Pro-ject Authorized & Certified VPI Dealer

A World of Vinyl

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
15% Off Vinyl - LP15
Home > Products for: '

Beach Boys Smile

'
  • 1
  • 2
Results per page:
  • The Smile Sessions Box Set The Smile Sessions Box Set Quick View

    $169.99
    Buy Now
    x

    The Smile Sessions Box Set

    With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the bands legendary 1966-67 sessions for the never-completed SMiLE album.


    In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.


    This expanded, boxed edition of The SMiLE Sessions features the main SMiLE album tracks, plus four CDs of additional audio from the legendary sessions, a double vinyl LP set, and two 7 vinyl singles. The deluxe box also contains a 60-page hardbound book with rare and previously unseen photos and memorabilia from The Beach Boys archive and newly-written essays by Beach Boys Al Jardine, Mike Love, Brian Wilson, and Bruce Johnston, as well as by Beach Boys historian and author Domenic Priore and many other inner-circle participants.


    Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions box set includes an assembled collection of core session tracks. It also delves much deeper into the sessions, adding early song drafts, alternate takes, instrumental and vocals-only mixes, and studio chatter. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.


    Artwork for all of The SMiLE Sessions has been created with and inspired by Beat-Pop artist Frank Holmes original 1967 LP sleeve art and booklet designs intended for the SMiLE album. With its three-dimensional shadowbox lid, The SMiLE Sessions box set offers a whimsical peek inside the storied SMiLE Shop.


    When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions 2011 release, the news spread rapidly. Pitchfork reported, The Beach Boys SMiLE is quite possibly the most storied album in rock history, Billboard proclaimed the upcoming release an event that pop music fans have been waiting for since the Summer of Love, and The Washington Post called SMiLE the most legendary unreleased album of all time.


    The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.


    Beginning with Good Vibrations, The Beach Boys best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.


    In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including Heroes And Villains, the bands follow-up single to Good Vibrations. Wilson and Parks would also co-write Surf's Up, Vega-Tables, Cabin Essence, Do You Like Worms, Wonderful, Wind Chimes, and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the albums James Joyce-mode lyrics.


    The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld Heroes And Villains and announced they would instead release Vega-Tables recorded with the bands own money in April of '67 on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the bands Brother Records, and it was agreed that SMiLE was no longer to be the bands next album.

    LP 1
    Side 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence


    Side 2
    1. Wonderful
    2. Look (Song for Children)
    3. Child Is Father Of the Man
    4. Surf's Up


    LP 2
    Side 3
    1. I Wanna Be Around / Workshop
    2. Vega-Tables
    3. Holidays
    4. Wind Chimes
    5. The Elements: Fire (Mrs. O'Leary's Cow)
    6. Love to Say Dada
    7. Good Vibrations


    Side 4
    1. You're Welcome (stereo mix)
    2. Vega-Tables (stereo mix)
    3. Wind Chimes (stereo mix)
    4. Cabin Essence (Session highlights and stereo backing track)
    5. Surf's Up (Session Excerpt and Stereo mix)


    Heroes and Villains Smile 7 single:
    Side A: Heroes and Villains Part One
    Side B: Heroes and Villains Part Two


    Vega-Tables 7 single:
    Side A: Vega-Tables
    Side B: Surf's Up


    CD 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence
    9. Wonderful
    10. Look (Song for Children)
    11. Child Is Father Of the Man
    12. Surf's Up
    13. I Wanna Be Around / Workshop
    14. Vega-Tables
    15. Holidays
    16. Wind Chimes
    17. The Elements: Fire (Mrs. O'Leary's Cow)
    18. Love to Say Dada
    19. Good Vibrations
    Bonus Tracks:
    20. You're Welcome
    21. Heroes and Villains (Stereo mix)
    22. Heroes and Villains Sections (Stereo mix)
    23. Vega-Tables Demo
    24. He Gives Speeches
    25. Smile Backing Vocals Montage
    26. Surf's Up 1967 (solo version)
    27. Psycodelic Sounds: Brian Falls Into A Piano


    CD 2 - Session Highlights:
    Our Prayer
    1. Our Prayer Dialog (9/19/66)
    2. Our Prayer (10/14/66)
    Heroes and Villains
    Heroes and Villains Session (10/20/66)
    3. Heroes and Villains: Verse (Master take)
    4. Heroes and Villains: Barnyard (Master take)
    5. Heroes and Villains: I'm In Great Shape (10/27/66)
    6. Heroes and Villains: Intro (Early version - circa 12/66)
    Heroes and Villains Session (1/3/67)
    7. Heroes and Villains: Do A Lot
    8. Heroes and Villains: Back of Tricks
    9. Heroes and Villains: Mission Pak
    10. Heroes and Villains: Bridge To Indians
    11. Heroes and Villains: Part 1 Tag
    12. Heroes and Villains: Pickup To 3rd Verse
    Heroes and Villains (1/27/67)
    13. Heroes and Villains: Children Were Raised
    14. Heroes and Villains: Part 2 (Cantina track)
    15. Heroes and Villains: Whistling Bridge
    16. Heroes and Villains: Cantina
    17. Heroes and Villains: All Day
    18. Heroes and Villains: Verse Edit Experiment
    Heroes and Villains Session (2/15/67)
    19. Heroes and Villains: Prelude to Fade
    20. Heroes and Villains: Piano Theme
    Heroes and Villains Session (2/20/67)
    21. Heroes and Villains: Part 2
    22. Heroes and Villains: Part 2 (Gee)(Master take)
    23. Heroes and Villains: Part 2 Revised
    24. Heroes and Villains: Part 2 Revised (Master take)
    25. Heroes and Villains: Part 3 (Animals)(Master take)
    26. Heroes and Villains: Part 4
    27. Heroes and Villains: Part Two (Master take) (2/27/67)
    28. Heroes and Villains: Fade (2/28/67)
    Heroes and Villains Session (3/1/67)
    29. Heroes and Villains: Verse Remake
    30. Heroes and Villains: Organ Waltz / Intro
    Heroes and Villains Session (6/14/67)
    31. Heroes and Villains: Chorus Vocals
    32. Heroes and Villains: Barbershop
    33. Heroes and Villains: Children Were Raised (Remake)
    34. Heroes and Villains: Children Were Raised (Master take Overdubs Mix 1)
    35. Heroes and Villains: Children Were Raised (Master take A Capella)
    Bonus Tracks:
    36. Heroes and Villains Piano Demo (incorporating I'm In Great Shape and Barnyard) Brian with Van Dyke Parks and Humble Harve Miller, KHJ Radio (11/4/66)
    37. Psycodelic Sounds: Brian Falls Into A Microphone (11/4/66)
    38. Psycodelic Sounds: Moaning Laughing (11/4/66)


