1. Peel Out
2. I'm Gonna Love Her For Both Of Us
3. More Than You Deserve
4. I'll Kill You If You Don't Come Back
5. Read 'em And Weep
6. Nocturnal Pleasure
7. Dead Ringer For Love
8. Everything Is Permitted$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The MonitorThe Monitor was recorded this past August (2009) by producer and engineer Kevin McMahon at his studio Marcata Recording in New Paltz, NY. The usual suspects from the world of Titus Andronicus were all in attendance, as well as members of Ponytail, Wye Oak, Vivian Girls, and the Hold Steady. McMahon also mixed the album, and it was mastered by Greg Calbi whom the band chose because he is the only person alive who can claim involvement in both The Chemistry of Common Life by Fucked Up and Bat Out of Hell II: Back Into Hell by Meat Loaf!1. A More Perfect Union
2. Titus Andronicus Forever
3. No Future Part Three: Escape From No Future
4. Richard II
5. A Pot In Which To Piss
6. Four Score And Seven
7. Theme From ôCheersö
8. To Old Friends And New
9. ...And Ever
10. The Battle Of Hampton Roads$22.99Vinyl LP - Sealed Buy Now
Free-For-AllLimited 150 Gram Translucent Forest Green Colored Vinyl
Includes Signature Culture Factory USA Spine folder
High Definition Remaster
Free-For-All is the second solo release from guitarist Ted Nugent and his first album to go platinum. As the recording of Free-For-All commenced, rhythm guitarist and lead vocalist Derek St. Holmes left the band, citing growing personal and creative conflicts with Nugent. Two solid years of living together on the road had taken its toll on the relationship. Additionally, St. Holmes was unhappy with Tom Werman's production, saying that the producer was watering down the band's sound. A full year before Bat Out of Hell brought him international success, vocalist Meat Loaf was brought in by producer Werman to sing on the album. Meat Loaf was paid the sum of $1000 for his contributions to the album, which included crafting all of the vocal arrangements and two days of recording sessions.1. Free-For-All
2. Dog Eat Dog
3. Writing on the Wall
4. Turn It Up
5. Street Rats
7. Light My Way
9. I Love You So I Told You A Lie$24.99Colored Vinyl LP - Sealed Buy Now
UnleashedIncludes Bonus CD
Grammy-nominated rockers Skillet will release Unleashed (August 5th), their new studio album and follow up to their 2013 release Rise, which bowed at #4 on the Billboard Top 200 Album Chart.
UNLEASHED - from the bombastic opening riff of Feel Invincible to the memorable closing of the album finale The Resistance, it is clear the band has created an album that lets their music speak loudest, while still delivering some of their most personal and heartfelt collections of songs to date. Songs like Back From The Dead, Stars and Out Of Hell showcase the musicianship and songwriting that has garnered the band a rabid worldwide fan base, a platinum selling album and multiple Grammy nominations. Skillet has cemented its place as one of the 21st century's most successful rock bands.LP 1
1. Feel Invincible
2. Back From the Dead
4. I Want to Live
1. Out of Hell
3. Burn it Down
4. Watching for Comets
5. Saviors of the World
6. The Resistance$19.99Vinyl LP + CD - 2 LPs Sealed Buy Now
WARB-ATL-0825xPortugal The Man
WoodstockWell, we're two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it's not all bad: Portugal. The Man has a new album coming out called Woodstock.
PTM's last album came out over three years ago-a long gap for a band who've dropped roughly an album a year since 2006. And in true, prolific band fashion, they've spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM's lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man's biggest fan, Sarah Palin) and two things happened that completely changed the album's trajectory.
First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. What's taking so long to finish the album? John's dad said. Isn't that what bands do? Write songs and then put them out? Like fathers and unlicensed therapists tend to do, John's dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.
Second, fate stuck its wiener in John's ear again when he found his dad's ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock '69 knocked something loose in John's head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.
It wasn't easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio-working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there
Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single Feel It Still) that-with optimism and heart-points at the giant pile and says, Hey, this pile is fucked up! And if you think that pile is fucked up too, you owe it to yourself-hell, to all of us-to get out there and do something about it.1. Number One
2. Easy Tiger
3. Live In The Moment
4. Feel It Still
5. Rich Friends
6. Keep On
7. So Young (feat. Fat Lip)
8. Mr. Lonely
9. Tidal Wave
10. Noise Pollution (feat. Mary Elizabeth Winstead & Zoe Mannville)$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Beyond The BloodhoundsAdia Victoria spent the last few years writing, recording, touring and performing, while entrenched in the infamous artist R&R world - restaurants and retail work. Day jobs at a laundry list of Nashville it and not so it spots gave the musician lots of people watching time as well as the mental and emotional space to marinate in her art.