    CD 3 - Session Highlights
    Do You Like Worms (Roll Plymouth Rock)
    Do You Like Worms Session (10/18/66)
    1. Do You Like Worms: Part 1
    2. Do You Like Worms: Part 2 (Bicycle Rider)
    3. Do You Like Worms: Part 3
    4. Do You Like Worms: Part 4 (Bicycle Rider)
    5. Do You Like Worms: Bicycle Rider Overdubs (Heroes And Villains Part 2) (1/5/67)
    My Only Sunshine (The Old Master Painter / You Are My Sunshine)
    6. My Only Sunshine: Parts 1 & 2 (11/14/66)
    7. My Only Sunshine: Part 2 (Master Take With Vocal Overdubs) (2/10/67)
    Cabin Essence
    Cabin Essence Session (10/3/66)
    8. Cabin Essence: Verse
    9. Cabin Essence: Chorus
    10. Cabin Essence: Tag
    Wonderful
    11. Wonderful (Version 1) (8/25/66)
    Wonderful (Version 2 Rock With Me, Henry) Session (1/9/67)
    12. Wonderful (Version 2)
    13. Wonderful (Version 2 Tag)
    14. Wonderful (Version 3) (4/10/67?)
    Look (Song For Children)
    15. Look (8/12/66)
    Child Is Father Of The Man
    16. Child Is Father Of The Man (Version 1) (10/7/66)
    17. Child Is Father Of The Man (Version 2) (10/11/66)
    Surf's Up
    18. Surf's Up: 1st Movement (11/4/66)
    19. Surf's Up: Talking Horns (11/7/66)
    20. Surfs Up: Piano Demo (Master Take) (12/15/66)
    I Wanna Be Around / Workshop (Friday Night)
    21. I Wanna Be Around (11/29/66)
    Vega-Tables (Vegetables)
    Vegetables Sessions (4/4/67 4/11/67)
    22. Vegetables: Verse (Master Take Track) (4/4 4/11/67)
    23. Vegetables: Sleep A Lot (Chorus)
    24. Vegetables: Chorus 1 (Master Take)
    25. Vegetables: 2nd Chorus (Master Take Track And Backing Vocals)
    26. Vegetables: Insert (Part 4) (Master Take)


    CD 4
    Session Highlights
    Vega-Tables (Vegetables) (continued)
    1. Vegetables: Fade (4/12/67)
    2. Vegetables: Ballad Insert (4/14/67)
    Holidays
    3. Holidays (9/8/66)
    Wind Chimes
    4. Wind Chimes (Version 1) (8/3/66)
    Wind Chimes (Version 2) Session (10/5/66)
    5. Wind Chimes (Version 2)
    6. Wind Chimes (Version 2 Tag)
    The Elements: Fire (Mrs. O'Leary's Cow)
    7. The Elements (Fire) (11/28/66)
    Love to Say Dada / Cool, Cool Water
    Da Da Session (12/22/66)
    8. Da Da (Taped Piano Strings)
    9. Da Da (Fender Rhodes)
    Love To Say Dada Sessions (5/16/67 - 5/18/67)
    10. Love To Say Dada: Part 1 (5/16/67)
    11. Love To Say Dada: Part 2 (5/17/67)
    12. Love To Say Dada: Part 2 (Master Take) (5/17/67)
    13. Love To Say Dada: Part 2 (Second Day) (5/18/67)
    Cool, Cool Water
    14. Cool, Cool Water (Version 1) (6/7/67)
    15. Cool, Cool Water (Version 2) (10/26/67 & 10/29/67)
    Smile Additional Sessions
    16. You're Welcome (12/15/66)
    17. You're With Me Tonight (6/66/7/67)
    18. Tune X (3/3/673/31/67)
    19. I Don't Know (1/12/67)
    20. Three Blind Mice (10/15/65)
    21. Teeter Totter Love (Jasper Dailey) (1/25/67 & 2/9/67)
    Bonus Tracks:
    22. Psycodelic Sounds - Underwater Chant (11/4/66)
    23. Hal Blaine Vega-Tables Promo Session (11/16/66)
    24. Heroes And Villains: Early Version Outtake Sections (1/67 2/67)


    CD 5
    Session Highlights
    Good Vibrations Sessions
    1. Good Vibrations: Gold Star 2/18/66 (The Pet Sounds Session)
    2. Good Vibrations: Gold Star 4/9/66
    3. Good Vibrations: Western 5/4/66 (First Chorus)
    4. Good Vibrations: Western 5/4/66 (Second Chorus & Fade)
    5. Good Vibrations: Sunset Sound 5/24/66 (Part 1)
    6. Good Vibrations: Sunset Sound 5/24/66 (Parts 2 & 3)
    7. Good Vibrations: Sunset Sound 5/24/66 (Part 4)
    8. Good Vibrations: Western 5/27/66 (Part C)
    9. Good Vibrations: Western 5/27/66 (Chorus)
    10. Good Vibrations: Western 5/27/66 (Fade Sequence)
    11. Good Vibrations (Inspiration): Western 6/2/66 (Part 1)
    12. Good Vibrations (Inspiration): Western 6/2/66 (Part 3)
    13. Good Vibrations (Inspiration): Western 6/2/66 (Part 4)
    14. Good Vibrations: Western 6/16/66 (Part 1)
    15. Good Vibrations: Western 6/16/66 (Part 2 & Verse)
    16. Good Vibrations: Western 6/16/66 (Part 2 Continued)
    17. Good Vibrations: Western 6/18/66 (Part 1)
    18. Good Vibrations: Western 6/18/66 (Part 2)
    19. Good Vibrations (Persuasion): Western 9/1/66
    20. Good Vibrations: Western 9/1/66 (New Bridge)
    21. Good Vibrations: Session Masters
    22. Good Vibrations: Single Version Stereo Track
    23. Good Good Good Vibrations (First Version With Overdubs) 3/66
    24. Good Vibrations: Alternate Edit 8/24/66

    The Beach Boys
    $169.99
    2 7 Vinyl LP + 5 CD - 2 LPs Sealed Buy Now
  • Smiley Smile Smiley Smile Quick View

    $34.99
    Buy Now
    x

    Smiley Smile

    Stereo Edition Of Smiley Smile, Released On Vinyl For The First Time!


    Smiley Smile Stereo Mix Created Between 2005 And 2012 Using The First Generation Basic Tracking Session Multitracks, Synced With The Overdubs That Were Later Added On Second And Third Generation Masters, To Create The First True Stereo Mixes


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    First mixed and released in stereo for the first time in 2012. These stereo mixes were created using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes. The exception is Good Vibrations, which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo wasn't possible because the original multi-track tape has never been located. The stereo mixes for Today!, Summer Days (And Summer Nights!!), Beach Boys' Party! and Smiley Smile were produced and mixed by Mark Linett, and co-produced by Alan Boyd.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Smile Sessions The Smile Sessions Quick View

    $34.99
    Buy Now
    x

    The Smile Sessions

    With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the bands legendary 1966-67 sessions for the never-completed SMiLE album.


    In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.


    The SMiLE Sessions double vinyl LP features an approximation of what was intended to be the completed SMiLE album, compiled from The Beach Boys original session masters. Additional session highlights and bonus tracks are also included, including demos and stereo mixes.


    Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions 2LP Set includes an assembled collection of core session tracks. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.


    Artwork for The SMiLE Sessions has been created with and inspired by Beat-Pop artist Frank Holmes original 1967 LP sleeve art and booklet designs intended for the SMiLE album.


    When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions 2011 release, the news spread rapidly. Pitchfork reported, The Beach Boys SMiLE is quite possibly the most storied album in rock history, Billboard proclaimed the upcoming release an event that pop music fans have been waiting for since the Summer of Love, and The Washington Post called SMiLE the most legendary unreleased album of all time.


    The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.


    Beginning with Good Vibrations, The Beach Boys best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.


    In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including Heroes And Villains, the bands follow-up single to Good Vibrations. Wilson and Parks would also co-write Surf's Up, Vega-Tables, Cabin Essence, Do You Like Worms, Wonderful, Wind Chimes, and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the albums James Joyce-mode lyrics.


    The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld Heroes And Villains and announced they would instead release Vega-Tables recorded with the bands own money in April of '67 on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the bands Brother Records, and it was agreed that SMiLE was no longer to be the bands next album.

    LP 1
    Side 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence


    Side 2
    1. Wonderful
    2. Look (Song for Children)
    3. Child Is Father Of the Man
    4. Surf's Up


    LP 2
    Side 3
    1. I Wanna Be Around / Workshop
    2. Vega-Tables
    3. Holidays
    4. Wind Chimes
    5. The Elements: Fire (Mrs. O'Leary's Cow)
    6. Love to Say Dada
    7. Good Vibrations


    Side 4
    1. You're Welcome (stereo mix)
    2. Vega-Tables (stereo mix)
    3. Wind Chimes (stereo mix)
    4. Cabin Essence (Session highlights and stereo backing track)
    5. Surf's Up (Session Excerpt and Stereo mix)

    The Beach Boys
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Beach Boys Party! Beach Boys Party! Quick View

    $34.99
    Buy Now
    x

    Beach Boys Party!

    Stereo Edition Of Beach Boys Party!, Released On Vinyl For The First Time!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers. - AllMusic.com


    This title is not eligible for discount.