Adia blows the social hush-hush lid off the mental and emotional state of a young black woman growing up under the poverty line in the Deep South and all the implications of such. No pretense. No jive. But also, like the writing of Eudora Welty and Tennessee Williams, there is plenty of Southern Gothic styled, marrow deep joy.
In a recent feature story, Fader encouraged us to, Meet Adia Victoria, A Poet Making Country Music a Little Creepier. She is found in album cuts like Sea of Sand and Stuck in the South, revealing some of her place-based aha moments. In the latter, she notes, I don't know nothin' about Southern belles/ But I can tell you something about Southern hell. As songs like Head Rot, and first single Dead Eyes show us, Adia says, it's an album of falling in love, dealing with loss, confusion, anger, love, and loving myself.
Produced by Roger Moutenot (Yo La Tengo, Sleater Kinney) and the artist herself, recorded at Nashville, Tennessee's Haptown Studios, Beyond the Bloodhounds features the indelible lyrics, voice, and guitar solos of Adia Victoria along with a band of talented musicians including Tiffany Minton (Drums), Alex Caress (keys), Mason Hickman (guitar), and Jason Harris (bass). She recalls, the studio is a Music City treasure. It used to be a car repair shop. You walk in and there are no windows. It's dark and moody. It feels like walking into the mind.
The result of a lifetime of introspection and a younger self marked by silent observation, Adia Victoria's Beyond the Bloodhounds was three active, recording years in the making. The title pays homage to a line in Harriet Jacobs' Narrative in the Life of a Slave Girl.
Ultimately, Victoria's debut album is more both/and, than either/or. The complexity of her Southern, barrel-aged roots and world traveling, bookworm woman ways will lure you out of the status quo.
Publications like American Songwriter, Rookie, and NPR are taking notice.
Now on the brink of her 30s, fluent in the language of her own self, Adia Victoria stands poised to take her place in a line of true artists. Her mother warned that she feels too much and would be torn up by the world. Adia will tell you that proved to be true. I've felt shredded, but I'm now blessed to embrace the intense feelings as part of my job. That's what I do. It's my bread and butter. My art depends on me feeling and experiencing. I show up, live, and come back and say, oooooh Honey, it was like this...1. I'm With You
2. Borderlines And Aliens
4. Ways To Go
5. Shark Attack
6. Sit Still
7. Hippy Hill
8. What I Know
9. Didn't Have To Go
10. Bitin' The Bullet
11. News To Me
13. Save The Party For Me$19.99Vinyl LP - Sealed Buy Now
OppressionIncite ignite heavy metal once more with their fourth full-length album and highly anticipated metal record for 2016 Oppression [minus HEAD Records]. Since the release of their full-length-debut The Slaughter in 2009, the Phoenix, AZ quartet has shared stages with everyone from Dillinger Escape Plan, Cancer Bats, and 36 Crazyfists to Crowbar, Soulfly, and Cavalera Conspiracy in addition to headlining countless gigs.
Over the course of two more explosive offerings, All Out War  and Up In Hell , they've earned acclaim from Kerrang!, ARTISTdirect, and many others as well as "Album of the Week" honors from Revolver. Songs such as "Army of Darkness" charted Top 40 on the SiriusXM metal charts. However, 2016 sees the band evolve into a more brutal and brash beast ready to claw its way to the genre's upper echelon one show at a time.1. Never Surrender
2. Lost Reality
4. No Remorse
6. Life's Disease (feat. Connor Garritty)
7. Forced Into Life
8. Worst Of Me
9. I Want It All (feat. Jose Mangin)
10. Silenced$18.99Vinyl LP - Sealed Buy Now
Me MoanLet's get a few facts straight right off the bat. The name is Daughn
Gibson - rhymes with Jaughn, or Raughn. He was born in Nazareth, PA,
and currently resides in the sleepy college town of Carlisle, PA, where
he frequents local watering holes like The Cave and Alibis. He's 6'5,
200 pounds, and has a head of thick, jet-black hair thicker. He played
drums in Pearls & Brass. Daughn was a trucker, sure, but he's also
packed boxes in an un-air conditioned warehouse, climbed up commercial
broadcast towers with untested levels of radiation, worked at an adult
bookstore, done sound at dive bars and collected unemployment checks.