    1. Hully Gully
    2. I Should Have Known Better
    3. Tell Me Why
    4. Papa-Oom-Mow-Mow
    5. Mountain Of Love
    6. You've Got To Hide Your Love Away
    7. Devoted To You
    8. Alley Oop
    9. There's No Other (Like My Baby)
    10. Medley: I Get Around/ Little Deuce Coup
    11. The Times They Are A-Changin'
    12. Barbara Ann
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Smiley Smile (Mono) Smiley Smile (Mono) Quick View

    $34.99
    Buy Now
    x

    Smiley Smile (Mono)

    33 1/3 Rpm Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Wildflower Wildflower Quick View

    $22.99
    Buy Now
    x

    Wildflower

    Sixteen years after the release of their critically acclaimed debut Since I Left You, The Avalanches return with their second album, Wildflower. Wildflower is like The Beach Boys' Smile re-imagined in the Daisy Age: a mind-bending cartoon road movie that's best viewed with closed eyes and an open mind. Since I Left You - released in Australia in 2000 and in the U.S. and the U.K. in 2001 - perfectly captured the hazy millennial zeitgeist.
    LP 1
    1. The Leaves Were Falling
    2. Because I'm Me
    3. Frankie Sinatra
    4. Subways
    5. Going Home
    6. If I Was A Folkstar
    7. Colours
    8. Zap!
    9. The Noisy Eater
    10. Wildflower
    11. Harmony
    12. Live A Lifetime Love


    LP2
    1. Park Music
    2. Livin' Underwater (Is Something Wild)
    3. The Wozard Of Iz
    4. Over The Turnstiles
    5. Sunshine
    6. Light Up
    7. Kaleidoscope Lovers
    8. Stepkids
    9. Saturday Night Inside Out

    The Avalanches
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Black Messiah Black Messiah Quick View

    $23.99
    Buy Now
    x

    Black Messiah


    Vinyl Lacquers Cut By Alex DeTurk At Masterdisk


    Pressed At R.T.I.


    No digital 'plug-ins' of any kind were used in this recording. All of the recording, processing, effects and mixing was done in the analog domain using tape and mostly vintage equipment.


    ''For all intents and purposes, this album is the black version of [The Beach Boys'] Smile-- at best, it will go down in the Smile/There's a Riot Goin' On/Miles Davis' On the Corner category.'' - Questlove


    The prodigal son of the soul and funk canon, D'Angelo, is back! His ever-awaited third studio album, Black Messiah, is his first album since the critically acclaimed Voodoo, bringing to an end a 14-year hiatus. The album blends 70's jazz-funk and neo-soul.


    Anyone who's been keeping up should be keen to the fact that the long-lusted over project was recorded in full analog, so the liner notes' PSA "For best results, listen at maximum volume" should be taken as a direct order for fervent D'lievers. And what better way to experience the gritty greatness of the release than a heavy-bodied vinyl pressing for the audio junkies?


    The album features tracks co-penned by Kendra Foster (Parliament/Funkadelic) and Q-Tip (A Tribe Called Quest). It's also co-produced by Questlove (The Roots), bassist Pino Palladino (John Mayer Trio, The RH Factor), and drummer James Gadson (Bill Withers, Temptations, Beck, Jamie Lidell).


    *Executive Produced by Kevin Liles and Alan Leeds

    * Produced by D'Angelo, Questlove, Pino Palladino, James Gadson

    * Mixed by Russell Elevado

    * Additional Mixing by Ben Kane

    * Engineered by Russell Elevado and Ben Kane

    * Additional Engineering by Tony Rambo

    * Mixed at M.S.R. Studios and Henson Studios

    * Mastered by Dave Collins

    LP 1
    1. Ain't That Easy
    2. 1000 Deaths
    3. The Charade
    4. Sugah Daddy
    5. Really Love


    LP 2
    1. Back to the Future (Part I)
    2. Till It's Done (Tutu)
    3. Prayer
    4. Betray My Heart
    5. The Door
    6. Back to the Future (Part II)
    7. Another Life

    D'Angelo And The Vanguard
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Summer Days (And Summer Nights!!) Summer Days (And Summer Nights!!) Quick View

    $34.99
    Buy Now
    x

    Summer Days (And Summer Nights!!)

    Stereo Edition Of Summer Days (and Summer Nights!!), Released On Vinyl For The First Time!


    Summer Days (and Summer Nights!!) Stereo Mix Created Between 2005 And 2012 Using The Original Multi-track Masters And Overdubs Synced To Create The First True Stereo Mixes!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Summer Days (And Summer Nights!!) was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes.


    The exception is Help Me Rhonda, which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo for that track isn't possible because many overdubs were added as the song was mixed for the original mono single. The stereo mixes for Today!, Summer Days (And Summer Nights!!), Beach Boys' Party! and Smiley Smile were produced and mixed by Mark Linett, and co-produced by Alan Boyd.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Summer Days features another Wilson world-beater production, California Girls, and the band's second No. 1 single, Help Me, Rhonda. Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as Salt Lake City, the Phil Spector tribute Then I Kissed Her, Summer Means New Love and Let Him Run Wild.


    This title is not eligible for discount.

    1. The Girl From New York City
    2. Amusement Parks U.S.A.
    3. Then I Kissed Her
    4. Salt Lake City
    5. Girl Don't Tell Me
    6. Help Me, Rhonda
    7. California Girls
    8. Let Him Run Wild
    9. You're So Good To Me
    10. Summer Means New Love
    11. I'm Bugged At My Ol' Man
    12. And Your Dream Comes True
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Summer Days (And Summer Nights!!) (Mono) Summer Days (And Summer Nights!!) (Mono) Quick View

    $34.99
    Buy Now
    x

    Summer Days (And Summer Nights!!) (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    One Of 10 Titles Featuring 33 1/3 Mono And Stereo Remastered Editions: Surfin' Usa, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (and Summer Nights!!), Beach Boys Party!, Pet Sounds And Smiley Smile


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Summer Days features another Wilson world-beater production, California Girls, and the band's second No. 1 single, Help Me, Rhonda. Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as Salt Lake City, the Phil Spector tribute Then I Kissed Her, Summer Means New Love and Let Him Run Wild.