Daughn's been around.
Daughn Gibson first entered the daydreams of the general public in
2012 with his acclaimed debut, All Hell. Armed with modern technology
and a pile of thrift-store records, Daughn shook the ghosts out of scratchy
Christian folk records and baptized them as fierce Americana with his
booming baritone voice. His songs are as frequently tender as they are
prurient, as hopeful as they are brimming with despair. He treats the
past with respectful reverence while still being able to appreciate esoteric
modern-day electronic music from across the pond. The only real starting
point for the music of Daughn Gibson is Daughn Gibson.
It's on Daughn's second album and Sub Pop debut, Me Moan, that he
truly reveals himself to the world. If All Hell was a gritty black-and-white
movie, Me Moan is a widescreen IMAX 3D extravaganza. While the roots
of All Hell's sample-based music remain, these songs are performed
live, lushly detailed and richly orchestrated.
Live drums, guitars (by John Baizley of Baroness and Jim Elkington of Brokeback), pedal steel, horns,
house strings, bagpipes and organs appear on this record, but never
does it feel over-stuffed - every instrument or melody is perfectly in place.
Me Moan isn't just Daughn Gibson's primal scream, it's a skirmish
through the full spectrum of emotion, unfiltered and impassioned.
Like Cormac McCarthy or Robert Altman, Daughn Gibson is a uniquely
American artist who throws his soul into his work, free of compromise,
possessed by unique vision and so damn intense that he constantly
teeters on spontaneous combustion. It's not out of line to consider Me
Moan as his Blood Meridian; his Nashville. All that's left is for you to let
Daughn in.1. The Sound of Law
2. Phantom Rider
3. Mad Ocean
4. The Pisgee Nest
5. You Don't Fade
7. Won't You Climb
8. The Right Signs
9. Kissin on the Blacktop
10. All My Days Off
11. Into the Sea$15.99Vinyl LP - Sealed Buy Now
The Rocky Horror Picture Show Soundtrack (Out Of Stock)
Back In Print On Red Vinyl
For the 1975 film version of The Rocky Horror Picture Show, American producer Lou Adler wisely mixed the best of the London and Los Angeles stage versions, shooting the movie in England with Tim Curry and several of the other original cast members, plus Meatloaf (years before Bat Out of Hell), and Americans Barry Bostwick and Susan Sarandon as the innocent couple Brad and Janet. Adler also brought back original London stage musicians in place of the slick studio musicians who had marred the L.A. cast album. The film version resequenced the songs and reassigned some of the vocals, with Brad's song Once in a While dropped. But it all worked out fine. The strings that were added to ballads like Science Fiction/Double Feature only improved them; the rockers rocked out; Bostwick and Sarandon proved to be the best Brad and Janet ever; the original cast members, especially Curry, reveled in the opportunity to immortalize their portrayals; and Rocky Horror's potential as a witty parody of cheap movies, rock & roll, and sexual mores was fully realized. The film soundtrack album became the definitive version of the score, despite lacking the songs Planet Shmanet Janet and The Sword of Damocles. The Rocky Horror Picture Show was not successful in its initial theatrical run, but then a strange thing happened. In 1976, the Waverly Theater in New York's Greenwich Village began showing the film at midnight on Fridays and Saturdays. Soon, a cult of repeat viewers began turning up every week; they began to dress like the characters, call out their own comments at strategic moments, sing along, and add their own theatrical effects. The phenomenon spread across the U.S., with fans rivaling Trekkies and Deadheads for loyalty and eccentricity, and The Rocky Horror Picture Show took on a life Richard O'Brien never could have anticipated.
- William Ruhlmann (All Music Guide)1. Science Fiction/Double Feature
2. Dammit Janet
3. Over at the Frankenstein Place
4. Time Warp
5. Sweet Transvestite
6. I Can Make You a Man
7. Hot Patootie - Bless My Soul
8. I Can Make You a Man (Reprise)
9. Touch-A, Touch-A, Touch Me
11. Rose Tint My World
12. I'm Going Home
13. Super Heroes
14. Science Fiction/Double Feature (Reprise)$16.99Colored Vinyl LP - Sealed Temporarily out of stock