    This title is not eligible for discount.

    1. The Girl From New York City
    2. Amusement Parks U.S.A.
    3. Then I Kissed Her
    4. Salt Lake City
    5. Girl Don't Tell Me
    6. Help Me, Rhonda
    7. California Girls
    8. Let Him Run Wild
    9. You're So Good To Me
    10. Summer Means New Love
    11. I'm Bugged At My Ol' Man
    12. And Your Dream Comes True
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Live At The Jazz Mill Live At The Jazz Mill Quick View

    $24.99
    Buy Now
    x

    Live At The Jazz Mill

    Pressed On Red Vinyl


    Unearthed tape from a jazz icon. Thanks to a 21-year-old with a tape machine, we can all experience the majesty of guitar legend Barney Kessel at his 1954 best!


    Even if you don't know Barney Kessel, you know Barney Kessel -- as a first-string member of the group of LA session musicians nicknamed The Wrecking Crew, Kessel's guitar is heard on just about every LA-based hit you'd care to name from the 60s, including songs by the Monkees and The Beach Boys' legendary Smile LP. And that's Kessel's playing on the famous fight music from the Star Trek TV series. He was regarded as the very best of the session guitarists by just about everyone around, and guitarists everywhere site him as an influence.


    But before he played rock and roll, Kessel was a jazz pioneer -- as one of the leading lights of the hard-bop movement, his jazz guitar was legendary, and he was ranked the No. 1 guitarist in Down Beat and Playboy for numerous years. He played with Sonny Rollins and Oscar Peterson (and Chico Marx -- yes, that Chico Marx!) as well as leading his own super-tight group. On albums such as The Poll Winners, Kessel defined the bop style with a jazz power trio, creating a body of work that made him a legend.


    Live At The Jazz Mill is a unique artifact -- recorded on a tape recorder by young jazz fan Jack Miller, this live recording catches Barney Kessel in the middle of his run at the Jazz Mill with a great four-piece band. The collection, gleaned from a couple of nights' best recordings, features Kessel's spirited take on such Songbook classics as Get Happy and Stardust, not to mention the Gershwin great Embraceable You. It's pressed on red vinyl and wrapped in a sleeve which captures the unique vibe of jazz graphics of the 1950s. Get with Barney Kessel, and get with a true pioneer of the jazz form!

    1. Strike Up The Band
    2. How About You
    3. Get Happy
    4. Stardust
    5. Seven Come Eleven
    6. Rose Room
    7. Somebody Loves Me
    8. Embraceable You
    Barney Kessel
    $24.99
    Colored Vinyl LP - Sealed Buy Now
  • Pet Sounds Pet Sounds Quick View

    $34.99
    Buy Now
    x

    Pet Sounds

    Stereo Edition Of Pet Sounds, Released On Vinyl For The First Time!


    Stereo Mix Produced By Mark Linett Under The Supervision Of Brian Wilson / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    It was Pet Sounds that blew me out of the water I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album. - Paul McCartney


    All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one. - Eric Clapton


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.


    This title is not eligible for discount.

    1. Wouldn't It Be Nice
    2. You Still Believe Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • No Pier Pressure No Pier Pressure Quick View

    $35.99
    Buy Now
    x

    No Pier Pressure

    New Album Features Collaborations with Beach Boys Bandmates, Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, and Capital Cities' Sebu Simonian


    He is one of popular music's most deeply revered figures, a legendary writer, producer, arranger and performer of some of the most cherished music in pop music history. Indeed, it is no exaggeration to call Brian Wilson one of the most gifted and influential composers of the past 50 years. For the release of his 11th solo studio album, titled No Pier Pressure, Wilson has returned to Capitol Records, his original label home with The Beach Boys.


    For the No Pier Pressure sessions, Brian Wilson reunited with longtime collaborator Joe Thomas, with whom he co-produced The Beach Boys' No. 3 Billboard album That's Why God Made The Radio for the iconic band's 50th anniversary reunion in 2012. In addition, Wilson was joined at Hollywood's Ocean Way Studios by talented musicians he personally invited to record with him, including his former Beach Boys bandmates Al Jardine, David Marks and Blondie Chaplin, as well as Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, Capital Cities' Sebu Simonian, and trumpet master Mark Isham. Wilson has also brought in session all-stars Don Was, Jim Keltner, Dean Parks, and Kenny Aronoff. Members of Wilson's longtime touring band, including Scott Bennett, Paul Mertens, Darian Sahanaja, and Probyn Gregory also participated in the sessions, along with Matt Jardine, son of Al Jardine, and former bandmate Jeffrey Foskett.


    Wilson and Thomas began collaborating on the new songs during The Beach Boys' whirlwind 50th anniversary activities throughout 2012, a banner year for the band which also included a GRAMMY® Award win for Brian for The Beach Boys' long-awaited SMiLE Sessions release. He told family, friends, and journalists around the world that he looked forward to returning to the studio when he got back home to California.


    Always most inspired when creativity is given time and space to freely flow, Wilson initially envisioned the sessions for his new album with The Beach Boys in mind, but that was not to be. Wanting to find the right voices to complete his vision, Wilson saw an opportunity to finally become hip with his kids and recruited some amazing young vocalists who have been inspired by his music to do the job.


    Throughout his iconic career, Wilson has brought ingenious vision to his own compositions, as well as to those for which he has collaborated, weaving a lush, vibrant tapestry of intricately nuanced vocal harmonies and instrumental arrangements for himself, his bandmates and others. For more than 50 years, fans have marveled at the sheer beauty of the music that springs forth from Wilson's imagination into glorious song.


    Camped out at Ocean Way, Wilson took a fluid, woodshedding approach to the recording process, deftly tailoring the vocal and instrumental parts and arrangements to each participant. Wilson worked to hone the arrangements, often assembling pieces from various takes, a signature style of recording he has enjoyed since his earliest sessions with The Beach Boys. In fact, several of the songs were written during the recording process.


    Brian Wilson began his career as a teenaged founding member of The Beach Boys, who signed with Capitol Records in July 1962 and released their first album, Surfin' Safari, that same year. The band's initial surf-rock focus was soon broadened to include other themes, and 1966's Pet Sounds is universally hailed as one of the greatest albums of all time. Wilson's innovative vocal and instrumental arrangements for major hits including "I Get Around," "California Girls," "Wouldn't It Be Nice," "God Only Knows," and the No. 1 smash "Good Vibrations" made The Beach Boys America's preeminent band of the 1960s.


    Brian Wilson has also achieved great solo success with 10 of his own albums released to date, including his acclaimed 2004 completion of an album he first began recording in the '60s, Brian Wilson Presents SMiLE, which reached Billboard's Top 20 and earned him his first GRAMMY® Award for a recording. Wilson won his second GRAMMY Award® for producing The Beach Boys' acclaimed 2011 release, The SMiLE Sessions. Wilson has also performed major, sold-out SMiLE and Pet Sounds tours in recent years with his own band. Wilson is a Kennedy Center Honors recipient, a Songwriters Hall of Fame inductee, and a UK Music Hall of Fame inductee. As a member of The Beach Boys, Wilson was inducted into the Rock and Roll Hall of Fame in 1988 and honored with The Recording Academy's Lifetime Achievement GRAMMY® Award in 2001.

    LP 1
    1. This Beautiful Day
    2. Runaway Dancer [featuring Sebu Simonian]
    3. What Ever Happened [featuring Al Jardine and David Marks]
    4. On The Island [featuring She & Him]
    5. Our Special Love [featuring Peter Hollens]
    6. The Right Time [featuring Al Jardine and David Marks]
    7. Guess You Had To Be There [featuring Kacey Musgraves]
    8. Tell Me Why [featuring Al Jardine]


    LP 2
    1. Sail Away [featuring Blondie Chaplin and Al Jardine]
    2. One Kind Of Love
    3. Saturday Night [featuring Nate Ruess]
    4. The Last Song
    5. Half Moon Bay
    6. Don't Worry
    7. I'm Feeling Sad
    8. Somewhere Quiet

    Brian Wilson
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Shut Down Vol 2 (Mono) Shut Down Vol 2 (Mono) Quick View

    $34.99
    Buy Now
    x

    Shut Down Vol 2 (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture. ... the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.' - Amazon.com


    This title is not eligible for discount.

    1. Fun, Fun, Fun
    2. Don't Worry Baby
    3. In The Parkin' Lot
    4. "Cassius" Love Vs "Sonny" Wilson
    5. The Warmth Of The Sun
    6. This Car Is Mine
    7. Why Do Fools Fall In Love
    8. Pom, Pom Play Girl
    9. Keep An Eye On Summer
    10. Shut Down, Part II
    11. Louie, Louie
    12. Denny's Drums
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surfin' USA Surfin' USA Quick View

    $34.99
    Buy Now
    x

    Surfin' USA

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger on a set of material that was stronger than their Surfin' Safari debut.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Besides the hit title track on Surfin' USA and its popular drag-racing flip side (Shut Down), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad (Lonely Sea) and a couple of strong Brian Wilson originals (The Noble Surfer and Farmer's Daughter).


    There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. - AllMusic.com


    This title is not eligible for discount.

    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Shut Down Vol 2 Shut Down Vol 2 Quick View

    $34.99
    Buy Now
    x

    Shut Down Vol 2

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    The first Shut Down was a hugely successful Capitol Records Various Artists compilation LP that had included a pair of Beach Boys tracks. Whereas their previous album Little Deuce Coupe had been a full-on car themed concept album, the Beach Boys' Shut Down Volume 2 was pretty much evenly split between songs with car themes and various high school and summertime-themed tunes. The album sought to further the Beach Boys beyond its ironic sea-and-sun fetish (none but Dennis Wilson ever surfed) into the burgeoning hot-rod subculture. ... the high points remain nothing short of spectacular, including the Mike Love-propelled 'Fun, Fun, Fun,' Wilson's knowing nod to Phil Spector, 'Don't Worry Baby,' and the (hit) 'The Warmth of the Sun.' - Amazon.com


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Fun, Fun, Fun
    2. Don't Worry Baby
    3. In The Parkin' Lot
    4. "Cassius" Love Vs "Sonny" Wilson
    5. The Warmth Of The Sun
    6. This Car Is Mine
    7. Why Do Fools Fall In Love
    8. Pom, Pom Play Girl
    9. Keep An Eye On Summer
    10. Shut Down, Part II
    11. Louie, Louie
    12. Denny's Drums
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfer Girl Surfer Girl Quick View

    $34.99
    Buy Now
    x

    Surfer Girl

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Little Deuce Coupe Little Deuce Coupe Quick View

    $34.99
    Buy Now
    x

    Little Deuce Coupe

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Released just one month after the Surfer Girl album, Little Deuce Coupe was, incredibly, the Beach Boys' fourth album in less than a year. Brian Wilson and the band responded by turning in arguably their most consistent effort to date - and a concept album, to boot.


    Little Deuce Coupe expanded the band's subject matter to encompass 1963 America's burgeoning love affair with hot rods, surrounding previously released cuts such as the title track, 409, and others with strong new material (much of it cowritten by Wilson and a DJ, Roger Christian). A highpoint: the a cappella James Dean tribute A Young Man Is Gone (a reworking of Bobby Troup's beautiful Their Hearts Were Full of Spring), a prime example of Wilson's arranging genius and the band's vocal prowess. Their Hearts Were Full Of Spring had been a standard for the vocal group The Four Freshmen, whose lush and distinctive jazz-based vocal arrangements had a huge influence on Brian's musical development.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Little Deuce Coupe
    2. Ballad Of Ole' Betsy
    3. Be True To Your School
    4. Car Crazy Cutie
    5. Cherry, Cherry Coupe
    6. 409
    7. Shut Down
    8. Spirit Of America
    9. Our Car Club
    10. No-Go Showboat
    11. A Young Man Is Gone
    12. Custom Machine
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • All Summer Long All Summer Long Quick View

    $34.99
    Buy Now
    x

    All Summer Long

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    All Summer Long was notable not only for racheting up the Beach Boys' standards and essentially bidding farewell to the surf songs that inspired both their name and reputation, but also for going toe-to-toe with one of rock's most explosive phenomena - Beatlemania - and coming away victorious, with the single 'I Get Around' soaring to No. 1 in the spring of 1964. Essentially another loose concept record (revolving around the innocent hedonistic pursuits of an idyllic SoCal summer) that takes its cue from the effervescent title track, it also documents Brian's restless creativity pushing the band toward its performing peak. - Amazon.com


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. I Get Around
    2. All Summer Long
    3. Hushabye
    4. Little Honda
    5. We'll Run Away
    6. Carl's Big Chance
    7. Wendy
    8. Do You Remember?
    9. Girls On The Beach
    10. Drive-In
    11. Our Favorite Recording Sessions
    12. Don't Back Down
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Today! Today! Quick View

    $34.99
    Buy Now
    x

    Today!

    Stereo Edition Of Today!, Released On Vinyl For The First Time!


    Today! Stereo Mix Created Between 2005 And 2012 Using The First Generation Basic Tracking Session Multitracks, Synced With The Overdubs That Were Later Added On Second And Third Generation Masters, To Create The First True Stereo Mixes!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Today! was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds. - Amazon.com


    This title is not eligible for discount.

    1. Do You Wanna Dance?
    2. Good To My Baby
    3. Don't Hurt My Little Sister
    4. When I Grow Up
    5. Help Me, Ronda
    6. Dance, Dance, Dance
    7. Please Let Me Wonder
    8. I'm So Young
    9. Kiss Me, Baby
    10. She Knows Me Too Well
    11. In The Back Of My Mind
    12. Bull Sessions With The "Big Daddy"
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfer Girl (200 Gram 45 RPM) Surfer Girl (200 Gram 45 RPM) Quick View

    $54.99
    Buy Now
    x

    Surfer Girl (200 Gram 45 RPM)

    The Ultimate Pressings Of The Beach Boys Discography From Analogue Productions!


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Double LP 45 RPM Pressing!


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time-honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin USA (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nick Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    LP 1
    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe


    LP 2
    1. In My Room
    2. Hawaii
    3. Surfer?s Rule
    4. Our Car Club
    5. Your Summer Dream
    6. Boogie Woodie

    Beach Boys
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Surfin' USA (Mono) Surfin' USA (Mono) Quick View

    $34.99
    Buy Now
    x

    Surfin' USA (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.
    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.
    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputiing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themseleves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfin' USA was the Beach Boys' real breakthough album, showing Brian Wilson asserting himself in the studio as both a premier songwriter and arranger.


    Besides the hit title track and its popular drag-racing flip side (Shut Down), AllMusic.com notes that Surfin' USA has a lovely, heartbreaking ballad (Lonely Sea) and a couple of strong Brian Wilson originals (The Noble Surfer and Farmer's Daughter).


    There are also a surprisingly high quotient of instrumentals (five) that demonstrate that ... the Beach Boys could play respectably gutsy surf rock as a self-contained unit. Indeed, the album as a whole is the best they would make, prior to the late '60s, as a band that played most of their instruments, rather than as a vehicle for Brian Wilson's ideas. The LP was a huge hit, vital to launching surf music as a national craze, and one of the few truly strong records to be recorded by a self-contained American rock band prior to the British Invasion. - AllMusic.com


    This title is not eligible for discount.

    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Sunflower Sunflower Quick View

    $34.99
    Buy Now
    x

    Sunflower

    33 1/3 RPM Stereo Only


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Sunflower is considered by most fans - and some of the Beach Boys themselves - to be their finest work after Pet Sounds. More so than any other Beach Boys album, it's a true group collaboration, with Carl Wilson overseeing the production and mixdowns. Brian Wilson himself was very involved in the creation of this album, which includes one of his most enduring compositions, This Whole World, as well as an expansion of a fragment from the Smile sessions, Cool Cool Water, featuring some of the band's most intricate and playful interlocking vocal parts. Sunflower is also the home of some of Dennis Wilson's most enduring work, including the uptempo album opener Slip On Through, and the classic Beach Boys ballad Forever.


    Sunflower, originally titled Add Some Music (after the group's initial single for Warners, Add Some Music To Your Day, which failed to garner enough airplay to become a hit), underwent several lineup revisions before its eventual release in the late summer of 1970. The album, hailed by the U.K. music press as The Beach Boys' Sgt. Pepper, failed to sell, despite glowing reviews and wide acclaim for its rich sonic texture (due in no small part to the efforts of Beach Boys' engineer Stephen Desper, a noted pioneer in quadrophonic and surround sound technologies).


    This title is not eligible for discount.

    1. Slip On Through
    2. The Whole World Add Some Music To Your Day
    3. Deirdre
    4. Got To Know The Woman
    5. It's About Time
    6. Tears In The Morning
    7. All I Wanna Do
    8. Forever
    9. Our Sweet Love
    10. At My Window
    11. Cool, Cool Water
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surf's Up Surf's Up Quick View

    $34.99
    Buy Now
    x

    Surf's Up

    33 1/3 RPM Stereo Only


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Worth noting on Surf's Up is Stephen Desper's engineering work - the entire album was mixed to a center channel quad matrix that he was developing at the time.


    Surf's Up hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts - the highest chart placement the group had had since 1967. At the time of its release, Surf's Up was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.


    Carl Wilson makes solid contributions on Surf's Up with Long Promised Road and Feel Flows, and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic Disney Girls (1957), but the album's twin jewels are both from Brian Wilson - Til I Die and the title track - one of the centerpieces of the then-unreleased Smile (cowritten by lyricist Van Dyke Parks and here given that album's Child Is Father to the Man as a glorious coda.)


    Surf's Up track A Day in the Life of a Tree is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. Til I Die, isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.


    This title is not eligible for discount.

    1. Don't Go Near The Water
    2. Long Promised Road
    3. Take A Load Off Your Feet
    4. Disney Girls
    5. Student Demonstration Time
    6. Feel Flows
    7. Lookin' At Tomorrow (A Welfare Song)
    8. A Day In The Life Of A Tree
    9. 'Til I Die
    10. Surf's Up
    Beach Boys
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The World Is Real (Awaiting Repress) The World Is Real (Awaiting Repress) Quick View

    $18.99
    Buy Now
    x

    The World Is Real (Awaiting Repress)

    LAKE's comprehensive pop vision has always been anchored in an honest mournfulness, a sensitivity to nature, and the vulnerability of life. These mark
    LAKE's more down tempo, contemplative grooves, which are given their fullest voice yet on The World Is Real, LAKE's fourth album for K and sixth overall.
    It follows 2008's Oh, the Places We'll Go, 2009's Let's Build A Roof, and 2011's Giving & Receiving, and was similarly recorded at Dub Narcotic Studio at K headquarters in their hometown of Olympia, Washington.


    The songwriting partnership of Ashley Eriksson and Eli Moore is the locus of LAKE's creative engine, but the additional members are as integral and
    longstanding. They are the diversely talented Andrew Dorsett, Markly Morisson, and Lindsay Schief. The creative sound that surrounds LAKE is storied in collaboration, sonic adventure and an allegiance to exploring the limits of crafting pop songs. They have toured, recorded and allied with some of the most pioneering figures in contemporary independent music: R. Stevie Moore, Chris Cohen, Karl Blau, and Phil Elverum's Mt. Eerie, for example.


    Lead track Do You Recall? offers wide and subtle nods to working-class 80's classics like Mellencamp's Jack & Diane, or Hornsby's The Way It Is. Featuring drum machine and nostalgic guitar riffs, the lead and group vocals float through droning synths like wind to a bounded world.


    Dog in the Desert one of the album's centerpieces, was initially inspired by the text-works of conceptual artist, Richard Long, and his "art made by walking in landscapes" (richardlong.org). Eriksson's voice, and the dark plodding instrumentation of the song, take Long's images and shape them into a meditation on abandonment, loss and reconciliation with nature.


    Tellingly, the earthbound bass groove on Dog in the Desert is a quotation of Steely Dan's Black Cow. It is not the only song to directly live sample Fagen and Becker: Perfect Fit mashes up the chordal rhythms of Peg to excellent effect.
    It's clear that LAKE enjoys to boldly tread and rework the classics in this way, most notably in Mark Morrison's first personal LAKE offering Takin' My Time, a direct reference to the Isley Brothers song "Caravan of Love." This smooth R&B pop seducer - a wild crowd favorite at LAKE's local Olympia outings - is a bit of an aside from The World Is Real's more meditative core.


    Other highlights on The World Is Real: Bury the House takes its 60's styled psychedelic setting for a playful, self-deprecating riff on LAKE's own new age-y ideals: Bury the house / under the garden / make an attempt to go outside. Composure and "I Wish For You" have the pop attributes of Pet Sounds and Smile era Beach Boys - faintly forlorn, but still warm and sweet. And the community oriented compassion exhibited by LAKE's members is beautifully summarized in the opening lines of album closer Reconcile: How do we exist under the sun
    but not in bliss? / What could have been? / Act on it.


    Lovers of hybrid pop will hear the bright whirring electronic keys that notably set McCartney II apart from the rest of Paul's catalog, as well as the bittersweet organ and keyboard influence of Yo La Tengo, and the minimalist funk of Talking Heads on
    this record. However, precise comparison is difficult: The World is Real avoids easy genre comparisons. An album full of the articulation of discontent and loss, LAKE captures these emotions in tandem with the pop music joys they have so expertly reigned in for many years.

    1. Do You Recall?
    2. Bury The House
    3. Combat Culture
    4. Composure
    5. Go Back
    6. Dog In The Desert
    7. Perfect Fit
    8. Takin' My Time
    9. I Wish For You
    10. In The Stubborn Eyes Of A Demon
    11. Reconcile
    Lake
    $18.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • 1
  • 2
Go to top